The Reluctant Revolutionary Storyville


The Reluctant Revolutionary

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Transcript


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Why have they done this? It looks like a trap.

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Who's done this?

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The Taliban?

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I'd come to Yemen to make a film with Kais,

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a tour guide who despite the dangers of Al-Qaeda and possible civil war,

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was still determined to take tourists around his country.

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Could this be a trap?

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How?

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Continue!

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We should go quickly now.

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We shouldn't even be out of the car, it could be an ambush.

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Why are they doing this for the tourists?

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While the world was focusing on the Arab Spring in Tunisia, Egypt

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and Libya, I had come to Yemen, sensing it would be next.

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I wondered how revolution would affect this country,

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the poorest and most heavily armed in the Arab world.

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In a way, any kind of change here would be a bloodbath, wouldn't it?

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Because everyone's got a gun.

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Meaning what? What's the difference?

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CHANTING

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In the capital, Sana'a, protestors are calling

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for the 33-year corrupt rule of President Ali Abdullah Saleh to end.

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Determined to not follow the same fate as other Arab leaders,

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he's offering concessions and hoping to cling on to power.

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But unrest is breaking out all over the country

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and now threatening the only tour Kais has managed to get all year.

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He's begging for what?

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Is he scared, do you think?

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For years, Yemen has been propped up

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with millions of dollars of aid from America, in fear of it becoming

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a failed state like its neighbour, Somalia.

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It has a population of over 20 million with 60 million weapons

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and is home to Al-Qaeda.

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So what's inside it now?

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A spate of killings and kidnappings almost destroyed tourism in Yemen.

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Today, Kais barely survives,

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running cut-down tours with Eastern Europeans,

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the only people brave enough to holiday here these days.

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Abdullah! Abdullah!

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What happened when you were kidnapped?

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Even they put for them tents.

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To feel like they were guests, not hostages.

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And they were not even that.

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Maybe you should advertise luxury kidnapping.

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Just those one or two occasions when people get shot and killed.

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Those are the ones that people remember.

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For years, Yemen suffered from bitter tribal civil war.

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But in 1990, President Saleh succeeded in uniting the north

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and south by paying backhanders to the sheiks to keep peace.

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Kais told me that his President had brought economic stability

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and increased tourism to Yemen.

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But now all this stood in the balance

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as revolution swept the region.

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It's a war.

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Get your gun out, get your Kalashnikov.

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With a revolution closing in on us,

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Kais was forced to employ armed guards to protect us,

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eating into his dwindling profits.

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Are your profits not looking any good any more on this tour?

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How much could you make arms dealing, selling landmines?

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You never been tempted to do bad?

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What if money gets really hard?

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-Beautiful, no?

-Yeah.

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-See the mountains?

-Mmm.

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-Morning.

-Good morning.

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I thought it was yesterday.

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So what do you think will happen?

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They'd be fighting?

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I'll just piss and come back.

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Wow!

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A big demonstration in Sana'a today.

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Why?

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So we go back to Sana'a today?

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Tonight, yes.

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Back in Sana'a, a protest camp had taken over the city centre

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and secret police were everywhere.

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I had to be careful about filming.

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Kais had bribed some officials to extend my tourist visa

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to keep me here.

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There's a roadblock ahead.

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-Oh, my God.

-What's that plane doing?

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Well, let's just go in. It's really safe. There's no problem.

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Well, we should go and have a look, really.

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Kais was only willing to go into the camp after dark.

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-We have to get searched to get in?

-Yes.

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So who am I? Just like a tourist?

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It's like a football match. It sounds like football.

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Is this whole area out of the hands of the government?

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Yeah.

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Wow!

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I don't see anybody with a beard.

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So, you don't agree with them?

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The camp felt hopeful and positive.

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It even had a comedy stage

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where they were daring to mimic the President.

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I thought it was a really great atmosphere.

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But his days are limited, aren't they, the President here?

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Who put the picture up?

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-And his son is called Ali.

-Ali, Ali!

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Hello.

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-Hello.

-Hello.

-How are you?

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-Ah, there's your father.

-Yeah.

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You look like a little British boy. How come?

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Why didn't you, er... like your father's dress?

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Even your father?

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I thought you didn't go to school.

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Ah, your little brother. There's no pictures of your mother in here.

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-So it's just for men?

-Yes.

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But women can come here?

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So this is just a men's room?

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Under President Saleh, Kais said he'd enjoyed the high life.

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He'd run a 20-room hotel in the old city

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but it went bust a year ago, leaving him with many debts.

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How beautiful.

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When Kais's hotel went under, he took over his father's agency

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with his younger brother and has an office

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where he spends most of his time waiting for tourists.

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-It's what time?

-Drug time.

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Kais has two daughters and his wife is now four months pregnant.

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-Bye.

-Bye-bye. Can I get one shot?

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-That's for you there!

-That could be anybody!

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That could be anybody! It could be my mother.

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-Isn't she curious to meet your friend Sean?

-No.

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Thanks.

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Is your father proud of you, then?

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-Hi, who are you?

-Hello.

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Look at this. What does it say?

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I think it's changing, you know.

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I think you can't stop this change.

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Look at these tents.

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If the government want to stop it, they have to come with a bulldozer.

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Yeah, and kill people, but they don't want to kill people.

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WOMEN CHANT

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MEN CHANT

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Each day, the protesters extend the camp, taking control of new streets,

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with the aim of reaching the palace and forcing President Saleh out.

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CHANTING CONTINUES

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But with more tribes arriving every day,

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the government spread rumours that they were really AlQaeda,

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bringing weapons to the camp.

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We had been befriended by Khaled, one of the camp organisers,

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and one of the beards that Kais feared so much.

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He was determined to show us

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the peaceful nature of Islam and the camp.

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The camp was started by two students, who had pitched a tent

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outside the university gates a few weeks earlier.

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Soon, thousands joined them.

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President Saleh, you are not the President.

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You are mistaken if you believe this,

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and now this is the new generation revolution.

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Go out, go out, the game is over.

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It felt like a kind of Arabic Glastonbury.

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They even had their own drugs.

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It is like a festival here.

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-Do you think?

-Yes.

-How soon?

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This will be memorable, this place where we stand now... in years to come.

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They already called it, what did they call it? This...

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Change Square, yes.

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Saying, "This was where the revolution happened."

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'As we left the camp,

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'we came face-to-face with the balatija, government-hired thugs

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'who roam the streets waiting for protesters leaving the camp.'

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It's a good stick.

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-Yeah, it's good stick.

-What's this?

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-Can I have?

-Yes.

-Can I hold?

-OK.

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If he find someone who's crazy, he make him, one, two...

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And crazy...

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Wow, that's...

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At the sight of the balatija, Kais had disappeared.

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Why?

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Secret police were there?

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And what happened?

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But, what's this, there is no danger in going back?

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TELEVISION BLARES

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I'm serious! Don't laugh.

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HE STIFLES LAUGHTER

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Has Libya fallen yet?

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With Gaddafi looking likely to fall,

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President Saleh was stepping up the media campaign,

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attracting supporters to his pro-camp

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by offering free lunch and free khat.

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Kais wouldn't tell me directly,

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but I knew he was having problems with his wife.

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What's she saying?

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11,000.

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1,000?

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-11...

-11,000? Why?

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She's going to leave him, she said. His wife.

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You have enough food for a week.

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-A week or less?

-Four days.

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Four days. Fantastic.

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So, what have your children been eating?

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These things. Spaghetti.

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Noodles? Pot Noodles?

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Has she been angry because of that, because of the food?

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Do you think she's being fair or unfair?

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CAR HORNS BEEP

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Do you need a hand?

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Oh, Kais, I don't know how to help Kais. I worry so much about Kais.

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His situation is so bad.

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We need to talk to him.

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Maybe you could talk to him. Tell him.

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And Kais? Could Kais wake up?

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Kais has nothing.

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She's not talked about the threat ever since?

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Your wife hasn't talked to you about the threat of leaving you again?

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Is it all forgotten now?

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What's she saying?

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Hi, I'm Sean.

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Come in.

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'There's a moment of hope

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'when Kais' assistant stumbles across the only two tourists in town

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'and manages to almost get them in the office.'

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-OK, OK.

-OK, you are welcome. Thank you.

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-OK, good night!

-Good night.

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No?

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They didn't arrange the trips?

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Each night, Kais will escape his problems at home

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by coming to my room to chew.

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Do you normally feel scared living here?

0:32:320:32:35

But before?

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Everybody's all the same situation, not just you.

0:33:020:33:05

Yeah.

0:33:050:33:06

Is no-one going to come here until the revolution's finished?

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No?

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Why?

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What happened?

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Who is going to make big problems?

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-They're going to attack the camp?

-Yeah.

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-Tonight?

-Yes, I think.

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CHANTING IN DISTANCE

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What did they do to the place?

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That's the shot.

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-Last night?

-Yes.

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SEAN SIGHS

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'The attack had happened on the perimeter of the camp

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'about a kilometre from Change Square.'

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-This is where they attacked last night?

-Yeah.

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Would you say this is war?

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Freedom fighter?

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It's scary.

0:35:210:35:22

No, I'm independent, from England,

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but hopefully we'll get something on.

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Why?

0:35:340:35:36

-MOBILE PHONE RINGS

-Who's that?

0:35:420:35:43

Shit. Hello?

0:35:460:35:48

Hi. Oh, my God, it's my kids. Hi, how are you, Harry?

0:35:500:35:54

Tell him to stop swearing.

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Oh, please. I asked George to be a good boy while I was away.

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-He's been beating up the other one.

-Oh.

0:36:030:36:06

Is that still another entrance, or is this the camp still now?

0:36:120:36:16

-That's the new camp up there?

-Yeah, further.

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See this hole, and that one. In the side.

0:36:450:36:50

See? This is the bullet.

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-The bullet's still in the phone?

-Yes.

-Yeah.

-Oh, my God.

0:36:530:36:55

That's one bullet.

0:36:550:36:57

Oh, my God.

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THEY SHOUT AND CHANT

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'On the front line, the youth were trying to take back

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'the streets that they'd lost the night before...

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'whilst in the centre of the camp,

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'women and children had returned, undeterred.'

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CHEERING AND APPLAUSE

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MUSIC: National Anthem Of Yemen

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MUSIC DROWNS SPEECH

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CHEERING, APPLAUSE AND GUNFIRE

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This is shooting.

0:38:150:38:17

SHOUTING

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GUNFIRE CRACKLES

0:38:330:38:35

MUSIC STARTS

0:38:500:38:52

GUNFIRE CRACKLES

0:39:160:39:18

They're shooting?

0:39:180:39:20

-Yes.

-Huh?

0:39:200:39:22

PUBLIC ADDRESS SYSTEM BLARES

0:39:220:39:24

Don't let them see the camera. They'll shoot me!

0:39:240:39:26

Give it to me.

0:39:260:39:28

Is it people or soldiers?

0:39:300:39:32

-Police.

-Police?

0:39:320:39:34

GUNFIRE RATTLES

0:39:340:39:35

-It's very scary.

-Yes.

0:39:370:39:39

-For English people, yes.

-Yes.

-THEY BOTH LAUGH

0:39:420:39:45

What?

0:39:500:39:52

SIREN BLARES

0:39:520:39:54

What is?

0:39:540:39:55

Can we...? Can we move down there, then?

0:40:050:40:07

Why?

0:40:070:40:08

Just for safety reasons.

0:40:100:40:12

SIREN BLARES

0:40:120:40:14

Gas, gas?

0:40:220:40:23

This is gas.

0:40:280:40:29

Look.

0:40:310:40:32

Protecting the protesters.

0:40:340:40:36

THEY SPEAK IN ARABIC

0:40:440:40:47

Hold on.

0:40:470:40:49

SIREN BLARES

0:40:490:40:52

-Look.

-Wow.

0:40:580:40:59

-Salaam.

-Salaam.

0:41:120:41:13

-Salaam.

-Salaam.

0:41:180:41:20

We don't know the type of gas, but what we have found...

0:41:220:41:26

We have found the signs and symptoms of nervous system problems.

0:41:260:41:32

But unless you know what gas it is, you cannot treat it?

0:41:320:41:35

Yeah, that's the problem which we are facing now.

0:41:350:41:37

We have people dying, not because of the nerve gas, actually

0:41:370:41:40

but we have people dying because of gunshot wounds.

0:41:400:41:44

You've seen me there before - I met with your conversation there.

0:41:540:41:59

I got... I filmed you before?

0:41:590:42:01

That... It happened there. It happened.

0:42:010:42:03

-Here, one rubber bullet.

-Yeah.

-And another rubber bullet here.

0:42:030:42:08

I'm telling them,

0:42:080:42:10

"You take money to kill me? I'm giving blood to leave you...

0:42:100:42:16

"To give you a life, a good life."

0:42:160:42:19

I don't...

0:42:190:42:20

I don't afraid about guns or machine guns or Ali Abdullah Saleh himself.

0:42:200:42:25

CALL TO PRAYER

0:42:260:42:29

Salaam, Ali.

0:42:340:42:35

But, before, you were more cynical, more sceptical of the opposition.

0:42:440:42:48

I wasn't scared, just...

0:42:480:42:50

Not scared, sceptical. Questioning.

0:42:500:42:52

-Yes.

-You were not... You didn't believe it completely.

0:42:520:42:55

That's what I believe.

0:43:040:43:06

They already know, er...your face.

0:43:260:43:29

They will come to your hotel.

0:43:290:43:32

I come from this way, I come from THIS way. No.

0:43:450:43:50

In this hotel?

0:43:560:43:57

Two. Shit.

0:44:000:44:02

What did you say?

0:44:140:44:16

Good.

0:44:200:44:22

Do you think that these problems you have now will be any different?

0:44:240:44:28

No, with or without the dictatorship.

0:44:300:44:33

Yeah, of course.

0:44:330:44:34

In other words, do you think democracy makes any of this easier, or do you think it...?

0:44:340:44:38

-Of course.

-There's still poor people in democracies.

0:44:380:44:41

But when I met you, you never blamed the President for any of this.

0:45:000:45:04

Now, when you're coming out of the...

0:45:040:45:07

camp.

0:45:070:45:08

-Is it not...?

-CAR HORN HONKS

0:45:110:45:13

Can you not...? I mean, I...

0:45:130:45:15

Can you point the finger at him, or is that to simplistic?

0:45:150:45:17

CAR HORN BLARES

0:45:170:45:19

I mean...

0:45:240:45:25

Why didn't you say that when I first met you?

0:45:260:45:28

HE SIGHS HEAVILY

0:45:350:45:38

You need to go to which office?

0:45:500:45:52

Why?

0:45:540:45:55

They got my what?

0:45:590:46:00

So?

0:46:020:46:03

Yeah.

0:46:060:46:07

Who said that?

0:46:090:46:11

From the protesters.

0:46:320:46:33

I need to get my website down,

0:46:350:46:38

tell them to take it down in case they check on the internet.

0:46:380:46:41

SEAN LAUGHS

0:46:430:46:45

CHEERING AND WHISTLING

0:46:500:46:52

'Record crowds had gathered in Change Square

0:47:160:47:19

'to celebrate a major development of the revolution -

0:47:190:47:23

'the defection of two of President Saleh's most senior generals.'

0:47:230:47:26

Was that important? Really important?

0:47:330:47:35

CHEERING AND WHISTLING

0:47:370:47:39

PUBLIC ADDRESS SYSTEM BLARES

0:47:390:47:44

THEY SPEAK IN ARABIC

0:47:470:47:50

THE CROWD CHANTS

0:48:400:48:43

'This, the most insulting of Arab gestures,

0:48:460:48:48

'was the emblem of the end of Saddam Hussein's reign.

0:48:480:48:52

'Now it seemed it was Saleh's turn.'

0:48:520:48:54

CHEERING AND WHISTLING

0:48:540:48:56

'As news broke that Libya was falling,

0:49:030:49:05

'the camp was victorious that Yemen would be next.

0:49:050:49:08

'But the government, desperate to quell the protest, had encircled us

0:49:080:49:13

'and were attacking anybody leaving the camp.'

0:49:130:49:16

Some guys, they came from behind her and they smacked her head.

0:49:250:49:29

On the back of her head.

0:49:290:49:31

And they tried to remove the veil.

0:49:310:49:33

Her life, even whatever they do, is for the revolution till the end.

0:50:060:50:10

Yeah, hold on. Salah for you.

0:50:380:50:41

Salah, hi.

0:50:410:50:43

Yeah, I'm good, I'm good.

0:50:450:50:47

I'm a bit worried

0:50:470:50:48

that things are turning bad.

0:50:480:50:50

They... They want us... They're trying to get us to go.

0:50:500:50:53

WINDOW WHIRRS

0:51:250:51:27

-There's no-one behind us, no?

-No.

0:51:300:51:33

Just come to the room.

0:51:340:51:36

Journalists, they're kicking out.

0:51:480:51:50

HE SIGHS

0:52:020:52:03

Oh, my God.

0:52:060:52:07

How is the cameraman? Is he OK?

0:52:260:52:28

No. He died.

0:52:280:52:29

He's dead? He's dead?!

0:52:290:52:32

How you doing? It's Sean.

0:52:510:52:54

Good. We can talk, right?

0:52:550:52:57

Is it definitely true

0:52:570:52:58

that four people - four people - were kicked out?

0:52:580:53:01

I don't know.

0:53:250:53:26

I mean, half of me thinks, "Carry on"...

0:53:260:53:30

and the other half of me...

0:53:300:53:32

Hmm...

0:53:320:53:33

'People are getting shot and they're getting beaten up.

0:53:330:53:37

-'And it's not very nice.'

-Yeah.

0:53:370:53:39

'And I wouldn't like to be in it, but my dad's going to go...

0:53:390:53:44

'and be in it.'

0:53:440:53:45

I'm sorry.

0:53:450:53:46

'People who are fighting actually for their country should go in it,

0:53:460:53:51

'if they want their country to be a better place.

0:53:510:53:54

'But other people who are, like, just trying to see the stuff,

0:53:540:53:59

'they should just go away, because they're not even doing anything.

0:53:590:54:02

'And if they get killed, it's their own fault,

0:54:020:54:06

'they shouldn't have went there.

0:54:060:54:08

'But you don't want to die.'

0:54:080:54:10

Pretty dangerous to film.

0:54:110:54:13

Yeah.

0:54:140:54:16

-They're about to do a massacre.

-Yeah.

0:54:230:54:26

CALL TO PRAYER

0:54:290:54:31

CROWD CHANTS

0:55:190:55:21

EXPLOSION

0:55:400:55:41

GUNFIRE

0:55:460:55:48

-What is it?

-Voices.

0:55:510:55:53

SIREN BLARES

0:55:540:55:56

GUNFIRE

0:56:020:56:04

SIREN BLARES

0:56:460:56:47

-More live bullets?

-Yeah.

0:57:170:57:19

-He's dead already?

-No, he's dying.

-He's dying now?

0:57:510:57:55

There's nothing you can do?

0:57:550:57:57

-It's in his neck?

-Have you seen, yes?

0:58:000:58:02

That is outlet. That is outlet.

0:58:030:58:06

-Did you see?

-I can't believe it.

0:58:470:58:50

We have now tens of dead people

0:58:550:58:58

killed by this, er...

0:58:580:59:00

-Murderers.

-By murder, yes.

0:59:000:59:02

You see? They have murdered many, many patients now.

0:59:020:59:05

All this on top, on the head, on the neck, on the chest,

0:59:050:59:08

-killing people.

-Shooting to kill?

0:59:080:59:10

Yes, shooting to kill people, not to injure, not to stop them,

0:59:100:59:13

to tell them it's injure them in the brain and the neck and the chest.

0:59:130:59:18

You see? They are everywhere. Everywhere, look.

0:59:180:59:21

All this around - in the head.

0:59:210:59:23

So we are calling people over the world, if there is humanity,

0:59:230:59:26

they have to help these Yemeni people from this killer man.

0:59:260:59:30

This is murder. I think you have to do it now. Please.

0:59:300:59:33

They're carrying the bodies out.

1:00:121:00:15

They've put some bodies in the mosque?

1:00:151:00:17

-To the people?

-Yeah.

1:00:241:00:26

Yesterday was so peaceful and quiet in this room, wasn't it?

1:00:331:00:36

Can they keep it peaceful after this?

1:00:441:00:46

Has he just buried him?

1:01:291:01:31

-Yeah.

-How old was he?

1:01:331:01:35

Do you think he will go soon?

1:02:331:02:34

Well...

1:02:431:02:45

Are you helping today? Do you have...a relative?

1:03:021:03:06

Really? How old?

1:03:081:03:10

-Paying the price?

-Yeah.

-This is the price of freedom?

1:03:351:03:40

CALL TO PRAYER

1:03:541:03:56

HE BECOMES TEARFUL

1:03:591:04:02

Are you nervous and angry, or are you nervous and scared?

1:04:311:04:34

-Believe me, not scared.

-Why are you not scared?

1:04:361:04:39

The West don't really see things so much like, er...

1:05:111:05:13

You will tell them that this is...

1:05:291:05:31

CROWD CHANTS

1:05:471:05:49

FANFARE ON PUBLIC ADDRESS SYSTEM

1:06:091:06:11

ROUSING SONG ON PUBLIC ADDRESS SYSTEM

1:06:171:06:20

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1:07:571:08:01

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