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Why have they done this? It looks like a trap. | 0:00:03 | 0:00:06 | |
Who's done this? | 0:00:08 | 0:00:10 | |
The Taliban? | 0:00:14 | 0:00:16 | |
I'd come to Yemen to make a film with Kais, | 0:00:16 | 0:00:19 | |
a tour guide who despite the dangers of Al-Qaeda and possible civil war, | 0:00:19 | 0:00:24 | |
was still determined to take tourists around his country. | 0:00:24 | 0:00:27 | |
Could this be a trap? | 0:00:30 | 0:00:31 | |
How? | 0:00:35 | 0:00:36 | |
Continue! | 0:00:40 | 0:00:42 | |
We should go quickly now. | 0:00:42 | 0:00:43 | |
We shouldn't even be out of the car, it could be an ambush. | 0:00:43 | 0:00:46 | |
Why are they doing this for the tourists? | 0:00:51 | 0:00:53 | |
While the world was focusing on the Arab Spring in Tunisia, Egypt | 0:01:10 | 0:01:14 | |
and Libya, I had come to Yemen, sensing it would be next. | 0:01:14 | 0:01:18 | |
I wondered how revolution would affect this country, | 0:01:19 | 0:01:22 | |
the poorest and most heavily armed in the Arab world. | 0:01:22 | 0:01:25 | |
In a way, any kind of change here would be a bloodbath, wouldn't it? | 0:01:28 | 0:01:31 | |
Because everyone's got a gun. | 0:01:31 | 0:01:32 | |
Meaning what? What's the difference? | 0:01:37 | 0:01:39 | |
CHANTING | 0:01:55 | 0:01:58 | |
In the capital, Sana'a, protestors are calling | 0:01:59 | 0:02:02 | |
for the 33-year corrupt rule of President Ali Abdullah Saleh to end. | 0:02:02 | 0:02:06 | |
Determined to not follow the same fate as other Arab leaders, | 0:02:18 | 0:02:22 | |
he's offering concessions and hoping to cling on to power. | 0:02:22 | 0:02:26 | |
But unrest is breaking out all over the country | 0:02:30 | 0:02:33 | |
and now threatening the only tour Kais has managed to get all year. | 0:02:33 | 0:02:37 | |
He's begging for what? | 0:03:05 | 0:03:06 | |
Is he scared, do you think? | 0:03:09 | 0:03:11 | |
For years, Yemen has been propped up | 0:03:44 | 0:03:46 | |
with millions of dollars of aid from America, in fear of it becoming | 0:03:46 | 0:03:50 | |
a failed state like its neighbour, Somalia. | 0:03:50 | 0:03:52 | |
It has a population of over 20 million with 60 million weapons | 0:03:59 | 0:04:02 | |
and is home to Al-Qaeda. | 0:04:02 | 0:04:04 | |
So what's inside it now? | 0:04:11 | 0:04:12 | |
A spate of killings and kidnappings almost destroyed tourism in Yemen. | 0:04:27 | 0:04:32 | |
Today, Kais barely survives, | 0:04:32 | 0:04:34 | |
running cut-down tours with Eastern Europeans, | 0:04:34 | 0:04:37 | |
the only people brave enough to holiday here these days. | 0:04:37 | 0:04:40 | |
Abdullah! Abdullah! | 0:04:59 | 0:05:00 | |
What happened when you were kidnapped? | 0:05:02 | 0:05:04 | |
Even they put for them tents. | 0:05:22 | 0:05:23 | |
To feel like they were guests, not hostages. | 0:05:23 | 0:05:26 | |
And they were not even that. | 0:05:27 | 0:05:29 | |
Maybe you should advertise luxury kidnapping. | 0:05:30 | 0:05:32 | |
Just those one or two occasions when people get shot and killed. | 0:05:43 | 0:05:48 | |
Those are the ones that people remember. | 0:05:48 | 0:05:50 | |
For years, Yemen suffered from bitter tribal civil war. | 0:06:03 | 0:06:07 | |
But in 1990, President Saleh succeeded in uniting the north | 0:06:07 | 0:06:12 | |
and south by paying backhanders to the sheiks to keep peace. | 0:06:12 | 0:06:15 | |
Kais told me that his President had brought economic stability | 0:06:18 | 0:06:22 | |
and increased tourism to Yemen. | 0:06:22 | 0:06:24 | |
But now all this stood in the balance | 0:06:25 | 0:06:28 | |
as revolution swept the region. | 0:06:28 | 0:06:29 | |
It's a war. | 0:06:46 | 0:06:48 | |
Get your gun out, get your Kalashnikov. | 0:06:58 | 0:07:01 | |
With a revolution closing in on us, | 0:07:01 | 0:07:03 | |
Kais was forced to employ armed guards to protect us, | 0:07:03 | 0:07:07 | |
eating into his dwindling profits. | 0:07:07 | 0:07:10 | |
Are your profits not looking any good any more on this tour? | 0:07:16 | 0:07:18 | |
How much could you make arms dealing, selling landmines? | 0:07:22 | 0:07:26 | |
You never been tempted to do bad? | 0:07:39 | 0:07:41 | |
What if money gets really hard? | 0:07:42 | 0:07:44 | |
-Beautiful, no? -Yeah. | 0:08:04 | 0:08:05 | |
-See the mountains? -Mmm. | 0:08:06 | 0:08:08 | |
-Morning. -Good morning. | 0:08:18 | 0:08:20 | |
I thought it was yesterday. | 0:08:24 | 0:08:26 | |
So what do you think will happen? | 0:08:30 | 0:08:31 | |
They'd be fighting? | 0:08:36 | 0:08:38 | |
I'll just piss and come back. | 0:08:44 | 0:08:46 | |
Wow! | 0:08:46 | 0:08:48 | |
A big demonstration in Sana'a today. | 0:08:50 | 0:08:52 | |
Why? | 0:09:15 | 0:09:17 | |
So we go back to Sana'a today? | 0:09:27 | 0:09:29 | |
Tonight, yes. | 0:09:29 | 0:09:30 | |
Back in Sana'a, a protest camp had taken over the city centre | 0:09:35 | 0:09:39 | |
and secret police were everywhere. | 0:09:39 | 0:09:41 | |
I had to be careful about filming. | 0:09:41 | 0:09:44 | |
Kais had bribed some officials to extend my tourist visa | 0:09:44 | 0:09:47 | |
to keep me here. | 0:09:47 | 0:09:48 | |
There's a roadblock ahead. | 0:09:48 | 0:09:50 | |
-Oh, my God. -What's that plane doing? | 0:09:50 | 0:09:52 | |
Well, let's just go in. It's really safe. There's no problem. | 0:10:04 | 0:10:08 | |
Well, we should go and have a look, really. | 0:10:22 | 0:10:25 | |
Kais was only willing to go into the camp after dark. | 0:10:36 | 0:10:40 | |
-We have to get searched to get in? -Yes. | 0:10:41 | 0:10:43 | |
So who am I? Just like a tourist? | 0:10:45 | 0:10:47 | |
It's like a football match. It sounds like football. | 0:10:59 | 0:11:02 | |
Is this whole area out of the hands of the government? | 0:11:11 | 0:11:16 | |
Yeah. | 0:11:16 | 0:11:18 | |
Wow! | 0:11:18 | 0:11:19 | |
I don't see anybody with a beard. | 0:11:33 | 0:11:35 | |
So, you don't agree with them? | 0:11:43 | 0:11:45 | |
The camp felt hopeful and positive. | 0:12:00 | 0:12:02 | |
It even had a comedy stage | 0:12:02 | 0:12:04 | |
where they were daring to mimic the President. | 0:12:04 | 0:12:06 | |
I thought it was a really great atmosphere. | 0:12:52 | 0:12:56 | |
But his days are limited, aren't they, the President here? | 0:13:21 | 0:13:23 | |
Who put the picture up? | 0:13:42 | 0:13:43 | |
-And his son is called Ali. -Ali, Ali! | 0:13:48 | 0:13:50 | |
Hello. | 0:14:10 | 0:14:11 | |
-Hello. -Hello. -How are you? | 0:14:14 | 0:14:16 | |
-Ah, there's your father. -Yeah. | 0:14:20 | 0:14:22 | |
You look like a little British boy. How come? | 0:14:22 | 0:14:25 | |
Why didn't you, er... like your father's dress? | 0:14:30 | 0:14:32 | |
Even your father? | 0:14:35 | 0:14:37 | |
I thought you didn't go to school. | 0:14:40 | 0:14:41 | |
Ah, your little brother. There's no pictures of your mother in here. | 0:14:53 | 0:14:57 | |
-So it's just for men? -Yes. | 0:15:02 | 0:15:04 | |
But women can come here? | 0:15:05 | 0:15:06 | |
So this is just a men's room? | 0:15:10 | 0:15:12 | |
Under President Saleh, Kais said he'd enjoyed the high life. | 0:15:51 | 0:15:55 | |
He'd run a 20-room hotel in the old city | 0:15:55 | 0:15:58 | |
but it went bust a year ago, leaving him with many debts. | 0:15:58 | 0:16:02 | |
How beautiful. | 0:16:07 | 0:16:08 | |
When Kais's hotel went under, he took over his father's agency | 0:16:57 | 0:17:00 | |
with his younger brother and has an office | 0:17:00 | 0:17:02 | |
where he spends most of his time waiting for tourists. | 0:17:02 | 0:17:07 | |
-It's what time? -Drug time. | 0:17:09 | 0:17:10 | |
Kais has two daughters and his wife is now four months pregnant. | 0:17:13 | 0:17:17 | |
-Bye. -Bye-bye. Can I get one shot? | 0:17:32 | 0:17:35 | |
-That's for you there! -That could be anybody! | 0:17:37 | 0:17:41 | |
That could be anybody! It could be my mother. | 0:17:46 | 0:17:49 | |
-Isn't she curious to meet your friend Sean? -No. | 0:17:51 | 0:17:54 | |
Thanks. | 0:17:57 | 0:17:58 | |
Is your father proud of you, then? | 0:18:19 | 0:18:21 | |
-Hi, who are you? -Hello. | 0:19:03 | 0:19:05 | |
Look at this. What does it say? | 0:19:36 | 0:19:38 | |
I think it's changing, you know. | 0:20:02 | 0:20:05 | |
I think you can't stop this change. | 0:20:05 | 0:20:08 | |
Look at these tents. | 0:20:08 | 0:20:09 | |
If the government want to stop it, they have to come with a bulldozer. | 0:20:09 | 0:20:13 | |
Yeah, and kill people, but they don't want to kill people. | 0:20:15 | 0:20:18 | |
WOMEN CHANT | 0:20:20 | 0:20:21 | |
MEN CHANT | 0:20:32 | 0:20:34 | |
Each day, the protesters extend the camp, taking control of new streets, | 0:20:36 | 0:20:41 | |
with the aim of reaching the palace and forcing President Saleh out. | 0:20:41 | 0:20:46 | |
CHANTING CONTINUES | 0:20:46 | 0:20:47 | |
But with more tribes arriving every day, | 0:20:47 | 0:20:51 | |
the government spread rumours that they were really AlQaeda, | 0:20:51 | 0:20:54 | |
bringing weapons to the camp. | 0:20:54 | 0:20:56 | |
We had been befriended by Khaled, one of the camp organisers, | 0:21:06 | 0:21:11 | |
and one of the beards that Kais feared so much. | 0:21:11 | 0:21:13 | |
He was determined to show us | 0:21:13 | 0:21:16 | |
the peaceful nature of Islam and the camp. | 0:21:16 | 0:21:18 | |
The camp was started by two students, who had pitched a tent | 0:22:09 | 0:22:13 | |
outside the university gates a few weeks earlier. | 0:22:13 | 0:22:16 | |
Soon, thousands joined them. | 0:22:20 | 0:22:22 | |
President Saleh, you are not the President. | 0:22:26 | 0:22:28 | |
You are mistaken if you believe this, | 0:22:28 | 0:22:30 | |
and now this is the new generation revolution. | 0:22:30 | 0:22:34 | |
Go out, go out, the game is over. | 0:22:43 | 0:22:45 | |
It felt like a kind of Arabic Glastonbury. | 0:22:51 | 0:22:53 | |
They even had their own drugs. | 0:22:53 | 0:22:55 | |
It is like a festival here. | 0:23:08 | 0:23:10 | |
-Do you think? -Yes. -How soon? | 0:23:13 | 0:23:15 | |
This will be memorable, this place where we stand now... in years to come. | 0:23:17 | 0:23:23 | |
They already called it, what did they call it? This... | 0:23:23 | 0:23:28 | |
Change Square, yes. | 0:23:28 | 0:23:30 | |
Saying, "This was where the revolution happened." | 0:23:33 | 0:23:37 | |
'As we left the camp, | 0:23:44 | 0:23:45 | |
'we came face-to-face with the balatija, government-hired thugs | 0:23:45 | 0:23:50 | |
'who roam the streets waiting for protesters leaving the camp.' | 0:23:50 | 0:23:52 | |
It's a good stick. | 0:23:52 | 0:23:54 | |
-Yeah, it's good stick. -What's this? | 0:23:54 | 0:23:57 | |
-Can I have? -Yes. -Can I hold? -OK. | 0:24:02 | 0:24:04 | |
If he find someone who's crazy, he make him, one, two... | 0:24:07 | 0:24:11 | |
And crazy... | 0:24:11 | 0:24:12 | |
Wow, that's... | 0:24:12 | 0:24:13 | |
At the sight of the balatija, Kais had disappeared. | 0:24:22 | 0:24:25 | |
Why? | 0:24:52 | 0:24:53 | |
Secret police were there? | 0:25:06 | 0:25:08 | |
And what happened? | 0:25:08 | 0:25:10 | |
But, what's this, there is no danger in going back? | 0:25:13 | 0:25:17 | |
TELEVISION BLARES | 0:25:21 | 0:25:24 | |
I'm serious! Don't laugh. | 0:25:29 | 0:25:32 | |
HE STIFLES LAUGHTER | 0:25:32 | 0:25:33 | |
Has Libya fallen yet? | 0:25:36 | 0:25:37 | |
With Gaddafi looking likely to fall, | 0:25:47 | 0:25:50 | |
President Saleh was stepping up the media campaign, | 0:25:50 | 0:25:53 | |
attracting supporters to his pro-camp | 0:25:53 | 0:25:56 | |
by offering free lunch and free khat. | 0:25:56 | 0:25:59 | |
Kais wouldn't tell me directly, | 0:26:53 | 0:26:55 | |
but I knew he was having problems with his wife. | 0:26:55 | 0:26:58 | |
What's she saying? | 0:26:58 | 0:26:59 | |
11,000. | 0:27:19 | 0:27:21 | |
1,000? | 0:27:21 | 0:27:23 | |
-11... -11,000? Why? | 0:27:23 | 0:27:25 | |
She's going to leave him, she said. His wife. | 0:27:43 | 0:27:48 | |
You have enough food for a week. | 0:27:51 | 0:27:53 | |
-A week or less? -Four days. | 0:27:56 | 0:27:58 | |
Four days. Fantastic. | 0:27:58 | 0:28:00 | |
So, what have your children been eating? | 0:28:11 | 0:28:13 | |
These things. Spaghetti. | 0:28:14 | 0:28:16 | |
Noodles? Pot Noodles? | 0:28:16 | 0:28:18 | |
Has she been angry because of that, because of the food? | 0:28:18 | 0:28:22 | |
Do you think she's being fair or unfair? | 0:28:30 | 0:28:34 | |
CAR HORNS BEEP | 0:28:34 | 0:28:36 | |
Do you need a hand? | 0:28:58 | 0:28:59 | |
Oh, Kais, I don't know how to help Kais. I worry so much about Kais. | 0:29:05 | 0:29:10 | |
His situation is so bad. | 0:29:14 | 0:29:15 | |
We need to talk to him. | 0:29:17 | 0:29:18 | |
Maybe you could talk to him. Tell him. | 0:29:23 | 0:29:27 | |
And Kais? Could Kais wake up? | 0:29:57 | 0:29:59 | |
Kais has nothing. | 0:30:02 | 0:30:03 | |
She's not talked about the threat ever since? | 0:30:26 | 0:30:31 | |
Your wife hasn't talked to you about the threat of leaving you again? | 0:30:31 | 0:30:36 | |
Is it all forgotten now? | 0:30:36 | 0:30:37 | |
What's she saying? | 0:30:59 | 0:31:00 | |
Hi, I'm Sean. | 0:31:26 | 0:31:28 | |
Come in. | 0:31:28 | 0:31:29 | |
'There's a moment of hope | 0:31:29 | 0:31:31 | |
'when Kais' assistant stumbles across the only two tourists in town | 0:31:31 | 0:31:35 | |
'and manages to almost get them in the office.' | 0:31:35 | 0:31:39 | |
-OK, OK. -OK, you are welcome. Thank you. | 0:31:52 | 0:31:56 | |
-OK, good night! -Good night. | 0:31:56 | 0:31:59 | |
No? | 0:32:02 | 0:32:04 | |
They didn't arrange the trips? | 0:32:05 | 0:32:07 | |
Each night, Kais will escape his problems at home | 0:32:20 | 0:32:23 | |
by coming to my room to chew. | 0:32:23 | 0:32:25 | |
Do you normally feel scared living here? | 0:32:32 | 0:32:35 | |
But before? | 0:32:39 | 0:32:40 | |
Everybody's all the same situation, not just you. | 0:33:02 | 0:33:05 | |
Yeah. | 0:33:05 | 0:33:06 | |
Is no-one going to come here until the revolution's finished? | 0:33:10 | 0:33:13 | |
No? | 0:33:15 | 0:33:16 | |
Why? | 0:33:17 | 0:33:18 | |
What happened? | 0:33:28 | 0:33:30 | |
Who is going to make big problems? | 0:33:33 | 0:33:35 | |
-They're going to attack the camp? -Yeah. | 0:33:38 | 0:33:40 | |
-Tonight? -Yes, I think. | 0:33:40 | 0:33:43 | |
CHANTING IN DISTANCE | 0:33:53 | 0:33:55 | |
What did they do to the place? | 0:34:03 | 0:34:05 | |
That's the shot. | 0:34:12 | 0:34:13 | |
-Last night? -Yes. | 0:34:17 | 0:34:19 | |
SEAN SIGHS | 0:34:23 | 0:34:24 | |
'The attack had happened on the perimeter of the camp | 0:34:24 | 0:34:28 | |
'about a kilometre from Change Square.' | 0:34:28 | 0:34:30 | |
-This is where they attacked last night? -Yeah. | 0:34:56 | 0:34:59 | |
Would you say this is war? | 0:34:59 | 0:35:01 | |
Freedom fighter? | 0:35:12 | 0:35:14 | |
It's scary. | 0:35:21 | 0:35:22 | |
No, I'm independent, from England, | 0:35:27 | 0:35:29 | |
but hopefully we'll get something on. | 0:35:29 | 0:35:31 | |
Why? | 0:35:34 | 0:35:36 | |
-MOBILE PHONE RINGS -Who's that? | 0:35:42 | 0:35:43 | |
Shit. Hello? | 0:35:46 | 0:35:48 | |
Hi. Oh, my God, it's my kids. Hi, how are you, Harry? | 0:35:50 | 0:35:54 | |
Tell him to stop swearing. | 0:35:55 | 0:35:58 | |
Oh, please. I asked George to be a good boy while I was away. | 0:35:58 | 0:36:01 | |
-He's been beating up the other one. -Oh. | 0:36:03 | 0:36:06 | |
Is that still another entrance, or is this the camp still now? | 0:36:12 | 0:36:16 | |
-That's the new camp up there? -Yeah, further. | 0:36:17 | 0:36:20 | |
See this hole, and that one. In the side. | 0:36:45 | 0:36:50 | |
See? This is the bullet. | 0:36:50 | 0:36:53 | |
-The bullet's still in the phone? -Yes. -Yeah. -Oh, my God. | 0:36:53 | 0:36:55 | |
That's one bullet. | 0:36:55 | 0:36:57 | |
Oh, my God. | 0:36:57 | 0:36:59 | |
THEY SHOUT AND CHANT | 0:37:03 | 0:37:05 | |
'On the front line, the youth were trying to take back | 0:37:11 | 0:37:14 | |
'the streets that they'd lost the night before... | 0:37:14 | 0:37:17 | |
'whilst in the centre of the camp, | 0:37:17 | 0:37:20 | |
'women and children had returned, undeterred.' | 0:37:20 | 0:37:23 | |
CHEERING AND APPLAUSE | 0:37:27 | 0:37:30 | |
MUSIC: National Anthem Of Yemen | 0:37:36 | 0:37:40 | |
MUSIC DROWNS SPEECH | 0:38:01 | 0:38:03 | |
CHEERING, APPLAUSE AND GUNFIRE | 0:38:09 | 0:38:11 | |
This is shooting. | 0:38:15 | 0:38:17 | |
SHOUTING | 0:38:17 | 0:38:21 | |
GUNFIRE CRACKLES | 0:38:33 | 0:38:35 | |
MUSIC STARTS | 0:38:50 | 0:38:52 | |
GUNFIRE CRACKLES | 0:39:16 | 0:39:18 | |
They're shooting? | 0:39:18 | 0:39:20 | |
-Yes. -Huh? | 0:39:20 | 0:39:22 | |
PUBLIC ADDRESS SYSTEM BLARES | 0:39:22 | 0:39:24 | |
Don't let them see the camera. They'll shoot me! | 0:39:24 | 0:39:26 | |
Give it to me. | 0:39:26 | 0:39:28 | |
Is it people or soldiers? | 0:39:30 | 0:39:32 | |
-Police. -Police? | 0:39:32 | 0:39:34 | |
GUNFIRE RATTLES | 0:39:34 | 0:39:35 | |
-It's very scary. -Yes. | 0:39:37 | 0:39:39 | |
-For English people, yes. -Yes. -THEY BOTH LAUGH | 0:39:42 | 0:39:45 | |
What? | 0:39:50 | 0:39:52 | |
SIREN BLARES | 0:39:52 | 0:39:54 | |
What is? | 0:39:54 | 0:39:55 | |
Can we...? Can we move down there, then? | 0:40:05 | 0:40:07 | |
Why? | 0:40:07 | 0:40:08 | |
Just for safety reasons. | 0:40:10 | 0:40:12 | |
SIREN BLARES | 0:40:12 | 0:40:14 | |
Gas, gas? | 0:40:22 | 0:40:23 | |
This is gas. | 0:40:28 | 0:40:29 | |
Look. | 0:40:31 | 0:40:32 | |
Protecting the protesters. | 0:40:34 | 0:40:36 | |
THEY SPEAK IN ARABIC | 0:40:44 | 0:40:47 | |
Hold on. | 0:40:47 | 0:40:49 | |
SIREN BLARES | 0:40:49 | 0:40:52 | |
-Look. -Wow. | 0:40:58 | 0:40:59 | |
-Salaam. -Salaam. | 0:41:12 | 0:41:13 | |
-Salaam. -Salaam. | 0:41:18 | 0:41:20 | |
We don't know the type of gas, but what we have found... | 0:41:22 | 0:41:26 | |
We have found the signs and symptoms of nervous system problems. | 0:41:26 | 0:41:32 | |
But unless you know what gas it is, you cannot treat it? | 0:41:32 | 0:41:35 | |
Yeah, that's the problem which we are facing now. | 0:41:35 | 0:41:37 | |
We have people dying, not because of the nerve gas, actually | 0:41:37 | 0:41:40 | |
but we have people dying because of gunshot wounds. | 0:41:40 | 0:41:44 | |
You've seen me there before - I met with your conversation there. | 0:41:54 | 0:41:59 | |
I got... I filmed you before? | 0:41:59 | 0:42:01 | |
That... It happened there. It happened. | 0:42:01 | 0:42:03 | |
-Here, one rubber bullet. -Yeah. -And another rubber bullet here. | 0:42:03 | 0:42:08 | |
I'm telling them, | 0:42:08 | 0:42:10 | |
"You take money to kill me? I'm giving blood to leave you... | 0:42:10 | 0:42:16 | |
"To give you a life, a good life." | 0:42:16 | 0:42:19 | |
I don't... | 0:42:19 | 0:42:20 | |
I don't afraid about guns or machine guns or Ali Abdullah Saleh himself. | 0:42:20 | 0:42:25 | |
CALL TO PRAYER | 0:42:26 | 0:42:29 | |
Salaam, Ali. | 0:42:34 | 0:42:35 | |
But, before, you were more cynical, more sceptical of the opposition. | 0:42:44 | 0:42:48 | |
I wasn't scared, just... | 0:42:48 | 0:42:50 | |
Not scared, sceptical. Questioning. | 0:42:50 | 0:42:52 | |
-Yes. -You were not... You didn't believe it completely. | 0:42:52 | 0:42:55 | |
That's what I believe. | 0:43:04 | 0:43:06 | |
They already know, er...your face. | 0:43:26 | 0:43:29 | |
They will come to your hotel. | 0:43:29 | 0:43:32 | |
I come from this way, I come from THIS way. No. | 0:43:45 | 0:43:50 | |
In this hotel? | 0:43:56 | 0:43:57 | |
Two. Shit. | 0:44:00 | 0:44:02 | |
What did you say? | 0:44:14 | 0:44:16 | |
Good. | 0:44:20 | 0:44:22 | |
Do you think that these problems you have now will be any different? | 0:44:24 | 0:44:28 | |
No, with or without the dictatorship. | 0:44:30 | 0:44:33 | |
Yeah, of course. | 0:44:33 | 0:44:34 | |
In other words, do you think democracy makes any of this easier, or do you think it...? | 0:44:34 | 0:44:38 | |
-Of course. -There's still poor people in democracies. | 0:44:38 | 0:44:41 | |
But when I met you, you never blamed the President for any of this. | 0:45:00 | 0:45:04 | |
Now, when you're coming out of the... | 0:45:04 | 0:45:07 | |
camp. | 0:45:07 | 0:45:08 | |
-Is it not...? -CAR HORN HONKS | 0:45:11 | 0:45:13 | |
Can you not...? I mean, I... | 0:45:13 | 0:45:15 | |
Can you point the finger at him, or is that to simplistic? | 0:45:15 | 0:45:17 | |
CAR HORN BLARES | 0:45:17 | 0:45:19 | |
I mean... | 0:45:24 | 0:45:25 | |
Why didn't you say that when I first met you? | 0:45:26 | 0:45:28 | |
HE SIGHS HEAVILY | 0:45:35 | 0:45:38 | |
You need to go to which office? | 0:45:50 | 0:45:52 | |
Why? | 0:45:54 | 0:45:55 | |
They got my what? | 0:45:59 | 0:46:00 | |
So? | 0:46:02 | 0:46:03 | |
Yeah. | 0:46:06 | 0:46:07 | |
Who said that? | 0:46:09 | 0:46:11 | |
From the protesters. | 0:46:32 | 0:46:33 | |
I need to get my website down, | 0:46:35 | 0:46:38 | |
tell them to take it down in case they check on the internet. | 0:46:38 | 0:46:41 | |
SEAN LAUGHS | 0:46:43 | 0:46:45 | |
CHEERING AND WHISTLING | 0:46:50 | 0:46:52 | |
'Record crowds had gathered in Change Square | 0:47:16 | 0:47:19 | |
'to celebrate a major development of the revolution - | 0:47:19 | 0:47:23 | |
'the defection of two of President Saleh's most senior generals.' | 0:47:23 | 0:47:26 | |
Was that important? Really important? | 0:47:33 | 0:47:35 | |
CHEERING AND WHISTLING | 0:47:37 | 0:47:39 | |
PUBLIC ADDRESS SYSTEM BLARES | 0:47:39 | 0:47:44 | |
THEY SPEAK IN ARABIC | 0:47:47 | 0:47:50 | |
THE CROWD CHANTS | 0:48:40 | 0:48:43 | |
'This, the most insulting of Arab gestures, | 0:48:46 | 0:48:48 | |
'was the emblem of the end of Saddam Hussein's reign. | 0:48:48 | 0:48:52 | |
'Now it seemed it was Saleh's turn.' | 0:48:52 | 0:48:54 | |
CHEERING AND WHISTLING | 0:48:54 | 0:48:56 | |
'As news broke that Libya was falling, | 0:49:03 | 0:49:05 | |
'the camp was victorious that Yemen would be next. | 0:49:05 | 0:49:08 | |
'But the government, desperate to quell the protest, had encircled us | 0:49:08 | 0:49:13 | |
'and were attacking anybody leaving the camp.' | 0:49:13 | 0:49:16 | |
Some guys, they came from behind her and they smacked her head. | 0:49:25 | 0:49:29 | |
On the back of her head. | 0:49:29 | 0:49:31 | |
And they tried to remove the veil. | 0:49:31 | 0:49:33 | |
Her life, even whatever they do, is for the revolution till the end. | 0:50:06 | 0:50:10 | |
Yeah, hold on. Salah for you. | 0:50:38 | 0:50:41 | |
Salah, hi. | 0:50:41 | 0:50:43 | |
Yeah, I'm good, I'm good. | 0:50:45 | 0:50:47 | |
I'm a bit worried | 0:50:47 | 0:50:48 | |
that things are turning bad. | 0:50:48 | 0:50:50 | |
They... They want us... They're trying to get us to go. | 0:50:50 | 0:50:53 | |
WINDOW WHIRRS | 0:51:25 | 0:51:27 | |
-There's no-one behind us, no? -No. | 0:51:30 | 0:51:33 | |
Just come to the room. | 0:51:34 | 0:51:36 | |
Journalists, they're kicking out. | 0:51:48 | 0:51:50 | |
HE SIGHS | 0:52:02 | 0:52:03 | |
Oh, my God. | 0:52:06 | 0:52:07 | |
How is the cameraman? Is he OK? | 0:52:26 | 0:52:28 | |
No. He died. | 0:52:28 | 0:52:29 | |
He's dead? He's dead?! | 0:52:29 | 0:52:32 | |
How you doing? It's Sean. | 0:52:51 | 0:52:54 | |
Good. We can talk, right? | 0:52:55 | 0:52:57 | |
Is it definitely true | 0:52:57 | 0:52:58 | |
that four people - four people - were kicked out? | 0:52:58 | 0:53:01 | |
I don't know. | 0:53:25 | 0:53:26 | |
I mean, half of me thinks, "Carry on"... | 0:53:26 | 0:53:30 | |
and the other half of me... | 0:53:30 | 0:53:32 | |
Hmm... | 0:53:32 | 0:53:33 | |
'People are getting shot and they're getting beaten up. | 0:53:33 | 0:53:37 | |
-'And it's not very nice.' -Yeah. | 0:53:37 | 0:53:39 | |
'And I wouldn't like to be in it, but my dad's going to go... | 0:53:39 | 0:53:44 | |
'and be in it.' | 0:53:44 | 0:53:45 | |
I'm sorry. | 0:53:45 | 0:53:46 | |
'People who are fighting actually for their country should go in it, | 0:53:46 | 0:53:51 | |
'if they want their country to be a better place. | 0:53:51 | 0:53:54 | |
'But other people who are, like, just trying to see the stuff, | 0:53:54 | 0:53:59 | |
'they should just go away, because they're not even doing anything. | 0:53:59 | 0:54:02 | |
'And if they get killed, it's their own fault, | 0:54:02 | 0:54:06 | |
'they shouldn't have went there. | 0:54:06 | 0:54:08 | |
'But you don't want to die.' | 0:54:08 | 0:54:10 | |
Pretty dangerous to film. | 0:54:11 | 0:54:13 | |
Yeah. | 0:54:14 | 0:54:16 | |
-They're about to do a massacre. -Yeah. | 0:54:23 | 0:54:26 | |
CALL TO PRAYER | 0:54:29 | 0:54:31 | |
CROWD CHANTS | 0:55:19 | 0:55:21 | |
EXPLOSION | 0:55:40 | 0:55:41 | |
GUNFIRE | 0:55:46 | 0:55:48 | |
-What is it? -Voices. | 0:55:51 | 0:55:53 | |
SIREN BLARES | 0:55:54 | 0:55:56 | |
GUNFIRE | 0:56:02 | 0:56:04 | |
SIREN BLARES | 0:56:46 | 0:56:47 | |
-More live bullets? -Yeah. | 0:57:17 | 0:57:19 | |
-He's dead already? -No, he's dying. -He's dying now? | 0:57:51 | 0:57:55 | |
There's nothing you can do? | 0:57:55 | 0:57:57 | |
-It's in his neck? -Have you seen, yes? | 0:58:00 | 0:58:02 | |
That is outlet. That is outlet. | 0:58:03 | 0:58:06 | |
-Did you see? -I can't believe it. | 0:58:47 | 0:58:50 | |
We have now tens of dead people | 0:58:55 | 0:58:58 | |
killed by this, er... | 0:58:58 | 0:59:00 | |
-Murderers. -By murder, yes. | 0:59:00 | 0:59:02 | |
You see? They have murdered many, many patients now. | 0:59:02 | 0:59:05 | |
All this on top, on the head, on the neck, on the chest, | 0:59:05 | 0:59:08 | |
-killing people. -Shooting to kill? | 0:59:08 | 0:59:10 | |
Yes, shooting to kill people, not to injure, not to stop them, | 0:59:10 | 0:59:13 | |
to tell them it's injure them in the brain and the neck and the chest. | 0:59:13 | 0:59:18 | |
You see? They are everywhere. Everywhere, look. | 0:59:18 | 0:59:21 | |
All this around - in the head. | 0:59:21 | 0:59:23 | |
So we are calling people over the world, if there is humanity, | 0:59:23 | 0:59:26 | |
they have to help these Yemeni people from this killer man. | 0:59:26 | 0:59:30 | |
This is murder. I think you have to do it now. Please. | 0:59:30 | 0:59:33 | |
They're carrying the bodies out. | 1:00:12 | 1:00:15 | |
They've put some bodies in the mosque? | 1:00:15 | 1:00:17 | |
-To the people? -Yeah. | 1:00:24 | 1:00:26 | |
Yesterday was so peaceful and quiet in this room, wasn't it? | 1:00:33 | 1:00:36 | |
Can they keep it peaceful after this? | 1:00:44 | 1:00:46 | |
Has he just buried him? | 1:01:29 | 1:01:31 | |
-Yeah. -How old was he? | 1:01:33 | 1:01:35 | |
Do you think he will go soon? | 1:02:33 | 1:02:34 | |
Well... | 1:02:43 | 1:02:45 | |
Are you helping today? Do you have...a relative? | 1:03:02 | 1:03:06 | |
Really? How old? | 1:03:08 | 1:03:10 | |
-Paying the price? -Yeah. -This is the price of freedom? | 1:03:35 | 1:03:40 | |
CALL TO PRAYER | 1:03:54 | 1:03:56 | |
HE BECOMES TEARFUL | 1:03:59 | 1:04:02 | |
Are you nervous and angry, or are you nervous and scared? | 1:04:31 | 1:04:34 | |
-Believe me, not scared. -Why are you not scared? | 1:04:36 | 1:04:39 | |
The West don't really see things so much like, er... | 1:05:11 | 1:05:13 | |
You will tell them that this is... | 1:05:29 | 1:05:31 | |
CROWD CHANTS | 1:05:47 | 1:05:49 | |
FANFARE ON PUBLIC ADDRESS SYSTEM | 1:06:09 | 1:06:11 | |
ROUSING SONG ON PUBLIC ADDRESS SYSTEM | 1:06:17 | 1:06:20 | |
Subtitles for the deaf and hard-of-hearing by Red Bee Media Ltd | 1:07:57 | 1:08:01 |