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Aberdeen Harbour. | 0:00:04 | 0:00:06 | |
You can pick up to a speed of between five and six knots, please. | 0:00:06 | 0:00:09 | |
A multi-million pound business | 0:00:09 | 0:00:12 | |
at the cutting edge of maritime technology... | 0:00:12 | 0:00:15 | |
On the move, Bob. Roger. On the move, guys. | 0:00:15 | 0:00:18 | |
..where everyone works together... | 0:00:19 | 0:00:22 | |
I can't slap these guys. I'd like to! | 0:00:23 | 0:00:25 | |
You've got to be on the ball, got to be alert. | 0:00:28 | 0:00:30 | |
..in the most challenging conditions... | 0:00:32 | 0:00:34 | |
If your feet get caught in that, it'll drag you over the side. | 0:00:34 | 0:00:36 | |
(BLEEP) What happened there? | 0:00:40 | 0:00:41 | |
..to keep the harbour running... | 0:00:44 | 0:00:46 | |
LAUGHTER | 0:00:47 | 0:00:48 | |
Oh, my God! | 0:00:48 | 0:00:49 | |
Get off. Come on! | 0:00:49 | 0:00:51 | |
..every single day of the year. | 0:00:54 | 0:00:56 | |
You are looking good on starboard side. | 0:00:57 | 0:00:59 | |
Glad we don't drive a submarine. | 0:01:00 | 0:01:02 | |
Aberdeen Harbour - the epicentre of marine operations for the oil and gas industry. | 0:01:12 | 0:01:18 | |
Not just in the UK, but across northwest Europe too. | 0:01:20 | 0:01:24 | |
And it's always hectic, | 0:01:26 | 0:01:28 | |
so dive support vessel the Bibby Sapphire | 0:01:28 | 0:01:31 | |
has had to berth in Montrose instead. | 0:01:31 | 0:01:33 | |
Brr, that's cold! | 0:01:39 | 0:01:41 | |
What happened to summer? It was here last week. You missed it. | 0:01:41 | 0:01:45 | |
Hugh Jones, her captain, is preparing to catch the mid-morning tide. | 0:01:48 | 0:01:51 | |
Aberdeen gets very busy, and we've been in port for six days now. | 0:01:54 | 0:01:57 | |
Doing some maintenance on things, and Aberdeen don't like us in that long. | 0:01:57 | 0:02:01 | |
OK, that's us on the way, and we're off to UKCS. | 0:02:04 | 0:02:06 | |
Start swinging it around, then. | 0:02:06 | 0:02:09 | |
Just steady the ship up. | 0:02:10 | 0:02:12 | |
Are you ready? | 0:02:12 | 0:02:14 | |
OK, take control forward. | 0:02:14 | 0:02:16 | |
Yassick Vijinksy is the chief officer. | 0:02:18 | 0:02:20 | |
It's the first time he's taken the ship out of Montrose. | 0:02:21 | 0:02:24 | |
Yassick's steering, pilot's guiding, and I'll just keep an overview on things. | 0:02:27 | 0:02:31 | |
I hope I'm still in employment in half an hour's time. | 0:02:33 | 0:02:35 | |
Five knots now. Good. Thank you. | 0:02:37 | 0:02:39 | |
Keep her coming to port. | 0:02:39 | 0:02:41 | |
You can come a little bit more quickly, please. | 0:02:44 | 0:02:46 | |
The wind is one challenge. | 0:02:46 | 0:02:48 | |
Getting pushed by the wind? Yes. OK. | 0:02:49 | 0:02:51 | |
The varying depths of the harbour another. | 0:02:53 | 0:02:56 | |
This is the shallow bit we're coming up to now. | 0:02:57 | 0:02:59 | |
Come back to zero 85, please. Zero 85. | 0:03:04 | 0:03:06 | |
Keep driving. I'll see you guys the next time. | 0:03:16 | 0:03:20 | |
Pilot away. | 0:03:23 | 0:03:25 | |
There he is. | 0:03:26 | 0:03:28 | |
Pilot away! | 0:03:28 | 0:03:30 | |
The Bibby Sapphire is heading for the Joanne oilfield, | 0:03:31 | 0:03:35 | |
a journey that'll take about 13 hours. | 0:03:35 | 0:03:37 | |
It's nice when you're going out to blue lumpy stuff, but this is grey lumpy stuff, isn't it? | 0:03:40 | 0:03:44 | |
North Sea. | 0:03:44 | 0:03:46 | |
Billy Duguid has been a boatman at the harbour for the past 16 years. | 0:03:56 | 0:04:01 | |
You can go through a wee bit more, if you want. | 0:04:01 | 0:04:03 | |
RADIO | 0:04:04 | 0:04:06 | |
Sitting in an office just wouldn't appeal to me, | 0:04:06 | 0:04:08 | |
unless I was surrounded by a bevy of beauties, you know? | 0:04:08 | 0:04:13 | |
Then I would change my mind. | 0:04:14 | 0:04:16 | |
To hell with this crap. | 0:04:17 | 0:04:19 | |
He's on shift with Gary Morris, | 0:04:22 | 0:04:24 | |
one of the harbour's newest recruits | 0:04:24 | 0:04:26 | |
whose attitude is very different to the old timer's. | 0:04:27 | 0:04:30 | |
My mates think I'm super-lucky because | 0:04:32 | 0:04:35 | |
I get to watch TV and stuff, so my breaks are a lot better than their breaks. | 0:04:35 | 0:04:39 | |
Back at the bothy, Billy's dog is waiting. | 0:04:42 | 0:04:45 | |
That's my travelling companion - Duke. | 0:04:45 | 0:04:47 | |
Fierce Border Terrier. | 0:04:48 | 0:04:51 | |
Kills for fun. | 0:04:51 | 0:04:52 | |
But while Billy spends his downtime with Duke, | 0:04:56 | 0:04:59 | |
the younger boatmen have other pursuits. | 0:04:59 | 0:05:02 | |
Oh! | 0:05:03 | 0:05:05 | |
And Billy doesn't approve. | 0:05:05 | 0:05:07 | |
He hides the PlayStation 3 controllers, and stuff like that! | 0:05:07 | 0:05:11 | |
He hates us. | 0:05:11 | 0:05:13 | |
It's Billy's job to train up the younger guys, | 0:05:14 | 0:05:17 | |
not that they're always receptive. | 0:05:17 | 0:05:19 | |
If they want to sit and play that, they're not listening to that, | 0:05:21 | 0:05:24 | |
as far as I'm concerned, you know? | 0:05:24 | 0:05:26 | |
I don't play that. My radio's on all the time. | 0:05:26 | 0:05:30 | |
And I'm tuned in, you know. | 0:05:30 | 0:05:32 | |
I expect THEM to be as well. | 0:05:32 | 0:05:34 | |
That's the job. | 0:05:34 | 0:05:36 | |
This. | 0:05:36 | 0:05:37 | |
It's not like the old days. | 0:05:38 | 0:05:40 | |
When I was a young lad, and I didn't listen, | 0:05:40 | 0:05:43 | |
you know...you got a slap, you know. | 0:05:43 | 0:05:47 | |
Aye, and you knew you were doing wrong, you know. | 0:05:47 | 0:05:51 | |
I can't slap these guys, you know. Assault! I'd like to. | 0:05:51 | 0:05:55 | |
Wouldn't I, Duke? | 0:05:59 | 0:06:01 | |
Barmaid Val Morrison is admiring a recent purchase. | 0:06:19 | 0:06:23 | |
I like going to charity shops, and it's a jug I bought today. | 0:06:24 | 0:06:28 | |
It's old-fashioned stuff. It's needing a clean. | 0:06:28 | 0:06:31 | |
Look at that, but I still think I'll get 20 quid for it. | 0:06:31 | 0:06:34 | |
Her house in Torry is an Aladdin's Cave of charity shop finds. | 0:06:37 | 0:06:41 | |
I've got tables, I've got cutlery sets, | 0:06:42 | 0:06:45 | |
I've got vases, I've got this nice iron. | 0:06:45 | 0:06:49 | |
Fancy iron. It's a Swan iron. | 0:06:49 | 0:06:51 | |
I've got a brand-new lime kettle. | 0:06:52 | 0:06:55 | |
I don't know who I got the aftershave for, but I must have bought it. | 0:06:55 | 0:06:58 | |
And she's got a keen eye for a bargain. | 0:06:59 | 0:07:01 | |
Look. | 0:07:02 | 0:07:04 | |
Is that nae lovely? | 0:07:04 | 0:07:06 | |
I got the whole lot for ?4. | 0:07:06 | 0:07:09 | |
I actually bought the doll's house in a charity shop for ?6. | 0:07:11 | 0:07:16 | |
My chum Shirley says to me, | 0:07:16 | 0:07:18 | |
"What are you doing buying a doll's house?! You're 62." | 0:07:18 | 0:07:21 | |
This bit opens out, and I cannae really open it out... I can! NOW. | 0:07:21 | 0:07:26 | |
Look. Is that nae just lovely? | 0:07:26 | 0:07:28 | |
And then this all lifts up. | 0:07:28 | 0:07:30 | |
Oh, it's my candles! My money box! | 0:07:32 | 0:07:34 | |
But she's running out of space, | 0:07:35 | 0:07:38 | |
and she's having a big clear-out before having new wardrobes installed. | 0:07:38 | 0:07:41 | |
All this stuff's to go to the car boot sale, | 0:07:42 | 0:07:44 | |
and I've just decided I'm coming home with nothing. | 0:07:44 | 0:07:46 | |
The Bibby Sapphire is more than half-way to her destination. | 0:07:58 | 0:08:02 | |
And it's time for the divers to go into saturation. | 0:08:03 | 0:08:06 | |
Can you reinforce that for Brownie? | 0:08:07 | 0:08:09 | |
That's unfair. I've lost weight. | 0:08:10 | 0:08:12 | |
I'll come out lean and mean. | 0:08:13 | 0:08:15 | |
For the next few weeks, these chambers will be home. | 0:08:16 | 0:08:19 | |
When you've done it for so long, it's just an everyday job, basically. | 0:08:20 | 0:08:24 | |
Martin, there's your ear drops. | 0:08:25 | 0:08:27 | |
Another day at the office. | 0:08:28 | 0:08:30 | |
Hello. We're all in, ready. | 0:08:32 | 0:08:34 | |
OK. I've got two using five. | 0:08:34 | 0:08:36 | |
Mick, you're in two, yeah? Roger that. | 0:08:36 | 0:08:39 | |
Getting the clipper board going here. | 0:08:39 | 0:08:41 | |
Jeff White's the life support supervisor. | 0:08:41 | 0:08:44 | |
He can now take the divers, or blow them down to the depth they'll be working at. | 0:08:44 | 0:08:49 | |
We're ready to take a seal. | 0:08:50 | 0:08:52 | |
Just confirmed that you are pushing on doors 23, | 0:08:52 | 0:08:56 | |
11, and 13. | 0:08:56 | 0:08:58 | |
They've all had to hold the exterior doors, cos we're blowing down the main system. | 0:09:02 | 0:09:08 | |
On the surface, we breathe in a mixture of nitrogen, and oxygen. | 0:09:10 | 0:09:15 | |
Pressure on the door. | 0:09:15 | 0:09:17 | |
Going for it, fellas. | 0:09:17 | 0:09:20 | |
At depth, it's helium and oxygen which they're pumping in now. | 0:09:20 | 0:09:24 | |
Get any there? Yes. OK, John. | 0:09:27 | 0:09:29 | |
Take it through. | 0:09:34 | 0:09:36 | |
Looking good. | 0:09:36 | 0:09:37 | |
OK, we're looking good here. | 0:09:37 | 0:09:39 | |
Jeff toyed with the idea of becoming a diver, | 0:09:39 | 0:09:42 | |
but decided against it. | 0:09:42 | 0:09:44 | |
I mean, they're going in there, sealing themself in a bin. | 0:09:47 | 0:09:51 | |
For a month. | 0:09:52 | 0:09:54 | |
I think it takes a special person. | 0:09:54 | 0:09:56 | |
Torry Battery at the entrance to the harbour | 0:10:09 | 0:10:11 | |
is a favourite spot for Billy to walk his dog Duke. | 0:10:11 | 0:10:15 | |
Travelled a lot, but... | 0:10:17 | 0:10:19 | |
..you just come back to your roots. | 0:10:20 | 0:10:22 | |
He just gets off, does his own thing. | 0:10:26 | 0:10:29 | |
His first job was on a trawler, and he spent most of his life working on boats. | 0:10:32 | 0:10:37 | |
You couldn't envisage now | 0:10:40 | 0:10:43 | |
young lads doing what we did, you know, what I did. | 0:10:44 | 0:10:48 | |
You went away to sea. | 0:10:48 | 0:10:51 | |
Maybe staying for a day, shoot away the nets. | 0:10:51 | 0:10:55 | |
And then three hours later you're up out of your bed | 0:10:55 | 0:10:59 | |
standing on deck hauling nets in. | 0:10:59 | 0:11:02 | |
Gutting fish. | 0:11:02 | 0:11:04 | |
He was lucky to get his job at the harbour, because vacancies are never advertised. | 0:11:05 | 0:11:09 | |
Because I'm on the Lifeboat crew, one of the lads said there was a job coming up where I am now. | 0:11:10 | 0:11:15 | |
And I applied, and fortunately I got it, you know. | 0:11:15 | 0:11:19 | |
It's a good job. | 0:11:19 | 0:11:21 | |
Even though he has no family connections to the other boatmen | 0:11:21 | 0:11:25 | |
unlike half his colleagues. | 0:11:25 | 0:11:27 | |
They'll take in their sons, then their nephews. | 0:11:28 | 0:11:32 | |
I totally understand that. | 0:11:32 | 0:11:35 | |
You know, that is the way it is. | 0:11:35 | 0:11:39 | |
I would want my son to follow the trend, you know. | 0:11:41 | 0:11:45 | |
That's the way it is, you know. | 0:11:46 | 0:11:47 | |
Hey! | 0:11:48 | 0:11:50 | |
It's an early start at Thainstone Centre on the outskirts of Inverurie. | 0:11:59 | 0:12:04 | |
We've got a car boot sale today with all my rubbish. | 0:12:04 | 0:12:08 | |
It'll take maybe half an hour to unload the van, | 0:12:08 | 0:12:10 | |
because I've so much stuff! | 0:12:10 | 0:12:13 | |
There's space for at least 200 cars... | 0:12:17 | 0:12:19 | |
..selling every conceivable household item. | 0:12:21 | 0:12:23 | |
I dinnae ken half of what's in here, actually. | 0:12:25 | 0:12:27 | |
Just get everything out. You can't see anything for anything here. | 0:12:28 | 0:12:31 | |
A pasta perfect timer. | 0:12:31 | 0:12:33 | |
Aye. I dinnae ken what it's for, like. | 0:12:33 | 0:12:35 | |
Val's roped in her friend Stacey Davidson, | 0:12:36 | 0:12:38 | |
and Crown and Anchor regular Simon to help her out. | 0:12:39 | 0:12:43 | |
Don't sell these. I'm wanting to keep these. | 0:12:43 | 0:12:45 | |
She's come out at half past six in the morning to help her adopted ma. | 0:12:45 | 0:12:48 | |
She's only out to see what she can get, like. | 0:12:48 | 0:12:52 | |
This is what we're needing. | 0:12:53 | 0:12:55 | |
I've got a pretty doll's house up here. | 0:12:55 | 0:12:57 | |
The same doll's house Val bought for ?6, and is hoping to sell for at least ten times that. | 0:12:57 | 0:13:02 | |
If they want to, they can sort that, and I'll handle the sale. | 0:13:02 | 0:13:06 | |
I'm going to ask ?80, but I'll take it down to ?60. | 0:13:06 | 0:13:09 | |
I'm nae going to take less than that. | 0:13:10 | 0:13:11 | |
OK, I didn't pay much for it, but I'm nae going to take less than that. | 0:13:11 | 0:13:14 | |
The sale can attract up to 5,000 people, | 0:13:20 | 0:13:23 | |
all of them looking for a bargain. | 0:13:26 | 0:13:28 | |
Is there no face on it? | 0:13:28 | 0:13:30 | |
There's nae meant to be a face on. She's meant to be like that. | 0:13:30 | 0:13:33 | |
You can have her for ?4. | 0:13:33 | 0:13:35 | |
He'll be back. | 0:13:38 | 0:13:40 | |
Val, your green light. Just take what you can get for it. | 0:13:40 | 0:13:43 | |
OK. Thank you. Bye-bye. | 0:13:44 | 0:13:46 | |
But Val's sales technique is failing to attract any buyers. | 0:13:47 | 0:13:50 | |
Are you nae buying that, you miserable little (BLEEP)?! | 0:13:50 | 0:13:53 | |
LAUGHTER | 0:13:53 | 0:13:55 | |
That's what I like. | 0:13:56 | 0:13:58 | |
Hey, you're buying something off this stall. | 0:14:00 | 0:14:02 | |
You have to display things properly. | 0:14:04 | 0:14:06 | |
Oh, excuse me! | 0:14:07 | 0:14:09 | |
This is the second time I've done this for her. | 0:14:09 | 0:14:11 | |
She was supposed to get rid of her rubbish the last time she moved house, but she never did. | 0:14:11 | 0:14:15 | |
This is why we're back AGAIN. | 0:14:16 | 0:14:18 | |
Better get rid of it today. | 0:14:19 | 0:14:21 | |
Look at that doll's house, Mum. | 0:14:22 | 0:14:25 | |
The big doll's house, how much do you want? ?60. | 0:14:25 | 0:14:27 | |
?60? | 0:14:27 | 0:14:29 | |
Yeah, on comms, mate. | 0:14:47 | 0:14:49 | |
It's 5am on the Bibby Sapphire, | 0:14:51 | 0:14:53 | |
and they're launching the ROV, or remotely operated vehicle. | 0:14:55 | 0:14:59 | |
Bingo. | 0:15:01 | 0:15:03 | |
Supervisor Dave Gordon can now begin to survey the area that the divers will be working. | 0:15:04 | 0:15:10 | |
The vis doesn't look brilliant, does it? | 0:15:12 | 0:15:14 | |
No. | 0:15:15 | 0:15:17 | |
The poor visibility is caused by a build-up of sediment in the water. | 0:15:18 | 0:15:21 | |
Yeah, we'll just go along this side. | 0:15:23 | 0:15:25 | |
This is minging. | 0:15:26 | 0:15:28 | |
Something's coming on sonar now. | 0:15:29 | 0:15:31 | |
15m ahead. | 0:15:31 | 0:15:33 | |
The divers will be installing a flexible pipeline, | 0:15:35 | 0:15:38 | |
and tying it into a manifold, | 0:15:38 | 0:15:40 | |
a structure made of pipes and valves to transfer oil and gas. | 0:15:43 | 0:15:48 | |
Just see the top of the manifold... There you go. | 0:15:50 | 0:15:52 | |
Looks like a giant cauliflower. It's just marine growth. | 0:15:55 | 0:15:57 | |
So we're just going to make sure there's no scaffolding poles or debris | 0:16:03 | 0:16:06 | |
that's going to obstruct the laying of the line. | 0:16:06 | 0:16:09 | |
They won't see an end till they're on it. | 0:16:10 | 0:16:12 | |
You need a lot of patience for this job. | 0:16:16 | 0:16:18 | |
# Oh, what a beautiful morning... | 0:16:31 | 0:16:33 | |
Four of the boatmen are preparing for a job that doesn't happen very often. | 0:16:33 | 0:16:37 | |
Come on! Come on, boys! Wey! | 0:16:38 | 0:16:41 | |
We're going away out the channel now. | 0:16:50 | 0:16:52 | |
Headed towards a barge. | 0:16:52 | 0:16:54 | |
Barges rarely come into the harbour. | 0:16:55 | 0:16:57 | |
Once every 18 months or so. | 0:16:58 | 0:17:00 | |
There's a pilot going out to the barge as well. | 0:17:00 | 0:17:03 | |
It's going to be a challenging few hours for Gary. | 0:17:04 | 0:17:07 | |
This is his first time doing this, so we'll just have to keep an eye on him. | 0:17:07 | 0:17:11 | |
Make sure he's OK, like. | 0:17:11 | 0:17:13 | |
There's no real training for this, considering the guys I'm learning from | 0:17:14 | 0:17:19 | |
have only done it a couple of times. | 0:17:19 | 0:17:22 | |
Not a nerve in my body. Steady as a rock. | 0:17:22 | 0:17:23 | |
The barge is unmanned, | 0:17:29 | 0:17:31 | |
so the boatmen will be preparing the ropes they need to bring her into the harbour. | 0:17:32 | 0:17:36 | |
So we'll go alongside the barge. | 0:17:37 | 0:17:39 | |
We won't get a go at this barge now. | 0:17:39 | 0:17:41 | |
Russell Matthews is going with them as a second pair of eyes for the pilot on the tug. | 0:17:44 | 0:17:49 | |
Once on board, we've got to recover the towline. | 0:17:50 | 0:17:51 |