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This programme contains some strong language. | 0:00:13 | 0:00:17 | |
This is Belfast's Protestant Shankill Road. | 0:00:19 | 0:00:23 | |
Behind these walls lives a community which has suffered and caused | 0:00:26 | 0:00:31 | |
as much violence as any in Northern Ireland. | 0:00:31 | 0:00:34 | |
But their men are still determined to parade their loyalty to the Queen and Crown | 0:00:39 | 0:00:43 | |
no matter what the consequences. | 0:00:43 | 0:00:47 | |
ANGRY WHISTLE-BLOWING | 0:00:51 | 0:00:54 | |
I am being shown around the Shankill Estate by 11-year-old Jordan McKeag, | 0:01:09 | 0:01:14 | |
son of one of the most infamous loyalist families in the area. | 0:01:14 | 0:01:19 | |
This is my Uncle Stevie. | 0:01:20 | 0:01:22 | |
He died in, I think it was 2000 or something. | 0:01:22 | 0:01:28 | |
He's my daddy's brother. | 0:01:28 | 0:01:30 | |
Why is he famous, your uncle, Jordan? | 0:01:30 | 0:01:32 | |
Cos I think he was a military commander. | 0:01:32 | 0:01:36 | |
That's what it says up there. | 0:01:36 | 0:01:38 | |
What does a military commander mean? | 0:01:39 | 0:01:42 | |
I don't know. | 0:01:42 | 0:01:44 | |
Was he in the paramilitaries? | 0:01:44 | 0:01:47 | |
I think so. I think that's why everybody knows him. | 0:01:47 | 0:01:51 | |
I don't know how he died, either. | 0:01:51 | 0:01:54 | |
I've been asking my daddy and he doesn't know. | 0:01:54 | 0:01:57 | |
He keeps on saying he doesn't know, but he really does. | 0:01:57 | 0:02:02 | |
This is the prison my daddy was in. They call it the H-Block. | 0:02:04 | 0:02:09 | |
Does it look like a nice place? | 0:02:09 | 0:02:11 | |
No, I think it's scary. | 0:02:11 | 0:02:13 | |
It looks scary, anyway. | 0:02:13 | 0:02:16 | |
Shankill! | 0:02:18 | 0:02:21 | |
DRUM ROLL | 0:02:21 | 0:02:24 | |
Jackie, Jordan's dad, founded his band with fellow inmates after leaving The Maze, | 0:02:29 | 0:02:34 | |
Belfast's famous high-security prison for paramilitaries. | 0:02:34 | 0:02:39 | |
Although Jordan has been in his daddy's band since he was four, | 0:02:44 | 0:02:47 | |
he has so far only been allowed to carry the band pole. | 0:02:47 | 0:02:51 | |
-On 92 to 95 FM... -1341 medium wave. | 0:03:03 | 0:03:08 | |
This is BBC Radio Ulster. | 0:03:08 | 0:03:11 | |
Daddy! | 0:03:11 | 0:03:14 | |
It's Jordan's job to make sure that his daddy gets to his weekly band practice on time. | 0:03:14 | 0:03:20 | |
Daddy! | 0:03:21 | 0:03:23 | |
Jackie! | 0:03:26 | 0:03:28 | |
Jackie, it's near seven. | 0:03:28 | 0:03:31 | |
It's five to. | 0:03:31 | 0:03:33 | |
-Where's he supposed to be? -Band practice. | 0:03:38 | 0:03:41 | |
Try again. | 0:03:42 | 0:03:44 | |
Daddy! | 0:03:44 | 0:03:46 | |
Daddy, are you getting up? | 0:03:46 | 0:03:48 | |
For fuck's sake! | 0:03:48 | 0:03:50 | |
-What do you think of Jordan's drumming? -He's good. Brilliant. | 0:04:06 | 0:04:10 | |
-If he had a drum, would you let him play in the band? -Aye, definitely. | 0:04:10 | 0:04:14 | |
Aye. Definitely would. | 0:04:14 | 0:04:16 | |
So he's good enough? | 0:04:16 | 0:04:19 | |
He's better than good enough, so he is. | 0:04:19 | 0:04:21 | |
-Can't you persuade Jackie to let him play in the band? -I've tried to. | 0:04:21 | 0:04:25 | |
-Have you? -Aye, it's not happening. | 0:04:25 | 0:04:27 | |
-No chance, is there, kid? -Nope. | 0:04:28 | 0:04:31 | |
CALLS INSTRUCTIONS | 0:04:33 | 0:04:35 | |
THEY PLAY "The Sash My Father Wore" | 0:04:40 | 0:04:44 | |
No, no! | 0:05:04 | 0:05:06 | |
No! No. | 0:05:06 | 0:05:08 | |
Make your hands move bigger! | 0:05:09 | 0:05:11 | |
When are we going to get Jordan a drum? | 0:05:13 | 0:05:15 | |
I don't know. | 0:05:15 | 0:05:18 | |
Cos the band won't pay for it. They won't let me put him in. | 0:05:18 | 0:05:21 | |
-Everybody says you won't let him have one. -No, he's f... | 0:05:21 | 0:05:24 | |
Do you know what your daddy was in prison for? | 0:05:42 | 0:05:44 | |
Nope. | 0:05:44 | 0:05:45 | |
Have you ever asked him? | 0:05:45 | 0:05:47 | |
Yes, but he doesn't tell me. | 0:05:47 | 0:05:50 | |
Why does he not tell you, pet? | 0:05:51 | 0:05:53 | |
I don't know. It's probably something bad. | 0:05:53 | 0:05:56 | |
I want my daddy to be really proud of me. | 0:06:04 | 0:06:07 | |
What would make him proud of you, Jordan? | 0:06:09 | 0:06:11 | |
Playing a drum. | 0:06:11 | 0:06:13 | |
How much does it mean to you when he's proud of you, Jordan? | 0:06:16 | 0:06:19 | |
The world. | 0:06:19 | 0:06:21 | |
MUSIC PLAYS ON CAR CD | 0:06:34 | 0:06:36 | |
# ..a table for four | 0:06:36 | 0:06:39 | |
# But there's only conversation for three | 0:06:39 | 0:06:43 | |
# I liked the way she let me get the door | 0:06:44 | 0:06:48 | |
# And I wonder what she thinks of me. # | 0:06:48 | 0:06:52 | |
Paul Schole runs another marching band, | 0:06:52 | 0:06:56 | |
one of 13 that exists within the two-mile length of the Shankill Road. | 0:06:56 | 0:07:01 | |
# She's asked me to dance | 0:07:04 | 0:07:07 | |
# Now her hand's in mine... # | 0:07:07 | 0:07:09 | |
-Do you think this wall will ever come down, Paul? -Never! | 0:07:09 | 0:07:12 | |
They've made it bigger. Look at the size of it. It's bigger. | 0:07:12 | 0:07:15 | |
How do you feel about tourists coming and looking at them? | 0:07:17 | 0:07:20 | |
I only hope that when the tourists do come and look, they're getting a proper insight. | 0:07:20 | 0:07:25 | |
Both sides of every story needs to be heard. | 0:07:25 | 0:07:28 | |
Do you not feel the Loyalist side is heard? | 0:07:31 | 0:07:33 | |
Very little. | 0:07:33 | 0:07:35 | |
I'm loyal to the Queen and the Crown. | 0:07:35 | 0:07:39 | |
Our bands are loyal to the Queen and the Crown. | 0:07:39 | 0:07:42 | |
We're British, at the end of the day. | 0:07:43 | 0:07:46 | |
Probably more British than people that actually live in Britain itself. | 0:07:46 | 0:07:50 | |
We're probably more loyal to the Crown than they are. | 0:07:50 | 0:07:54 | |
And that's a fact. | 0:07:54 | 0:07:56 | |
England doesn't care about us. | 0:07:56 | 0:07:59 | |
England would prefer to just give us away. | 0:07:59 | 0:08:02 | |
Save them all the hassle, all the money it would save them. They don't care. | 0:08:02 | 0:08:07 | |
Paul's band is the youngest band on the Shankill. | 0:08:14 | 0:08:17 | |
Most of its members are teenagers and young kids. | 0:08:17 | 0:08:21 | |
Lads, coming down them steps, do not swing your arms. | 0:08:21 | 0:08:24 | |
Swing your arm up to the steps. | 0:08:24 | 0:08:26 | |
As the marching season draws to an end, | 0:08:27 | 0:08:30 | |
the band starts practising for the area's next indoor competition, | 0:08:30 | 0:08:34 | |
the Battle of the Shankill. | 0:08:34 | 0:08:36 | |
-What's wrong? -There's a big crack in it. | 0:08:37 | 0:08:39 | |
Tell your ma she's to give you 180 quid next week for a new pair! | 0:08:39 | 0:08:44 | |
Stand up! | 0:08:47 | 0:08:48 | |
PLAY "GOD SAVE THE QUEEN" | 0:08:52 | 0:08:55 | |
The reason why I joined a flute band as a child | 0:09:07 | 0:09:10 | |
was probably because it was like an adventure type of thing, being in a band. | 0:09:10 | 0:09:15 | |
Some kids are into football and stuff and I liked the colours and music of the band. | 0:09:15 | 0:09:21 | |
At that age, you don't really know what it's about, as such. | 0:09:21 | 0:09:26 | |
Paul told me what he would say if a Catholic asked to join his band. | 0:09:26 | 0:09:31 | |
You can only be in the band if you are loyal to the Queen and loyal to the Crown. | 0:09:31 | 0:09:37 | |
So if he can undertake that, then yeah. | 0:09:37 | 0:09:40 | |
If he wants to become a Loyalist, a full Loyalist, yeah. | 0:09:40 | 0:09:43 | |
Why not? | 0:09:43 | 0:09:45 | |
It means changing his religion. | 0:09:45 | 0:09:48 | |
So it's hypothetical. It just wouldn't happen. | 0:09:48 | 0:09:51 | |
So a Catholic man or boy wanting to come and join my band, | 0:09:51 | 0:09:55 | |
and me going, "Yeah, but you have to become a Protestant." If he does that, certainly. | 0:09:55 | 0:09:59 | |
All Protestants welcome! | 0:09:59 | 0:10:01 | |
Please apply within! | 0:10:01 | 0:10:04 | |
It's the last big parade of the year in the Shankill Road. | 0:10:16 | 0:10:19 | |
A day when over 60 bands are cheered on through the streets. | 0:10:19 | 0:10:23 | |
They walk in memory of Brian Robinson | 0:10:28 | 0:10:30 | |
a Loyalist gunman killed by a British soldier in 1989 | 0:10:30 | 0:10:35 | |
as he returned home from having shot a Catholic man dead. | 0:10:35 | 0:10:39 | |
But recently, there has been an unexpected challenge to the respect the paramilitaries once held. | 0:10:47 | 0:10:53 | |
The letters FAP have been sprayed all over the walls on the Shankill estate | 0:10:53 | 0:10:59 | |
by gangs of kids, including Jordan. | 0:10:59 | 0:11:03 | |
-There's graffiti going up on the estate. -Where? -FOP, or something. | 0:11:03 | 0:11:08 | |
-FAP. -What does that mean? | 0:11:08 | 0:11:10 | |
Fuck all paramilitaries. | 0:11:10 | 0:11:12 | |
-What does that mean? -Fuck all paramilitaries. | 0:11:14 | 0:11:17 | |
All paramilitaries are like UDA and UFF. | 0:11:19 | 0:11:23 | |
And UVF. | 0:11:24 | 0:11:26 | |
-And who wrote the graffiti? -Everyone. | 0:11:26 | 0:11:30 | |
Everyone writes it. | 0:11:30 | 0:11:32 | |
Your daddy said you signed your name at the bottom of it and he was cross. Is that right? | 0:11:33 | 0:11:39 | |
Wasn't my fault. Why? | 0:11:39 | 0:11:41 | |
-Did he tell you off? -No. | 0:11:43 | 0:11:45 | |
I don't think he knows. | 0:11:45 | 0:11:47 | |
The half of them don't understand what it is. | 0:11:49 | 0:11:52 | |
The way the kids put it, it's "fuck all paramilitaries". | 0:11:52 | 0:11:56 | |
Half the kids don't even know what it means or what it stands for | 0:11:58 | 0:12:03 | |
or what the paramilitary even speak for. | 0:12:03 | 0:12:06 | |
What did the paramilitary stand for? | 0:12:10 | 0:12:12 | |
We were looking after our own communities. | 0:12:12 | 0:12:14 | |
That's what they were formed for, as vigilantes. | 0:12:14 | 0:12:17 | |
To stop us from being attacked by the other side. | 0:12:17 | 0:12:20 | |
But this was going on before the kids were even born so half of them don't know what they were doing. | 0:12:25 | 0:12:30 | |
I mean, if it wasn't for the paramilitaries, | 0:12:33 | 0:12:36 | |
half the places were going daft. | 0:12:36 | 0:12:39 | |
Come on! Get up! | 0:12:45 | 0:12:47 | |
Who was Brian Robinson? | 0:12:56 | 0:12:58 | |
Brian Robinson was a defender of the Protestant people. | 0:12:58 | 0:13:02 | |
Brian Robinson was a true son of Ulster. | 0:13:03 | 0:13:06 | |
Brian Robinson was a Loyalist to the day he died. | 0:13:07 | 0:13:11 | |
And that's why I certainly would celebrate the life of Brian. | 0:13:11 | 0:13:16 | |
Was he a paramilitary, then? | 0:13:17 | 0:13:20 | |
-If you mean was he... -Was he in the paramilitary? | 0:13:20 | 0:13:23 | |
-Aye, that's common knowledge, yes. -He did kill people? | 0:13:23 | 0:13:27 | |
He shot a man, yeah. | 0:13:28 | 0:13:31 | |
He shot a man the day he was shot, yeah. | 0:13:31 | 0:13:33 | |
Do you think by keeping the memory of some of these guys alive, | 0:13:34 | 0:13:39 | |
is that a bad thing? | 0:13:39 | 0:13:40 | |
It can only be a good thing. | 0:13:40 | 0:13:42 | |
But doesn't it stir up sectarianism? | 0:13:42 | 0:13:46 | |
The way I look at it, these men didn't die in vain. | 0:13:46 | 0:13:49 | |
They should never be forgotten. | 0:13:49 | 0:13:51 | |
Never be forgotten. | 0:13:51 | 0:13:53 | |
But shouldn't they be remembered but you need to move on? | 0:13:53 | 0:13:57 | |
You can move on. There's ways and means of moving on. | 0:13:57 | 0:14:01 | |
But you should never forget. | 0:14:01 | 0:14:03 | |
So would people on the other side of the community see a parade in memory of him | 0:14:03 | 0:14:08 | |
as offensive, do you think, Paul? | 0:14:08 | 0:14:10 | |
They have their parades in memory of their fallen. | 0:14:10 | 0:14:15 | |
As I always say, | 0:14:15 | 0:14:17 | |
everyone is entitled to remember their war dead as such. It was a war we were in. | 0:14:17 | 0:14:23 | |
We believe it's our British right to walk. It's part of our heritage and part of our culture. | 0:14:23 | 0:14:28 | |
We walk the Queen's highway. This is Britain we're walking in. | 0:14:30 | 0:14:34 | |
I'm never going to give that up for nobody. | 0:14:34 | 0:14:38 | |
I never want to give up my culture and my traditions. | 0:14:38 | 0:14:41 | |
As I watched the men march in their uniforms, | 0:14:56 | 0:14:59 | |
walking to honour this man they see as a hero in their community, | 0:14:59 | 0:15:03 | |
I wonder when and how we will ever reconcile our bloody past. | 0:15:03 | 0:15:08 | |
Amongst these men, I notice 28-year-old Lee Hammond, | 0:15:32 | 0:15:36 | |
the bass drummer with the West Belfast volunteers. | 0:15:36 | 0:15:39 | |
Lee has lived all his life in the Shankill Road. | 0:15:51 | 0:15:54 | |
-My wife... -How old are you? -I'll be 29 on Friday. 23 August. | 0:15:59 | 0:16:03 | |
1981 I was born. | 0:16:03 | 0:16:06 | |
And you've got how many kids? | 0:16:06 | 0:16:08 | |
Number eight on the way. | 0:16:11 | 0:16:13 | |
Jessica. That's one of my wee girls. | 0:16:13 | 0:16:16 | |
Tori's the other wee girl. | 0:16:17 | 0:16:19 | |
And then Jake. | 0:16:19 | 0:16:22 | |
Which you can't really make out. | 0:16:22 | 0:16:24 | |
I think the fella was a bit drunk when he done that one! | 0:16:24 | 0:16:27 | |
Are you going to show us any more? | 0:16:29 | 0:16:31 | |
I've a big one on my back, but that's still work in progress. | 0:16:31 | 0:16:35 | |
What are you going to do with that one? | 0:16:37 | 0:16:39 | |
At the top of it, I'm getting "Daddy" done. | 0:16:39 | 0:16:42 | |
As if over the kids' names. | 0:16:42 | 0:16:46 | |
As if I'm the daddy, the angel, looking over all the kids. | 0:16:46 | 0:16:50 | |
There's the band badge. | 0:16:50 | 0:16:52 | |
-When did you get that one done? -When the band first formed. | 0:16:52 | 0:16:55 | |
That's how dedicated and how into it I was. | 0:16:55 | 0:17:00 | |
To live till I was 18. That was my goal in life. | 0:17:04 | 0:17:06 | |
And then when I had my first child, it was to live till he was 18. | 0:17:06 | 0:17:13 | |
-Why did you think you'd only live till then? -Because of the Troubles and because of where I lived. | 0:17:13 | 0:17:19 | |
It was an interface area. | 0:17:19 | 0:17:21 | |
So there were constant riots every weekend. | 0:17:21 | 0:17:25 | |
So there was. Just for something to do. | 0:17:25 | 0:17:28 | |
Did you think you'd get shot? | 0:17:28 | 0:17:31 | |
Oh, aye. Everybody did. | 0:17:31 | 0:17:34 | |
Do you think you had a childhood, Lee? | 0:17:34 | 0:17:37 | |
No, not really. | 0:17:38 | 0:17:39 | |
That's why now, when I'm in the band, | 0:17:42 | 0:17:45 | |
I just feel like a big child, | 0:17:45 | 0:17:48 | |
so I do, when I'm out with the band. | 0:17:48 | 0:17:50 | |
That's why I prance about and dance and do all that there stuff, | 0:17:50 | 0:17:55 | |
so I do. | 0:17:55 | 0:17:57 | |
Every band has its own distinctive uniform. | 0:18:07 | 0:18:10 | |
These uniforms can cost in the region of £500 each. | 0:18:11 | 0:18:15 | |
It's like a kid in the corner shop in here! You see all the colours and you say, "I want that colour!" | 0:18:16 | 0:18:22 | |
That's a lovely blue, like. | 0:18:22 | 0:18:25 | |
Three years ago, we wanted the black and silver. | 0:18:25 | 0:18:28 | |
-That was three years ago. -Aye. -Everybody wanted black. I wanted black and silver. | 0:18:28 | 0:18:32 | |
And Wesley's took black and gold. | 0:18:32 | 0:18:35 | |
So, Brian, are you like the Versace of the bands here? | 0:18:35 | 0:18:38 | |
-Yes. -He's the Godfather! -I'm the designer. -He's the Godfather! | 0:18:38 | 0:18:43 | |
"You dare to disrespect my uniform?" | 0:18:44 | 0:18:47 | |
Listen, I'll see you mid-December. | 0:18:47 | 0:18:49 | |
-That'll do. -Right? -As soon as you get the money down, I'll sort you out! | 0:18:49 | 0:18:54 | |
-I know, mate. It's a deposit, now. It'll be a deposit. It'll be a few grand. -Aye. | 0:18:54 | 0:18:59 | |
How much does it cost to put a band on the road? | 0:19:00 | 0:19:04 | |
Your drums are £550. | 0:19:04 | 0:19:06 | |
You need to be buying ten of them. | 0:19:06 | 0:19:09 | |
That's 5,500 for a set of drums. | 0:19:09 | 0:19:11 | |
The uniforms alone will cost over 20 grand. | 0:19:11 | 0:19:14 | |
So where do you get that money in a community that's struggling? | 0:19:14 | 0:19:19 | |
Fundraising. Just feet on the street. | 0:19:19 | 0:19:23 | |
Paul's right-hand man is one of the Shankill's best drummers, | 0:19:23 | 0:19:28 | |
Johnny Airdrie. | 0:19:28 | 0:19:30 | |
Johnny, is he known as a bit of an Alan Sugar on the Shankill Road? | 0:19:30 | 0:19:34 | |
-He likes to think he is! -"Likes to think he is!" | 0:19:34 | 0:19:37 | |
Is he an entrepreneur? | 0:19:37 | 0:19:40 | |
No, not at all. Definitely not. I'm skint. | 0:19:40 | 0:19:42 | |
Not at all. | 0:19:42 | 0:19:44 | |
I'm now currently unemployed. | 0:19:44 | 0:19:46 | |
I wasn't a while back, but now I am. | 0:19:46 | 0:19:49 | |
I was a prosperous... I had a prosperous business | 0:19:51 | 0:19:53 | |
which is no longer in existence. | 0:19:53 | 0:19:55 | |
So you went bust? | 0:19:55 | 0:19:58 | |
-Yes. -When? | 0:19:58 | 0:20:00 | |
Three months ago. Four months ago, thereabouts. | 0:20:00 | 0:20:03 | |
Terrible. But I'm going to get back on my feet, hopefully. | 0:20:03 | 0:20:06 | |
Paul drives me around the streets of the Shankill | 0:20:11 | 0:20:14 | |
to show me where his young band members spend their evenings. | 0:20:14 | 0:20:18 | |
There's a whole street derelict. | 0:20:33 | 0:20:36 | |
That's where a young fella hung himself not long back. | 0:20:42 | 0:20:45 | |
A suicide? | 0:20:45 | 0:20:47 | |
Down here. | 0:20:47 | 0:20:48 | |
Yeah. | 0:20:49 | 0:20:51 | |
You would be concerned in case it would be one of your young lads. | 0:20:51 | 0:20:54 | |
When I say young lads, I mean the lads out of the band. | 0:20:54 | 0:20:58 | |
It would be concerning... I mean, what are they going to do? | 0:20:58 | 0:21:03 | |
Hopefully, hopefully, they'll get a bit older and get a job. | 0:21:03 | 0:21:09 | |
That was me. | 0:21:10 | 0:21:12 | |
I used to do that. | 0:21:12 | 0:21:14 | |
Hang about. | 0:21:14 | 0:21:16 | |
-Were you a good boy when you were a kid? -No. | 0:21:16 | 0:21:19 | |
-Were you not? -No. | 0:21:19 | 0:21:21 | |
I was not indeed, no. | 0:21:21 | 0:21:23 | |
I'm sure I had my parents' head melded. | 0:21:23 | 0:21:26 | |
I wasn't a good lad at all. | 0:21:26 | 0:21:28 | |
Your boys? | 0:21:32 | 0:21:34 | |
What's happening, boys? | 0:21:38 | 0:21:41 | |
-What's happening? -Nothing. -Taking no harm now? | 0:21:43 | 0:21:46 | |
-No drugs? -Aye. | 0:21:46 | 0:21:48 | |
Aye, I know. | 0:21:48 | 0:21:49 | |
No drink? | 0:21:49 | 0:21:51 | |
We've no money. | 0:21:51 | 0:21:54 | |
If it wasn't for the band at the weekend, | 0:21:56 | 0:21:59 | |
what would you be doing? Doing what? | 0:21:59 | 0:22:01 | |
-Drinking. -Acting the idiot? -Aye. Going mad. | 0:22:01 | 0:22:04 | |
So what? | 0:22:04 | 0:22:06 | |
-All right, boys. -See you later. | 0:22:06 | 0:22:10 | |
See you later, boys. | 0:22:10 | 0:22:12 | |
There they go, into the wilderness. | 0:22:12 | 0:22:16 | |
It's Beirut, I'm telling you. | 0:22:18 | 0:22:21 | |
# Where Lagan stream sings lullaby | 0:22:25 | 0:22:34 | |
# There blows a lily fair | 0:22:35 | 0:22:43 | |
# The twilight gleam | 0:22:43 | 0:22:46 | |
# Is in her eye... # | 0:22:46 | 0:22:50 | |
It's two weeks after the Brian Robinson parade | 0:22:52 | 0:22:55 | |
and I hear that Jordan's been involved in a discovery | 0:22:55 | 0:22:58 | |
that has taken the whole of the Shankill by surprise. | 0:22:58 | 0:23:02 | |
All I heard was Jordan saying, "Daddy, Daddy, quick!" | 0:23:05 | 0:23:08 | |
I was like, "Is something wrong?" | 0:23:08 | 0:23:10 | |
All I heard was Jordan saying, "There's somebody down the Muck Hills hanging." | 0:23:10 | 0:23:14 | |
This wee boy had been missing for three weeks. | 0:23:14 | 0:23:18 | |
And the first thing came into my head, I thought, "Oh, my God, that's that wee boy." | 0:23:20 | 0:23:24 | |
Did you have bad dreams that night, Jordan? | 0:23:24 | 0:23:27 | |
No, it's only when I walked in my room that night, | 0:23:27 | 0:23:30 | |
to see my blazer hanging on my bed. | 0:23:30 | 0:23:34 | |
It was scary. | 0:23:34 | 0:23:36 | |
He had to sleep with the light on. He says where he hangs his uniform up | 0:23:37 | 0:23:43 | |
it's like a cabin bed and he hangs it on the actual bed itself. | 0:23:43 | 0:23:47 | |
And when he walked in, he says he nearly died. | 0:23:47 | 0:23:51 | |
It brought him a flashback. | 0:23:51 | 0:23:54 | |
That's what the wee lad was wearing, a black jacket. | 0:23:54 | 0:23:57 | |
So for the first couple of nights, he had to sleep with the light on. | 0:23:57 | 0:24:01 | |
Just to keep himself, I suppose, from being scared from it. | 0:24:01 | 0:24:07 | |
Is there a lot of suicides on this estate? | 0:24:08 | 0:24:11 | |
There's been a few suicides. | 0:24:11 | 0:24:14 | |
Your daddy found someone hanging one night, so he did. | 0:24:14 | 0:24:18 | |
Have you found people trying to hang themselves before on this estate? | 0:24:18 | 0:24:22 | |
I think that's been the third I've found. | 0:24:22 | 0:24:25 | |
A fella down the street, he hung himself, too. | 0:24:25 | 0:24:28 | |
I found him. He was hanging from the loft. | 0:24:28 | 0:24:32 | |
-Why are they taking their own lives, Jackie? -You don't know what's on their minds. | 0:24:32 | 0:24:37 | |
Just anything to just stop it right away. | 0:24:37 | 0:24:39 | |
And they won't go... They won't go and tell anybody. | 0:24:39 | 0:24:42 | |
They just try and deal with it themselves. | 0:24:42 | 0:24:45 | |
So looking at the deaths in these papers is a common thing, is it? | 0:24:46 | 0:24:50 | |
It's every day. You know every day you open the paper | 0:24:50 | 0:24:54 | |
you're going to know somebody. | 0:24:54 | 0:24:56 | |
Do you ever feel that people need some sort of counselling, trauma thing, to get over things? | 0:24:58 | 0:25:04 | |
There are places on the Shankill for that. | 0:25:04 | 0:25:06 | |
But people won't go and tell their personal views. | 0:25:06 | 0:25:09 | |
They want to keep it to themselves. | 0:25:09 | 0:25:12 | |
Have you ever had any help for horrible things you've seen? | 0:25:12 | 0:25:17 | |
No. I just get on with it. If it happens, it happens. | 0:25:17 | 0:25:21 | |
Nothing you can do. Just get on with it. | 0:25:21 | 0:25:24 | |
There's the wee boy's flowers where he hung himself. | 0:25:34 | 0:25:38 | |
-That's where the wee boy hung himself? -Yeah. | 0:25:38 | 0:25:40 | |
-Where? -Up in those bushes. | 0:25:40 | 0:25:42 | |
But there's his flowers. | 0:25:42 | 0:25:45 | |
There's his photo. | 0:25:45 | 0:25:48 | |
I was coming home from football. | 0:25:54 | 0:25:57 | |
Then when my mates told me there was a dead body down the Muck Hills, | 0:25:57 | 0:26:02 | |
and I said, "Stop messing about. It's only a wee dummy!" | 0:26:02 | 0:26:06 | |
Then I went down and looked and it was a real person. | 0:26:06 | 0:26:12 | |
Control it, Travis! | 0:26:27 | 0:26:29 | |
Control it! | 0:26:29 | 0:26:31 | |
-What's wrong? -He kicked my ball away. | 0:26:32 | 0:26:35 | |
-Jordan, where's the ball? -Up there. | 0:26:35 | 0:26:37 | |
DIALOGUE UNCLEAR | 0:26:39 | 0:26:42 | |
Get it! | 0:26:44 | 0:26:46 | |
I need to get up! | 0:26:46 | 0:26:47 | |
You owe me a tenner, dick-head! | 0:26:47 | 0:26:49 | |
-He'll get it. -No, he won't! | 0:26:49 | 0:26:51 | |
Fuck off, Darnell. | 0:26:51 | 0:26:53 | |
No, fuck off, Darnell! Go away. | 0:26:53 | 0:26:55 | |
ROUSING MARCHING TUNE | 0:27:34 | 0:27:36 | |
One week before the Battle of the Bands. | 0:27:48 | 0:27:50 | |
There's been a setback for Paul. | 0:27:50 | 0:27:52 | |
His right-hand man has defected to a rival band. | 0:27:52 | 0:27:56 | |
A few points to bring up for those who didn't know. | 0:27:56 | 0:27:59 | |
Johnny and Brian's left us. | 0:27:59 | 0:28:01 | |
All right? | 0:28:02 | 0:28:04 | |
They've went, as far as we believe, | 0:28:04 | 0:28:06 | |
to the ranks of West Belfast Volunteers' Flute Band. | 0:28:06 | 0:28:10 | |
At the end of the day, we're bigger and better and stronger now than we were before. | 0:28:10 | 0:28:15 | |
Right? So don't be getting downbeat about it. | 0:28:15 | 0:28:19 | |
If you see Johnny, be the same as you always were. | 0:28:19 | 0:28:22 | |
I don't want these lads thinking he was the be all and end all. This band is bigger than one person. | 0:28:22 | 0:28:27 | |
Johnny has joined Lee's band, the West Belfast Volunteers. | 0:28:35 | 0:28:38 | |
It's run by Marcus. | 0:28:38 | 0:28:41 | |
-He came to a better band. -He came to a better band? | 0:28:48 | 0:28:51 | |
Is that how you feel, Johnny? You're in a better band now? | 0:28:51 | 0:28:54 | |
No comment! | 0:28:54 | 0:28:56 | |
The transfer went open and we got him. 50p! | 0:29:00 | 0:29:02 | |
Can't beat that! | 0:29:02 | 0:29:04 | |
-The transfer went open? Does that happen in the band scene? -It does! | 0:29:04 | 0:29:08 | |
Are you pleased? | 0:29:08 | 0:29:10 | |
We're getting there. Getting there. | 0:29:10 | 0:29:13 | |
The due date for Lee's eighth child is only weeks away. | 0:29:24 | 0:29:28 | |
His wife Lisa has suddenly been told | 0:29:28 | 0:29:31 | |
there may be a problem with the pregnancy. | 0:29:31 | 0:29:33 | |
"The cystic space, noticed swelling measuring." | 0:29:35 | 0:29:38 | |
How are you left feeling after that, Lisa? | 0:29:39 | 0:29:44 | |
Petrified. | 0:29:46 | 0:29:48 | |
I had to fight the tears back. | 0:29:49 | 0:29:51 | |
I thought if I start crying I'll never walk out of that room, | 0:29:51 | 0:29:55 | |
everybody would be looking at me. | 0:29:55 | 0:29:57 | |
So I didn't. | 0:29:57 | 0:29:59 | |
Do you have a fear, because you lost a baby before, didn't you? | 0:29:59 | 0:30:04 | |
Mm. | 0:30:04 | 0:30:05 | |
How pregnant were you when you lost that baby? | 0:30:05 | 0:30:08 | |
Four months. | 0:30:08 | 0:30:10 | |
-Do you think you always have a fear that there's something wrong? -Mmm. | 0:30:12 | 0:30:16 | |
Cos I had to go in and deliver the baby myself. | 0:30:16 | 0:30:19 | |
So I did. | 0:30:19 | 0:30:22 | |
How did Lee take that? | 0:30:23 | 0:30:25 | |
He never spoke. | 0:30:25 | 0:30:27 | |
To this day, he doesn't speak about it either. | 0:30:27 | 0:30:30 | |
Do you think he finds things that are emotionally upsetting really hard to deal with? | 0:30:32 | 0:30:37 | |
He bottles it all up, so he does. | 0:30:37 | 0:30:40 | |
I don't know why, because it would drive me loopy. | 0:30:40 | 0:30:43 | |
-What are you waiting for now? -Another scan. | 0:30:44 | 0:30:46 | |
To make sure everything's OK. | 0:30:46 | 0:30:49 | |
I'll be counting the weeks down till it happens. | 0:30:51 | 0:30:53 | |
-So what is the cystic space? Do you know? -I haven't a clue. | 0:30:55 | 0:30:58 | |
Not a clue! | 0:30:58 | 0:31:01 | |
And how's Lee dealing with this news? | 0:31:01 | 0:31:04 | |
Same again. Doesn't speak about it. | 0:31:04 | 0:31:07 | |
Do you think he's frightened and doesn't want to let on? | 0:31:07 | 0:31:10 | |
Yep. | 0:31:10 | 0:31:12 | |
The past 24 hours have been a bit tough. | 0:31:12 | 0:31:14 | |
I'd say more than a bit, so I would! | 0:31:16 | 0:31:19 | |
But there's nothing you can really do. | 0:31:19 | 0:31:22 | |
Do you think you're trying to put a brave face on the whole thing | 0:31:23 | 0:31:27 | |
-to keep her... -I have to. | 0:31:27 | 0:31:29 | |
I think once she sees me going down in the dumps, | 0:31:29 | 0:31:33 | |
she'll follow me. | 0:31:33 | 0:31:36 | |
So she will. | 0:31:36 | 0:31:38 | |
Do you never have moments where you have to walk away | 0:31:38 | 0:31:41 | |
and go, "God, this is really shit." | 0:31:41 | 0:31:43 | |
All the time! | 0:31:43 | 0:31:44 | |
But I just don't let people see that. | 0:31:46 | 0:31:48 | |
I don't want people to see that side of me. | 0:31:48 | 0:31:51 | |
What side? | 0:31:52 | 0:31:54 | |
The sort of down and depressed side. | 0:31:54 | 0:31:57 | |
That's not for people to see. | 0:31:59 | 0:32:02 | |
Cos when people see me, they always see me smiling, happy, cheerful, whatever. | 0:32:05 | 0:32:11 | |
And for them to see me maybe down in the dumps or whatever, | 0:32:11 | 0:32:15 | |
I don't like it. | 0:32:15 | 0:32:17 | |
Nice? Aye, nice! | 0:32:36 | 0:32:38 | |
DOG BARKS | 0:32:47 | 0:32:49 | |
Max, shut up! Max! | 0:32:58 | 0:33:00 | |
It's Halloween at Jordan's house. | 0:33:02 | 0:33:05 | |
I've noticed a change in the way Jackie is with Jordan. | 0:33:05 | 0:33:09 | |
-Do you remember doing this when you were a kid? -I never done it. | 0:33:09 | 0:33:13 | |
-Did you not? -No. | 0:33:13 | 0:33:14 | |
What would you do when you were a kid, Jackie? | 0:33:14 | 0:33:18 | |
I was wrecking the place. | 0:33:18 | 0:33:20 | |
-Did you do pumpkins when you were a wee girl? -No, I did not, no. | 0:33:20 | 0:33:26 | |
I'm not a... I don't... | 0:33:28 | 0:33:30 | |
Jackie and all call me bore bag. | 0:33:31 | 0:33:33 | |
Cos I don't like Christmas, don't like any holiday times. | 0:33:33 | 0:33:37 | |
-Doesn't like her fucking self. -I don't like myself, Jackie says! | 0:33:37 | 0:33:41 | |
Then sometimes I'll throw a wobbler. | 0:33:41 | 0:33:44 | |
-When you throw a wobbler, what do you do? -I used to wreck the place. | 0:33:44 | 0:33:48 | |
-Didn't I, Jordan? -Yep. | 0:33:48 | 0:33:51 | |
And I have to listen to it! | 0:33:51 | 0:33:53 | |
-Don't put your finger on the blade! -I'm not. -You did. | 0:33:55 | 0:33:58 | |
Get back. You might get cut. | 0:33:58 | 0:34:01 | |
-Did you cut yourself yet? -Fuck off. | 0:34:06 | 0:34:09 | |
-Watch your finger. -Aye. | 0:34:10 | 0:34:12 | |
-You watch. -Watch! | 0:34:12 | 0:34:15 | |
Daddy's never been in a church in his life. | 0:34:19 | 0:34:23 | |
-Sorry, Jordan, say that again. -What the fuck's church got to do with this? | 0:34:23 | 0:34:27 | |
-Daddy's never been in a church. -Why's that suddenly come into your mind, Jordan? | 0:34:27 | 0:34:31 | |
I don't know. | 0:34:31 | 0:34:33 | |
He's worried about saving your soul, Jackie! | 0:34:33 | 0:34:36 | |
Bit too fucking late for that! | 0:34:36 | 0:34:38 | |
Oh. It's not as good as the last one. | 0:34:39 | 0:34:43 | |
Then do it yourself, then! | 0:34:43 | 0:34:44 | |
Where are we going, Jordan? Tell us where we're going. | 0:34:53 | 0:34:56 | |
The shop, to get my Halloween costume. | 0:34:56 | 0:35:00 | |
-What's it like? -All right. | 0:35:00 | 0:35:04 | |
Bye! | 0:35:11 | 0:35:13 | |
Stop it! | 0:35:14 | 0:35:16 | |
That isn't crazy string! Look at it! | 0:35:16 | 0:35:19 | |
Get away with that stuff! | 0:35:25 | 0:35:27 | |
What does KAT mean? | 0:35:40 | 0:35:42 | |
"Kill all Taigs". | 0:35:42 | 0:35:44 | |
What does Taig mean? | 0:35:44 | 0:35:46 | |
Catholics. | 0:35:46 | 0:35:48 | |
Why do people write that? | 0:35:50 | 0:35:52 | |
I don't know. | 0:35:52 | 0:35:54 | |
Bad name. | 0:35:57 | 0:35:59 | |
But they write KAH. | 0:35:59 | 0:36:02 | |
Kill all Huns. | 0:36:02 | 0:36:04 | |
Kill all Huns. | 0:36:05 | 0:36:07 | |
-It's Hons. -It isn't. It's Hun. | 0:36:07 | 0:36:09 | |
-We're Hons. -It's Hun! | 0:36:09 | 0:36:12 | |
Who are Huns? | 0:36:12 | 0:36:14 | |
Protestants. | 0:36:14 | 0:36:15 | |
# My guy, my guy! # | 0:36:19 | 0:36:22 | |
In the mugs. | 0:36:22 | 0:36:24 | |
Do you think, Jackie, that Jordan and his generation understand what The Troubles was all about? | 0:36:24 | 0:36:31 | |
No. They haven't a clue. | 0:36:31 | 0:36:33 | |
Can I do one? | 0:36:33 | 0:36:34 | |
What do you think they need to know about it all, Jackie? | 0:36:34 | 0:36:37 | |
What the Cause was for. | 0:36:37 | 0:36:39 | |
-Burn, baby, burn. -There, Travis. | 0:36:39 | 0:36:41 | |
It was the Cause for our country. | 0:36:41 | 0:36:44 | |
It's a different era now. | 0:36:44 | 0:36:46 | |
Time to make changes. Time to move forward. | 0:36:47 | 0:36:50 | |
Do you think he's a better age to cope with these questions now? | 0:36:50 | 0:36:55 | |
He has a bit of sense. He knows what he's asking me. | 0:36:55 | 0:36:58 | |
He knows what he's been told. | 0:36:58 | 0:37:01 | |
But you can't tell him any of the bad bits. | 0:37:01 | 0:37:03 | |
I wouldn't want him to see what I've seen and what I went through. | 0:37:04 | 0:37:08 | |
Hopefully he won't go down that road. | 0:37:08 | 0:37:10 | |
Years ago, you were maybe getting a phone call, | 0:37:10 | 0:37:14 | |
somebody this has been shot dead, that's been shot dead. | 0:37:14 | 0:37:17 | |
It was friends and family you were losing. | 0:37:17 | 0:37:20 | |
But now you're not hearing it. | 0:37:20 | 0:37:22 | |
It's just the way of living. | 0:37:22 | 0:37:24 | |
Do you think, for all the awful things you've seen and lived through, | 0:37:25 | 0:37:30 | |
how do you deal with that? Do you have flashbacks, bad memories? | 0:37:30 | 0:37:34 | |
You just have to get on with it. I'm not the only one. Thousands went through worse than I did. | 0:37:34 | 0:37:40 | |
You just have to get on with it. There's nothing else you can do. | 0:37:40 | 0:37:43 | |
Trick or treat? | 0:37:48 | 0:37:50 | |
FIREWORKS WHIZZ OVERHEAD | 0:37:50 | 0:37:53 | |
# Halloween's coming and the goose is getting fat | 0:37:54 | 0:37:57 | |
# Please put a penny in the old man's hat. # | 0:37:57 | 0:37:59 | |
Lift it up yourself. | 0:38:01 | 0:38:03 | |
Are you ready? | 0:38:03 | 0:38:05 | |
Ready? | 0:38:09 | 0:38:10 | |
That's it! | 0:38:10 | 0:38:12 | |
That's it. Leave it. It's going up quick. | 0:38:12 | 0:38:16 | |
It's the day of Lisa's scan in a specialist baby unit. | 0:38:27 | 0:38:30 | |
Fairly normal. | 0:38:38 | 0:38:39 | |
Round to the front. | 0:38:42 | 0:38:44 | |
The shape of the head looks good. | 0:38:45 | 0:38:47 | |
Reassuring features of the face there and the lips | 0:38:48 | 0:38:51 | |
and the nose, OK. | 0:38:51 | 0:38:54 | |
He's a star even before he's born! | 0:38:54 | 0:38:57 | |
-Do you think he's a drummer, Lee? -He's a bass drummer. | 0:38:57 | 0:39:00 | |
He's got the arms for it! | 0:39:00 | 0:39:02 | |
-It's a "he", is it? -Yes, it's a he! | 0:39:02 | 0:39:04 | |
Everything else looks really quite reassuring. | 0:39:06 | 0:39:09 | |
OK? | 0:39:09 | 0:39:10 | |
-That's good news, isn't it? -Yep. | 0:39:10 | 0:39:12 | |
-Thank you. -Right. | 0:39:12 | 0:39:14 | |
-How do you feel, Lisa? -Relieved! | 0:39:14 | 0:39:16 | |
She was told not to worry about anything. | 0:39:16 | 0:39:20 | |
So a good night's sleep tonight! | 0:39:20 | 0:39:22 | |
For both of us. | 0:39:22 | 0:39:24 | |
What do you hope for your children? | 0:39:30 | 0:39:32 | |
Just for them to have a future. | 0:39:32 | 0:39:34 | |
For them to have a childhood. | 0:39:34 | 0:39:36 | |
They're not growing up with the sort of stuff people of my age had to grow up with. | 0:39:36 | 0:39:43 | |
There's times before I've actually broke down in front of Lisa. | 0:39:46 | 0:39:50 | |
Cos my past, she doesn't really know much about it. | 0:39:51 | 0:39:54 | |
I don't want her to know much about it. | 0:39:54 | 0:39:57 | |
There's a lot of people that have stuff sitting on hold. | 0:39:57 | 0:40:01 | |
It affects people in different ways. | 0:40:01 | 0:40:05 | |
Taking their own lives, stuff like that. | 0:40:05 | 0:40:08 | |
I think that's why a lot of people from the Shankill go and join bands. | 0:40:08 | 0:40:14 | |
They probably feel the same way as what I do. | 0:40:15 | 0:40:18 | |
About being a big child again! | 0:40:19 | 0:40:21 | |
I would love to get first or second. I'd love it beyond imagination. Love it. | 0:41:16 | 0:41:22 | |
But realistically, I think you're trying for third. | 0:41:22 | 0:41:26 | |
But listen. I want you to try your total best here on Saturday. | 0:41:26 | 0:41:30 | |
I'm being serious. We have a point to prove. | 0:41:30 | 0:41:33 | |
It's the first week back at school for Jordan, after half term. | 0:41:44 | 0:41:48 | |
He's been asked to see the music department about joining the school band. | 0:41:48 | 0:41:54 | |
Jordan, I have sent for you because I've been looking at our instrumental time-tables. | 0:41:54 | 0:42:01 | |
There's a space that has come up on snare drumming. | 0:42:01 | 0:42:06 | |
If you're really interested in this, | 0:42:06 | 0:42:08 | |
I want you to go home and do some practising | 0:42:08 | 0:42:11 | |
and next Tuesday, the teacher is going to audition some of the boys | 0:42:11 | 0:42:16 | |
and we're going to see if we can get someone to fill the spaces left on that time-table. | 0:42:16 | 0:42:22 | |
Would you enjoy that? | 0:42:22 | 0:42:23 | |
-How do you feel? -Amazing! | 0:42:23 | 0:42:26 | |
-A wee bit happy or a big bit happy? -Big bit! | 0:42:27 | 0:42:30 | |
I'm going to go home and ask my daddy | 0:42:30 | 0:42:34 | |
can I play the drum, and practise. | 0:42:34 | 0:42:36 | |
If I get through, I'll be playing in a band. | 0:42:40 | 0:42:44 | |
-That's great. -The school band. | 0:42:44 | 0:42:46 | |
-The drum? -Yeah. | 0:42:46 | 0:42:48 | |
Oooh! | 0:42:48 | 0:42:50 | |
-He's loving it. -Are you loving it? | 0:42:50 | 0:42:52 | |
-You'd better have it right. -I know, but Daddy, I have to practise. | 0:42:52 | 0:42:56 | |
Can you help me practise? | 0:42:56 | 0:42:59 | |
You can play a tune and I can play with it. | 0:42:59 | 0:43:01 | |
Play along with it. | 0:43:01 | 0:43:03 | |
-That's what the teacher said. -Right. OK. | 0:43:03 | 0:43:05 | |
Right. | 0:43:05 | 0:43:07 | |
When? | 0:43:07 | 0:43:08 | |
Any time before... | 0:43:08 | 0:43:10 | |
Like any time. | 0:43:10 | 0:43:12 | |
Peace has brought tourists from all over the world | 0:43:38 | 0:43:41 | |
to the streets of Belfast. | 0:43:41 | 0:43:43 | |
They come to see the places that were once headline news. | 0:43:43 | 0:43:47 | |
Who are these people? Are they tourists? | 0:43:59 | 0:44:02 | |
Yeah. | 0:44:02 | 0:44:03 | |
Why do tourists come here, Jordan? | 0:44:04 | 0:44:07 | |
To look at all the murals. | 0:44:07 | 0:44:09 | |
-Where do you think they come from? -They come from Spain and all. | 0:44:09 | 0:44:14 | |
-Why have they come to look at these murals? -I don't know. | 0:44:14 | 0:44:18 | |
If you were a tour guide, what would you tell them, Jordan? | 0:44:18 | 0:44:22 | |
All the stuff about the murals. | 0:44:22 | 0:44:25 | |
I'd tell them what happened and all in the past. | 0:44:25 | 0:44:28 | |
Like a war. | 0:44:28 | 0:44:30 | |
And the Shankill bomb. | 0:44:32 | 0:44:34 | |
The Shankill bomb of 1993 | 0:44:37 | 0:44:41 | |
was the single worst atrocity to hit this community. | 0:44:41 | 0:44:44 | |
The bomb exploded in a crowded fish shop | 0:44:46 | 0:44:49 | |
on a busy Saturday afternoon. | 0:44:49 | 0:44:51 | |
It affected everybody, but none more so than the leader of the Westies. | 0:44:55 | 0:45:00 | |
My father died on the Thursday. He was in hospital for an operation. | 0:45:03 | 0:45:07 | |
And on the Saturday, | 0:45:07 | 0:45:09 | |
my brother and his girlfriend and their daughter were killed at this spot | 0:45:09 | 0:45:13 | |
by the IRA. | 0:45:13 | 0:45:15 | |
Why were they there that day? | 0:45:17 | 0:45:20 | |
They were actually in the flower shop getting their wreaths. | 0:45:20 | 0:45:25 | |
And they went into the fish shop, she always loved them crab sticks. | 0:45:25 | 0:45:31 | |
They were buying them. | 0:45:31 | 0:45:34 | |
-They were getting a wreath for your father? -Yep. | 0:45:34 | 0:45:37 | |
Do you always mark this spot with flowers? | 0:45:37 | 0:45:40 | |
Yes, I always do it the night before, every year. | 0:45:40 | 0:45:44 | |
A lot of things have changed over the years. | 0:45:44 | 0:45:47 | |
Would you say people still have nightmares | 0:45:49 | 0:45:51 | |
and still struggle with the awful stuff they've seen and been through? | 0:45:51 | 0:45:55 | |
Yeah, definitely. | 0:45:55 | 0:45:57 | |
As I say, it's... | 0:45:59 | 0:46:01 | |
Us over here suffered an awful lot during the conflict. | 0:46:01 | 0:46:05 | |
Hundreds of people have been affected by it. | 0:46:07 | 0:46:10 | |
Hundreds. | 0:46:10 | 0:46:12 | |
Are the wounds still raw, would you say? | 0:46:15 | 0:46:18 | |
A lot of time yet. | 0:46:21 | 0:46:23 | |
Tuck those shirts in. | 0:46:43 | 0:46:46 | |
It's the Battle of the Shankill, | 0:46:47 | 0:46:49 | |
a day when most of the bands fight it out for the title Band of the Road. | 0:46:49 | 0:46:54 | |
I've now spent more than two months here, and I'm beginning to understand | 0:47:11 | 0:47:15 | |
why the bands mean so much to these men. | 0:47:15 | 0:47:18 | |
But my feelings about it are mixed. | 0:47:28 | 0:47:31 | |
In a world where so much is left unspoken, | 0:47:33 | 0:47:36 | |
this music is a release for men with dark memories and troubled pasts. | 0:47:36 | 0:47:41 | |
But it also entrenches them | 0:47:45 | 0:47:48 | |
and keeps old prejudices alive. | 0:47:48 | 0:47:50 | |
Shh! Shh! | 0:48:25 | 0:48:28 | |
The third position goes to the West Belfast Volunteers. | 0:48:29 | 0:48:33 | |
Folks, first position goes to the Shankill Star. | 0:48:44 | 0:48:49 | |
Paul walks away empty-handed. | 0:48:50 | 0:48:52 | |
Well done. | 0:48:52 | 0:48:54 | |
Thank you, mate. Thank you. | 0:48:54 | 0:48:56 | |
It's the morning of Jordan's drumming audition, | 0:49:08 | 0:49:11 | |
a chance for him to win a place in the school band. | 0:49:11 | 0:49:15 | |
Have you prepared something for me? | 0:49:17 | 0:49:19 | |
Do you want to try anything? | 0:49:19 | 0:49:21 | |
I'll have a go. | 0:49:21 | 0:49:23 | |
See what you can do on the snare drum. | 0:49:23 | 0:49:25 | |
PLAYS SKILFULLY | 0:49:28 | 0:49:31 | |
Brilliant. Very good. That's great. | 0:49:34 | 0:49:36 | |
PLAYS BEATS | 0:49:36 | 0:49:38 | |
Perfect. | 0:49:40 | 0:49:41 | |
Try that again. It's just getting that open sound. Yeah. | 0:49:41 | 0:49:46 | |
Jackie's discovered that it's possible for former inmates | 0:49:48 | 0:49:52 | |
to visit the now derelict Maze Prison. | 0:49:52 | 0:49:54 | |
He's decided not only to go himself, | 0:49:56 | 0:49:59 | |
but to take Jordan with him. | 0:49:59 | 0:50:00 | |
The prisoners in The Maze, what were they in there for? | 0:50:02 | 0:50:06 | |
Oh, different things. | 0:50:06 | 0:50:09 | |
Murders, bombings, shootings. | 0:50:09 | 0:50:12 | |
Different things. | 0:50:13 | 0:50:16 | |
-But the prison was mostly for... -Political prisoners. | 0:50:16 | 0:50:20 | |
Why would you like to take Jordan back to The Maze now? | 0:50:21 | 0:50:24 | |
To let him see what we went through. What we lived in. | 0:50:24 | 0:50:29 | |
And hopefully, as I say, he doesn't go down that road. | 0:50:29 | 0:50:32 | |
He's a good boy, though. He's got dreams. | 0:50:36 | 0:50:40 | |
We were all good boys! | 0:50:40 | 0:50:42 | |
But unfortunately that changed. | 0:50:43 | 0:50:45 | |
Is he at that age now where he does want to know a bit more? | 0:50:45 | 0:50:48 | |
Yes, he's starting to ask more questions. | 0:50:48 | 0:50:52 | |
So often he so wants to please you. | 0:50:52 | 0:50:54 | |
Coming to tell you things. He so wants to please his daddy. | 0:50:54 | 0:50:57 | |
Do you think when you go back to The Maze | 0:50:57 | 0:51:00 | |
that'll fill in a wee hole he doesn't know about you? | 0:51:00 | 0:51:04 | |
It'll excite him. | 0:51:04 | 0:51:05 | |
Well, as I say, there'll be things that he'll ask | 0:51:07 | 0:51:10 | |
and there's things I won't answer. | 0:51:10 | 0:51:12 | |
I'll either say, "No, Jordan, I'm not telling you that." | 0:51:12 | 0:51:15 | |
There's things I want him to hear and things I don't want him to hear. | 0:51:15 | 0:51:19 | |
Do you think everybody's in the same boat as you, Jackie? | 0:51:19 | 0:51:24 | |
Mm-hmm. Aye. | 0:51:24 | 0:51:25 | |
-Are there some things people just never talk about again? -Yep. | 0:51:25 | 0:51:29 | |
There's things happen you just keep in to yourself. | 0:51:29 | 0:51:33 | |
Nobody knows. | 0:51:33 | 0:51:34 | |
-Only you. -Uh-huh. You keep it to yourself. | 0:51:37 | 0:51:40 | |
-So would you like to be in the band? Come back next week? -Yeah! -Definitely? | 0:51:46 | 0:51:50 | |
-Good stuff. I'd love to have you back. -OK. -Thank you. | 0:51:50 | 0:51:53 | |
Mummy, I got in! | 0:51:54 | 0:51:56 | |
Daddy has to buy me a drum now! | 0:51:57 | 0:52:00 | |
'These drum sticks are lucky, then, after all!' | 0:52:01 | 0:52:04 | |
See you later. | 0:52:06 | 0:52:07 | |
(Bye! See you later!) | 0:52:07 | 0:52:09 | |
Right. Come along. | 0:52:33 | 0:52:36 | |
Are you going to push? | 0:52:36 | 0:52:38 | |
You'll have to push the baby. I've got to smoke! | 0:52:40 | 0:52:43 | |
-When was he born, Lee? -Half one, Christmas morning. | 0:52:50 | 0:52:54 | |
Best Christmas present ever! | 0:52:54 | 0:52:57 | |
So what's he going to do in the band? | 0:52:57 | 0:52:59 | |
Uh, I'll get him on the flute first for a while. | 0:52:59 | 0:53:03 | |
Then when he's big enough get him onto the bass drum or side drum. | 0:53:03 | 0:53:07 | |
-Bass drum, side drum, like his daddy? -Oh, yeah. | 0:53:10 | 0:53:13 | |
I can't wait. | 0:53:13 | 0:53:15 | |
-Why do you do it, Paul? -Because I love it. | 0:53:30 | 0:53:32 | |
-Do you? -I love it. I've always been round bands all my life. | 0:53:32 | 0:53:36 | |
Always. And I take great pride in it. It teaches you right from wrong, if you get my drift. | 0:53:36 | 0:53:43 | |
You're hoping that the boys will be sensible grown-ups | 0:53:43 | 0:53:49 | |
in years to come rather than fucking idiots running about taking drugs and getting up to no good. | 0:53:49 | 0:53:55 | |
Lads, listen, serious. | 0:53:55 | 0:53:57 | |
The collection tonight is the most important thing for us. | 0:53:57 | 0:54:01 | |
The band needs about ten grand. We must score here. | 0:54:01 | 0:54:04 | |
Sorry to bother you. | 0:54:08 | 0:54:09 | |
Thank you very much. Cheers. Thank you. Good night. | 0:54:11 | 0:54:14 | |
It's this street here. | 0:54:16 | 0:54:20 | |
JORDAN GIGGLES | 0:54:40 | 0:54:42 | |
It's the day of Jackie and Jordan's visit to The Maze. | 0:54:47 | 0:54:51 | |
CONVERSATION UNCLEAR | 0:54:53 | 0:54:56 | |
Go easy, now, Daddy. | 0:54:56 | 0:54:58 | |
In case we crash. | 0:54:58 | 0:55:00 | |
It's too slippy. | 0:55:00 | 0:55:02 | |
-Jordan, shut up. -Daddy, shh! | 0:55:02 | 0:55:04 | |
I'm aware Jackie is not likely to tell Jordan everything he's seen. | 0:55:08 | 0:55:12 | |
Nor everything he's done. | 0:55:12 | 0:55:14 | |
But I'm struck by the fact that he now seems able to share something of his own past | 0:55:14 | 0:55:18 | |
with his 11-year-old son. | 0:55:18 | 0:55:21 | |
-There isn't even no water in them. -No. | 0:55:38 | 0:55:41 | |
-It's bone dry. -That's right. | 0:55:41 | 0:55:43 | |
That's the way you come out. When you had a visitor you had to stand till they came out. | 0:55:44 | 0:55:49 | |
You had to stand here. They called you and you had to stand here. | 0:55:49 | 0:55:52 | |
Stand next to this. | 0:55:52 | 0:55:54 | |
Come and see where the beds were. Wait till you see. | 0:55:54 | 0:55:57 | |
It's really hard. We only had them at one time, then they brought these in. | 0:56:01 | 0:56:05 | |
-Why? -Because that's all you had. | 0:56:05 | 0:56:07 | |
See here? | 0:56:07 | 0:56:08 | |
-That was your light switch. -Where was your toilet? | 0:56:08 | 0:56:11 | |
A pot. | 0:56:11 | 0:56:13 | |
-Is it scary? -Yeah. | 0:56:13 | 0:56:15 | |
-Would you be scared? -Yeah. | 0:56:15 | 0:56:18 | |
Here you used to have curtains. | 0:56:21 | 0:56:23 | |
Did people not try and hang themself? | 0:56:23 | 0:56:26 | |
No. | 0:56:26 | 0:56:28 | |
-Tell me why people was being sent to The Maze. -Because there was a war. | 0:56:36 | 0:56:41 | |
What do you mean, war? | 0:56:41 | 0:56:42 | |
-The IRA and the UVF and UDA. -Paramilitaries. -Yes. | 0:56:42 | 0:56:46 | |
It was a war. It was all paramilitaries came in here. | 0:56:46 | 0:56:50 | |
Jordan, do you know what the paramilitaries were? Do you understand? | 0:56:50 | 0:56:54 | |
No, not much. | 0:56:54 | 0:56:56 | |
Do you understand what they were fighting for, or anything? | 0:56:56 | 0:56:59 | |
What were you fighting for? | 0:57:01 | 0:57:03 | |
-The Cause. -What's that? -To keep Ulster. | 0:57:03 | 0:57:06 | |
Like Protestants and Catholics did great harm? | 0:57:06 | 0:57:10 | |
Yes. | 0:57:10 | 0:57:12 | |
Tell me what's going on in your head. | 0:57:12 | 0:57:14 | |
Mad things going on in my head. | 0:57:14 | 0:57:17 | |
-Was The Maze that scary? -Aye. | 0:57:17 | 0:57:19 | |
Aye. | 0:57:19 | 0:57:21 | |
I hope they don't go through what we went through. Or see what we saw. | 0:57:23 | 0:57:26 | |
-What did you see? -Everything. | 0:57:26 | 0:57:29 | |
People getting shot and all? | 0:57:31 | 0:57:33 | |
Did you see someone have their arm blown off? | 0:57:33 | 0:57:36 | |
You don't see that now, sure you don't. | 0:57:36 | 0:57:38 | |
-You don't want to see that. -No. | 0:57:38 | 0:57:40 | |
-I don't even want to see someone dead. -No. | 0:57:41 | 0:57:45 | |
It's not nice. | 0:57:45 | 0:57:47 | |
Not nice. | 0:57:47 | 0:57:49 | |
-Why? -Because it's just sick. | 0:57:50 | 0:57:54 | |
Subtitles by Red Bee Media Ltd | 0:58:40 | 0:58:43 |