Browse content similar to Two Jews on a Cruise. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
SIRENS WAIL | 0:00:15 | 0:00:17 | |
-I pack my way. -You pack your way. | 0:00:17 | 0:00:20 | |
You know better how to pack. | 0:00:20 | 0:00:22 | |
You start from beginning. You got to start all over again. | 0:00:22 | 0:00:25 | |
Gaby and Tikwah Lock, a retired couple living in Stamford Hill | 0:00:25 | 0:00:29 | |
in north London, are getting ready to go on holiday. | 0:00:29 | 0:00:32 | |
Take a hanger with you. People have got hangers where we're going. | 0:00:32 | 0:00:35 | |
Take the hangers out. Do me a favour. | 0:00:35 | 0:00:38 | |
It disturbs me. I can't close the box with them there. | 0:00:38 | 0:00:41 | |
-Just push them down. -I've have told you so many times | 0:00:41 | 0:00:44 | |
the hangers disturb packing the case and you don't want to listen. | 0:00:44 | 0:00:47 | |
-Gaby is in charge of packing, yeah? -Yes, he's very good at it. | 0:00:47 | 0:00:50 | |
-I'd get lots of things into her case... -OK. | 0:00:50 | 0:00:54 | |
This is all going to come out. | 0:00:54 | 0:00:55 | |
As orthodox Jews in the Hasidic community, their lives | 0:00:55 | 0:00:59 | |
are governed by a complex set of rules, called the 613 Commandments. | 0:00:59 | 0:01:04 | |
This means the packing requirements differ a little from most. | 0:01:04 | 0:01:09 | |
Well, if I look like a gollywog... | 0:01:09 | 0:01:12 | |
-Tikwah, how many wigs do you take? -One on my head and one in the box. | 0:01:12 | 0:01:16 | |
What's the difference in the wigs you've got? | 0:01:16 | 0:01:19 | |
-Have a look at the wig. -One is for best wear, which he's tried to ruin. | 0:01:19 | 0:01:22 | |
-Why do you wear that? -A married woman must cover your hair. | 0:01:22 | 0:01:25 | |
You're not allowed to go with open hair. She can shave all her hair off | 0:01:25 | 0:01:28 | |
and not have no hair whatsoever | 0:01:28 | 0:01:30 | |
then she can go like a baldy, like one of these skinheads. Terribly unattractive. | 0:01:30 | 0:01:34 | |
And it's a part of the Jewish life, | 0:01:34 | 0:01:36 | |
the partner's supposed to be making sure she is attractive to the male. | 0:01:36 | 0:01:40 | |
The male species should make sure he's attractive to the female. | 0:01:40 | 0:01:43 | |
That is part of your duty in married Jewish life and Torah laws. | 0:01:43 | 0:01:47 | |
What do you do to make yourself attractive to Tikwah? | 0:01:47 | 0:01:50 | |
That's a good question! That's a good question! | 0:01:50 | 0:01:54 | |
She's laughing at that! | 0:01:54 | 0:01:55 | |
Look at this! Isn't it going all in? | 0:01:55 | 0:01:59 | |
Marvellous! Wonderful! | 0:01:59 | 0:02:01 | |
I'd first met Gaby and Tikwah | 0:02:08 | 0:02:10 | |
while making a film about young people getting married in the area. | 0:02:10 | 0:02:14 | |
SINGING | 0:02:15 | 0:02:17 | |
Gaby, a former teacher, acted as my guide | 0:02:21 | 0:02:24 | |
to the nature of relationships in this highly-orthodox neighbourhood. | 0:02:24 | 0:02:28 | |
Marriage, that's what God's aim is in this world. | 0:02:28 | 0:02:32 | |
Two different people get together and try to build a life. | 0:02:32 | 0:02:34 | |
The idea is to make one person of them. | 0:02:34 | 0:02:37 | |
The more one you make of your unity or marriage, | 0:02:37 | 0:02:40 | |
the more one you are and the more love there is. | 0:02:40 | 0:02:42 | |
That is what real love is about. | 0:02:42 | 0:02:45 | |
When Gaby and Tikwah told me they were happy for me to join them | 0:02:45 | 0:02:49 | |
on their cruise around the Mediterranean, I jumped at the chance | 0:02:49 | 0:02:52 | |
to spend more time with this couple from such an unusual community. | 0:02:52 | 0:02:57 | |
Looks nice! | 0:02:57 | 0:02:58 | |
GABY HEAVES | 0:02:58 | 0:03:00 | |
-Is this all his gear behind you? -Yes. Yes. | 0:03:00 | 0:03:03 | |
-It's all Gaby's gear. -Do you want him to sort all the stuff out? | 0:03:03 | 0:03:06 | |
-Oh, it's pointless saying that I want what I want. -What do you want? | 0:03:06 | 0:03:10 | |
I want him to chuck it all out. | 0:03:10 | 0:03:12 | |
To me it has value. I know exactly every piece in there. | 0:03:12 | 0:03:16 | |
Gaby, you can't collect everything in the world. | 0:03:16 | 0:03:18 | |
The gas mask belongs to my son, not me. We can't throw it out. He wants to keep it. | 0:03:18 | 0:03:22 | |
-He doesn't want to take it home. -Gas mask? -Let's get this on. | 0:03:22 | 0:03:25 | |
Please(!) | 0:03:25 | 0:03:26 | |
MUFFLED NOISES | 0:03:29 | 0:03:30 | |
Gaby, don't you think you collect a bit too much stuff? | 0:03:30 | 0:03:33 | |
I can't breathe in it. | 0:03:33 | 0:03:35 | |
Of course he does! Of course he does! | 0:03:35 | 0:03:38 | |
I think you've got one or two little issues to work on. | 0:03:38 | 0:03:41 | |
We've got more than one or two little issues. | 0:03:41 | 0:03:43 | |
We work on issues every day. It's what life's about. Working on issues. | 0:03:43 | 0:03:47 | |
Aside from visiting relations in Israel, | 0:03:49 | 0:03:52 | |
this would be the first holiday the couple have taken | 0:03:52 | 0:03:54 | |
together in over 40 years of marriage. | 0:03:54 | 0:03:58 | |
A holiday where I take my wife out and say | 0:03:58 | 0:04:01 | |
"I'm giving you myself now, my whole self..." | 0:04:01 | 0:04:04 | |
Don't forget about me once we get away. | 0:04:04 | 0:04:06 | |
-Yes, but the point is... -What's she saying? -Don't forget about me. | 0:04:06 | 0:04:09 | |
-Once I talk, she thinks I forget her. -Once he talks to other people, | 0:04:09 | 0:04:12 | |
-he forgets me. -And you neglect her? | 0:04:12 | 0:04:15 | |
It's not I neglect her. If I'm talking with somebody else | 0:04:15 | 0:04:17 | |
I've got to concentrate on these people. Of course I neglect her a bit. | 0:04:17 | 0:04:21 | |
-Have you got the water on full? -Yes! -The cold tap, fully on? | 0:04:21 | 0:04:25 | |
-The radio will go on with the time switch. -A bit quieter. | 0:04:25 | 0:04:28 | |
It's not loud. This is not loud. | 0:04:28 | 0:04:30 | |
RADIO CHATTER | 0:04:30 | 0:04:32 | |
-Come on! Out! -I just want to check. One more time. | 0:04:35 | 0:04:38 | |
-More checking! -More checking. -He's crunk. | 0:04:38 | 0:04:42 | |
-Don't you check all your house when you go away like that? -Not that many times. | 0:04:42 | 0:04:46 | |
He is so unsure of himself. | 0:04:46 | 0:04:48 | |
Is he? | 0:04:48 | 0:04:50 | |
We can go in the car to Manchester | 0:04:50 | 0:04:53 | |
and he says, "Now did I close the windows? | 0:04:53 | 0:04:55 | |
-"I'm going back." -Did I close the windows? | 0:04:55 | 0:04:58 | |
The windows are not open. Gaby, they're not open! | 0:04:58 | 0:05:00 | |
I'm just going to check the windows. | 0:05:00 | 0:05:03 | |
He's away to open my windows! | 0:05:03 | 0:05:05 | |
This kissing of the mezuzah is for the security of the house. | 0:05:07 | 0:05:12 | |
-God looks after the house. -He looks after us. -Looks after us. | 0:05:12 | 0:05:17 | |
-Everything is around God, isn't it? -Everything. | 0:05:17 | 0:05:20 | |
Off we go. | 0:05:23 | 0:05:24 | |
Oh, God, I'm tired. | 0:05:26 | 0:05:29 | |
What would you like on the cruise? | 0:05:33 | 0:05:35 | |
I want to enjoy the Jacuzzi, I think it's nice. | 0:05:35 | 0:05:38 | |
-Jacuzzi? -Yeah. That is a Jacuzzi. -I thought you thought all those things are crazy? | 0:05:38 | 0:05:43 | |
No, but a Jacuzzi's very nice - it's warm water and it bubbles. | 0:05:43 | 0:05:46 | |
It's really a good feeling, no? We must try that. | 0:05:46 | 0:05:50 | |
The point is we'll have to try that when there's nobody about. | 0:05:50 | 0:05:54 | |
-But we can be able to get there. -I need it like a hole in the head. | 0:05:54 | 0:05:57 | |
You might like it. You've never tried, so how do you know you need it like a hole in the head. | 0:05:57 | 0:06:02 | |
-You say it like it's something you've tried. -I'm scared of things I don't know. | 0:06:02 | 0:06:06 | |
-That doesn't mean it's not good. How do you know it's no good? -No, I can't really say. | 0:06:06 | 0:06:10 | |
-You can't know everything you'll be scared of. -You're right. You're right. | 0:06:10 | 0:06:14 | |
If you don't take no chances, you won't get nowhere. | 0:06:14 | 0:06:16 | |
No, I won't get anywhere, so what shall I do? | 0:06:16 | 0:06:18 | |
It's Israel. | 0:06:35 | 0:06:37 | |
-Golden Iris! Golden Iris! -Come here you! Come from water. Gaby! | 0:06:38 | 0:06:44 | |
Over the next 13 days, | 0:06:44 | 0:06:45 | |
the Golden Iris will cruise the Mediterranean and Adriatic Seas. | 0:06:45 | 0:06:50 | |
Yeah, yeah, well, I don't need you to fall in the water. | 0:06:50 | 0:06:54 | |
It will be calling in for day excursions at ports in Crete, | 0:06:54 | 0:06:56 | |
Corfu, Venice, Montenegro and Greece. | 0:06:56 | 0:07:00 | |
-Thank you. -You're welcome. -Come on! | 0:07:00 | 0:07:03 | |
Not all Gaby and Tikwah's fellow passengers are as religious as them. | 0:07:03 | 0:07:07 | |
Thank you. We hope so. | 0:07:07 | 0:07:10 | |
But is an entirely kosher ship that will accommodate | 0:07:10 | 0:07:13 | |
a whole spectrum of Jewish people, from the orthodox to the secular. | 0:07:13 | 0:07:18 | |
-Yeah. -Watch your step. -Why watch my step? They're good steps. | 0:07:18 | 0:07:24 | |
Oh, my God, Gaby! What did we let ourselves in for? | 0:07:24 | 0:07:29 | |
Oh... | 0:07:30 | 0:07:33 | |
5023. Now we're getting somewhere. | 0:07:33 | 0:07:36 | |
-Two, three. -Ah! Oh, my God. -We've got a television. Look at this! | 0:07:36 | 0:07:41 | |
Oh, my God. That's all we need(!). | 0:07:41 | 0:07:43 | |
-What a room! -You don't have a telly at home, do you? -No. | 0:07:43 | 0:07:46 | |
-We don't need one. -Oh. -Oh, please! -Let me just see what's on. | 0:07:46 | 0:07:52 | |
-Ah, let's go here. -Who cares about rugby?! | 0:07:52 | 0:07:56 | |
Are you going to spend a bit of time up here, Tikwah, in the sun? | 0:08:04 | 0:08:07 | |
-I might do. -Oh, the sun is very dangerous for us. -Why? -We burn. | 0:08:07 | 0:08:12 | |
-She doesn't. -I don't. -I burn. | 0:08:12 | 0:08:14 | |
I'm ginger. I burn. I get red as a tomato. | 0:08:14 | 0:08:17 | |
The Golden Iris would be home to 900 holidaymakers for the two week cruise. | 0:08:21 | 0:08:26 | |
Gaby and Tikwah's fellow travellers are mainly married couples | 0:08:28 | 0:08:31 | |
of a similar age, looking to enjoy their time together in later life. | 0:08:31 | 0:08:36 | |
IN ENGLISH | 0:08:41 | 0:08:43 | |
Some of them more seasoned cruise-goers, | 0:08:53 | 0:08:57 | |
struggling to rekindle the passion of their youth. | 0:08:57 | 0:09:01 | |
Whenever a good-looking girl walks past, | 0:09:01 | 0:09:03 | |
I feel like I'd like to be available if it was possible. | 0:09:03 | 0:09:06 | |
HE CHUCKLES | 0:09:06 | 0:09:08 | |
-Does that bother you? -Not at all. It would've. | 0:09:08 | 0:09:11 | |
-It would've 30 years ago. -It would've 30 years ago. Now it's like water off a duck's back. | 0:09:11 | 0:09:17 | |
While others have become a little too accustomed to their partner's habits. | 0:09:17 | 0:09:23 | |
IN TRANSLATION | 0:09:23 | 0:09:26 | |
HE SNORTS | 0:09:26 | 0:09:27 | |
Here, If I'm... | 0:09:33 | 0:09:35 | |
HE SNORES ..is going to sleep with the captain. | 0:09:35 | 0:09:38 | |
Five minutes into our voyage, and Tikwah's already lost something. | 0:09:46 | 0:09:51 | |
-What are we looking for? -My husband! -Where is he? -I don't know. | 0:09:51 | 0:09:55 | |
He went to his bedroom to get his camera. | 0:09:55 | 0:09:58 | |
Gaby? Where are you? | 0:09:59 | 0:10:04 | |
Oh, my gosh. | 0:10:04 | 0:10:06 | |
-He always disappears. -Always! It's a very old story. | 0:10:09 | 0:10:14 | |
5023. Hello? | 0:10:16 | 0:10:20 | |
No, he's not here. He's locked the door. | 0:10:20 | 0:10:24 | |
-There he is! -Oh, what... -Where were you? -Have you got the card? | 0:10:30 | 0:10:34 | |
-Have you got the card? -Yes! -Where is the card? Give me it. | 0:10:34 | 0:10:37 | |
-He wants to write it down. The card. -And where's the camera? | 0:10:37 | 0:10:41 | |
-What camera? Where? -There. -I'll go and find it. -Oh, you're such a schlemazel! | 0:10:41 | 0:10:46 | |
I'm entitled to disappear. We don't need to stick together every minute. | 0:10:46 | 0:10:50 | |
No, you're always disappearing. | 0:10:50 | 0:10:52 | |
-Oh, the case in. -Are the cases there? | 0:10:52 | 0:10:56 | |
-Yeah. SHE TUTS -Oh, look at this. | 0:10:56 | 0:10:59 | |
-Creases. -Hang it up over there. | 0:10:59 | 0:11:01 | |
-Everything. -First, I've got to get it on the hanger, yes? | 0:11:01 | 0:11:04 | |
What do you think of the other people you've seen on board so far? | 0:11:04 | 0:11:08 | |
I haven't talked much with them. Gaby does the talking. | 0:11:08 | 0:11:12 | |
-Is that shyness? -Yes. -Would you like Tikwah to have more confidence? | 0:11:12 | 0:11:17 | |
In herself? Yeah. I would have. Yes, I would have liked it. | 0:11:17 | 0:11:20 | |
It looks a bit of a state. | 0:11:20 | 0:11:23 | |
Would I marry a person who's got more confidence than her? | 0:11:23 | 0:11:26 | |
-No, because you don't know a lot of things you get. -I put up with him. | 0:11:26 | 0:11:29 | |
Who says that the other person would put up with more of my problems than my wife would. I don't think so. | 0:11:29 | 0:11:36 | |
-God puts you together. -I've heard about this concept called bashert. | 0:11:36 | 0:11:40 | |
-What does that mean? -Bashert means that this is your partner. | 0:11:40 | 0:11:43 | |
God designated, decided from Heaven that this person should be yours. | 0:11:43 | 0:11:47 | |
It's a very big decision to be for the rest of your life with someone. God almighty, don't we know it! | 0:11:47 | 0:11:53 | |
-So bashert, right? Have I pronounced it right? Bashert? -Yeah, yeah. -Yeah, very good. -OK. | 0:11:53 | 0:11:59 | |
Is that something that you are immediately aware of when you meet your partner? | 0:11:59 | 0:12:04 | |
-When you met Tikwah... -No, no. | 0:12:04 | 0:12:06 | |
You're saying with bashert that you fall in love with a person | 0:12:06 | 0:12:08 | |
and you decide that this is the person to be with all your life. | 0:12:08 | 0:12:12 | |
-That's not bashert. -It's not falling in love? -No, it's not. Bashert is these two people God put together. | 0:12:12 | 0:12:17 | |
When we married first, most people said that we would get divorced. Most people thought we don't fit together. | 0:12:17 | 0:12:23 | |
But, over time, it's proved that we do fit together. | 0:12:23 | 0:12:26 | |
-Who's doing all the work? -Yeah. -She is. That's women's work. | 0:12:26 | 0:12:29 | |
-Oh, everything is women's work, isn't it? -Most things. Housing is women's work. | 0:12:29 | 0:12:34 | |
-A lot of women wouldn't thank you for that comment, Gaby. -But my wife understands. | 0:12:34 | 0:12:38 | |
No, she doesn't understand - she just has no way out. | 0:12:38 | 0:12:41 | |
That's how it is. | 0:12:41 | 0:12:43 | |
What shall I do? Leave everything to get creased? | 0:12:44 | 0:12:47 | |
-Yeah, leave it as it is. -And look later on for things I can't find. -Yeah. -Very nice. | 0:12:47 | 0:12:51 | |
The Golden Iris boasts a packed programme of activities | 0:12:56 | 0:12:59 | |
for all its guests. | 0:12:59 | 0:13:01 | |
Deck running. | 0:13:01 | 0:13:02 | |
Food sculpting. | 0:13:04 | 0:13:05 | |
Dancing competitions. | 0:13:09 | 0:13:12 | |
Cocktail making demonstrations. | 0:13:12 | 0:13:14 | |
APPLAUSE | 0:13:14 | 0:13:16 | |
Religious lectures. | 0:13:16 | 0:13:18 | |
Aerobic classes. | 0:13:21 | 0:13:23 | |
If you don't want to, close your eyes and use the time to relax. | 0:13:24 | 0:13:27 | |
Relationship enhancement workshops. | 0:13:27 | 0:13:30 | |
And one other. | 0:13:31 | 0:13:33 | |
The evening entertainment is one of the most popular events on the schedule. | 0:13:33 | 0:13:37 | |
The content of the nightly show is not aimed at | 0:13:37 | 0:13:40 | |
the ship's most religious passengers. | 0:13:40 | 0:13:42 | |
But as it's day one, Gaby is happy to try it out. | 0:13:42 | 0:13:47 | |
BAND PLAYS: "On Broadway" | 0:13:47 | 0:13:50 | |
# They say the neon lights are bright on Broadway | 0:14:00 | 0:14:05 | |
# On Broadway | 0:14:05 | 0:14:07 | |
# They say there's always magic in the air | 0:14:07 | 0:14:11 | |
# On Broadway | 0:14:11 | 0:14:13 | |
# When I'm walking down the street | 0:14:13 | 0:14:17 | |
# And you ain't had enough to eat | 0:14:17 | 0:14:21 | |
# Glitter rubs right off along the way | 0:14:21 | 0:14:25 | |
# On Broadway... # | 0:14:25 | 0:14:27 | |
The cabaret is not our cup of tea. The music's... | 0:14:27 | 0:14:30 | |
Let's not talk about morality. We're talking about the music is much too loud. We can't... | 0:14:30 | 0:14:35 | |
It's deafening. | 0:14:35 | 0:14:36 | |
And, secondly, the morality with a woman singing and the dancers' dress | 0:14:36 | 0:14:40 | |
is against our morals in the Jewish religion. | 0:14:40 | 0:14:42 | |
-So we can't stay for that. -Honestly, Tikwah, how did you feel about that? -Terrible! Shocking! | 0:14:42 | 0:14:48 | |
EXOTIC BELLY-DANCE MUSIC | 0:14:48 | 0:14:50 | |
APPLAUSE AND CHEERING | 0:15:15 | 0:15:18 | |
-I would never even watch that on television. -Turn off the telly. | 0:15:18 | 0:15:22 | |
-BOTH: -Good night! -Good night. -Good night. DOOR LOCKS | 0:15:23 | 0:15:29 | |
ROCK'N'ROLL MUSIC | 0:15:29 | 0:15:31 | |
It's day two of the cruise, | 0:15:52 | 0:15:54 | |
almost everyone on board has signed up for the trip's first tour. | 0:15:54 | 0:15:58 | |
And some of the passengers are eager to get ashore. | 0:15:58 | 0:16:02 | |
CLAMOURING | 0:16:02 | 0:16:04 | |
-Off to Crete. -Your first excursion. -Excursion. First excursion? | 0:16:04 | 0:16:09 | |
Look at that! | 0:16:09 | 0:16:11 | |
IN YIDDISH | 0:16:11 | 0:16:13 | |
-You might have to... -Oh, no, I'm getting pushed from all sides. | 0:16:15 | 0:16:20 | |
Very bad. You have to, right, not put yourself in the situation. | 0:16:20 | 0:16:24 | |
You have to pull yourself out of the situation. You have to counter the situation. | 0:16:24 | 0:16:28 | |
Take your mind completely away from the situation. She's going. You have to push through. What do you care? | 0:16:28 | 0:16:34 | |
-I don't care what she's doing. What do I care? -She should go before she left. | 0:16:34 | 0:16:39 | |
I'm in a nice environment. I don't see them. | 0:16:39 | 0:16:41 | |
They are all like animals. They're nothing. I don't care. | 0:16:41 | 0:16:44 | |
I put my head into a nice environment. I couldn't care less | 0:16:44 | 0:16:47 | |
if they're shoving into each other. I'm not going to change them. | 0:16:47 | 0:16:50 | |
They're too old to change. | 0:16:50 | 0:16:52 | |
Gaby finds the best way to keep calm in the throng | 0:16:52 | 0:16:55 | |
is to immerse himself in prayer. | 0:16:55 | 0:16:58 | |
GABY PRAYS | 0:16:58 | 0:17:00 | |
-Oh, we're going. -Oh! | 0:17:09 | 0:17:12 | |
Crete will be the couple's first ever guided tour | 0:17:13 | 0:17:17 | |
and Gaby has agreed not to leave Tikwah on her own. | 0:17:17 | 0:17:20 | |
We have good soil and we have good sun | 0:17:28 | 0:17:30 | |
so that's why the god Zeus chose to be born here. | 0:17:30 | 0:17:34 | |
-The god Zeus was born on Crete. -Who was born on Crete? | 0:17:34 | 0:17:38 | |
-The god Zeus. -The god Zeus. -Zeus. -They believe in Zeus. Zeus was a god. -What's Juce? | 0:17:38 | 0:17:42 | |
-Zeus. -What's Juce? -Ancient Greek mythology. -Who is Juce? -No, not Jesus. | 0:17:42 | 0:17:47 | |
-Zeus. Jesus wasn't born here. -Zeus was born here. | 0:17:47 | 0:17:53 | |
-Are you sure? -Yes, I'm sure he wasn't born here. He wasn't born here. | 0:17:53 | 0:17:57 | |
Oh, my gosh. | 0:17:57 | 0:17:58 | |
This country is not developed. It fade into olive trees. Look. There must have been lots of... | 0:18:00 | 0:18:05 | |
The Cretan nature is sacred. | 0:18:05 | 0:18:09 | |
It should stay scared and not developed more than that. | 0:18:09 | 0:18:13 | |
-You think? -I think so, yes. | 0:18:13 | 0:18:16 | |
I think this is what the human being has to understand, | 0:18:16 | 0:18:19 | |
that when you see nature, you have to admire nature and protect nature. | 0:18:19 | 0:18:24 | |
The Cretan nature is sacred. So, peoples, | 0:18:24 | 0:18:28 | |
you want to smell? This is a real lemon? | 0:18:28 | 0:18:30 | |
When you smell lemon, this is what you should have in your plate | 0:18:30 | 0:18:34 | |
and not those that they have no taste. | 0:18:34 | 0:18:37 | |
Not for the money. | 0:18:37 | 0:18:38 | |
That was quite vociferous. | 0:18:38 | 0:18:40 | |
She was quite aggressive on the point that they were not developed. | 0:18:40 | 0:18:43 | |
The truth is this country wasn't developed. It's full of olives. | 0:18:43 | 0:18:47 | |
You can't live on olives. How can people make a living just by growing olives, no? | 0:18:47 | 0:18:51 | |
Hold me. | 0:18:51 | 0:18:53 | |
Don't keep on running away. | 0:18:53 | 0:18:55 | |
Go backwards. It's easier. | 0:18:55 | 0:18:57 | |
There we have the ancient city, Kydonia. | 0:18:59 | 0:19:03 | |
The whole development that you see around, | 0:19:03 | 0:19:06 | |
is the development that we have the last 100 years. | 0:19:06 | 0:19:10 | |
-Ah-ha. -So you see, when we spoke about development before, there is a big development | 0:19:10 | 0:19:17 | |
so people should be really careful about development. | 0:19:17 | 0:19:21 | |
Oh... She gets very offended, that woman. | 0:19:21 | 0:19:25 | |
Wooh! | 0:19:25 | 0:19:27 | |
"You should be very careful what you say," she says. | 0:19:27 | 0:19:30 | |
Where has he gone? | 0:19:33 | 0:19:34 | |
Where has he gone? | 0:19:34 | 0:19:36 | |
He's got a new girlfriend. | 0:19:36 | 0:19:39 | |
We had tourism from 1975. A big development. | 0:19:39 | 0:19:45 | |
-How many tourists come here every year? -We have a million of visitors. | 0:19:45 | 0:19:50 | |
Yes, yes, yes, yes. | 0:19:50 | 0:19:52 | |
SHE SINGS IN GREEK | 0:19:52 | 0:19:57 | |
APPLAUSE | 0:20:11 | 0:20:13 | |
Thank you for stopping! | 0:20:13 | 0:20:16 | |
-Thank you very much. Goodbye to all of you. Have a nice trip, safe home. -Thank you very much. | 0:20:16 | 0:20:21 | |
Golden Iris is our home! | 0:20:24 | 0:20:28 | |
SHE LAUGHS | 0:20:28 | 0:20:30 | |
For a little while, it's our home. | 0:20:30 | 0:20:33 | |
-What's the matter with you? -Golden Iris! | 0:20:33 | 0:20:36 | |
Isn't it sweet that little elephant they made up from the towel? | 0:20:37 | 0:20:41 | |
How did they make the ear? | 0:20:41 | 0:20:44 | |
-The eyes are just pieces of plastic. -What do you call that in English? -The trunk. -Trunk? Yeah? | 0:20:44 | 0:20:49 | |
A trunk. The elephant has a trunk. | 0:20:49 | 0:20:51 | |
The elephant has a trunk. | 0:20:51 | 0:20:54 | |
The following day will be spent at sea | 0:21:01 | 0:21:05 | |
as the ship heads towards its next destination, Corfu. | 0:21:05 | 0:21:09 | |
With spare time available, Tikwah has persuaded Gaby to sign up for the relationship workshop, | 0:21:17 | 0:21:22 | |
a therapeutic course designed for couples. | 0:21:22 | 0:21:26 | |
Who knows? My husband might pick up something. | 0:21:27 | 0:21:31 | |
If he's willing to. | 0:21:31 | 0:21:32 | |
-You. I'm to pick up something? What about you? -Yes, both of us. | 0:21:32 | 0:21:37 | |
-I have to pick up? -There's always room for improvement. | 0:21:37 | 0:21:41 | |
What we're going to teach you is something called mirroring, | 0:21:41 | 0:21:45 | |
which means you repeat back what your partner said. | 0:21:45 | 0:21:48 | |
I invite a couple to volunteer | 0:21:48 | 0:21:50 | |
to be a demonstration couple | 0:21:50 | 0:21:53 | |
where I'm going to show how this works and then you'll all get a chance to do it. | 0:21:53 | 0:21:57 | |
Charlotte and Gil Goller have been married for 15 years | 0:21:57 | 0:22:01 | |
and are veterans of nine cruises. | 0:22:01 | 0:22:03 | |
But they are not just regular passengers. | 0:22:03 | 0:22:06 | |
They have been invited on board as couples workshop presenters. | 0:22:06 | 0:22:09 | |
When we go on cruises, there are people who give talks, | 0:22:09 | 0:22:13 | |
there was a couple who gave a talk on marriages | 0:22:13 | 0:22:15 | |
on the last cruise we were on so we had the idea | 0:22:15 | 0:22:19 | |
maybe this would be a good thing, since we love to cruise and give workshops. | 0:22:19 | 0:22:22 | |
Today, Tikwah, you are going to bring up something | 0:22:22 | 0:22:25 | |
and Gaby is going to mirror you. | 0:22:25 | 0:22:30 | |
You have a small thing he does that irritates you, that you've told him a hundred times | 0:22:30 | 0:22:34 | |
and he doesn't seem to hear you. | 0:22:34 | 0:22:36 | |
In the morning, after he's eaten, he leaves the table completely dirty. | 0:22:36 | 0:22:41 | |
-It drives me mad! -That's perfect. -I always say, "When you've finished eating, clean the table." | 0:22:41 | 0:22:47 | |
Ask him if he's willing to cross the bridge and come to Tikwahland and hear what you have to say. | 0:22:47 | 0:22:54 | |
Are you willing to come over the bridge wanting to hear what I have to say? | 0:22:54 | 0:23:00 | |
-Yes. -Yes, he is. Without baggage, you're going to go there | 0:23:00 | 0:23:03 | |
and you're going to mirror. | 0:23:03 | 0:23:05 | |
-And you're not going to react, you're going to mirror. -Not going to react to say answer, | 0:23:05 | 0:23:10 | |
-just mirror what she says. -Just mirror what she says. | 0:23:10 | 0:23:13 | |
I feel like a second-class char woman. | 0:23:13 | 0:23:17 | |
I acknowledge that's the way you feel. I hear you say that. | 0:23:17 | 0:23:20 | |
Go on. Once sentence at a time so that he can mirror it well. | 0:23:20 | 0:23:25 | |
Is it so difficult to clean up the table after you've finished eating? | 0:23:25 | 0:23:28 | |
-I hear you asking. -I hear you asking whether it's difficult for me to clean the table | 0:23:28 | 0:23:32 | |
-after I've finished eating. -What's your answer? -That's not what you asked. | 0:23:32 | 0:23:36 | |
It's wrong for you to feel like a char woman. | 0:23:36 | 0:23:39 | |
-Do you feel that he understands? -No. | 0:23:39 | 0:23:40 | |
I had therapy in the past. One of the top places for therapy. | 0:23:42 | 0:23:46 | |
I went there two times and it was OK. | 0:23:46 | 0:23:49 | |
I talked for two hours. The third time I came and after half an hour, | 0:23:49 | 0:23:53 | |
the doctor chucked me out and said, "You're driving US mad. You're not mad. | 0:23:53 | 0:23:58 | |
"You're trying to drive us mad." And he chucked me out! | 0:23:58 | 0:24:02 | |
Where are those tablets I've got to look for now? | 0:24:02 | 0:24:04 | |
-Have you got? -No, I haven't got. | 0:24:04 | 0:24:07 | |
You lost me a tablet. | 0:24:07 | 0:24:09 | |
PLASTIC BAG RUSTLES | 0:24:09 | 0:24:11 | |
-See? You've got. -I haven't got! | 0:24:13 | 0:24:15 | |
-It's another day. -Trouble. -Don't touch my things! | 0:24:15 | 0:24:19 | |
-All right! I've heard you! -I don't touch your tablets, don't touch my tablets. | 0:24:19 | 0:24:23 | |
No. | 0:24:23 | 0:24:25 | |
After spending three full days with Gaby and Tikwah, | 0:24:25 | 0:24:28 | |
I found myself becoming increasingly interested in their marriage | 0:24:28 | 0:24:33 | |
and the effect their very first holiday was having on it. | 0:24:33 | 0:24:36 | |
What do you want me to do with my legs? | 0:24:38 | 0:24:40 | |
You come away on this holiday and spend a lot of time with each other. | 0:24:42 | 0:24:45 | |
Well, you have to learn to live together. | 0:24:45 | 0:24:48 | |
We are here together. This is the most together we ever are. | 0:24:48 | 0:24:51 | |
You even have to lie in bed properly, otherwise the other one takes the covers from the other. | 0:24:51 | 0:24:57 | |
-When I'm at home, I don't have that problem. -You're good at that! | 0:24:57 | 0:25:00 | |
-Normally, you'd have twin beds, right? -I think it's a stupid thing double beds. | 0:25:00 | 0:25:06 | |
All we think about, relationship one to another, is that we have double beds | 0:25:06 | 0:25:10 | |
that we're close, "Hello, dear. How are you?" | 0:25:10 | 0:25:12 | |
But there's more to becoming nearer to each other than just the... How would you say it? | 0:25:12 | 0:25:17 | |
The gestures. | 0:25:17 | 0:25:19 | |
There's feeling nearer to each other. | 0:25:19 | 0:25:22 | |
-We met a couple... -But there's something nice in having a cuddle. | 0:25:22 | 0:25:25 | |
Ah! That's all because you're physically young. | 0:25:25 | 0:25:28 | |
-Take it... -Old people like cuddling too. | 0:25:28 | 0:25:32 | |
You don't know. That's what you think. Maybe they don't like it. | 0:25:32 | 0:25:35 | |
-We've seen it here on the boat. -You think so. | 0:25:35 | 0:25:37 | |
-You don't think it's important? -If things are important to the wife then you do it. | 0:25:37 | 0:25:42 | |
I don't think it brings a nearness in a relationship... Understanding each other brings more nearness. | 0:25:42 | 0:25:47 | |
-But understanding, that's part of understanding each other. -I don't think so. | 0:25:47 | 0:25:54 | |
Understanding needs a lot of... | 0:25:54 | 0:25:56 | |
-Physical touch, a bit of a cuddle is nice, right, Tikwah? -Why not?! | 0:25:56 | 0:25:59 | |
It's not really a swimming pool that I like to go into. | 0:26:12 | 0:26:15 | |
Men and women together? No, not right. | 0:26:15 | 0:26:17 | |
Is there a way that you could go when there are no other women... | 0:26:17 | 0:26:20 | |
-Yes, when there are no other women there, yes. -We'd have to come early. -Yes, we'd have to come early. | 0:26:20 | 0:26:27 | |
-Where were you? -Where were you? | 0:26:27 | 0:26:29 | |
I communicate with a lot of people... | 0:26:29 | 0:26:31 | |
You were still talking to people. | 0:26:31 | 0:26:34 | |
-Why do you keep on running away from me? -I'm not running away from you. | 0:26:34 | 0:26:38 | |
I didn't know where you were. | 0:26:38 | 0:26:39 | |
-You were busy schmoozing. -You went away. I was schmoozing. -I said, "Come." -Why should I? | 0:26:39 | 0:26:44 | |
-But you didn't come. -I was in the middle of talking with people. -You never stop talking! | 0:26:44 | 0:26:48 | |
Nobody in the water. Oh, what is that? | 0:26:51 | 0:26:55 | |
That's a Jacuzzi. | 0:26:55 | 0:26:56 | |
And he lies all day in it on his own in his birthday suit? | 0:26:56 | 0:27:00 | |
-No, are you mad? -I don't know. -He'd get arrested. | 0:27:00 | 0:27:04 | |
Really? That's a Jacuzzi? | 0:27:04 | 0:27:07 | |
He looks like a bear. | 0:27:08 | 0:27:10 | |
-Welcome in Corfu. -Who are you going to insult today, Gaby? | 0:27:14 | 0:27:18 | |
-No! -Who I'm going to insult, I don't know but somebody, definitely. | 0:27:18 | 0:27:22 | |
No, no, don't! | 0:27:22 | 0:27:23 | |
Before Corfu town can be enjoyed, a problem with the next stop in Venice needs settling. | 0:27:27 | 0:27:34 | |
The question is are you allowed to get on and off? | 0:27:34 | 0:27:37 | |
On and off you can because the ship is coming to a port. | 0:27:37 | 0:27:39 | |
If the ship doesn't come into port, that is a problem. | 0:27:39 | 0:27:42 | |
The Golden Iris will arrive in Venice on Friday | 0:27:42 | 0:27:44 | |
just before the holy day of Shabbat begins. | 0:27:44 | 0:27:47 | |
The Orthodox passengers might not be able to leave the ship and remain in accordance with Jewish law. | 0:27:47 | 0:27:54 | |
If I get on a ship that's going to sail on Shabbos. | 0:27:54 | 0:27:56 | |
-If the ship sails... -What time does the boat leave? | 0:27:56 | 0:28:00 | |
If they sail before Shabbos, if I'm on the ship, you've got a problem. The same when you stay on the ship. | 0:28:00 | 0:28:05 | |
If it doesn't come in before Shabbos, you have a problem. | 0:28:05 | 0:28:09 | |
OK. We'll call our rabbi. | 0:28:09 | 0:28:12 | |
Let's ring the rabbi. I'm not against ringing the rabbi. | 0:28:12 | 0:28:15 | |
Hi, rabbi, it's Gil. I have a question that I need you to answer. | 0:28:15 | 0:28:20 | |
Could you please call me back? | 0:28:20 | 0:28:22 | |
Just call my regular cellphone number and I'll get it, even though I'm in Greece. | 0:28:22 | 0:28:26 | |
Please call me back within the next hour or so. | 0:28:26 | 0:28:29 | |
Thank you so much. Bye. | 0:28:29 | 0:28:32 | |
-Will you be there Friday night and go on the ship? -I won't be there. | 0:28:32 | 0:28:36 | |
I'm going to be at Shabbos morning. We're going to walk around the town, have a Shabbos morning. | 0:28:36 | 0:28:44 | |
-You're leaving the ship? -Yeah. Why not? | 0:28:44 | 0:28:46 | |
Have you checked the logistics of distance from ship to... | 0:28:46 | 0:28:51 | |
It's all in the town. It takes 20 mins to walk. They sent me an e-mail. | 0:28:51 | 0:28:55 | |
-OK. -I checked on all this before we left. | 0:28:55 | 0:28:57 | |
Four days into the trip and Gaby's enthusiasm for new encounters means that Tikwah's spending | 0:29:10 | 0:29:16 | |
more and more time alone. | 0:29:16 | 0:29:19 | |
He wants to hear what everybody else has to say. What I say is already known to him. | 0:29:21 | 0:29:26 | |
He might hear something interesting there. | 0:29:26 | 0:29:29 | |
He might bring some Judaism more to people who don't know anything. | 0:29:29 | 0:29:34 | |
He's got a thirst for knowledge. | 0:29:34 | 0:29:37 | |
Ah! And a thirst for saying whatever he thinks. | 0:29:37 | 0:29:40 | |
-I think I've changed a lot of people's lives here. -Gaby, Gaby! | 0:29:44 | 0:29:49 | |
Moments before they're due to arrive and the question about leaving the ship | 0:30:09 | 0:30:13 | |
in Venice remains unresolved. | 0:30:13 | 0:30:15 | |
I called two different rabbis in Israel. | 0:30:17 | 0:30:19 | |
One is a rabbi that goes on cruises | 0:30:19 | 0:30:23 | |
and his answer was that if the ship is sailing before Sabbath is over, | 0:30:23 | 0:30:29 | |
then you cannot get on it. | 0:30:29 | 0:30:31 | |
You must be on the ship before the Sabbath. | 0:30:31 | 0:30:34 | |
I asked somebody in London who said it's OK. I know that it's a problem even if the boat | 0:30:34 | 0:30:39 | |
will sail before Shabbat. | 0:30:39 | 0:30:41 | |
But as the boat is my domain and my house, I can get on. | 0:30:41 | 0:30:45 | |
This becomes part of Venice. I can get off and on and even though it sails afterwards, | 0:30:45 | 0:30:49 | |
-it doesn't matter to me. -So the answer to me is I'm not getting off the ship | 0:30:49 | 0:30:53 | |
and the answer for you is because you've got a ruling that you can, you WILL get off the ship. | 0:30:53 | 0:30:58 | |
I couldn't help thinking Gaby felt there was | 0:30:58 | 0:31:00 | |
a competition to be the most observant Jew on the ship. | 0:31:00 | 0:31:04 | |
Yeah, there is. | 0:31:04 | 0:31:05 | |
SHE LAUGHS | 0:31:05 | 0:31:06 | |
How good are you? | 0:31:06 | 0:31:07 | |
I keep the laws that are written in the way it is written. | 0:31:07 | 0:31:10 | |
I don't make my own laws. | 0:31:10 | 0:31:12 | |
With Shabbat about to begin, work is prohibited so filming has to stop. | 0:31:22 | 0:31:27 | |
By the beginning of the second week, | 0:31:40 | 0:31:44 | |
as the Golden Iris journeys to ports in Montenegro and Greece, | 0:31:44 | 0:31:47 | |
the cruise is bringing a sparkle to even some of the most well-worn relationships. | 0:31:47 | 0:31:52 | |
It's one of the ways! | 0:32:05 | 0:32:07 | |
I love her very much. I hope she loves me as I love her. | 0:32:24 | 0:32:29 | |
-It's me?! -Yes, it's you! | 0:32:38 | 0:32:40 | |
And... | 0:32:40 | 0:32:43 | |
And he's handsome. Look at him! | 0:32:43 | 0:32:47 | |
At his age, he's handsome. | 0:32:47 | 0:32:50 | |
Gaby and Tikwah are over halfway through their holiday | 0:32:59 | 0:33:02 | |
and they've chosen to take up an invitation to any couple | 0:33:02 | 0:33:06 | |
wanting a private counselling session. | 0:33:06 | 0:33:09 | |
-We are going. We are going. -You look hopeless. Look in the mirror. | 0:33:09 | 0:33:14 | |
-It is big enough. -Oh, yeah, it is. | 0:33:14 | 0:33:16 | |
Would you like to talk about your father? | 0:33:18 | 0:33:21 | |
-Yes, why not. -Would you like to be her father? OK. | 0:33:21 | 0:33:25 | |
What age will you be? | 0:33:25 | 0:33:27 | |
-Any age. -12. | 0:33:28 | 0:33:31 | |
To help understand her feelings more fully, | 0:33:31 | 0:33:33 | |
Tikwah is playing the role of her 12-year-old self. | 0:33:33 | 0:33:36 | |
-So, "I'm your father". -I'm your father. | 0:33:38 | 0:33:41 | |
"Were there times that I wasn't there?" | 0:33:41 | 0:33:43 | |
Were there times when I was not there? | 0:33:43 | 0:33:46 | |
Very much times, you were not there | 0:33:46 | 0:33:48 | |
because you went to teach children Yiddishkeit. | 0:33:48 | 0:33:51 | |
There were times I would have loved to see you in the middle of the day, | 0:33:51 | 0:33:55 | |
but unfortunately I suppose that wasn't possible. | 0:33:55 | 0:33:57 | |
I hear you say that you felt very bad | 0:33:57 | 0:34:00 | |
when I had to travel away far, for teaching, | 0:34:00 | 0:34:02 | |
and I was not at home for you when you came home from school. | 0:34:02 | 0:34:05 | |
So, "What made me sad about that was..." | 0:34:07 | 0:34:13 | |
What made me sad about that was that I missed you very much. | 0:34:14 | 0:34:18 | |
Because you were so sensible. | 0:34:18 | 0:34:20 | |
I hear you say that you missed me | 0:34:20 | 0:34:22 | |
and I wasn't there for you during the day when I was travelling far away. | 0:34:22 | 0:34:28 | |
-"I am no longer your daughter." -I am no longer your daughter. | 0:34:29 | 0:34:33 | |
I happen to be your wife! | 0:34:33 | 0:34:34 | |
-"Thank you for listening." -Thank you for listening to me. | 0:34:34 | 0:34:37 | |
-"As your husband"... -As your husband, | 0:34:37 | 0:34:39 | |
how can I help you to heal this wound from your past? | 0:34:39 | 0:34:45 | |
Oh, give me a bit more attention and don't always run away. | 0:34:45 | 0:34:50 | |
That's all I am asking. | 0:34:50 | 0:34:52 | |
I hear you say that you want more attention, | 0:34:52 | 0:34:55 | |
and even the little bits of attention, which I give you... | 0:34:55 | 0:34:58 | |
You give too little. | 0:34:58 | 0:35:00 | |
..you appreciate but... | 0:35:00 | 0:35:01 | |
I hear you say that you would like me | 0:35:01 | 0:35:03 | |
to give you more attention, and not run away. | 0:35:03 | 0:35:07 | |
Do you now understand how Tikwah has felt neglected in her childhood | 0:35:07 | 0:35:13 | |
and how she may feel neglected when you don't give her | 0:35:13 | 0:35:16 | |
the attention and the time that she would like? | 0:35:16 | 0:35:19 | |
-Definitely. -Do you understand? -Yes. | 0:35:19 | 0:35:21 | |
He is very, very fast and does not always grasp | 0:35:21 | 0:35:25 | |
that I want a bit more time. | 0:35:25 | 0:35:27 | |
Do you think Gaby will ever really change? | 0:36:01 | 0:36:04 | |
No, I don't think so. | 0:36:04 | 0:36:06 | |
What shall I do about it? | 0:36:07 | 0:36:09 | |
I have to learn to live with many things. | 0:36:11 | 0:36:14 | |
He is not aware of it, that is all I can say. | 0:36:16 | 0:36:19 | |
But there is no doubt you love each other very deeply. | 0:36:22 | 0:36:25 | |
Yes, yes. But... I do have times I feel very lonely. | 0:36:25 | 0:36:30 | |
He goes his way and he forgets about me, | 0:36:30 | 0:36:32 | |
as you have seen here on the boat. | 0:36:32 | 0:36:34 | |
He always thinks being with others is more interesting. | 0:36:40 | 0:36:44 | |
Until he falls out with people. | 0:36:44 | 0:36:46 | |
Oh, look at those little houses. | 0:36:50 | 0:36:53 | |
Gosh, they live a long way from the real world. | 0:36:53 | 0:36:57 | |
I think very little of myself. | 0:36:59 | 0:37:02 | |
I think he knows it all and he does it all. | 0:37:02 | 0:37:04 | |
I suppose that's the nature. | 0:37:07 | 0:37:09 | |
Look how beautiful it is. Beautiful day. | 0:37:13 | 0:37:17 | |
-Where's Tik? -She went downstairs. She feels too cold up here. | 0:37:38 | 0:37:43 | |
She finds it nice and warm downstairs. Beautiful view coming in. | 0:37:43 | 0:37:47 | |
Every day has been a fascination, hasn't it? | 0:37:47 | 0:37:50 | |
-You have loved it, haven't you? -Beautiful. Of course. | 0:37:50 | 0:37:53 | |
Tell me who would not love it. | 0:37:53 | 0:37:56 | |
If somebody said he wouldn't, he is lying, I think. | 0:37:56 | 0:37:59 | |
Comfortable, rooms, view, good food, no? Kosher. | 0:37:59 | 0:38:05 | |
100% brought from Israel. | 0:38:05 | 0:38:08 | |
You've got the lot. | 0:38:08 | 0:38:09 | |
Yeah. | 0:38:09 | 0:38:10 | |
Gaby, come here. | 0:38:15 | 0:38:17 | |
Gaby! | 0:38:17 | 0:38:19 | |
-Come here, come. -No, you walk with me. Come on and walk with me. | 0:38:19 | 0:38:25 | |
TOUR GUIDE SPEAKS OWN LANGUAGE | 0:38:33 | 0:38:37 | |
Gaby! | 0:38:52 | 0:38:53 | |
-Gaby, come here! -What's the matter? -Come here, Gaby. -Come quicker. | 0:38:58 | 0:39:02 | |
I can't. | 0:39:02 | 0:39:04 | |
I am not on a working camp. | 0:39:04 | 0:39:06 | |
-I don't want to lose you. -I am on holiday. -Don't come on these tours. | 0:39:06 | 0:39:09 | |
Why shouldn't I? | 0:39:09 | 0:39:11 | |
Because you can't, you haven't got the legs to keep up with it. | 0:39:11 | 0:39:15 | |
-I don't have to run. -Do you want to stay or do you want to wait? | 0:39:15 | 0:39:18 | |
-I am going to wait. -Wait here, I am coming back. -Good, fine. | 0:39:18 | 0:39:22 | |
They are coming back in five minutes. | 0:39:24 | 0:39:27 | |
I haven't got the strength to run. They can run. | 0:39:27 | 0:39:31 | |
Where has he gone to? Which way has he gone? | 0:39:32 | 0:39:35 | |
Go, go, go... | 0:39:37 | 0:39:39 | |
Where? | 0:39:39 | 0:39:41 | |
My needs are also important, don't you think so? | 0:39:46 | 0:39:48 | |
My needs are also important. I want to see around. | 0:39:48 | 0:39:51 | |
I can't help it that she has no sense to run around the town. | 0:39:51 | 0:39:55 | |
She has to understand that she is staying behind and waiting until we get back. | 0:39:55 | 0:39:59 | |
She is not interested in all this. | 0:39:59 | 0:40:01 | |
Does it mean I have to always give her the attention and...be... | 0:40:01 | 0:40:05 | |
How do you say...? | 0:40:07 | 0:40:09 | |
Give in. And say, "You do not want to go, I'll stay with you." | 0:40:09 | 0:40:15 | |
One day my patience will burst and I don't think that is our good thing. | 0:40:15 | 0:40:19 | |
I have to be able to do what I want. | 0:40:19 | 0:40:21 | |
If she can't come then I have to do it alone. | 0:40:21 | 0:40:23 | |
-I would have loved her to come but she does not have the strength. -Yeah. | 0:40:23 | 0:40:27 | |
I'm not interested, at this note point, cos this is a church | 0:40:27 | 0:40:31 | |
and I couldn't care less about a church, | 0:40:31 | 0:40:33 | |
but it is interesting to see the time. | 0:40:33 | 0:40:35 | |
She has no strength to go up and down the hills | 0:40:35 | 0:40:38 | |
and run around and all that. | 0:40:38 | 0:40:39 | |
So she stays behind, and we come back and we join up again. | 0:40:39 | 0:40:43 | |
Don't you think I am right in that? | 0:40:43 | 0:40:46 | |
-Not really. -Why not? | 0:40:46 | 0:40:47 | |
I think sometimes you should stay with her. | 0:40:47 | 0:40:49 | |
You are not saying "sometimes", you are saying every time. | 0:40:49 | 0:40:52 | |
-No, I'm not. -Every time she decides she has no strength to do something, I should stay behind. | 0:40:52 | 0:40:57 | |
-I'm not saying that. -Why? -I am saying sometimes stay with her. | 0:40:57 | 0:41:00 | |
I have one opportunity to see this, why should I not see this? | 0:41:00 | 0:41:04 | |
-I would lose the opportunity, wouldn't I? -Mmm. | 0:41:04 | 0:41:06 | |
-Yeah, I was quite OK that he went. -You were happy for him to go? -Yes. | 0:41:11 | 0:41:17 | |
I didn't want to run like a lunatic. | 0:41:17 | 0:41:20 | |
I understood Tikwah. | 0:41:23 | 0:41:25 | |
That might not look like a relationship to anybody ideal... | 0:41:25 | 0:41:29 | |
No, because you do it often. | 0:41:29 | 0:41:30 | |
I do it often, of course. I know you haven't got the strength. | 0:41:30 | 0:41:34 | |
But sometimes you could adapt to me. | 0:41:34 | 0:41:37 | |
Love is understanding each other what each other wants but... | 0:41:37 | 0:41:42 | |
Gaby wanted to stay out and go tour alone | 0:41:47 | 0:41:50 | |
and suggested to Tikwah to go on without him. | 0:41:50 | 0:41:52 | |
Home, sweet home. | 0:41:54 | 0:41:56 | |
You want...? | 0:42:16 | 0:42:18 | |
-I got you something. -You didn't buy that?! | 0:42:18 | 0:42:21 | |
-I don't believe it. -I saw it in the shop and I bought it. | 0:42:21 | 0:42:25 | |
-Have a look what it is. -I am having a heart attack. | 0:42:25 | 0:42:29 | |
A vase? | 0:42:29 | 0:42:31 | |
-With a flower. -And it's got a flower? | 0:42:31 | 0:42:34 | |
No. | 0:42:34 | 0:42:36 | |
Don't open it, cos... | 0:42:36 | 0:42:39 | |
Very nice. Isn't it pretty? You are so sweet. | 0:42:39 | 0:42:45 | |
It's got the money on it! I forgot to take the money off. | 0:42:45 | 0:42:51 | |
Thank you, so much! | 0:42:51 | 0:42:53 | |
That's really, really beautiful. | 0:42:56 | 0:42:58 | |
I really appreciate it. It is really sweet. Look at me! | 0:42:58 | 0:43:04 | |
SHE LAUGHS | 0:43:04 | 0:43:06 | |
Yes, it is very, very thoughtful. | 0:43:06 | 0:43:08 | |
I went to the shop and I saw it and I thought, | 0:43:08 | 0:43:10 | |
"That would be nice for the flower." | 0:43:10 | 0:43:13 | |
Because they put the flower, I thought that would be nice. | 0:43:13 | 0:43:15 | |
-That's very nice. -So they were connected. -Yes. | 0:43:15 | 0:43:18 | |
-It's not what you buy. -The thought, that's right. | 0:43:18 | 0:43:23 | |
-Good morning. -Good morning. | 0:43:28 | 0:43:30 | |
I am going to take a cake. I will have a coffee, yes. With my wife. | 0:43:31 | 0:43:35 | |
-Good for you? -Yes, that's enough. | 0:43:38 | 0:43:41 | |
-Sugar? -Sugar, please. | 0:43:48 | 0:43:50 | |
There you are. | 0:43:58 | 0:43:59 | |
-Here. You want a coffee? -Thank you very much. What a treat! | 0:44:05 | 0:44:10 | |
What's come over him? | 0:44:10 | 0:44:11 | |
I really don't know. | 0:44:11 | 0:44:13 | |
It will come down with a bang when we get home. | 0:44:14 | 0:44:17 | |
I think when you are kind to your partner it ends up with your partner being kind to you. | 0:44:17 | 0:44:22 | |
-Are you going to get a spoon? -Yeah, I'm going to get a spoon. -Go on. | 0:44:22 | 0:44:26 | |
And yesterday a present! I really don't know what's happened. | 0:44:26 | 0:44:32 | |
-A different man. -He's a different man. | 0:44:32 | 0:44:35 | |
SHE LAUGHS | 0:44:35 | 0:44:38 | |
APPLAUSE | 0:44:38 | 0:44:39 | |
It is the afternoon demonstration of creative towel folding in the disco. Gaby has secured the best seat | 0:44:39 | 0:44:45 | |
so that he can video the event for Tikwah. | 0:44:45 | 0:44:48 | |
They can't keep quiet! | 0:44:51 | 0:44:52 | |
APPLAUSE | 0:44:56 | 0:44:58 | |
Be quiet! | 0:44:58 | 0:45:00 | |
They don't stop talking! | 0:45:00 | 0:45:01 | |
I'm trying to listen to him and they are like records. | 0:45:01 | 0:45:05 | |
Tikwah's distracted by some of the audience | 0:45:05 | 0:45:08 | |
making too much noise behind her and Gaby rushes to her defence. | 0:45:08 | 0:45:12 | |
You don't understand a word of me! | 0:45:37 | 0:45:39 | |
I'm listening to him! | 0:45:39 | 0:45:41 | |
CHEERING AND APPLAUSE | 0:45:43 | 0:45:45 | |
THEY SING | 0:46:07 | 0:46:09 | |
She was going on! Everything she was saying she was repeating like a child | 0:46:46 | 0:46:49 | |
in kindergarten instead of listening to the man and what he was saying. | 0:46:49 | 0:46:53 | |
You listen to him! | 0:46:53 | 0:46:54 | |
And she was talking to a friend in French! | 0:46:54 | 0:46:57 | |
-Did you enjoy it, Gaby? -Of course, I love an argument. | 0:46:57 | 0:47:00 | |
-You love an argument? I hate it. -I live for arguments. | 0:47:00 | 0:47:03 | |
-I hate it. -I like to make awkward situations, that's my life. | 0:47:03 | 0:47:06 | |
I like people to be nice and patient to each other. | 0:47:06 | 0:47:09 | |
Gaby's explosive temper surprised me. | 0:47:14 | 0:47:19 | |
When I asked him about this, he told me he thought it was all explained | 0:47:19 | 0:47:23 | |
by an event in his personal history - | 0:47:23 | 0:47:25 | |
his mother dying within hours of giving birth to him. | 0:47:25 | 0:47:28 | |
She had a haemorrhage and at that time they weren't ready for it, | 0:47:28 | 0:47:33 | |
and she died. An hour later she died. | 0:47:33 | 0:47:35 | |
I think it has affected him very, very badly. | 0:47:35 | 0:47:38 | |
I think that's why he's so aggressive, | 0:47:38 | 0:47:41 | |
that he thinks he's got to stick up for himself all the time. | 0:47:41 | 0:47:45 | |
I don't understand it, | 0:47:45 | 0:47:46 | |
because I have grown up with two loving parents. | 0:47:46 | 0:47:50 | |
I'm a person who thinks, so I observe certain characters in my life. | 0:47:50 | 0:47:54 | |
Why I am a certain aggressiveness | 0:47:54 | 0:47:56 | |
and I won't allow people to tread on to me | 0:47:56 | 0:47:58 | |
is because I feel the injustice being done. | 0:47:58 | 0:48:01 | |
If I see an injustice, I go mad and fight for the rights | 0:48:01 | 0:48:04 | |
even if it's not against me, it's against somebody else. | 0:48:04 | 0:48:07 | |
If an injustice has been done to somebody else I will also fight | 0:48:07 | 0:48:11 | |
because an injustice is going on. | 0:48:11 | 0:48:12 | |
An injustice was done to me by me losing my mother. | 0:48:12 | 0:48:15 | |
I mean we accept it is from God, everything is from God, | 0:48:15 | 0:48:19 | |
but still at the back of your mind, you feel an injustice. | 0:48:19 | 0:48:23 | |
That's part of the character in which God made the world | 0:48:23 | 0:48:26 | |
that you would feel an injustice and you have to accept it is from God, | 0:48:26 | 0:48:30 | |
but you will still feel an injustice. | 0:48:30 | 0:48:32 | |
TIKWAH LAUGHS | 0:48:48 | 0:48:50 | |
Oh, it makes me laugh! | 0:48:50 | 0:48:53 | |
Oh, my God! | 0:48:53 | 0:48:55 | |
-Oh, my God! -SHE GIGGLES | 0:48:55 | 0:48:58 | |
I'm scared! | 0:48:58 | 0:49:00 | |
Here, madame. | 0:49:04 | 0:49:05 | |
Gaby! | 0:49:15 | 0:49:18 | |
Oh, my goodness! Stupid animal! | 0:49:18 | 0:49:21 | |
What's happened to me? | 0:49:24 | 0:49:25 | |
-I must have gone mad. -SHE LAUGHS | 0:49:25 | 0:49:30 | |
Where are you, Gaby? | 0:49:30 | 0:49:31 | |
Oh, gosh! | 0:49:36 | 0:49:38 | |
Oh, my God! | 0:49:41 | 0:49:42 | |
Gaby, Gaby, what have you done to me? | 0:49:42 | 0:49:47 | |
What have you done to me? It's just plain mad. | 0:49:47 | 0:49:51 | |
So quiet. | 0:49:54 | 0:49:57 | |
You like that? | 0:49:57 | 0:49:59 | |
But you're not quiet. | 0:49:59 | 0:50:03 | |
'The art of life is how to live together | 0:50:03 | 0:50:05 | |
'just to be compatible and think, "That's it,' | 0:50:05 | 0:50:08 | |
"I've got the ideal life and I'm going to have exactly what I want." | 0:50:08 | 0:50:11 | |
There is no challenge in that whatsoever. | 0:50:11 | 0:50:14 | |
I've learned to be more tolerant with people. | 0:50:14 | 0:50:17 | |
I'm still very straightforward, honest. | 0:50:17 | 0:50:19 | |
I've never told her lie and she's never told me a lie. | 0:50:19 | 0:50:21 | |
That's one of the most important things in marriage, you have to be | 0:50:21 | 0:50:25 | |
honest and if you don't like something, say straightaway. | 0:50:25 | 0:50:28 | |
For instance, I told her, "I don't like spinach, don't make for me spinach." | 0:50:28 | 0:50:32 | |
-I love it! -She likes spinach, so she cooks spinach for herself. | 0:50:32 | 0:50:35 | |
-I make him something else... -Cabbage. -That's how it's worked out till today. | 0:50:35 | 0:50:39 | |
-You have to find a way around it. -What do you appreciate about Tikwah that | 0:50:39 | 0:50:43 | |
perhaps you wouldn't have appreciated early on in your marriage? | 0:50:43 | 0:50:46 | |
The understanding... Like, coming on this cruise, she would never have | 0:50:46 | 0:50:50 | |
done it years ago, I would think. I imagine if I was myself years ago, | 0:50:50 | 0:50:54 | |
I would have been too much worried about what other people think. | 0:50:54 | 0:50:57 | |
Today Tikwah has taught me more than I have taught her this - | 0:50:57 | 0:51:01 | |
we don't really care, nobody cares about you, it's only what we care about each other. | 0:51:01 | 0:51:05 | |
Nobody else cares about you - truth. | 0:51:05 | 0:51:08 | |
I'll see you down there. | 0:51:08 | 0:51:11 | |
-I beat you! -Yeah, you are fast. | 0:51:26 | 0:51:30 | |
I think it's this way, no? No, it's not. | 0:51:30 | 0:51:33 | |
Tikwah capitalises on Gaby's good mood. | 0:51:33 | 0:51:36 | |
Before they arrive back in Haifa, | 0:51:36 | 0:51:39 | |
she books him one last session with the Gollers. | 0:51:39 | 0:51:42 | |
Are you ready to listen? | 0:51:42 | 0:51:43 | |
I want to talk about something that bothers me about you. | 0:51:43 | 0:51:47 | |
-It bothers me... -It bothers me that you keep things, | 0:51:47 | 0:51:50 | |
which are absolutely useless. Look at our front room. | 0:51:50 | 0:51:54 | |
It is full of rubbish. I wanted to make it nice... | 0:51:54 | 0:51:58 | |
I hear you say that you think my hoarding is full of rubbish | 0:51:58 | 0:52:02 | |
and I'm not giving my opinion, I'm just giving my reflection | 0:52:02 | 0:52:05 | |
of what you are saying, a mirror image of what you are saying - | 0:52:05 | 0:52:08 | |
I hear what you say and I'm not giving my opinion, but it's not rubbish. | 0:52:08 | 0:52:13 | |
-We start with the bulbs. -The used lightbulbs? -Yes. -Some of them are. | 0:52:13 | 0:52:17 | |
You're such a funny man. | 0:52:17 | 0:52:18 | |
-If you put a used light bulb in the fridge, it works again. -OK. | 0:52:18 | 0:52:22 | |
You have enough money to buy bulbs. I think that... | 0:52:22 | 0:52:28 | |
that's a good project. Are you willing to do that, sort the bulbs? | 0:52:28 | 0:52:32 | |
Any of them that are no good, you're going to throw out? | 0:52:32 | 0:52:35 | |
-Yes. -Am I hearing you say that? -Yes, but it depends. | 0:52:35 | 0:52:39 | |
Gaby, look at her face. | 0:52:39 | 0:52:41 | |
Show him your face again, how happy she feels about the light bulbs. | 0:52:41 | 0:52:44 | |
-It would be so nice if at least that would disappear. -Look how happy. | 0:52:44 | 0:52:49 | |
I have a lot of pens she would like me to get rid of, about 10,000 pens. | 0:52:49 | 0:52:54 | |
Let's do the light bulbs. | 0:52:54 | 0:52:56 | |
Oh dear, oh dear. Have we learned something? | 0:52:56 | 0:52:59 | |
No, what she was talking about, mirror image, about you | 0:52:59 | 0:53:02 | |
-and about the hoarding... -You are going to get rid of the bulbs. | 0:53:02 | 0:53:05 | |
But the mirror image doesn't achieve anything. About the bulbs, that's not the point. | 0:53:05 | 0:53:10 | |
-I can always sort out which bulbs can work, which bulbs don't work. -You have to get rid of them. | 0:53:10 | 0:53:14 | |
The bulbs we'll sort out, but not the pens so quickly. | 0:53:14 | 0:53:18 | |
All right, you mentioned the pens. I didn't even mention the pens. | 0:53:18 | 0:53:22 | |
The bulbs I can go through which ones work, which ones don't work - | 0:53:22 | 0:53:26 | |
it's not so simple. | 0:53:26 | 0:53:27 | |
-Where is the beautiful vase? -It's inside. -Don't you dare sit on that! | 0:53:40 | 0:53:45 | |
-Oh, I would be heart-broken. -Do you know what you do about sitting... | 0:53:45 | 0:53:50 | |
-Don't utilise all the space. -Yeah, yeah. | 0:53:50 | 0:53:54 | |
-See, that closes with ease. -Oh, you're so clever! | 0:53:54 | 0:53:59 | |
-Because it's utilising all the space that there is. -All right! | 0:53:59 | 0:54:02 | |
-The other one might give you some problem. -You always see trouble! | 0:54:02 | 0:54:06 | |
It closes very easily, I worked it all out beforehand in my mind. | 0:54:06 | 0:54:09 | |
-Are you sure? It's hanging out all over. -All right, that's that. | 0:54:09 | 0:54:13 | |
My jacket's over there, my hat's over there. That's number one closed. | 0:54:13 | 0:54:16 | |
That's number two closing. You want that in there? OK. | 0:54:16 | 0:54:21 | |
Don't talk so much! | 0:54:21 | 0:54:24 | |
-He's proud of his packing. -Yeah! | 0:54:24 | 0:54:27 | |
Have you checked those draws over there? I'll just check those draws. | 0:54:27 | 0:54:31 | |
Where are you going to? There's nothing there! | 0:54:31 | 0:54:34 | |
Nothing! Don't be so stupid! | 0:54:34 | 0:54:39 | |
-I never used it, only the first draw. -OK. | 0:54:39 | 0:54:42 | |
Turn the lights off. | 0:54:42 | 0:54:44 | |
Well, we're not paying the electricity bill, are we? | 0:54:44 | 0:54:47 | |
Nothing there, nothing on the floor. You want to check the floors? | 0:54:47 | 0:54:51 | |
-Did you find the tablet? You didn't find that one tablet? -Do me a favour! | 0:54:51 | 0:54:55 | |
-Bye-bye, room! You've been my home for...12 days? -12 nights. | 0:54:55 | 0:55:00 | |
-13 days. -13 days. I'm glad to get rid of you! | 0:55:00 | 0:55:04 | |
-Are you feeling like going home? -Yes. -Very much so. | 0:55:04 | 0:55:10 | |
-You like home! -Yes! -Home sweet home. | 0:55:10 | 0:55:13 | |
-My own bed. -Nothing here was bad. | 0:55:13 | 0:55:16 | |
-Where do we go now? -Straight that way. | 0:55:22 | 0:55:26 | |
-No, no. -Big ones we can't do, | 0:55:44 | 0:55:46 | |
remember I was saying to my brother, in the commercial freezer. | 0:55:46 | 0:55:50 | |
Why have you got them in the fridge? | 0:55:50 | 0:55:52 | |
-They say that once you put them in the fridge they are rejuvenated. -They're ready for the dustbin! | 0:55:52 | 0:55:57 | |
-I don't want them! I don't want them! I don't want them! -All right, all right. | 0:55:57 | 0:56:01 | |
See, this one works again. You see. It might not last. | 0:56:01 | 0:56:04 | |
-See how black it is on the sides? -How many can he keep, if they work? | 0:56:04 | 0:56:09 | |
If he will go through it straightaway... | 0:56:09 | 0:56:11 | |
-I'm not going through it now. -No, not now and not never. | 0:56:11 | 0:56:15 | |
-I am. -I know you, Gaby. -I AM going to go through them. | 0:56:15 | 0:56:18 | |
-I've seen you before. -You see this one hasn't got any black. | 0:56:18 | 0:56:22 | |
-You made a promise. -Yeah! | 0:56:22 | 0:56:25 | |
You see this one hasn't got black on the sides. | 0:56:25 | 0:56:28 | |
See the black on the sides? | 0:56:28 | 0:56:29 | |
Look at this collection! | 0:56:29 | 0:56:31 | |
-That is out, out, out! Straight out. -I can't place them in... | 0:56:31 | 0:56:35 | |
Who cares? Let the dustbin men worry about it. | 0:56:35 | 0:56:38 | |
It won't go in the dustbin, they won't take them. | 0:56:38 | 0:56:42 | |
-OK, let's go out. -You've got a few more to get rid of. | 0:56:42 | 0:56:45 | |
-Yes! Yes! -They'll go outside... I'm not going to get rid of all of them. | 0:56:45 | 0:56:49 | |
That little one you just had in your hand, take it out! | 0:56:49 | 0:56:52 | |
-All right, take the little one. -Out, out! -OK. -No, that little one. | 0:56:52 | 0:56:56 | |
You just put it back here. You're cheating me always. | 0:56:56 | 0:56:59 | |
-I'm not cheating you. -Gaby, you have got a bit of work to do here. | 0:56:59 | 0:57:02 | |
No, no. GABY LAUGHS | 0:57:02 | 0:57:04 | |
-He's mad! -You've got a bit more work to do, right? | 0:57:04 | 0:57:07 | |
Then she'll be angry that you took the whole room. | 0:57:07 | 0:57:11 | |
Oh! | 0:57:11 | 0:57:12 | |
To make sure it goes down. | 0:57:15 | 0:57:17 | |
You see the powder coming out? That's poisonous. | 0:57:22 | 0:57:25 | |
-At least he's got rid of some of it. -Yeah, not much. Two? | 0:57:26 | 0:57:30 | |
-It's a start. -Is it two? -Two. -Only two?! | 0:57:30 | 0:57:35 | |
I'm not even excited. | 0:57:35 | 0:57:37 | |
I know there's so much there, there must be about 20. | 0:57:37 | 0:57:41 | |
-That's not all that's there either. -I know! | 0:57:41 | 0:57:45 | |
Don't make me cry! Oh, golly! | 0:57:45 | 0:57:49 | |
Now you've done your bit. Put them all in the dustbin. | 0:57:55 | 0:57:59 | |
To do that with all those inside, the whole dustbin will be full of glass, they wouldn't take it. | 0:57:59 | 0:58:03 | |
All right! So don't worry so much about the dustbin men! | 0:58:03 | 0:58:07 | |
GABY! Come inside! | 0:58:07 | 0:58:11 | |
GLASS SHATTERS | 0:58:11 | 0:58:14 | |
I've got to make Shabbos. | 0:58:14 | 0:58:17 | |
Shabbos doesn't wait. | 0:58:17 | 0:58:20 | |
Subtitles by Red Bee Media Ltd | 0:58:28 | 0:58:31 |