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Are you aware it's free if you have your loft and your cavity walls insulated? | 0:00:02 | 0:00:05 | |
Over a million people now work in UK call centres | 0:00:05 | 0:00:10 | |
with an average age of just 26. | 0:00:10 | 0:00:13 | |
'I'm not interested.' | 0:00:13 | 0:00:14 | |
'I think it's all a scam to be honest with you.' | 0:00:14 | 0:00:17 | |
They are the factories of our time. | 0:00:17 | 0:00:20 | |
But here, at the third largest call centre in Swansea, | 0:00:20 | 0:00:24 | |
the only things being made are the cold calls we dread. | 0:00:24 | 0:00:27 | |
'No, no, no.' | 0:00:27 | 0:00:29 | |
'Stop bloody bothering me.' | 0:00:29 | 0:00:30 | |
'I really don't want these calls | 0:00:30 | 0:00:32 | |
'and definitely not at seven o'clock in the evening. | 0:00:32 | 0:00:34 | |
Holding the reins is CEO Nev Wilshire. | 0:00:34 | 0:00:39 | |
With over half of his sales agents under 25, Nev has developed | 0:00:39 | 0:00:43 | |
a unique approach to keeping his young workforce on their toes. | 0:00:43 | 0:00:48 | |
Sums up my management style. | 0:00:48 | 0:00:50 | |
GET OUT OF MY OFFICE! | 0:00:50 | 0:00:52 | |
There's a yawn at the back. Get down! | 0:00:52 | 0:00:54 | |
Probably Napoleon. Dictator. | 0:00:55 | 0:00:57 | |
Tell her she's sacked, then. | 0:00:57 | 0:00:59 | |
But his troops loved him. | 0:00:59 | 0:01:02 | |
He's awful, absolutely awful. | 0:01:02 | 0:01:04 | |
And with a sales floor simmering with stress... | 0:01:04 | 0:01:07 | |
'Piss off!' | 0:01:07 | 0:01:09 | |
No, this ain't funny now cos you could have broke it. | 0:01:09 | 0:01:11 | |
I'm going to kill someone. | 0:01:11 | 0:01:13 | |
-..sex... -Rarr! | 0:01:13 | 0:01:15 | |
..and success... | 0:01:17 | 0:01:19 | |
Almost getting a little excited in my pants right now. | 0:01:19 | 0:01:21 | |
Ooh, ooh! | 0:01:21 | 0:01:24 | |
..there's never a dull day when you work at this Swansea call centre. | 0:01:24 | 0:01:29 | |
There's winners and there's losers and that's it. | 0:01:29 | 0:01:32 | |
CHEERING | 0:01:32 | 0:01:34 | |
'To be in charge of 700 people sometimes is daunting | 0:01:34 | 0:01:38 | |
'but I love it,' | 0:01:38 | 0:01:39 | |
absolutely love it. | 0:01:39 | 0:01:41 | |
Welcome to Nev's world. | 0:01:44 | 0:01:45 | |
This programme contains some strong language | 0:01:47 | 0:01:51 | |
Just outside Swansea, | 0:02:00 | 0:02:01 | |
one of the call centre's top managers is about to wake up. | 0:02:01 | 0:02:06 | |
31-year-old Johnny Allen lives at home with his mum, dad, dog | 0:02:06 | 0:02:11 | |
and little sister Gemma. | 0:02:11 | 0:02:13 | |
Gem, get up! | 0:02:15 | 0:02:17 | |
As well as being her big brother, he's also her manager. | 0:02:17 | 0:02:20 | |
-Gemma? -Yes, mun! | 0:02:20 | 0:02:22 | |
Oh! | 0:02:23 | 0:02:24 | |
Do you have to bang on my wall all the time? | 0:02:25 | 0:02:28 | |
You don't get up otherwise, do you? | 0:02:28 | 0:02:29 | |
HE KNOCKS ON WALL | 0:02:31 | 0:02:32 | |
Oh, coming, mun! | 0:02:32 | 0:02:34 | |
Johnny tries to keep Gemma in line, both at work and at home. | 0:02:41 | 0:02:45 | |
Oh, come on then. | 0:02:47 | 0:02:48 | |
-Hello. -Gem. -What? | 0:02:48 | 0:02:50 | |
Stop your chit-chatting now and get yourself ready for work. | 0:02:50 | 0:02:53 | |
All right, John! | 0:02:53 | 0:02:55 | |
He doesn't manage me till we get to work. | 0:02:55 | 0:02:57 | |
-He thinks he is. -He thinks he is, he likes to think he is. | 0:02:57 | 0:03:00 | |
SHE LAUGHS | 0:03:00 | 0:03:02 | |
Control freak. | 0:03:02 | 0:03:03 | |
HE CHUCKLES | 0:03:04 | 0:03:06 | |
She just needs to be put into order basically, she's...useless. | 0:03:06 | 0:03:11 | |
He's a good brother but he's an arsehole in general. | 0:03:11 | 0:03:14 | |
SHE CACKLES | 0:03:14 | 0:03:17 | |
Right, see you later. | 0:03:17 | 0:03:19 | |
-Ta-ra. -Ta-ra, boy. | 0:03:19 | 0:03:22 | |
Recently Gemma's sales results have been disappointing. | 0:03:22 | 0:03:26 | |
It's Johnny's job to inspire his sister to new heights. | 0:03:26 | 0:03:29 | |
Once they get to work, anyway. | 0:03:37 | 0:03:38 | |
All right, Nev. Have you got a minute, or five, by any chance? | 0:03:45 | 0:03:50 | |
You've got four minutes and 32 seconds. | 0:03:50 | 0:03:54 | |
Like everyone at the call centre, in times of strife, | 0:03:54 | 0:03:57 | |
Johnny turns to Nev for advice and guidance. | 0:03:57 | 0:04:00 | |
-Everything all right? -Yeah, yeah, not too bad, | 0:04:00 | 0:04:03 | |
it's going really well, but um... | 0:04:03 | 0:04:05 | |
I've heard your sister's doing most of the sales, though. | 0:04:05 | 0:04:08 | |
She has been, probably one of the top sellers on the team. | 0:04:08 | 0:04:12 | |
I've been told she's better than you. | 0:04:12 | 0:04:14 | |
-Ah, she'll never be as good as me. -OK. | 0:04:14 | 0:04:17 | |
No, no, but recently, kind of slipped a little bit. | 0:04:17 | 0:04:20 | |
I just noticed the last week or two it hasn't been... | 0:04:20 | 0:04:22 | |
Where it should be? | 0:04:22 | 0:04:24 | |
-Where it should be, you know, and... -OK. | 0:04:24 | 0:04:27 | |
I've thought of different ideas, but nothing seems to be making sense | 0:04:27 | 0:04:30 | |
to myself and I'm wondering, come and speak to the expert himself. | 0:04:30 | 0:04:34 | |
To be honest, say the Monday and the Tuesday's mediocre, | 0:04:34 | 0:04:38 | |
Wednesday's picking up again and then she's really chasing | 0:04:38 | 0:04:41 | |
and searching and super, super trying, so you know, | 0:04:41 | 0:04:45 | |
I thought about like, lazy element maybe, cos it's Monday but then... | 0:04:45 | 0:04:50 | |
Give 'em double points on a Monday for an early finish. | 0:04:50 | 0:04:53 | |
-Yeah, that's a good one. -Aha. | 0:04:53 | 0:04:54 | |
Double points - changing up a little bit. | 0:04:54 | 0:04:56 | |
-What do points make? -Prizes. | 0:04:56 | 0:04:58 | |
Correct. OK. | 0:04:58 | 0:05:00 | |
-Happy days. -Excellent. You're doing a good job. | 0:05:00 | 0:05:02 | |
-Thank you. -You are doing a good job. | 0:05:02 | 0:05:05 | |
-I'm pleased. -Thank you. | 0:05:05 | 0:05:08 | |
You're still a wanker, bugger off. | 0:05:08 | 0:05:11 | |
-Cheers. -Ta-ra, Johnny. -Ta-ra. | 0:05:11 | 0:05:14 | |
The call centre recently had to lay people off | 0:05:27 | 0:05:30 | |
after their biggest contract ended. | 0:05:30 | 0:05:32 | |
The mood on the sales floor is unusually subdued. | 0:05:32 | 0:05:37 | |
When I first joined here it was like walking into a party really. | 0:05:37 | 0:05:40 | |
You know, I couldn't hear myself when I first walked in. | 0:05:40 | 0:05:42 | |
There was people screaming and shouting | 0:05:42 | 0:05:45 | |
and now it just seems really quiet. | 0:05:45 | 0:05:47 | |
It feels like the company's lost its mojo at the moment. | 0:05:47 | 0:05:50 | |
-What's happening? -All right? | 0:05:52 | 0:05:54 | |
-You OK? -Yeah, I'm a bit emotional. | 0:05:54 | 0:05:57 | |
-Why? -A bit emotional over Dave being sacked. | 0:05:57 | 0:06:00 | |
Ah, I know. | 0:06:00 | 0:06:02 | |
It's just bad. | 0:06:02 | 0:06:03 | |
As CEO, it's Nev's job to find the missing mojo | 0:06:04 | 0:06:08 | |
and he wants his managers to lead the search party. | 0:06:08 | 0:06:12 | |
We've got too fat and lazy. It's about productivity. | 0:06:12 | 0:06:16 | |
Be more diligent, raise the bar, get back to where we were, | 0:06:16 | 0:06:21 | |
what we can do, what we can attain, help the people alongside you, | 0:06:21 | 0:06:26 | |
keep batting, keep doing the right things | 0:06:26 | 0:06:29 | |
and we'll get to where we want to get to, OK? Which is | 0:06:29 | 0:06:33 | |
making money and enjoying what we do and expanding, right? | 0:06:33 | 0:06:39 | |
-Yeah. -Any questions? | 0:06:39 | 0:06:41 | |
When I said expanding, don't point the camera at my waist... | 0:06:41 | 0:06:46 | |
you bastard! | 0:06:46 | 0:06:47 | |
Nev has taken his failure to find a replacement contract | 0:06:48 | 0:06:52 | |
for the call centre personally. | 0:06:52 | 0:06:54 | |
But in tough times, he seeks solace in the wise words of his hero. | 0:06:54 | 0:06:59 | |
John Wayne's answer to failure was, "If you haven't | 0:06:59 | 0:07:01 | |
"fallen off your horse, you haven't been riding long enough." | 0:07:01 | 0:07:05 | |
Everybody's going to fail now and again. | 0:07:05 | 0:07:07 | |
Everybody's going to make a cock-up, but you've got to deal with it. | 0:07:07 | 0:07:11 | |
Get back on the horse and ride. | 0:07:13 | 0:07:15 | |
One of the first back on the horse is Hayley. | 0:07:23 | 0:07:25 | |
She's heard rumours that a tea-lady at a rival call centre | 0:07:25 | 0:07:29 | |
has been offering extras on the side | 0:07:29 | 0:07:32 | |
and plans to follow suit in a bid to boost morale. | 0:07:32 | 0:07:36 | |
Everyone on the sales floor have been saying for ages about making | 0:07:36 | 0:07:39 | |
cakes on the trolley but now I know the tea lady in Cardiff is | 0:07:39 | 0:07:42 | |
selling cakes I definitely want to do it cos, you know, I'm not | 0:07:42 | 0:07:46 | |
having her having better stuff on her trolley than what I have. | 0:07:46 | 0:07:50 | |
-I'm thinking about making cakes. -You're number one tea girl. | 0:07:50 | 0:07:53 | |
I've got to up my game now so she's making cakes, | 0:07:53 | 0:07:55 | |
I'm going to make cakes. | 0:07:55 | 0:07:58 | |
-Are they? -I have had one. -Have you tried my cakes? | 0:07:58 | 0:08:01 | |
I know how to do, like, cakes out of a box, like, mixes. | 0:08:05 | 0:08:10 | |
No, she makes fresh cakes. | 0:08:10 | 0:08:12 | |
Well, I'll just have people to make them. | 0:08:12 | 0:08:14 | |
I'll have people to make them, | 0:08:14 | 0:08:16 | |
I'll give them money and I'll sell them on my trolley. | 0:08:16 | 0:08:18 | |
-We are going to make them. -Three of us. -Yeah. | 0:08:18 | 0:08:21 | |
We'll make a cake at the weekend. | 0:08:21 | 0:08:23 | |
I'll ask Nev, ain't it? | 0:08:24 | 0:08:26 | |
Come on girls, we'll have to do this properly now. | 0:08:26 | 0:08:29 | |
Like, no half a job Bob. | 0:08:29 | 0:08:30 | |
I have zero baking skills. | 0:08:30 | 0:08:33 | |
I've made cakes with my friends before but they've done them, | 0:08:33 | 0:08:36 | |
you know? I haven't got a clue. I haven't got a clue. | 0:08:36 | 0:08:41 | |
I know you put it in the oven and wait for it to rise but | 0:08:41 | 0:08:45 | |
I don't know. I don't know what to do. | 0:08:45 | 0:08:49 | |
But that will be part of the fun, won't it? You know? | 0:08:49 | 0:08:52 | |
We've just got to make sure that we don't poison Nev! | 0:08:52 | 0:08:55 | |
If there's one manager Nev can rely on to help find the missing | 0:09:05 | 0:09:08 | |
mojo, it's 31-year-old Twe. | 0:09:08 | 0:09:11 | |
All right, George, do the George shuffle! | 0:09:11 | 0:09:15 | |
On the phone right now to a customer. Go on, do it! | 0:09:15 | 0:09:18 | |
Come on, George. Ah, there you go. | 0:09:18 | 0:09:21 | |
Jesus, if that's not motivating, I don't know what is(!) | 0:09:21 | 0:09:25 | |
After three years at the call centre, | 0:09:25 | 0:09:27 | |
Twe's style of management is infamous. | 0:09:27 | 0:09:30 | |
Hands up how many of you would love to smash this cream pie | 0:09:31 | 0:09:35 | |
in my face, seriously. | 0:09:35 | 0:09:37 | |
'I'm quite loud, I'm quite brash.' | 0:09:37 | 0:09:39 | |
I've got a terrible knack of just | 0:09:39 | 0:09:42 | |
taking the mick out of anyone to try and make them laugh. | 0:09:42 | 0:09:45 | |
Sometimes it works, sometimes it don't. | 0:09:45 | 0:09:48 | |
But, yeah, I try and get results | 0:09:48 | 0:09:50 | |
through comedy rather than shouting. | 0:09:50 | 0:09:56 | |
-NEV: -He is a natural, practical joker, yeah. | 0:09:57 | 0:09:59 | |
He's probably sorry that he | 0:09:59 | 0:10:01 | |
didn't invent the whoopee cushion, you know, it's about his level. | 0:10:01 | 0:10:04 | |
Come on then, guys! This is where we put the effort in, | 0:10:04 | 0:10:06 | |
this is where the deals roll in. | 0:10:06 | 0:10:09 | |
'There's nothing Twe won't do to raise a laugh and lift sales. | 0:10:09 | 0:10:14 | |
'Today, he's preparing to reveal a secret from his past | 0:10:14 | 0:10:17 | |
'he hoped would never come out.' | 0:10:17 | 0:10:20 | |
Ten years ago, I thought it would be a really good idea to | 0:10:20 | 0:10:23 | |
put a pair of my mate's wife's sister's knickers on. | 0:10:23 | 0:10:28 | |
Unfortunately, got snapped in 'em as well. | 0:10:28 | 0:10:31 | |
Any agent hitting four sales will get to see the picture. | 0:10:31 | 0:10:34 | |
All right, you guys up for seeing | 0:10:34 | 0:10:36 | |
this little naughty picture we've got of him? | 0:10:36 | 0:10:38 | |
-Yeah. -Yeah? | 0:10:38 | 0:10:40 | |
Some are more motivated by the prospect than others. | 0:10:40 | 0:10:44 | |
Nah, I don't want to see Twe naked, like. | 0:10:44 | 0:10:46 | |
He's not too pretty with clothes on. | 0:10:46 | 0:10:48 | |
Twe, in a red thong, I want to see it. | 0:10:48 | 0:10:52 | |
Massive incentive for me to get four deals. I'll smash five in now. | 0:10:52 | 0:10:56 | |
No, I'm not bothered. | 0:10:57 | 0:11:00 | |
I don't look at Twe that any more, I look at him like a brother. | 0:11:00 | 0:11:03 | |
Any more? | 0:11:03 | 0:11:05 | |
What do you mean?! | 0:11:05 | 0:11:07 | |
Explain that. | 0:11:07 | 0:11:09 | |
Twe, what's this latest money-making scheme we've got going on here. | 0:11:09 | 0:11:12 | |
IT was servicing someone's computer over there and they've seen | 0:11:12 | 0:11:17 | |
the e-mail that was sent three years ago of a picture that was taken | 0:11:17 | 0:11:21 | |
ten years ago from one of the mate's Facebooks of me with her. | 0:11:21 | 0:11:26 | |
If that ain't funny enough, | 0:11:26 | 0:11:29 | |
I'm in woman's knickers. | 0:11:29 | 0:11:31 | |
Right, and you reckon that's going to make money? | 0:11:31 | 0:11:34 | |
Well, no, what I've said is anyone that does four sales... | 0:11:34 | 0:11:37 | |
Cos IT have got hold of it and everything now, before it hits | 0:11:37 | 0:11:40 | |
the sales floor and everyone else, I've tried increasing sales from it. | 0:11:40 | 0:11:44 | |
So, anyone that does four sales this afternoon, will see this picture. | 0:11:44 | 0:11:47 | |
OK, so... | 0:11:47 | 0:11:50 | |
wearing women's knickers? | 0:11:50 | 0:11:52 | |
Twe, anything you need to tell me? | 0:11:53 | 0:11:56 | |
-Ah... -Anything you need to confess? | 0:11:56 | 0:11:58 | |
Nothing from Monday to Friday. The weekend's my business. | 0:11:58 | 0:12:02 | |
He's lost the plot. | 0:12:03 | 0:12:05 | |
Beale. As in Ian Beale. | 0:12:08 | 0:12:12 | |
On his floor, Johnny's sister, Gemma, | 0:12:12 | 0:12:14 | |
is struggling to stay focused. | 0:12:14 | 0:12:16 | |
Filing my nails. | 0:12:16 | 0:12:18 | |
SHE LAUGHS | 0:12:18 | 0:12:20 | |
I'm working still, just, you know, multi-tasking, see? | 0:12:22 | 0:12:27 | |
That's what us women are good at, you see. | 0:12:29 | 0:12:32 | |
Unfortunately my sister hasn't been | 0:12:32 | 0:12:36 | |
really performing that well this week. | 0:12:36 | 0:12:39 | |
This is one coat. | 0:12:39 | 0:12:40 | |
I'm doing a French manicure, I am. A French manicure. | 0:12:40 | 0:12:44 | |
She was on two sales for the week and that's, you know... | 0:12:44 | 0:12:47 | |
She gets that in a day, do you know what I mean? | 0:12:47 | 0:12:50 | |
More. Three, four sometimes. | 0:12:50 | 0:12:52 | |
Everybody has a bad day, you know? Everybody has a bad day. | 0:12:52 | 0:12:56 | |
But she's had three. | 0:12:56 | 0:12:57 | |
I had one guy - not here, that was in another place I worked for - | 0:12:57 | 0:13:01 | |
one guy said to me, he said... | 0:13:01 | 0:13:02 | |
Cos I was selling mobile phones, and he said, | 0:13:02 | 0:13:04 | |
"You're not allowed to..." | 0:13:04 | 0:13:07 | |
What did he say? He said, | 0:13:07 | 0:13:08 | |
"I'm not allowed to have a mobile phone with a camera on," | 0:13:08 | 0:13:11 | |
and I was like, "Why?" | 0:13:11 | 0:13:13 | |
I put two and two together after the call then. | 0:13:13 | 0:13:15 | |
You know what I mean, don't you? | 0:13:15 | 0:13:17 | |
He's paedophile, I reckon. | 0:13:17 | 0:13:20 | |
Gem, you off the phone? | 0:13:20 | 0:13:22 | |
Do you want to grab your chair and come here, love? | 0:13:22 | 0:13:25 | |
Johnny's had enough of Gemma's bad results | 0:13:25 | 0:13:28 | |
and calls her across for a quiet word. | 0:13:28 | 0:13:31 | |
-Hiya! -Hello. | 0:13:44 | 0:13:46 | |
Right, first of all, | 0:13:47 | 0:13:50 | |
I believe it's all about the build-up to the | 0:13:50 | 0:13:53 | |
finishing touch, yeah? | 0:13:53 | 0:13:55 | |
Like in a game of football. | 0:13:55 | 0:13:57 | |
You've got to have good passing, good movement to create | 0:13:57 | 0:14:00 | |
the opportunity to score a goal, | 0:14:00 | 0:14:02 | |
and it's the same in sales. | 0:14:02 | 0:14:04 | |
But that's where you've got to be involving the customer. | 0:14:04 | 0:14:07 | |
Listen for one minute. | 0:14:07 | 0:14:09 | |
You've gotta... I'm not saying you're sounding | 0:14:09 | 0:14:13 | |
like a robot, cos you do sound enthusiastic on the phone, but just | 0:14:13 | 0:14:16 | |
add some words to each question to get them involved. | 0:14:16 | 0:14:21 | |
So, "Do you what YOUR property, Mrs Jones...?" | 0:14:21 | 0:14:23 | |
YOUR house, YOUR property. | 0:14:23 | 0:14:25 | |
-Am I keeping you awake? -What? | 0:14:25 | 0:14:27 | |
-Concentrate now. -I am concentrating. | 0:14:27 | 0:14:29 | |
-I'm just making sure, cos you're yawning. -Yeah. | 0:14:29 | 0:14:31 | |
Right, right. Have you got any questions, | 0:14:31 | 0:14:36 | |
anything that you're unsure of? | 0:14:36 | 0:14:38 | |
-Happy with everything, yeah? -Yeah. | 0:14:38 | 0:14:42 | |
Get on it like Sonic. | 0:14:42 | 0:14:44 | |
Now. | 0:14:47 | 0:14:48 | |
You've been off the phone long enough. | 0:14:50 | 0:14:52 | |
'He's been my manager before in another call centre, | 0:15:00 | 0:15:03 | |
'it didn't work at all. | 0:15:03 | 0:15:04 | |
'We hated each other. I hated him. It's not so bad now.' | 0:15:04 | 0:15:07 | |
I think it's maybe cos he's grown up a little bit. | 0:15:07 | 0:15:10 | |
Well, a little bit. | 0:15:10 | 0:15:11 | |
He give me a dead leg before, right? | 0:15:11 | 0:15:14 | |
He hit me in the leg and I had a dead leg for three days. Yeah. | 0:15:14 | 0:15:18 | |
Back on Twe's floor, and the prospect of seeing their manager | 0:15:27 | 0:15:31 | |
in a pair of red pants has stirred the sales agents into action. | 0:15:31 | 0:15:36 | |
Twe naked is motivating a lot of people across the sales floor | 0:15:36 | 0:15:39 | |
so it should be all right. | 0:15:39 | 0:15:40 | |
Right, come on then, guys, we need to start picking it up now | 0:15:40 | 0:15:43 | |
and get a few more deals up on the board! | 0:15:43 | 0:15:45 | |
Well done for that one. | 0:15:45 | 0:15:46 | |
I can see a couple of people doing it, hopefully not too many. | 0:15:46 | 0:15:50 | |
So we got one on our team, one on Dan's team as well, | 0:15:50 | 0:15:53 | |
that's one deal away. | 0:15:53 | 0:15:55 | |
-One more deal? -Only one more deal. | 0:15:55 | 0:15:57 | |
Kirsty gets to see the picture. | 0:15:57 | 0:15:59 | |
One more to see the picture, apparently. | 0:15:59 | 0:16:02 | |
Sales agent Kirsty is the first to hit the target. | 0:16:02 | 0:16:06 | |
She has great expectations. | 0:16:06 | 0:16:09 | |
Basically, he's supposed to have a big willy, from what I've heard. | 0:16:09 | 0:16:12 | |
-WOMAN: Too? -Too well endowed. | 0:16:12 | 0:16:14 | |
-OK, how are we? Are you all right? -Yeah. | 0:16:16 | 0:16:19 | |
All right, Dan, I think you need a witness with me while I... | 0:16:19 | 0:16:23 | |
-DAN: -Yeah. -Come this side of the pillar | 0:16:23 | 0:16:25 | |
so I can...so no-one else can see. | 0:16:25 | 0:16:28 | |
THEY LAUGH | 0:16:29 | 0:16:31 | |
-KIRSTY: -Oh, my God. | 0:16:31 | 0:16:33 | |
How old are you? | 0:16:36 | 0:16:38 | |
How old was I, there? | 0:16:38 | 0:16:41 | |
I was about 18, 19. | 0:16:42 | 0:16:45 | |
That was well worth four deals. | 0:16:46 | 0:16:47 | |
Was that well worth four deals? Worth working hard? | 0:16:47 | 0:16:50 | |
And do you know what? We're going to pay you commission on top | 0:16:50 | 0:16:52 | |
-for every one of those deals, as well. -Ah, thank you. | 0:16:52 | 0:16:55 | |
Yeah. Well, that's a standard deal. So, well done, good work. | 0:16:55 | 0:16:58 | |
Hayley is at her friend's house with mates Jenny and Amanda, | 0:17:07 | 0:17:11 | |
losing her cake-baking cherry. | 0:17:11 | 0:17:13 | |
Watch this bad boy now. Whey. | 0:17:13 | 0:17:17 | |
You put eggs in cake but, yet again, you have eggs with | 0:17:17 | 0:17:20 | |
a mixed grill and stuff. | 0:17:20 | 0:17:22 | |
They're so versatile, ain't they, eggs? | 0:17:22 | 0:17:26 | |
I love eggs. | 0:17:26 | 0:17:27 | |
My friend was learning me how to whisk the other day. | 0:17:27 | 0:17:30 | |
She said you got to leave air get into it | 0:17:30 | 0:17:32 | |
and then it's better. | 0:17:32 | 0:17:34 | |
You've got to put some elbow grease into it, yeah? | 0:17:34 | 0:17:36 | |
Hayley plans to take the cakes into the call centre | 0:17:36 | 0:17:39 | |
in a bid to boost morale. | 0:17:39 | 0:17:41 | |
Do you mind if I lick it? | 0:17:41 | 0:17:42 | |
-Do it. -Just don't put it back in. | 0:17:42 | 0:17:45 | |
Assuming Health and Safety don't object first. | 0:17:45 | 0:17:48 | |
Ah, fucking hell, everyone's going to be food poisoned. | 0:17:48 | 0:17:51 | |
If Nev gives her permission to sell them | 0:17:51 | 0:17:53 | |
on her tea round, it will be the icing on the cake. | 0:17:53 | 0:17:57 | |
That's what they're meant to look like, we'll see | 0:17:57 | 0:17:59 | |
if they look like that later. | 0:17:59 | 0:18:00 | |
Right, cup of tea? | 0:18:00 | 0:18:02 | |
Oh, yes, if you're making, I will. | 0:18:02 | 0:18:04 | |
-Come on now, girls... -Come on, tea girl. -As if, as if. | 0:18:04 | 0:18:08 | |
Hayley is about to reveal her cakes to an unsuspecting call centre. | 0:18:17 | 0:18:22 | |
On the sales floor, she's hoping to do some selling of her own. | 0:18:25 | 0:18:29 | |
I don't even know if I was allowed to do, I was so... | 0:18:32 | 0:18:35 | |
We had our first customer! | 0:18:35 | 0:18:37 | |
-Are they safe to eat? -Let me know. | 0:18:37 | 0:18:39 | |
Before continuing, Hayley will need Nev's blessing. | 0:18:39 | 0:18:43 | |
Hello there, Nev! | 0:18:43 | 0:18:45 | |
Hayley, how are you? | 0:18:45 | 0:18:47 | |
Well, I got a little present for you. | 0:18:47 | 0:18:49 | |
Thought you were off today. Looked for you this morning, | 0:18:49 | 0:18:51 | |
needed a cup of tea and where were you? | 0:18:51 | 0:18:54 | |
-Now... -Are you going to tell me you made these? | 0:18:55 | 0:18:58 | |
Yes, I did, with help from Jenny and Amanda. | 0:18:58 | 0:19:00 | |
I was going to say.... | 0:19:00 | 0:19:01 | |
Still, they're amazing, ain't they? | 0:19:01 | 0:19:04 | |
For our first time, look at them. | 0:19:04 | 0:19:06 | |
They look nothing like the box of the cake mix, right? | 0:19:06 | 0:19:08 | |
You could get money for this lot? | 0:19:08 | 0:19:10 | |
Well, straight up, went in there just now, | 0:19:10 | 0:19:13 | |
Phil straightaway, a pound. | 0:19:13 | 0:19:14 | |
I didn't ask for money. | 0:19:14 | 0:19:15 | |
-A pound? -He went, "Let me have a big one for a pound." | 0:19:15 | 0:19:18 | |
Bam. "Wey-hey, you're my first customer!" | 0:19:18 | 0:19:20 | |
-Wouldn't do it all the time. -Take a breath. -Yeah. | 0:19:20 | 0:19:22 | |
Thanks. I don't know if you're going to be allowed to. | 0:19:22 | 0:19:24 | |
I know, that's what I was thinking. | 0:19:24 | 0:19:26 | |
But, you know, you've got a way of, errr... | 0:19:26 | 0:19:29 | |
Once a month thing. | 0:19:29 | 0:19:30 | |
It's not a way of "o-errr." | 0:19:30 | 0:19:32 | |
We have to write to Trading Standards | 0:19:32 | 0:19:35 | |
and do things properly. | 0:19:35 | 0:19:36 | |
These ain't just normal cupcakes, look, Nev, right? | 0:19:36 | 0:19:38 | |
These are good shit, like. Look at them. | 0:19:38 | 0:19:41 | |
We were so impressed, me, Amanda and Jenny. | 0:19:41 | 0:19:43 | |
-This is top quality shit? -Yeah. | 0:19:43 | 0:19:45 | |
Mmm. | 0:19:46 | 0:19:48 | |
Honestly... | 0:19:48 | 0:19:50 | |
Shut up! Shut up! | 0:19:50 | 0:19:53 | |
They're pretty, though? They are nice. | 0:19:53 | 0:19:55 | |
They're pretty. You've done a fantastic job, girl. | 0:19:55 | 0:19:58 | |
We've all done it cos I thought it was part | 0:19:58 | 0:19:59 | |
of the work thing of call centre, We Claim U Gain... | 0:19:59 | 0:20:02 | |
I'd like to take another bite, if you just bugger off. | 0:20:02 | 0:20:04 | |
OK. He's enjoying it, that's a good sign. | 0:20:04 | 0:20:06 | |
He's clearly enjoying it. | 0:20:06 | 0:20:08 | |
She doesn't shut up. She's motor-mouth. | 0:20:08 | 0:20:10 | |
-She's got verbal diarrhoea. -I know. | 0:20:10 | 0:20:13 | |
Keen to avoid diarrhoea of an altogether more disgusting kind, | 0:20:13 | 0:20:17 | |
Nev has resorted to the law to put a stop to Hayley's cake selling plans. | 0:20:17 | 0:20:23 | |
So it took three of them to make this. | 0:20:23 | 0:20:26 | |
OK. | 0:20:26 | 0:20:28 | |
Totally good reasons. | 0:20:28 | 0:20:30 | |
We're not allowed. | 0:20:30 | 0:20:32 | |
-I'm having half of that. WOMAN: -There's a hair on it. | 0:20:32 | 0:20:34 | |
I know, I don't even want to eat it. | 0:20:34 | 0:20:36 | |
-WOMAN: -There's a hair on it. -That's Jenny's hair. | 0:20:36 | 0:20:38 | |
-HAYLEY: -Shut up. | 0:20:38 | 0:20:39 | |
I'm not fussy. | 0:20:39 | 0:20:41 | |
SIREN BLARES | 0:20:45 | 0:20:47 | |
On me. | 0:20:47 | 0:20:49 | |
He'll never sell any ice cream going that fast. | 0:20:49 | 0:20:52 | |
When it comes to drumming up new business, | 0:20:53 | 0:20:56 | |
Nev is the first to roll up his sleeves and get stuck in. | 0:20:56 | 0:20:59 | |
I wouldn't mind owning that shop. | 0:20:59 | 0:21:01 | |
He's come to London to promote the call centre | 0:21:04 | 0:21:08 | |
and give a speech to some big hitters in the energy industry. | 0:21:08 | 0:21:12 | |
-SAT NAV: -'You have reached....' -I've reached the destination. | 0:21:12 | 0:21:15 | |
Oops, excuse me. | 0:21:15 | 0:21:17 | |
HORN HONKS | 0:21:17 | 0:21:18 | |
HE LAUGHS | 0:21:18 | 0:21:20 | |
The business is out there and sitting on your arse | 0:21:22 | 0:21:25 | |
and waiting for it to come to you doesn't work, you know? | 0:21:25 | 0:21:28 | |
As John Wayne would have done, he'd have gone on his horse | 0:21:28 | 0:21:30 | |
and he'd have gone and found the next new frontier. | 0:21:30 | 0:21:34 | |
It's hardly the Wild West, | 0:21:34 | 0:21:36 | |
but Nev is still far from home. | 0:21:36 | 0:21:39 | |
Oh, sorry. | 0:21:39 | 0:21:40 | |
Sorry. She's bullying me. | 0:21:40 | 0:21:43 | |
I don't know many of them, but apparently I'm talking to them. | 0:21:43 | 0:21:48 | |
I'm a little bit nervous, yeah, but... | 0:21:48 | 0:21:51 | |
I'm OK. | 0:21:52 | 0:21:54 | |
While Nev prepares to face the big hitters, | 0:22:18 | 0:22:20 | |
back at the call centre, big hitting of a different kind is on the cards. | 0:22:20 | 0:22:25 | |
Team leader Dickie is gearing up for a fight with an assistant | 0:22:26 | 0:22:30 | |
team leader from the rival shift. | 0:22:30 | 0:22:33 | |
We should be expecting a monstrous shift today. | 0:22:33 | 0:22:35 | |
We've got loads of karma in as well, guys. | 0:22:35 | 0:22:37 | |
So we should be absolutely smashing and pushing | 0:22:37 | 0:22:39 | |
for a 500 as a shift today | 0:22:39 | 0:22:41 | |
but an eight per head as a team. | 0:22:41 | 0:22:43 | |
He has done a little bit of boxing in the past | 0:22:43 | 0:22:45 | |
but I don't know how much. | 0:22:45 | 0:22:46 | |
So like, I don't know. | 0:22:46 | 0:22:48 | |
I'm not all that nervous at the moment | 0:22:48 | 0:22:50 | |
but, on the day, I ain't going | 0:22:50 | 0:22:52 | |
to let on, then I will be. | 0:22:52 | 0:22:54 | |
Dickie's girlfriend Naomi is in charge of his fight diet. | 0:22:55 | 0:22:59 | |
-No more chocolate. -No. | 0:22:59 | 0:23:01 | |
No more sugar in your tea. | 0:23:01 | 0:23:03 | |
-No more bread. -Yeah, I know. | 0:23:03 | 0:23:06 | |
Basically, I just got to eat tuna, chicken, stuff like that. | 0:23:06 | 0:23:10 | |
I don't want to lose | 0:23:10 | 0:23:11 | |
and I certainly don't want to lose bad in front of them. | 0:23:11 | 0:23:14 | |
I don't know if you know the team leader, | 0:23:14 | 0:23:16 | |
Dickie, on the opposite shift? | 0:23:16 | 0:23:18 | |
He's going to be taking on our very own Paul "the Irish Man" Williams. | 0:23:18 | 0:23:24 | |
Recently promoted to assistant team leader, 20-year-old Paul | 0:23:24 | 0:23:28 | |
thinks he can punch above his weight and put on a show for his shift. | 0:23:28 | 0:23:33 | |
Let's hope we can both keep our heads on to | 0:23:34 | 0:23:36 | |
batter each other on the night. | 0:23:36 | 0:23:38 | |
But I'm sure we'll be shaking hands | 0:23:38 | 0:23:40 | |
after, win or lose for either of us. | 0:23:40 | 0:23:44 | |
For his shift manager, Dwayne, the fight is a chance to create | 0:23:44 | 0:23:47 | |
a buzz on the floor and hopefully encourage a few more sales. | 0:23:47 | 0:23:51 | |
Dickie's been giving it all this talk and handbag chats and whatnot | 0:23:51 | 0:23:55 | |
on how he's going to knock him out, yeah? There's no chance. | 0:23:55 | 0:23:59 | |
Everybody's, "Dickie's going to batter you." | 0:23:59 | 0:24:02 | |
"Paul, you going to batter Dickie?" | 0:24:02 | 0:24:04 | |
Everybody's stirring between us. | 0:24:04 | 0:24:06 | |
He is technically my assistant. but I'd like to see his head kicked in. | 0:24:06 | 0:24:11 | |
Is that OK, am I allowed to say that? | 0:24:12 | 0:24:14 | |
-What did she just say? -Nothing! | 0:24:14 | 0:24:17 | |
I'm just giving you support and saying who I think's going to win. | 0:24:17 | 0:24:21 | |
(Dickie.) | 0:24:21 | 0:24:23 | |
In London, Nev's nearly a knockout. | 0:24:26 | 0:24:30 | |
CERT and CESP has ended | 0:24:30 | 0:24:32 | |
and to those people that are in contracting | 0:24:32 | 0:24:34 | |
or do what I do, you know that the shutters | 0:24:34 | 0:24:38 | |
came down all of a sudden and now we're limping through. | 0:24:38 | 0:24:41 | |
But the crowd is as tough as the times. | 0:24:41 | 0:24:44 | |
I mean, there's a few companies that I know that have gone bust | 0:24:44 | 0:24:48 | |
but it's certainly a "tighten your belt" time, while we get to grips | 0:24:48 | 0:24:52 | |
with a new grant that still isn't finalised and still isn't | 0:24:52 | 0:24:55 | |
where we want it to be. | 0:24:55 | 0:24:57 | |
OK? We're trying to look after a customer and | 0:24:57 | 0:25:00 | |
I think, as an industry, we need to remember that the customer is king. | 0:25:00 | 0:25:04 | |
Thank you. | 0:25:04 | 0:25:06 | |
APPLAUSE | 0:25:06 | 0:25:08 | |
I thought it went quite well. | 0:25:08 | 0:25:09 | |
Could have been better. There was a couple of things that | 0:25:09 | 0:25:11 | |
I thought, "I should have said that, I should have said this," | 0:25:11 | 0:25:14 | |
but you never get perfection, you just strive for it. | 0:25:14 | 0:25:18 | |
I was quite staid. | 0:25:18 | 0:25:20 | |
I was reasonably professional. | 0:25:20 | 0:25:24 | |
Love is in the air at the call centre | 0:25:30 | 0:25:33 | |
and one box is getting all the action. | 0:25:33 | 0:25:36 | |
-There we go. Nice letters for you. -In they go. | 0:25:36 | 0:25:39 | |
It won't go in. | 0:25:40 | 0:25:42 | |
Twe is indulging his greatest passion, practical joking. | 0:25:42 | 0:25:48 | |
I do like Hayley, she's got a good heart. | 0:25:48 | 0:25:51 | |
We do wind each other up in work and sometimes we can | 0:25:51 | 0:25:56 | |
do each other's heads in. | 0:25:56 | 0:25:59 | |
It says, "To Pearce, | 0:26:02 | 0:26:03 | |
"hope you're not too stressed with all the love flying about. | 0:26:03 | 0:26:06 | |
"We need a drink soon. Love, James Hearn." | 0:26:06 | 0:26:08 | |
How many kisses? You're good at this snaking malarkey. | 0:26:10 | 0:26:14 | |
Keep it simple, give it one. | 0:26:15 | 0:26:17 | |
Just one kiss. | 0:26:17 | 0:26:19 | |
Treat them mean, keep them keen, is that right? | 0:26:19 | 0:26:21 | |
Hiya, babe. | 0:26:29 | 0:26:31 | |
Have you gone shy? | 0:26:33 | 0:26:34 | |
For one couple on the sales floor, Cupid's arrow has already struck. | 0:26:36 | 0:26:41 | |
Amateur boxer Paul is proving to Karlie he's a lover, | 0:26:41 | 0:26:44 | |
not just a fighter. | 0:26:44 | 0:26:46 | |
She's a really good looking girl and there's not many | 0:26:46 | 0:26:48 | |
girls on the floor so all the boys are like | 0:26:48 | 0:26:51 | |
a bit jealous, I reckon. | 0:26:51 | 0:26:52 | |
She's mine at the moment, | 0:26:52 | 0:26:54 | |
so no-one's... Keep their hands off, really. | 0:26:54 | 0:26:58 | |
We're not official, we're not together. | 0:26:58 | 0:27:00 | |
I don't want to be labelled as something yet, | 0:27:00 | 0:27:02 | |
cos I was in a relationship for three years before that and... | 0:27:02 | 0:27:07 | |
I dunno, I just don't want to get hurt again. | 0:27:07 | 0:27:10 | |
So just seeing how things go, but it's going good, really good. | 0:27:10 | 0:27:14 | |
He's really cute and kind. | 0:27:14 | 0:27:16 | |
Apple and Star tonight? | 0:27:18 | 0:27:20 | |
No, bed. | 0:27:20 | 0:27:21 | |
Going home and going to bed. | 0:27:21 | 0:27:23 | |
Boring, you are. | 0:27:23 | 0:27:25 | |
His personality is wicked | 0:27:25 | 0:27:27 | |
and he's hot as well, loads. | 0:27:27 | 0:27:31 | |
He's just...perfect. | 0:27:31 | 0:27:34 | |
The call centre brings you everything, don't it? | 0:27:34 | 0:27:36 | |
It brings you everything - money, love, everything. | 0:27:36 | 0:27:39 | |
Hayley is sorting through the messages in her box, getting | 0:27:41 | 0:27:45 | |
ready to dish out all the heartfelt declarations of love within. | 0:27:45 | 0:27:49 | |
"Roses are red, violets are blue, | 0:27:49 | 0:27:52 | |
"I'm shit at poems | 0:27:52 | 0:27:54 | |
"so get your tits out. | 0:27:54 | 0:27:55 | |
"Love you babe, Trev." | 0:27:55 | 0:27:58 | |
Oh, God. Right. | 0:27:58 | 0:28:00 | |
They're Romeos in here, ain't they? | 0:28:08 | 0:28:13 | |
Ah, "I love tea", man! | 0:28:13 | 0:28:15 | |
That's awesome. | 0:28:15 | 0:28:18 | |
"To Hayley, hope you have... | 0:28:18 | 0:28:21 | |
"Hope you're not too stressed with all the love flying about today. | 0:28:21 | 0:28:25 | |
"We need a drink soon. | 0:28:25 | 0:28:28 | |
"Love James Hearn." Who's that? | 0:28:28 | 0:28:30 | |
I think I know. | 0:28:30 | 0:28:31 | |
Well, that was a shock, cos I don't even speak to this guy. | 0:28:31 | 0:28:35 | |
I think I know who he is, on Dan's team. | 0:28:35 | 0:28:37 | |
Aw, that's cute, ain't it? | 0:28:37 | 0:28:39 | |
Right. | 0:28:42 | 0:28:44 | |
Aw, Lee, babes! | 0:28:45 | 0:28:47 | |
Is it opened? | 0:28:51 | 0:28:52 | |
It's not opened yet, I swear to God. | 0:28:52 | 0:28:54 | |
I had a Valentine's letter from someone. | 0:28:54 | 0:28:59 | |
Can't repeat it on TV, my mother would kill me. | 0:29:00 | 0:29:03 | |
I'll read it to the camera. Let's have a look. | 0:29:03 | 0:29:07 | |
"Dear Twe, I love your shiny, bald head. | 0:29:07 | 0:29:11 | |
"You always stare at me | 0:29:11 | 0:29:13 | |
"every day in work and you make me very, very horny. | 0:29:13 | 0:29:16 | |
"I just want your length inside me. | 0:29:16 | 0:29:19 | |
"PS, get your python out." | 0:29:19 | 0:29:23 | |
THEY LAUGH | 0:29:23 | 0:29:25 | |
Nice. | 0:29:25 | 0:29:27 | |
Get your python out. | 0:29:27 | 0:29:28 | |
Yeah, brilliant, I'll take that home and show that to the mum. | 0:29:28 | 0:29:33 | |
Keen to seize her romantic moment, | 0:29:33 | 0:29:35 | |
Hayley seeks out her secret admirer, | 0:29:35 | 0:29:38 | |
the unsuspecting James Hearn. | 0:29:38 | 0:29:40 | |
Thank you, babes! | 0:29:41 | 0:29:43 | |
Mwah! | 0:29:43 | 0:29:45 | |
Thanks! | 0:29:45 | 0:29:46 | |
Did he do it? | 0:29:48 | 0:29:50 | |
SHE LAUGHS | 0:29:50 | 0:29:51 | |
You bastards! | 0:29:51 | 0:29:53 | |
He was like that... | 0:29:59 | 0:30:02 | |
There we are, he's just had a kiss from me. | 0:30:02 | 0:30:04 | |
-Who is it? -James Hearn... | 0:30:04 | 0:30:06 | |
HE LAUGHS | 0:30:06 | 0:30:07 | |
Did you get any Valentines? | 0:30:07 | 0:30:10 | |
Yeah, I know it was you. | 0:30:10 | 0:30:11 | |
What, what one? | 0:30:11 | 0:30:13 | |
I had a funny feeling it was a wind up anyway, right. | 0:30:13 | 0:30:15 | |
It's not a wind up. He's single, you're single. | 0:30:15 | 0:30:18 | |
-Oh, shut up. -Think about pairing you up. -You're single. | 0:30:18 | 0:30:21 | |
What we were thinking is he's... | 0:30:21 | 0:30:23 | |
I knew that it was a wind up. I said, "Aww..." | 0:30:23 | 0:30:25 | |
He's a big, muscly guy, possibly your type. | 0:30:25 | 0:30:27 | |
-Absolutely not. -You've got a pulse, you're his type. | 0:30:27 | 0:30:30 | |
MAN: Oh, yeah, not your type Hayley... | 0:30:30 | 0:30:31 | |
TWE: So what's the problem? | 0:30:31 | 0:30:33 | |
Long story short, you wound me up, I wound you up. | 0:30:33 | 0:30:35 | |
It was me doing the python. Hmm. | 0:30:35 | 0:30:37 | |
Oh, right, so you wrote that to me. Oi, I just wanted to say... | 0:30:37 | 0:30:40 | |
Come here. Hayley! | 0:30:40 | 0:30:42 | |
Happy Valentine's Day. | 0:30:42 | 0:30:43 | |
Oh shut up, Twe. | 0:30:43 | 0:30:45 | |
-I love your work, I love your work. -Shut up! | 0:30:45 | 0:30:47 | |
I can't even take you serious. What is it, fucking water like?! | 0:30:47 | 0:30:49 | |
No, it's not, honestly. | 0:30:49 | 0:30:51 | |
I love your work that you do, all right? | 0:30:51 | 0:30:53 | |
-Piss off, Twe. -No, it is. | 0:30:53 | 0:30:55 | |
Give me a kiss, then. | 0:30:55 | 0:30:57 | |
-No, it's... -No, genuine. | 0:30:57 | 0:30:59 | |
You're tipping tea everywhere, like, you're carrying hot stuff. | 0:30:59 | 0:31:02 | |
-It's like a health hazard. So, I love your work. -Really? | 0:31:02 | 0:31:05 | |
I appreciate all the work you do. | 0:31:05 | 0:31:07 | |
I don't believe you, anyway. | 0:31:07 | 0:31:08 | |
-I do, come here. -It's a joke. -Come here. | 0:31:08 | 0:31:10 | |
Aw, guys! Twe has got an 'art. | 0:31:10 | 0:31:12 | |
-I haven't. Get back to work! -Thank you! -Get back to work! | 0:31:12 | 0:31:16 | |
-KARLIE: -This rose is made by paper. | 0:31:16 | 0:31:19 | |
Paul's been making me one every single day for the past two | 0:31:19 | 0:31:22 | |
months and sometimes he colours them in, as well, to make them | 0:31:22 | 0:31:26 | |
look colourful, cos flowers are colourful, not white. | 0:31:26 | 0:31:30 | |
And, for Karlie, the romance with Paul is an even bigger deal, as all | 0:31:30 | 0:31:34 | |
her previous relationships have been with girls. | 0:31:34 | 0:31:38 | |
Obviously I was in love before with my ex. | 0:31:38 | 0:31:40 | |
Well, I think I was. Yeah, of course I was. | 0:31:40 | 0:31:44 | |
But because he's a guy it's | 0:31:44 | 0:31:45 | |
a completely different thing, you know? | 0:31:45 | 0:31:47 | |
Cos obviously... I'm not confused of my sexuality. | 0:31:47 | 0:31:52 | |
Obviously I like both. | 0:31:52 | 0:31:55 | |
Because it's a guy, I've never really... | 0:31:57 | 0:31:59 | |
Because I've never had a proper guy relationship | 0:31:59 | 0:32:02 | |
ever, like ever, | 0:32:02 | 0:32:03 | |
so I don't know. It's just exciting to see what happens. | 0:32:03 | 0:32:06 | |
There must be something there, | 0:32:06 | 0:32:08 | |
like, if she haven't had, like, a proper boyfriend before. | 0:32:08 | 0:32:11 | |
We never have a boring date together, it's always | 0:32:11 | 0:32:14 | |
something stupid or something funny, | 0:32:14 | 0:32:16 | |
something's always happening. | 0:32:16 | 0:32:18 | |
I've had two or three people coming up to me saying are me | 0:32:18 | 0:32:21 | |
and Paul together cos they said it's getting quite noticeable now. | 0:32:21 | 0:32:25 | |
But it's not just love on Paul's mind. | 0:32:28 | 0:32:30 | |
With fight night looming, | 0:32:30 | 0:32:32 | |
he's come to see Nev on official business. | 0:32:32 | 0:32:35 | |
All right, yeah, I've come to ask, | 0:32:35 | 0:32:38 | |
you know the fight between me and Dickie? | 0:32:38 | 0:32:41 | |
Yes. | 0:32:41 | 0:32:42 | |
Do you want to sponsor the fight? | 0:32:42 | 0:32:44 | |
You'll be there, handing out trophies, stuff like that, you know? | 0:32:44 | 0:32:47 | |
-Will I really? -Yeah, hand the trophies out. | 0:32:47 | 0:32:49 | |
I've got to pay for the trophies as well? | 0:32:49 | 0:32:51 | |
No, I don't think you will. | 0:32:51 | 0:32:53 | |
I think I'd rather sharpen two pencils and stick them in my eyes. | 0:32:53 | 0:32:56 | |
It's going to be good, though. | 0:32:56 | 0:32:58 | |
Rather than sponsor two people from my call centre fighting each other. | 0:32:58 | 0:33:02 | |
Who's going to win? | 0:33:04 | 0:33:05 | |
I don't know yet, we'll see what happens. | 0:33:05 | 0:33:07 | |
Whoever trains the hardest. | 0:33:07 | 0:33:09 | |
You're not confident, are you? | 0:33:09 | 0:33:11 | |
I am confident, yeah, but, you know, I don't want to say too much. | 0:33:11 | 0:33:14 | |
Really? All right then. | 0:33:14 | 0:33:17 | |
How's your love life going? | 0:33:17 | 0:33:19 | |
Yeah, it's going good. | 0:33:19 | 0:33:20 | |
Is it? Nothing you need to tell me at all? | 0:33:20 | 0:33:23 | |
Well, what do you mean by that? | 0:33:23 | 0:33:25 | |
I'm just asking a question, just an open... | 0:33:25 | 0:33:28 | |
Oh, you're scratching your face, you're very uneasy. | 0:33:28 | 0:33:31 | |
Body language is looking very, very suspect. | 0:33:31 | 0:33:34 | |
Cringing away. Come on, tell me! | 0:33:34 | 0:33:35 | |
What's happening in your love life then? | 0:33:35 | 0:33:38 | |
-Well, you know Karlie. -I know Karlie, she's a lovely girl. | 0:33:38 | 0:33:41 | |
What the hell's she doing with you? | 0:33:41 | 0:33:42 | |
I'm not a lovely boy, no? | 0:33:42 | 0:33:44 | |
You are a lovely boy, actually. | 0:33:44 | 0:33:46 | |
He is, he's a lovely boy. | 0:33:46 | 0:33:48 | |
But he wants to go into a ring and fight. | 0:33:48 | 0:33:51 | |
It's good, it's good. It's going to be good. | 0:33:52 | 0:33:54 | |
That gives off of a good luck. | 0:33:54 | 0:33:57 | |
And it gives me a name for what? | 0:33:57 | 0:34:00 | |
A nice, tough call centre, maybe. | 0:34:00 | 0:34:02 | |
Sponsoring thugs? | 0:34:02 | 0:34:04 | |
-Not thugs. Come on, now. -OK. | 0:34:04 | 0:34:07 | |
Just one thing then, right? | 0:34:07 | 0:34:09 | |
You know, you've seen these shoes often enough, right? | 0:34:09 | 0:34:11 | |
You've seen me do this before, as well? | 0:34:14 | 0:34:17 | |
Get out of my office, now! Out, out! | 0:34:17 | 0:34:21 | |
How dare you even ask! | 0:34:21 | 0:34:23 | |
Get out, you asshole! | 0:34:24 | 0:34:25 | |
Have you gone? | 0:34:27 | 0:34:29 | |
Not as good as I planned it but we'll see how he is in a few | 0:34:36 | 0:34:39 | |
days and I'll try and... I reckon I can push him into it. | 0:34:39 | 0:34:42 | |
We'll see what happens now. | 0:34:42 | 0:34:44 | |
There's all sorts of er, things you can do for sponsorship. | 0:34:44 | 0:34:50 | |
Really, I'd rather give the money to charity than... | 0:34:50 | 0:34:53 | |
And a proper charity, rather than give it to | 0:34:53 | 0:34:58 | |
two boys going to beat the crap out of each other in a ring. | 0:34:58 | 0:35:01 | |
It's the Saturday shift for Johnny and his sister | 0:35:08 | 0:35:12 | |
and sales are painfully slow. | 0:35:12 | 0:35:14 | |
Yeah, it's, you know, at the flick, at the flick of a finger, | 0:35:16 | 0:35:20 | |
the flick of a coin, it could turn around and turn out to be a really | 0:35:20 | 0:35:25 | |
good day, but currently, at the moment, no, it's not going the best. | 0:35:25 | 0:35:29 | |
This is where it comes down to me, as the manager, just to sit here | 0:35:29 | 0:35:33 | |
or stand over there or stand there, and just make sure that they're | 0:35:33 | 0:35:37 | |
all on the phone, you know, not stressing out, trying to enjoy | 0:35:37 | 0:35:42 | |
their day, but at the same time, get the sales in as well, you know. | 0:35:42 | 0:35:46 | |
Who supplies your gas and electric? | 0:35:46 | 0:35:48 | |
All right, no problem, all right, take care. | 0:35:48 | 0:35:51 | |
Who pays... Who do you pay your gas and electric to? | 0:35:51 | 0:35:56 | |
A frustrated Gemma is still struggling to persuade | 0:35:56 | 0:35:59 | |
customers to switch energy suppliers. | 0:35:59 | 0:36:02 | |
Just hoping that she'll just jump back on the bandwagon | 0:36:02 | 0:36:06 | |
and be as good as she normally is. | 0:36:06 | 0:36:08 | |
No, no, the energy supplier. | 0:36:08 | 0:36:11 | |
Who supplies the energy? | 0:36:11 | 0:36:14 | |
Dear God. | 0:36:14 | 0:36:15 | |
Come on. Where are you going to now? | 0:36:16 | 0:36:19 | |
-Nowhere. -Right... | 0:36:19 | 0:36:21 | |
If you're going to keep on kicking yourself in the teeth... | 0:36:23 | 0:36:27 | |
-No, but they're doing my head in. -But listen. Why are you letting it? | 0:36:27 | 0:36:30 | |
Because they don't want to buy it and I need three people to buy it. | 0:36:30 | 0:36:33 | |
Well, that's not the point, you're not selling anything. | 0:36:33 | 0:36:35 | |
-Ah, you know... -They're not buying nothing. | 0:36:35 | 0:36:37 | |
I need three people to switch. | 0:36:37 | 0:36:39 | |
Yeah, Gem... you've got to chill out. | 0:36:39 | 0:36:43 | |
You've got to get back on the phone and you've got to just concentrate | 0:36:43 | 0:36:47 | |
on doing your structure. | 0:36:47 | 0:36:49 | |
Take them points on board, on the phone. | 0:36:53 | 0:36:56 | |
Come on, back on the phone, Gem. | 0:36:56 | 0:36:58 | |
That's out of work. | 0:37:03 | 0:37:04 | |
-Oh, right, OK! -Gem, what I said about them points, yeah? -Yeah. | 0:37:04 | 0:37:08 | |
Since Thursday, she has been beating herself up and there's been | 0:37:08 | 0:37:13 | |
times where she's stressing herself out and now she's stressing out | 0:37:13 | 0:37:16 | |
because she's struggling because she hasn't got any at the moment. | 0:37:16 | 0:37:19 | |
So if she continues with that attitude | 0:37:19 | 0:37:21 | |
she is going to finish on zero. | 0:37:21 | 0:37:23 | |
She might as well fold her book away now, take her headset off | 0:37:23 | 0:37:26 | |
and sit there until five. | 0:37:26 | 0:37:27 | |
If she takes my points on board, and goes in with a different approach, | 0:37:27 | 0:37:30 | |
then, you know, you could come up with the deals that you want, | 0:37:30 | 0:37:33 | |
and get the money that she wants. | 0:37:33 | 0:37:35 | |
But that's up to her now. | 0:37:35 | 0:37:37 | |
Nev is back in the driving seat, heading to Derby to chase | 0:37:40 | 0:37:44 | |
a new £10 million contract for boilers. | 0:37:44 | 0:37:48 | |
I need to stitch it up before anybody else tries | 0:37:48 | 0:37:51 | |
to nobble it from me, you see? | 0:37:51 | 0:37:53 | |
It's business. So, keep your cards close to your chest. | 0:37:53 | 0:37:57 | |
With deals like this, the kids in the call centre don't know | 0:37:57 | 0:38:00 | |
that I'm up here trying to get this deal which will employ | 0:38:00 | 0:38:03 | |
another 50 people, so they've got more people and we're selling, | 0:38:03 | 0:38:06 | |
and it's buzzing, and you get the enthusiasm back again. | 0:38:06 | 0:38:09 | |
So, you know, if I do get this deal today, you know, I'll be | 0:38:09 | 0:38:14 | |
happy and, you know, by the time the kids in the call centre hear | 0:38:14 | 0:38:18 | |
about it, then, you know, it should enthuse them as well. | 0:38:18 | 0:38:23 | |
Having run out of sexy pictures to motivate his staff, | 0:38:32 | 0:38:35 | |
Twe has now declared war on fellow shift manager, Palmer, | 0:38:35 | 0:38:39 | |
who's been at the call centre for 18 months. | 0:38:39 | 0:38:43 | |
# War, huh, what is it good for? # | 0:38:45 | 0:38:49 | |
Erm, well, I hope it's not absolutely nothing, | 0:38:49 | 0:38:52 | |
cos they put a lot of effort into it and Palmer and Twe have hatched | 0:38:52 | 0:38:57 | |
this plan to get the shifts competing against each other. | 0:38:57 | 0:39:00 | |
There's Team Palmer. | 0:39:01 | 0:39:03 | |
HE LAUGHS | 0:39:03 | 0:39:04 | |
Twe's shift will battle it out with Palmer's for the most sales | 0:39:05 | 0:39:09 | |
over the next fortnight. | 0:39:09 | 0:39:10 | |
HE LAUGHS | 0:39:10 | 0:39:12 | |
But, you know, what's really fucked up, my body's on Apollo Creed. | 0:39:14 | 0:39:18 | |
All right, I know I like the sun bed but I'm not that tanned. | 0:39:18 | 0:39:21 | |
I've got an afro. | 0:39:21 | 0:39:22 | |
Your shift needs you, mate. That's all I'm saying. | 0:39:24 | 0:39:27 | |
Battle of the shifts. | 0:39:27 | 0:39:29 | |
I'd phone in sick for two weeks if I was you, | 0:39:29 | 0:39:31 | |
cos this shift is going to whoop your shift. | 0:39:31 | 0:39:34 | |
At times we looked like we actually hate each other | 0:39:34 | 0:39:37 | |
but it's all for, you know, to create a bit of banter | 0:39:37 | 0:39:39 | |
on the sales floor and to keep morale high. | 0:39:39 | 0:39:41 | |
As Twe walks down the sales floor, it's the first thing he can see. | 0:39:41 | 0:39:45 | |
Up there, pointing right at him, is my face with a bit of passion in it. | 0:39:45 | 0:39:48 | |
We work together but there's always that little bit of rivalry. | 0:39:48 | 0:39:51 | |
I like to be that, just that little bit ahead of him and, erm, and yeah, | 0:39:51 | 0:39:56 | |
We get on great but there's always going to be that bit of rivalry | 0:39:56 | 0:39:59 | |
because of the jobs that we're in. | 0:39:59 | 0:40:00 | |
It's begun. | 0:40:00 | 0:40:02 | |
-It's fucking on. -It's on, mate. -It's going on, son. | 0:40:02 | 0:40:04 | |
In Derby, Nev is back in the saddle. | 0:40:09 | 0:40:11 | |
The boiler contract is all but his. | 0:40:13 | 0:40:16 | |
How about that? | 0:40:18 | 0:40:19 | |
Good, nice guys, very nice guys, down to earth, | 0:40:21 | 0:40:23 | |
want to do business, erm, | 0:40:23 | 0:40:26 | |
and, er, we can do the business for them. | 0:40:26 | 0:40:30 | |
It's a vital and timely boost for the call centre's coffers. | 0:40:30 | 0:40:35 | |
The little buggers screwed me on price. | 0:40:35 | 0:40:38 | |
Nev may have taken a hit on the price but it's put a new song in his mouth all the same. | 0:40:39 | 0:40:45 | |
# Standing on your mama's porch | 0:40:45 | 0:40:49 | |
# You told me that you'd wait for ever | 0:40:49 | 0:40:52 | |
# Oh, and when I held you in my hands | 0:40:52 | 0:40:55 | |
# I knew that it was now or never | 0:40:55 | 0:40:59 | |
# Those were the best days of my life | 0:40:59 | 0:41:03 | |
# Oh, yeah! # | 0:41:05 | 0:41:07 | |
Oh, yeah! | 0:41:07 | 0:41:08 | |
# Back in the summer of '69... # | 0:41:08 | 0:41:12 | |
Hold on. | 0:41:12 | 0:41:14 | |
-You drive more aggressive when there's loud music on, oops. -SAT NAV: Turn right in one mile. | 0:41:14 | 0:41:18 | |
I'll listen to the sat nav instead. | 0:41:18 | 0:41:21 | |
Wait, have you got your bills handy there? | 0:41:27 | 0:41:32 | |
Any bills there? | 0:41:32 | 0:41:34 | |
MOUTHS: She's drunk! | 0:41:34 | 0:41:37 | |
Johnny has devised a new way to help Gemma sell, | 0:41:39 | 0:41:43 | |
by putting words in her mouth, literally. | 0:41:43 | 0:41:45 | |
What would happen is, OK, is that in the next couple of weeks you will receive a new gas card, all right. | 0:41:45 | 0:41:51 | |
-You just carry on business as usual. -You carry on as business as usual. | 0:41:51 | 0:41:54 | |
-The one you've got now... -The one you've got now, put it in the bin. | 0:41:54 | 0:41:57 | |
-It's as simple as that. -OK, and just have this new card... | 0:41:57 | 0:42:00 | |
-And just carry on business as usual. -..which will cost you less money. -That's all it is. | 0:42:00 | 0:42:03 | |
That's all it is, Mrs Walsh. | 0:42:03 | 0:42:06 | |
The special bond between brother and sister has propelled Gemma up the sales board. | 0:42:06 | 0:42:12 | |
She's on 19 sales and she's only expected to get 12 this week, | 0:42:12 | 0:42:17 | |
so she's doing extremely well. | 0:42:17 | 0:42:19 | |
Yeah, so I'll sort that out for you now, Mrs Walsh, then. Yeah? | 0:42:19 | 0:42:22 | |
Yeah, so a couple of quick details now we can get that set up for you. OK, Mrs Walsh? | 0:42:22 | 0:42:27 | |
Words of wisdom... | 0:42:28 | 0:42:31 | |
Inspirational techniques... | 0:42:31 | 0:42:34 | |
..and one day she might get as good as me! | 0:42:34 | 0:42:36 | |
One day... | 0:42:39 | 0:42:41 | |
It's fight night and the call centre has turned out to watch | 0:42:48 | 0:42:51 | |
two boys beat the crap out of each other in a ring. | 0:42:51 | 0:42:55 | |
Their adrenalin's going to be pumping. | 0:42:55 | 0:42:57 | |
Yeah, for you, for him. | 0:42:57 | 0:42:59 | |
Walking into that ring, all right. Control it though, yeah. | 0:42:59 | 0:43:03 | |
Dickie's girlfriend, Naomi, arrives with Paul's girlfriend, Karlie, not far behind. | 0:43:04 | 0:43:09 | |
Er, to be honest, I'm very, er, nervous, | 0:43:09 | 0:43:12 | |
erm, cos I don't know what's going to happen but I'm excited at the same time. | 0:43:12 | 0:43:16 | |
From Fight Club, Paul Williams! | 0:43:16 | 0:43:18 | |
CHEERING AND APPLAUSE | 0:43:18 | 0:43:20 | |
The fight for bragging rights will be over three rounds. | 0:43:20 | 0:43:24 | |
CHEERING AND APPLAUSE | 0:43:24 | 0:43:27 | |
BELL RINGS | 0:43:27 | 0:43:30 | |
In the red corner, | 0:43:33 | 0:43:34 | |
Dickie comes out throwing punches like a man possessed. | 0:43:34 | 0:43:39 | |
Come on, babe, you can do it! | 0:43:44 | 0:43:46 | |
BELL RINGS | 0:43:50 | 0:43:51 | |
Round one to Dickie. | 0:43:51 | 0:43:53 | |
How are we doing today? | 0:43:53 | 0:43:56 | |
-Our best. -Troops are doing well? -Yeah. -Good to see. | 0:43:56 | 0:43:59 | |
Back at the call centre and round one of war is also one-way traffic. | 0:43:59 | 0:44:04 | |
-Are you telling Dickie how we're doing? -We're having a big day. | 0:44:04 | 0:44:07 | |
I'm edging it just a little bit. | 0:44:07 | 0:44:10 | |
We're monitoring it and it seems to be having a good result, | 0:44:10 | 0:44:12 | |
there's a good buzz on the floor, everyone's buying into it. | 0:44:12 | 0:44:15 | |
BELL RINGS | 0:44:20 | 0:44:22 | |
SHOUTS OF ENCOURAGEMENT | 0:44:22 | 0:44:24 | |
Come on, Paul! | 0:44:24 | 0:44:26 | |
Round two and, after his frenetic start, | 0:44:26 | 0:44:28 | |
Dickie is beginning to run out of steam, | 0:44:28 | 0:44:30 | |
but then Paul lands an illegal punch, | 0:44:30 | 0:44:33 | |
right in Dickie's crown jewels. | 0:44:33 | 0:44:36 | |
CROWD BOOS | 0:44:37 | 0:44:40 | |
BELL RINGS | 0:44:46 | 0:44:48 | |
Every phone call from here on in could be an appointment on the board. | 0:44:48 | 0:44:52 | |
At the call centre, things have also swung the other way, | 0:44:52 | 0:44:56 | |
Twe's come from behind and taken the lead. | 0:44:56 | 0:45:00 | |
Well done, Lee, you just got that green call as a deal | 0:45:00 | 0:45:03 | |
and... get another one. | 0:45:03 | 0:45:05 | |
There's now only two points in it, so it's all to play for today pretty much. | 0:45:05 | 0:45:09 | |
It is... There's no reason why we won't be neck and neck. | 0:45:09 | 0:45:12 | |
There's ten minutes left. That's a lifetime in this game. | 0:45:12 | 0:45:15 | |
BELL RINGS | 0:45:15 | 0:45:16 | |
It's the final round. | 0:45:17 | 0:45:19 | |
Both boxers want a knockout punch | 0:45:19 | 0:45:22 | |
but can barely hold their arms up. | 0:45:22 | 0:45:24 | |
Go! Don't just stop! | 0:45:24 | 0:45:26 | |
Close it. Good stuff. | 0:45:28 | 0:45:31 | |
He's tired! | 0:45:33 | 0:45:35 | |
Tanya... | 0:45:35 | 0:45:37 | |
..targets to be hit. | 0:45:37 | 0:45:38 | |
Don't just stop, Paul. | 0:45:40 | 0:45:41 | |
BELL RINGS | 0:45:46 | 0:45:48 | |
Saved by the bell. | 0:45:48 | 0:45:51 | |
Are you all right? | 0:45:55 | 0:45:57 | |
Ladies and gentlemen, it's a draw. | 0:45:57 | 0:46:00 | |
CHEERING AND APPLAUSE | 0:46:00 | 0:46:02 | |
A draw means bragging rights are shared between shifts | 0:46:04 | 0:46:08 | |
and both girlfriends can be proud of their men. | 0:46:08 | 0:46:11 | |
Glad it's over, like. | 0:46:12 | 0:46:14 | |
My heart is going. Oh, I've got to text his mum. | 0:46:15 | 0:46:19 | |
I've never seen him actually fight but he did me proud then. | 0:46:19 | 0:46:22 | |
Don't cry. | 0:46:22 | 0:46:24 | |
THEY LAUGH | 0:46:24 | 0:46:26 | |
He did me proud, I'm happy for him. | 0:46:26 | 0:46:28 | |
Are you OK? Yeah. | 0:46:28 | 0:46:30 | |
Well done. | 0:46:35 | 0:46:37 | |
He done good, didn't he? Very well, I'm proud of you. | 0:46:37 | 0:46:41 | |
At the call centre, the war is over. | 0:46:45 | 0:46:48 | |
Tomorrow the result will be announced. | 0:46:48 | 0:46:52 | |
Twe's commitment to the call centre cause has made him | 0:46:52 | 0:46:55 | |
the manager he is, but it's come at a price. | 0:46:55 | 0:46:59 | |
I will give it 110% every single day, always the last guy out. | 0:46:59 | 0:47:05 | |
There's nothing I would change about my life right now, erm, | 0:47:05 | 0:47:09 | |
apart from, possibly, someone to go home to | 0:47:09 | 0:47:11 | |
instead of a cold, empty apartment. | 0:47:11 | 0:47:13 | |
I do get quite, not lonely, | 0:47:17 | 0:47:21 | |
but, erm, I dunno, I do get quite, not down sometimes, | 0:47:21 | 0:47:26 | |
but a little bit broody. | 0:47:26 | 0:47:28 | |
99% of my friends are, are married with kids. | 0:47:28 | 0:47:32 | |
I mean, everyone I've grown up with, erm, have all got, | 0:47:32 | 0:47:35 | |
er, marriages now and they've got children and stuff like that. | 0:47:35 | 0:47:39 | |
I think I'm one of the last ones to get either on that front. | 0:47:39 | 0:47:44 | |
If I was to meet anyone in the future they'd have to be | 0:47:44 | 0:47:47 | |
married to the job as well as I am, I suppose. | 0:47:47 | 0:47:51 | |
So it's that Catch 22 situation of how do you, | 0:47:52 | 0:47:55 | |
how do you meet people when you're working weekends | 0:47:55 | 0:47:58 | |
and when you're working till 10pm some nights? | 0:47:58 | 0:48:01 | |
As long as I have a glass of wine, steak and a DVD I'm happy. | 0:48:08 | 0:48:13 | |
That's what I do every single night. | 0:48:13 | 0:48:15 | |
Hiya! | 0:48:27 | 0:48:29 | |
Nev's quest for new business has been victorious. | 0:48:29 | 0:48:32 | |
Unlike Twe and Palmer's war, which has ended in a stalemate. | 0:48:32 | 0:48:37 | |
We're not having a draw, right. | 0:48:37 | 0:48:40 | |
There's winners and there's losers and that's it. | 0:48:40 | 0:48:43 | |
Nev has called a duel. | 0:48:44 | 0:48:46 | |
We're going to find out who is the winner | 0:48:46 | 0:48:49 | |
and the loser in a head-to-head right now. | 0:48:49 | 0:48:52 | |
OK, this is called Russian Roulette with eggs. | 0:48:54 | 0:48:59 | |
Yay! | 0:48:59 | 0:49:02 | |
We might have the odd one or two eggs that have not been hard boiled. | 0:49:02 | 0:49:05 | |
Some of them have been hard boiled. | 0:49:05 | 0:49:07 | |
Hold on, I've got to stay in work till nine o'clock tonight. | 0:49:07 | 0:49:10 | |
-Correct. -Top off. | 0:49:10 | 0:49:12 | |
You started it, we'll finish it. | 0:49:12 | 0:49:15 | |
You're going to smash an egg over his head. | 0:49:15 | 0:49:18 | |
Come on, let's get on with it. | 0:49:18 | 0:49:20 | |
-Ready? -Go, go, go. | 0:49:21 | 0:49:24 | |
CHEERING | 0:49:24 | 0:49:27 | |
One-nil, one-nil. | 0:49:27 | 0:49:30 | |
That's one-nil, one-nil. | 0:49:30 | 0:49:32 | |
CHEERING | 0:49:34 | 0:49:35 | |
One-all. | 0:49:35 | 0:49:37 | |
Yeah, two-one, two-one. | 0:49:37 | 0:49:40 | |
No, no, no, no. | 0:49:40 | 0:49:44 | |
That was hard-boiled. Hard-boiled. | 0:49:44 | 0:49:46 | |
Put it in there. Put it there. | 0:49:46 | 0:49:47 | |
CHEERING | 0:49:47 | 0:49:50 | |
No, no, hard-boiled. | 0:49:52 | 0:49:54 | |
CHEERING | 0:50:01 | 0:50:03 | |
Yeah! | 0:50:05 | 0:50:06 | |
Come on, no, no, no. Stop, stop, stop, stop. | 0:50:08 | 0:50:12 | |
Can we just clear this mess up here because that wasn't really a competition, | 0:50:12 | 0:50:16 | |
that was just to wind him up. | 0:50:16 | 0:50:17 | |
CHEERING | 0:50:17 | 0:50:20 | |
These are protein-only beans just for you to eat. | 0:50:20 | 0:50:25 | |
You've got a little spoon, | 0:50:25 | 0:50:27 | |
or alternatively you can always slurp them out of the bucket. | 0:50:27 | 0:50:31 | |
It's up to you. | 0:50:31 | 0:50:34 | |
If you don't eat at least half of them, right, | 0:50:34 | 0:50:36 | |
-if it all goes on the floor, you lose, right. -Right. | 0:50:36 | 0:50:39 | |
It's a bean-eating contest. | 0:50:39 | 0:50:41 | |
Are you ready? | 0:50:41 | 0:50:43 | |
On your marks, get set, go! | 0:50:43 | 0:50:46 | |
Come on! Come on! Come on! | 0:50:46 | 0:50:48 | |
Give me the bucket, I got it, I got it. | 0:50:58 | 0:51:01 | |
Come on Twe. Come on! | 0:51:01 | 0:51:04 | |
Come on, Twe! | 0:51:05 | 0:51:06 | |
He did it! | 0:51:06 | 0:51:08 | |
Yeah! | 0:51:10 | 0:51:12 | |
CHEERING AND APPLAUSE | 0:51:12 | 0:51:14 | |
It's victory for Twe, and he's left Palmer with egg on his face. | 0:51:22 | 0:51:27 | |
Yay! | 0:51:27 | 0:51:28 | |
Egg and bean juice. | 0:51:28 | 0:51:31 | |
-Nev. -Twe, what's going on? | 0:51:39 | 0:51:42 | |
I've just had, erm, a chicken drumstick. | 0:51:42 | 0:51:45 | |
-You want one of those, did you say? -I'm all right thanks, mate. | 0:51:45 | 0:51:48 | |
-No, I can't eat on my own, go on. -All right. | 0:51:48 | 0:51:50 | |
The call centre's mojo is back where it belongs | 0:51:50 | 0:51:54 | |
and Nev has summoned in his most trusted lieutenant, Twe, for a debrief. | 0:51:54 | 0:51:59 | |
You've done it. You've inspired the troops, on a time when it could have been a downer. | 0:51:59 | 0:52:04 | |
-Right. -You inspired the troops. | 0:52:04 | 0:52:07 | |
-Where's the catch? -I'm well pleased. | 0:52:07 | 0:52:09 | |
HE LAUGHS | 0:52:09 | 0:52:10 | |
-I'm going to... -You're joking. | 0:52:10 | 0:52:12 | |
-Me joking? -I can do ten times more than that. | 0:52:13 | 0:52:16 | |
-Go and do it. Go and inspire your troops. -I do. -OK. | 0:52:16 | 0:52:20 | |
And, erm, just be aware that I'm pleased with your work. | 0:52:20 | 0:52:26 | |
-Ah, thanks, mate, are you serious? -Mmm. | 0:52:26 | 0:52:28 | |
-There's no joke, you're not winding me up? -No joke. | 0:52:28 | 0:52:33 | |
-Cheers, Nev. -There's some really good managers here, | 0:52:33 | 0:52:36 | |
-erm, and I've got you. -Yeah. | 0:52:36 | 0:52:37 | |
A cut above. | 0:52:37 | 0:52:39 | |
NEV LAUGHS | 0:52:39 | 0:52:40 | |
But no, erm, you deserve a pat on the back | 0:52:41 | 0:52:44 | |
cos, er, erm, you really have been inspirational down there. | 0:52:44 | 0:52:47 | |
Your paperwork's shit, but you've been inspirational. | 0:52:47 | 0:52:50 | |
-Yeah. Cheers, Nev. -Mmm. | 0:52:50 | 0:52:53 | |
Thanks, really nice of you. | 0:52:53 | 0:52:55 | |
-You going to shake my greasy hands. -Yeah, shake your greasy hands. | 0:52:55 | 0:52:58 | |
Yeah. I'm pleased. | 0:52:58 | 0:53:00 | |
Is this where I angle for a pay rise now or shall we talk... | 0:53:00 | 0:53:03 | |
You must be joking. Get out! | 0:53:03 | 0:53:06 | |
-Catch you later. -A pay rise? | 0:53:06 | 0:53:08 | |
Wow, just got a 20 grand pay rise. | 0:53:09 | 0:53:12 | |
It's just another day at the call centre except today | 0:53:24 | 0:53:27 | |
is Hollywood Day, a fancy dress fundraiser for a local charity. | 0:53:27 | 0:53:32 | |
Well, it's read out at every wedding. | 0:53:32 | 0:53:35 | |
You know, erm, love is patient, | 0:53:35 | 0:53:38 | |
love is kind, it does not envy, it does not boast | 0:53:38 | 0:53:41 | |
and these three remain, faith, hope and charity | 0:53:41 | 0:53:44 | |
and the greatest of which is charity. | 0:53:44 | 0:53:47 | |
Your arms, right, are so big, right, | 0:53:53 | 0:53:56 | |
they're interfering. | 0:53:56 | 0:53:59 | |
Oos! Oos! Oos! | 0:53:59 | 0:54:03 | |
You're in my way. | 0:54:03 | 0:54:05 | |
Training you see, Gem, training. | 0:54:05 | 0:54:06 | |
-Right then, guys, first thing I want to say is welcome to Wonka World. -CHEERING | 0:54:06 | 0:54:12 | |
Palmer has come as his hero, Willy Wonka, | 0:54:12 | 0:54:15 | |
and made his entire shift leave their dignity | 0:54:15 | 0:54:17 | |
at home and dress as Oompa-Loompas. | 0:54:17 | 0:54:20 | |
Well done, guys, have a good shift. | 0:54:20 | 0:54:23 | |
Let's go for it. Get the music on. | 0:54:23 | 0:54:25 | |
I'm Julius Caesar. | 0:54:25 | 0:54:27 | |
-Cleopatra. -Cleopatra. | 0:54:27 | 0:54:30 | |
Twe has transformed his sales floor into Gotham City. | 0:54:30 | 0:54:34 | |
Na, na, na, na, na, na, na, na, Batman! | 0:54:34 | 0:54:38 | |
I'm happy, I'm actually excited now for the shift. | 0:54:38 | 0:54:41 | |
Yeah, cape, does it look... | 0:54:41 | 0:54:43 | |
Ah, shall I write meow on the back? | 0:54:43 | 0:54:46 | |
I'll leave it. They know I'm a cat, anyway. | 0:54:46 | 0:54:48 | |
Really quickly, guys... | 0:54:48 | 0:54:50 | |
And the man himself is dressed as Batman's arch enemy, Bane. | 0:54:50 | 0:54:55 | |
I'll be coming around to everyone with a bucket, OK. | 0:54:55 | 0:54:59 | |
I'm putting in 20 quid myself. | 0:54:59 | 0:55:01 | |
APPLAUSE | 0:55:01 | 0:55:04 | |
And Nev could only ever come as one Hollywood hero, John Wayne. | 0:55:05 | 0:55:10 | |
That's a nice horse. | 0:55:10 | 0:55:11 | |
Showing everyone that when the call centre chips are down, | 0:55:11 | 0:55:15 | |
there's only one thing he can do. | 0:55:15 | 0:55:17 | |
Get back on the horse and ride. | 0:55:19 | 0:55:22 | |
That didn't work. | 0:55:25 | 0:55:27 | |
-It's all about helping a young girl walk. -Aw. | 0:55:29 | 0:55:32 | |
Thanks, Hayley. | 0:55:32 | 0:55:33 | |
Twe and his little romance. | 0:55:35 | 0:55:38 | |
They love each, they love each other but they hate each other. | 0:55:38 | 0:55:40 | |
-We were talking about him the other day. -Definitely not love! | 0:55:40 | 0:55:44 | |
No, there's never been no love, yeah, it's like and hate. | 0:55:44 | 0:55:47 | |
Maybe she fancies him. | 0:55:47 | 0:55:49 | |
There's 70 of us all dressed up as Oompa-Loompas. | 0:56:01 | 0:56:05 | |
You've seen Charlie and the Chocolate Factory. | 0:56:05 | 0:56:08 | |
Just a very quick courtesy call relating to 5, Cheddar Crescent. | 0:56:14 | 0:56:19 | |
LINE GOES DEAD | 0:56:19 | 0:56:20 | |
Hello, Mr Jackson? | 0:56:20 | 0:56:23 | |
Can I give you one, one saying from Dylan Thomas? | 0:56:27 | 0:56:31 | |
Those who want to find rest, find boredom, | 0:56:31 | 0:56:34 | |
those that find work, find rest. | 0:56:34 | 0:56:38 | |
Subtitles by Red Bee Media Ltd | 0:56:40 | 0:56:43 |