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Over the last 15 years, | 0:00:08 | 0:00:11 | |
Minnie Driver has become one of Britain's best known Hollywood actresses. | 0:00:11 | 0:00:16 | |
Born in London in 1970, she made her breakthrough | 0:00:16 | 0:00:19 | |
with films like Good Will Hunting, in the late '90s. | 0:00:19 | 0:00:22 | |
Now 43, she lives in Los Angeles as a single mother | 0:00:26 | 0:00:30 | |
with her four-year-old son, Henry. | 0:00:30 | 0:00:32 | |
Having a baby obviously changes everything | 0:00:38 | 0:00:43 | |
and Henry made me want to connect with who I really am, I suppose. | 0:00:43 | 0:00:50 | |
My dad died a year and three months after Henry was born, | 0:00:53 | 0:00:59 | |
and I'm so grateful that they had | 0:00:59 | 0:01:03 | |
even a little amount of time together | 0:01:03 | 0:01:06 | |
and...Dad just delighted in Henry. | 0:01:06 | 0:01:09 | |
My parents met in around 1962 | 0:01:13 | 0:01:16 | |
and they were together for 13 years. | 0:01:16 | 0:01:19 | |
They broke up when I was six | 0:01:19 | 0:01:21 | |
and during that entire time, he, my dad was married to somebody else | 0:01:21 | 0:01:26 | |
and had another family. | 0:01:26 | 0:01:27 | |
I didn't know they weren't married until I was about 12 or 13. | 0:01:27 | 0:01:32 | |
My dad lived, I think, a very split life, | 0:01:35 | 0:01:37 | |
we just did not talk about where he came from. | 0:01:37 | 0:01:41 | |
He spoke very succinctly about his mum and his dad. | 0:01:41 | 0:01:45 | |
I never met either of my grandparents. | 0:01:45 | 0:01:48 | |
I never saw even a photograph of them together | 0:01:48 | 0:01:52 | |
and I always have wondered what they looked like. | 0:01:52 | 0:01:55 | |
'I want Henry to have a different experience than I had.' | 0:01:55 | 0:02:01 | |
Where I come from, there are these big gaps | 0:02:01 | 0:02:04 | |
and I would like to fill those gaps for him. | 0:02:04 | 0:02:07 | |
'I think it's powerful knowing where you come from.' | 0:02:07 | 0:02:10 | |
Minnie has decided to find out who her father, Ronnie, | 0:02:48 | 0:02:51 | |
really was and where he came from. | 0:02:51 | 0:02:54 | |
While he never talked to her about his background, | 0:02:56 | 0:02:58 | |
she does have one important document about his service with the RAF | 0:02:58 | 0:03:02 | |
during World War II. | 0:03:02 | 0:03:04 | |
This book was written in 1942 and a friend of ours, | 0:03:04 | 0:03:07 | |
quite randomly, was at a jumble sale in Kent and found it. | 0:03:07 | 0:03:12 | |
And it... In it is a story about my father | 0:03:12 | 0:03:17 | |
and a battle in which he fought | 0:03:17 | 0:03:19 | |
and I wanted to go to my mum's | 0:03:19 | 0:03:21 | |
and to see if he'd ever talked to her about it. | 0:03:21 | 0:03:24 | |
Minnie's mother, Gaynor, lives in west London. | 0:03:28 | 0:03:31 | |
-Hello. -Darling. | 0:03:31 | 0:03:33 | |
She's always eager for news of her grandson, Henry. | 0:03:34 | 0:03:37 | |
Look, kickboxing with uncle Matthew. | 0:03:39 | 0:03:41 | |
Oh, I see. Oh, my. | 0:03:41 | 0:03:43 | |
-Look, and Matthew was holding the gloves. -Heavens. | 0:03:43 | 0:03:47 | |
And then, that was them, look. | 0:03:47 | 0:03:49 | |
Oh, look at him. | 0:03:49 | 0:03:51 | |
-He's quite a personality, isn't he? -So cute, isn't he? | 0:03:51 | 0:03:53 | |
Where does he get those blue eyes? | 0:03:53 | 0:03:55 | |
I know, well, you know, they run in the family. | 0:03:55 | 0:03:58 | |
-Look at that face. -Dad had one. -I know Dad did have one. | 0:03:58 | 0:04:01 | |
He had one brown and one blue. | 0:04:01 | 0:04:03 | |
THEY CHUCKLE | 0:04:03 | 0:04:05 | |
I found some old pictures, which are quite interesting. | 0:04:05 | 0:04:08 | |
-I mean, looking at them, it's so weird. -I remember that album. | 0:04:08 | 0:04:11 | |
That's staying in, erm, Barbados. | 0:04:11 | 0:04:14 | |
God, I haven't seen that. | 0:04:14 | 0:04:16 | |
-That's a friend's house, where we stayed. -He's so handsome. | 0:04:16 | 0:04:19 | |
-The playboy there, doesn't he? -He's such a gangster! | 0:04:19 | 0:04:21 | |
-His Ray-Bans. -Well, he is. | 0:04:21 | 0:04:23 | |
I love seeing the two of you together, | 0:04:23 | 0:04:25 | |
-I don't have any pictures of you together. -I know. | 0:04:25 | 0:04:29 | |
Did it bother you that he was married? | 0:04:29 | 0:04:31 | |
Well, yes, because every day, we had, | 0:04:31 | 0:04:34 | |
"You are the love of my life, | 0:04:34 | 0:04:36 | |
"we are going to be together, it will all be fine." | 0:04:36 | 0:04:39 | |
I mean, it's the classic thing of the married man | 0:04:39 | 0:04:41 | |
telling the girlfriend it's all going to be all right | 0:04:41 | 0:04:44 | |
and just hang around. So I hung around for years. | 0:04:44 | 0:04:47 | |
Did you get the impression that he was hiding something or did you...? | 0:04:47 | 0:04:50 | |
Absolutely, but it wasn't anything I wanted to dig out, | 0:04:50 | 0:04:53 | |
because I could see it meant a lot to him to keep it hidden. | 0:04:53 | 0:04:56 | |
You don't usually, when you go out with somebody, | 0:04:56 | 0:04:59 | |
-you don't start quizzing them about where they were born and where they come from. -I do. | 0:04:59 | 0:05:03 | |
But then, I'm unmarried at 43. | 0:05:03 | 0:05:05 | |
Go on, carry on. | 0:05:06 | 0:05:08 | |
Well, I don't know, it was just... It just didn't seem too appropriate | 0:05:08 | 0:05:11 | |
to dig around in his past and I could see immediately he clammed up. | 0:05:11 | 0:05:14 | |
I've got his birth certificate, got it in my bag. | 0:05:14 | 0:05:18 | |
Yeah. | 0:05:19 | 0:05:20 | |
So he was Welsh, | 0:05:24 | 0:05:26 | |
born in Swansea, 1921. | 0:05:26 | 0:05:29 | |
Charles Ronald, I wonder why he's called Ronnie and not Charles? | 0:05:29 | 0:05:32 | |
Oh, cos his dad was called Charles. | 0:05:32 | 0:05:34 | |
His dad was Charles Edmund Driver. Kelley, mother. | 0:05:34 | 0:05:38 | |
-So she was Mary Jessica Kelley. -Oh! | 0:05:38 | 0:05:42 | |
Wait a minute, Charles Edmund Driver, father. | 0:05:42 | 0:05:44 | |
Kelley, mother, so they weren't, they weren't married. | 0:05:44 | 0:05:48 | |
I think we're keeping up the family tradition, look, | 0:05:48 | 0:05:51 | |
Charles Edmund Driver, father. Kelley, mother. | 0:05:51 | 0:05:55 | |
That's very interesting then. | 0:05:55 | 0:05:57 | |
So did you know much about his, about the Drivers, | 0:05:57 | 0:06:00 | |
-about his family? -Very, very little. | 0:06:00 | 0:06:03 | |
He did talk a little bit about the war, | 0:06:03 | 0:06:06 | |
but there was never a punch line | 0:06:06 | 0:06:08 | |
and you never really knew what really happened. | 0:06:08 | 0:06:11 | |
Well, hold on, let's look in here. | 0:06:11 | 0:06:13 | |
That's a war hero book. | 0:06:13 | 0:06:15 | |
Yeah, there he is, there he is, look, with his funny tooth. | 0:06:15 | 0:06:17 | |
Oh! "Aircraftman C R Driver, who fought against overwhelming odds | 0:06:17 | 0:06:22 | |
"in the great air battle over Heligoland Bight. | 0:06:22 | 0:06:26 | |
"His superb courage won the second Distinguished Flying Medal | 0:06:26 | 0:06:30 | |
"to be awarded during the war." | 0:06:30 | 0:06:31 | |
Did he tell you anything about that? | 0:06:31 | 0:06:34 | |
I mean, this is like a story | 0:06:34 | 0:06:36 | |
-that I, I can't, I can't believe he wouldn't tell. -Well... | 0:06:36 | 0:06:40 | |
I think because he felt that all acts of bravery | 0:06:40 | 0:06:44 | |
-were equal to his own and... -Did you ever see a medal? | 0:06:44 | 0:06:47 | |
He actually told me that he'd thrown the medal in the Thames. | 0:06:47 | 0:06:51 | |
-You're kidding? -Hm. | 0:06:52 | 0:06:54 | |
It's a strange thing to do, yeah. | 0:06:54 | 0:06:56 | |
-That's a really strange thing to do. -Hm. | 0:06:56 | 0:06:58 | |
Why would he do that? | 0:06:58 | 0:07:00 | |
Well, he said he didn't deserve it, I think, that was the bottom line. | 0:07:00 | 0:07:04 | |
'I am astonished at how little my mum knew about my dad' | 0:07:10 | 0:07:15 | |
and this was the great love of her life. | 0:07:15 | 0:07:19 | |
Just the idea that someone can send a signal so strongly | 0:07:19 | 0:07:22 | |
that they do not want to talk about who they are. | 0:07:22 | 0:07:26 | |
'And I'm really interested in this medal | 0:07:30 | 0:07:32 | |
'that Mum said Dad threw into the Thames.' | 0:07:32 | 0:07:35 | |
Minnie's father was awarded the Distinguished Flying Medal | 0:07:49 | 0:07:52 | |
after the Second World War air battle of Heligoland Bight. | 0:07:52 | 0:07:55 | |
On 18th December 1939, | 0:07:58 | 0:08:01 | |
24 Wellingtons, from three different RAF squadrons, | 0:08:01 | 0:08:05 | |
left airfields in East Anglia | 0:08:05 | 0:08:07 | |
on one of the first major bombing raids of the war. | 0:08:07 | 0:08:10 | |
Ronnie Driver was just 18 years old | 0:08:14 | 0:08:17 | |
when he and 128 other British airmen | 0:08:17 | 0:08:20 | |
launched their attack on the German naval base | 0:08:20 | 0:08:22 | |
at Wilhelmshaven, across the North Sea. | 0:08:22 | 0:08:25 | |
They flew in broad daylight, without a fighter escort, | 0:08:28 | 0:08:31 | |
in the belief that the Wellington, | 0:08:31 | 0:08:33 | |
with its electrically-operated machine-gun turrets, | 0:08:33 | 0:08:36 | |
would always get through to its target, | 0:08:36 | 0:08:38 | |
no matter what opposition it faced. | 0:08:38 | 0:08:41 | |
It was a catastrophic misjudgment by the RAF. | 0:08:41 | 0:08:45 | |
Minnie has come to Brooklands Museum, in Surrey, | 0:08:47 | 0:08:50 | |
to meet historian Robin Holmes. | 0:08:50 | 0:08:53 | |
-Hi, Robin. -Good morning, Minnie. | 0:08:53 | 0:08:55 | |
-Good morning. -Very nice to meet you. | 0:08:55 | 0:08:58 | |
-Nice to meet you. -Very nice to meet you. Please. -OK, great. | 0:08:58 | 0:09:01 | |
Robin and his team spent eight years salvaging, and partially restoring, | 0:09:01 | 0:09:06 | |
the only surviving aircraft | 0:09:06 | 0:09:08 | |
to have taken part in the Battle of Heligoland Bight. | 0:09:08 | 0:09:11 | |
It's called a Wellington bomber. | 0:09:11 | 0:09:13 | |
That, the big one there? | 0:09:13 | 0:09:14 | |
Your father flew in an absolutely identical plane to that one, | 0:09:14 | 0:09:18 | |
the biggest raid in history up till then. | 0:09:18 | 0:09:21 | |
Very beginning of the war. | 0:09:21 | 0:09:23 | |
He was in a very prominent position. | 0:09:23 | 0:09:25 | |
-He was right at the very front of it in the gun turret. -Wow! | 0:09:25 | 0:09:29 | |
The Wellingtons reached the German naval base unopposed | 0:09:32 | 0:09:36 | |
and launched their attack. | 0:09:36 | 0:09:38 | |
This is a photograph that was taken on the raid | 0:09:41 | 0:09:45 | |
as your father flew across the harbour. | 0:09:45 | 0:09:48 | |
This aircraft here dropped three 500-pound bombs | 0:09:48 | 0:09:52 | |
-on these German ships. -OK. | 0:09:52 | 0:09:55 | |
And another plane, but we don't know which one it was, | 0:09:55 | 0:09:58 | |
it could have been your father's plane, | 0:09:58 | 0:10:00 | |
also dropped bombs on those ships. | 0:10:00 | 0:10:02 | |
-And then, that's when the Luftwaffe... -Oh, my goodness. -..hit them like a ton of bricks. | 0:10:02 | 0:10:08 | |
-Did they know what was coming at them? -Not really, no. | 0:10:08 | 0:10:12 | |
The Germans were using their new Messerschmitts... | 0:10:12 | 0:10:16 | |
That's the BF 109D, very fast. | 0:10:16 | 0:10:20 | |
-Very fast, deadly. -350 miles an hour. | 0:10:20 | 0:10:23 | |
That was the very latest fighter that the Germans had. | 0:10:23 | 0:10:27 | |
The bombers were defending themselves with these. | 0:10:27 | 0:10:31 | |
That's a 303 rifle bullet | 0:10:31 | 0:10:34 | |
and that's what your father was defending the aircraft with, | 0:10:34 | 0:10:38 | |
what the Germans were attacking them with were these. | 0:10:38 | 0:10:41 | |
Oh! | 0:10:41 | 0:10:43 | |
Now, that's a 20-millimetre cannon shell. | 0:10:44 | 0:10:47 | |
And the German fighters were equipped with those, | 0:10:47 | 0:10:49 | |
so you can see the disparity there. | 0:10:49 | 0:10:51 | |
This is their ammunition | 0:10:51 | 0:10:52 | |
-and this is our ammunition? -Yes. | 0:10:52 | 0:10:55 | |
Actually, there was an account of this whole battle | 0:10:55 | 0:10:58 | |
and that was published at the time for sixpence. | 0:10:58 | 0:11:03 | |
-Epics Of The RAF. -Yes. | 0:11:03 | 0:11:06 | |
There we go. | 0:11:07 | 0:11:09 | |
"Another Wellington forced out of its formation | 0:11:09 | 0:11:11 | |
"was swooped on by a swarm of German fighters, | 0:11:11 | 0:11:14 | |
"which swept over it continuously spraying it with machine-gun fire. | 0:11:14 | 0:11:18 | |
"The bottom of the front gun turret had been blown away | 0:11:18 | 0:11:22 | |
"and the turret set on fire. | 0:11:22 | 0:11:24 | |
"Later I heard from the lips of the pilot himself | 0:11:24 | 0:11:27 | |
"the story of that nightmare journey home. | 0:11:27 | 0:11:30 | |
"'My gunner was very prompt with the fire | 0:11:30 | 0:11:33 | |
"'and beat it out with his gloved hands.'" That's Dad! | 0:11:33 | 0:11:35 | |
That's your father, yes. | 0:11:35 | 0:11:37 | |
"'But for him, the aircraft would have been well alight in a few seconds. | 0:11:37 | 0:11:41 | |
"'His quick action saved our lives.'" | 0:11:41 | 0:11:44 | |
And for his actions he got the DFM, | 0:11:52 | 0:11:55 | |
a medal, which he truly deserved. | 0:11:55 | 0:11:58 | |
-I've got to read this next bit, cos it's good. -Please. | 0:12:08 | 0:12:11 | |
"'When the bottom of the gun turret was blown away, the gunner found | 0:12:11 | 0:12:14 | |
"'that his leg was dangling in the air over the water, | 0:12:14 | 0:12:18 | |
"'but his huddled position kept him | 0:12:18 | 0:12:20 | |
"'from falling through the hole into the sea.'" | 0:12:20 | 0:12:23 | |
Oh, that's probably because he was so big as well. | 0:12:23 | 0:12:25 | |
-Will you show me where the...erm? -Yes. | 0:12:25 | 0:12:28 | |
So. | 0:12:29 | 0:12:30 | |
-None of this was here? -No. | 0:12:31 | 0:12:33 | |
This was all shot away. | 0:12:35 | 0:12:36 | |
So this is what they're saying where his leg was dangling down? | 0:12:36 | 0:12:39 | |
That's right, all the Perspex had been shot away from the turret. | 0:12:39 | 0:12:42 | |
I think it would be rather nice | 0:12:42 | 0:12:45 | |
if you were to see where your father actually sat in the plane. | 0:12:45 | 0:12:49 | |
-Yeah. -Right. Can you manage? -Yeah. | 0:12:49 | 0:12:52 | |
Oh. Oh, my God. | 0:12:54 | 0:12:56 | |
Now, if you go up and stand on the little platform. | 0:12:56 | 0:13:00 | |
So stand? | 0:13:02 | 0:13:03 | |
Up there. OK. | 0:13:03 | 0:13:05 | |
Holy cow! | 0:13:05 | 0:13:06 | |
Can you look forward? | 0:13:06 | 0:13:09 | |
-Oh, my God. -Look forward into the gun turret, can you get along? | 0:13:09 | 0:13:13 | |
Yeah. | 0:13:13 | 0:13:14 | |
You've got to be kidding me. | 0:13:16 | 0:13:17 | |
-No. -My dad was huge, I can't believe... | 0:13:17 | 0:13:20 | |
And he had all his flying gear on as well, cos it was very, very cold. | 0:13:20 | 0:13:24 | |
I can't believe how tiny it is in there. | 0:13:31 | 0:13:34 | |
How you're completely and utterly unprotected. | 0:13:34 | 0:13:37 | |
-Nothing between you... -Nothing protecting you except... | 0:13:37 | 0:13:40 | |
Nothing between you apart from Perspex. | 0:13:40 | 0:13:44 | |
His very best friend was called Lilley, Aircraftsman Lilley, | 0:13:44 | 0:13:49 | |
and he was in the rear gun turret, | 0:13:49 | 0:13:51 | |
and sadly, he did not survive the battle. | 0:13:51 | 0:13:54 | |
Your dad actually lost his best friend | 0:13:54 | 0:13:56 | |
on the Battle of Heligoland Bight. | 0:13:56 | 0:13:59 | |
Ronnie Driver and his best friend, Walter Lilley, | 0:14:07 | 0:14:10 | |
both belonged to RAF Nine Squadron. | 0:14:10 | 0:14:13 | |
While most of their contemporaries have passed away, | 0:14:13 | 0:14:15 | |
one man who served alongside them is still alive. | 0:14:15 | 0:14:19 | |
Minnie, I would like to introduce Mr Derek Alloway. | 0:14:19 | 0:14:23 | |
Hello. | 0:14:24 | 0:14:26 | |
-Hello, Minnie. -Hello, Derek. | 0:14:26 | 0:14:28 | |
Very proud to meet you. | 0:14:28 | 0:14:30 | |
Now 93, Derek Alloway is the last surviving RAF veteran | 0:14:30 | 0:14:35 | |
to have been involved in the Battle of Heligoland Bight, | 0:14:35 | 0:14:38 | |
and remembers Ronnie Driver well. | 0:14:38 | 0:14:41 | |
So how exactly did you know my dad? | 0:14:41 | 0:14:44 | |
Ronnie used to be a mechanic working like I was working, | 0:14:44 | 0:14:47 | |
looking after the aircraft. | 0:14:47 | 0:14:49 | |
I think he joined the...the squadron just...a little time after me. | 0:14:49 | 0:14:54 | |
We did see each other quite a bit roundabout in the hangar | 0:14:54 | 0:14:58 | |
or in the NAAFI or in the Honiton Fox having a little drinky-drink. | 0:14:58 | 0:15:02 | |
Having a little drinky-drink, that doesn't surprise me. | 0:15:02 | 0:15:05 | |
Was he a happy young fellow? | 0:15:05 | 0:15:07 | |
He was very happy, very happy, he was one of us, one of us. | 0:15:07 | 0:15:09 | |
Were you there on the day of the Battle of Heligoland, that...? | 0:15:09 | 0:15:13 | |
-I was there on the day. -That December. -I was there on the day when he took off. | 0:15:13 | 0:15:17 | |
I don't suppose you remember how he was feeling on that morning, do you? | 0:15:17 | 0:15:20 | |
The last time I saw him, he was taking stuff from his pocket, | 0:15:20 | 0:15:24 | |
giving them to a, a friend of his, like his personal stuff. | 0:15:24 | 0:15:28 | |
-Yeah. -You know cos the, er... | 0:15:28 | 0:15:30 | |
-You didn't know if you were coming back? -That's right. | 0:15:30 | 0:15:32 | |
That's when I, when I last really saw him. | 0:15:32 | 0:15:35 | |
And it wasn't until the next morning that we found out | 0:15:35 | 0:15:38 | |
that Ronnie was one of the aircraft what had ditched in the North Sea. | 0:15:38 | 0:15:43 | |
You might care to read the official report | 0:15:43 | 0:15:46 | |
of what actually happened to his aircraft. | 0:15:46 | 0:15:49 | |
"Aircraftman Driver subsequently succeeded in launching the dinghy | 0:15:52 | 0:15:56 | |
"and assisted in saving the remainder of the crew, | 0:15:56 | 0:15:59 | |
"some of whom were wounded. | 0:15:59 | 0:16:01 | |
"It was largely due to his exertions | 0:16:01 | 0:16:04 | |
"that the crew of this aircraft were brought to safety." | 0:16:04 | 0:16:07 | |
That's right, that's right. | 0:16:08 | 0:16:10 | |
That is right, he had to get the dinghy first, | 0:16:10 | 0:16:13 | |
he made sure that the dinghy was out | 0:16:13 | 0:16:16 | |
and they got the dinghy out and then, he got the crew, | 0:16:16 | 0:16:19 | |
eventually got all the crew out except the, his friend, | 0:16:19 | 0:16:22 | |
Lilley, who was, he was dead, he was in the back of the aircraft. | 0:16:22 | 0:16:26 | |
They, they got him out of the turret, laid him on the floor | 0:16:26 | 0:16:29 | |
and poor Lilley went down with the airplane. | 0:16:29 | 0:16:32 | |
That was it. | 0:16:32 | 0:16:34 | |
'Some of the RAF airmen | 0:16:34 | 0:16:36 | |
'who took part in the recent engagement over Heligoland Bight | 0:16:36 | 0:16:39 | |
'are here seen at their base. There's only...' | 0:16:39 | 0:16:41 | |
Walter Lilley was one of 61 airmen | 0:16:41 | 0:16:43 | |
who failed to return from the battle - | 0:16:43 | 0:16:46 | |
almost half of those who set out. | 0:16:46 | 0:16:48 | |
The raid was a disaster for the RAF. | 0:16:48 | 0:16:51 | |
Of the 24 Wellingtons that took off that morning, | 0:16:51 | 0:16:54 | |
12 were lost in action. | 0:16:54 | 0:16:56 | |
And like many survivors of Heligoland, | 0:16:56 | 0:16:59 | |
18-year-old gunner Ronnie Driver had not returned unscathed. | 0:16:59 | 0:17:03 | |
Did you see Dad again, did...? | 0:17:07 | 0:17:09 | |
No, I never saw your dad again, no. | 0:17:09 | 0:17:11 | |
I understood that a couple of crew were in hospital with their injuries | 0:17:11 | 0:17:15 | |
and I think Ronnie was a bit shaken up and he had, | 0:17:15 | 0:17:18 | |
he had a bit of a problem with his health after that for, for a bit. | 0:17:18 | 0:17:22 | |
That's about all I can tell you, really. | 0:17:22 | 0:17:24 | |
That's when I last saw Ronnie - that morning, | 0:17:24 | 0:17:29 | |
when he took off on that particular mission. | 0:17:29 | 0:17:32 | |
I've never met anyone in my life that knew my father | 0:17:36 | 0:17:38 | |
when he was 18 years old. | 0:17:38 | 0:17:40 | |
And to sort of hear, that's really who he was, | 0:17:40 | 0:17:42 | |
he was a good bloke and a good friend. | 0:17:42 | 0:17:44 | |
That's a really, really good feeling. | 0:17:46 | 0:17:48 | |
It was quite shocking hearing that Dad was unwell | 0:17:49 | 0:17:53 | |
at the end of that battle. | 0:17:53 | 0:17:55 | |
And...I really want to know what happened to him next because... | 0:17:55 | 0:18:00 | |
..that's, that's as much as I know. | 0:18:02 | 0:18:04 | |
Minnie has come to the RAF Museum at Hendon, | 0:18:15 | 0:18:17 | |
to see if she can discover what happened to her father | 0:18:17 | 0:18:20 | |
after the Battle of Heligoland Bight. | 0:18:20 | 0:18:23 | |
-Hello. -Hello. | 0:18:23 | 0:18:25 | |
-Are you Peter? -I'm Peter, welcome to the Royal Air Force Museum. | 0:18:25 | 0:18:28 | |
-Thank you. -Shall we go to the archive? -Yes. | 0:18:28 | 0:18:30 | |
She's arranged to meet curator Peter Devitt, | 0:18:30 | 0:18:33 | |
who has been researching RAF documents from that time. | 0:18:33 | 0:18:36 | |
This is one of the original copies of... | 0:18:37 | 0:18:41 | |
Air Ministry Bulletin number 324. | 0:18:41 | 0:18:44 | |
And they're press releases. | 0:18:44 | 0:18:46 | |
They're written by the Air Ministry and then they're given to the press to print. | 0:18:46 | 0:18:49 | |
-You see several airmen had been decorated... -Yes. | 0:18:49 | 0:18:53 | |
..for their part in the battle. | 0:18:53 | 0:18:56 | |
And there you see a little bit about your father, | 0:18:56 | 0:18:59 | |
but there's a long interview with him, | 0:18:59 | 0:19:01 | |
and he's the only one in the battle, as far as we know, | 0:19:01 | 0:19:04 | |
who was singled out in this way. | 0:19:04 | 0:19:06 | |
"Aircraftman Driver began life in Swansea but he is not Welsh. | 0:19:06 | 0:19:11 | |
-"His mother is Scottish and his father is a Yorkshireman." -Uh-huh. | 0:19:11 | 0:19:15 | |
"He appears to have inherited the tough qualities | 0:19:15 | 0:19:18 | |
"of both Scotland and Yorkshire. | 0:19:18 | 0:19:20 | |
"His father is a wool buyer, and his occupation meant | 0:19:20 | 0:19:24 | |
"that Drivers were seldom in one town for more than a few years." | 0:19:24 | 0:19:27 | |
That's why he was born in Wales! | 0:19:27 | 0:19:29 | |
"On leaving school, he became a clerk in his father's firm | 0:19:29 | 0:19:32 | |
"hoping to learn the wool business." | 0:19:32 | 0:19:34 | |
-There's a lot of information about his background, his roots. -Yeah! | 0:19:34 | 0:19:36 | |
And he comes from very humble beginnings. | 0:19:36 | 0:19:39 | |
But why would they do that? | 0:19:39 | 0:19:41 | |
-They want to stress that he's ordinary, he's not a superman. -Right. | 0:19:41 | 0:19:44 | |
So that they can encourage other ordinary young men and women. | 0:19:44 | 0:19:47 | |
To be heroes. | 0:19:47 | 0:19:48 | |
And also, maintain public confidence | 0:19:48 | 0:19:50 | |
in the way the Royal Air Force is conducting the war. | 0:19:50 | 0:19:53 | |
Get them to focus on the upside as opposed to the fact | 0:19:53 | 0:19:56 | |
-that it was a fairly bloody defeat. -It is, exactly that. | 0:19:56 | 0:20:00 | |
-Wow! -But it also... | 0:20:00 | 0:20:02 | |
-appears on The Times. -Sunday Times. | 0:20:02 | 0:20:04 | |
The Sunday Times, December 24th 1939. | 0:20:04 | 0:20:08 | |
This is the national press now, you see, | 0:20:08 | 0:20:10 | |
they're talking about a young gunner. | 0:20:10 | 0:20:12 | |
"This young gunner expressed | 0:20:12 | 0:20:14 | |
"the greatest admiration for his sergeant pilot. | 0:20:14 | 0:20:17 | |
"'We shall never know how the pilot managed to control his aircraft | 0:20:17 | 0:20:20 | |
"'through such difficulties,' he said." | 0:20:20 | 0:20:22 | |
You can see he's very modest, he wants to talk about his pilot, | 0:20:22 | 0:20:26 | |
-but his story is being, if you like, managed. -Right. | 0:20:26 | 0:20:31 | |
As, as a means of turning this in, into a sort of a victory. | 0:20:31 | 0:20:35 | |
Right, right. | 0:20:35 | 0:20:36 | |
-He is now firmly established as a hero. -Right. | 0:20:36 | 0:20:42 | |
What happened to him after the Battle of Heligoland? | 0:20:42 | 0:20:46 | |
Well, if we look at his service record, you'll see... | 0:20:46 | 0:20:50 | |
His home address - Stockton-on-Tees... | 0:20:50 | 0:20:53 | |
-County Durham. -County Durham. | 0:20:53 | 0:20:55 | |
And we know he went back there, because... | 0:20:55 | 0:20:58 | |
..he appears in the local press. | 0:21:01 | 0:21:04 | |
This is the Stockton and Teesside Weekly Herald, | 0:21:04 | 0:21:06 | |
Saturday December 30th 1939. | 0:21:06 | 0:21:09 | |
And there's a reference here to his mother. | 0:21:09 | 0:21:11 | |
Oh, where? | 0:21:11 | 0:21:13 | |
-Oh! -There she is, talking to your father. | 0:21:13 | 0:21:16 | |
That is the first picture I have ever seen of my grandmother. | 0:21:20 | 0:21:23 | |
Wow, look at that. | 0:21:25 | 0:21:27 | |
"Air Gunner Charles R Driver, the Stockton RAF hero, photographed at his home. | 0:21:29 | 0:21:32 | |
"He was showing his mother the gloves, which protected his hands | 0:21:32 | 0:21:35 | |
"when he beat out the flames in the bomber during the Heligoland raid." | 0:21:35 | 0:21:38 | |
So he's gone back home and he's in uniform, | 0:21:38 | 0:21:41 | |
how long did he stay there? | 0:21:41 | 0:21:43 | |
I mean what, was he discharged, was he, what was the...? | 0:21:43 | 0:21:46 | |
If we return to his service record... | 0:21:46 | 0:21:48 | |
..you'll see he receives the medal in March 1940. | 0:21:50 | 0:21:55 | |
And then, the next entry we have is this. | 0:21:56 | 0:22:00 | |
What is that? | 0:22:02 | 0:22:04 | |
-That's the discharge. -Discharged. | 0:22:04 | 0:22:06 | |
From the RAF Hospital at Matlock. | 0:22:06 | 0:22:09 | |
Oh, no. | 0:22:09 | 0:22:11 | |
So what is the RAF Hospital at Matlock? | 0:22:13 | 0:22:16 | |
It was a psychiatric hospital. | 0:22:16 | 0:22:18 | |
Poor Dad. | 0:22:20 | 0:22:21 | |
CRYING: Does it say how long he was there for? | 0:22:23 | 0:22:25 | |
We just know he was, he was discharged. | 0:22:25 | 0:22:28 | |
Well, that's good, he got out. | 0:22:28 | 0:22:29 | |
I mean it, it reads like a movie script. | 0:22:38 | 0:22:42 | |
You wouldn't believe it if you read, | 0:22:42 | 0:22:44 | |
I mean, it would seem unbelievable what he did at 18. | 0:22:44 | 0:22:48 | |
Being shot down, putting out a fire, saving his pilot. | 0:22:49 | 0:22:54 | |
That then being used as propaganda | 0:22:54 | 0:22:58 | |
and how, how it must have looked to his friends, to other aircraftman. | 0:22:58 | 0:23:02 | |
He was somehow being singled out. | 0:23:02 | 0:23:04 | |
I know what it's like to be singled out when you've asked for it, | 0:23:04 | 0:23:08 | |
and to have a lot of media attention when you've asked for it. | 0:23:08 | 0:23:13 | |
When you haven't asked for it, erm... | 0:23:13 | 0:23:16 | |
..and you are not used to it | 0:23:18 | 0:23:21 | |
and you don't know what to do with it, erm... | 0:23:21 | 0:23:25 | |
I, I can only, I'm not surprised he, he ended up in hospital. | 0:23:25 | 0:23:31 | |
Minnie has decided to travel north, to Derbyshire, | 0:23:43 | 0:23:46 | |
where her father was sent for treatment | 0:23:46 | 0:23:48 | |
following the Battle of Heligoland Bight. | 0:23:48 | 0:23:51 | |
You lionise your parents, you know, | 0:23:51 | 0:23:54 | |
and I think seeing the frailty and the fragility, | 0:23:54 | 0:23:59 | |
being reminded of that, it's not a bad thing at all. | 0:23:59 | 0:24:02 | |
That's why I couldn't sleep the other night, | 0:24:02 | 0:24:04 | |
cos I was thinking about being young and being overwhelmed. | 0:24:04 | 0:24:07 | |
And what that does to you | 0:24:07 | 0:24:09 | |
and when you don't have family around you to ground you and to help you. | 0:24:09 | 0:24:12 | |
I've never known how to connect with that young part of my father | 0:24:12 | 0:24:15 | |
and I feel very close to a part of him that I never knew. | 0:24:15 | 0:24:19 | |
Ronnie Driver arrived in the Peak District town of Matlock in early 1940. | 0:24:26 | 0:24:31 | |
He was treated at Rockside Hall, a former spa hotel, | 0:24:31 | 0:24:35 | |
which the RAF had converted into a specialist psychiatric hospital. | 0:24:35 | 0:24:39 | |
It is now a block of luxury flats. | 0:24:42 | 0:24:45 | |
-Hello. -Hi. | 0:24:48 | 0:24:50 | |
-Are you Edgar? -Yes. -Hello. -Very nice to meet you. -Nice to meet you. | 0:24:50 | 0:24:53 | |
Welcome to Rockside Hall. Would you like...? | 0:24:53 | 0:24:55 | |
Professor Edgar Jones is an expert in the study of military psychiatry | 0:24:55 | 0:24:59 | |
and has been looking into Ronnie Driver's convalescence at Matlock. | 0:24:59 | 0:25:02 | |
What kind of treatment would he have received here? | 0:25:02 | 0:25:06 | |
Your father was given a diagnosis of anxiety state. | 0:25:06 | 0:25:10 | |
So I think the treatment would have been very much some sedatives | 0:25:10 | 0:25:13 | |
to help him sleep at night, because he probably had nightmares. | 0:25:13 | 0:25:16 | |
A little bit of exercise in the grounds here, | 0:25:16 | 0:25:20 | |
and general encouragement with the view that he would get better on his own, | 0:25:20 | 0:25:24 | |
if he was left alone with time to recuperate. | 0:25:24 | 0:25:28 | |
I don't think they really understood | 0:25:28 | 0:25:31 | |
the effect of the traumatic experience | 0:25:31 | 0:25:34 | |
on men like your father, what it did to their minds. | 0:25:34 | 0:25:38 | |
Flying stress, as a result of air combat, | 0:25:43 | 0:25:46 | |
was a condition that had been studied during World War I. | 0:25:46 | 0:25:49 | |
But the RAF were unprepared for the psychological impact | 0:25:49 | 0:25:53 | |
of the huge casualty rates suffered by bomber crews in World War II. | 0:25:53 | 0:25:58 | |
Of the 125,000 airmen who served in Bomber Command during the war, | 0:25:58 | 0:26:03 | |
more than 55,000 died in action. | 0:26:03 | 0:26:07 | |
And surviving crew members suffered much higher rates of mental breakdown than expected. | 0:26:07 | 0:26:14 | |
The intense bonds that formed between members of the same crew | 0:26:14 | 0:26:17 | |
gave them determination, confidence, | 0:26:17 | 0:26:20 | |
the ability to go on in extreme hazard. | 0:26:20 | 0:26:23 | |
But it was a double-edged sword, | 0:26:23 | 0:26:25 | |
because if one member of the crew was killed, | 0:26:25 | 0:26:27 | |
it was devastating for the others. | 0:26:27 | 0:26:29 | |
So Dad's best friend, who was the rear gunner, | 0:26:29 | 0:26:32 | |
was killed during this battle. | 0:26:32 | 0:26:35 | |
Would that have had a sort of, of an accelerated impact? | 0:26:35 | 0:26:39 | |
If they did try to get Walter Lilley out of the rear gun turret, | 0:26:39 | 0:26:43 | |
then your father would have seen his dead body, | 0:26:43 | 0:26:45 | |
and we know from experience just how traumatic it is | 0:26:45 | 0:26:49 | |
to see a corpse in such a situation. | 0:26:49 | 0:26:52 | |
Had to know that you couldn't get him out. | 0:26:53 | 0:26:56 | |
We found this document here, | 0:26:56 | 0:26:58 | |
which tells us a little bit about Walter Lilley. | 0:26:58 | 0:27:01 | |
"Leading Aircraftman Walter Lilley, late of Helena Street, Kippax, | 0:27:01 | 0:27:05 | |
"was killed in action, it is assumed on the 18th of December. | 0:27:05 | 0:27:09 | |
"He was home on leave recently, | 0:27:09 | 0:27:12 | |
"and was a well-known ambulance man, respected by all who knew him. | 0:27:12 | 0:27:16 | |
"He celebrated his 21st birthday anniversary in August." | 0:27:16 | 0:27:20 | |
He was a very skilled air gunner | 0:27:23 | 0:27:25 | |
and he's credited with two kills at the Battle of Heligoland Bight. | 0:27:25 | 0:27:30 | |
Is he? | 0:27:30 | 0:27:31 | |
Why wasn't he decorated also? | 0:27:32 | 0:27:34 | |
Which may be a question that your father had asked himself. | 0:27:35 | 0:27:39 | |
Did you know what happened to my father after he left Matlock? | 0:27:45 | 0:27:50 | |
If we come down here to December 1940, | 0:27:50 | 0:27:54 | |
which is almost the anniversary of the Battle of Heligoland Bight, | 0:27:54 | 0:27:59 | |
you can see that he's in hospital again. | 0:27:59 | 0:28:02 | |
He's discharged and he's in hospital again. | 0:28:02 | 0:28:04 | |
He's been at RAF Littleport, which is near Ely, | 0:28:04 | 0:28:07 | |
and that's another psychiatric unit. | 0:28:07 | 0:28:10 | |
So it looks as though his treatment here at Matlock was incomplete. | 0:28:10 | 0:28:14 | |
The interesting thing is he doesn't give up - | 0:28:14 | 0:28:18 | |
in November 1943, he's commissioned | 0:28:18 | 0:28:21 | |
as a Pilot Officer in the Royal Air Force. | 0:28:21 | 0:28:24 | |
He's been promoted? | 0:28:24 | 0:28:25 | |
So he's been recognised, he's been trusted with more responsibility. | 0:28:25 | 0:28:29 | |
There's no sense that he's been flawed by his traumatic experience. | 0:28:29 | 0:28:35 | |
In June 1944, he's promoted to Flying Officer | 0:28:35 | 0:28:40 | |
and we've got a photograph of him, taken a few months after that, | 0:28:40 | 0:28:44 | |
in September, here, where he's wearing his officer's uniform. | 0:28:44 | 0:28:49 | |
My God, wow! | 0:28:49 | 0:28:52 | |
He looks so lovely. | 0:28:54 | 0:28:56 | |
I've never seen it, | 0:28:56 | 0:28:58 | |
but this is my dad on his wedding day | 0:28:58 | 0:29:00 | |
to Ann Wilshaw, who was his wife. | 0:29:00 | 0:29:03 | |
They look so young and so sweet. | 0:29:03 | 0:29:07 | |
It not only shows him getting married, | 0:29:07 | 0:29:09 | |
but moving up in social status, | 0:29:09 | 0:29:11 | |
because Ann Wilshaw's father was obviously Sir Edward Wilshaw... | 0:29:11 | 0:29:15 | |
-Yeah. -..who was the Chairman of Cable & Wireless. | 0:29:15 | 0:29:18 | |
And it's interesting that in the picture you can see | 0:29:18 | 0:29:20 | |
he's wearing his best uniform. | 0:29:20 | 0:29:22 | |
But the thing that seems to be missing is his decoration, | 0:29:22 | 0:29:25 | |
he's not wearing his Distinguished Flying Medal. | 0:29:25 | 0:29:28 | |
Yeah. No medal. | 0:29:28 | 0:29:31 | |
I just understand him so much better because of this. | 0:29:35 | 0:29:39 | |
He had this extraordinary experience in the Battle of Heligoland Bight, | 0:29:39 | 0:29:45 | |
and it almost broke him. | 0:29:45 | 0:29:47 | |
He healed by going back and carrying on, he healed by continuing, | 0:29:49 | 0:29:53 | |
by not being broken, and I see that's what drove him. | 0:29:53 | 0:29:59 | |
And I really understand him throwing his medal into the river. | 0:29:59 | 0:30:05 | |
I understand the significance, | 0:30:06 | 0:30:08 | |
the symbolism of chucking it into a body of water, you know, | 0:30:08 | 0:30:13 | |
that swallowed up his lovely friend and so many other men. | 0:30:13 | 0:30:18 | |
Minnie never met her father's parents. | 0:30:34 | 0:30:37 | |
And having seen a photograph of her grandmother for the first time, | 0:30:37 | 0:30:40 | |
she's decided to travel north, to Stockton-on-Tees, | 0:30:40 | 0:30:44 | |
where the Driver family were living during the war. | 0:30:44 | 0:30:47 | |
It was pretty fantastic seeing a picture of my granny and my dad. | 0:30:52 | 0:30:56 | |
But I've never seen a photograph of my grandfather. | 0:30:59 | 0:31:02 | |
I remember my, my father said that he died quite young. | 0:31:04 | 0:31:08 | |
That's all I ever heard about him. | 0:31:08 | 0:31:10 | |
I'm very interested in the fact | 0:31:14 | 0:31:18 | |
that, clearly, my grandparents weren't married, | 0:31:18 | 0:31:22 | |
so I would love to know a bit more about him. | 0:31:22 | 0:31:25 | |
I would love that for me and I would love that for my son. | 0:31:25 | 0:31:28 | |
Minnie has come to the Family History Centre, | 0:31:35 | 0:31:37 | |
at Stockton Central Library. | 0:31:37 | 0:31:39 | |
Genealogist Eileen Butcher has agreed to help her find out more | 0:31:42 | 0:31:46 | |
about her father's parents. | 0:31:46 | 0:31:48 | |
I know they weren't married. | 0:31:49 | 0:31:51 | |
-No, cos they've got different names. -Yes. -Yeah. | 0:31:51 | 0:31:53 | |
But that would have been her, | 0:31:53 | 0:31:54 | |
-McGregor would have been her maiden name, right? -That's right. | 0:31:54 | 0:31:57 | |
-And Kelley, who...someone she was married to? -Yes. | 0:31:57 | 0:31:59 | |
Before or previously or something. | 0:31:59 | 0:32:01 | |
That's right and that's her maiden name and then, her married name. | 0:32:01 | 0:32:04 | |
Right, what we're going to do is we're going to do a search on here | 0:32:04 | 0:32:07 | |
to see if we can find a marriage. | 0:32:07 | 0:32:08 | |
-Yeah. -Because they might have got married at a later date. | 0:32:08 | 0:32:11 | |
-So if you put Charles Edmund in there. -OK. | 0:32:11 | 0:32:14 | |
Where it says "Spouse", we'll put the surname of Kelley in there. | 0:32:17 | 0:32:20 | |
OK. | 0:32:20 | 0:32:22 | |
-And that will pick up the right marriage, if there is one. -OK. -OK. | 0:32:22 | 0:32:26 | |
They did get married. In 1936. | 0:32:28 | 0:32:31 | |
-It looks like it, yes. -Ah! | 0:32:31 | 0:32:35 | |
So they weren't married when Dad was born in 1921, | 0:32:35 | 0:32:38 | |
-but they were married in '36. -Hm. | 0:32:38 | 0:32:42 | |
That would have been extraordinarily unusual and unconventional | 0:32:42 | 0:32:46 | |
to not be married, to be having babies in 1921? | 0:32:46 | 0:32:48 | |
-Yeah, pretty shameful, really. -Pretty shameful, huh? -Yeah. | 0:32:48 | 0:32:51 | |
I don't mean to wash my dirty linen in Stockton-on-Tees Library. | 0:32:51 | 0:32:54 | |
THEY CHUCKLE | 0:32:54 | 0:32:56 | |
-Best place for it. -Sins of the father, et cetera. | 0:32:56 | 0:32:58 | |
Well, I think we need to get the marriage certificate to actually... | 0:32:58 | 0:33:01 | |
-To be able to... -..to get some more information from it. | 0:33:01 | 0:33:04 | |
So is there any way of getting that? | 0:33:04 | 0:33:05 | |
-We can't get that online... -OK. | 0:33:05 | 0:33:07 | |
-..any, any further information, we'd have to order that... -Right. | 0:33:07 | 0:33:10 | |
..from the Middlesbrough Registry Office | 0:33:10 | 0:33:13 | |
-and that'll take a few days to get that. -OK. | 0:33:13 | 0:33:16 | |
While Minnie waits for the marriage certificate, | 0:33:16 | 0:33:19 | |
Eileen Butcher has offered to help her find out more about the Driver family. | 0:33:19 | 0:33:23 | |
She's found a reference for Minnie's grandfather, | 0:33:23 | 0:33:25 | |
Charles Edmund Driver, on the 1891 census, | 0:33:25 | 0:33:30 | |
when he was 11 years old. | 0:33:30 | 0:33:32 | |
I can't read any of these, I've got...oh, Charles E. | 0:33:32 | 0:33:35 | |
So he was one of one, two, three, four, one of five children. | 0:33:35 | 0:33:43 | |
So, can I find out who my relatives would be from this census? | 0:33:43 | 0:33:48 | |
Cos I've never met any family from that side of the family. | 0:33:48 | 0:33:51 | |
-Nothing at all? -Nothing. | 0:33:51 | 0:33:52 | |
The best way to do that would be going from the youngest child, | 0:33:52 | 0:33:55 | |
Maud, OK, who's five, and we'll see | 0:33:55 | 0:33:59 | |
if she perhaps got married and had children, | 0:33:59 | 0:34:01 | |
and whether any of those are alive. | 0:34:01 | 0:34:03 | |
Maud Driver, er, born 1886, from Bradford. | 0:34:06 | 0:34:13 | |
She married Fred Thistlethwaite. | 0:34:13 | 0:34:16 | |
That's a good Yorkshire name. | 0:34:16 | 0:34:17 | |
It really is. | 0:34:17 | 0:34:19 | |
She was 19. | 0:34:19 | 0:34:20 | |
He was 32! | 0:34:20 | 0:34:23 | |
His ship came sailing in. | 0:34:23 | 0:34:26 | |
So Fred Thistlethwaite and Maud Thistlethwaite | 0:34:26 | 0:34:30 | |
and John Thistlethwaite and Dorothy Thistlethwaite. | 0:34:30 | 0:34:35 | |
So Dorothy is two and John is five in 1911. | 0:34:36 | 0:34:42 | |
Minnie is now one step away | 0:34:44 | 0:34:46 | |
from tracing a living relative of her father for the first time. | 0:34:46 | 0:34:50 | |
If her great-aunt Maud's youngest child, Dorothy, | 0:34:50 | 0:34:53 | |
married and had children, | 0:34:53 | 0:34:55 | |
then, they would be of the same generation as her. | 0:34:55 | 0:34:58 | |
We can see exactly who she married by, | 0:34:59 | 0:35:03 | |
if you click on "Find Spouse" at the bottom. | 0:35:03 | 0:35:06 | |
Nathaniel Cranson. | 0:35:06 | 0:35:09 | |
They got married in 1928. | 0:35:09 | 0:35:12 | |
What we can do is we can go and look | 0:35:12 | 0:35:14 | |
to see if Dorothy and Nathaniel had any children. | 0:35:14 | 0:35:17 | |
This is so cool. | 0:35:17 | 0:35:18 | |
So Jean Cranson was born in 1929. | 0:35:20 | 0:35:24 | |
Yeah, now what we're going to do, | 0:35:24 | 0:35:26 | |
-we're going to go to this marriage index here. -This one? -Yeah. | 0:35:26 | 0:35:29 | |
She married a Wiper. | 0:35:29 | 0:35:32 | |
Jean Cranson married a Wiper. | 0:35:32 | 0:35:34 | |
In Darlington. In 1950. | 0:35:34 | 0:35:39 | |
She might be alive? | 0:35:40 | 0:35:42 | |
Minnie has managed to trace forward from her great-aunt Maud | 0:35:42 | 0:35:45 | |
to find Jean Wiper, | 0:35:45 | 0:35:48 | |
who was married not far from Stockton-on-Tees, 63 years ago. | 0:35:48 | 0:35:52 | |
If she is still alive, | 0:35:52 | 0:35:54 | |
Minnie may be able to find her on the local electoral register. | 0:35:54 | 0:35:58 | |
There she is. Oh, she's 84. | 0:36:00 | 0:36:03 | |
Wow! I'm so glad she's still alive. | 0:36:04 | 0:36:08 | |
That's great, thank you so much. | 0:36:08 | 0:36:10 | |
-That's all right. -That's brilliant, really brilliant. | 0:36:10 | 0:36:13 | |
Using directory enquiries, | 0:36:13 | 0:36:15 | |
Minnie has found a contact number for Jean Wiper, her second cousin. | 0:36:15 | 0:36:19 | |
Jean? | 0:36:22 | 0:36:23 | |
You're known as Eileen. | 0:36:25 | 0:36:27 | |
-Hello, Eileen, my name's Minnie Driver and erm... -'Hello.' | 0:36:27 | 0:36:32 | |
Hello. And I... | 0:36:32 | 0:36:34 | |
'Nice to speak to you.' | 0:36:34 | 0:36:36 | |
It's so nice to speak to you. | 0:36:36 | 0:36:38 | |
Your granny was my grandpa's sister. | 0:36:38 | 0:36:41 | |
You're the first relative of my father's | 0:36:41 | 0:36:44 | |
that I've ever even known about, | 0:36:44 | 0:36:47 | |
much less spoken to, so I'm thrilled. | 0:36:47 | 0:36:49 | |
Do you think I could come and meet you? | 0:36:49 | 0:36:52 | |
'I...I would love to meet you.' | 0:36:52 | 0:36:54 | |
Would you?! | 0:36:54 | 0:36:56 | |
Jean Wiper lives in the town of Darlington, | 0:37:00 | 0:37:03 | |
12 miles from Stockton-on-Tees. | 0:37:03 | 0:37:05 | |
She prefers to be known by her middle name, Eileen. | 0:37:09 | 0:37:13 | |
-Hello. -Hello, Eileen. Hello! -Hello. | 0:37:15 | 0:37:18 | |
How are you? | 0:37:21 | 0:37:22 | |
Oh, it's so nice to meet you. | 0:37:22 | 0:37:25 | |
Here, I'll shut the door, it's chilly. | 0:37:25 | 0:37:28 | |
I've bought these for you. | 0:37:29 | 0:37:31 | |
Oh, how lovely. Thank you. | 0:37:31 | 0:37:33 | |
I don't know what colour they're going to be, but they are pretty. | 0:37:33 | 0:37:36 | |
-Oh, I love... -And I bought you some, I've bought you some biscuits too. | 0:37:36 | 0:37:39 | |
-I'll eat all of them for you. -Sit down. | 0:37:39 | 0:37:42 | |
All right, I will. Ah, look at your lovely house. | 0:37:42 | 0:37:45 | |
-Where shall I sit, here? -Yes. -OK. | 0:37:45 | 0:37:48 | |
-That's lovely. -Look... | 0:37:48 | 0:37:50 | |
-Oh, my goodness. -Well, this is a surprise. | 0:37:50 | 0:37:54 | |
How lovely to meet you. | 0:37:54 | 0:37:56 | |
You know when I, I've seen you on television, | 0:37:56 | 0:37:59 | |
I wondered about the name and, and I thought, | 0:37:59 | 0:38:02 | |
I wonder, "Is there some, you know, relation there?" | 0:38:02 | 0:38:05 | |
And then I thought, "No, no, no." | 0:38:05 | 0:38:08 | |
-That's funny. -Yeah. | 0:38:08 | 0:38:10 | |
-And did you ever meet Charles? -Yes. | 0:38:10 | 0:38:13 | |
-You did? -I did. -That's my grandpa. | 0:38:13 | 0:38:15 | |
That was your grandpa, yes. | 0:38:15 | 0:38:17 | |
Yes, I met him, he was a lovely, lovely gentleman, he really was. | 0:38:17 | 0:38:20 | |
-Was he? -Yes. | 0:38:20 | 0:38:22 | |
Did you meet my granny? | 0:38:22 | 0:38:24 | |
Yes, I call her Jessie. | 0:38:24 | 0:38:27 | |
-Jessie, right. -Jessie. -Jessie. -Aunt Jessie, yes. | 0:38:27 | 0:38:30 | |
Oh, yes, she was an outgoing, fun person. | 0:38:30 | 0:38:34 | |
-Was she? -Yes, yes. | 0:38:34 | 0:38:36 | |
But uncle Charles was very reserved, very quiet, | 0:38:36 | 0:38:41 | |
-a gentleman, actually, yeah. -Yeah. | 0:38:41 | 0:38:43 | |
You know, yes. Oh, yes. | 0:38:43 | 0:38:45 | |
But his wife was a, was, was, was a bit sparky? | 0:38:45 | 0:38:47 | |
-Well, yes, you know, yes, yeah. -My dad was like that. | 0:38:47 | 0:38:51 | |
-Yeah, was he? -And I'm a bit like that. -Bit like it. | 0:38:51 | 0:38:54 | |
THEY LAUGH | 0:38:54 | 0:38:58 | |
And did... So they lived in, they lived in Stockton? | 0:38:58 | 0:39:01 | |
In Stockton when I met them, yes, | 0:39:01 | 0:39:03 | |
we spent the weekend, a friend and I spent the weekend with them | 0:39:03 | 0:39:06 | |
and they were really lovely and charming. | 0:39:06 | 0:39:10 | |
I mean, I, I couldn't believe there were so many photos | 0:39:10 | 0:39:13 | |
of your dad in his uniform and they were so proud of him. | 0:39:13 | 0:39:18 | |
-They were, right. -So proud of him. | 0:39:18 | 0:39:20 | |
I knew from my dad's birth certificate | 0:39:20 | 0:39:22 | |
that...they weren't actually, | 0:39:22 | 0:39:25 | |
that, that your uncle Charles and auntie Jessie weren't married when he was born | 0:39:25 | 0:39:30 | |
and they, they got married in 1936. | 0:39:30 | 0:39:33 | |
And I wondered if you knew anything about that? | 0:39:33 | 0:39:37 | |
-Nothing at all. -No? -No. | 0:39:38 | 0:39:40 | |
-No, whatever it was, was kept secret from the family. -Yeah. | 0:39:40 | 0:39:44 | |
In those days, people didn't talk about things like that. | 0:39:44 | 0:39:48 | |
Did you remember seeing pictures of my granny and grandpa, | 0:39:48 | 0:39:53 | |
of erm, of your uncle Charles and auntie Jessie? | 0:39:53 | 0:39:56 | |
Did you see pictures of them ever, were there any in the house? | 0:39:56 | 0:39:59 | |
-No, I don't remember see any. -No? -No. | 0:39:59 | 0:40:03 | |
-A shame, isn't it? -Do you know, it is, it's a real shame. | 0:40:03 | 0:40:06 | |
Let's see. | 0:40:06 | 0:40:08 | |
Eileen does have one family photograph | 0:40:08 | 0:40:11 | |
that she wants to show Minnie. | 0:40:11 | 0:40:13 | |
Oh, look. | 0:40:13 | 0:40:15 | |
That is Maud, that's my grandmother. | 0:40:15 | 0:40:18 | |
-That's Maud, so that's my grandpa's sister. -Yes. | 0:40:18 | 0:40:22 | |
Wasn't she 19 when she got married? | 0:40:22 | 0:40:25 | |
-She was 18. -18? | 0:40:25 | 0:40:27 | |
-And my grandfather was 32. -I know, I noticed that. | 0:40:27 | 0:40:30 | |
I don't think the family liked that. | 0:40:30 | 0:40:32 | |
I've made you a copy of this. | 0:40:37 | 0:40:40 | |
That's fantastic. Oh, look. | 0:40:40 | 0:40:43 | |
Oh, my goodness, thank you, I love it. | 0:40:43 | 0:40:47 | |
Minnie may not have found a photograph of her grandfather, | 0:40:47 | 0:40:50 | |
Charles Edmund Driver, but she does now have one of her great-aunt Maud. | 0:40:50 | 0:40:54 | |
And she has met a member of her father's family for the first time. | 0:40:54 | 0:40:58 | |
You and I are actually the same generation, we're the same, | 0:40:58 | 0:41:01 | |
by birth, we are the same generation. | 0:41:01 | 0:41:04 | |
-Uh-huh. -I think largely because my, Charles had children later... | 0:41:04 | 0:41:09 | |
-Later. -..and Maud had them so young. -Young, yes, that's right, yes, yes. | 0:41:09 | 0:41:13 | |
That's why I become 84 and you're only young. | 0:41:13 | 0:41:16 | |
And I'm only young, let's leave it at that, shall we? | 0:41:16 | 0:41:20 | |
I love Eileen, she's fantastic. | 0:41:27 | 0:41:30 | |
There's a funny familiarity about her, | 0:41:30 | 0:41:32 | |
even though I've never met her before. | 0:41:32 | 0:41:34 | |
I wish that she'd had a picture of her uncle Charles, | 0:41:34 | 0:41:38 | |
who was my grandfather. | 0:41:38 | 0:41:40 | |
It does still seem a little mysterious | 0:41:41 | 0:41:43 | |
about my grandfather and my grandmother not being married. | 0:41:43 | 0:41:47 | |
I'm convinced that there was some sort of something going on | 0:41:47 | 0:41:50 | |
and I, I'd really like to know what that is. | 0:41:50 | 0:41:53 | |
-Hi. -Hi. | 0:42:01 | 0:42:02 | |
-Have you got a package for Minnie Driver? -I do, yes. | 0:42:02 | 0:42:04 | |
-Oh, thank you. -Thank you very much. | 0:42:04 | 0:42:07 | |
The marriage certificate for Minnie's grandparents, | 0:42:07 | 0:42:10 | |
that she ordered at Stockton Library, | 0:42:10 | 0:42:13 | |
has been delivered to her hotel. | 0:42:13 | 0:42:14 | |
Right. | 0:42:14 | 0:42:16 | |
Charles Edmund Driver | 0:42:16 | 0:42:18 | |
and Mary Jessica Kelley. | 0:42:18 | 0:42:20 | |
He was 56 and she was 41, she was a widow. | 0:42:20 | 0:42:25 | |
Oh, and so is he! | 0:42:25 | 0:42:27 | |
Wow! They both had whole other lives. | 0:42:31 | 0:42:34 | |
The residence at the time of marriage, | 0:42:34 | 0:42:37 | |
Southfield Road, Middlesbrough. | 0:42:37 | 0:42:40 | |
Middlesbrough is separated from Stockton by the River Tees. | 0:42:43 | 0:42:47 | |
When her grandparents were married there in 1936, | 0:42:47 | 0:42:51 | |
the Tees Transporter Bridge had already been in operation for 25 years. | 0:42:51 | 0:42:55 | |
It is now one of the few remaining transporter bridges in the world. | 0:42:55 | 0:43:01 | |
And it still ferries cars and passengers between the two towns. | 0:43:01 | 0:43:04 | |
Minnie has come to Middlesbrough Central Library | 0:43:15 | 0:43:18 | |
to see if she can finally find out why her grandparents weren't married | 0:43:18 | 0:43:22 | |
at the time of her father's birth, in 1921. | 0:43:22 | 0:43:25 | |
-Hi. -Hello, Minnie. -Hello, Mike. -Very pleased to meet you. | 0:43:26 | 0:43:29 | |
Genealogist Mike Tringham has uncovered a certificate | 0:43:29 | 0:43:31 | |
for the first marriage of Minnie's grandmother, Mary Jessie. | 0:43:31 | 0:43:35 | |
Robert Campbell Kelley... | 0:43:36 | 0:43:38 | |
..and Mary Jessie Maggie McGregor. | 0:43:39 | 0:43:42 | |
-Yes, married in Liverpool. -Wow! | 0:43:42 | 0:43:45 | |
On 15th April 1917. | 0:43:45 | 0:43:48 | |
She must have met my grandfather quite quickly afterwards. | 0:43:48 | 0:43:51 | |
I mean, if my dad was born in 1921. | 0:43:51 | 0:43:54 | |
There is a tragedy here, this is... | 0:43:54 | 0:43:56 | |
-His death certificate. -..his death certificate. | 0:43:56 | 0:43:59 | |
He died in France. | 0:43:59 | 0:44:01 | |
-He was serving King and country, he was one of the... -Wow! | 0:44:01 | 0:44:04 | |
..the deaths that took place at the worst possible time, | 0:44:04 | 0:44:08 | |
at the end of the war. | 0:44:08 | 0:44:10 | |
So your grandmother was widowed | 0:44:10 | 0:44:13 | |
about a year after her marriage. | 0:44:13 | 0:44:15 | |
-He didn't even die at home. -No. | 0:44:15 | 0:44:18 | |
So what about my, my grandfather's wife, who was he married to? | 0:44:18 | 0:44:23 | |
Well, I've got some information for you about your grandfather. | 0:44:23 | 0:44:27 | |
I'll show you this next document. | 0:44:27 | 0:44:29 | |
-Another marriage certificate. -If you'd like to, yes. | 0:44:29 | 0:44:32 | |
Ada. Oh! Ada Wood Stancliffe. | 0:44:32 | 0:44:36 | |
She was 30 and he was 21, | 0:44:36 | 0:44:39 | |
-and they were married in 1901. -1901. | 0:44:39 | 0:44:43 | |
And he married again in 1936. | 0:44:43 | 0:44:45 | |
But he was with my grandmother before that, so... | 0:44:45 | 0:44:48 | |
BOTH: What happened to Ada? | 0:44:48 | 0:44:51 | |
Well, I can tell you what happened to Ada. | 0:44:51 | 0:44:54 | |
So this is her death certificate. | 0:44:54 | 0:44:57 | |
The 12th December 1932... | 0:44:57 | 0:45:00 | |
is when she died. | 0:45:00 | 0:45:02 | |
Wait a minute. | 0:45:02 | 0:45:03 | |
-They were still definitely married. -They were still married, | 0:45:03 | 0:45:06 | |
which meant that he had fallen in love my grandmother | 0:45:06 | 0:45:09 | |
and had my dad while he was still married. | 0:45:09 | 0:45:12 | |
-Oh, the tangled web we weave. -Hm. | 0:45:12 | 0:45:16 | |
Wait a minute - he had a son. | 0:45:19 | 0:45:22 | |
-Dad had a brother. Leslie. -Yes. | 0:45:22 | 0:45:26 | |
Leslie Driver. | 0:45:26 | 0:45:27 | |
Minnie has discovered that her grandfather, Charles, | 0:45:30 | 0:45:34 | |
and his first wife, Ada Wood Stancliffe, | 0:45:34 | 0:45:37 | |
had a son called Leslie - | 0:45:37 | 0:45:39 | |
a half-brother to her father, Ronnie. | 0:45:39 | 0:45:42 | |
-Did your father ever mention him? -No. | 0:45:44 | 0:45:47 | |
Do you think he knew about him? | 0:45:47 | 0:45:49 | |
Probably. | 0:45:49 | 0:45:51 | |
-My dad was full of secrets. -Hm. | 0:45:51 | 0:45:53 | |
I came across a marriage for him. | 0:45:53 | 0:45:56 | |
Oh, my God! He was an actor! | 0:45:59 | 0:46:03 | |
Ah, yes. | 0:46:03 | 0:46:04 | |
And she was a variety artist! | 0:46:04 | 0:46:06 | |
I wondered when you'd notice. | 0:46:06 | 0:46:08 | |
I'm so happy. Finally, there's someone else who does... | 0:46:08 | 0:46:12 | |
-Yes. -..does the same thing... ridiculous profession as me. | 0:46:12 | 0:46:17 | |
It's in the genes. | 0:46:17 | 0:46:19 | |
That is just brilliant! | 0:46:19 | 0:46:23 | |
So, here we have a programme. | 0:46:25 | 0:46:28 | |
Oh, look. | 0:46:28 | 0:46:30 | |
-What do you make of that? -The Hippodrome, St Petersgate, Stockport. | 0:46:30 | 0:46:34 | |
This was in 1944, this particular production. | 0:46:34 | 0:46:38 | |
He was part of the Frank H Fortescue's Repertory Players, | 0:46:38 | 0:46:42 | |
-which was quite a reputable... -Was it? | 0:46:42 | 0:46:45 | |
..and well-thought-of repertory company. | 0:46:45 | 0:46:48 | |
Oh, he went by Leslie Stancliffe. | 0:46:48 | 0:46:50 | |
He didn't go by Leslie Driver. | 0:46:50 | 0:46:53 | |
Oh, I wonder if that's because he was angry with his dad. | 0:46:53 | 0:46:56 | |
Oh! Wait. Stancliffe... | 0:46:57 | 0:46:59 | |
Stancliffe's HER maiden name. | 0:46:59 | 0:47:01 | |
Ada Wood Stancliffe. | 0:47:02 | 0:47:05 | |
-That's his mother's maiden name. -So that's what he went by. | 0:47:05 | 0:47:08 | |
Wow! | 0:47:09 | 0:47:11 | |
Thank you so much. | 0:47:11 | 0:47:12 | |
It's been my pleasure. | 0:47:12 | 0:47:15 | |
Thanks. | 0:47:15 | 0:47:16 | |
Minnie is on the trail of her half-uncle, Leslie, | 0:47:23 | 0:47:27 | |
who worked as an actor during the 1940s | 0:47:27 | 0:47:29 | |
in Stockport, Greater Manchester. | 0:47:29 | 0:47:32 | |
I've been trying to figure out why it tickles me so much | 0:47:33 | 0:47:36 | |
that my uncle Leslie was an actor. | 0:47:36 | 0:47:39 | |
Cos I've always been a bit of a freak in my family. | 0:47:39 | 0:47:41 | |
I think I announced when I was about five, that that's what I was... | 0:47:43 | 0:47:48 | |
that I wanted to do music and acting. | 0:47:48 | 0:47:51 | |
The first and only time that I think my parents took it seriously | 0:47:51 | 0:47:55 | |
was when we arrived at the Oscars when I was nominated, | 0:47:55 | 0:47:58 | |
and you walk in and I was holding my dad's hand and he leant over | 0:47:58 | 0:48:03 | |
and he said, "You're probably not going to win." | 0:48:03 | 0:48:06 | |
SHE CHUCKLES | 0:48:06 | 0:48:08 | |
I was like, "I know!" | 0:48:08 | 0:48:10 | |
Minnie has come to the Stockport Plaza | 0:48:25 | 0:48:27 | |
to meet Associate Professor James Moran, | 0:48:27 | 0:48:31 | |
an expert on the repertory theatre movement. | 0:48:31 | 0:48:34 | |
Here we are. | 0:48:38 | 0:48:40 | |
Isn't it beautiful? | 0:48:42 | 0:48:44 | |
Oh, look at that. | 0:48:44 | 0:48:46 | |
This is the Stockport Plaza. | 0:48:46 | 0:48:49 | |
It's one of the surviving grand theatres | 0:48:49 | 0:48:51 | |
from the period when your uncle was in Stockport. | 0:48:51 | 0:48:54 | |
Now, he performed certainly at the Stockport Hippodrome, | 0:48:54 | 0:48:58 | |
which is about 150 yards away from here. | 0:48:58 | 0:49:00 | |
Is that still surviving? | 0:49:00 | 0:49:02 | |
I'm afraid not. That's been burnt down. That doesn't exist any more. | 0:49:02 | 0:49:05 | |
But you have some sense of the kind of place that he was performing in. | 0:49:05 | 0:49:09 | |
How beautiful. | 0:49:09 | 0:49:10 | |
By the 1930s, local repertory theatre companies, | 0:49:13 | 0:49:16 | |
offering audiences a new play every week, | 0:49:16 | 0:49:19 | |
had become one of the most popular forms of entertainment in Britain. | 0:49:19 | 0:49:23 | |
While often derided by serious theatre critics, | 0:49:23 | 0:49:26 | |
the popularity of commercial rep was to have a significant impact | 0:49:26 | 0:49:31 | |
on the development of British culture. | 0:49:31 | 0:49:34 | |
Stars such as Ronnie Barker and Eric Sykes, | 0:49:35 | 0:49:38 | |
and the casts of popular shows like Dad's Army, | 0:49:38 | 0:49:41 | |
all started their careers in the commercial repertory system. | 0:49:41 | 0:49:45 | |
-I've got a programme from the Hippodrome... -Great. | 0:49:47 | 0:49:50 | |
..that my... Well, the play that my uncle Leslie was in. | 0:49:50 | 0:49:54 | |
This is a comedy, Spring Cleaning, about a man who was worried | 0:49:54 | 0:49:58 | |
that his wife is mixing with some disreputable people | 0:49:58 | 0:50:02 | |
and he's worried that she might have an affair, so... | 0:50:02 | 0:50:04 | |
-Was my uncle one of the disreputable characters in... -He was, yes. | 0:50:04 | 0:50:08 | |
Why doesn't that surprise me? | 0:50:08 | 0:50:09 | |
He could do comic parts like this, | 0:50:09 | 0:50:12 | |
but he could also play leading men, | 0:50:12 | 0:50:15 | |
he could play old men, with talcum powder in his hair, | 0:50:15 | 0:50:18 | |
he could play butlers, he often did that. | 0:50:18 | 0:50:20 | |
He could do a range of accents. He could do Manchester accents, | 0:50:20 | 0:50:23 | |
London accents, New York accents, | 0:50:23 | 0:50:25 | |
and the thing that really makes his name, | 0:50:25 | 0:50:28 | |
that makes him famous in the Fortescue Players, | 0:50:28 | 0:50:30 | |
is a performance in 1944 of a play called Peg O' My Heart. | 0:50:30 | 0:50:35 | |
-If you look at the review... -So exciting. | 0:50:35 | 0:50:37 | |
..you'll see what happens in performance. | 0:50:37 | 0:50:40 | |
"Two quick changes at short notice | 0:50:40 | 0:50:42 | |
"were necessary at the beginning of the week. | 0:50:42 | 0:50:44 | |
"Mr T Mostoll Willey takes the part of Jerry, | 0:50:44 | 0:50:47 | |
"intended for Mr Alan Caesar, | 0:50:47 | 0:50:49 | |
"and Mr Leslie Stancliffe takes the part of Alaric Chichester." | 0:50:49 | 0:50:53 | |
It's so successful, that part, that the following week | 0:50:53 | 0:50:56 | |
the Stockport Express newspaper carries a special profile... | 0:50:56 | 0:51:00 | |
-Let me see that. -..of Leslie Stancliffe. | 0:51:00 | 0:51:03 | |
Oh, look at him. | 0:51:03 | 0:51:05 | |
"Leslie Stancliffe has considerably widened his circle of admirers. | 0:51:08 | 0:51:12 | |
"He had his first taste of acting as a junior in silent films. | 0:51:12 | 0:51:17 | |
"Leslie is becoming known to the theatre-going public of Stockport | 0:51:17 | 0:51:22 | |
"as the man with the funny laugh." | 0:51:22 | 0:51:24 | |
SHE LAUGHS | 0:51:24 | 0:51:26 | |
I know where I get it from, then! | 0:51:26 | 0:51:29 | |
That is a good thing to be known for, Leslie. | 0:51:29 | 0:51:32 | |
I can't get over how he looks like my dad. | 0:51:34 | 0:51:37 | |
"He joined Cissie Langley in a sketch on the variety stage." | 0:51:38 | 0:51:41 | |
That must be where he met, um, Grace McKie. | 0:51:41 | 0:51:44 | |
It absolutely was. His wife was known on stage... | 0:51:44 | 0:51:48 | |
Ohh! You've only got a picture of her. Oh, let me see! | 0:51:48 | 0:51:51 | |
-There you go. -Oh, my gosh! She's gorgeous. | 0:51:51 | 0:51:55 | |
Oh, look, she has such a lively face. | 0:51:57 | 0:51:59 | |
And if you want, I have a better image of your uncle there. | 0:51:59 | 0:52:03 | |
Oh, my God, he's so handsome. | 0:52:05 | 0:52:08 | |
Oh, goodness me, look at them. | 0:52:10 | 0:52:12 | |
So he's dedicated that, you can see, to my darling Billie, | 0:52:14 | 0:52:17 | |
and Billie McKie was Grace's stage name. | 0:52:17 | 0:52:20 | |
Oh, it was? | 0:52:20 | 0:52:21 | |
It was her stage name when she was performing on the variety stage. | 0:52:21 | 0:52:26 | |
What happened to them, do you know? | 0:52:26 | 0:52:28 | |
After the war, he left the Fortescue Players | 0:52:28 | 0:52:32 | |
and I have a different programme here for the Popular Players | 0:52:32 | 0:52:35 | |
near Blackpool, playing at St-Anne's-on-Sea. | 0:52:35 | 0:52:38 | |
This piece is called Daddy Long-Legs. | 0:52:38 | 0:52:41 | |
Oh, look, he had the lead. He had the lead role. | 0:52:41 | 0:52:43 | |
-What year is this, sorry? -This is 1945. | 0:52:43 | 0:52:46 | |
-OK. -And then the trail goes a bit cold | 0:52:46 | 0:52:49 | |
and I just have one more document relating to Leslie. | 0:52:49 | 0:52:53 | |
This is from The Stage, the theatrical newspaper. | 0:52:53 | 0:52:57 | |
"Loving memories of Leslie, died March 6th 1947. | 0:52:57 | 0:53:02 | |
"The rest is yours, dear, the loneliness ours - Billie. | 0:53:02 | 0:53:07 | |
"God bless my darling daddy - Jean." | 0:53:07 | 0:53:11 | |
Oh, dear. He died so young. | 0:53:12 | 0:53:15 | |
He was 38, I think. | 0:53:15 | 0:53:18 | |
Oh... But he had a daughter. | 0:53:18 | 0:53:19 | |
Yeah, he did have a daughter. The interesting thing is, | 0:53:19 | 0:53:22 | |
if you look at the last programme that I showed you, | 0:53:22 | 0:53:25 | |
of Daddy Long-Legs, | 0:53:25 | 0:53:27 | |
I don't know if you notice anything familiar about the list | 0:53:27 | 0:53:29 | |
of orphan children who are on stage? | 0:53:29 | 0:53:32 | |
Jean Stancliffe. Oh, my gosh! | 0:53:32 | 0:53:34 | |
So his little girl was in it. | 0:53:35 | 0:53:38 | |
Now, I do have a contact number for Jean. | 0:53:38 | 0:53:42 | |
-Oh, God. -She's still alive. | 0:53:42 | 0:53:44 | |
-Oh, my God. -And she would be happy to... | 0:53:44 | 0:53:47 | |
-Oh, my God. -..to speak to you. | 0:53:47 | 0:53:49 | |
Minnie's cousin, Jean Driver, does not want to appear on camera, | 0:53:53 | 0:53:57 | |
but she has agreed to speak to Minnie on the phone. | 0:53:57 | 0:54:00 | |
-'2677.' -Jean? | 0:54:00 | 0:54:02 | |
-'Hello.' -Hello, Jean? | 0:54:02 | 0:54:05 | |
-'Yes.' -Hello, it's Minnie Driver. | 0:54:05 | 0:54:08 | |
'Oh, hello.' | 0:54:08 | 0:54:09 | |
Would you be happy to talk to me about your dad and your mum? | 0:54:09 | 0:54:13 | |
-'Yes, of course, yes.' -Oh. -'That would be lovely.' | 0:54:13 | 0:54:15 | |
I saw that you were in a play with him? | 0:54:15 | 0:54:18 | |
'Yes, when they did a production of Daddy Long-Legs | 0:54:18 | 0:54:21 | |
-'at the Ashton Pavilion.' -Right. | 0:54:21 | 0:54:23 | |
'And I played one of the orphans.' | 0:54:23 | 0:54:25 | |
Oh, I love that you were on stage with your dad! That's so great. | 0:54:25 | 0:54:29 | |
-'I don't really remember very well, but...' -Oh! -'Yes.' | 0:54:29 | 0:54:33 | |
Did you know that your dad had a half-brother? | 0:54:33 | 0:54:37 | |
-'Yes, I did.' -You did? -'Yes.' | 0:54:37 | 0:54:40 | |
So, did they ever meet, do you know? | 0:54:40 | 0:54:42 | |
-'No, no.' -They never did? | 0:54:42 | 0:54:44 | |
'Certainly from my parents marrying, | 0:54:44 | 0:54:46 | |
'I don't think my father went home, | 0:54:46 | 0:54:49 | |
'but my mother and I went maybe a year after Father had died. | 0:54:49 | 0:54:53 | |
'Obviously, I met my grandfather and his wife.' | 0:54:53 | 0:54:57 | |
It's so funny that we share a grandfather. | 0:54:57 | 0:55:00 | |
-'It is, yes.' -Isn't it? -'Yes.' | 0:55:00 | 0:55:01 | |
Do you have any memories of him at all? | 0:55:01 | 0:55:04 | |
'Unfortunately not. I wish I did.' | 0:55:04 | 0:55:06 | |
-Ah! -'But I do have a photograph.' | 0:55:06 | 0:55:08 | |
-You don't? -'Just one.' -Oh, I'm going to cry. | 0:55:08 | 0:55:12 | |
That is absolutely fantastic news. | 0:55:12 | 0:55:16 | |
I've been longing to see a picture of him. | 0:55:16 | 0:55:18 | |
Yeah, I would absolutely love to have your address | 0:55:20 | 0:55:23 | |
-and maybe we could stay in contact. -'Yes. That would be great.' | 0:55:23 | 0:55:26 | |
-I've got a son who's four called Henry. -'Oh!' | 0:55:26 | 0:55:30 | |
And he's ever so sweet, and I could maybe send you a picture? | 0:55:30 | 0:55:33 | |
'Oh, that would... That would be great.' | 0:55:33 | 0:55:36 | |
Yeah, I'd like that. I'd like that a lot. | 0:55:36 | 0:55:39 | |
'It's been lovely to speak to you.' | 0:55:39 | 0:55:41 | |
-Oh, well, I... -'Wonderful.' | 0:55:41 | 0:55:43 | |
It's been really nice talking to you. Thank you, Jean. | 0:55:43 | 0:55:46 | |
-Thank you very much indeed. -'It's a pleasure.' | 0:55:46 | 0:55:48 | |
-All right. -'Yeah.' -Bye-bye. -'Bye-bye.' -Bye. | 0:55:48 | 0:55:51 | |
A package from England has arrived at Minnie's house | 0:56:10 | 0:56:14 | |
in the Hollywood hills. | 0:56:14 | 0:56:16 | |
Hen! | 0:56:18 | 0:56:20 | |
Coming. | 0:56:20 | 0:56:22 | |
Look at this. | 0:56:23 | 0:56:25 | |
OK, you pull it out really, really gently. | 0:56:25 | 0:56:28 | |
Oh, wow! | 0:56:29 | 0:56:31 | |
Look, it's Granny and Grandpa. | 0:56:33 | 0:56:35 | |
That's my dad's dad, and that's my dad's mum. | 0:56:36 | 0:56:41 | |
Oh, my goodness. | 0:56:42 | 0:56:45 | |
And this is your great-grandpa and your great-grandma. | 0:56:45 | 0:56:48 | |
-You're their great-grandson. -I think they look handsome. | 0:56:48 | 0:56:51 | |
You think they look handsome? | 0:56:51 | 0:56:53 | |
-I think you look handsome. -I think you look handsome. | 0:56:53 | 0:56:57 | |
Thanks so much! | 0:56:57 | 0:56:58 | |
I wanted to be able to tell Henry more than I knew myself. | 0:57:11 | 0:57:15 | |
I didn't want it to just be a bunch of question marks. | 0:57:15 | 0:57:18 | |
When you don't know anything about a certain part of your life, | 0:57:18 | 0:57:24 | |
finding out some things is both amazing, | 0:57:24 | 0:57:27 | |
but also incredibly difficult, | 0:57:27 | 0:57:30 | |
because it's like pulling the thread on a blanket - | 0:57:30 | 0:57:33 | |
it just begins all of these other questions. | 0:57:33 | 0:57:37 | |
And it's definitely made me wonder so much about my father | 0:57:37 | 0:57:41 | |
and why he chose to keep everything so secret. | 0:57:41 | 0:57:45 | |
Not just for us, but for him, to carry that around. | 0:57:46 | 0:57:50 | |
It would have been nice to talk to him about it all. | 0:57:50 | 0:57:53 | |
But I'm glad I can fill in the blanks for Henry, um, | 0:57:53 | 0:57:57 | |
with some really wonderful stories. | 0:57:57 | 0:58:00 | |
It will be a great thing for him to have | 0:58:00 | 0:58:03 | |
and for us to look back on over time. | 0:58:03 | 0:58:05 | |
Subtitles by Red Bee Media Ltd | 0:58:29 | 0:58:31 |