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You never know where filming's going to take you. | 0:00:02 | 0:00:04 | |
This is probably the last place that I ever thought I'd see myself on a | 0:00:04 | 0:00:07 | |
Sunday morning when I was a kid. | 0:00:07 | 0:00:08 | |
You know, in Surrey, with trees and green, but here I am. | 0:00:08 | 0:00:11 | |
Everything good there, mate? | 0:00:11 | 0:00:12 | |
All good? | 0:00:12 | 0:00:14 | |
Your crew become your family, you know? | 0:00:14 | 0:00:16 | |
And that's part of the thing. I've not grown up with a family, | 0:00:16 | 0:00:20 | |
so I guess I'm always kind of looking for that, in a weird way. | 0:00:20 | 0:00:23 | |
Award-winning actor Noel Clarke has worked in film and television | 0:00:24 | 0:00:29 | |
for over 20 years. | 0:00:29 | 0:00:31 | |
I'm doing the job that I wanted to do when I was five or six years old. | 0:00:31 | 0:00:36 | |
I'm proud of that. | 0:00:36 | 0:00:38 | |
He's also a force behind the camera, | 0:00:38 | 0:00:40 | |
taking on roles as a writer, | 0:00:40 | 0:00:42 | |
director and producer. | 0:00:42 | 0:00:45 | |
I'm from a single-parent family, | 0:00:45 | 0:00:48 | |
you know, a council estate in West London. | 0:00:48 | 0:00:50 | |
I'm not supposed to be sitting here. | 0:00:50 | 0:00:52 | |
I grew up just alone with my mother. | 0:00:54 | 0:00:56 | |
There wasn't a brother or a sister, or a dad. | 0:00:56 | 0:00:59 | |
So it's just always been myself and her. | 0:00:59 | 0:01:01 | |
I know my dad, but he wasn't really a part of my childhood. | 0:01:03 | 0:01:06 | |
There wasn't really much of a connection to the Caribbean at all. | 0:01:06 | 0:01:09 | |
I don't have a lot of connections and roots, | 0:01:09 | 0:01:12 | |
so I definitely feel like there's something missing. | 0:01:12 | 0:01:14 | |
I want to know about my family, you know? | 0:01:14 | 0:01:18 | |
I want my kids to know about their bloodline. | 0:01:18 | 0:01:20 | |
I want them to know. | 0:01:20 | 0:01:21 | |
Good work, guys. | 0:01:23 | 0:01:24 | |
So it would be good for me to find out. | 0:01:24 | 0:01:26 | |
I grew up in West London. | 0:02:00 | 0:02:01 | |
I never lived out of a sort of three-mile radius. | 0:02:01 | 0:02:04 | |
And when I grew up, it was a pretty rough area. | 0:02:04 | 0:02:08 | |
But when you're growing up there, you're just part of it. | 0:02:08 | 0:02:11 | |
I just felt safe. | 0:02:11 | 0:02:12 | |
Noel is starting his search by visiting his mother Gemma... | 0:02:14 | 0:02:18 | |
-Hi, son. -Yeah, Mum! -Come up here! | 0:02:18 | 0:02:21 | |
..to see what she can share with him about their family history. | 0:02:21 | 0:02:24 | |
My mum is really important to me. | 0:02:24 | 0:02:26 | |
She had to work really hard. | 0:02:26 | 0:02:27 | |
She was a nurse. | 0:02:27 | 0:02:28 | |
To raise me on her own and have me turn out, I guess, | 0:02:28 | 0:02:32 | |
half decent, I think I'm all right! | 0:02:32 | 0:02:34 | |
-Hi, son, how are you doing? -All right. | 0:02:34 | 0:02:37 | |
It was no mean feat. | 0:02:37 | 0:02:38 | |
-Nice to see you. -Yeah, you too. | 0:02:38 | 0:02:41 | |
Gemma still lives in the flat where Noel grew up. | 0:02:41 | 0:02:44 | |
Are you ready to show me some stuff? | 0:02:44 | 0:02:45 | |
Yeah, son. | 0:02:45 | 0:02:47 | |
How did we end up stranded on this cold island? | 0:02:47 | 0:02:50 | |
What made you want to leave your home, to leave Trinidad, and | 0:02:50 | 0:02:57 | |
-come to England? -I have a friend, and she told me, "Oh, Gemma, | 0:02:57 | 0:03:01 | |
"I applied to a hospital to go to England to do nursing." | 0:03:01 | 0:03:05 | |
And I said to her, "Can you give me the address?" | 0:03:07 | 0:03:10 | |
And she gave me the address, and I applied, and I got through, | 0:03:10 | 0:03:13 | |
-and she didn't get through! -Are you still friends with her? | 0:03:13 | 0:03:17 | |
-Yeah. -Well, good! | 0:03:17 | 0:03:19 | |
I came here to better myself, son. | 0:03:19 | 0:03:21 | |
You did a very good job. | 0:03:21 | 0:03:23 | |
That's the nurses. That was our group. | 0:03:23 | 0:03:25 | |
I'm liking that Afro, Mum. | 0:03:25 | 0:03:28 | |
-Was that the style? -Yeah. | 0:03:28 | 0:03:30 | |
I like my Afro, man, too. | 0:03:30 | 0:03:33 | |
-Is that me? -Yeah. | 0:03:33 | 0:03:35 | |
I remember, like, I was going to school on my own from seven years. | 0:03:35 | 0:03:38 | |
And sometimes, if you had to work the late shift, | 0:03:38 | 0:03:40 | |
I'd come home and you would have all of my snacks laid out. | 0:03:40 | 0:03:44 | |
And, "Don't open the door for anyone, put the chain on." | 0:03:44 | 0:03:46 | |
Yeah! | 0:03:46 | 0:03:48 | |
And I would just sort of sit here and play with my toys | 0:03:48 | 0:03:51 | |
or watch television or watch films and stuff like that | 0:03:51 | 0:03:54 | |
until you came home. | 0:03:54 | 0:03:55 | |
Yeah. | 0:03:55 | 0:03:56 | |
But that was what you did back then. | 0:03:56 | 0:03:58 | |
And every weekend we used to have our weekend. | 0:03:58 | 0:04:01 | |
Yeah, you used to take me to theatre shows and cinemas | 0:04:01 | 0:04:04 | |
at a very young age. | 0:04:04 | 0:04:07 | |
So how does my childhood here compare to what it was like | 0:04:07 | 0:04:11 | |
in Trinidad for you? | 0:04:11 | 0:04:12 | |
I didn't... My childhood in Trinidad was better than yours! | 0:04:14 | 0:04:20 | |
SHE LAUGHS | 0:04:20 | 0:04:22 | |
We were free. | 0:04:22 | 0:04:23 | |
We used to play hopscotch, play rounders, play cricket. | 0:04:24 | 0:04:29 | |
We used to do lots of things. | 0:04:29 | 0:04:32 | |
Girls used to do what the boys used to do also. | 0:04:32 | 0:04:35 | |
Where exactly did you grow up? | 0:04:35 | 0:04:36 | |
I grew up with my grandmother in Orange Field Road, Carapichaima. | 0:04:36 | 0:04:42 | |
-Carapichaima? In Trinidad? -In Trinidad. | 0:04:42 | 0:04:45 | |
That's me when I was six months old. | 0:04:45 | 0:04:47 | |
-That's you? -As a baby, yes. | 0:04:47 | 0:04:50 | |
I grew up with my grandmother. | 0:04:52 | 0:04:53 | |
And I thought she was my mother. | 0:04:53 | 0:04:55 | |
-What was her name? -Elizabeth Adina Clarke. | 0:04:55 | 0:04:58 | |
OK. So, my great-grandmother? | 0:05:00 | 0:05:01 | |
Why were you living with your grandmother? | 0:05:01 | 0:05:05 | |
I don't know the reason, but I was with my grandmother, | 0:05:05 | 0:05:09 | |
and I know my mother used to come and see me. | 0:05:09 | 0:05:11 | |
So who did you think your mother was? | 0:05:11 | 0:05:13 | |
When my mother used to come around, | 0:05:13 | 0:05:15 | |
we used to say, "Hello, Auntie Edna." | 0:05:15 | 0:05:16 | |
-What was her name? -Edna Naomi Clarke. | 0:05:18 | 0:05:21 | |
-So...you grew up with your grandmother... -Mm-hm. | 0:05:21 | 0:05:24 | |
-..and thought your mother was your aunt? -Yes. | 0:05:24 | 0:05:28 | |
And then Edna told me that she was my mother. | 0:05:28 | 0:05:32 | |
Did she do it like EastEnders, "I'm your mother!" | 0:05:32 | 0:05:35 | |
No, no, no, she came one summer to take me, and she never took me back. | 0:05:35 | 0:05:38 | |
And I stayed with her. | 0:05:38 | 0:05:40 | |
I think I was 11 years. | 0:05:40 | 0:05:43 | |
This is my mother when she was young... | 0:05:43 | 0:05:45 | |
-That's Grandma? -..and cute. Yes. | 0:05:45 | 0:05:48 | |
-She was Edna Naomi Clarke? -Mm-hm. | 0:05:48 | 0:05:51 | |
How come I'm only hearing about all this stuff now? | 0:05:51 | 0:05:54 | |
Well, you never asked. | 0:05:54 | 0:05:55 | |
So I'm just telling you about it now. | 0:05:55 | 0:05:58 | |
What was Great-Grandma like? | 0:05:58 | 0:06:00 | |
She was easy-going. | 0:06:00 | 0:06:01 | |
So where did you get the strictness from? From Granny? From Edna? | 0:06:01 | 0:06:04 | |
No, I wasn't strict with you! | 0:06:04 | 0:06:06 | |
You had a lot of leeway. | 0:06:06 | 0:06:08 | |
Oh, man...! | 0:06:08 | 0:06:10 | |
That's amazing how parents remember it, isn't it! | 0:06:10 | 0:06:13 | |
So, if I want to really know about the family, | 0:06:13 | 0:06:15 | |
I should probably start with Great-Grandma Elizabeth. | 0:06:15 | 0:06:18 | |
Yes, that's a good place to start. | 0:06:18 | 0:06:21 | |
Noel's mother Gemma grew up in Trinidad. | 0:06:24 | 0:06:27 | |
Raised for the first 11 years of her life not by her mother, Edna Naomi, | 0:06:27 | 0:06:31 | |
but by her grandmother, Elizabeth Adina. | 0:06:31 | 0:06:35 | |
Elizabeth's husband, Noel's great-grandfather, | 0:06:35 | 0:06:38 | |
was William Woods Clarke. | 0:06:38 | 0:06:40 | |
To find out more about this line of the family, | 0:06:43 | 0:06:45 | |
Noel has come to Trinidad. His first visit in 25 years. | 0:06:45 | 0:06:49 | |
Trinidad and Tobago is the most southerly country | 0:06:56 | 0:07:00 | |
in the Caribbean island chain, | 0:07:00 | 0:07:02 | |
less than ten miles from the coast of South America. | 0:07:02 | 0:07:05 | |
Elizabeth and William lived in Carapichaima, in central Trinidad. | 0:07:05 | 0:07:09 | |
-This one's nice. -Yeah, sweet? -Yes, sweet, like sugar. | 0:07:10 | 0:07:14 | |
For over 100 years, | 0:07:14 | 0:07:15 | |
the sugar from this area was the mainstay of Trinidad's economy. | 0:07:15 | 0:07:18 | |
Thanks a lot, man. | 0:07:19 | 0:07:21 | |
Mm... It's good. | 0:07:24 | 0:07:25 | |
Local historian Judy Raymond has brought Noel to the road his | 0:07:27 | 0:07:30 | |
great-grandparents lived on. | 0:07:30 | 0:07:32 | |
There's still one house from the period. | 0:07:32 | 0:07:35 | |
So it's the kind of house that your great-grandparents would have lived | 0:07:35 | 0:07:38 | |
in. It's kind of beautiful, in its own way. | 0:07:38 | 0:07:40 | |
-It is, it's amazing. -And it's a decent size, too. -Yeah. | 0:07:40 | 0:07:43 | |
-Yeah. -So, when it was -pitch-black, -candlelight and... | 0:07:43 | 0:07:46 | |
Yeah, they would have used candles and pitch oil lamps, kerosene lamps. | 0:07:46 | 0:07:50 | |
That's right. | 0:07:50 | 0:07:52 | |
And it was built on short columns to dissuade rats | 0:07:52 | 0:07:55 | |
and other creatures. They would have grown a lot of their own food. | 0:07:55 | 0:07:59 | |
Yeah. | 0:07:59 | 0:08:00 | |
This is a breadfruit tree. | 0:08:00 | 0:08:01 | |
So they would probably cook and eat the breadfruit from here. | 0:08:01 | 0:08:04 | |
It sounds strange to think that they may have walked here. | 0:08:04 | 0:08:08 | |
It's possible. | 0:08:08 | 0:08:09 | |
What are you able to tell me about my great-grandma? | 0:08:12 | 0:08:14 | |
Let me show you what I've found. | 0:08:14 | 0:08:16 | |
So, this is a marriage certificate. | 0:08:16 | 0:08:19 | |
Adina... | 0:08:19 | 0:08:20 | |
Oh, it's the other way around. | 0:08:20 | 0:08:22 | |
Adina Elizabeth John. That's my great-grandmother. | 0:08:22 | 0:08:25 | |
-Yeah. -She was 19 when she got married. | 0:08:25 | 0:08:27 | |
She was a seamstress. | 0:08:29 | 0:08:30 | |
Oh, man, this is unbelievable. | 0:08:32 | 0:08:34 | |
And William Woods Clarke. | 0:08:34 | 0:08:36 | |
Married at 27. | 0:08:36 | 0:08:38 | |
Date of marriage, June 24th, 1906. | 0:08:38 | 0:08:41 | |
My great-grandfather was a...mason. | 0:08:42 | 0:08:46 | |
So, both of them, in other words, had special skills. | 0:08:47 | 0:08:50 | |
Yeah, yeah. | 0:08:50 | 0:08:52 | |
Wait a second. St Vincent and the Grenadines. | 0:08:53 | 0:08:57 | |
Mm-hm, not Trinidad at all. | 0:08:57 | 0:08:59 | |
Not Trinidad. There's me shouting, "Trini! Trini!" for all my life, | 0:08:59 | 0:09:02 | |
and actually I'm waving the wrong flag. | 0:09:02 | 0:09:05 | |
Yeah, there's lots of first and second generation Trinis, | 0:09:05 | 0:09:08 | |
and they are just as Trini as anybody else. | 0:09:08 | 0:09:11 | |
Trini to the bone, so... | 0:09:11 | 0:09:13 | |
-Yeah, good. -You don't have to worry about that. | 0:09:13 | 0:09:15 | |
Were they both born in St Vincent, my great-grandparents? | 0:09:15 | 0:09:19 | |
We don't know, because the records from before that date | 0:09:19 | 0:09:22 | |
from St Vincent were destroyed in a volcanic explosion in 1902. | 0:09:22 | 0:09:27 | |
That would do it, wouldn't it, destroy records! | 0:09:27 | 0:09:29 | |
-OK. -And the next thing that happened... | 0:09:29 | 0:09:31 | |
Certified copy of an entry of birth. | 0:09:35 | 0:09:38 | |
Oh, wow! | 0:09:38 | 0:09:40 | |
15th of June 1913. | 0:09:40 | 0:09:42 | |
Child...female. | 0:09:42 | 0:09:44 | |
They had a child in St Vincent. | 0:09:45 | 0:09:47 | |
I can't see a first name. Am I just not seeing it? | 0:09:47 | 0:09:50 | |
No, in those days they just recorded the gender. | 0:09:50 | 0:09:53 | |
And then the next document for you to look at is this one. | 0:09:55 | 0:09:59 | |
So, OK, Trinidad and Tobago, here we go. | 0:09:59 | 0:10:03 | |
The 3rd of April 1917. | 0:10:03 | 0:10:06 | |
A female. | 0:10:06 | 0:10:07 | |
The fact that they had a daughter here suggests that they did | 0:10:07 | 0:10:10 | |
have actually quite a strong bond and they migrated as a family, | 0:10:10 | 0:10:13 | |
rather than him coming here alone in search of work. | 0:10:13 | 0:10:16 | |
And then, if you see, the informant is Robert John. | 0:10:16 | 0:10:20 | |
Yes. | 0:10:20 | 0:10:23 | |
Adina Clarke's father. | 0:10:23 | 0:10:25 | |
My great-great-grandfather. | 0:10:25 | 0:10:27 | |
And you also see it, it says, the mark of Robert John, labourer. | 0:10:27 | 0:10:30 | |
-In other words, he was illiterate. -Yeah. | 0:10:30 | 0:10:33 | |
So the family was already moving up in the world, | 0:10:33 | 0:10:35 | |
because his daughter was a seamstress, and she married a mason. | 0:10:35 | 0:10:38 | |
Married a mason, so they're making moves. | 0:10:38 | 0:10:41 | |
When Noel's great-grandparents migrated to Trinidad in 1917, | 0:10:44 | 0:10:48 | |
its economy was booming. | 0:10:48 | 0:10:51 | |
Chocolate was considered a vital morale boost for soldiers | 0:10:51 | 0:10:54 | |
fighting in World War I. So cocoa and sugar were in great demand. | 0:10:54 | 0:10:59 | |
Like William and Elizabeth, | 0:11:01 | 0:11:03 | |
many inhabitants of smaller islands migrated to work on Trinidad's large | 0:11:03 | 0:11:06 | |
and thriving estates. | 0:11:06 | 0:11:08 | |
Each estate would have a mason, | 0:11:10 | 0:11:12 | |
a carpenter and so on, who would carry out the skilled work | 0:11:12 | 0:11:15 | |
that was needed to maintain buildings and the equipment. | 0:11:15 | 0:11:20 | |
With Great-Grandfather doing his masonry, | 0:11:20 | 0:11:23 | |
was Great-Grandma working as well, making clothes? | 0:11:23 | 0:11:25 | |
What do you think she was doing? I mean, obviously... | 0:11:25 | 0:11:28 | |
Well, I can tell you one thing she was doing. | 0:11:28 | 0:11:30 | |
She loved it, didn't she, clearly! | 0:11:32 | 0:11:35 | |
Great-Grandma, I know what you were up to! | 0:11:36 | 0:11:41 | |
This is another daughter, she was born 25th of October, 1919. | 0:11:41 | 0:11:47 | |
That's not my grandmother either. | 0:11:47 | 0:11:49 | |
How many more of these is there? | 0:11:49 | 0:11:52 | |
Wow, 22nd... This is my grandmother. | 0:11:53 | 0:11:55 | |
I think. | 0:11:55 | 0:11:57 | |
22nd of June, 1921. | 0:11:57 | 0:11:59 | |
Yeah, this is my grandmother. | 0:11:59 | 0:12:00 | |
-And that's it. -That's it. | 0:12:00 | 0:12:02 | |
So my grandmother was the youngest of four children. | 0:12:02 | 0:12:06 | |
-Yes, exactly. -I did not know that. | 0:12:06 | 0:12:08 | |
OK, I have one more document. | 0:12:08 | 0:12:11 | |
Passenger list, 1923. | 0:12:11 | 0:12:14 | |
So these are people going to the United States. | 0:12:14 | 0:12:16 | |
OK. | 0:12:16 | 0:12:18 | |
-Which would have been... -After my grandmother, Naomi, was born. | 0:12:19 | 0:12:22 | |
Two years after she was born, Clarke, Elizabeth, 30, female. | 0:12:22 | 0:12:27 | |
Married or single? | 0:12:27 | 0:12:29 | |
W, widowed. | 0:12:29 | 0:12:31 | |
What? | 0:12:31 | 0:12:33 | |
-So, my great-grandfather's died? -Yeah. | 0:12:33 | 0:12:36 | |
Name and address of nearest relative, | 0:12:37 | 0:12:41 | |
Mr R John, Pointe-a-Pierre, Trinidad. | 0:12:41 | 0:12:43 | |
So that's her father. | 0:12:43 | 0:12:45 | |
Final destination, New York. Why is she going to New York? | 0:12:46 | 0:12:50 | |
Were they going to join a relative or friend, if so, | 0:12:50 | 0:12:52 | |
what relative or friend? | 0:12:52 | 0:12:54 | |
Sister, Brooklyn. | 0:12:55 | 0:12:58 | |
So, my great-grandmother, in 1923, has gone to New York | 0:13:00 | 0:13:04 | |
to stay with her sister. What about the kids? | 0:13:04 | 0:13:07 | |
Does it say that the kids went with her? | 0:13:08 | 0:13:12 | |
It doesn't say that. | 0:13:13 | 0:13:14 | |
I can't imagine that she would just leave four children. | 0:13:14 | 0:13:17 | |
Well, I'm sure, if she did, she must have had a very good reason. | 0:13:17 | 0:13:20 | |
Yeah. | 0:13:22 | 0:13:24 | |
To find out whether Elizabeth really did abandon her children, | 0:13:36 | 0:13:40 | |
Noel is meeting Diane Prechad. | 0:13:40 | 0:13:42 | |
-How are you? -I'm fine, how are you? -Yeah, good, you must be Diane, yeah? | 0:13:42 | 0:13:46 | |
-Yes, and you must Noel? -Yeah. | 0:13:46 | 0:13:48 | |
Diane is an expert on the history of Caribbean migration. | 0:13:48 | 0:13:51 | |
My great-grandmother, unfortunately, was widowed, | 0:13:52 | 0:13:55 | |
and then seems to have disappeared to New York, | 0:13:55 | 0:13:57 | |
and I think left her kids behind. | 0:13:57 | 0:13:59 | |
So I'd love to know a little bit more about that. | 0:13:59 | 0:14:01 | |
This article would tell you a context | 0:14:01 | 0:14:04 | |
of what were the circumstances in Trinidad at that time. | 0:14:04 | 0:14:08 | |
"The exodus from Trinidad, women leading the way. | 0:14:09 | 0:14:13 | |
"An alarming situation. May 12th, 1923. | 0:14:13 | 0:14:17 | |
"A revision of the passenger list for the last six months | 0:14:17 | 0:14:21 | |
"discloses the alarming fact that, fully, 90% | 0:14:21 | 0:14:25 | |
"of the emigrants leaving Trinidad are women. | 0:14:25 | 0:14:28 | |
"It is noticeable that, when the women go away, | 0:14:30 | 0:14:32 | |
"they earn the money and send back for the men. | 0:14:32 | 0:14:34 | |
"Thus we find the order of things have radically changed." | 0:14:34 | 0:14:38 | |
Wow. OK. | 0:14:38 | 0:14:39 | |
"It is that the women have been forced to realise | 0:14:39 | 0:14:43 | |
"that there is no living to be made by them locally and so, | 0:14:43 | 0:14:47 | |
"rather than leading questionable lives... | 0:14:47 | 0:14:49 | |
"..they elect to venture forth and eke out an existence." | 0:14:50 | 0:14:54 | |
So, essentially, | 0:14:54 | 0:14:56 | |
the only option was for them to either become prostitutes or... | 0:14:56 | 0:15:00 | |
-..or leave. -Yeah. | 0:15:02 | 0:15:03 | |
And she decided she was going to leave. | 0:15:03 | 0:15:05 | |
Then, post-World War I, | 0:15:05 | 0:15:08 | |
there were crop failures so drastic that it affected | 0:15:08 | 0:15:14 | |
the most vulnerable in society. | 0:15:14 | 0:15:17 | |
So if men were already finding themselves unemployed, | 0:15:17 | 0:15:22 | |
we could only imagine how it affected women | 0:15:22 | 0:15:25 | |
with little or no opportunity at all. | 0:15:25 | 0:15:28 | |
HE EXHALES HEAVILY | 0:15:30 | 0:15:32 | |
I still couldn't do it, though. | 0:15:32 | 0:15:34 | |
I don't think... I don't think, I don't know. | 0:15:34 | 0:15:37 | |
I mean, it's one of those ones where I completely see why she did it and | 0:15:37 | 0:15:40 | |
why she had to do it, | 0:15:40 | 0:15:42 | |
because had she not been sending money back for them then, you know, | 0:15:42 | 0:15:45 | |
maybe they would have been in a situation where | 0:15:45 | 0:15:47 | |
they might have had to have "questionable lifestyles". | 0:15:47 | 0:15:51 | |
She had four daughters. | 0:15:51 | 0:15:52 | |
Upon that, she had no husband. | 0:15:52 | 0:15:54 | |
Yeah. | 0:15:54 | 0:15:56 | |
So she probably would have only thought about her daughters | 0:15:56 | 0:16:00 | |
-and not herself. -Yeah. | 0:16:00 | 0:16:01 | |
To go work hard and send money back so they would just have | 0:16:01 | 0:16:06 | |
-an opportunity. -Mm-hm. | 0:16:06 | 0:16:08 | |
And that their opportunity would have been better than hers. | 0:16:08 | 0:16:11 | |
Now, we have this... | 0:16:11 | 0:16:14 | |
Oh, my gosh. Declaring her intention | 0:16:14 | 0:16:15 | |
to become a citizen of the United States. | 0:16:15 | 0:16:18 | |
My great-grandmother became a naturalised US citizen. | 0:16:18 | 0:16:21 | |
Ah! "I now reside in Brooklyn." | 0:16:21 | 0:16:24 | |
With her sister and her brother-in-law. | 0:16:24 | 0:16:26 | |
Yeah. | 0:16:26 | 0:16:27 | |
And then... "I have four children. | 0:16:29 | 0:16:32 | |
Louise, was born in Saint Vincent. | 0:16:32 | 0:16:35 | |
There's names! Louise! St Vincent, yeah. | 0:16:37 | 0:16:39 | |
Miriam, 1917. | 0:16:40 | 0:16:43 | |
Wilhelmina. | 0:16:43 | 0:16:45 | |
Naomi, that's my grandmother. | 0:16:45 | 0:16:47 | |
And all reside in the West Indies. | 0:16:48 | 0:16:51 | |
So, this is now 1926. | 0:16:52 | 0:16:54 | |
So why would she still be there, like? | 0:16:54 | 0:16:57 | |
I mean, she's left her kids. It's, like, three years on. | 0:16:57 | 0:17:00 | |
Who has she left them with is what I'm wondering. | 0:17:00 | 0:17:02 | |
Well, we don't know for sure who she left them with. | 0:17:02 | 0:17:06 | |
On the, er... | 0:17:06 | 0:17:07 | |
..passenger list of the original ship... | 0:17:08 | 0:17:11 | |
..it says...Mr R John. | 0:17:13 | 0:17:16 | |
That was her father. So maybe she left them with her father. | 0:17:16 | 0:17:20 | |
And that's not an uncommon thing in the British West Indies. | 0:17:20 | 0:17:25 | |
-Yeah. -A mother wouldn't leave her children and abandoned them. | 0:17:25 | 0:17:29 | |
-She would have left them in the care of somebody trustworthy. -Yeah. | 0:17:29 | 0:17:35 | |
Well, this would bring a context to her life in Brooklyn at that time. | 0:17:35 | 0:17:40 | |
So, this would have been Brooklyn at the time? | 0:17:40 | 0:17:42 | |
Yeah, that would have been Osborne Street, where she lived. | 0:17:42 | 0:17:46 | |
Wow. | 0:17:47 | 0:17:49 | |
And it was predominantly a West Indian and Jewish area. | 0:17:49 | 0:17:53 | |
And this was the 1930 census. | 0:17:54 | 0:17:58 | |
1930 census. | 0:18:00 | 0:18:01 | |
Wow! | 0:18:01 | 0:18:02 | |
Six years without your mother is a long time. | 0:18:04 | 0:18:07 | |
-Yeah. -So it says here that she is a house worker. | 0:18:07 | 0:18:10 | |
What exactly is a house worker? | 0:18:10 | 0:18:11 | |
Because the last time I saw any description of her job, | 0:18:11 | 0:18:15 | |
she was a seamstress. | 0:18:15 | 0:18:17 | |
A house worker would be someone who is like a domestic worker. | 0:18:17 | 0:18:21 | |
Essentially, she would have had to work a 14-hour day. | 0:18:21 | 0:18:25 | |
-Yeah. -She would have to do cooking, cleaning, | 0:18:25 | 0:18:29 | |
taking care of the children. | 0:18:29 | 0:18:32 | |
Her weekly pay would have been three to five US dollars. | 0:18:32 | 0:18:35 | |
Wow... | 0:18:37 | 0:18:39 | |
Weekly pay. | 0:18:39 | 0:18:41 | |
So, she could have just been looking after other people's kids | 0:18:41 | 0:18:44 | |
and missing her own and having to send back whatever cents, | 0:18:44 | 0:18:48 | |
peanut money, she'd got back to Trinidad. | 0:18:48 | 0:18:52 | |
The only thing that she probably would have had to communicate | 0:18:52 | 0:18:57 | |
through was letter writing and probably, | 0:18:57 | 0:19:01 | |
if she was very lucky, have a photo. | 0:19:01 | 0:19:04 | |
Yeah? So maybe some of the pictures I saw of my grandmother | 0:19:04 | 0:19:07 | |
were sent to her when she was young. | 0:19:07 | 0:19:09 | |
Wow. For her just to have something tangible like a photo to see | 0:19:11 | 0:19:18 | |
her progress, this would have been really, really big. | 0:19:18 | 0:19:22 | |
Do we know how long she actually stayed in New York? | 0:19:22 | 0:19:25 | |
So, the last record we have of her in New York is 1937. | 0:19:25 | 0:19:30 | |
Wow. I mean, those... | 0:19:31 | 0:19:33 | |
Those daughters would have grown up a lot in that time, obviously. | 0:19:36 | 0:19:41 | |
Yeah. Essentially, she would have missed a big chunk | 0:19:42 | 0:19:47 | |
of their childhood. | 0:19:47 | 0:19:49 | |
By 1937, her oldest would have been 24 | 0:19:49 | 0:19:54 | |
and her youngest would have been 15. | 0:19:54 | 0:19:56 | |
Mm... | 0:19:56 | 0:19:58 | |
I mean... | 0:19:58 | 0:19:59 | |
..could I miss 15 years of my kids' lives? | 0:20:01 | 0:20:04 | |
My great-grandmother's experience is just... | 0:20:10 | 0:20:13 | |
I mean, it's unimaginable, really. | 0:20:15 | 0:20:16 | |
On the surface, it seems like she left them, but actually, | 0:20:21 | 0:20:23 | |
she had so much love for them that she had to leave. | 0:20:23 | 0:20:26 | |
Being a woman in those times | 0:20:26 | 0:20:27 | |
and not wanting to live a questionable lifestyle, | 0:20:27 | 0:20:30 | |
if you didn't leave, there was no jobs, there was no work. | 0:20:30 | 0:20:33 | |
Your children would starve in front of you. | 0:20:33 | 0:20:36 | |
My initial response of, like, "Well, I couldn't leave my kids..." | 0:20:38 | 0:20:41 | |
I couldn't. | 0:20:41 | 0:20:43 | |
But she actually was braver, in a way, to sacrifice being with them. | 0:20:43 | 0:20:49 | |
She didn't get to bring up her own kids, | 0:20:51 | 0:20:53 | |
so she came back and brought up my mother, which is why my mother ended | 0:20:53 | 0:20:57 | |
up growing up with Adina for a period of time. | 0:20:57 | 0:21:00 | |
Heartbreaking. | 0:21:02 | 0:21:03 | |
It wasn't just Noel's mother who came to Britain from Trinidad. | 0:21:17 | 0:21:20 | |
His father Alpheus did too. | 0:21:20 | 0:21:22 | |
But as Noel wasn't brought up by his dad, | 0:21:26 | 0:21:28 | |
he has even less information about this side of his family tree. | 0:21:28 | 0:21:31 | |
I know absolutely nothing about my dad's family. | 0:21:35 | 0:21:39 | |
I must have seen my dad's mother, like, twice in my whole life. | 0:21:39 | 0:21:41 | |
Maybe three times, max. | 0:21:41 | 0:21:43 | |
And so, you know, | 0:21:43 | 0:21:45 | |
I don't feel as connected to them, but that's 50% of my family. | 0:21:45 | 0:21:49 | |
Noel is heading to the south of the island, | 0:21:49 | 0:21:51 | |
the heart of Trinidad's oil industry, | 0:21:51 | 0:21:54 | |
where his paternal grandmother lived. | 0:21:54 | 0:21:56 | |
I remember my grandmother, Minelvia. | 0:21:56 | 0:21:59 | |
She was really funny and strong, like, really strong. | 0:21:59 | 0:22:01 | |
Like, you could picture her carrying boulders and stuff like that, | 0:22:02 | 0:22:05 | |
like a strong, strong, tough woman. | 0:22:05 | 0:22:08 | |
I have got a picture of the last time I saw her, Minelvia. | 0:22:09 | 0:22:18 | |
I've heard people call her Minerva, | 0:22:18 | 0:22:20 | |
but I wasn't around and I don't really know how it was pronounced, | 0:22:20 | 0:22:23 | |
so let's just go with Minelvia. | 0:22:23 | 0:22:24 | |
-We'll go with that. -CREW MEMBER: -What did you call her? | 0:22:24 | 0:22:27 | |
-What did I call her? -Yeah? -Granny! | 0:22:27 | 0:22:29 | |
I called her Granny. You don't call your elders anything other than what | 0:22:32 | 0:22:36 | |
they are to you. Granny. | 0:22:36 | 0:22:37 | |
Otherwise you got a backhand. | 0:22:37 | 0:22:39 | |
Fyzabad has been at the centre of this oil-producing region since the | 0:22:43 | 0:22:46 | |
early 20th century and makes claim to be the original home | 0:22:46 | 0:22:51 | |
of steel pans. | 0:22:51 | 0:22:53 | |
Now a feature of West Indian carnivals from Trinidad | 0:23:04 | 0:23:07 | |
to Notting Hill, the oil drums turned instruments | 0:23:07 | 0:23:10 | |
were first made by the early oil workers. | 0:23:10 | 0:23:12 | |
In British colonial times, | 0:23:25 | 0:23:26 | |
this area was reserved solely for the oil industry management. | 0:23:26 | 0:23:30 | |
Now, it's a public park created by Arthur Sanderson, | 0:23:30 | 0:23:33 | |
a local politician. | 0:23:33 | 0:23:34 | |
Did you know my grandmother? | 0:23:39 | 0:23:41 | |
-Minerva? -Yeah. -Everybody in Fyzabad knew your grandmother. | 0:23:41 | 0:23:46 | |
She was not only vocal, she was brave. | 0:23:46 | 0:23:50 | |
Your grandmother was a woman amongst women. | 0:23:50 | 0:23:54 | |
I knew, as a young boy going to school, being looked after, | 0:23:54 | 0:23:58 | |
because in those days the village grew the child... | 0:23:58 | 0:24:01 | |
Yeah. | 0:24:01 | 0:24:02 | |
-You know? -If you don't go to school, somebody else will say, | 0:24:02 | 0:24:05 | |
-"Get to school!" -Yes! And she will take the whip. | 0:24:05 | 0:24:07 | |
HE LAUGHS | 0:24:07 | 0:24:09 | |
-Did you ever get licks from her? -No, I never. | 0:24:09 | 0:24:11 | |
I was a good boy. | 0:24:11 | 0:24:13 | |
Your grandmother was one of the early settlers. | 0:24:13 | 0:24:16 | |
She was not from Trinidad. | 0:24:16 | 0:24:17 | |
Your grandmother was from Grenada. | 0:24:17 | 0:24:20 | |
Bearing in mind I'm always shouting about I'm Trinian, | 0:24:24 | 0:24:26 | |
now it seems like I'm from here, there and everywhere. | 0:24:26 | 0:24:29 | |
I don't know what's going on any more. Why did she come here? | 0:24:29 | 0:24:31 | |
Your grandmother would have been attracted to come to Trinidad, | 0:24:31 | 0:24:34 | |
like many other women and men in Grenada, to find work. | 0:24:34 | 0:24:39 | |
Two world wars and the expanding car industry meant an ever-increasing | 0:24:43 | 0:24:47 | |
demand for Trinidad's rich supply of oil. | 0:24:47 | 0:24:50 | |
British and American companies rushed to exploit the new commodity. | 0:24:52 | 0:24:55 | |
And thousands of Caribbean men migrated to find work | 0:24:57 | 0:25:01 | |
in the oilfields. | 0:25:01 | 0:25:02 | |
I remember your grandmother made a statement to me. | 0:25:05 | 0:25:08 | |
-Yeah. -"While Trinidad was exporting oil, Grenada was exporting people." | 0:25:08 | 0:25:12 | |
Yeah, right, yeah. | 0:25:12 | 0:25:15 | |
The time when your grandmother would have migrated to Trinidad, | 0:25:15 | 0:25:19 | |
they enjoyed what you will call segregation. | 0:25:19 | 0:25:24 | |
This area was where the white management lived. | 0:25:24 | 0:25:30 | |
-Yeah. -There were about 26 houses inside here, | 0:25:30 | 0:25:33 | |
the pharmacist lived here, | 0:25:33 | 0:25:35 | |
the manager of operations lived here, the accountant lived here. | 0:25:35 | 0:25:38 | |
-If you are black, you couldn't live here. -No. No, no. | 0:25:38 | 0:25:41 | |
-Early settlers, you couldn't live here. -Wow. -It was a gated community. | 0:25:41 | 0:25:44 | |
-Right. -So your grandmother couldn't come in here, as a maid. | 0:25:44 | 0:25:49 | |
So we're sitting in a place now that actually the black people and the | 0:25:49 | 0:25:52 | |
-workers were not allowed to go. -No. No, no, no. -They weren't. -No. | 0:25:52 | 0:25:57 | |
There was not an equitable distribution of the wealth | 0:25:57 | 0:26:00 | |
within the community. | 0:26:00 | 0:26:02 | |
The money's not filtering down. | 0:26:02 | 0:26:03 | |
No, no. It does not. | 0:26:03 | 0:26:05 | |
So your grandmother coming to Trinidad fell into that system. | 0:26:05 | 0:26:12 | |
When Menelvia came to Trinidad in the early 1940s, | 0:26:13 | 0:26:16 | |
it was still under British colonial rule and white British expats | 0:26:16 | 0:26:21 | |
ran both the government and the industries. | 0:26:21 | 0:26:23 | |
And profits flowed back into British coffers. | 0:26:25 | 0:26:28 | |
Fyzabad became the centre of an increasing political awareness | 0:26:29 | 0:26:33 | |
and activism against this inequality. | 0:26:33 | 0:26:35 | |
Calls for independence from Britain grew. | 0:26:37 | 0:26:41 | |
Your grandmother, she was one of the early fighters that built this | 0:26:42 | 0:26:46 | |
country. Simple people who were honest and loyal | 0:26:46 | 0:26:50 | |
towards a new Trinidad and Tobago. A new life, a new nation. | 0:26:50 | 0:26:56 | |
And your grandmother was one of those. | 0:26:56 | 0:26:58 | |
-Yes. -Wow. -She was a very strong Baptist. | 0:26:58 | 0:27:03 | |
-Yes. -And she associated her spirituality in a church | 0:27:03 | 0:27:07 | |
that is not too far from here. So you should visit these areas. | 0:27:07 | 0:27:13 | |
-Yeah. -And get a feel of the soul of the community. | 0:27:13 | 0:27:17 | |
SINGING AND CLAPPING | 0:27:26 | 0:27:28 | |
Menelvia worshipped at Egan Baptist Church | 0:27:28 | 0:27:31 | |
as part of the spiritual Baptist tradition, | 0:27:31 | 0:27:33 | |
which has strong connections to African spirituality. | 0:27:33 | 0:27:37 | |
SINGING AND CHANTING | 0:27:37 | 0:27:41 | |
The racial tensions of Trinidad in the early 20th century | 0:27:45 | 0:27:48 | |
led the British colonial authorities to ban this religion, | 0:27:48 | 0:27:52 | |
making its practice illegal until 1951. | 0:27:52 | 0:27:55 | |
The pastor and the ladies of the church still remember Menelvia well. | 0:28:00 | 0:28:04 | |
She was known to them as Mother Bernard. | 0:28:04 | 0:28:07 | |
Sounds like she was a very, very strong woman. | 0:28:07 | 0:28:09 | |
-Very strong. -Yeah, she was very strong. | 0:28:09 | 0:28:11 | |
Very, very strong person. | 0:28:11 | 0:28:13 | |
Youngers having any problem would go to her. | 0:28:14 | 0:28:17 | |
So the people in the district also had that respect for her. | 0:28:17 | 0:28:20 | |
So you guys must miss her a lot. | 0:28:20 | 0:28:22 | |
-A lot. -I'd like to present you with this. | 0:28:22 | 0:28:26 | |
-This is Mother Bernard here. -Wow. | 0:28:26 | 0:28:28 | |
-She was very young. -Yeah. | 0:28:29 | 0:28:31 | |
Do you know when this was? | 0:28:31 | 0:28:32 | |
-That is a PNM. -Yeah. | 0:28:32 | 0:28:34 | |
What is the PNM? | 0:28:34 | 0:28:37 | |
It is one of the political parties in Trinidad, | 0:28:37 | 0:28:39 | |
it means the People's National Movement. | 0:28:39 | 0:28:41 | |
-I see. -It was the first party established in 1956. | 0:28:41 | 0:28:45 | |
And she was a part of the party? | 0:28:45 | 0:28:46 | |
Yeah, she was the lady vice-chair. | 0:28:46 | 0:28:49 | |
-Wow. -Wherever she go in the country, she was highly respected. | 0:28:49 | 0:28:54 | |
Menelvia was one of many women | 0:28:59 | 0:29:01 | |
who were part of the People's National Movement, | 0:29:01 | 0:29:04 | |
led by the charismatic Oxford-educated Eric Williams. | 0:29:04 | 0:29:08 | |
It was one of the first parties to give black Trinidadians | 0:29:08 | 0:29:11 | |
a political voice. | 0:29:11 | 0:29:12 | |
A lifelong supporter of the party, | 0:29:15 | 0:29:18 | |
in 1956 Menelvia saw the PNM win the general election. | 0:29:18 | 0:29:22 | |
Six years later, on the 31st of August 1962... | 0:29:23 | 0:29:27 | |
As Prime Minister of the newly-independent state | 0:29:27 | 0:29:29 | |
of Trinidad... | 0:29:29 | 0:29:31 | |
..Trinidad gained full independence from Britain. | 0:29:31 | 0:29:34 | |
Learning that my grandmother was such a respected member | 0:29:41 | 0:29:44 | |
of her community was amazing. | 0:29:44 | 0:29:46 | |
I'm glad I did come here. I want to bring the kids here one day so they | 0:29:48 | 0:29:51 | |
can know where they're from. | 0:29:51 | 0:29:53 | |
Noel has found out he has roots on more than one Caribbean island. | 0:30:02 | 0:30:05 | |
To find out more about the family history, I need to go to Grenada. | 0:30:06 | 0:30:11 | |
There's more digging to do. | 0:30:11 | 0:30:13 | |
He's going to meet someone who he hopes will be able to tell him more. | 0:30:18 | 0:30:21 | |
Menelvia's son, Telford, a 77-year-old uncle he has never met. | 0:30:22 | 0:30:27 | |
I've heard he's sort of like some sort of Crocodile Dundee type, | 0:30:28 | 0:30:31 | |
Indiana Jones type strange man who roams around the island | 0:30:31 | 0:30:35 | |
and swims everywhere and lives on his own like a hermit. | 0:30:35 | 0:30:39 | |
-Hello, Uncle Telford. -I'm good! Well, well. -Are you all right? | 0:30:44 | 0:30:49 | |
Yeah, man, I'm good, I'm good. | 0:30:49 | 0:30:51 | |
It's good to meet you after all these years. | 0:30:51 | 0:30:53 | |
Well, really and truly, I am very delighted to meet you. | 0:30:53 | 0:30:56 | |
You too, man. What was it like growing up here | 0:30:56 | 0:30:59 | |
when you were small? | 0:30:59 | 0:31:00 | |
Well, you see, I had to grow up with my grandmother | 0:31:00 | 0:31:04 | |
and I had a good life because, being the only child in the house, | 0:31:04 | 0:31:08 | |
I was free to do almost anything. | 0:31:08 | 0:31:10 | |
But my thing was the sea. | 0:31:10 | 0:31:13 | |
-Yeah. -So at night, when my grandmother was sleeping, | 0:31:13 | 0:31:16 | |
I could come out of the house and I would go down into the sea and... | 0:31:16 | 0:31:21 | |
Just go on a little journey. | 0:31:21 | 0:31:22 | |
Yeah. When she woke up, I am there. | 0:31:22 | 0:31:25 | |
She doesn't even know that you left. | 0:31:25 | 0:31:27 | |
My mother was from Carriacou. | 0:31:30 | 0:31:33 | |
So my grandmother... | 0:31:33 | 0:31:35 | |
-Yeah. -..is from Carriacou? | 0:31:35 | 0:31:37 | |
She's from Carriacou. | 0:31:37 | 0:31:38 | |
I'm not surprised by that. I thought I was a pure Trini, | 0:31:39 | 0:31:42 | |
but it turned out I'm from every other island except Trinidad really. | 0:31:42 | 0:31:45 | |
Where is Carriacou? Is it part of Granada? | 0:31:46 | 0:31:48 | |
It is about 70 miles away. | 0:31:48 | 0:31:50 | |
-It's over there. -It is beyond them, yes. | 0:31:50 | 0:31:52 | |
You will see where that haze is. | 0:31:52 | 0:31:54 | |
If the weather was clear, you would see Carriacou. | 0:31:54 | 0:31:57 | |
What do you know about the family that you can tell me? | 0:32:01 | 0:32:05 | |
My mother was a Bedeau. | 0:32:05 | 0:32:08 | |
We pronounce it Bee-doo, b-e-d-e-a-u. | 0:32:08 | 0:32:11 | |
I don't know if you will be going to Carriacou, but that's the | 0:32:11 | 0:32:16 | |
headquarters of the Bedeau family. | 0:32:16 | 0:32:19 | |
Menelvia's father, I was told, was called Maxman. | 0:32:19 | 0:32:23 | |
-So he was your... -Great-grandfather. -Great-grandfather. -Yeah. | 0:32:23 | 0:32:25 | |
Maxman Bedeau. Sounds like a superhero. | 0:32:25 | 0:32:28 | |
Yeah. And his father, I understand, was a sea captain. | 0:32:28 | 0:32:32 | |
-His father. -He's Cadeau. | 0:32:32 | 0:32:34 | |
So my great-great-grandfather, Cadeau Bedeau. | 0:32:34 | 0:32:38 | |
-Yes. -Cadeau. | 0:32:38 | 0:32:39 | |
He was the sea captain that got lost in a hurricane in 1921. | 0:32:39 | 0:32:45 | |
They took cargo in Trinidad for somewhere up the islands, | 0:32:45 | 0:32:47 | |
they stopped in Grenada to do something. | 0:32:47 | 0:32:50 | |
-Yeah. -And they left in the evening and the same night there was this | 0:32:50 | 0:32:54 | |
hurricane, nobody's seen them since 1921. | 0:32:54 | 0:32:57 | |
-Wow. 1921. -Yeah. | 0:32:57 | 0:32:58 | |
Most of the Carriacou men used to be shipwrights and sailors. | 0:32:58 | 0:33:02 | |
-Yeah. -Hardly anything else. | 0:33:02 | 0:33:03 | |
Maybe that's where you got it from. | 0:33:03 | 0:33:05 | |
Yeah, yeah, yeah, had it in my blood. | 0:33:05 | 0:33:07 | |
So let me work this out. | 0:33:07 | 0:33:08 | |
-Menelvia's father was Maxman. -Mm-hm. | 0:33:08 | 0:33:12 | |
-And Maxman's father was Cadeau. -Cadeau. | 0:33:12 | 0:33:14 | |
And do you know anything about Cadeau's mother or father? | 0:33:14 | 0:33:18 | |
Does it go further? Do you know further? | 0:33:18 | 0:33:20 | |
Well, I hear about Benjamin. | 0:33:20 | 0:33:22 | |
-Benjamin. -If he was Cadeau's father, or what, he was... | 0:33:22 | 0:33:25 | |
So he was a Bedeau, as well. | 0:33:25 | 0:33:27 | |
-Benjamin Bedeau. -He was a senior to them, yeah. | 0:33:27 | 0:33:29 | |
So you think if I want to know more about the family history, | 0:33:29 | 0:33:34 | |
you think I should probably go to Carriacou. | 0:33:34 | 0:33:37 | |
Yeah, you will get some more information | 0:33:37 | 0:33:40 | |
from the other people in Carriacou. | 0:33:40 | 0:33:42 | |
-Shall we swim there? -No problem. | 0:33:42 | 0:33:45 | |
Younger one has to go first! | 0:33:45 | 0:33:47 | |
Noel is descended from the Bedeau family from the island of Carriacou. | 0:33:51 | 0:33:55 | |
His grandmother, Menelvia's father, was Maxman Bedeau. | 0:33:55 | 0:33:59 | |
His father was the ship's captain Cadeau. | 0:33:59 | 0:34:02 | |
And Noel's great-great-great grandfather | 0:34:02 | 0:34:04 | |
was Benjamin Bedeau. | 0:34:04 | 0:34:05 | |
Noel's leaving the main island of Grenada and travelling north | 0:34:11 | 0:34:14 | |
across the waters that so many generations of the Bedeau family | 0:34:14 | 0:34:17 | |
would have sailed. | 0:34:17 | 0:34:19 | |
He's heading for Carriacou, | 0:34:25 | 0:34:27 | |
a tiny island with a long history of boat building. | 0:34:27 | 0:34:30 | |
It has a population today of just 7,000. | 0:34:34 | 0:34:37 | |
He is meeting a historian from the University of the West Indies, | 0:34:43 | 0:34:46 | |
Nicole Philip Dowell. | 0:34:46 | 0:34:48 | |
So my uncle's told me about Carriacou. | 0:34:48 | 0:34:51 | |
I'll be honest, I never heard of it before. | 0:34:52 | 0:34:54 | |
-Right. -And my family comes from here, | 0:34:54 | 0:34:58 | |
so I would love to know a little bit more about the place and what you | 0:34:58 | 0:35:01 | |
-know about my family. -OK. | 0:35:01 | 0:35:03 | |
I've managed to find this document, so you can have a look at it. | 0:35:03 | 0:35:07 | |
Yeah. Baptisms. | 0:35:07 | 0:35:09 | |
-Baptisms. -Wait a second, let me just... | 0:35:09 | 0:35:11 | |
Oh, my goodness. Benjamin Bedeau. | 0:35:14 | 0:35:17 | |
So this is from here, he's born in Carriacou? | 0:35:19 | 0:35:21 | |
Yes, he's born in Carriacou. | 0:35:21 | 0:35:23 | |
Parents, Mary and Glasgow. | 0:35:23 | 0:35:25 | |
Glasgow, wow. | 0:35:25 | 0:35:27 | |
1848. | 0:35:29 | 0:35:31 | |
That's unbelievable. | 0:35:31 | 0:35:32 | |
Have a look at this document. | 0:35:34 | 0:35:36 | |
-Oh, my goodness. -Yes, it's an old one. | 0:35:36 | 0:35:38 | |
The annual return of the increase and decrease of slaves | 0:35:38 | 0:35:42 | |
in Harvey Vale estate in the island of Carriacou in the year 1821. | 0:35:42 | 0:35:46 | |
OK. | 0:35:48 | 0:35:50 | |
OK... | 0:35:50 | 0:35:51 | |
Oh, I see, yeah, here. Glasgow. | 0:35:53 | 0:35:55 | |
Glasgow, uh-huh. | 0:35:55 | 0:35:57 | |
Age, one month. OK, so... | 0:35:57 | 0:36:00 | |
So what is this? This is...? | 0:36:03 | 0:36:05 | |
Four times, this is great-great-great-great-grandfather | 0:36:07 | 0:36:12 | |
Glasgow. | 0:36:12 | 0:36:13 | |
Was born into slavery. | 0:36:15 | 0:36:17 | |
Yes, born into slavery in Carriacou. | 0:36:17 | 0:36:19 | |
The planters had to give a record, or a statement, | 0:36:19 | 0:36:24 | |
of the slaves that they owned each year. | 0:36:24 | 0:36:28 | |
-Yeah. -So they had to state how many slaves increased, | 0:36:28 | 0:36:33 | |
whether by birth or whether they bought any slaves. | 0:36:33 | 0:36:36 | |
-Yeah. -So that's why it's written like this in the records. | 0:36:36 | 0:36:40 | |
-And this is 1821. -1821. | 0:36:40 | 0:36:43 | |
I mean, you know, the thing is, kind of being... | 0:36:45 | 0:36:48 | |
Well, not kind of. Being black, | 0:36:50 | 0:36:52 | |
I thought that this might end up here at some point. | 0:36:52 | 0:36:55 | |
But it's still crazy to think that it... | 0:36:55 | 0:36:58 | |
-It's still crazy to see it, you know... -Yeah. -..in real time. | 0:37:00 | 0:37:04 | |
Yeah. | 0:37:04 | 0:37:05 | |
Carriacou became part of the British Empire in 1763 | 0:37:09 | 0:37:14 | |
and immediately the British established plantations | 0:37:14 | 0:37:17 | |
and transported Africans by ship to the island | 0:37:17 | 0:37:21 | |
to work the land as slaves. | 0:37:21 | 0:37:23 | |
Within just 60 years of British control, | 0:37:26 | 0:37:29 | |
Carriacou's slave population numbered almost 4,000. | 0:37:29 | 0:37:33 | |
And then, what was that? Mother's... | 0:37:39 | 0:37:41 | |
Mother's name. | 0:37:41 | 0:37:42 | |
Second Jenevieve. | 0:37:44 | 0:37:45 | |
-What? -That means there was more than one Jenevieve on the plantation, | 0:37:45 | 0:37:49 | |
so she's the second one. | 0:37:49 | 0:37:50 | |
Wow. So... | 0:37:50 | 0:37:51 | |
-Yes. -There was another slave called Jenevieve, | 0:37:51 | 0:37:54 | |
so she was just a second slave called Jenevieve. | 0:37:54 | 0:37:56 | |
So they just called her Jenevieve Two. | 0:37:56 | 0:37:57 | |
-Yes. -Wow. Why do you think he was called Glasgow? | 0:37:57 | 0:38:01 | |
The slave is property. | 0:38:01 | 0:38:04 | |
-Yeah. -They have absolutely no rights | 0:38:04 | 0:38:06 | |
and because they are seen as property, | 0:38:06 | 0:38:09 | |
the planter could decide, for example, what to name a child. | 0:38:09 | 0:38:13 | |
The agent for this plantation, John Dallas, was actually Scottish. | 0:38:13 | 0:38:19 | |
So a name like Glasgow could have been because of the... | 0:38:19 | 0:38:23 | |
..that Scottish connection. | 0:38:23 | 0:38:25 | |
-Do we know anything about his father? -No. | 0:38:26 | 0:38:29 | |
The slave records don't show fathers' names. | 0:38:29 | 0:38:32 | |
The only thing that goes on the records is the mother's name. | 0:38:32 | 0:38:36 | |
Would you like to see a map of Carriacou in 1832? | 0:38:38 | 0:38:43 | |
-Sure. -Can you find...? | 0:38:43 | 0:38:44 | |
Ah, you've found Harvey Vale. | 0:38:44 | 0:38:46 | |
The entire island would have been carved up, as you notice, | 0:38:46 | 0:38:49 | |
with different plantations. | 0:38:49 | 0:38:51 | |
Harvey Vale is a cotton estate. | 0:38:51 | 0:38:53 | |
Would you like to know a little bit about | 0:38:53 | 0:38:56 | |
what life would have been like? | 0:38:56 | 0:38:58 | |
I have a pretty good idea, but, yeah, please tell me | 0:38:58 | 0:39:00 | |
what he would have had to endure. | 0:39:00 | 0:39:02 | |
Who was the master? Was it Harvey Vale? | 0:39:02 | 0:39:04 | |
Ah, great question. | 0:39:04 | 0:39:05 | |
The master, or planter, of Harvey Vale estate... | 0:39:05 | 0:39:09 | |
Thomas Davidson would have been the master of Harvey Vale estate. | 0:39:09 | 0:39:12 | |
Thomas Davidson. | 0:39:12 | 0:39:13 | |
They were absentee planters, which basically meant that he lived... | 0:39:13 | 0:39:17 | |
-Controlled it from afar. -Right, he lived in England. | 0:39:17 | 0:39:20 | |
-Right. -And they lived in Brunswick Square in London. | 0:39:20 | 0:39:23 | |
Brunswick Square in London. | 0:39:25 | 0:39:26 | |
-Mm-hm. -Just north of Soho. | 0:39:26 | 0:39:29 | |
Right. | 0:39:30 | 0:39:31 | |
Wow. | 0:39:34 | 0:39:35 | |
I'm around that area all the time. | 0:39:37 | 0:39:39 | |
-Hm. -I might go look for them. | 0:39:40 | 0:39:43 | |
Absentee planters. | 0:39:43 | 0:39:45 | |
So they were cowards, basically. | 0:39:45 | 0:39:47 | |
Well, they got their wealth out of the Caribbean, | 0:39:47 | 0:39:50 | |
but didn't necessarily live... | 0:39:50 | 0:39:51 | |
-Didn't want to see the dirty work. -Didn't necessarily live here, no. | 0:39:51 | 0:39:55 | |
He would have an agent who's working, | 0:39:55 | 0:39:57 | |
doing the day-to-day running. | 0:39:57 | 0:39:58 | |
Who was the agent? John Dallas. | 0:39:58 | 0:40:00 | |
Yeah. We have some very unfortunate stories about John Dallas. | 0:40:00 | 0:40:04 | |
-Oh, really? -Yes. | 0:40:04 | 0:40:05 | |
He was one of the bad ones, was he? | 0:40:05 | 0:40:07 | |
-Unfortunately. -Yeah. | 0:40:07 | 0:40:08 | |
This was done by a sociologist and it's oral testimony | 0:40:08 | 0:40:15 | |
of the treatment that slaves received. | 0:40:15 | 0:40:17 | |
Yeah. | 0:40:17 | 0:40:19 | |
"Stories circulate about one particularly cruel master, | 0:40:19 | 0:40:23 | |
"John Dallas. | 0:40:23 | 0:40:25 | |
"In those days, a white man in the Harvey Vale was beating them | 0:40:25 | 0:40:28 | |
"so much, they used to put a woman that have big belly, dig a hole, | 0:40:28 | 0:40:32 | |
"and put the woman leg down, | 0:40:32 | 0:40:33 | |
"belly inside the hole and then beat them until they make the child." | 0:40:33 | 0:40:37 | |
-They would be beaten so bad they would give birth? -Exactly. | 0:40:39 | 0:40:41 | |
-That's crazy. -Yes. | 0:40:43 | 0:40:46 | |
So you had one of the cruellest masters on the island. | 0:40:48 | 0:40:51 | |
And my...my relatives were on that estate. | 0:40:51 | 0:40:55 | |
Yes. | 0:40:55 | 0:40:56 | |
Do you know anything about Jenevieve, Glasgow's mother? | 0:40:58 | 0:41:03 | |
The last record that I've been able to find of Jenevieve, | 0:41:03 | 0:41:08 | |
this is it, here. | 0:41:08 | 0:41:11 | |
Jenevieve. | 0:41:11 | 0:41:13 | |
31 here. | 0:41:14 | 0:41:17 | |
-Is that deceased? -Decreased. | 0:41:17 | 0:41:19 | |
Decreased? What does decreased mean? | 0:41:19 | 0:41:21 | |
Decreased by death or whether they sold, they sold any slaves. | 0:41:21 | 0:41:26 | |
-So she died. -Yeah. | 0:41:26 | 0:41:28 | |
Inflammation of the stomach and bowels at age 31. | 0:41:28 | 0:41:33 | |
And she probably would have been malnourished because of course she's | 0:41:35 | 0:41:39 | |
trying to breast-feed Glasgow, | 0:41:39 | 0:41:42 | |
but the nutrition that she's getting is not sufficient. | 0:41:42 | 0:41:45 | |
Now, we must note that Jenevieve died, so little Glasgow | 0:41:45 | 0:41:51 | |
probably would have had to be... | 0:41:51 | 0:41:53 | |
..he would have been taken in by the other women. | 0:41:53 | 0:41:56 | |
Yeah. | 0:41:56 | 0:41:57 | |
What year is this? 1824. | 0:41:57 | 0:41:59 | |
1824. | 0:41:59 | 0:42:01 | |
So... | 0:42:02 | 0:42:03 | |
So he was two. | 0:42:04 | 0:42:06 | |
Yeah. | 0:42:06 | 0:42:07 | |
She died when Glasgow was two. | 0:42:07 | 0:42:09 | |
I almost can see them now, Jenevieve, the kid Glasgow. | 0:42:23 | 0:42:30 | |
I don't think being ridiculously angry about it gets me anywhere. | 0:42:31 | 0:42:37 | |
You know, jeez, America had a black president. | 0:42:38 | 0:42:41 | |
I think that says something about where the world is. | 0:42:42 | 0:42:46 | |
And it's still not perfect, you know? | 0:42:46 | 0:42:48 | |
But to know that five generations back, my immediate, | 0:42:50 | 0:42:55 | |
direct-line family were slaves... | 0:42:55 | 0:42:59 | |
..it's a lot to take in, really. | 0:43:01 | 0:43:03 | |
A lot to process. | 0:43:03 | 0:43:05 | |
I know that without Jenevieve and Glasgow, I wouldn't be here. | 0:43:35 | 0:43:38 | |
But to be on the island where they actually suffered | 0:43:39 | 0:43:44 | |
and were slaves is hard. | 0:43:44 | 0:43:47 | |
To find out more about Glasgow's life on Carriacou, | 0:43:57 | 0:44:01 | |
Noel has arranged to meet local researcher Curtis Jacobs. | 0:44:01 | 0:44:04 | |
So, I'm understanding that my four times great-grandfather | 0:44:05 | 0:44:11 | |
was a slave around here in this area, | 0:44:11 | 0:44:13 | |
his mother was Jenevieve and she died when he was two, | 0:44:13 | 0:44:15 | |
his name was Glasgow. | 0:44:15 | 0:44:17 | |
-Can you tell me a little bit more about him? -Yes. Yes, well, first | 0:44:17 | 0:44:20 | |
I would like to show you this document. | 0:44:20 | 0:44:22 | |
"Between Adam Read, planter, and his lawful wife Eliza Read, | 0:44:22 | 0:44:26 | |
"of one part of Glasgow Bedeau and John Ovid of the other part | 0:44:26 | 0:44:31 | |
"for the absolute sale thereof at, or for, | 0:44:31 | 0:44:34 | |
"the price or sum of £13 and four shillings." | 0:44:34 | 0:44:37 | |
This is like gibberish, there's no punctuation. | 0:44:37 | 0:44:41 | |
It's legalese. | 0:44:41 | 0:44:42 | |
Legalese? Nonsense-ese! | 0:44:42 | 0:44:44 | |
"A certain lot, piece, or parcel of land situated, | 0:44:44 | 0:44:47 | |
"lying and being a part or position of the cotton plantation | 0:44:47 | 0:44:52 | |
"or estate called Endeavour." | 0:44:52 | 0:44:54 | |
It sounds like Glasgow, my four-time great-grandfather was... | 0:44:54 | 0:44:58 | |
..was either being sold to the Endeavour estate, | 0:45:00 | 0:45:07 | |
or actually he was purchasing a piece of land | 0:45:07 | 0:45:10 | |
on the Endeavour estate. | 0:45:10 | 0:45:12 | |
Well, by 1844, the date of which that deed | 0:45:12 | 0:45:15 | |
is executed, slavery was abolished, | 0:45:15 | 0:45:17 | |
so there was no such thing about buying and selling of human beings. | 0:45:17 | 0:45:21 | |
-So they were buying land? -Yes. They were buying land. | 0:45:21 | 0:45:23 | |
Wow. | 0:45:26 | 0:45:27 | |
That is something. | 0:45:27 | 0:45:29 | |
Where was the Endeavour estate? | 0:45:30 | 0:45:32 | |
OK. So he lived and worked here at Harvey Vale until the 1840s, | 0:45:34 | 0:45:42 | |
when he purchased a property. | 0:45:42 | 0:45:44 | |
-OK, wow. -And Endeavour is up here, this way. | 0:45:44 | 0:45:47 | |
-Oh, yeah, wow. Yeah. -You'll see it has a border. | 0:45:47 | 0:45:50 | |
-A border. -A border with Harvey Vale. | 0:45:50 | 0:45:52 | |
And so... | 0:45:52 | 0:45:53 | |
-..where is the land they bought? -We are on it now. | 0:45:55 | 0:45:58 | |
-This is it? -Yes. -Shut up! | 0:45:58 | 0:45:59 | |
We are on it. | 0:46:01 | 0:46:02 | |
GOAT BLEATS | 0:46:06 | 0:46:08 | |
Wow. | 0:46:10 | 0:46:12 | |
That is something. | 0:46:12 | 0:46:13 | |
Were these trees here? Did he sit under these trees for shade, like? | 0:46:15 | 0:46:18 | |
You know, suddenly it becomes very... | 0:46:20 | 0:46:22 | |
-..very real, you know? -Exactly, that's the word, real. | 0:46:24 | 0:46:28 | |
It's a remarkable achievement, £13 and some shillings. | 0:46:28 | 0:46:33 | |
It looks like not much money today. | 0:46:33 | 0:46:36 | |
-Sure. -But in... But 200 years ago, that was a sizeable... | 0:46:36 | 0:46:40 | |
A lot of money for him to raise. | 0:46:40 | 0:46:42 | |
Yes. Many, many of the formerly-owned slaves | 0:46:42 | 0:46:45 | |
did not manage to purchase land. | 0:46:45 | 0:46:47 | |
-Many did not. -So he was a hard worker then, must have been. | 0:46:48 | 0:46:51 | |
Yes. Yes. | 0:46:51 | 0:46:53 | |
The average day wage for an agricultural labourer | 0:46:53 | 0:46:57 | |
was one shilling per day. | 0:46:57 | 0:46:59 | |
And he was not an adult as yet, so he was probably getting paid | 0:46:59 | 0:47:04 | |
-as a minor. -So that's probably why he had to buy it with John Ovid. | 0:47:04 | 0:47:08 | |
Yes. We are not sure who John Ovid was, but this offers a clue. | 0:47:08 | 0:47:13 | |
This is an extract from a marriage register. | 0:47:15 | 0:47:18 | |
Glasgow Bedeau marrying Mary Ovid. | 0:47:19 | 0:47:24 | |
So John Ovid would either be her dad or her brother. | 0:47:24 | 0:47:28 | |
Yes, I would think so. | 0:47:28 | 0:47:30 | |
And so her father or her brother bought the land | 0:47:30 | 0:47:33 | |
with my four times great-grandfather. | 0:47:33 | 0:47:34 | |
-Yes. -And maybe even Mary saved some of her money, too. | 0:47:34 | 0:47:37 | |
That is quite possible. | 0:47:37 | 0:47:39 | |
That would have taken years of unstinting effort to do. | 0:47:39 | 0:47:43 | |
And his grave is not far from here. | 0:47:45 | 0:47:47 | |
-Where? -That's it there. | 0:47:47 | 0:47:48 | |
It's a pretty fancy grave. | 0:47:55 | 0:47:57 | |
In memory of... | 0:48:03 | 0:48:04 | |
Rest in peace. | 0:48:11 | 0:48:13 | |
76 is a good age to live to, | 0:48:15 | 0:48:16 | |
considering what he would have gone through | 0:48:16 | 0:48:18 | |
at the beginning of his life. | 0:48:18 | 0:48:20 | |
His grave is so impressive. | 0:48:22 | 0:48:23 | |
It goes all the way back, doesn't it? | 0:48:29 | 0:48:30 | |
Maxman and Cadeau and Benjamin and getting to Glasgow... | 0:48:32 | 0:48:38 | |
..who clearly worked hard. | 0:48:41 | 0:48:42 | |
And his mother, Jenevieve... | 0:48:43 | 0:48:45 | |
..you know, without that, then... | 0:48:48 | 0:48:51 | |
..there is no us standing here, really. | 0:48:53 | 0:48:56 | |
And the countless lines before that that we can't trace | 0:48:57 | 0:49:00 | |
because they were treated like cattle. | 0:49:00 | 0:49:02 | |
You know, it's always interesting when I see this show and they trace | 0:49:06 | 0:49:09 | |
people back to 1066 or whatever like that. | 0:49:09 | 0:49:12 | |
Well, yeah, of course, you know, that makes sense because, probably, | 0:49:12 | 0:49:17 | |
at no point you were bunched in a ship | 0:49:17 | 0:49:21 | |
and no-one cared if you died or not. | 0:49:21 | 0:49:23 | |
You know, and that's the difference. | 0:49:24 | 0:49:26 | |
So even getting this far back, I think is pretty impressive. | 0:49:26 | 0:49:29 | |
-Hello, good afternoon. -Hi, good afternoon, how are you? | 0:49:35 | 0:49:38 | |
Noel is not the only Bedeau descendant on the island. | 0:49:38 | 0:49:41 | |
I'm just looking at my four times great-grandfather's grave. | 0:49:41 | 0:49:46 | |
I also come from Glasgow Bedeau's line. | 0:49:46 | 0:49:48 | |
-No, you don't! -Yes, I am. | 0:49:48 | 0:49:49 | |
-Yeah? -Yeah. | 0:49:49 | 0:49:51 | |
-What's your name? -My name is Elizabeth Bedeau. | 0:49:51 | 0:49:53 | |
-Elizabeth, wow. -Right. | 0:49:53 | 0:49:55 | |
-So we're related? -We are. | 0:49:55 | 0:49:57 | |
Glasgow Bedeau is my great-great-great-grandfather. | 0:49:57 | 0:50:02 | |
-Three times. -Three times. | 0:50:02 | 0:50:03 | |
Glasgow had four boys. | 0:50:03 | 0:50:05 | |
-Yeah. -John Bedeau, Maxman Bedeau. | 0:50:05 | 0:50:08 | |
Wow. | 0:50:08 | 0:50:10 | |
Ange Bedeau, Benjamin Bedeau. | 0:50:11 | 0:50:14 | |
Wow, I'm from Benjamin's line. | 0:50:14 | 0:50:15 | |
I'm also from Benjamin's line. | 0:50:15 | 0:50:17 | |
-Really? -Yes, I am. | 0:50:18 | 0:50:19 | |
-It's a pleasure to meet you. -It's a pleasure to meet you. | 0:50:19 | 0:50:22 | |
Oh, my gosh! Sorry, | 0:50:22 | 0:50:24 | |
I'm looking you up and down because I'm just like, "How tall are you?" | 0:50:24 | 0:50:27 | |
-Like, "We're related." -OK, yeah. | 0:50:27 | 0:50:29 | |
Wow. So how come he's got a grave like this? | 0:50:29 | 0:50:31 | |
How come his grave's kind of fancy? | 0:50:31 | 0:50:34 | |
Well, it seems to me that Glasgow was a wealthy man. | 0:50:34 | 0:50:38 | |
-So he did all right. -Right. | 0:50:38 | 0:50:40 | |
This piece of land, all the way up, that's the Bedeau. | 0:50:40 | 0:50:44 | |
So this here was the Bedeau land. | 0:50:44 | 0:50:47 | |
Yeah, Maxman. | 0:50:47 | 0:50:49 | |
And so that here and all this here... | 0:50:49 | 0:50:51 | |
So who's putting candles there, do you know? | 0:50:52 | 0:50:55 | |
My bigger brother and some of the other Bedeau who believe in putting | 0:50:55 | 0:50:59 | |
-candles. -The Bedeaus. | 0:50:59 | 0:51:01 | |
-Yeah, the Bedeaus. -They're still here. | 0:51:01 | 0:51:02 | |
Yeah. Big family, united. | 0:51:02 | 0:51:04 | |
-Wow. That's amazing. -Yeah. | 0:51:04 | 0:51:07 | |
Elizabeth is just one of Noel's relations on Carriacou. | 0:51:10 | 0:51:14 | |
Many people living on the island still trace their family lines | 0:51:14 | 0:51:17 | |
back to Glasgow and his four sons. | 0:51:17 | 0:51:20 | |
Well, that's a Bedeau here passing. | 0:51:22 | 0:51:23 | |
-Who? -That's your first... | 0:51:23 | 0:51:26 | |
-That's a cousin from your side. -What? Related to me? -Yeah. -Hey! | 0:51:26 | 0:51:30 | |
Hello! Hello! I think I'm your cousin! | 0:51:30 | 0:51:32 | |
Are you serious? | 0:51:32 | 0:51:34 | |
Yes, she is. She's from Benjamin and Cadeau's line. | 0:51:34 | 0:51:37 | |
-So your father's a Bedeau? -Yeah, my father's a Bedeau. | 0:51:41 | 0:51:44 | |
-And he's from Cadeau's line? -Yeah. -Same as me. | 0:51:44 | 0:51:46 | |
That's random, that we're meeting. | 0:51:46 | 0:51:48 | |
-I'm your cousin, basically. -OK. | 0:51:48 | 0:51:50 | |
-Amazing. What a pleasure to meet you. -Yes, yes, yes, yes, yes. | 0:51:50 | 0:51:53 | |
Lincoln, cousin. | 0:51:53 | 0:51:54 | |
Lincoln, the one with the bus. | 0:51:54 | 0:51:56 | |
-So he's related to me as well? -Yes, and everybody else around here, no! | 0:51:59 | 0:52:02 | |
He's been driving me around! | 0:52:02 | 0:52:04 | |
Lincoln, I've got a bone to pick with you, man. | 0:52:04 | 0:52:06 | |
-Hey? -I got a bone to pick with you. -Pick a nice bone. | 0:52:06 | 0:52:08 | |
Do you know you're my cousin? | 0:52:09 | 0:52:11 | |
-Which line are you? -I'm Maxman Bedeau. | 0:52:11 | 0:52:14 | |
So you're from Maxman's line? | 0:52:14 | 0:52:15 | |
-Maxman, yeah. -Wow. | 0:52:15 | 0:52:17 | |
-And you still have the name, you still have the name? -Bedeau? Yes. | 0:52:17 | 0:52:20 | |
Yeah, that's amazing. Well, good to meet you. | 0:52:20 | 0:52:23 | |
-Good to meet you again. -Properly. Instead of just saying morning. | 0:52:23 | 0:52:26 | |
-Morning. -"Morning. Yeah, morning, Lincoln, how you doing, man? | 0:52:26 | 0:52:28 | |
"Getting in the van now." | 0:52:28 | 0:52:30 | |
-My cousin. -Morning, cuz! -Yeah. | 0:52:30 | 0:52:32 | |
Wow, that's amazing. | 0:52:32 | 0:52:33 | |
So that's how it goes, yeah. | 0:52:33 | 0:52:35 | |
-So it seems like there's a lot, yeah? -A lot of them, yeah. -Yeah. | 0:52:35 | 0:52:38 | |
-A lot of the Bedeaus around. -Wow. | 0:52:38 | 0:52:40 | |
For hundreds of years, | 0:52:48 | 0:52:49 | |
Carriacou has been home to a music tradition called the big drum. | 0:52:49 | 0:52:53 | |
SINGING AND DRUMMING | 0:52:54 | 0:52:59 | |
It always takes place at a crossroads, and tonight | 0:53:02 | 0:53:05 | |
it's happening on Noel's four times great-grandfather Glasgow's land. | 0:53:05 | 0:53:09 | |
This is the traditional dance and music of Carriacou. | 0:53:09 | 0:53:14 | |
It is normally used during festival as respect to the ancestors and also | 0:53:14 | 0:53:19 | |
-we are doing this to welcome you... -No! | 0:53:19 | 0:53:23 | |
..to the Bedeau family and to Carriacou. | 0:53:23 | 0:53:25 | |
Oh, wow, thank you very much. | 0:53:25 | 0:53:27 | |
Wow. I'm... | 0:53:27 | 0:53:29 | |
I'm honoured by that, that's really nice. | 0:53:30 | 0:53:32 | |
But, yeah, strange, that. | 0:53:32 | 0:53:35 | |
To have family that you don't know you have. | 0:53:35 | 0:53:38 | |
The complete opposite of everything I've ever known. | 0:53:38 | 0:53:41 | |
-Thank you very much. -You're welcome. -Thank you very much indeed. | 0:53:41 | 0:53:44 | |
Noel has been invited to take part in the ritual that opens the dance. | 0:53:45 | 0:53:50 | |
Rum is used to wet the ground as an invitation to ancestors | 0:53:50 | 0:53:53 | |
to join the festivities. | 0:53:53 | 0:53:55 | |
Because Carriacou's population has remained so small and unchanged, | 0:53:56 | 0:54:00 | |
many of its traditions have survived since Africans were first brought to | 0:54:00 | 0:54:04 | |
the island. Historian Nicole Philip Dowell is on hand to explain how, | 0:54:04 | 0:54:08 | |
through the music, Noel can trace his roots back | 0:54:08 | 0:54:12 | |
beyond even Glasgow and Jenevieve. | 0:54:12 | 0:54:15 | |
Through music and dance and song, | 0:54:15 | 0:54:18 | |
the slaves were able to keep that part of their heritage alive. | 0:54:18 | 0:54:22 | |
The planters could not take away that from them. | 0:54:22 | 0:54:25 | |
And that is what has passed from one generation to the other. | 0:54:25 | 0:54:29 | |
-Wow. -And what they basically did was to keep it in, what we call, | 0:54:29 | 0:54:34 | |
-like, nations. -Yeah. | 0:54:34 | 0:54:35 | |
So that a nation is like an ethnic group that comes out of Africa. | 0:54:35 | 0:54:40 | |
-Yeah. -So each nation will have their dance and their way of linking back | 0:54:40 | 0:54:46 | |
-to the past. -Wow. So is this...? | 0:54:46 | 0:54:48 | |
Is this...? Was this the Bedeau dance? | 0:54:48 | 0:54:50 | |
Yes. So your nation... | 0:54:50 | 0:54:51 | |
-Yes, tell me! -..would have come from the Coromantee or Akan people, | 0:54:51 | 0:54:56 | |
out of Ghana on the west coast of Africa. | 0:54:56 | 0:54:59 | |
-Wow. -Yes. -Wow. | 0:54:59 | 0:55:01 | |
That's your... That's your lineage. | 0:55:01 | 0:55:03 | |
Wow. | 0:55:03 | 0:55:05 | |
-That's amazing. -Yes, it is. | 0:55:07 | 0:55:08 | |
SINGING | 0:55:08 | 0:55:11 | |
DRUMMING JOINS THE SINGING | 0:55:14 | 0:55:17 | |
-I'm Ghanaian! Wow! -So you probably need to learn it | 0:55:22 | 0:55:26 | |
and pass it onto your boys. | 0:55:26 | 0:55:27 | |
To my children. | 0:55:27 | 0:55:29 | |
Yeah. Amazing. | 0:55:29 | 0:55:31 | |
-Amazing. -Absolutely. | 0:55:31 | 0:55:33 | |
Once my family, you know, gets into slavery, | 0:55:54 | 0:55:58 | |
there's only so far you can go before they're nothing, | 0:55:58 | 0:56:00 | |
they're considered nothing, they were no-one. | 0:56:00 | 0:56:03 | |
Jenevieve, you can't even find her last name. | 0:56:03 | 0:56:06 | |
But this song, it goes all the way back through all the hardship | 0:56:09 | 0:56:13 | |
and the persecution and the disgusting treatment. | 0:56:13 | 0:56:15 | |
This song, through a family line, goes all the way back to Ghana, | 0:56:17 | 0:56:23 | |
before they were enslaved. | 0:56:23 | 0:56:26 | |
Glasgow... | 0:56:29 | 0:56:31 | |
Glasgow Bedeau, Jenevieve, would have sung that song... | 0:56:35 | 0:56:41 | |
..in the one hour a day, maybe, they had off. | 0:56:43 | 0:56:47 | |
They would have sung that song and then... | 0:56:50 | 0:56:53 | |
..and then, 200 years later, these guys are singing it for me. | 0:56:59 | 0:57:02 | |
That's... | 0:57:02 | 0:57:03 | |
It's like the universe has kind of gone... | 0:57:07 | 0:57:09 | |
"Oh, you didn't have anything or anyone from that family. | 0:57:11 | 0:57:13 | |
"Here you go." | 0:57:13 | 0:57:14 | |
You know, "There's everything you missed for all your life." | 0:57:16 | 0:57:19 | |
Just amazing, really. | 0:57:28 | 0:57:30 |