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My mother was quite a toff. | 0:00:02 | 0:00:04 | |
She did try to tell me how we were related to William the Conqueror, | 0:00:04 | 0:00:08 | |
but I just found it too uncomfortable. | 0:00:08 | 0:00:10 | |
I didn't want people to think that I was posh. | 0:00:10 | 0:00:14 | |
She was proud of her heritage | 0:00:14 | 0:00:17 | |
and couldn't quite understand why I was trying to squirm out of it. | 0:00:17 | 0:00:20 | |
I just wanted to go and be an actress and not be judged. | 0:00:22 | 0:00:26 | |
Actress Celia Imrie has starred in more than 150 stage, | 0:00:28 | 0:00:33 | |
film and television productions, including Acorn Antiques. | 0:00:33 | 0:00:38 | |
And if that's what marriage entails then, quite frankly, | 0:00:38 | 0:00:41 | |
cousin Harriet, the answer is no, no... | 0:00:41 | 0:00:42 | |
The answer is no, no, no! | 0:00:44 | 0:00:47 | |
During her 40-year career, | 0:00:47 | 0:00:49 | |
she's appeared in everything from Star Wars to Calendar Girls. | 0:00:49 | 0:00:52 | |
Ladies and gentlemen, you have 20 minutes, please. Thank you. | 0:00:56 | 0:01:01 | |
I adored my mother. | 0:01:01 | 0:01:02 | |
I loved her especially for breaking all the rules because | 0:01:02 | 0:01:05 | |
there were immensely strict rules for the way she was brought up. | 0:01:05 | 0:01:09 | |
I remember my mother talking about people who'd got gumption. | 0:01:09 | 0:01:12 | |
She really did. She had a great spark. | 0:01:12 | 0:01:14 | |
So I'm quite intrigued about the female line. | 0:01:14 | 0:01:19 | |
Well, I can't believe that there isn't something courageous, | 0:01:19 | 0:01:23 | |
rather than people just having cups of tea all over the place. | 0:01:23 | 0:01:26 | |
I would be shocked but intrigued | 0:01:28 | 0:01:30 | |
if there were any criminals in the family. | 0:01:30 | 0:01:35 | |
Please don't let me find a lot of boring relatives, | 0:01:35 | 0:01:38 | |
that would be awful. | 0:01:38 | 0:01:40 | |
Celia Imrie has never married | 0:02:14 | 0:02:16 | |
and lives in London with her only son, 18-year-old Angus. | 0:02:16 | 0:02:19 | |
Angus has a passion for politics. | 0:02:22 | 0:02:24 | |
I'm not quite sure where that's come from, as a matter of fact. | 0:02:24 | 0:02:27 | |
Tony Benn is his hero. | 0:02:27 | 0:02:29 | |
He's been out canvassing for the Labour Party. | 0:02:29 | 0:02:33 | |
He's very moral and very fair, | 0:02:33 | 0:02:38 | |
and I'm intrigued as to know whether there's anything, um, | 0:02:38 | 0:02:41 | |
in that line in my family - not that I know of, | 0:02:41 | 0:02:45 | |
but...I'd be fascinated. | 0:02:45 | 0:02:47 | |
Because I remember my mother often saying, | 0:02:47 | 0:02:49 | |
"Well, of course, it's all in the genes." | 0:02:49 | 0:02:51 | |
All the time. Any excuse, "It's all in the genes." | 0:02:51 | 0:02:54 | |
Celia was born in Surrey in 1952. | 0:02:59 | 0:03:02 | |
Her father, David, was a doctor. | 0:03:02 | 0:03:05 | |
Her mother, Diana, came from a long line of English aristocrats. | 0:03:05 | 0:03:08 | |
I know that my father was from working-class Glasgow | 0:03:10 | 0:03:13 | |
and I'm very proud of my Scottish heritage. | 0:03:13 | 0:03:17 | |
My mother's side, I know, is intriguing | 0:03:17 | 0:03:19 | |
and, because I wasn't listening | 0:03:19 | 0:03:22 | |
when she was trying to tell me, I'm fascinated to find out more. | 0:03:22 | 0:03:26 | |
I'm on my way to see Patricia, my cousin, who is an absolute hoot. | 0:03:33 | 0:03:38 | |
It's a very good way to start the journey. | 0:03:38 | 0:03:41 | |
And I think she's got lots of family secrets and photographs, | 0:03:41 | 0:03:44 | |
and knew my grandparents much better than I did. | 0:03:44 | 0:03:47 | |
My dear! | 0:03:50 | 0:03:52 | |
What a treat to see you. | 0:03:52 | 0:03:54 | |
How really lovely. | 0:03:54 | 0:03:56 | |
This is coals to Newcastle, for heaven's sake. | 0:03:56 | 0:03:58 | |
-Oh, not at all. -I knew it would be. -What fun. | 0:03:58 | 0:04:01 | |
I know you know all the secrets, so I want to find out now, please. | 0:04:01 | 0:04:04 | |
Well, I know a few, darling, I know a few. | 0:04:04 | 0:04:07 | |
-This is The Croft. -It's The Croft... | 0:04:07 | 0:04:09 | |
Where our grandfather Lumley, up there, Lumley Cater, | 0:04:09 | 0:04:13 | |
and grandmother Adeline lived from 1921. | 0:04:13 | 0:04:17 | |
Now here's a little picnic during the shoot. | 0:04:17 | 0:04:19 | |
Adeline stood so well. | 0:04:21 | 0:04:23 | |
-Yes, except no ankles. -No ankles. -Just like me. | 0:04:23 | 0:04:26 | |
Well, I have no... I've got tree trunks. Tree trunks. | 0:04:26 | 0:04:29 | |
Well, isn't that the most miserable thing? | 0:04:29 | 0:04:31 | |
You have to see your grandfather acting. | 0:04:33 | 0:04:37 | |
-They had a village fete every year. -Major... Major costumes going on. | 0:04:39 | 0:04:44 | |
-Yes. Thespian number one. -Yes. -Lumley. | 0:04:44 | 0:04:47 | |
Where do you get your acting from, may I ask? | 0:04:47 | 0:04:49 | |
-Well, I did wonder, you see. -Yes. | 0:04:49 | 0:04:52 | |
-Mums. -Yes. | 0:04:52 | 0:04:54 | |
Looking very naughty. No flowers. She forgot her flowers. | 0:04:54 | 0:04:57 | |
She probably threw them off. | 0:04:57 | 0:05:00 | |
So can you remember my mother's wedding | 0:05:00 | 0:05:02 | |
and the furore it might have caused? | 0:05:02 | 0:05:04 | |
It did really, because she was 34, | 0:05:04 | 0:05:06 | |
which in those days was quite advanced. | 0:05:06 | 0:05:09 | |
-On the shelf. -Well, dusty. | 0:05:09 | 0:05:11 | |
SHE LAUGHS | 0:05:11 | 0:05:13 | |
I mean, very dusty. | 0:05:13 | 0:05:16 | |
She was engaged, I think, three times, officially. | 0:05:17 | 0:05:20 | |
-Oh! -Oh, yes. A ring on finger, you know. | 0:05:20 | 0:05:23 | |
-Oh, really? I knew Sir George. -Oh, yes, he was very nice, but dull. | 0:05:23 | 0:05:26 | |
-Yes. -Oh, dull. | 0:05:26 | 0:05:28 | |
-I remember him grey. I do. -Oh, dull. Anyway, not for her. | 0:05:28 | 0:05:32 | |
-No, no. -So a third ring goes back into the pot. | 0:05:32 | 0:05:36 | |
And, oh, Lumley is in despair. | 0:05:36 | 0:05:39 | |
He was determined for Aunt Diana, your darling mother, to be titled. | 0:05:39 | 0:05:43 | |
-Oh, well. -Imperative to have a title. "You can't marry a doctor. | 0:05:43 | 0:05:47 | |
"I'm sorry. You can't. No, you can't." | 0:05:47 | 0:05:50 | |
And the awful word coming in now is trade. | 0:05:50 | 0:05:54 | |
-Trade. -Trade. Cardinal sin. "No, I'm sorry, he's trade." | 0:05:54 | 0:05:59 | |
-Blimey! -Yes. | 0:05:59 | 0:06:00 | |
That...that obvious? | 0:06:00 | 0:06:02 | |
It was all right to be the King's physician. | 0:06:02 | 0:06:04 | |
-Or a surgeon, perhaps. -Or a surgeon, perhaps, | 0:06:04 | 0:06:07 | |
but only to the Royals or somebody really important like that. | 0:06:07 | 0:06:10 | |
Just calling yourself Doctor simply wasn't good enough. | 0:06:10 | 0:06:13 | |
-I've never heard that before. -No. "He's trade." -Whoa, lordy. | 0:06:13 | 0:06:17 | |
Sorry. I'm sorry. | 0:06:17 | 0:06:18 | |
So this is '38. | 0:06:18 | 0:06:20 | |
Patricia, do you know anything before that though? | 0:06:20 | 0:06:23 | |
Well, yes... | 0:06:23 | 0:06:25 | |
Are you going to show me a surprise? | 0:06:25 | 0:06:27 | |
Yes. Well, this is really done by a cousin of ours. | 0:06:27 | 0:06:32 | |
But as we can see here, at the very bottom, | 0:06:32 | 0:06:35 | |
we've got Charles George Lumley Cater, our grandfather, | 0:06:35 | 0:06:39 | |
marrying Adeline Louisa Blois. | 0:06:39 | 0:06:42 | |
-Right. -Right. Now where do we go? | 0:06:42 | 0:06:44 | |
Here she comes, and who has she come from? | 0:06:44 | 0:06:48 | |
Baronet, Baronet, Baronet, Baronet, | 0:06:48 | 0:06:50 | |
Baronet, Baronet, Baronet, Baronet... | 0:06:50 | 0:06:53 | |
and eventually we've got crowns and things, you see. | 0:06:53 | 0:06:56 | |
-They are grand, aren't they? -Rather grand. | 0:06:56 | 0:06:58 | |
Do you know that this all for real? Cos obviously somebody's... | 0:06:58 | 0:07:02 | |
-As far as I know... -..done it in hand. | 0:07:02 | 0:07:04 | |
-As far as I know. -Must be. | 0:07:04 | 0:07:06 | |
The family talked quite, um, bluntly about my father, | 0:07:06 | 0:07:11 | |
and my grandfather referred to him as "trade" | 0:07:11 | 0:07:14 | |
when he was a perfectly fully-qualified doctor. | 0:07:14 | 0:07:16 | |
That was quite shocking, actually. | 0:07:16 | 0:07:19 | |
But anyway, my mother got her own way, so yahoo! | 0:07:19 | 0:07:21 | |
And then I had this marvellous family tree presented to me. | 0:07:21 | 0:07:25 | |
So I'd love to find out more about that. | 0:07:25 | 0:07:29 | |
And I do want to find a link for Angus's passion to politics. | 0:07:29 | 0:07:32 | |
Celia is on her way to the Parliamentary Archives, | 0:07:36 | 0:07:38 | |
where records for the House of Lords and the House of Commons are held, | 0:07:38 | 0:07:42 | |
to meet Professor Ronald Hutton. | 0:07:42 | 0:07:45 | |
She's hoping he can help her find out whether there are any | 0:07:45 | 0:07:48 | |
political links in the family tree she's been given. | 0:07:48 | 0:07:51 | |
I wondered, with my son's passion for politics, | 0:07:53 | 0:07:56 | |
whether I might be able to find out something. | 0:07:56 | 0:07:58 | |
What is your son's politics? | 0:07:58 | 0:08:00 | |
He's been out canvassing for the Labour Party. | 0:08:00 | 0:08:03 | |
Perfect. So what you're after is a red-hot political radical. | 0:08:03 | 0:08:07 | |
Parliament is the upper class at business. | 0:08:07 | 0:08:11 | |
So if you go back here, | 0:08:11 | 0:08:13 | |
you get through a couple of Dukes of Rutland, and then you hit gold. | 0:08:13 | 0:08:18 | |
Here you have William Lord Russell, | 0:08:18 | 0:08:21 | |
who's your great-grandfather times eight. | 0:08:21 | 0:08:25 | |
William Russell was born in 1639 | 0:08:26 | 0:08:28 | |
and was the third son of the Earl of Bedford. | 0:08:28 | 0:08:32 | |
Russell became a Whig MP during the 1670s, | 0:08:32 | 0:08:36 | |
when English politics was in turmoil. | 0:08:36 | 0:08:39 | |
The political scene was divided between two great parties. | 0:08:39 | 0:08:43 | |
Their names are familiar to us even now. The Whigs and the Tories. | 0:08:43 | 0:08:46 | |
If you're a Whig, you believe that power comes from the people | 0:08:46 | 0:08:51 | |
rather than from the monarch. | 0:08:51 | 0:08:53 | |
The Tories believe that the King should be trusted rather than the people. | 0:08:53 | 0:08:56 | |
And the King on the throne... is this guy - | 0:08:56 | 0:09:00 | |
King Charles II. | 0:09:00 | 0:09:01 | |
He's personally responsible for a lot of the tension | 0:09:01 | 0:09:05 | |
in your ancestor's lifetime. | 0:09:05 | 0:09:07 | |
Because nobody, in the end, trusts him, he loves being devious. | 0:09:07 | 0:09:11 | |
He loves making people ill at ease. | 0:09:11 | 0:09:13 | |
-Oh, dear. -That's how he feels powerful. | 0:09:13 | 0:09:16 | |
As King, Charles II had the power to rule as he saw fit. | 0:09:18 | 0:09:23 | |
But as a member of the Whig Party, Russell believed | 0:09:23 | 0:09:26 | |
the King's power should be limited by law and Parliament. | 0:09:26 | 0:09:30 | |
William must stand for the ultimate power of the people | 0:09:32 | 0:09:34 | |
to decide their own fate, | 0:09:34 | 0:09:36 | |
and that's the underlying principle of democracy | 0:09:36 | 0:09:39 | |
and popular politics in any age. | 0:09:39 | 0:09:42 | |
And it's the way in which we're going to go. | 0:09:42 | 0:09:44 | |
So in that sense, | 0:09:44 | 0:09:45 | |
he is a more modern man than some of the others around at the time. | 0:09:45 | 0:09:48 | |
In the 1670s, England was still suffering from the bitter divisions | 0:09:50 | 0:09:54 | |
that had caused the Civil War 20 years earlier. | 0:09:54 | 0:09:57 | |
A battle between Royalists and Parliamentarians, | 0:10:00 | 0:10:03 | |
it had resulted in the execution of Charles I, | 0:10:03 | 0:10:06 | |
and in England becoming a republic for a decade. | 0:10:06 | 0:10:09 | |
Charles II had been restored to the throne in 1660. | 0:10:12 | 0:10:17 | |
But after the violence of the Civil War, | 0:10:17 | 0:10:19 | |
he never trusted his people - and they never trusted him. | 0:10:19 | 0:10:23 | |
There's also something else going on and it concerns | 0:10:24 | 0:10:28 | |
the taint of Roman Catholicism. | 0:10:28 | 0:10:30 | |
Roman Catholicism is not just the wrong religion | 0:10:32 | 0:10:35 | |
to people like your ancestor, it's the wrong politics, and there is | 0:10:35 | 0:10:39 | |
no Catholic democracy on Earth in your ancestor's lifetime. | 0:10:39 | 0:10:45 | |
Every Catholic state is encouraged to be a despotism | 0:10:45 | 0:10:49 | |
ruled by its King or its Duke, whoever is the hereditary ruler. | 0:10:49 | 0:10:53 | |
And the only democracy left in the world is in the Protestant states. | 0:10:53 | 0:10:57 | |
Charles II was a Protestant, but he had no legitimate children, | 0:10:58 | 0:11:03 | |
and so the next in line to the throne was his brother, | 0:11:03 | 0:11:05 | |
James, who had converted to Catholicism. | 0:11:05 | 0:11:09 | |
By the end of the 1670s, trust in Charles | 0:11:11 | 0:11:15 | |
and his brother has eroded to the point at which the Whig Party, | 0:11:15 | 0:11:18 | |
of which your ancestor is one of the leaders, has decided | 0:11:18 | 0:11:21 | |
to get an Act of Parliament to stop the King's brother inheriting the throne. | 0:11:21 | 0:11:26 | |
-This has never been tried before. -Blimey! | 0:11:26 | 0:11:28 | |
-You're going to plunge into crisis. -OK. -Straight away. | 0:11:28 | 0:11:31 | |
It's one of the biggest political crises of our political history. | 0:11:31 | 0:11:35 | |
You can actually read in the words of your own ancestor, | 0:11:35 | 0:11:38 | |
whose blood flows in your veins, what drove him. | 0:11:38 | 0:11:41 | |
-You want to go for it? -Yeah, go for it. | 0:11:41 | 0:11:43 | |
"We must resolve when we have a Prince of the Popist religion | 0:11:43 | 0:11:48 | |
"to be Papists, or burn." | 0:11:48 | 0:11:51 | |
What he sincerely believes is any Catholic King is going to force you | 0:11:52 | 0:11:56 | |
to be Catholic as well or burn you alive at the stake. | 0:11:56 | 0:11:59 | |
Religion causes filthy behaviour. | 0:11:59 | 0:12:04 | |
Especially in this period. | 0:12:04 | 0:12:05 | |
"I have been long of opinion that nothing | 0:12:05 | 0:12:08 | |
"but excluding the Duke, etc, can secure us. | 0:12:08 | 0:12:12 | |
"I should be glad if anything else but this Bill would secure us | 0:12:12 | 0:12:15 | |
"from Popery, etc, but I know of nothing else that will, | 0:12:15 | 0:12:19 | |
"therefore I move for it." | 0:12:19 | 0:12:21 | |
-God, he means business, doesn't he? -That is absolutely right. | 0:12:22 | 0:12:26 | |
He tries to push this Exclusion Bill through three times, | 0:12:26 | 0:12:29 | |
and what the King does each time is on this page - this is 1679. | 0:12:29 | 0:12:36 | |
"By the King. | 0:12:36 | 0:12:37 | |
"A Proclamation for dissolving this present Parliament | 0:12:37 | 0:12:40 | |
"and declaring the speedy calling of a new one." | 0:12:40 | 0:12:43 | |
Oh, Lord! | 0:12:43 | 0:12:44 | |
In this period, the King calls and dismisses Parliament at will. | 0:12:44 | 0:12:47 | |
So what does he do? | 0:12:47 | 0:12:49 | |
He just stops calling Parliament and puts the Tories in power. | 0:12:49 | 0:12:52 | |
William is just literally shut up now, isn't he? | 0:12:52 | 0:12:55 | |
Well, he can talk to the people, but that's pretty dangerous. | 0:12:55 | 0:12:59 | |
If you stir up a mob, you can be taken into prison for treason. | 0:12:59 | 0:13:02 | |
Er...let's look at the next document and see what actually does happen. | 0:13:02 | 0:13:07 | |
It's a pamphlet. | 0:13:07 | 0:13:08 | |
"True Account and Declaration of The Horrid Conspiracy against the King. | 0:13:08 | 0:13:14 | |
"The informants say that being in the company of Richard Goodenough, | 0:13:14 | 0:13:19 | |
"at the Sun Tavern behind the Royal Exchange | 0:13:19 | 0:13:23 | |
"upon the 15th day of June, 1683, | 0:13:23 | 0:13:27 | |
"the said Lord Russell told the aforesaid Goodenough, | 0:13:27 | 0:13:30 | |
"that he would be concerned in it to his utmost, | 0:13:30 | 0:13:35 | |
"and that he would use all his interest | 0:13:35 | 0:13:39 | |
"to accomplish the aforesaid design of killing the King." | 0:13:39 | 0:13:43 | |
-Blimey! "And the Duke of York." -Yeah. | 0:13:43 | 0:13:48 | |
Can I just ask you - is this two people overhearing him | 0:13:48 | 0:13:52 | |
in a pub saying, "Oh, yes, I'd go and kill the King"? | 0:13:52 | 0:13:54 | |
That's exactly right. | 0:13:54 | 0:13:55 | |
He absolutely did say it and so they've reported it? | 0:13:55 | 0:13:59 | |
-Ah, we just don't know. -Ah. | 0:13:59 | 0:14:00 | |
These were a couple of wide boys who've come forward | 0:14:00 | 0:14:04 | |
in order to provide evidence to destroy your ancestor. | 0:14:04 | 0:14:08 | |
This declaration, where would that appear? It's not a newspaper? | 0:14:08 | 0:14:13 | |
No. This is a state paper, but it's been published in a pamphlet | 0:14:13 | 0:14:18 | |
in order to convince the British public, right across the island, | 0:14:18 | 0:14:23 | |
that this was a real conspiracy to kill the King and his brother. | 0:14:23 | 0:14:26 | |
But he's going to get into real trouble for this, isn't he? | 0:14:26 | 0:14:29 | |
He certainly is. | 0:14:29 | 0:14:31 | |
Er, he's got to stand trial now, and if you want to know | 0:14:31 | 0:14:34 | |
what happens in the trial, you go to the State Trials. | 0:14:34 | 0:14:36 | |
William Lord Russell was supposed to have said, apparently, | 0:14:38 | 0:14:42 | |
that he wanted to kill the King. | 0:14:42 | 0:14:44 | |
Did he say it? | 0:14:44 | 0:14:46 | |
This is a reported conversation that took place in a tavern, | 0:14:46 | 0:14:50 | |
bit like the News Of The World nowadays. | 0:14:50 | 0:14:52 | |
I wonder what happens next. | 0:14:53 | 0:14:54 | |
Celia has come to the Honourable Society of Lincoln's Inn | 0:14:56 | 0:15:00 | |
to search through the State Trials for the 1680s. | 0:15:00 | 0:15:04 | |
The trial of Lord Russell, July 13th 1683. | 0:15:04 | 0:15:08 | |
She's meeting Professor Mark Knights. | 0:15:08 | 0:15:11 | |
-I've picked out some passages within the trial. -Yeah. | 0:15:11 | 0:15:14 | |
Immediately to a rather crucial bit, um, which is the Indictment. | 0:15:14 | 0:15:18 | |
"The prisoner at the Bar..." God, "prisoner" he's called! | 0:15:18 | 0:15:20 | |
Mm. Yes, he'd been arrested. | 0:15:20 | 0:15:22 | |
"..with other traitors named in the Indictment, | 0:15:22 | 0:15:25 | |
"within the City of London, met and conspired together | 0:15:25 | 0:15:28 | |
"to bring our Sovereign Lord the King to death, | 0:15:28 | 0:15:31 | |
"to raise war and rebellion against him, and to massacre his subjects." | 0:15:31 | 0:15:35 | |
Help! | 0:15:35 | 0:15:37 | |
The accusation is that Russell was present | 0:15:37 | 0:15:40 | |
when some of those discussions about seizing the King were taking place. | 0:15:40 | 0:15:45 | |
But all the evidence that's produced against him is...is indeed hearsay. | 0:15:45 | 0:15:49 | |
I mean, here's quite a good example of that. | 0:15:49 | 0:15:52 | |
"You are sure my Lord Russell was there?" | 0:15:52 | 0:15:55 | |
And who's this Lord Howard? | 0:15:55 | 0:15:57 | |
Lord Howard is someone who was alleged to have been involved in the plotting, | 0:15:57 | 0:16:01 | |
who turns King's evidence in order to save his own skin. | 0:16:01 | 0:16:05 | |
So he's now giving evidence against Russell, his former friend | 0:16:05 | 0:16:08 | |
and very close ally, in order to save himself. Yes. | 0:16:08 | 0:16:11 | |
So... "Are you sure my Lord Russell was there?" | 0:16:11 | 0:16:14 | |
says the Attorney General. | 0:16:14 | 0:16:16 | |
Lord Howard - "Yes, Sir, I wish I could say he was not." | 0:16:16 | 0:16:19 | |
What a liar! | 0:16:19 | 0:16:21 | |
"What did my Lord say?" | 0:16:21 | 0:16:23 | |
Lord Howard - "Everyone knows my Lord Russell is a person | 0:16:23 | 0:16:28 | |
"of great judgment and not very lavish in discourse." | 0:16:28 | 0:16:32 | |
-Yes. -So he didn't say anything. He was just quiet? | 0:16:32 | 0:16:35 | |
-He was just there. -That means he must... Oh, dear. | 0:16:35 | 0:16:39 | |
So they're assuming quite a lot. | 0:16:39 | 0:16:41 | |
I find it amazing that there's a great big trial | 0:16:41 | 0:16:44 | |
about a piece of hearsay. | 0:16:44 | 0:16:46 | |
About, you know, sort of overheard remarks. | 0:16:46 | 0:16:51 | |
Although, of course, if you say, "I want the King to be dead," | 0:16:51 | 0:16:54 | |
you're in high treason and I suppose, the punishment is death, is that right? | 0:16:54 | 0:16:58 | |
That's right. Indeed, he wasn't even sure of the charge against him | 0:16:58 | 0:17:01 | |
until he walks into...into court. | 0:17:01 | 0:17:04 | |
In this period, people defending themselves against treason | 0:17:04 | 0:17:07 | |
weren't even allowed legal defence. | 0:17:07 | 0:17:09 | |
So Russell was defending himself in court. | 0:17:09 | 0:17:12 | |
And the jury itself was a packed jury. | 0:17:12 | 0:17:16 | |
-Meaning what? -Hand-picked men by the Government, um, | 0:17:16 | 0:17:22 | |
to do essentially the court's bidding. | 0:17:22 | 0:17:25 | |
-This is all tremendously quickly done. -Mm. | 0:17:25 | 0:17:28 | |
Er, this is a couple of hours. | 0:17:28 | 0:17:30 | |
It all sounds to me rather, um, set up and...I smell lots of rats, | 0:17:30 | 0:17:37 | |
-I'm afraid. -Yes. Russell is a very important public figure. -Mm. | 0:17:37 | 0:17:42 | |
He's a man of great standing, this virtue and integrity, | 0:17:42 | 0:17:46 | |
which he's renowned for, carry a lot of sway. | 0:17:46 | 0:17:49 | |
So they're running quite a risk. | 0:17:49 | 0:17:51 | |
-He's not a coward. -No. | 0:17:51 | 0:17:54 | |
He's a man of great moral, um, belief... | 0:17:54 | 0:17:58 | |
-Yes. -..therefore, he's a terrific danger, it seems to me, | 0:17:58 | 0:18:03 | |
-and magnified if the Government then want to get him out the way. -Yes. | 0:18:03 | 0:18:08 | |
He does seem to inspire, um, confidence. | 0:18:08 | 0:18:12 | |
He also inspires great love in his wife, Rachel. | 0:18:12 | 0:18:15 | |
Lady Rachel was the daughter of the Earl of Southampton. | 0:18:18 | 0:18:22 | |
At the time of the trial, she'd been married to William for 14 years | 0:18:22 | 0:18:25 | |
and they had three children. | 0:18:25 | 0:18:27 | |
She works tirelessly, um, on his behalf, um, | 0:18:30 | 0:18:34 | |
both at this time, at his trial, and then subsequently as well. | 0:18:34 | 0:18:39 | |
-So, double whammy of danger to the Government then? -Yes. | 0:18:39 | 0:18:43 | |
-So, they're two together. -And what's more, um, Russell knows that, | 0:18:43 | 0:18:48 | |
he knows that he's known for his love for his wife, | 0:18:48 | 0:18:53 | |
and he asks whether she can take notes about the trial. | 0:18:53 | 0:18:58 | |
-So, she sits... -Clever man. | 0:18:58 | 0:19:00 | |
..right at the start of the trial, she says... | 0:19:00 | 0:19:02 | |
He says, "Is it OK for... for her to take notes?" | 0:19:02 | 0:19:05 | |
So, she's there for everyone in the court to see how close | 0:19:05 | 0:19:08 | |
-they are together. -Very good! | 0:19:08 | 0:19:11 | |
Shall we see what the outcome is? | 0:19:11 | 0:19:13 | |
Yes, let's. 14th July, 1683. | 0:19:13 | 0:19:16 | |
The Attorney General again. | 0:19:16 | 0:19:18 | |
Attorney General - "My Lord Russell, Your Lordship has been indicted | 0:19:20 | 0:19:25 | |
"and tried and found guilty of high treason. | 0:19:25 | 0:19:29 | |
"That you be carried back again to the place from whence you came | 0:19:30 | 0:19:34 | |
"and from thence be drawn upon a hurdle... | 0:19:34 | 0:19:37 | |
"..to the place of execution..." Oh, Lord! | 0:19:40 | 0:19:44 | |
"..where you shall be hanged by the neck, but cut down alive... | 0:19:44 | 0:19:49 | |
"..your entrails and privy members cut off from your body | 0:19:50 | 0:19:54 | |
"and burnt in your sight." Oh, Lord! | 0:19:54 | 0:20:00 | |
"Your head be severed from your body and your body divided into four parts | 0:20:00 | 0:20:04 | |
"and disposed at the King's pleasure." | 0:20:04 | 0:20:07 | |
Oh, dear! This is really awful, isn't it? | 0:20:09 | 0:20:12 | |
-Mm. It's a gruesome sentence. -No coming back. | 0:20:12 | 0:20:15 | |
That's... But, I mean, is that the usual? | 0:20:15 | 0:20:19 | |
Is that something that would be read out | 0:20:19 | 0:20:22 | |
for anybody who does high treason | 0:20:22 | 0:20:24 | |
or is that a particularly horrible one? I mean, God! | 0:20:24 | 0:20:28 | |
For a man of Russell's status, um, it was unusual, | 0:20:28 | 0:20:32 | |
-it's a degradation of a... -Yes. -..of a very noble man. | 0:20:32 | 0:20:36 | |
I mean, for him to have his...himself cut off all over the place | 0:20:36 | 0:20:41 | |
and then have to look at it. | 0:20:41 | 0:20:43 | |
Yes. This is a propaganda trial essentially. | 0:20:43 | 0:20:47 | |
The punishment is a signal that the Government wants to give, | 0:20:47 | 0:20:50 | |
that anybody plotting or planning to plot against the regime | 0:20:50 | 0:20:54 | |
had better watch out, because this would be the result. | 0:20:54 | 0:20:58 | |
And he's a very noticeable figure to do it to. | 0:20:58 | 0:21:01 | |
-Exactly. -And a well-loved one. | 0:21:01 | 0:21:03 | |
Yes. How better to make your point? | 0:21:03 | 0:21:06 | |
I so hope you're going to say that something happened in the end | 0:21:06 | 0:21:10 | |
and somebody came and saved him. | 0:21:10 | 0:21:11 | |
Well, for the next bit of the story, | 0:21:11 | 0:21:13 | |
-we need to go just across the way into Lincoln's Inn Fields. -Let's. | 0:21:13 | 0:21:18 | |
It seems so violent, this sentence, | 0:21:24 | 0:21:26 | |
that I just can't believe that... | 0:21:26 | 0:21:28 | |
Did he have anybody else appealing for him? | 0:21:28 | 0:21:30 | |
His wife is very active, pulling strings. | 0:21:30 | 0:21:34 | |
His father was a wealthy man and his father raises money | 0:21:34 | 0:21:37 | |
in an attempt to try and buy his son's freedom - | 0:21:37 | 0:21:40 | |
that doesn't work. | 0:21:40 | 0:21:41 | |
-This plaque tells its own story. -Oh, my goodness! | 0:21:43 | 0:21:47 | |
"Near this spot was beheaded William Lord Russell, | 0:21:47 | 0:21:50 | |
"a lover of constitutional liberty." | 0:21:50 | 0:21:53 | |
So, the sentence was commuted, as you can see, to a beheading | 0:21:54 | 0:21:58 | |
rather than the hanging, drawing and quartering | 0:21:58 | 0:22:02 | |
that we looked at in the trial. And this was the concession. | 0:22:02 | 0:22:06 | |
What? That he could have his head chopped off instead of having it all shoved in his mouth! | 0:22:06 | 0:22:11 | |
Oh, dear. | 0:22:11 | 0:22:13 | |
This is a printed pamphlet which sets out the events of that day, | 0:22:13 | 0:22:18 | |
um, and it includes a speech | 0:22:18 | 0:22:21 | |
that was made by Russell, um, | 0:22:21 | 0:22:24 | |
to the crowd that's assembled here. | 0:22:24 | 0:22:26 | |
"I was never fond of much speaking, much less now. | 0:22:26 | 0:22:31 | |
"In the words of a dying man, I profess I know of no plot, | 0:22:31 | 0:22:34 | |
"either against the King's life or the Government. | 0:22:34 | 0:22:38 | |
"But I have now done with this world and I'm going to a better. | 0:22:38 | 0:22:42 | |
"I forgive all the world heartily, | 0:22:42 | 0:22:45 | |
"and I thank God I die in charity with all men." | 0:22:45 | 0:22:49 | |
Oh, dear, this is awful. | 0:22:49 | 0:22:51 | |
"And I wish all sincere Protestants may love one another | 0:22:51 | 0:22:55 | |
"and not make way for Popery by their animosities. | 0:22:55 | 0:23:00 | |
"I pray God forgive them, and continue the Protestant religion | 0:23:00 | 0:23:04 | |
"amongst them, that it may flourish so long as the sun and moon endures. | 0:23:04 | 0:23:11 | |
"I am now more satisfied to die than ever I have been." | 0:23:11 | 0:23:14 | |
-Oh, dear. -I'm sorry. | 0:23:18 | 0:23:19 | |
I never even knew him, but I just think it's so awful. | 0:23:19 | 0:23:22 | |
Yes. | 0:23:22 | 0:23:23 | |
-If you want to know more about the rest of Russell's story... -I do. | 0:23:25 | 0:23:29 | |
..and perhaps the legacy of this lover of constitutional liberty... | 0:23:29 | 0:23:33 | |
Wouldn't he be happy, though, to have that under his name? | 0:23:33 | 0:23:37 | |
I think he would, he would be, er, happy with that... | 0:23:37 | 0:23:39 | |
To have that as the memory. | 0:23:39 | 0:23:41 | |
But there's much more that you could find out about the legacy of... | 0:23:41 | 0:23:45 | |
-of Russell at the family seat, which is Woburn Abbey. -Oh! | 0:23:45 | 0:23:50 | |
I'm very proud that in my genes is someone of such courage | 0:24:10 | 0:24:15 | |
and conviction. | 0:24:15 | 0:24:17 | |
The speech that my eight times great-grandfather made | 0:24:19 | 0:24:23 | |
just before he died quite floored me | 0:24:23 | 0:24:27 | |
that somebody should have such courage at that moment. | 0:24:27 | 0:24:30 | |
And also the plaque that was written underneath his name, | 0:24:30 | 0:24:33 | |
"William Lord Russell, lover of constitutional liberty." | 0:24:33 | 0:24:37 | |
Somebody wrote that - somebody thought that that's how | 0:24:37 | 0:24:40 | |
he would be remembered for ever. | 0:24:40 | 0:24:43 | |
And I just want to find out what happened after he died. | 0:24:43 | 0:24:46 | |
I hope he didn't die for nothing. | 0:24:47 | 0:24:50 | |
Celia has come to Woburn Abbey to meet historian Dr Ted Vallance. | 0:25:00 | 0:25:04 | |
The rooms that we're walking through now are ones | 0:25:06 | 0:25:09 | |
that date from the 17th century, so he walked through... | 0:25:09 | 0:25:12 | |
-As a child. -..these rooms. Yeah. | 0:25:12 | 0:25:14 | |
What a place to grow up in. | 0:25:14 | 0:25:16 | |
Don't know if you can see here, this painting we've got... | 0:25:16 | 0:25:19 | |
-Oh, the trial! -Yeah. | 0:25:19 | 0:25:21 | |
It is rather a wonderful painting for such an obviously grim moment. | 0:25:21 | 0:25:26 | |
Yes. Yes. | 0:25:26 | 0:25:28 | |
These two people here are presumably | 0:25:28 | 0:25:32 | |
-the informants from the Sun Tavern, would they be? -Yes. | 0:25:32 | 0:25:36 | |
Oh, they look horrible pigs. | 0:25:36 | 0:25:38 | |
Yeah. Yeah. | 0:25:38 | 0:25:39 | |
-I love Rachel's adoring face. -Yes. | 0:25:39 | 0:25:42 | |
And he's sort of quite noble and calm | 0:25:42 | 0:25:45 | |
-considering what he must be going through. -Yeah. | 0:25:45 | 0:25:48 | |
-It's impossible really to imagine, isn't it? -Mm. | 0:25:48 | 0:25:51 | |
We've actually got some more paintings in this room through here | 0:25:53 | 0:25:56 | |
-that you might want to look at which... -Yes, please. -..really carry the narrative on. | 0:25:56 | 0:26:01 | |
If you have a look round here, we've got... | 0:26:01 | 0:26:03 | |
-Oh, that's him, isn't it? -Yes. | 0:26:03 | 0:26:06 | |
And over here, um, we've got this image of Russell in his cell, | 0:26:06 | 0:26:11 | |
with Rachel and the children. | 0:26:11 | 0:26:14 | |
I don't know whether he would have approved having a tear on his cheek. | 0:26:14 | 0:26:18 | |
That makes him out to be all weak and weedy and he simply wasn't. | 0:26:18 | 0:26:21 | |
You're right. I think he would not have liked | 0:26:21 | 0:26:24 | |
such an emotional representation of himself. | 0:26:24 | 0:26:27 | |
Actually, we've got another example of his courage. | 0:26:27 | 0:26:30 | |
So, I have a letter here, actually in William Russell's hand, | 0:26:38 | 0:26:43 | |
that he delivered to the Sheriff before his execution. | 0:26:43 | 0:26:48 | |
And he's producing this to really try and clear his own name, | 0:26:48 | 0:26:53 | |
to establish his... his kind of legacy. | 0:26:53 | 0:26:56 | |
"I thank God I find myself so composed and prepared for death. | 0:26:57 | 0:27:02 | |
"I cheerfully submit to so small a punishment as the being taken off a few years sooner, | 0:27:02 | 0:27:09 | |
"and the being made a spectacle to the world. | 0:27:09 | 0:27:13 | |
"I do freely forgive all the world, | 0:27:13 | 0:27:15 | |
"particularly those concerned in taking away my life | 0:27:15 | 0:27:18 | |
"and I desire and conjure my friends to think of no revenge." | 0:27:18 | 0:27:22 | |
-See, I couldn't be so forgiving. -Mm. | 0:27:22 | 0:27:26 | |
That's, I mean, that's almost sort of Christ-like to say, | 0:27:26 | 0:27:29 | |
"Forgive them, they know not what they do," sort of thing, isn't it? | 0:27:29 | 0:27:32 | |
Yes. He is consciously giving himself up for a form of martyrdom. | 0:27:32 | 0:27:36 | |
Mm. Did he want it to be shown around? | 0:27:36 | 0:27:40 | |
Yes. This whole letter wasn't just circulated in manuscript form, | 0:27:40 | 0:27:44 | |
it was printed, um, | 0:27:44 | 0:27:46 | |
and as many as perhaps 25,000 copies of this letter was circulated. | 0:27:46 | 0:27:50 | |
It does help establish this legacy | 0:27:50 | 0:27:54 | |
and this reputation as a defender of constitutional liberty. | 0:27:54 | 0:27:58 | |
In 1685, two years after Russell's execution, | 0:28:00 | 0:28:05 | |
the Whigs' fears of a Catholic monarchy came true. | 0:28:05 | 0:28:09 | |
Following the death of Charles II, his brother James II became King | 0:28:09 | 0:28:14 | |
and tried to bring in a Parliament that would do his bidding. | 0:28:14 | 0:28:17 | |
Spurred into action, seven notable Englishmen invited | 0:28:19 | 0:28:22 | |
a Protestant Dutch Prince, William of Orange, to overthrow James. | 0:28:22 | 0:28:27 | |
In November, 1688, William marched on London, driving James into exile. | 0:28:32 | 0:28:37 | |
In what became known as the Glorious Revolution, | 0:28:40 | 0:28:44 | |
William of Orange was crowned King of England, Scotland and Ireland. | 0:28:44 | 0:28:48 | |
Constitutional liberty is at the heart of the Glorious Revolution. | 0:28:51 | 0:28:55 | |
One of the first things that William does on coming to the throne | 0:28:55 | 0:28:59 | |
is pass the Bill of Rights, which guarantees certain rights | 0:28:59 | 0:29:03 | |
and freedoms to the English people. | 0:29:03 | 0:29:05 | |
As part of the Bill of Rights, King William outlawed absolute monarchy | 0:29:07 | 0:29:13 | |
and banned Catholics from the throne - | 0:29:13 | 0:29:16 | |
a law that stands to this day. | 0:29:16 | 0:29:18 | |
He also paid tribute to William Russell. | 0:29:18 | 0:29:20 | |
Now, this is a very important document. | 0:29:21 | 0:29:27 | |
You can touch it, but we can't unroll it. | 0:29:27 | 0:29:30 | |
-Right. -So, this is a pardon, quashing William Russell's | 0:29:30 | 0:29:35 | |
conviction for treason, and you can see attached to it is | 0:29:35 | 0:29:39 | |
actually the King's seal, the seal of William of Orange as well. | 0:29:39 | 0:29:42 | |
-Oh, right. Can I touch it? -Yeah, you can touch it. | 0:29:42 | 0:29:45 | |
I have got a copy here of what it looks like, um, when unrolled. | 0:29:45 | 0:29:53 | |
"All records and proceedings related to the said Attainder be | 0:29:53 | 0:29:57 | |
"wholly cancelled and taken off the file or otherwise defaced | 0:29:57 | 0:30:01 | |
"and obliterated to the intent the same may not visible in after ages." | 0:30:01 | 0:30:08 | |
How final. | 0:30:08 | 0:30:10 | |
-He was even smarter than I thought. -Mm. | 0:30:10 | 0:30:13 | |
Because once his fate was sealed... | 0:30:13 | 0:30:17 | |
..he must have been able to see | 0:30:18 | 0:30:20 | |
he could have a more lasting effect than if he hadn't died. | 0:30:20 | 0:30:24 | |
Yes. Absolutely. | 0:30:24 | 0:30:25 | |
The Glorious Revolution is a real turning point in English history. | 0:30:25 | 0:30:30 | |
It's the moment where, you know, | 0:30:30 | 0:30:32 | |
we move from the possibility of absolute monarchy to | 0:30:32 | 0:30:35 | |
constitutional monarchy with certain rights and freedoms defended in law. | 0:30:35 | 0:30:41 | |
And what this pardon does is acknowledge William Russell's | 0:30:41 | 0:30:45 | |
part in that, that his sacrifice is part of the story leading up | 0:30:45 | 0:30:50 | |
to that turning point, this turning point that really establishes | 0:30:50 | 0:30:53 | |
a lot of the constitutional freedoms that we enjoy today. | 0:30:53 | 0:30:57 | |
My eight times great-grandfather has moved things on. | 0:30:57 | 0:31:00 | |
That's really something I wished for when I realised I had these | 0:31:00 | 0:31:05 | |
rather well-to-do ancestors, that they, please God, they did | 0:31:05 | 0:31:10 | |
something with their life and didn't just sit around, and boy, he did! | 0:31:10 | 0:31:15 | |
Well, resisting authority is a Russell family trait. | 0:31:15 | 0:31:18 | |
And, in fact, William Russell seems to have inherited this trait | 0:31:18 | 0:31:22 | |
from his grandmother, Frances Howard, who I think | 0:31:22 | 0:31:25 | |
you should also take a look at as a very interesting character. | 0:31:25 | 0:31:28 | |
Celia's back in London to meet Professor Jackie Eales. | 0:31:39 | 0:31:42 | |
-Good morning, Professor. -Hello, Celia, I'm Jackie... | 0:31:42 | 0:31:46 | |
She wants to find out | 0:31:46 | 0:31:47 | |
what it was that Frances did to resist authority. | 0:31:47 | 0:31:50 | |
I know Frances Howard went against the establishment, | 0:31:52 | 0:31:55 | |
so she's my kind of girl. | 0:31:55 | 0:31:57 | |
And I want to find out about her. | 0:31:57 | 0:31:59 | |
-Have you seen a picture of her yet? -No. | 0:31:59 | 0:32:01 | |
Well, I've got one here. There she is. | 0:32:01 | 0:32:04 | |
Oh, I say, I rather like her. | 0:32:04 | 0:32:07 | |
-She was born in 1593. -Mm. | 0:32:07 | 0:32:10 | |
She was a member of an aristocratic family. | 0:32:10 | 0:32:12 | |
Her father was the Earl of Suffolk, so it's a family that's got | 0:32:12 | 0:32:16 | |
a very high position at Court under James I. | 0:32:16 | 0:32:20 | |
And, in 1606, they arrange a marriage for her to the young | 0:32:20 | 0:32:24 | |
Earl of Essex, a man called Robert Devereux. | 0:32:24 | 0:32:27 | |
We found out a bit more about the marriage here. | 0:32:27 | 0:32:30 | |
This is a book that was published a little bit later, in the 1650s. | 0:32:30 | 0:32:37 | |
"The Earl of Essex was 14 years of age..." Oh! | 0:32:37 | 0:32:41 | |
"..and she 13..." Oh, dear! | 0:32:43 | 0:32:45 | |
"..when they married, too young to consider, | 0:32:45 | 0:32:49 | |
"but old enough to consent." | 0:32:49 | 0:32:51 | |
Ooh! How mean, actually. | 0:32:51 | 0:32:56 | |
Um... "Yet by the advice of friends, separated after marriage, | 0:32:56 | 0:33:01 | |
"she under her mother's wing, and he visiting France." | 0:33:01 | 0:33:05 | |
-14 and 13! -Yes. | 0:33:07 | 0:33:09 | |
I mean, we tend to think of Romeo and Juliet | 0:33:09 | 0:33:11 | |
and think this is normal - but it isn't. | 0:33:11 | 0:33:14 | |
And the average age for first marriage amongst aristocrats | 0:33:14 | 0:33:17 | |
was 20 to 24. It's very much a political manoeuvre. | 0:33:17 | 0:33:21 | |
It's a way of cementing relationships | 0:33:21 | 0:33:23 | |
between the two families. | 0:33:23 | 0:33:24 | |
Dear, dear. | 0:33:24 | 0:33:26 | |
At the time of Frances's marriage, the King of England was James I, | 0:33:28 | 0:33:32 | |
who ruled with almost unrestricted power. | 0:33:32 | 0:33:35 | |
Courtiers vied for the King's favour | 0:33:38 | 0:33:40 | |
in a bid to stay inside this circle of influence. | 0:33:40 | 0:33:43 | |
Although the Howard family were already high up at Court, | 0:33:44 | 0:33:48 | |
they knew that by marrying their daughter to Essex, | 0:33:48 | 0:33:51 | |
the King's current favourite, | 0:33:51 | 0:33:53 | |
they would strengthen their position further. | 0:33:53 | 0:33:56 | |
And did she like him? | 0:33:57 | 0:33:58 | |
Well, that's a good question. We need to find out a bit more. | 0:33:58 | 0:34:02 | |
We see them again over here, | 0:34:02 | 0:34:05 | |
this is a letter that Frances wrote round about 1611. | 0:34:05 | 0:34:11 | |
She's about 18, it's about five years into the marriage. | 0:34:11 | 0:34:14 | |
And it's to her friend. | 0:34:14 | 0:34:17 | |
"You must send me some good fortune. | 0:34:17 | 0:34:20 | |
"Alas, I have need of it. | 0:34:20 | 0:34:23 | |
"Keep the Lord still to me, for that I desire. | 0:34:23 | 0:34:26 | |
"My Lord is lusty and merry and drinketh with his men and all the content he gives me | 0:34:26 | 0:34:33 | |
"is to abuse me and to use me as doggedly as before. | 0:34:33 | 0:34:38 | |
"Remember, I beg for God's sake, and get me from this vile place." | 0:34:40 | 0:34:46 | |
Oh Lord! "Give Turner warning of all things." | 0:34:46 | 0:34:50 | |
Poor darling. What a horrible time she's having. | 0:34:50 | 0:34:53 | |
Well, she's not happy, is she? | 0:34:53 | 0:34:55 | |
She says the house is "this vile place". | 0:34:55 | 0:34:58 | |
Her husband is abusing her, uses her "doggedly". | 0:34:58 | 0:35:02 | |
I wonder what that means, sounds very rude. | 0:35:02 | 0:35:04 | |
Well, I'm not sure it's got the same meaning as it does now. | 0:35:04 | 0:35:07 | |
No, probably not, but anyway. | 0:35:07 | 0:35:09 | |
Now she says, "Give Turner warning of all things." | 0:35:09 | 0:35:12 | |
Who's Turner? | 0:35:12 | 0:35:14 | |
Well, Turner is a woman called Ann Turner, | 0:35:14 | 0:35:16 | |
she's the widow of another Court physician, fashionable doctor, | 0:35:16 | 0:35:20 | |
but the two women have become very close and Ann Turner is | 0:35:20 | 0:35:23 | |
really Frances' main confidant at this stage in the proceedings. | 0:35:23 | 0:35:28 | |
Well, I'm glad she's got a friend. | 0:35:28 | 0:35:29 | |
Sounds utterly grim, doesn't it? | 0:35:29 | 0:35:32 | |
She mentions somebody else, doesn't she? | 0:35:32 | 0:35:34 | |
"Keep the Lord still to me, for that I desire." | 0:35:34 | 0:35:38 | |
That's not her husband though, surely? | 0:35:38 | 0:35:41 | |
-That must be somebody else she rather likes? -Yes. | 0:35:41 | 0:35:43 | |
I mean, she's saying keep the Lord mine | 0:35:43 | 0:35:45 | |
because that's what I want, and we know... | 0:35:45 | 0:35:47 | |
-And who's that? -This is a man called Robert Carr. | 0:35:47 | 0:35:51 | |
I've got a portrait of him here for you to have a look at. | 0:35:51 | 0:35:54 | |
So that's the man in question. | 0:35:54 | 0:35:56 | |
Oh, much more of a sparkle, hasn't he? | 0:35:56 | 0:35:58 | |
-A bit like Errol Flynn, isn't he? -Mm-mm. | 0:35:58 | 0:36:00 | |
So he's quite good looking. He's a rising star at Court. | 0:36:00 | 0:36:04 | |
He's becoming, very rapidly, the King's favourite, | 0:36:04 | 0:36:07 | |
and he's making quite an impression. | 0:36:07 | 0:36:10 | |
A lot of the Court ladies are smitten with him, and so is Frances. | 0:36:10 | 0:36:14 | |
Is he showing any sign to her? | 0:36:14 | 0:36:16 | |
Does he like her or is it a fantasy? | 0:36:16 | 0:36:18 | |
Well, at this stage, we don't really know | 0:36:18 | 0:36:21 | |
if anything's happening between them. | 0:36:21 | 0:36:23 | |
-It's a bit too early to tell. -Mm. | 0:36:23 | 0:36:25 | |
But there are rumours going around that something is going on. | 0:36:25 | 0:36:28 | |
Reputation is everything for women in this period so losing your reputation is... | 0:36:28 | 0:36:33 | |
-potential disaster. -And what on earth would her husband have said? | 0:36:33 | 0:36:38 | |
Well, it makes him a cuckold, so | 0:36:39 | 0:36:42 | |
for him, it's very damaging indeed. It's very embarrassing. | 0:36:42 | 0:36:46 | |
Frances is getting into a risky situation because she's caught | 0:36:46 | 0:36:49 | |
between two very powerful men at court. | 0:36:49 | 0:36:52 | |
Her husband and the rising young favourite as well. | 0:36:52 | 0:36:56 | |
She's defying her parents, her father, her mother, her brother | 0:36:56 | 0:37:01 | |
Also her husband. | 0:37:01 | 0:37:03 | |
This is a patriarchal society in which women are meant to be | 0:37:03 | 0:37:05 | |
submissive to the men in the family and she's going against that. | 0:37:05 | 0:37:08 | |
And these are all very important courtiers with reputations at stake in court. | 0:37:08 | 0:37:12 | |
-So they're very concerned. -I rather love her spirit. | 0:37:12 | 0:37:16 | |
But I fear she's going to get into terrible trouble. | 0:37:16 | 0:37:19 | |
Well, we've got another letter that she wrote, | 0:37:19 | 0:37:22 | |
and this is actually to Ann Turner. | 0:37:22 | 0:37:25 | |
"Burn this letter, | 0:37:25 | 0:37:28 | |
"sweet Turner, I am out of all hope of any good in this world, | 0:37:28 | 0:37:32 | |
"for I am not able to endure the miseries that are coming on me. | 0:37:32 | 0:37:36 | |
"But I cannot be happy so long as this man liveth. | 0:37:36 | 0:37:39 | |
"If I can get this done, you shall have as much money as you can demand. | 0:37:39 | 0:37:44 | |
"This is fair play. Your sister, Frances Essex." | 0:37:44 | 0:37:47 | |
Oh, dear! What's she asking her to do? | 0:37:47 | 0:37:51 | |
Well, you could read that letter as if she's asking somebody to... | 0:37:51 | 0:37:54 | |
-Bump him off. -Exactly. | 0:37:54 | 0:37:55 | |
She is bonkers to think she's going to get away with it, isn't she? | 0:37:55 | 0:37:58 | |
Well, the bottom line is that she's going to do things her own way, | 0:37:58 | 0:38:02 | |
that she's defying everybody. | 0:38:02 | 0:38:04 | |
My ten times great-grandmother was in the most ghastly marriage | 0:38:06 | 0:38:10 | |
and I realise that they, you know, weren't able to escape, like I would have done - | 0:38:10 | 0:38:15 | |
I would never have got married in the first place - | 0:38:15 | 0:38:18 | |
but I'm very worried for her, | 0:38:18 | 0:38:20 | |
but I fear that she's not playing about. | 0:38:20 | 0:38:23 | |
But I also think she's an innocent and is going to get herself | 0:38:23 | 0:38:25 | |
into terrible trouble and I must find out the next bit. | 0:38:25 | 0:38:29 | |
Celia's on her way to find out whether Frances did try to | 0:38:36 | 0:38:40 | |
murder her husband in a bid to escape from her unhappy marriage. | 0:38:40 | 0:38:45 | |
But she's been asked to meet the historian at Lambeth Palace, | 0:38:45 | 0:38:49 | |
home of the Archbishops of Canterbury for more than 800 years. | 0:38:49 | 0:38:53 | |
It is most intriguing, because I thought Lady Frances Howard | 0:38:55 | 0:38:59 | |
was trying to bump off her husband that she was married to and trapped. | 0:38:59 | 0:39:03 | |
Um, so what on earth has the Archbishop of Canterbury got to do with it? | 0:39:03 | 0:39:07 | |
She's meeting Dr Laura Gowing. | 0:39:07 | 0:39:10 | |
Hello. Now, you know all about my great-grandmother, I'm guessing. | 0:39:10 | 0:39:14 | |
You've come to a Great Hall at Lambeth Palace | 0:39:17 | 0:39:20 | |
because all marriage is under the jurisdiction of the Church of England. | 0:39:20 | 0:39:24 | |
The reason it comes to the Archbishop of Canterbury is | 0:39:24 | 0:39:26 | |
because of the high level of the status of this particular couple. | 0:39:26 | 0:39:31 | |
This document here records what happened next | 0:39:31 | 0:39:35 | |
in the Howard marriage. | 0:39:35 | 0:39:37 | |
"Libel laid down by the Lady Frances Howard against the Earl of Essex. | 0:39:37 | 0:39:41 | |
"The said Earl of Essex did not carnally know the said Lady Frances. | 0:39:43 | 0:39:48 | |
"Neither was able to know her nor had any way | 0:39:48 | 0:39:51 | |
"carnal copulation with her, | 0:39:51 | 0:39:53 | |
"nor was strength to have it." | 0:39:53 | 0:39:56 | |
That's a bit explicit for a State paper, isn't it? | 0:39:56 | 0:39:59 | |
To be talking about this sort of thing... | 0:39:59 | 0:40:01 | |
It is, but the State needs to know | 0:40:01 | 0:40:03 | |
whether this marriage can be consummated. | 0:40:03 | 0:40:06 | |
She's prosecuting her husband on the grounds of impotence. | 0:40:06 | 0:40:12 | |
She's requesting an annulment. | 0:40:13 | 0:40:15 | |
If she succeeds in this plea, she will be able to remarry. | 0:40:15 | 0:40:19 | |
She needs to have an heir. I mean, that's her coin... | 0:40:19 | 0:40:21 | |
-Yes. -..is to produce an heir | 0:40:21 | 0:40:23 | |
and to send her family further on into the future. | 0:40:23 | 0:40:26 | |
-This isn't at all what I expected was going to happen. -No. | 0:40:26 | 0:40:30 | |
I'd better get to the end. | 0:40:30 | 0:40:32 | |
"The said Earl of Essex had and hath power and ability | 0:40:32 | 0:40:37 | |
"to have carnal copulation with other women." | 0:40:37 | 0:40:40 | |
Is he saying this? I can't... This is unbelievable stuff. | 0:40:40 | 0:40:45 | |
-I can't believe... -He doesn't want to admit that... | 0:40:45 | 0:40:49 | |
That he can't do it. | 0:40:49 | 0:40:50 | |
..he can't have copulation with anybody. | 0:40:50 | 0:40:52 | |
No, I don't suppose any man would, would they? | 0:40:52 | 0:40:54 | |
He suggests that the fault is in her and not in him. | 0:40:54 | 0:40:56 | |
So, Frances was examined by about ten midwives and matrons. | 0:40:56 | 0:41:00 | |
She's trying to prove both that she's a virgin | 0:41:00 | 0:41:03 | |
-and that she is capable of intercourse. -Mm. | 0:41:03 | 0:41:06 | |
And how you get a team of matrons and midwives | 0:41:06 | 0:41:08 | |
to prove that is very tricky. | 0:41:08 | 0:41:10 | |
They decided eventually that she was a virgin and that she was capable. | 0:41:10 | 0:41:14 | |
-How degrading and awful for her. -Mm. | 0:41:14 | 0:41:19 | |
Especially to have so many of them at her. | 0:41:19 | 0:41:21 | |
Um, but surely in...to be fair, | 0:41:21 | 0:41:24 | |
he should have to go through something of the sort? | 0:41:24 | 0:41:27 | |
-Don't tell me he got off scot-free? -He doesn't have to formally, | 0:41:27 | 0:41:30 | |
but the Archbishop of Canterbury lets it be known that | 0:41:30 | 0:41:33 | |
a friend of his said to him that the Earl of Essex had come into his room | 0:41:33 | 0:41:37 | |
and showed a group of his friends the sufficiency of his matter. | 0:41:37 | 0:41:42 | |
-Oh, please! -They'd all said the ladies of Court would trample | 0:41:42 | 0:41:45 | |
Frances Howard if they knew the truth of it. | 0:41:45 | 0:41:47 | |
So, clearly that's all he has to do. | 0:41:47 | 0:41:49 | |
Just go into somebody else's room and just say, "Here we are, boys." | 0:41:49 | 0:41:53 | |
How awful! That's terrible. | 0:41:53 | 0:41:57 | |
Mm, mm. | 0:41:57 | 0:41:58 | |
What Frances is essentially doing here is setting herself, | 0:41:58 | 0:42:02 | |
her plea, up against the whole institution of marriage. | 0:42:02 | 0:42:05 | |
It is going to mobilise a lot of forces against her. | 0:42:05 | 0:42:08 | |
One of her harshest critics was a man named Thomas Overbury. | 0:42:08 | 0:42:13 | |
Sir Thomas Overbury was a courtier in the Court of King James I. | 0:42:15 | 0:42:19 | |
A close friend of Robert Carr's, | 0:42:19 | 0:42:21 | |
he'd worked hard to engineer the charming young Scot's | 0:42:21 | 0:42:24 | |
rise from obscurity to the King's new favourite. | 0:42:24 | 0:42:28 | |
In doing so, Overbury secured himself | 0:42:31 | 0:42:33 | |
a position of influence at Court. | 0:42:33 | 0:42:35 | |
But when he discovered that Carr intended to marry | 0:42:37 | 0:42:40 | |
Frances Howard, Overbury realised his position was in jeopardy. | 0:42:40 | 0:42:44 | |
Overbury does not like the idea | 0:42:48 | 0:42:50 | |
because it is going to shove him out in terms of Court interests. | 0:42:50 | 0:42:53 | |
Because then Carr is no longer going to be under Overbury's control, | 0:42:53 | 0:42:56 | |
he's going to shift into the sphere of the Howards. | 0:42:56 | 0:42:59 | |
And we can see the interest of a King, as well, | 0:42:59 | 0:43:01 | |
also moving in that direction towards the Howards. | 0:43:01 | 0:43:04 | |
So this is... Overbury is ending up increasingly scarily marginalised. | 0:43:04 | 0:43:09 | |
In order to secure his own interests, | 0:43:09 | 0:43:12 | |
Overbury began to publicly malign Frances Howard, | 0:43:12 | 0:43:15 | |
trying to destroy her relationship with Carr. | 0:43:15 | 0:43:19 | |
Fearing Overbury could derail the politically advantageous marriage, | 0:43:20 | 0:43:24 | |
the powerful Howard family wanted him sidelined. | 0:43:24 | 0:43:28 | |
Somehow in that year, Overbury gets offered an Ambassadorship, | 0:43:32 | 0:43:36 | |
which he doesn't want. He turns it down. | 0:43:36 | 0:43:39 | |
To turn down an Ambassadorship is potentially a treasonous act, | 0:43:39 | 0:43:41 | |
so he ends up in the Tower of London for treason. | 0:43:41 | 0:43:44 | |
Where's Lord Carr in all this? I thought he was his friend? | 0:43:44 | 0:43:47 | |
Not so interested. | 0:43:47 | 0:43:49 | |
Now, I'm realising that friend is...there is no such thing. | 0:43:49 | 0:43:53 | |
-It's all politics. -Yes. | 0:43:53 | 0:43:55 | |
On the 15th September, 1613, just as the annulment case is reaching | 0:43:55 | 0:44:02 | |
its conclusion, something very strange happens to Thomas Overbury. | 0:44:02 | 0:44:07 | |
On this document here, which is a letter from the newsmonger | 0:44:08 | 0:44:14 | |
and letter writer, John Chamberlain, we hear what happened. | 0:44:14 | 0:44:18 | |
"Sir Thomas Overbury died and is buried in the Tower. | 0:44:19 | 0:44:23 | |
"The manner of his death is not known, | 0:44:23 | 0:44:26 | |
"but the foulness of the corpse gave suspicion | 0:44:26 | 0:44:30 | |
"and leaves aspersion that he should die of the pox or somewhat worse." | 0:44:30 | 0:44:36 | |
Do they think somebody's murdered him, then? | 0:44:37 | 0:44:39 | |
It sounds slightly suspicious of that, but only very slightly. | 0:44:39 | 0:44:42 | |
He just dies, nobody pities him, his friends speak indifferently of him. | 0:44:42 | 0:44:46 | |
Ten days after his death, the annulment reaches a conclusion | 0:44:46 | 0:44:50 | |
and is granted. | 0:44:50 | 0:44:52 | |
Three months later, Howard and Carr marry on the 26th December, 1613. | 0:44:52 | 0:44:57 | |
And everything in the garden's lovely, but... | 0:44:57 | 0:45:01 | |
I can't believe... Did anybody worry and wonder about Overbury? | 0:45:01 | 0:45:06 | |
It took two years for any word to filter through. | 0:45:06 | 0:45:09 | |
But in 1615, the King hears a rumour | 0:45:09 | 0:45:13 | |
that all was not as it should have been with the death of Overbuy. | 0:45:13 | 0:45:16 | |
And he is pushed in the direction of investigating it. And so... | 0:45:16 | 0:45:20 | |
Ah, by who, though? | 0:45:20 | 0:45:22 | |
Cos you say the King himself maybe not... | 0:45:22 | 0:45:24 | |
-It's not clear. -So, someone else? | 0:45:24 | 0:45:26 | |
It's various interests. Yes. | 0:45:26 | 0:45:29 | |
This is a letter from Gervais Helwys, who was | 0:45:29 | 0:45:32 | |
a Lieutenant of the Tower of London at the time that Overbury died. | 0:45:32 | 0:45:35 | |
"His physician was his overthrow, and that which wrought it was | 0:45:35 | 0:45:42 | |
"a glyster." Glyster, I'm not sure what that is? | 0:45:42 | 0:45:45 | |
A glyster is an enema. Somebody has introduced some poison into the glyster. | 0:45:45 | 0:45:49 | |
"The apothecary had a servant who was corrupted." Oooh. | 0:45:50 | 0:45:55 | |
"Who corrupted the servant, I can give Your Majesty no account, | 0:45:55 | 0:46:01 | |
"neither can I directly say that he ever named | 0:46:01 | 0:46:04 | |
"any as an actor in this business, but only..." Whoa! | 0:46:04 | 0:46:10 | |
Mrs Turner. | 0:46:10 | 0:46:11 | |
-Have you met Mrs Turner before? -Yes, in the letter Frances sent. | 0:46:13 | 0:46:16 | |
She's still very much on the scene. | 0:46:16 | 0:46:18 | |
This is the best drama I've come across for yonks. | 0:46:18 | 0:46:22 | |
This is going to be a big trial if it comes out. | 0:46:22 | 0:46:25 | |
So if you want to pursue this further, | 0:46:25 | 0:46:27 | |
-you need to look in the State Trials. -I do. | 0:46:27 | 0:46:30 | |
My ten times great-grandmother, Lady Frances Howard, | 0:46:33 | 0:46:35 | |
is taking me on a complete roller-coaster of surprises. | 0:46:35 | 0:46:39 | |
Her friend, Mrs Turner, is now implicated in some wrongdoing, | 0:46:39 | 0:46:43 | |
i.e, murder. Is Lady Frances involved? I've got to find out. | 0:46:43 | 0:46:47 | |
When Frances married her second husband, Robert Carr, | 0:46:49 | 0:46:53 | |
they became the Earl and Countess of Somerset. | 0:46:53 | 0:46:56 | |
They'd been happily married for almost two years | 0:46:56 | 0:46:59 | |
when they were arrested and forced to stand trial | 0:46:59 | 0:47:02 | |
as co-conspirators in the poisoning of Thomas Overbury. | 0:47:02 | 0:47:06 | |
Celia has come to meet Professor David Lindley to see how the case unfolded. | 0:47:15 | 0:47:20 | |
Hello, David. You're going to show me the next bit. | 0:47:20 | 0:47:24 | |
I think that's the general idea. So we'll go in here. | 0:47:24 | 0:47:27 | |
Thank you. | 0:47:27 | 0:47:29 | |
I'd love to know who suddenly starts the investigation two years later. | 0:47:29 | 0:47:34 | |
Well, we're not exactly sure, but it seems to have been Ralph Winwood, | 0:47:34 | 0:47:37 | |
who was the Secretary of State and an enemy of Robert Carr's. | 0:47:37 | 0:47:41 | |
-Well, it's a marvellous weapon, isn't it? -Mm-hm. It is. | 0:47:41 | 0:47:45 | |
If we he wants to bring them down, obviously. | 0:47:45 | 0:47:47 | |
Yes, and it was a propitious time to do so. | 0:47:47 | 0:47:49 | |
Robert Carr was on the way down in the King's favour, | 0:47:49 | 0:47:53 | |
or so it seemed, so a propitious time perhaps for Ralph Winwood | 0:47:53 | 0:47:58 | |
-to get his revenge on his political enemies. -Mm. | 0:47:58 | 0:48:01 | |
Robert Carr was sent off to the Tower... | 0:48:03 | 0:48:05 | |
-Mm-hm. -..but Frances wasn't. | 0:48:05 | 0:48:07 | |
She was put under house arrest at a nobleman's house in Blackfriars. | 0:48:07 | 0:48:13 | |
And perhaps the reason for it we can see in this letter, | 0:48:13 | 0:48:17 | |
which you might like to have a look at. | 0:48:17 | 0:48:20 | |
So, "November 26th, 1615, | 0:48:20 | 0:48:23 | |
"His Majesty hath commanded you to take careful order that such women | 0:48:23 | 0:48:28 | |
"be placed about the Countess of Somerset, | 0:48:28 | 0:48:31 | |
"who will be answerable that at her delivery she do not miscarry." | 0:48:31 | 0:48:37 | |
At her delivery. She's pregnant. | 0:48:37 | 0:48:41 | |
Oh, God! | 0:48:41 | 0:48:43 | |
And she's about to give birth to your nine times great-grandmother. | 0:48:43 | 0:48:47 | |
Ah, I didn't get that at all. | 0:48:47 | 0:48:49 | |
What Winwood is worried about is that she will miscarry or | 0:48:49 | 0:48:54 | |
that, in some way, she'll be prevented from... | 0:48:54 | 0:48:57 | |
Yes. | 0:48:57 | 0:48:59 | |
..being investigated further about the murder of Overbury. | 0:48:59 | 0:49:02 | |
-But they don't trust her an inch, do they? My goodness. -Absolutely not. | 0:49:02 | 0:49:05 | |
They really fear that she's going to somehow slip the net. | 0:49:05 | 0:49:09 | |
Do you know how pregnant she would be at this point then? | 0:49:09 | 0:49:12 | |
-Um, about eight months. -Oh, I see. Right. | 0:49:12 | 0:49:15 | |
Because on the 9th December, 1615, Ann, | 0:49:15 | 0:49:19 | |
your nine times great-grandmother, and the mother of | 0:49:19 | 0:49:23 | |
William Lord Russell, was born while her mother was under house arrest. | 0:49:23 | 0:49:28 | |
Oh, dear. | 0:49:28 | 0:49:30 | |
Gosh. | 0:49:30 | 0:49:31 | |
And then, in March, Frances herself is sent to the Tower. | 0:49:31 | 0:49:35 | |
They come to fetch her and apparently, with very little notice, | 0:49:35 | 0:49:40 | |
so that she only has time to shed a few tears over her baby, | 0:49:40 | 0:49:44 | |
before she's separated from Ann and taken off to the Tower. | 0:49:44 | 0:49:48 | |
It's quite cruel, isn't it? | 0:49:48 | 0:49:50 | |
I think the separation from her daughter can't but have been... | 0:49:50 | 0:49:53 | |
-Horrible. -..very unpleasant, to put it mildly. | 0:49:53 | 0:49:58 | |
But what we're getting is this huge build-up of anticipation | 0:49:58 | 0:50:02 | |
towards Frances's trial, | 0:50:02 | 0:50:04 | |
and people were paying huge money to get tickets to attend the trial. | 0:50:04 | 0:50:10 | |
And perhaps we can see what happened because here we are. | 0:50:10 | 0:50:17 | |
"The Countess of Somerset, all the while the indictment was reading, | 0:50:18 | 0:50:23 | |
"stood looking pale, trembled and shed some few tears. | 0:50:23 | 0:50:27 | |
"What sayeth thou? Art thou guilty to this felony and murder? | 0:50:27 | 0:50:31 | |
"Or not guilty? | 0:50:31 | 0:50:32 | |
"The Lady Somerset answered, 'Guilty,' with a low voice, | 0:50:32 | 0:50:37 | |
"but wonderful fearful." | 0:50:37 | 0:50:39 | |
-Oh, dear. -She pleaded guilty, | 0:50:43 | 0:50:45 | |
but she had throughout insisted that her husband played no part in it. | 0:50:45 | 0:50:51 | |
She tried to, as it were, keep the blame, as it were, | 0:50:51 | 0:50:55 | |
entirely to herself, which was a bit annoying to the powers that be, | 0:50:55 | 0:51:00 | |
since, probably, Robert Carr was the real target they were aiming at. | 0:51:00 | 0:51:03 | |
The thing is, David, I'm finding through this whole story, that | 0:51:03 | 0:51:07 | |
it's so like a drama that I find it terribly exciting and thrilling. | 0:51:07 | 0:51:12 | |
But actually, the truth is, she's very, very young, | 0:51:12 | 0:51:17 | |
she's only just had her first baby, which is quite an emotional, | 0:51:17 | 0:51:21 | |
well, a hugely emotional thing. | 0:51:21 | 0:51:24 | |
Worse, the baby's been ripped away from her. | 0:51:24 | 0:51:27 | |
She herself is only about 20, her baby's only five months old. | 0:51:27 | 0:51:34 | |
She's an enormously vulnerable person at this moment. | 0:51:34 | 0:51:39 | |
It's not surprising that she is "wonderful fearful" | 0:51:39 | 0:51:43 | |
at the charge that's levelled against her, | 0:51:43 | 0:51:46 | |
-particularly bearing in mind the likely implications. -Mm. | 0:51:46 | 0:51:50 | |
And here we might just read the sentence. | 0:51:50 | 0:51:54 | |
"The Lord Highest Steward says - Frances, | 0:51:56 | 0:51:59 | |
"Countess of Somerset, it is now my part to pronounce | 0:51:59 | 0:52:03 | |
"judgment that thou shalt be carried from hence to the Tower of London | 0:52:03 | 0:52:07 | |
"and from thence to the place of execution where you are to be | 0:52:07 | 0:52:10 | |
"hanged by the neck till you be dead, and Lord have mercy upon your soul." | 0:52:10 | 0:52:15 | |
Oh, dear. | 0:52:15 | 0:52:16 | |
And the following day, the same sentence is passed on her husband. | 0:52:19 | 0:52:24 | |
So, they go back to the Tower... | 0:52:24 | 0:52:26 | |
-Together. -..both condemned to death. | 0:52:26 | 0:52:29 | |
Oh, dear. | 0:52:31 | 0:52:32 | |
And so...we'd better go to the Tower to see what happened next. | 0:52:32 | 0:52:38 | |
Oh, dear. OK. | 0:52:38 | 0:52:40 | |
The awful thing is that, at the beginning of this whole story, | 0:52:42 | 0:52:46 | |
I said... Well, I'm fascinated by criminals, you see, | 0:52:46 | 0:52:49 | |
and I wondered whether there were any criminals in my family tree. | 0:52:49 | 0:52:53 | |
-Uh-oh! -Well, and here you've got two. | 0:52:53 | 0:52:56 | |
It's awfully sad, though. Well, murderers, as well. | 0:52:56 | 0:53:00 | |
I am extremely proud to be related to this rather wonderful woman, um, | 0:53:02 | 0:53:07 | |
because let's say the Earl of Essex was impotent and all she wanted was | 0:53:07 | 0:53:14 | |
to have a baby, then the marriage that I always imagine, the whole act | 0:53:14 | 0:53:20 | |
of marriage being a trap, she really was trapped, aged 13, let's say. | 0:53:20 | 0:53:26 | |
This terrible sort of loveless life she was going to have, but she | 0:53:26 | 0:53:29 | |
didn't sit down and do what...play by the rules, she absolutely didn't. | 0:53:29 | 0:53:34 | |
She stood up and was publicly humiliated, um, but made a stand | 0:53:34 | 0:53:42 | |
and now she's on her way to the Tower. | 0:53:42 | 0:53:45 | |
-Raven behind us. -Yes. -That's rather marvellous. | 0:53:52 | 0:53:55 | |
The Raven himself, his horse. | 0:53:55 | 0:53:57 | |
Here we are in the space that both Robert | 0:53:58 | 0:54:02 | |
and Frances were waiting essentially for execution. | 0:54:02 | 0:54:06 | |
But then, I've got something to show you... | 0:54:06 | 0:54:09 | |
-OK. -..for the next... Perhaps go over here | 0:54:09 | 0:54:12 | |
and perhaps you'd like to look at this document here. | 0:54:12 | 0:54:15 | |
This is a letter from John Chamberlain, who was a news gatherer of the period. | 0:54:15 | 0:54:22 | |
So July 20th, 1616, "The lady's pardon was signed the other week. | 0:54:22 | 0:54:28 | |
"The special reasons and inducements for it were for the great | 0:54:28 | 0:54:33 | |
"and long services of her father, family and friends, | 0:54:33 | 0:54:37 | |
"her own penitence and voluntary confession." | 0:54:37 | 0:54:42 | |
Does this mean she got off? | 0:54:42 | 0:54:45 | |
Yes. The pardon was signed. | 0:54:45 | 0:54:47 | |
But for her husband, Robert Carr, | 0:54:47 | 0:54:49 | |
wasn't pardoned formally for another, um, seven or eight years. | 0:54:49 | 0:54:53 | |
-Oh, dear. -But they lived here, in the Tower, for six years. | 0:54:53 | 0:54:58 | |
-In this room? -In, well, rooms in this... | 0:54:58 | 0:55:01 | |
And what happened to the baby? | 0:55:01 | 0:55:02 | |
Probably being looked after by her sister. | 0:55:02 | 0:55:06 | |
They are finally released in 1622 when Frances would be about 30. | 0:55:06 | 0:55:12 | |
-She's been through hell. -Mm-hm. | 0:55:12 | 0:55:15 | |
Um, now that they're out, is it all all right or not? | 0:55:15 | 0:55:19 | |
There is some evidence that it wasn't. | 0:55:19 | 0:55:22 | |
Well, I can hardly be surprised, actually. | 0:55:22 | 0:55:24 | |
That Robert blamed Frances for, in essence, ruining his career. | 0:55:24 | 0:55:31 | |
So how awful, aged 13 or whatever it is, she got into | 0:55:31 | 0:55:34 | |
this loveless marriage with the Earl of Essex, now she's 30, | 0:55:34 | 0:55:39 | |
and her life's been one big struggle really for, you know, to... | 0:55:39 | 0:55:46 | |
I mean, she had two years of bliss, and then... | 0:55:46 | 0:55:50 | |
-this is like eight years of hell. -Yes. | 0:55:50 | 0:55:54 | |
And now she comes out and they hate each other. | 0:55:54 | 0:55:56 | |
It must have been difficult, certainly. | 0:55:56 | 0:55:59 | |
-But...but they stuck together, they didn't separate. -Mm. | 0:55:59 | 0:56:02 | |
Because Frances actually died | 0:56:02 | 0:56:06 | |
only ten years after they were released | 0:56:06 | 0:56:10 | |
and, in here, there's an account of her death. | 0:56:10 | 0:56:14 | |
"She died before him. Her death was infamous. | 0:56:14 | 0:56:18 | |
"The loathsomeness of her death made it as conspicuous | 0:56:18 | 0:56:23 | |
"as on the house top. | 0:56:23 | 0:56:25 | |
"For that part of her body which had been the receptacle of most | 0:56:25 | 0:56:29 | |
"of her sin, grown rotten, pardon the sharpness of these expressions | 0:56:29 | 0:56:35 | |
"for they are for the glory of God who often makes His punishments | 0:56:35 | 0:56:41 | |
"in the balance of His justice of equal weight with our sins." | 0:56:41 | 0:56:45 | |
Oh, dear. Who's writing this? | 0:56:46 | 0:56:49 | |
This is Arthur Wilson, who was a historian of the period, and what | 0:56:49 | 0:56:54 | |
he's really doing is immortalising Frances as the female transgressive. | 0:56:54 | 0:57:01 | |
Now she died of breast cancer and uterine cancer, | 0:57:01 | 0:57:06 | |
and yet he represents this as the punishment for her sin. | 0:57:06 | 0:57:12 | |
Well, who's he to say?! Dear Lord! | 0:57:12 | 0:57:15 | |
-Hasn't she been through enough?! -Mm-hm. | 0:57:15 | 0:57:17 | |
The Earl of Essex, her former husband, knew this historian. | 0:57:17 | 0:57:22 | |
Is that terrible payback going on somewhere, do you think? | 0:57:24 | 0:57:27 | |
Sounds like it, doesn't it? | 0:57:27 | 0:57:29 | |
What upsets me is, can you imagine if a man had died of the pox, say? | 0:57:29 | 0:57:34 | |
-I bet the description wouldn't be so loathsome. -Mm-hm. | 0:57:34 | 0:57:38 | |
And to have such a judgment put on them. | 0:57:38 | 0:57:41 | |
What it tells us is this is how Frances Howard has been | 0:57:41 | 0:57:45 | |
-essentially seen from that day to this. -To this. | 0:57:45 | 0:57:48 | |
I think this wild weather | 0:57:55 | 0:57:57 | |
and this wild place to be is perfect for my ancestors. | 0:57:57 | 0:58:00 | |
I'm so proud to be related to such fantastically brave, loyal, | 0:58:00 | 0:58:06 | |
noble people. | 0:58:06 | 0:58:07 | |
They could have shut up and said nothing, | 0:58:07 | 0:58:10 | |
but they all spoke out and were courageous, especially Lady Frances. | 0:58:10 | 0:58:15 | |
I'm so proud that I'm not related to wishy-washy people, | 0:58:17 | 0:58:20 | |
drinking tea all over the place. Quite the reverse. | 0:58:20 | 0:58:24 |