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The great British countryside - | 0:00:03 | 0:00:05 | |
setting for one of the most pivotal battles of the Second World War. | 0:00:05 | 0:00:09 | |
Churchill called it the "front line of freedom". | 0:00:09 | 0:00:13 | |
And it was fought by the farmers of Britain. | 0:00:17 | 0:00:20 | |
It was the battle to feed a nation. | 0:00:21 | 0:00:24 | |
Over the course of a year, archaeologists Alex Langlands | 0:00:26 | 0:00:30 | |
and Peter Ginn, and historian Ruth Goodman, worked Manor Farm in Hampshire | 0:00:30 | 0:00:35 | |
as it would have been during the Second World War. | 0:00:35 | 0:00:38 | |
Now, Ruth and Peter are returning to Manor Farm to recreate the conditions of Christmas 1944, | 0:00:41 | 0:00:48 | |
the sixth of the war. | 0:00:48 | 0:00:49 | |
A bit of fun at Christmas. | 0:00:49 | 0:00:51 | |
This time, they're without Alex so they'll have their work cut out. | 0:00:51 | 0:00:57 | |
With shortages biting deeper than ever, the southeast of England | 0:00:57 | 0:01:01 | |
was in the grip of the worst bombing campaign since the Blitz of 1940. | 0:01:01 | 0:01:05 | |
Ruth and Peter are about to discover how the countryside came to the aid of people | 0:01:08 | 0:01:12 | |
living in cities in their hour of need. | 0:01:12 | 0:01:15 | |
They provided food... | 0:01:17 | 0:01:19 | |
Real country Christmas for the townspeople this, isn't it? | 0:01:19 | 0:01:23 | |
..drink... | 0:01:23 | 0:01:25 | |
We've got a magical Christmas brew. | 0:01:25 | 0:01:29 | |
..and gifts to lift the spirits. | 0:01:29 | 0:01:31 | |
Happy Christmas! | 0:01:31 | 0:01:34 | |
This is the untold story of the Wartime Farm at Christmas. | 0:01:34 | 0:01:38 | |
In 1939, at the outbreak of war, the government set farmers | 0:01:53 | 0:01:58 | |
strict targets to double home-grown food production by 1944. | 0:01:58 | 0:02:03 | |
They grew an additional 6.5 million acres of crops, | 0:02:03 | 0:02:07 | |
an area the size of Wales. | 0:02:07 | 0:02:10 | |
But by December 1944, farmers faced a new challenge. | 0:02:10 | 0:02:14 | |
Five years of fighting had devastated farmland and transport across Europe. | 0:02:15 | 0:02:21 | |
Food was becoming scarce. | 0:02:21 | 0:02:23 | |
The government demanded an extra 700,000 acres of pasture to be ploughed up. | 0:02:26 | 0:02:32 | |
Farmers were fighting a battle to grow crops on unsuitable land | 0:02:35 | 0:02:39 | |
that was prone to flooding. | 0:02:39 | 0:02:42 | |
Hedging and ditching are really winter jobs, | 0:02:43 | 0:02:46 | |
especially round here where we have such trouble with drainage. | 0:02:46 | 0:02:50 | |
Keeping the ditches open and clear is vital to the productivity of the land. | 0:02:50 | 0:02:55 | |
There's a whole network of ditches here round all the fields to carry the water. | 0:02:57 | 0:03:03 | |
The plan is to make all this water drain out into the river faster, | 0:03:03 | 0:03:06 | |
rather than sitting on the land. | 0:03:06 | 0:03:08 | |
In wartime Britain, there were no machines you could really turn to for this. | 0:03:11 | 0:03:15 | |
It still had to be done traditionally in the old hand way | 0:03:15 | 0:03:19 | |
with people and spades and rakes and billhooks. | 0:03:19 | 0:03:23 | |
MUSIC: "O Holy Night", Instrumental | 0:03:23 | 0:03:29 | |
You can start to see the water flowing already. | 0:03:29 | 0:03:33 | |
It just proves how blocked up this ditch was. | 0:03:33 | 0:03:35 | |
Undertaking hard, physical work on a rationed, wartime diet was particularly challenging. | 0:03:37 | 0:03:43 | |
Pies! | 0:03:44 | 0:03:46 | |
I've got your pies. Come and get them. Well deserved! | 0:03:46 | 0:03:50 | |
So, the Ministry of Food set up the Rural Pie Scheme | 0:03:50 | 0:03:53 | |
to fill the stomachs of hard-working farm labourers. | 0:03:53 | 0:03:58 | |
Dig in! | 0:03:58 | 0:03:59 | |
Pies, pies, pies! | 0:03:59 | 0:04:00 | |
Professor Karen Sayer has researched how the scheme worked. | 0:04:00 | 0:04:04 | |
By 1944, it was distributing over one million pies a week. | 0:04:04 | 0:04:10 | |
Can you imagine the logistical effort involved there?! | 0:04:10 | 0:04:13 | |
It runs from 1941 through beyond the war. | 0:04:13 | 0:04:16 | |
So, they're keeping people going. | 0:04:16 | 0:04:18 | |
This was all part of the attempt to provide more calories for those involved in heavy, physical labour. | 0:04:18 | 0:04:24 | |
Absolutely. Literally feed them. | 0:04:24 | 0:04:26 | |
Take pies. | 0:04:26 | 0:04:27 | |
And it really did mean that women in uniform turned up in fields carrying trays of pies. | 0:04:27 | 0:04:32 | |
It really did, yes. Exactly. | 0:04:32 | 0:04:34 | |
I just love it. It's so British, isn't it? Hey, we haven't got enough food. | 0:04:34 | 0:04:37 | |
Well, I know what we'll do. We'll have a national pie scheme! | 0:04:37 | 0:04:41 | |
The pies were distributed by one of the most important | 0:04:42 | 0:04:45 | |
organisations of the Second World War, the Women's Voluntary Service. | 0:04:45 | 0:04:50 | |
Founded in 1938 by Stella Isaacs, Marchioness of Reading, | 0:04:52 | 0:04:57 | |
at its peak, the WVS had over a million members. | 0:04:57 | 0:05:01 | |
Often older, middle-class ladies, | 0:05:01 | 0:05:04 | |
they did whatever they could to support the war effort. | 0:05:04 | 0:05:08 | |
Christmas 1944 saw them called into action in cities, | 0:05:08 | 0:05:13 | |
helping families who had lost everything in the bombing. | 0:05:13 | 0:05:16 | |
They fed them, found them accommodation, clothing, | 0:05:16 | 0:05:20 | |
and even toys for children. | 0:05:20 | 0:05:22 | |
So by '44, the women in the voluntary services in the cities | 0:05:25 | 0:05:29 | |
are stretched to the absolute maximum. | 0:05:29 | 0:05:31 | |
They are getting really punch drunk and they are having to call on women in the countryside, | 0:05:31 | 0:05:37 | |
through the WVS, to come in and help them. | 0:05:37 | 0:05:39 | |
So, someone like me, who'd spent the rest of the war in the countryside, | 0:05:39 | 0:05:43 | |
might not be particularly comfortable in town, maybe, | 0:05:43 | 0:05:46 | |
suddenly finds themselves helping people who have been struggling on for years side by side. | 0:05:46 | 0:05:51 | |
Having had this movement of townspeople into the countryside, | 0:05:51 | 0:05:55 | |
there is a beginning of a movement of country people moving back into the towns to give help. | 0:05:55 | 0:06:00 | |
To offer real practical help for people who, by this point, are in considerable distress, | 0:06:00 | 0:06:06 | |
who are absolutely worn down now, at their wits' end. | 0:06:06 | 0:06:09 | |
They deal with everything and they just tried to make everybody's life a little bit better. | 0:06:09 | 0:06:15 | |
In 1944, London was under threat from terrifying new Nazi weapons, | 0:06:18 | 0:06:24 | |
the V bombs. | 0:06:24 | 0:06:27 | |
First came the V-1s, known as doodlebugs. | 0:06:27 | 0:06:30 | |
Unmanned flying bombs, difficult to detect by radar. | 0:06:30 | 0:06:34 | |
When they reached their target, the engine cut, | 0:06:35 | 0:06:38 | |
putting the bomb into a deadly dive. | 0:06:38 | 0:06:40 | |
At their peak, more than 100 doodlebugs a day were hitting London | 0:06:43 | 0:06:47 | |
causing almost 23,000 casualties. | 0:06:47 | 0:06:50 | |
Christine Wight lived in London as a small child | 0:06:57 | 0:07:00 | |
and remembers the devastation they caused. | 0:07:00 | 0:07:04 | |
The doodlebugs - I hated that sound. You could see them. | 0:07:08 | 0:07:12 | |
I remember watching one once and just watching this thing going over | 0:07:12 | 0:07:16 | |
and suddenly it stopped. | 0:07:16 | 0:07:18 | |
My mum, I was out on the street, and she came haring out, | 0:07:20 | 0:07:23 | |
dragged me in, "Get in here!" | 0:07:23 | 0:07:26 | |
At one point, my school was bombed, | 0:07:27 | 0:07:29 | |
but luckily they got all the children into the shelters and things like that. | 0:07:29 | 0:07:34 | |
In September 1944, the Nazis unleashed a new, even more terrifying weapon - | 0:07:35 | 0:07:41 | |
the V-2 rocket. | 0:07:41 | 0:07:44 | |
At least 500 hit London, killing some 9,000 civilians. | 0:07:45 | 0:07:50 | |
Travelling at over 3,000mph, they seemingly appeared from nowhere, | 0:07:50 | 0:07:55 | |
bringing terror and loss of life wherever they fell. | 0:07:55 | 0:07:58 | |
Many also had to cope with the loss of family and friends on the battlefield. | 0:08:02 | 0:08:07 | |
By Christmas 1944, hundreds of thousands of British servicemen and women had been killed. | 0:08:09 | 0:08:15 | |
For Christine, this was to be the first Christmas without her father. | 0:08:18 | 0:08:22 | |
He had been killed six months earlier during the D-Day landings. | 0:08:22 | 0:08:26 | |
I presume your mother heard fairly quickly? | 0:08:28 | 0:08:30 | |
Yes. I mean, it's odd because I remember she was running down the road with this paper in her hand | 0:08:30 | 0:08:36 | |
and I'm thinking, "What's going on?" | 0:08:36 | 0:08:38 | |
She was obviously very upset. It must have been a telegram, I presume, | 0:08:38 | 0:08:41 | |
but they didn't tell children that someone had died in those days. | 0:08:41 | 0:08:45 | |
You'd just suddenly wonder, "Why isn't Daddy around? | 0:08:45 | 0:08:48 | |
"Why is he not home?" | 0:08:48 | 0:08:50 | |
Christine still treasures the letters her father sent to her before he died. | 0:08:52 | 0:08:56 | |
A crumb of comfort as the bombs rained down and Christmas approached. | 0:08:57 | 0:09:02 | |
-These are from your father? -Yes, these are from my dad. -Oh! | 0:09:02 | 0:09:06 | |
And he's saying things like, "Look after Mummy for me." | 0:09:06 | 0:09:09 | |
"Hope you learn all your ABC by the time I come home." | 0:09:09 | 0:09:12 | |
Yes. | 0:09:12 | 0:09:13 | |
"Tell Mummy, I love you both." Oh! | 0:09:13 | 0:09:16 | |
-Yeah. -"Loads of love, Daddy." -Yeah. | 0:09:16 | 0:09:20 | |
Christmas '44 must have been a pretty grim Christmas for you. | 0:09:20 | 0:09:22 | |
Well, I can't remember it so it must have been very much a non-event. | 0:09:22 | 0:09:28 | |
To protect people from bombing, | 0:09:30 | 0:09:33 | |
in 1939 the government issued over 1.5 million domestic air raid shelters. | 0:09:33 | 0:09:39 | |
Although they offered some protection, their shortcomings were quickly exposed. | 0:09:39 | 0:09:43 | |
Lots of people during the war, after that initial enthusiasm for Anderson Shelters, | 0:09:46 | 0:09:51 | |
found them less than ideal. | 0:09:51 | 0:09:54 | |
For a start, they tended to flood. | 0:09:54 | 0:09:57 | |
Any heavy rain and you could find yourself more than ankle deep in water. | 0:09:57 | 0:10:01 | |
And then there was the problem of how secure they were. | 0:10:02 | 0:10:06 | |
There were awful stories of people who were buried alive inside | 0:10:06 | 0:10:10 | |
and that put a lot of people off using them. | 0:10:10 | 0:10:13 | |
So, increasingly, they became rather abandoned and, like me, people started using them | 0:10:13 | 0:10:19 | |
for storage more than anything else. | 0:10:19 | 0:10:21 | |
By Christmas 1944, many had been abandoned. | 0:10:24 | 0:10:27 | |
London, by far the most populated city in Britain, took the brunt of the attacks. | 0:10:29 | 0:10:35 | |
So people there sought out deeper, communal air raid shelters | 0:10:35 | 0:10:38 | |
where they decamped, sometimes for weeks on end. | 0:10:38 | 0:10:42 | |
It fell to organisations like the Women's Institute, Red Cross, Salvation Army | 0:10:44 | 0:10:49 | |
and Women's Voluntary Service to provide relief, especially at Christmas. | 0:10:49 | 0:10:54 | |
I was talking to Karen about the WVS and they talked so much | 0:10:59 | 0:11:02 | |
about what that group and other groups were doing for people in emergency situations | 0:11:02 | 0:11:08 | |
and I was wondering if we ought to do our bit. | 0:11:08 | 0:11:11 | |
Well, definitely. In the countryside you have got access to ingredients. | 0:11:11 | 0:11:15 | |
We may not have many of the traditional Christmas ingredients, but we do have plenty of food. | 0:11:15 | 0:11:21 | |
It's good food, it's fresh. Food that's going to lift people's spirits. | 0:11:21 | 0:11:24 | |
This is the one day of the year when everyone wants to forget there's a war on. | 0:11:24 | 0:11:28 | |
Just celebrate life. | 0:11:28 | 0:11:30 | |
We ought to do something for the children though, really. | 0:11:30 | 0:11:33 | |
Yes, a form of distraction, toys or something. Or games. | 0:11:33 | 0:11:36 | |
There wouldn't have been much in 1944 to buy a child. You'd have to have made it. | 0:11:36 | 0:11:41 | |
This is it. You don't buy Christmas, you make Christmas. It isn't about what you buy in shops. | 0:11:41 | 0:11:45 | |
Christmas is about the people you gather around you and what you do with your time. | 0:11:45 | 0:11:49 | |
Yeah. Well, that is the truth isn't it? | 0:11:49 | 0:11:51 | |
Everything else...can go. | 0:11:51 | 0:11:53 | |
Until now, it had been the role of the countryside to grow food for the nation | 0:11:58 | 0:12:02 | |
and to take in evacuees from the cities. | 0:12:02 | 0:12:05 | |
By 1944, with many London streets reduced to rubble and services at breaking point, | 0:12:07 | 0:12:13 | |
the country people headed for the city to help. | 0:12:13 | 0:12:18 | |
The government recognised that one thing in particular was vital to keeping up British morale. | 0:12:20 | 0:12:26 | |
Beer. | 0:12:26 | 0:12:28 | |
They instructed it should never be rationed and during the war production rose by a third. | 0:12:30 | 0:12:35 | |
Churchill demanded all front line troops should receive four pints a week. | 0:12:36 | 0:12:40 | |
And women factory workers were encouraged to drink beer for the first time, | 0:12:43 | 0:12:47 | |
becoming known as the pint-pot girls. | 0:12:47 | 0:12:51 | |
The main ingredient of beer is malting barley and, before the war, nearly 40% was grown abroad. | 0:12:53 | 0:12:59 | |
The war cut off imports so brewers were forced to water down their beer to meet demand. | 0:13:02 | 0:13:07 | |
By 1944, shortages became so acute that the Ministry of Food urged brewers to experiment | 0:13:09 | 0:13:16 | |
with alternative ingredients. | 0:13:16 | 0:13:18 | |
Peter's going to make his own beer - a morale booster for those forced to spend Christmas underground. | 0:13:23 | 0:13:28 | |
He's calling on expert in rural crafts, Colin Richards, for help. | 0:13:28 | 0:13:33 | |
You can see it's dark and damp, nobody knows where they are. | 0:13:35 | 0:13:38 | |
During the war, it was imperative that nothing went to waste, | 0:13:40 | 0:13:43 | |
so when the Ministry of Food got wind of a surplus of potatoes, | 0:13:43 | 0:13:47 | |
they suggested they should be used to make beer. | 0:13:47 | 0:13:50 | |
Colin's surplus is stored in a tunnel. | 0:13:50 | 0:13:54 | |
Was it common to keep potatoes underground in the war? | 0:13:54 | 0:13:58 | |
Well, the Ministry of Supply requisitioned a lot of underground workings | 0:13:58 | 0:14:03 | |
for the storage of sort of military goods, particularly ammunition, torpedoes etc, | 0:14:03 | 0:14:08 | |
but for farms and farmers in rural areas that had old mine workings, | 0:14:08 | 0:14:14 | |
it was an opportunity to keep things safe, and not just for themselves, | 0:14:14 | 0:14:18 | |
but for other villagers and for whole communities so that, if there was an incident, | 0:14:18 | 0:14:24 | |
you know, if there were bombs or if there were the smashing of services - sewers, water - | 0:14:24 | 0:14:31 | |
then the food wouldn't be lost. | 0:14:31 | 0:14:34 | |
The first stage in making the beer is to crush the potatoes, | 0:14:35 | 0:14:39 | |
a job that calls for a bit of improvisation. | 0:14:39 | 0:14:42 | |
And Colin's coal-powered ambulance. | 0:14:43 | 0:14:46 | |
Henry and I have been given our instructions by Colin. | 0:14:52 | 0:14:56 | |
Potato beer. Sounds a bit strange. Apparently it makes you fart. | 0:14:56 | 0:15:00 | |
We've been told to wash the potatoes, which we've done, | 0:15:01 | 0:15:05 | |
bag the potatoes in small sacks, which we've done, | 0:15:05 | 0:15:09 | |
and lay the potatoes out on this metal track, | 0:15:09 | 0:15:14 | |
which we're doing. | 0:15:14 | 0:15:15 | |
Because basically, these potatoes have to be somehow broken up | 0:15:15 | 0:15:19 | |
so we can release the starches | 0:15:19 | 0:15:20 | |
and sugars to make our wort which forms the basis for our beer. | 0:15:20 | 0:15:25 | |
And Colin has got an idea along those lines. | 0:15:25 | 0:15:28 | |
That's exactly what we want, really, isn't it? | 0:15:42 | 0:15:44 | |
Absolutely perfect. | 0:15:44 | 0:15:46 | |
We've crushed it enough to expose the inner surface of the potato, | 0:15:46 | 0:15:49 | |
but not so much that it's just going to turn into one big stodgy mass. | 0:15:49 | 0:15:54 | |
Rationing and shortages made celebrating Christmas a challenge. | 0:15:54 | 0:15:58 | |
Despite this, the Women's Voluntary Service tried to make it | 0:16:02 | 0:16:06 | |
as normal as possible for displaced families. | 0:16:06 | 0:16:09 | |
Magazines published ideas on creating make-do-and-mend decorations. | 0:16:12 | 0:16:16 | |
I'm making lanterns from any bit of coloured paper. | 0:16:18 | 0:16:21 | |
I've got a bit of old wallpaper I found out the back. | 0:16:21 | 0:16:24 | |
Karen's getting tips from the 1944 land girls' newsletter | 0:16:24 | 0:16:28 | |
on using the papery covering around the fruit | 0:16:28 | 0:16:31 | |
of the physalis plant, commonly known as Chinese lanterns. | 0:16:31 | 0:16:35 | |
During the war, they were a garden favourite. | 0:16:37 | 0:16:39 | |
The letter to the editor says, "I would like to suggest the use of Chinese lanterns..." - | 0:16:41 | 0:16:46 | |
which are these - "..for Christmas decorations. | 0:16:46 | 0:16:50 | |
"Strip the lantern from the stalk of the plant | 0:16:50 | 0:16:52 | |
"and thread cotton through the stalks of the lanterns. | 0:16:52 | 0:16:55 | |
"They look very nice hung around pictures or make a bright splash | 0:16:55 | 0:16:58 | |
"of colour strung across a room, as paper chains used to be strung." | 0:16:58 | 0:17:02 | |
And in fact, they're absolutely right - it's making the most | 0:17:02 | 0:17:05 | |
beautiful Christmas decoration. Look at this - that is going | 0:17:05 | 0:17:09 | |
to be gorgeous, and it is very colourful. | 0:17:09 | 0:17:13 | |
But you can imagine in families which have been bombed out, | 0:17:13 | 0:17:15 | |
that have been...they've suffered all sorts of trauma - | 0:17:15 | 0:17:18 | |
if they could have salvaged something like this, which is | 0:17:18 | 0:17:22 | |
part of the family, it would help them to remember that, | 0:17:22 | 0:17:25 | |
and it would help them | 0:17:25 | 0:17:27 | |
to remember lost family members that are no longer with them. | 0:17:27 | 0:17:30 | |
So I think it's something that becomes very powerful, actually. | 0:17:30 | 0:17:34 | |
Christmas trees were scarce, as wood was taken by the war effort. | 0:17:36 | 0:17:40 | |
Tight controls on the use of paper meant decorations were | 0:17:43 | 0:17:46 | |
reused year after year, | 0:17:46 | 0:17:49 | |
and with the fall of the Far Eastern rubber plantations | 0:17:49 | 0:17:52 | |
to the Japanese, balloons were scarce. | 0:17:52 | 0:17:54 | |
But the enemy, inadvertently, | 0:17:57 | 0:17:59 | |
dropped an ideal Christmas decoration from the sky - | 0:17:59 | 0:18:03 | |
strips of metal foil called chaff. | 0:18:03 | 0:18:06 | |
Well, this was dropped by enemy planes to confuse the radar, | 0:18:07 | 0:18:12 | |
to make it look like a huge force was coming over. | 0:18:12 | 0:18:15 | |
So a single German plane would come over and chuck this stuff out. | 0:18:16 | 0:18:19 | |
We, looking at our radar screens, would think, "Oh, my goodness! There's a huge squadron coming!" | 0:18:19 | 0:18:24 | |
We'd scramble everybody, they'd all go up in the air and there'd be nothing. | 0:18:24 | 0:18:28 | |
Yes, and pick this up from the fields - one in the eye for the Germans. | 0:18:28 | 0:18:31 | |
I'm now going to turn this into a Christmas decoration. | 0:18:31 | 0:18:34 | |
You think this is a force for evil? It's not - it's a Christmas decoration! | 0:18:34 | 0:18:38 | |
So I suppose these things are just to cheer people up, really. | 0:18:38 | 0:18:41 | |
A bit of fun at Christmas, something a bit different. | 0:18:41 | 0:18:45 | |
Some sort of feeling of a special day. | 0:18:46 | 0:18:49 | |
You can't do it by buying loads of stuff, | 0:18:49 | 0:18:52 | |
you can't do it by giant expensive presents, | 0:18:52 | 0:18:54 | |
you can't do it by over-indulging in posh food. | 0:18:54 | 0:18:57 | |
-You've got to do it somehow, haven't you? -Using any resource you have to hand. | 0:18:57 | 0:19:02 | |
In the spirit of wartime improvisation, Colin, too, is using | 0:19:02 | 0:19:06 | |
any resources he has to hand to build a makeshift Christmas brewery. | 0:19:06 | 0:19:10 | |
Right. This is our sort of mash tun, I suppose. | 0:19:17 | 0:19:19 | |
We are going to pop the potatoes in here, | 0:19:19 | 0:19:21 | |
pop some water in here, and it will gently heat but it won't boil. | 0:19:21 | 0:19:24 | |
That will hopefully bring out the starches and the sugars. | 0:19:24 | 0:19:28 | |
Stick some water in the bottom first. | 0:19:28 | 0:19:30 | |
This sugar-starch solution, known as wort, | 0:19:30 | 0:19:33 | |
will form the basis of the beer. | 0:19:33 | 0:19:35 | |
Time for the tatties. | 0:19:36 | 0:19:40 | |
Oh, they're nicely crushed. | 0:19:40 | 0:19:42 | |
I've got confidence, Colin, how about you? | 0:19:42 | 0:19:44 | |
I think so, because, you know, everything you need to make beer, | 0:19:44 | 0:19:50 | |
we've got here. We've got the heat, | 0:19:50 | 0:19:52 | |
we've got the potatoes, | 0:19:52 | 0:19:54 | |
so everything else is down to nature, really. | 0:19:54 | 0:19:57 | |
I like the fact you class potatoes as something you need to make beer, | 0:19:57 | 0:20:00 | |
and I suppose in 1943 with shortages, and 1944, it kind of was. | 0:20:00 | 0:20:05 | |
Keeping morale up and particularly at Christmas, | 0:20:06 | 0:20:08 | |
you know, it was very important. | 0:20:08 | 0:20:10 | |
-There's a lot on our shoulders, isn't there? -There will be if you drop that! | 0:20:10 | 0:20:13 | |
Right, I suppose we just need to fill this up with water now. | 0:20:13 | 0:20:17 | |
It wasn't just ingredients for the beer that were in short supply. | 0:20:17 | 0:20:21 | |
Containers to put the beer in | 0:20:21 | 0:20:23 | |
were becoming increasingly scarce by 1944. | 0:20:23 | 0:20:26 | |
I've just been hunting round the farm for a container | 0:20:28 | 0:20:30 | |
to put our beer in, and the obvious choice is a barrel, | 0:20:30 | 0:20:33 | |
and they are beautiful pieces of craftsmanship, and they are built to last, | 0:20:33 | 0:20:36 | |
but sadly, because it's an organic material...they don't. | 0:20:36 | 0:20:40 | |
And that's...that's dry rot. | 0:20:43 | 0:20:46 | |
This is pretty much useless. | 0:20:47 | 0:20:49 | |
I mean, back in the day, we could have just fixed this, | 0:20:49 | 0:20:53 | |
but during the war we can't get hold of this oak, | 0:20:53 | 0:20:56 | |
because although we've got oak in Britain, it's the wrong type of oak. | 0:20:56 | 0:21:00 | |
I know it sounds absurd, but it's all knotty and gnarly, | 0:21:00 | 0:21:03 | |
and it's tough to work, and this stuff was coming from the Baltics, | 0:21:03 | 0:21:07 | |
but that is completely cut off, | 0:21:07 | 0:21:09 | |
so we're going to have to be slightly inventive | 0:21:09 | 0:21:12 | |
about where we get a container for our beer, | 0:21:12 | 0:21:16 | |
and it is quite critical, because beer... | 0:21:16 | 0:21:19 | |
it will condition in its container. | 0:21:19 | 0:21:22 | |
Wartime brewers turned to an ancient alternative... | 0:21:22 | 0:21:25 | |
..using a raw material Britain still had in abundance - clay. | 0:21:26 | 0:21:31 | |
Peter's calling on the services of potter Mike Fletcher | 0:21:36 | 0:21:39 | |
to make some wartime beer flagons. | 0:21:39 | 0:21:41 | |
So I suppose during the war, pottery wasn't a reserved occupation, | 0:21:43 | 0:21:46 | |
so all those young potters that had been training up, they've gone off. | 0:21:46 | 0:21:50 | |
-So I suppose the old boys are left... -And left people like myself... | 0:21:50 | 0:21:54 | |
who are too old to fight, but still can pot-throw, | 0:21:54 | 0:21:58 | |
are left behind, so we were extremely busy. | 0:21:58 | 0:22:02 | |
OK, the next stage, Peter, is we open the clay out. | 0:22:03 | 0:22:06 | |
And then, I can then start squeezing from the bottom... | 0:22:13 | 0:22:17 | |
..and then you start pulling the clay up. | 0:22:19 | 0:22:21 | |
This flagon will hold a gallon, | 0:22:24 | 0:22:26 | |
but during the war even bigger stoneware containers were made | 0:22:26 | 0:22:29 | |
to hold nine gallons - | 0:22:29 | 0:22:31 | |
so big, they had to be reinforced with iron rings. | 0:22:31 | 0:22:35 | |
You make it look so easy. | 0:22:35 | 0:22:37 | |
Then just make the neck - like so. | 0:22:39 | 0:22:44 | |
In 1944, the V weapons destroyed thousands of homes in London, | 0:22:46 | 0:22:51 | |
leaving many children not just homeless, | 0:22:51 | 0:22:54 | |
but without any possessions. | 0:22:54 | 0:22:55 | |
Many had never known a peacetime Christmas. | 0:22:57 | 0:22:59 | |
The Women's Voluntary Service recognised the importance | 0:23:01 | 0:23:05 | |
of toys in distracting children from the horror that surrounded them | 0:23:05 | 0:23:08 | |
and began a drive for makeshift Christmas presents. | 0:23:08 | 0:23:12 | |
Second World War expert Biff Raven-Hill has come to help Ruth | 0:23:16 | 0:23:20 | |
turn household waste into doll's house furniture. | 0:23:20 | 0:23:23 | |
It's all just rubbish, really. The sort of things that | 0:23:23 | 0:23:26 | |
most people would throw out in a modern world, | 0:23:26 | 0:23:30 | |
just sort of finding a new life and a use, tiny little bits and bobs. | 0:23:30 | 0:23:35 | |
Making toys from junk had been a popular pastime before the war | 0:23:35 | 0:23:40 | |
and this 1930s book, Practical Suggestions In Toymaking, | 0:23:40 | 0:23:43 | |
is full of ideas for children. | 0:23:43 | 0:23:45 | |
But now, in wartime, it became a necessity. | 0:23:47 | 0:23:49 | |
I mean, nowadays there is a doll's house industry | 0:23:51 | 0:23:53 | |
and people can buy ready-made bits and bobs, | 0:23:53 | 0:23:56 | |
but dolls' houses were really do-it-yourself during the war. | 0:23:56 | 0:24:00 | |
Now I found this - this is Christmas 1943, | 0:24:00 | 0:24:04 | |
and of course there were lots of articles in here. | 0:24:04 | 0:24:07 | |
I mean, it looks so modern, doesn't it? | 0:24:07 | 0:24:09 | |
It's wonderful. "Let the doll's house go modern." I love it. | 0:24:09 | 0:24:13 | |
And it's basically made of wire and bits of canvas, | 0:24:13 | 0:24:15 | |
and it's just bent round. | 0:24:15 | 0:24:17 | |
Yeah! "Just a few yards of flexible wire, | 0:24:17 | 0:24:20 | |
"a bit of gummed paper tape - the sort pasted on to windows | 0:24:20 | 0:24:23 | |
"during the Blitz, and a fragment of material from the piece box can be | 0:24:23 | 0:24:26 | |
"converted into an enchanting set of furniture for the dolls." | 0:24:26 | 0:24:30 | |
And of course, during the war, all resources were so precious | 0:24:30 | 0:24:33 | |
and every single bit of everything was saved and scavenged, | 0:24:33 | 0:24:38 | |
and because things like these cigarette packets, so many people | 0:24:38 | 0:24:42 | |
smoked that there would have been tons of these around, and the same | 0:24:42 | 0:24:45 | |
with matchboxes, of course. That's all been made out of matchboxes. | 0:24:45 | 0:24:49 | |
And then cigarette cards, I noticed as well, | 0:24:49 | 0:24:51 | |
which everyone used to collect at the time. | 0:24:51 | 0:24:53 | |
Well, these make super pictures for a bedroom wall | 0:24:53 | 0:24:56 | |
or a sitting room wall, because again you can add matchsticks. | 0:24:56 | 0:24:59 | |
Yes, they're about the right scale to make little frames. | 0:24:59 | 0:25:02 | |
-You're making a little bedspread, aren't you? -Yes, I am, and I've made a pillow. | 0:25:02 | 0:25:08 | |
-It's a gingham kind of doll's house. -It is a bit, yes. | 0:25:08 | 0:25:11 | |
And then your coverlet on the top. | 0:25:11 | 0:25:14 | |
Look! A little bed. | 0:25:17 | 0:25:18 | |
THEY LAUGH | 0:25:18 | 0:25:21 | |
Here's the truth, let's go for it. | 0:25:21 | 0:25:23 | |
The beer flagon has dried. | 0:25:23 | 0:25:25 | |
Now it must be glazed to make it watertight. | 0:25:25 | 0:25:28 | |
And out. | 0:25:31 | 0:25:32 | |
And there it is, glazed. | 0:25:32 | 0:25:35 | |
What exactly is a glaze? | 0:25:35 | 0:25:37 | |
A glaze is glass. It's sealing the pot. | 0:25:37 | 0:25:40 | |
So there's tiny, tiny particles of glass in here? | 0:25:40 | 0:25:42 | |
Really, at the end of the day, yes, | 0:25:42 | 0:25:43 | |
because it's the same recipe as glass. | 0:25:43 | 0:25:45 | |
The neck is also glazed, traditionally a darker shade. | 0:25:47 | 0:25:51 | |
We've added red iron oxide at 2% and 2% manganese oxide, | 0:25:51 | 0:25:57 | |
and that will give it that lovely honey colour. | 0:25:57 | 0:26:01 | |
Take it like that. It's heavier than you think. | 0:26:01 | 0:26:04 | |
Nice and level, so look at the top, | 0:26:04 | 0:26:08 | |
and you want to go about an inch past the shoulder. | 0:26:08 | 0:26:11 | |
-Here we go. -Go on - down, down. | 0:26:11 | 0:26:14 | |
-That's about an inch. -Down, and then up. | 0:26:14 | 0:26:17 | |
Fantastic. One glazed pot! | 0:26:17 | 0:26:20 | |
The pot must be fired at 1,300 degrees Celsius, | 0:26:23 | 0:26:27 | |
so Colin is rigging up a makeshift kiln. | 0:26:27 | 0:26:30 | |
Here we are, Colin. | 0:26:30 | 0:26:32 | |
-Wow. -What do you think? | 0:26:32 | 0:26:34 | |
-You made that. -I'd like to say I did, but I didn't! | 0:26:34 | 0:26:37 | |
To reach this temperature, they're using a highly combustible fuel, | 0:26:38 | 0:26:42 | |
brought to Britain during the Second World War by American troops - | 0:26:42 | 0:26:46 | |
propane. | 0:26:46 | 0:26:47 | |
Propane gas, such as this, was discovered in 1910. | 0:26:49 | 0:26:53 | |
It is a by-product of the refining process of making petrol, | 0:26:53 | 0:26:57 | |
and it was very, very big in America. | 0:26:57 | 0:27:00 | |
It was essentially introduced to the UK when the troops came across, | 0:27:00 | 0:27:04 | |
because we basically had town gas that was produced by coal. | 0:27:04 | 0:27:08 | |
After the Second World War, propane gas had its golden age. | 0:27:08 | 0:27:11 | |
It became a major fuel source, not only in America, | 0:27:11 | 0:27:15 | |
but also in this country as well. | 0:27:15 | 0:27:17 | |
-Anyway, we should get a lid on this. -Yes. Well, it's not just a lid. | 0:27:20 | 0:27:25 | |
You've wanted to get as much benefit out of this gas that's going in, | 0:27:26 | 0:27:32 | |
so I though what we could do is actually create another chamber | 0:27:32 | 0:27:36 | |
where we could put resinous pine, and try and extract some pitch | 0:27:36 | 0:27:41 | |
and oil out of the pine. | 0:27:41 | 0:27:42 | |
During the war, fuel was precious and wasn't to be wasted, so in true | 0:27:45 | 0:27:49 | |
wartime spirit, Colin is also using the kiln's heat to make pine oil. | 0:27:49 | 0:27:54 | |
When pinewood is heated to around 300 degrees Celsius, oil is released | 0:27:57 | 0:28:01 | |
and can be used as a lubricant or to protect wood and metal | 0:28:01 | 0:28:05 | |
from corrosion - a great resource to have around a wartime farm. | 0:28:05 | 0:28:10 | |
In the areas where there were a lot of pine forests, | 0:28:12 | 0:28:14 | |
you would do this on a colossal scale, really. | 0:28:14 | 0:28:17 | |
With the pine oil and the pot cooking away, | 0:28:20 | 0:28:23 | |
the beer is flavoured with hops, | 0:28:23 | 0:28:25 | |
and the fermenting of sugar in the potatoes into alcohol | 0:28:25 | 0:28:28 | |
is begun with yeast. | 0:28:28 | 0:28:29 | |
Producing beer and gifts would go a long way to bring Christmas cheer | 0:28:33 | 0:28:37 | |
to those under attack in cities. | 0:28:37 | 0:28:40 | |
But people also looked for comfort and hope from another, | 0:28:40 | 0:28:43 | |
more spiritual, source. | 0:28:43 | 0:28:45 | |
# While shepherds watched their flocks... # | 0:28:47 | 0:28:50 | |
Places of worship had a vital role to play, especially at Christmas. | 0:28:50 | 0:28:54 | |
St Bartholomew's Church is where workers at Manor Farm | 0:28:57 | 0:29:01 | |
have prayed for centuries. | 0:29:01 | 0:29:02 | |
This is the sixth Christmas of the war and much has changed | 0:29:05 | 0:29:08 | |
since peacetime. | 0:29:08 | 0:29:10 | |
Many of our loved ones are still far from home | 0:29:10 | 0:29:12 | |
and will again not be joining us this Christmas. | 0:29:12 | 0:29:16 | |
The danger of invasion has now passed, | 0:29:17 | 0:29:20 | |
and with quiet confidence, we can see the end in sight. | 0:29:20 | 0:29:24 | |
Before the war, religion had been declining in popularity, | 0:29:24 | 0:29:28 | |
but by Christmas 1944, there had been a marked change. | 0:29:28 | 0:29:32 | |
# Hark! The herald angels sing | 0:29:32 | 0:29:37 | |
# Glory to the newborn king... # | 0:29:37 | 0:29:42 | |
The church had quite a special place in wartime Britain. | 0:29:42 | 0:29:45 | |
For many people, it was a source of great comfort and strength. | 0:29:45 | 0:29:50 | |
But then there were other people who found that the war turned | 0:29:50 | 0:29:54 | |
them right off religion, and you noticed that the numbers of people | 0:29:54 | 0:29:58 | |
going to church begin to fall very rapidly after the Second World War. | 0:29:58 | 0:30:02 | |
It was a time when people went one way or the other, | 0:30:04 | 0:30:06 | |
a sort of polarisation when some turned to the church | 0:30:06 | 0:30:10 | |
with more fervour, perhaps, than they'd had before, and others turned away. | 0:30:10 | 0:30:14 | |
# ..angels sing Glory to the newborn king. # | 0:30:14 | 0:30:21 | |
The government was looking to the Church for a binding | 0:30:21 | 0:30:25 | |
together of the community, of all people, and this was happening | 0:30:25 | 0:30:29 | |
right across the whole of the Western world. | 0:30:29 | 0:30:34 | |
Stalin - amazingly, in Russia, having banned religion - | 0:30:34 | 0:30:37 | |
actually re-encouraged Christianity during the war, | 0:30:37 | 0:30:40 | |
hoping for this effect amongst the Russian population, | 0:30:40 | 0:30:43 | |
before once again banning religion afterwards. | 0:30:43 | 0:30:46 | |
And our government thought that the Church could offer something | 0:30:46 | 0:30:51 | |
that bound the British people together. | 0:30:51 | 0:30:53 | |
# Pleased as man with man to dwell | 0:30:53 | 0:30:58 | |
# Jesus, our Emmanuel | 0:30:58 | 0:31:03 | |
# Hark! The herald angels sing | 0:31:03 | 0:31:08 | |
# Glory to the newborn king. # | 0:31:08 | 0:31:12 | |
It wasn't just the British people the church bound together. | 0:31:14 | 0:31:18 | |
By Christmas 1944, one in five farm workers were German | 0:31:18 | 0:31:23 | |
or Italian prisoners of war, as Godfrey Wight recalls. | 0:31:23 | 0:31:27 | |
He became friends with two Germans stationed nearby. | 0:31:27 | 0:31:30 | |
Do you remember prisoners of war? | 0:31:31 | 0:31:33 | |
Oh, yes. I knew two by name. | 0:31:33 | 0:31:38 | |
Frank Schoen, who's died now, but Georg Kabur is still alive. | 0:31:38 | 0:31:42 | |
They both married ladies from the area. | 0:31:42 | 0:31:45 | |
Some were accepted by the local church... | 0:31:45 | 0:31:48 | |
and there are accounts of them singing carols to the congregation | 0:31:48 | 0:31:52 | |
in German. | 0:31:52 | 0:31:53 | |
# Stille Nacht, heilige Nacht | 0:31:53 | 0:32:00 | |
# Alles schlaft, einsam wacht... # | 0:32:02 | 0:32:10 | |
Do you know how they were regarded by the wider community? | 0:32:10 | 0:32:13 | |
There was a little bit of... not quite... | 0:32:13 | 0:32:16 | |
everything didn't go quite smoothly, | 0:32:16 | 0:32:18 | |
but the ones that I knew were very good. | 0:32:18 | 0:32:21 | |
We got on very well with them. | 0:32:21 | 0:32:23 | |
# ..im lockigen Haar, schlafe in... # | 0:32:23 | 0:32:28 | |
I suppose it's very easy to always think of the Germans as Nazis, but... | 0:32:28 | 0:32:32 | |
Oh, yes, Frank Schoen, he was in the Waffen SS, | 0:32:32 | 0:32:36 | |
he was in the Hitler Youth, | 0:32:36 | 0:32:37 | |
and was forced into it, if you like, rather than volunteer. | 0:32:37 | 0:32:42 | |
-So it was sort of... -You had to. -Yeah. | 0:32:42 | 0:32:44 | |
Both Frank, and as I say, Georg Kabur, | 0:32:47 | 0:32:49 | |
both involved themselves with the church at Botley. | 0:32:49 | 0:32:53 | |
-So the church was very much a centre of the community. -Very much a centre of the community. | 0:32:53 | 0:32:57 | |
Especially at a time like this at Christmas. | 0:32:57 | 0:33:00 | |
When you can put your differences aside. | 0:33:00 | 0:33:03 | |
MUSIC: God Rest Ye Merry Gentlemen | 0:33:03 | 0:33:05 | |
After six hours of brewing, Peter's come to see how the potato beer | 0:33:13 | 0:33:17 | |
is coming along. | 0:33:17 | 0:33:18 | |
-Shall we give it a go? -Right. -It almost looks like beer. | 0:33:31 | 0:33:35 | |
Yes, smells good. | 0:33:38 | 0:33:39 | |
It does, doesn't it? | 0:33:39 | 0:33:40 | |
COUGHING | 0:33:43 | 0:33:44 | |
It's very hoppy, and it's quite sweet and very hot. | 0:33:44 | 0:33:48 | |
Actually, it's very nice! | 0:33:52 | 0:33:54 | |
-It's lovely. -It is! | 0:33:54 | 0:33:56 | |
-I'd certainly welcome this type of beer. -Yeah. | 0:33:56 | 0:34:01 | |
So our little clay pot for our beer is cooking away in the kiln. | 0:34:01 | 0:34:04 | |
The oil is coming out. | 0:34:04 | 0:34:06 | |
And it almost tastes like we've got a magical Christmas brew. | 0:34:06 | 0:34:11 | |
It certainly does. | 0:34:11 | 0:34:12 | |
Working for the war effort came in addition to the day-to-day duties | 0:34:24 | 0:34:27 | |
of running the farm | 0:34:27 | 0:34:29 | |
365 days a year - even Christmas Day. | 0:34:29 | 0:34:33 | |
Let's wash your udders off first. | 0:34:34 | 0:34:37 | |
Just make sure she's reasonably clean so nothing gets into the milk. | 0:34:37 | 0:34:41 | |
But unlike those living in cities, | 0:34:43 | 0:34:45 | |
country people didn't have to survive purely on rations. | 0:34:45 | 0:34:49 | |
Our cows really represent one of the major differences between life | 0:34:51 | 0:34:54 | |
and food, particularly, for country dwellers, | 0:34:54 | 0:34:58 | |
to those who were living in the towns. | 0:34:58 | 0:35:01 | |
All the milk officially from all our cows goes into the central | 0:35:01 | 0:35:05 | |
rationing system, prioritising mothers and babies in particular. | 0:35:05 | 0:35:10 | |
But as an incentive, farmers were allowed to take | 0:35:10 | 0:35:14 | |
as much milk as they wanted from their cows for personal use. | 0:35:14 | 0:35:18 | |
So there is no shortage of milk, butter and cream for us. | 0:35:19 | 0:35:22 | |
Peter's also busy on the farm. | 0:35:26 | 0:35:28 | |
Heating the pine wood on the kiln has extracted oil. | 0:35:28 | 0:35:33 | |
-That's quite nice. -It is. | 0:35:33 | 0:35:34 | |
He's using it to weatherproof farm tools. | 0:35:36 | 0:35:38 | |
I can't believe we managed to get so much oil | 0:35:41 | 0:35:43 | |
and such great oil out of so little wood. | 0:35:43 | 0:35:47 | |
Fantastic. | 0:35:47 | 0:35:50 | |
Ruth and Peter are going to leave the countryside and head to London | 0:35:51 | 0:35:54 | |
to bring some Christmas cheer, as many farmers did in 1944. | 0:35:54 | 0:35:58 | |
They've made improvised presents for children... | 0:36:01 | 0:36:04 | |
..and created makeshift decorations to brighten up | 0:36:07 | 0:36:11 | |
underground air raid shelters. | 0:36:11 | 0:36:15 | |
The clay flagons are fired | 0:36:15 | 0:36:16 | |
and filled with morale-boosting potato beer. | 0:36:16 | 0:36:19 | |
Communal feeding was also important to keep spirits up, | 0:36:22 | 0:36:25 | |
a job undertaken by the Women's Voluntary Service. | 0:36:25 | 0:36:29 | |
In London, Ruth's going to help cook a WVS-style Christmas feast. | 0:36:29 | 0:36:35 | |
By the sixth Christmas of the war, | 0:36:35 | 0:36:38 | |
food rationing was more severe than ever. | 0:36:38 | 0:36:41 | |
Traditional fare was not an option, so they had to find alternatives. | 0:36:41 | 0:36:46 | |
Yet at times, there were huge surpluses of vegetables. | 0:36:46 | 0:36:50 | |
This was thanks to the government's Dig For Victory campaign. | 0:36:50 | 0:36:53 | |
Nothing went to waste in wartime, so Ruth's kept a surplus | 0:36:56 | 0:37:00 | |
of carrots in the Anderson Shelter for Christmas. | 0:37:00 | 0:37:03 | |
Boy, have I got a lot of carrots! | 0:37:04 | 0:37:06 | |
SHE SIGHS | 0:37:06 | 0:37:07 | |
At least we've got something for Christmas. | 0:37:07 | 0:37:10 | |
-Go on! -Let me have that one. | 0:37:10 | 0:37:12 | |
I think this beer is really going to boost morale. | 0:37:15 | 0:37:18 | |
Colin's coal-powered ambulance | 0:37:18 | 0:37:19 | |
is only capable of travelling short distances. | 0:37:19 | 0:37:22 | |
TRAIN WHISTLE BLOWS | 0:37:22 | 0:37:24 | |
So Ruth and Peter are taking the train to London. | 0:37:25 | 0:37:28 | |
Unlike petrol, which was in short supply, | 0:37:31 | 0:37:34 | |
coal was a fuel that Britain had in abundance. | 0:37:34 | 0:37:36 | |
You all right with that? | 0:37:51 | 0:37:53 | |
It's just a bit fragile. | 0:37:55 | 0:37:56 | |
Before the war, the railways had employed over 500,000 men. | 0:37:58 | 0:38:03 | |
But with 100,000 of them called up to fight, | 0:38:03 | 0:38:06 | |
like so many other roles in wartime, | 0:38:06 | 0:38:08 | |
their shoes were filled by women. | 0:38:08 | 0:38:10 | |
They're really struggling with those couplings, aren't they? | 0:38:15 | 0:38:18 | |
It's amazing, you get women doing absolutely everything on the railways, | 0:38:20 | 0:38:23 | |
all the heavy work, except for driving trains. | 0:38:23 | 0:38:25 | |
I mean, it's the only thing that they didn't draft women in for. | 0:38:25 | 0:38:29 | |
It takes so long to train an engine driver | 0:38:29 | 0:38:31 | |
that that remained with the male workers who had the experience. | 0:38:31 | 0:38:36 | |
Women doing the shunting, women doing the portering, | 0:38:36 | 0:38:38 | |
women in the booking lodge, women in the signal boxes. | 0:38:38 | 0:38:41 | |
-Women losing fingers. -Women losing fingers. | 0:38:41 | 0:38:43 | |
With rail travel the only viable option over long distances, | 0:38:49 | 0:38:53 | |
by 1944, passenger numbers had doubled. | 0:38:53 | 0:38:56 | |
Getting a seat was a luxury. | 0:38:58 | 0:39:00 | |
Troops and war-related freight took priority, | 0:39:01 | 0:39:04 | |
so journeys were often delayed and sometimes painfully slow. | 0:39:04 | 0:39:08 | |
We are lucky to go on a train, aren't we? | 0:39:24 | 0:39:26 | |
I mean, when you think of how much pressure the railways were under | 0:39:26 | 0:39:29 | |
during this period of the war, they're moving all the munitions, all the troops around the place, | 0:39:29 | 0:39:33 | |
you're trying to do such a large proportion of the freight to get it off the roads | 0:39:33 | 0:39:36 | |
to keep the roads free. | 0:39:36 | 0:39:38 | |
You get this HUGE pressure of running extra trains but they're also busily saying, | 0:39:38 | 0:39:43 | |
"Is your journey necessary?" Is our journey necessary? | 0:39:43 | 0:39:46 | |
Um...Yes, of course it's necessary. | 0:39:46 | 0:39:49 | |
-Important war work, Ruth, you know. -War work(!) | 0:39:49 | 0:39:52 | |
-I'm going to have a look in the GPO. You know, the mail. -Yeah. | 0:39:56 | 0:39:59 | |
See you in a bit. | 0:39:59 | 0:40:01 | |
During the war, the Royal Mail was entirely dependent | 0:40:02 | 0:40:05 | |
on the railways to move post around the country. | 0:40:05 | 0:40:09 | |
On top of the surge in passenger traffic, | 0:40:09 | 0:40:12 | |
there were some 350 million items of post to move at Christmas. | 0:40:12 | 0:40:17 | |
With families split apart by war, | 0:40:17 | 0:40:19 | |
more Christmas cards than ever were sent. | 0:40:19 | 0:40:22 | |
TRAIN WHISTLE BLOWS | 0:40:22 | 0:40:24 | |
Ruth is meeting post office historian | 0:40:24 | 0:40:27 | |
Cyril Parsons to see how it coped. | 0:40:27 | 0:40:29 | |
-Hi, Cyril. -Hello. -I love this. | 0:40:29 | 0:40:31 | |
This is such an iconic image, the travelling post office. | 0:40:31 | 0:40:36 | |
I mean, did they keep running right throughout the war? | 0:40:36 | 0:40:39 | |
The actual sorting of letters on the train | 0:40:39 | 0:40:41 | |
ceased in the middle of 1940, and the reckoning is that | 0:40:41 | 0:40:47 | |
the service was curtailed | 0:40:47 | 0:40:49 | |
because the trains were disrupted by bombing and so forth, | 0:40:49 | 0:40:53 | |
trains had to be re-routed and, of course, travelling post offices | 0:40:53 | 0:40:56 | |
had previously ran to very strict timetables over strict routes | 0:40:56 | 0:41:01 | |
but, of course, the trains were still vital for carrying the letters. | 0:41:01 | 0:41:05 | |
But all the extra mail to and from those in the armed forces was bulky. | 0:41:10 | 0:41:15 | |
So the Post Office came up with an ingenious solution. | 0:41:15 | 0:41:18 | |
The airgraph. | 0:41:18 | 0:41:19 | |
To save space, letters were miniaturised onto microfilm, | 0:41:21 | 0:41:25 | |
flown to their destination, | 0:41:25 | 0:41:26 | |
then blown up and printed at the other end. | 0:41:26 | 0:41:29 | |
Quite early in the war, the Post Office came to photograph | 0:41:31 | 0:41:35 | |
the letters written on standard forms and you could perhaps have | 0:41:35 | 0:41:39 | |
1,500 letters on one roll of film taking up far, far less space. | 0:41:39 | 0:41:45 | |
-So you get something sort of that size? -That's right. | 0:41:45 | 0:41:48 | |
In the aeroplane, | 0:41:48 | 0:41:49 | |
-flying across arriving in a post office in Britain. -Yes. | 0:41:49 | 0:41:53 | |
And somebody has to open the film and develop it and each frame | 0:41:53 | 0:41:57 | |
then becomes a letter that goes through the standard mail. | 0:41:57 | 0:42:01 | |
That's right. | 0:42:01 | 0:42:02 | |
These are just incredible, aren't they? | 0:42:02 | 0:42:04 | |
This is a really lovely one - "Dear Dad, | 0:42:05 | 0:42:08 | |
"Just to wish you a happy Christmas | 0:42:08 | 0:42:10 | |
"and may all your wishes for the New Year come true. | 0:42:10 | 0:42:13 | |
"Your loving son, Eric." And at the bottom, "Here's hoping!" | 0:42:13 | 0:42:16 | |
And this busy system creaking at the seams, | 0:42:17 | 0:42:20 | |
how much more important at Christmas than at any other time, | 0:42:20 | 0:42:23 | |
I mean, keeping these communication lines open | 0:42:23 | 0:42:26 | |
must have been... | 0:42:26 | 0:42:28 | |
well, just so emotionally important to people. | 0:42:28 | 0:42:31 | |
The Lord Nelson locomotive, built in 1926, | 0:42:34 | 0:42:38 | |
actually worked on these routes during the war. | 0:42:38 | 0:42:40 | |
-Up you come. -Thank you. | 0:42:40 | 0:42:43 | |
The task of running an overloaded and overstretched rail system | 0:42:43 | 0:42:47 | |
24 hours a day, seven days a week | 0:42:47 | 0:42:49 | |
was made even more difficult at night by the blackout. | 0:42:49 | 0:42:52 | |
Fireman Bob Cartwright joined the railways 50 years ago | 0:42:54 | 0:42:58 | |
and was trained by drivers who worked through the war. | 0:42:58 | 0:43:01 | |
If you could imagine at night the glare from one of these engines | 0:43:05 | 0:43:10 | |
was considerable and there was a danger of enemy aircraft seeing that | 0:43:10 | 0:43:14 | |
so the whole cab was sheeted in. | 0:43:14 | 0:43:15 | |
There would have been a sheet from the top of the cab | 0:43:15 | 0:43:18 | |
back to those irons there. | 0:43:18 | 0:43:21 | |
Anything to stop light showing through. | 0:43:21 | 0:43:24 | |
So, you couldn't really see where you were going. | 0:43:24 | 0:43:26 | |
Apart from the little bit of night vision that you had. | 0:43:27 | 0:43:31 | |
And, of course, one of these engines ran into a bomb crater | 0:43:31 | 0:43:36 | |
during the war. It just went straight in. | 0:43:36 | 0:43:40 | |
But I suppose all that extra pressure during the war, | 0:43:40 | 0:43:42 | |
all those extra journeys, must have had a toll. | 0:43:42 | 0:43:45 | |
There was, but you shared the work. | 0:43:45 | 0:43:48 | |
And there was a tremendous camaraderie. | 0:43:48 | 0:43:50 | |
You would help one another out, you look after one another. | 0:43:50 | 0:43:53 | |
It's a very old-fashioned system, one, unfortunately, | 0:43:53 | 0:43:57 | |
which died a death with modern thinking and the modern world. | 0:43:57 | 0:44:01 | |
TRAIN WHISTLE BLOWS | 0:44:02 | 0:44:04 | |
Peter and Ruth are heading to Chislehurst, | 0:44:11 | 0:44:14 | |
southeast of London, just ten miles from the city centre. | 0:44:14 | 0:44:17 | |
Thank you. | 0:44:19 | 0:44:20 | |
Oh, it's lovely and rainy again. | 0:44:23 | 0:44:25 | |
Well, it's Christmas, isn't it? | 0:44:25 | 0:44:27 | |
We're lucky it ain't snowing. | 0:44:27 | 0:44:29 | |
100 feet below ground | 0:44:33 | 0:44:34 | |
is one of London's largest wartime air raid shelters. | 0:44:34 | 0:44:38 | |
Chislehurst Caves are made up of 22 miles of tunnels, | 0:44:42 | 0:44:46 | |
dug by hand between the 13th and 19th centuries, | 0:44:46 | 0:44:49 | |
to extract chalk and flint to build London. | 0:44:49 | 0:44:52 | |
In 1944, the Women's Voluntary Service, | 0:44:55 | 0:44:58 | |
along with the Red Cross and the Salvation Army, | 0:44:58 | 0:45:01 | |
were here to offer food and support | 0:45:01 | 0:45:03 | |
to those sheltering from V-2 rockets. | 0:45:03 | 0:45:05 | |
Today, Jim Gardner owns the caves | 0:45:10 | 0:45:13 | |
and his father was a warden here during the war. | 0:45:13 | 0:45:15 | |
-Jim, you all right? Good to meet you. -Hello, Peter! How are you? | 0:45:15 | 0:45:19 | |
-Very well, thank you. -Well, welcome to Chislehurst Caves. | 0:45:19 | 0:45:22 | |
What was it like down here in Christmas 1944? | 0:45:22 | 0:45:24 | |
Packed. It was probably at the height of its use - | 0:45:24 | 0:45:27 | |
the V-2s were coming down like rain. | 0:45:27 | 0:45:30 | |
There were 15,000 people down here, at the busiest times, | 0:45:30 | 0:45:34 | |
from all over south London, north Kent, | 0:45:34 | 0:45:39 | |
living down here, sheltering from the bombs. | 0:45:39 | 0:45:41 | |
One or two bombs landed right above us | 0:45:41 | 0:45:43 | |
and they didn't hear a thing down here. | 0:45:43 | 0:45:46 | |
15,000 people living in the caves | 0:45:47 | 0:45:50 | |
warmed the air temperature by ten degrees centigrade... | 0:45:50 | 0:45:54 | |
and after the war it took a whole year to cool down again. | 0:45:54 | 0:45:57 | |
The sign here says they were selling tickets, six pence a week, | 0:45:58 | 0:46:02 | |
to shelter down here, | 0:46:02 | 0:46:03 | |
and that covered the cost of the sanitary works that they had to do. | 0:46:03 | 0:46:06 | |
Because if you can imagine several thousand people in a cave, | 0:46:06 | 0:46:10 | |
come morning, there's a bit of stuff to move. | 0:46:10 | 0:46:13 | |
And I suppose since you couldn't hear the bombs down here, | 0:46:13 | 0:46:16 | |
you could actually get a silent night at Christmas. | 0:46:16 | 0:46:18 | |
Yes, apart from 15,000 people breathing and sighing, and snoring! | 0:46:18 | 0:46:24 | |
Yes, it was a very peaceful night. | 0:46:24 | 0:46:26 | |
Cooking food in the caves would have burnt too much oxygen, | 0:46:27 | 0:46:31 | |
so the Women's Voluntary Service prepared meals above ground. | 0:46:31 | 0:46:34 | |
So the WVS actually initially just set up, | 0:46:38 | 0:46:42 | |
sort of, tea wagons outside such places... | 0:46:42 | 0:46:46 | |
-Geniuses! -Yeah! | 0:46:46 | 0:46:47 | |
So the people can at least go and get a hot cup of tea! | 0:46:47 | 0:46:50 | |
And then gradually that evolves into organising more food, | 0:46:50 | 0:46:52 | |
and particularly at Christmas. | 0:46:52 | 0:46:55 | |
With turkey scarce, stuffed rabbit was a wartime substitute. | 0:46:55 | 0:47:00 | |
We've got loads of rabbit meat. | 0:47:01 | 0:47:03 | |
It's going to be a country Christmas for the townspeople this, isn't it? | 0:47:03 | 0:47:07 | |
We've got to do enough stuffing for eight bunnies. | 0:47:09 | 0:47:12 | |
It's made out of parsley and celery, | 0:47:12 | 0:47:15 | |
which is out of this cool little magazine. | 0:47:15 | 0:47:18 | |
The Ministry of Food produced a booklet in 1944, | 0:47:19 | 0:47:23 | |
to help cook a Christmas meal using non-rationed ingredients. | 0:47:23 | 0:47:27 | |
They estimated that only one family in ten | 0:47:28 | 0:47:31 | |
would get turkey or goose for their Christmas dinner | 0:47:31 | 0:47:34 | |
but a stuffed, baked rabbit made a tasty alternative. | 0:47:34 | 0:47:38 | |
It doesn't do any harm to have loads of stuffing though | 0:47:38 | 0:47:40 | |
because those rabbits have got to go between everybody. | 0:47:40 | 0:47:43 | |
Chances are that many of the people that we are feeding, being townies, | 0:47:46 | 0:47:50 | |
are not used to eating rabbit, | 0:47:50 | 0:47:51 | |
-whereas you know, country people always eat rabbit. -Yeah. | 0:47:51 | 0:47:55 | |
And there was always a, sort of, social snobbishness | 0:47:55 | 0:47:58 | |
about it as a meat before the war. | 0:47:58 | 0:48:00 | |
-Rabbit was a meat of the poorer country sort... -Yeah. | 0:48:00 | 0:48:03 | |
..and that other people didn't touch it. | 0:48:03 | 0:48:05 | |
They were slightly snobby and sneered at it. | 0:48:05 | 0:48:07 | |
-Of course, as the war goes on... -Suddenly, it's all they can afford. | 0:48:07 | 0:48:10 | |
..it starts to look a lot more attractive! | 0:48:10 | 0:48:13 | |
And you find that townspeople begin keeping rabbits for meat | 0:48:13 | 0:48:16 | |
in their back yards. | 0:48:16 | 0:48:18 | |
Whereas, originally, it had only been country people who did that. | 0:48:18 | 0:48:21 | |
-Yeah. -You know, you, sort of, see it moving through society. | 0:48:21 | 0:48:23 | |
Rabbit became really popular for a while. | 0:48:23 | 0:48:26 | |
And it's a real shame, really, | 0:48:26 | 0:48:27 | |
that since the war it's disappeared from the modern British diet | 0:48:27 | 0:48:30 | |
because it is nice. | 0:48:30 | 0:48:31 | |
Underground, in Chislehurst Caves, | 0:48:41 | 0:48:44 | |
Peter's seeing how the 15,000 Londoners were accommodated, | 0:48:44 | 0:48:48 | |
sometimes for weeks on end. | 0:48:48 | 0:48:50 | |
So, did people live just wherever they wanted? | 0:48:51 | 0:48:54 | |
Well, they were assigned an area. | 0:48:54 | 0:48:56 | |
For instance, this is where it all started, | 0:48:56 | 0:48:58 | |
you can see the number on the wall, "A1." | 0:48:58 | 0:49:00 | |
They thought that A1 down to A29, | 0:49:00 | 0:49:03 | |
three or four beds bunked underneath each number, | 0:49:03 | 0:49:06 | |
that would probably be enough. | 0:49:06 | 0:49:07 | |
But, from then on, it just grew and grew. | 0:49:07 | 0:49:10 | |
They were into the X, Y and Zs in the end. | 0:49:10 | 0:49:13 | |
So there is quite a lot of infrastructure down here? | 0:49:13 | 0:49:16 | |
Oh, yes, by 1944 the government had spent the money, | 0:49:16 | 0:49:18 | |
they had put in all mod cons... | 0:49:18 | 0:49:20 | |
..and it became an underground town. | 0:49:21 | 0:49:23 | |
And people lived down here for weeks, possibly months at a time. | 0:49:23 | 0:49:27 | |
Their homes in London had been bombed out, they had nowhere to go, | 0:49:32 | 0:49:36 | |
and this was warm, not particularly comfortable, | 0:49:36 | 0:49:40 | |
but it was safe and everything was provided. | 0:49:40 | 0:49:42 | |
There was an underground cinema... | 0:49:43 | 0:49:45 | |
chapel... | 0:49:45 | 0:49:46 | |
Citizens Advice Bureau... | 0:49:46 | 0:49:48 | |
even a hospital. | 0:49:48 | 0:49:49 | |
Set up as a full-time facility, | 0:49:56 | 0:49:58 | |
-it had a doctor and two nurses on call every day. -Yeah. | 0:49:58 | 0:50:02 | |
Did you get any births down here? | 0:50:02 | 0:50:04 | |
One, that we know of, and they named her Cavena... | 0:50:04 | 0:50:09 | |
to celebrate the fact she'd been born in a cave. | 0:50:09 | 0:50:12 | |
Not something I think she overly appreciated in later life! | 0:50:12 | 0:50:14 | |
By Christmas 1944, most of the ingredients needed | 0:50:17 | 0:50:20 | |
to cook Christmas dinner were severely rationed. | 0:50:20 | 0:50:23 | |
So Ruth's making a wartime version of candied orange - | 0:50:24 | 0:50:28 | |
candied carrot. | 0:50:28 | 0:50:30 | |
Candying carrots is really easy, like candying peel, | 0:50:32 | 0:50:34 | |
you don't have to be that delicate with it. | 0:50:34 | 0:50:36 | |
If you try and candy whole soft fruit | 0:50:36 | 0:50:39 | |
it's a really long slow process... | 0:50:39 | 0:50:40 | |
Yeah, you've got to be really careful with it. | 0:50:40 | 0:50:42 | |
..and it can go wrong very easily | 0:50:42 | 0:50:44 | |
but carrots and orange peel you can do in a day. | 0:50:44 | 0:50:47 | |
So, you sort of need something | 0:50:47 | 0:50:49 | |
that's got a little bit of structural integrity to it. | 0:50:49 | 0:50:52 | |
-Yeah. -Then you boil them, very briefly, really, in a sugar syrup. | 0:50:52 | 0:50:58 | |
The WVS actually got an additional sugar ration for this sort of work, | 0:50:59 | 0:51:03 | |
which would have helped. | 0:51:03 | 0:51:04 | |
Rationing called for culinary innovation. | 0:51:06 | 0:51:08 | |
Some made their cooking fat go further | 0:51:08 | 0:51:10 | |
by mixing paraffin with it, | 0:51:10 | 0:51:12 | |
while ground dried beans mixed with almond essence replaced marzipan. | 0:51:12 | 0:51:17 | |
It looks much more like orange peel, doesn't it? | 0:51:18 | 0:51:21 | |
-Out of marmalade, now. -Mm. | 0:51:21 | 0:51:22 | |
To bulk out the meagre rationed ingredients, | 0:51:24 | 0:51:26 | |
Ruth's making the most of the carrot glut. | 0:51:26 | 0:51:29 | |
There will be boiled carrots to accompany the rabbit, | 0:51:29 | 0:51:32 | |
carrot soup, carrot cake... | 0:51:32 | 0:51:35 | |
and carrot fudge made with grated carrot in gelatine. | 0:51:35 | 0:51:38 | |
This is just such an odd recipe. | 0:51:39 | 0:51:41 | |
I think it's another one of these wartime things | 0:51:41 | 0:51:43 | |
in which they're trying to, sort of, mimic familiar foods, you know? | 0:51:43 | 0:51:48 | |
You can't make fudge, you can't afford fudge | 0:51:48 | 0:51:51 | |
cos it's made entirely of fat and sugar. | 0:51:51 | 0:51:53 | |
So how do you make something that gives people a feeling of fudge, | 0:51:53 | 0:51:58 | |
even though there's next to no fat and next to no sugar? | 0:51:58 | 0:52:01 | |
Get a handful of grated carrots... | 0:52:01 | 0:52:04 | |
and then that's my orange essence, | 0:52:04 | 0:52:06 | |
another handful of grated carrot. | 0:52:06 | 0:52:09 | |
So I just need to turn it into a basin or a tray and let it set. | 0:52:09 | 0:52:14 | |
Christmas Day - | 0:52:31 | 0:52:33 | |
traditionally a time of peace and goodwill to all mankind... | 0:52:33 | 0:52:36 | |
..but in wartime, celebrating Christmas was an act of defiance | 0:52:37 | 0:52:41 | |
in the face of death, bomb damage and constant shortages. | 0:52:41 | 0:52:45 | |
In 1944, the population of Britain was more determined than ever | 0:52:47 | 0:52:51 | |
to creative festive spirit against all odds. | 0:52:51 | 0:52:54 | |
On Christmas Day itself the bombing stopped. | 0:52:57 | 0:53:00 | |
The 15,000 people sheltering in Chislehurst Caves | 0:53:02 | 0:53:05 | |
weren't to know this | 0:53:05 | 0:53:06 | |
so it would be another day spent underground. | 0:53:06 | 0:53:09 | |
The food prepared by the Women's Voluntary Service is ready | 0:53:13 | 0:53:17 | |
and Ruth's joined by Peter, who's brought along his potato beer. | 0:53:17 | 0:53:21 | |
Got to be very careful with this beer... | 0:53:28 | 0:53:31 | |
it makes you very gassy and we are in caves so... | 0:53:31 | 0:53:34 | |
Have a taste. | 0:53:35 | 0:53:36 | |
It tastes all right, it just smells horrific. | 0:53:40 | 0:53:42 | |
It smells more like cider, that's what it is. | 0:53:42 | 0:53:44 | |
It smells more like really scrumpy cider. | 0:53:44 | 0:53:47 | |
Food was recognised as vital to maintaining the health and morale | 0:53:49 | 0:53:53 | |
of those in emergency situations. | 0:53:53 | 0:53:55 | |
Once again, notice, here's the WVS making the most of things, | 0:53:56 | 0:54:00 | |
jumping in when there's an emergency. | 0:54:00 | 0:54:03 | |
-Yeah. -Extraordinary circumstances. | 0:54:03 | 0:54:04 | |
-Would you like some rabbit? -Certainly would. Thank you very much. | 0:54:04 | 0:54:08 | |
Keeping morale up in these sort of conditions | 0:54:08 | 0:54:10 | |
is really important, isn't it? | 0:54:10 | 0:54:11 | |
I mean, if you're going to ward off the cold and cope with the dark, | 0:54:11 | 0:54:14 | |
you've got to have something | 0:54:14 | 0:54:16 | |
that just gives you a gee up every now and again. | 0:54:16 | 0:54:18 | |
But, I mean, you know, we've created a Christmas out of... | 0:54:18 | 0:54:21 | |
Out of next to nothing. | 0:54:21 | 0:54:22 | |
Well, also out of a surplus stock. | 0:54:22 | 0:54:24 | |
So, surplus potatoes to make this beer, | 0:54:24 | 0:54:27 | |
surplus carrots to make everything carroty. | 0:54:27 | 0:54:30 | |
-Which is pretty much everything down here! -SHE LAUGHS | 0:54:30 | 0:54:33 | |
It's a very carrot themed meal! | 0:54:33 | 0:54:35 | |
You've got shredded carrot, you've got boiled carrot... | 0:54:35 | 0:54:38 | |
Carrot cake, you can have carrot fudge. | 0:54:38 | 0:54:41 | |
-Candied carrot? -Yes, please. -Help yourself, that's it. | 0:54:41 | 0:54:44 | |
-Thank you, Merry Christmas. -Merry Christmas. | 0:54:44 | 0:54:47 | |
You'd definitely like some beer. Tastes better than it smells! | 0:54:47 | 0:54:52 | |
With so many sheltering underground, there was no communal eating area | 0:54:52 | 0:54:56 | |
so people simply ate by their beds. | 0:54:56 | 0:54:58 | |
Those who had lost everything to bombing | 0:55:01 | 0:55:03 | |
also needed clothing and bedding... | 0:55:03 | 0:55:06 | |
and again the WVS came to the rescue. | 0:55:06 | 0:55:09 | |
I've got another blanket here for you. | 0:55:09 | 0:55:10 | |
Can I just tuck it on the bed, at the back? | 0:55:10 | 0:55:12 | |
You're going to need that later, aren't you? | 0:55:12 | 0:55:14 | |
Right, stick the blindfold on. | 0:55:14 | 0:55:15 | |
Even children's games took on a wartime theme. | 0:55:15 | 0:55:19 | |
None more popular than Pin The Moustache On Hitler. | 0:55:19 | 0:55:22 | |
Right, here you go, in your hand. | 0:55:22 | 0:55:25 | |
-You good with that? You can feel the pin? -Yeah. | 0:55:25 | 0:55:27 | |
You're going to stick that on Hitler | 0:55:27 | 0:55:28 | |
-but first these guys are going to spin you around. -Oh, no! | 0:55:28 | 0:55:32 | |
Historian Dr John Martin is an expert on wartime farming. | 0:55:32 | 0:55:37 | |
Is this quite a common thing in the war? | 0:55:37 | 0:55:39 | |
Variations of games like this were very common in the war, | 0:55:39 | 0:55:42 | |
particularly encouraged by the government | 0:55:42 | 0:55:44 | |
to reinforce the idea who the evil people were. | 0:55:44 | 0:55:47 | |
THEY LAUGH Good effort. | 0:55:47 | 0:55:51 | |
It's propaganda designed to, | 0:55:51 | 0:55:53 | |
particularly in terms of humiliating a figure | 0:55:53 | 0:55:55 | |
who was actually sending over V rockets, | 0:55:55 | 0:55:57 | |
particularly in the latter stage of the war, | 0:55:57 | 0:55:59 | |
which were completely indiscriminate. | 0:55:59 | 0:56:01 | |
So, I suppose to poke fun at them? | 0:56:01 | 0:56:03 | |
Yeah, poke... I think that's very important, to poke fun at them. | 0:56:03 | 0:56:06 | |
-THEY APPLAUD -Well done! | 0:56:06 | 0:56:09 | |
That's pretty good! | 0:56:09 | 0:56:10 | |
The Salvation Army, too, specialised in disaster relief, | 0:56:14 | 0:56:18 | |
providing spiritual support, basic comforts... | 0:56:18 | 0:56:22 | |
and, of course, music. | 0:56:22 | 0:56:24 | |
MUSIC: "Once in Royal David's City" | 0:56:24 | 0:56:27 | |
At Christmas 1944 they played here in the caves. | 0:56:27 | 0:56:32 | |
# Once in Royal David's city | 0:56:36 | 0:56:42 | |
# Stood a lowly cattle shed... # | 0:56:42 | 0:56:47 | |
What an atmosphere, though. | 0:56:47 | 0:56:49 | |
I know, it's a strange mix, isn't it? | 0:56:49 | 0:56:51 | |
There's a lovely, jovial party atmosphere, | 0:56:51 | 0:56:53 | |
especially in such a confined space, | 0:56:53 | 0:56:55 | |
but thinking about what must have been going on up there. | 0:56:55 | 0:56:58 | |
# Mary was that mother mild... # | 0:57:00 | 0:57:06 | |
I have to say, the whole of this exploring the wartime thing, | 0:57:06 | 0:57:09 | |
I've found myself with deeply mixed emotions. | 0:57:09 | 0:57:12 | |
There's a bit of me that feels full of patriotic pride | 0:57:12 | 0:57:15 | |
and there's a bit of me that is in awe of people | 0:57:15 | 0:57:18 | |
who somehow found the courage and the energy to go through it. | 0:57:18 | 0:57:21 | |
On Boxing Day, at 9.20 in the evening, | 0:57:25 | 0:57:29 | |
the bombing of London resumed, | 0:57:29 | 0:57:31 | |
with a V-2 hitting a pub in Islington, killing 68 people. | 0:57:31 | 0:57:35 | |
It would be eight more long months | 0:57:37 | 0:57:38 | |
before the war would finally be over. | 0:57:38 | 0:57:41 | |
Christmas 1944 would be the last of the Second World War. | 0:57:43 | 0:57:47 | |
Well, here's to make doing and mending. | 0:57:52 | 0:57:54 | |
Here's to make doing and mending, here's to a peaceful future | 0:57:54 | 0:57:57 | |
and may there never have to be another Christmas underground. | 0:57:57 | 0:58:01 | |
-Happy Christmas. -Happy Christmas. | 0:58:01 | 0:58:04 | |
-Happy Christmas! -Cheers. | 0:58:04 | 0:58:06 | |
To find out more about how Britain fed itself | 0:58:08 | 0:58:11 | |
during The Second World War, | 0:58:11 | 0:58:13 | |
The Open University has produced a free booklet | 0:58:13 | 0:58:15 | |
and online interactive challenges... | 0:58:15 | 0:58:18 | |
Happy Christmas. | 0:58:25 | 0:58:27 | |
Subtitles by Red Bee Media Ltd | 0:58:50 | 0:58:53 |