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This is the strange, unlikely story of a humble Blackburn man who fell in love with a landscape | 0:00:54 | 0:01:00 | |
and transformed himself into an artistic legend. | 0:01:00 | 0:01:04 | |
It's the story of an obsessive accountant who, 50 years ago, | 0:01:12 | 0:01:17 | |
became so passionate about the beauty of the English Lake District | 0:01:17 | 0:01:21 | |
that he dedicated his life to capturing it on paper. | 0:01:21 | 0:01:24 | |
Entirely driven by his obsession, the reclusive Alfred Wainwright | 0:01:26 | 0:01:31 | |
embarked on a 13-year odyssey to map his beloved Lake District. | 0:01:31 | 0:01:36 | |
So began an epic journey that not only changed the life of one man, | 0:01:38 | 0:01:42 | |
but changed the whole experience of Lakeland for millions of readers | 0:01:42 | 0:01:46 | |
who've worshipped his guide books and have followed in his footsteps. | 0:01:46 | 0:01:50 | |
I've always liked walking myself, and my husband does, too. | 0:02:08 | 0:02:12 | |
And I think it was he who said, "You ought to do Wainwright." | 0:02:12 | 0:02:15 | |
Well, Desert Island is a national programme and you need national figures, | 0:02:15 | 0:02:20 | |
and there was never any doubt in my mind that Wainwright was a national figure. | 0:02:20 | 0:02:25 | |
He would not come to London. He'd only do it if I would go to Manchester. | 0:02:25 | 0:02:29 | |
He'd been to London once since the war, didn't like it, and he wasn't going down there again. | 0:02:29 | 0:02:34 | |
And said the only reason he was doing it was because he liked a woman with a nice pair of legs. | 0:02:36 | 0:02:42 | |
'...My castaway this week is a writer and an artist, but first of all a guide. | 0:02:46 | 0:02:54 | |
'He is the constant companion of any serious walker in the Lake District. | 0:02:54 | 0:02:58 | |
'Indeed, a man would be a fool to set out without him...' | 0:02:58 | 0:03:01 | |
It's not a north-south thing, it's not a class thing, | 0:03:01 | 0:03:04 | |
but half the people will say, "Oh, I love him. I love all his books. | 0:03:04 | 0:03:09 | |
"I've gone up..." | 0:03:09 | 0:03:11 | |
You know there's a woman who's climbed the 214 fells 13 times?! | 0:03:11 | 0:03:15 | |
Unbelievable. Potty. | 0:03:15 | 0:03:17 | |
Then there's the other half of the people who say, "Who? | 0:03:18 | 0:03:23 | |
"He wrote guidebooks? Why's he so famous?" It's very hard to explain to people. | 0:03:23 | 0:03:27 | |
There's this dichotomy with people who know nothing at all about him, and people that love him. | 0:03:27 | 0:03:32 | |
There's something which captures the essence of mountains. | 0:03:33 | 0:03:36 | |
And compare those with any photographic guide you want, | 0:03:36 | 0:03:41 | |
and I defy you to find one that will explain the mountain better, | 0:03:41 | 0:03:46 | |
or make the mountain accessible to people better. | 0:03:46 | 0:03:49 | |
They were places where a man could go in safety | 0:03:49 | 0:03:52 | |
if he took reasonable precautions. | 0:03:52 | 0:03:55 | |
' ..The guides, which have sold more than a million now, | 0:04:00 | 0:04:03 | |
'are a walker's passport to pleasure.' | 0:04:03 | 0:04:06 | |
The thing about his books, unlike all the guidebooks that went before, nobody uses those books today. | 0:04:06 | 0:04:12 | |
They're boring and they're inconsequential, and they're out of date. | 0:04:12 | 0:04:17 | |
And you would never plan a walk with those guides. But with Wainwright's ones, you can. | 0:04:17 | 0:04:23 | |
That was his genius. You can use the Wainwrights to plan a walk. | 0:04:23 | 0:04:27 | |
You can sit down and read it and work out where you want to go. | 0:04:27 | 0:04:31 | |
You can use it while walking, because they're shaped to fit in your pocket. | 0:04:31 | 0:04:37 | |
Or you can sit and read them without ever going on the fells. | 0:04:37 | 0:04:41 | |
You can sit in California and read them and imagine. I've got friends in America who read Wainwrights. | 0:04:41 | 0:04:46 | |
They just sit there and imagine it. | 0:04:46 | 0:04:48 | |
It wasn't until the age of 81 that this famous recluse finally spoke publicly, and very personally, | 0:04:51 | 0:04:57 | |
about his intense relationship with Lakeland's fells. | 0:04:57 | 0:05:01 | |
Mr Wainwright, you've got a reputation for being a bit of a recluse, not liking publicity. | 0:05:01 | 0:05:08 | |
Why is that? | 0:05:08 | 0:05:10 | |
I suppose it's true to some extent because, | 0:05:10 | 0:05:15 | |
with one or two exceptions, I do prefer my own company to that of other people. | 0:05:15 | 0:05:22 | |
It wasn't just to his readers that Wainwright was a mystery. | 0:05:22 | 0:05:26 | |
He kept his personal life completely private, | 0:05:26 | 0:05:30 | |
had few intimate friends, and always preferred his own company. | 0:05:30 | 0:05:35 | |
Writer and walker Hunter Davies only discovered the secret truth about Wainwright's internal life | 0:05:40 | 0:05:46 | |
when he gained access to hundreds of personal papers and letters whilst researching his biography in 1994. | 0:05:46 | 0:05:54 | |
What people knew about him... One, he was a fairly dour person, this was the image, this was the myth. | 0:05:54 | 0:06:01 | |
He wasn't really sociable. | 0:06:01 | 0:06:03 | |
He liked walking on his own. | 0:06:03 | 0:06:05 | |
He was fairly grumpy. | 0:06:05 | 0:06:07 | |
I'd heard he was a bit of a misogynist and wasn't very keen on women. | 0:06:07 | 0:06:11 | |
Who liked animals better than people. | 0:06:11 | 0:06:14 | |
They knew that he was a bit of a... | 0:06:14 | 0:06:17 | |
-What's the word I want? -Well, he was a loner, wasn't he? -Yes. | 0:06:17 | 0:06:21 | |
And I think most people, if you lived in the Lake District, | 0:06:21 | 0:06:25 | |
or walked in the Lake District, you knew Wainwright. | 0:06:25 | 0:06:28 | |
Everyone used his books. We used his books for years, didn't we? | 0:06:28 | 0:06:32 | |
-But people didn't know Wainwright as the man, did they? -No. | 0:06:32 | 0:06:36 | |
Yes, I am anti-social, and getting worse as I get older. | 0:06:37 | 0:06:42 | |
It started as shyness. | 0:06:42 | 0:06:45 | |
It isn't shyness now. | 0:06:45 | 0:06:47 | |
I can face anybody now and not feel inferior to them. | 0:06:47 | 0:06:51 | |
Yes, he suddenly said that he didn't feel inferior any more, which was a strange statement. | 0:06:55 | 0:07:01 | |
But then, gradually, you learned about his background, which was very poor. | 0:07:01 | 0:07:07 | |
Well, he was born 1907, in Blackburn, | 0:07:07 | 0:07:11 | |
in amongst the mills and in amongst the factories. | 0:07:11 | 0:07:14 | |
You never felt that you were poor, because everybody was in the same boat. | 0:07:17 | 0:07:22 | |
People accepted their position. That's the way they were born. | 0:07:22 | 0:07:25 | |
-They had to go in the mill and work for a living. -The cotton mill? | 0:07:25 | 0:07:29 | |
Yeah. | 0:07:29 | 0:07:31 | |
He didn't have a very easy childhood. | 0:07:32 | 0:07:36 | |
He was born with red hair and nobody else in the family had red hair. | 0:07:36 | 0:07:39 | |
He told me his mother used to hide him in a drawer, as a baby, when visitors came! | 0:07:39 | 0:07:45 | |
He adored his mother. | 0:07:46 | 0:07:48 | |
I think his mother was a saint in his eyes. | 0:07:48 | 0:07:52 | |
As a child, he was fascinated by drawing. | 0:07:59 | 0:08:02 | |
He loved maps. He would copy out maps and colour them, and create his own maps. | 0:08:06 | 0:08:11 | |
He loved writing. It was the physical thing of putting things on paper. | 0:08:15 | 0:08:18 | |
He liked not just the content, the words, he liked the shape of writing and doing things. | 0:08:18 | 0:08:23 | |
His destiny was the mill. | 0:08:28 | 0:08:31 | |
It would certainly be a pretty hard working-class life. | 0:08:31 | 0:08:35 | |
And he raised himself out of that. | 0:08:35 | 0:08:38 | |
He worked hard at school. | 0:08:38 | 0:08:40 | |
As I understand it, the young Alfred Wainwright was a bit of a clever clogs, | 0:08:40 | 0:08:45 | |
and destined not to go to the cotton mill. Is that right? | 0:08:45 | 0:08:49 | |
I think I must admit that is right. | 0:08:49 | 0:08:52 | |
I did extremely well and came first in every subject. | 0:08:52 | 0:08:57 | |
There wasn't much money coming in at home. | 0:08:57 | 0:09:01 | |
At the age of 13, there was an advert in the local paper | 0:09:01 | 0:09:05 | |
for an office boy in the town hall. | 0:09:05 | 0:09:08 | |
I applied for that and got it, | 0:09:10 | 0:09:12 | |
whereas everybody else that I knew was going into the cotton mill. | 0:09:12 | 0:09:17 | |
I wouldn't have liked that. | 0:09:17 | 0:09:18 | |
When he became a young man in the council offices, | 0:09:21 | 0:09:24 | |
he did these hand-drawn and hand-written little magazines, | 0:09:24 | 0:09:28 | |
which he stapled together, six or ten or eight pages. | 0:09:28 | 0:09:32 | |
And there'd be jokes and quizzes and gossip and cartoons, all to do with the office. | 0:09:32 | 0:09:37 | |
Long before he did the pictorial guides, | 0:09:40 | 0:09:42 | |
inside him was this yearning to write. | 0:09:42 | 0:09:45 | |
When he was in his early 20s, he went to the Lake District, and he saw... | 0:09:48 | 0:09:54 | |
He'd read about the lakes and the scenery, but he'd never seen it. | 0:09:54 | 0:09:59 | |
When you were aged 23, you took your first holiday away from home. | 0:10:00 | 0:10:06 | |
By that age I'd saved up £5, | 0:10:06 | 0:10:09 | |
and I'd heard a lot about the Lake District which, until then, had been a world away. | 0:10:09 | 0:10:15 | |
I did as everybody told me, went up to Orrest Head, | 0:10:18 | 0:10:21 | |
which overlooks Windermere. | 0:10:21 | 0:10:23 | |
It was coming up that hill, and seeing the view of Windermere, that changed his life. | 0:10:26 | 0:10:30 | |
It was a moment of magic. | 0:10:35 | 0:10:38 | |
A revelation so unexpected that I stood transfixed, | 0:10:38 | 0:10:42 | |
unable to believe my eyes. | 0:10:42 | 0:10:44 | |
That glorious panorama that held me enthralled. | 0:10:48 | 0:10:52 | |
God was in his heaven that day, and I a humble worshipper. | 0:10:52 | 0:10:57 | |
I wasn't accustomed or entitled to such a privilege. | 0:10:59 | 0:11:03 | |
I was an alien here. | 0:11:03 | 0:11:05 | |
I didn't belong. | 0:11:05 | 0:11:07 | |
If only I could, sometime. | 0:11:08 | 0:11:11 | |
If only I could. | 0:11:14 | 0:11:16 | |
Those few hours on Orrest Head cast a spell that changed my life. | 0:11:18 | 0:11:24 | |
At the age of 23, while studying accountancy, | 0:11:32 | 0:11:37 | |
Wainwright married Ruth, a mill girl without the social aspirations | 0:11:37 | 0:11:41 | |
of her ambitious young husband. | 0:11:41 | 0:11:44 | |
Ruth was his first ever girlfriend. | 0:11:46 | 0:11:49 | |
He was trying to better himself socially, | 0:11:49 | 0:11:53 | |
intellectually and professionally. | 0:11:53 | 0:11:55 | |
After two or three years, quite quickly, it all fell apart, | 0:11:55 | 0:11:59 | |
and all the romance went out of it. | 0:11:59 | 0:12:02 | |
He realised he'd made a mistake. | 0:12:02 | 0:12:05 | |
Wainwright had never let go of his dream of living in the Lakes. | 0:12:06 | 0:12:10 | |
And his chance came in 1941, | 0:12:10 | 0:12:12 | |
when he was offered a position at the treasurer's office in Kendal. | 0:12:12 | 0:12:17 | |
Though it meant a drop in salary, he took the job, | 0:12:17 | 0:12:21 | |
and moved to Cumbria with Ruth and their young son, Peter. | 0:12:21 | 0:12:25 | |
Wainwright soon rose to the position of borough treasurer, | 0:12:34 | 0:12:37 | |
a role he relished, with his obsession for detail and accuracy. | 0:12:37 | 0:12:42 | |
But he longed to write more than accounts and ledgers, a desire he'd had since childhood. | 0:12:42 | 0:12:48 | |
When I came to the Lake District, | 0:13:08 | 0:13:12 | |
I had a golden opportunity of getting out, walking on the fells. | 0:13:12 | 0:13:17 | |
He would talk about the beauty of the Lakes, | 0:13:19 | 0:13:22 | |
and about waking up in the morning | 0:13:22 | 0:13:25 | |
when he'd spent the night in the fells, | 0:13:25 | 0:13:28 | |
and how beautiful it was, and the mist, as it moved off the valleys, | 0:13:28 | 0:13:33 | |
and that freshness as he woke up, and how there was joy in his heart because... | 0:13:33 | 0:13:38 | |
he had the fells to himself for at least five hours | 0:13:38 | 0:13:42 | |
before anybody else could reach where he was. | 0:13:42 | 0:13:45 | |
I think he just wanted to absorb that landscape around him, and the sounds of it and smells of it. | 0:13:50 | 0:13:56 | |
And it didn't matter if it was raining, if there was rain dripping off his nose end. | 0:14:02 | 0:14:06 | |
He was in the place he wanted to be. | 0:14:06 | 0:14:08 | |
I was always coming across people who were lost. | 0:14:24 | 0:14:28 | |
There were no guidebooks to the fells, and it was important that there should be. | 0:14:28 | 0:14:32 | |
So, more for my amusement than anything else, I started to write the guidebooks. | 0:14:34 | 0:14:40 | |
I thought, "When I'm an old man and I can't walk the hills, these will be memories for me." | 0:14:40 | 0:14:45 | |
And that's how the books came into being. | 0:14:47 | 0:14:50 | |
One November night in 1952, at the age of 45, | 0:14:54 | 0:14:58 | |
Wainwright embarked on his epic, 13-year guidebook odyssey. | 0:14:58 | 0:15:04 | |
A strange, obsessive journey that would soak up all his spare time | 0:15:04 | 0:15:09 | |
in his rigid routine to map 214 fells in 7 books. | 0:15:09 | 0:15:14 | |
On 9th November 1952, he sat down and began what became the pictorial guides. | 0:15:16 | 0:15:22 | |
It had obviously been bubbling up in his head for a long time, but that was the day he first started. | 0:15:22 | 0:15:28 | |
Wordsworth used to say that the Lake District | 0:15:32 | 0:15:35 | |
was like the spokes of a wheel, radiating around. | 0:15:35 | 0:15:38 | |
He didn't actually divide it up. | 0:15:38 | 0:15:40 | |
But Wainwright did that. | 0:15:40 | 0:15:42 | |
He worked out the seven areas he was going to do, | 0:15:45 | 0:15:49 | |
the seven geographical divisions of the Lake District National Park. | 0:15:49 | 0:15:53 | |
He must have sat there, working out how many fells... | 0:15:55 | 0:15:59 | |
I think at that early stage he must have decided, 214 fells... | 0:15:59 | 0:16:04 | |
And he worked out that evening, "I'll finish in 13 years' time." | 0:16:04 | 0:16:09 | |
Imagine anybody being so controlled and organised! | 0:16:09 | 0:16:14 | |
And imagine people thinking, "Well, the wife might want taken out. | 0:16:14 | 0:16:18 | |
"I might fall ill, something else might turn up." | 0:16:18 | 0:16:21 | |
But he was totally cold-blooded, in a way, giving him this self-imposed task. | 0:16:21 | 0:16:28 | |
"Surely there is no other place in this whole wonderful world quite like Lakeland. | 0:16:48 | 0:16:55 | |
"All who truly love Lakeland are exiles when away from it. | 0:16:58 | 0:17:03 | |
"Many are they who have fallen under the spell of Lakeland. | 0:17:07 | 0:17:11 | |
"And many are they who have been moved to tell of their affection | 0:17:17 | 0:17:22 | |
"in story and verse and picture. | 0:17:22 | 0:17:25 | |
"This book is one man's way of expressing his devotion | 0:17:29 | 0:17:33 | |
"to Lakeland's friendly hills. | 0:17:33 | 0:17:36 | |
"It was conceived and is born after many years | 0:17:36 | 0:17:40 | |
"of inarticulate worshipping at their shrines. | 0:17:40 | 0:17:44 | |
"It is, in very truth, | 0:17:44 | 0:17:47 | |
"a love letter." | 0:17:47 | 0:17:48 | |
I was able to illustrate with drawings. | 0:18:03 | 0:18:06 | |
I was able to give the natural features of the mountain. | 0:18:09 | 0:18:14 | |
The routes of ascent. | 0:18:18 | 0:18:20 | |
The ridge routes to the next one. | 0:18:23 | 0:18:26 | |
The view from the summit. | 0:18:28 | 0:18:30 | |
I have dealt with them all like that, one after another. | 0:18:32 | 0:18:36 | |
I really got obsessed by what I was doing. | 0:18:40 | 0:18:43 | |
He would go to his job every day as borough treasurer. | 0:18:48 | 0:18:51 | |
He would come home. | 0:18:51 | 0:18:53 | |
Ruth would give him his tea. | 0:18:57 | 0:19:00 | |
And he would work on his pages, his notes, write up what he had done the previous weekend. | 0:19:03 | 0:19:09 | |
Year after year, Wainwright kept up the same, unbroken weekend routine through sunshine and rain. | 0:19:09 | 0:19:17 | |
He would get the very early bus to wherever he was going. | 0:19:20 | 0:19:23 | |
He would usually organise his day | 0:19:32 | 0:19:35 | |
so that he'd have fish and chips somewhere. | 0:19:35 | 0:19:38 | |
He would climb all day long and come back on the last bus. | 0:19:44 | 0:19:49 | |
And he'd spend the rest of the week writing up his notes. | 0:19:49 | 0:19:53 | |
Anybody who spends every weekend in life out on the hill, | 0:19:54 | 0:20:00 | |
and every evening when you finish your day job | 0:20:00 | 0:20:03 | |
in the attic, drawing up what you did the previous weekend - | 0:20:03 | 0:20:07 | |
that's obsessive in anybody's terms. | 0:20:07 | 0:20:10 | |
After about 100 pages, he was not happy with how he was drawing it. | 0:20:12 | 0:20:17 | |
He decided to justify the type on either side. | 0:20:23 | 0:20:25 | |
Justified means a straight line that side and a straight line the other side. | 0:20:25 | 0:20:30 | |
Somebody is obviously obsessive who chucks away 100 pages of work - | 0:20:32 | 0:20:37 | |
God knows how long that took him - | 0:20:37 | 0:20:39 | |
because he was obsessed by perfection, as he saw it. | 0:20:39 | 0:20:43 | |
And somebody is obviously obsessive who works out what they will be doing for the next 13 years. | 0:20:43 | 0:20:48 | |
Self-imposed. It wasn't a job, nobody was paying him. | 0:20:48 | 0:20:52 | |
"I started the book determined that everything in it should be perfect. | 0:20:53 | 0:20:59 | |
"So let me be the first to say it. | 0:21:01 | 0:21:03 | |
"This book is full of imperfections. | 0:21:03 | 0:21:07 | |
"But let me dare also to say | 0:21:07 | 0:21:09 | |
"it is free from inaccuracies." | 0:21:09 | 0:21:13 | |
He could never make a mistake. | 0:21:13 | 0:21:15 | |
Making a mistake didn't come into his language. | 0:21:15 | 0:21:18 | |
He would be right in his mind before he wrote it down. | 0:21:18 | 0:21:22 | |
I think, at the back of his mind, almost from the beginning, | 0:21:22 | 0:21:27 | |
he was vaguely thinking of publishing it, because very quickly he WAS thinking of publishing it. | 0:21:27 | 0:21:32 | |
I finished the first volume after two years of working every night on them. | 0:21:33 | 0:21:38 | |
I thought these might be useful to other people, too. | 0:21:39 | 0:21:44 | |
Having handwritten the book himself, | 0:21:45 | 0:21:48 | |
Wainwright was equally independent and determined to bypass interfering London publishers, | 0:21:48 | 0:21:53 | |
by taking the financial risk to publish himself. | 0:21:53 | 0:21:58 | |
But could he find a willing printer? | 0:21:58 | 0:22:00 | |
I went to a local printer | 0:22:02 | 0:22:05 | |
and asked what it would cost to have 2,000 copies made. | 0:22:05 | 0:22:10 | |
He couldn't believe it was all in handwriting. | 0:22:15 | 0:22:18 | |
He couldn't understand that somebody had done page after page of this immaculate work. | 0:22:18 | 0:22:24 | |
He said that he didn't think anybody had done a handwritten book like this | 0:22:24 | 0:22:30 | |
since the monks of medieval time. | 0:22:30 | 0:22:32 | |
And he gave him a quote for 2,000 copies for £900. | 0:22:32 | 0:22:38 | |
I said I have only got 35. | 0:22:38 | 0:22:41 | |
"Well," he said, "never mind. This book will sell. | 0:22:43 | 0:22:46 | |
"Pay me off as you sell them." | 0:22:46 | 0:22:49 | |
Despite facing a £900 debt, equivalent to £18,000 today, | 0:22:51 | 0:22:55 | |
the self-sufficient borough treasurer accepted the huge financial risk | 0:22:55 | 0:23:00 | |
and published his first book. | 0:23:00 | 0:23:03 | |
Having seen the reaction to that first one, | 0:23:05 | 0:23:08 | |
he knew that book was too good to just be on one person's bookshelf. | 0:23:08 | 0:23:12 | |
"When this last sentence is written, Book One will be finished | 0:23:12 | 0:23:18 | |
"and in the same moment | 0:23:18 | 0:23:20 | |
"Book Two will take its place in my thoughts." | 0:23:20 | 0:23:24 | |
"The author carried out his explorations surreptitiously | 0:23:38 | 0:23:42 | |
"and without permission, not caring to risk a refusal. | 0:23:42 | 0:23:47 | |
"He was not detected, but this may, possibly, | 0:23:47 | 0:23:50 | |
"have been due to his marked resemblance to an old stag." | 0:23:50 | 0:23:54 | |
He walked on the fells the way he would walk to go into Kendal. | 0:23:57 | 0:24:02 | |
There weren't cagoules, there weren't climbing gear that you have today. | 0:24:02 | 0:24:09 | |
And he wouldn't speak to people while he was walking. | 0:24:13 | 0:24:16 | |
He didn't want any distractions. He would ignore people and he certainly didn't want anybody walking with him. | 0:24:16 | 0:24:21 | |
I thought it would be rather nice if I could go there with him, follow him. | 0:24:21 | 0:24:27 | |
I asked him if I could do that, and he said, | 0:24:27 | 0:24:31 | |
"Yes, if you don't talk!" | 0:24:31 | 0:24:34 | |
But he was a trudger. | 0:24:35 | 0:24:38 | |
He would have taken a very dim view of the sort of power walkers | 0:24:38 | 0:24:43 | |
that you see on the hill now, wall-to-wall lycra. | 0:24:43 | 0:24:47 | |
Who come past you at a great rate of knots, looking at their toe ends, because they are powering their way | 0:24:47 | 0:24:53 | |
to the next summit because they got to do five summits today come hell or high water! | 0:24:53 | 0:24:58 | |
Wainwright would rather drown. | 0:24:58 | 0:25:01 | |
It is what you do when you get to the end of the walk that's the interesting bit. | 0:25:02 | 0:25:07 | |
When you get to this viewpoint or that viewpoint or this place where you can suddenly look out | 0:25:07 | 0:25:12 | |
over the promised land. | 0:25:12 | 0:25:14 | |
And that was what Wainwright was going for. | 0:25:14 | 0:25:18 | |
It was taking time to absorb that landscape. | 0:25:18 | 0:25:22 | |
"There have been offers of hospitality, of transport. | 0:25:28 | 0:25:31 | |
"I have no car nor any wish for one, | 0:25:31 | 0:25:34 | |
"for I am stubbornly resolved that this must be a single-handed effort. | 0:25:34 | 0:25:39 | |
"I have set myself this task and I am pig-headed enough | 0:25:39 | 0:25:44 | |
"to want to do it without help." | 0:25:44 | 0:25:45 | |
Wainwright knew his instincts were right. | 0:25:51 | 0:25:54 | |
Without professional marketing or publicity, Book One was an instant success. | 0:25:54 | 0:25:59 | |
By the time Book Two was finished, he'd sold enough copies to clear his debt. | 0:25:59 | 0:26:05 | |
His big risk paid off and now he could complete his 13-year guidebook odyssey. | 0:26:05 | 0:26:11 | |
"The highest point is a pleasant place for a halt | 0:26:49 | 0:26:52 | |
"and quiet contemplation of the scenery. | 0:26:52 | 0:26:55 | |
"Sheep think so, too." | 0:26:56 | 0:27:00 | |
Actually, he was in no hurry to come home. | 0:27:01 | 0:27:04 | |
He didn't want to see Ruth, he didn't want any connection with Ruth. | 0:27:11 | 0:27:14 | |
He wanted to come home absolutely knackered, | 0:27:16 | 0:27:18 | |
absolutely shattered, but having been up a fell, done all his drawings and then come home and flop into bed. | 0:27:18 | 0:27:24 | |
In 1957, at the age of 50, and after 27 years in an unhappy marriage, | 0:27:32 | 0:27:38 | |
Wainwright met a woman who was to change his life. | 0:27:38 | 0:27:42 | |
She was 15 years his junior | 0:27:42 | 0:27:45 | |
and an attractive, separated, mother of two. | 0:27:45 | 0:27:48 | |
Her name was Betty McNally. | 0:27:52 | 0:27:55 | |
She was running some sort of charity thing and they'd hired premises belonging to the council. | 0:27:55 | 0:28:02 | |
Apparently, they'd hired it for X number of hours but they had run over by an hour. | 0:28:02 | 0:28:07 | |
So he called her into his office and said, "You stayed extra in that hall and we want the money. | 0:28:07 | 0:28:12 | |
"Are you going to pay it?" | 0:28:12 | 0:28:15 | |
He really told me off quite fiercely, | 0:28:15 | 0:28:18 | |
but in a gentle sort of way. | 0:28:18 | 0:28:20 | |
Anyway, it was all all right in the end. | 0:28:20 | 0:28:24 | |
But it was a severe... quite a severe ticking-off. | 0:28:24 | 0:28:28 | |
And it sort of stuck in my mind | 0:28:29 | 0:28:32 | |
that he had been gentle and nice, | 0:28:32 | 0:28:35 | |
even though he was cross at the same time! | 0:28:35 | 0:28:38 | |
And that never went out of my mind again. It was always there. | 0:28:38 | 0:28:42 | |
I remembered that. | 0:28:42 | 0:28:45 | |
I don't think she knew then, and most people didn't, that he was also a writer of these pictorial guides. | 0:28:45 | 0:28:51 | |
Don't forget, he kept a low profile, no publicity. Nothing was known about him. | 0:28:51 | 0:28:56 | |
It was to be eight years before Wainwright and Betty's paths would cross again, | 0:28:58 | 0:29:03 | |
by which time his books would be widely read. | 0:29:03 | 0:29:07 | |
In the early couple of books, he is much more serious, | 0:29:18 | 0:29:22 | |
but as he progresses through the seven books, he reveals more and more about himself. | 0:29:22 | 0:29:27 | |
"Why does a man climb mountains? | 0:29:29 | 0:29:31 | |
"Why has he forced his tired and sweating body up here, | 0:29:33 | 0:29:36 | |
"when he might instead have been sitting at ease | 0:29:36 | 0:29:39 | |
"in the deckchair at the seaside, looking at girls in bikinis? | 0:29:39 | 0:29:43 | |
"Or sucking ice cream, according to his fancy? | 0:29:43 | 0:29:48 | |
"On the face of it, this thing doesn't make sense." | 0:29:51 | 0:29:54 | |
His thoughts, for example, addressing the reader, talking to the reader. | 0:29:56 | 0:30:01 | |
"The author decided on this summit to share his hard-won royalties with one of his faithful readers | 0:30:02 | 0:30:09 | |
"and placed a two-shilling piece under a flat stone. | 0:30:09 | 0:30:13 | |
"It awaits the first person to read this note and act upon it." | 0:30:13 | 0:30:17 | |
He has one or two topical references. He mentions women. | 0:30:20 | 0:30:23 | |
"Long legs are needed to avoid mishaps. | 0:30:23 | 0:30:27 | |
"Ladies have shorter legs than men - this is hearsay - | 0:30:27 | 0:30:30 | |
"and should mind their bloomers, or whatever they call them nowadays. | 0:30:30 | 0:30:35 | |
"A man whose only passion is for the hills cannot be expected to be well-informed in such matters." | 0:30:35 | 0:30:42 | |
And he has some quite good jokes, some quite funny remarks. | 0:30:43 | 0:30:46 | |
"Take care, do not start fire | 0:30:46 | 0:30:49 | |
"and so waste the effort spent in drawing all the trees on this map." | 0:30:49 | 0:30:53 | |
The thing that fascinates people | 0:30:55 | 0:30:57 | |
who are reading quite a serious bit of instruction, | 0:30:57 | 0:31:00 | |
how to get up a fell, and then suddenly you get... | 0:31:00 | 0:31:05 | |
He makes some strange remark, he draws a rock with a particularly savage face on it, | 0:31:05 | 0:31:10 | |
and then he writes beside that, "Some men have wives who look this." | 0:31:10 | 0:31:14 | |
Well, when you're reading a guide book, you don't suddenly expect that, do you? | 0:31:14 | 0:31:18 | |
Yes, he found that he could express himself | 0:31:18 | 0:31:20 | |
and reveal himself on paper more than he could in real life, face to face. | 0:31:20 | 0:31:24 | |
He couldn't be bothered with social intercourse. | 0:31:24 | 0:31:27 | |
Well, I wrote to him because he had one very bad error about a footpath, | 0:31:27 | 0:31:32 | |
and I got a letter back from him - a very polite letter, he wasn't a bit put out about it. | 0:31:32 | 0:31:38 | |
And so one thing led to another, and it worked into this correspondence | 0:31:38 | 0:31:42 | |
that lasted for 10 years without us ever meeting each other. | 0:31:42 | 0:31:47 | |
At one point he asked me, erm, he said he did not like women with meagre thighs, | 0:31:47 | 0:31:51 | |
and he asked me if I had meagre thighs, | 0:31:51 | 0:31:53 | |
and I said, well, as I did so much walking and climbing, obviously I had rather muscular thighs. | 0:31:53 | 0:31:59 | |
And he wrote back and he said, well, he rather doubted | 0:31:59 | 0:32:02 | |
whether he could be attracted by a woman with muscular thighs, but he thought he ought to build me up, | 0:32:02 | 0:32:08 | |
and then he started leaving bars of chocolate for me hidden in various walls around the neighbourhood. | 0:32:08 | 0:32:14 | |
And he used to draw beautiful maps, these lovely maps, showing me how to find these chocolate bars. | 0:32:14 | 0:32:19 | |
You got to like him very much through the books, and you always wanted to get onto the next walk | 0:32:20 | 0:32:25 | |
with him and buy the next book and so work up a relationship with him. | 0:32:25 | 0:32:31 | |
"Cindy is showing absolutely no sympathy whatsoever | 0:32:32 | 0:32:37 | |
"with my efforts to write a classic. | 0:32:37 | 0:32:39 | |
"Her persistent pokings and tuggings at critical moments of concentration | 0:32:39 | 0:32:45 | |
"must have resulted in inferior work, for which I am sorry." | 0:32:45 | 0:32:48 | |
"This, then, is Skiddaw... | 0:33:05 | 0:33:08 | |
"a giant in stature... | 0:33:09 | 0:33:13 | |
"but an affable and friendly giant." | 0:33:13 | 0:33:17 | |
People started to look for him | 0:33:19 | 0:33:21 | |
on the hill, but by the time the book was out, he was off to the next bit of the Lake District, | 0:33:21 | 0:33:25 | |
so they never found him. | 0:33:25 | 0:33:27 | |
You know, there were sightings, you know. | 0:33:29 | 0:33:31 | |
Rumours would suggest that he was going to be at Sty Head Pass on a particular day. | 0:33:31 | 0:33:36 | |
People would gather, you know, it was like sightings of the great white whale. | 0:33:36 | 0:33:41 | |
And he was never there, because he was in, | 0:33:41 | 0:33:43 | |
as Shakespeare would say, another part of the forest. | 0:33:43 | 0:33:46 | |
I mean, if you meet a lone walker on top of a fell and you're walking, you've got to say something. | 0:33:46 | 0:33:51 | |
No, you haven't, really. You can strike off in another direction. | 0:33:53 | 0:33:56 | |
There are boulders you can get behind. | 0:33:56 | 0:33:59 | |
My pet hate, of course, are school parties. | 0:34:00 | 0:34:04 | |
When he and I were... He used to come up here to see me, | 0:34:06 | 0:34:09 | |
and we used to sit here on the steps, on this seat, talking, | 0:34:09 | 0:34:15 | |
and he always wore a very white shirt. I think he bought one every time he came here. | 0:34:15 | 0:34:19 | |
He used to sit there like a great big marquee, because he was a very large man, | 0:34:19 | 0:34:23 | |
and people used to walk past, all reading his books, looking just at his books. | 0:34:23 | 0:34:28 | |
And as he said, "They'd give a fortune to see me," | 0:34:28 | 0:34:30 | |
but they just walked past within yards along that yard, right past him, | 0:34:30 | 0:34:35 | |
reading his guide books, never looked up and never took any notice of him at all. | 0:34:35 | 0:34:39 | |
That used to amuse him mightily, as you can imagine. | 0:34:39 | 0:34:42 | |
"These were glorious days for me, | 0:34:43 | 0:34:47 | |
"days of absolute freedom, days of feeling like the only man on earth. | 0:34:47 | 0:34:52 | |
"No crowds to dodge, no noisy chatter, no litter. | 0:34:53 | 0:34:58 | |
"Just me and the sheep and singing larks overhead." | 0:35:00 | 0:35:04 | |
By 1962, after a decade of early morning buses, fish and chips, | 0:35:20 | 0:35:25 | |
and burning the midnight oil, 40,000 pictorial guides had been sold. | 0:35:25 | 0:35:31 | |
But despite this success and adulation, | 0:35:31 | 0:35:34 | |
Wainwright stuck to his rigid routine, remaining borough treasurer | 0:35:34 | 0:35:39 | |
and still the ever solitary fell walker, | 0:35:39 | 0:35:41 | |
hiding from publicity and his curious public. | 0:35:41 | 0:35:44 | |
"These ugly black holes and pits are not merely dangerous but damned dangerous. | 0:36:11 | 0:36:18 | |
"Sons should think of their mothers and turn away. | 0:36:21 | 0:36:24 | |
"Husbands should think of their wives, | 0:36:24 | 0:36:27 | |
"after which gloomy contemplation many no doubt will march cheerfully into a possible doom." | 0:36:27 | 0:36:33 | |
He had some very bleak times in his life. | 0:36:36 | 0:36:38 | |
I think he lived in considerable turmoil, | 0:36:38 | 0:36:42 | |
er...for part of his life, because of personal relationships | 0:36:42 | 0:36:46 | |
and, you know, his inability to cope with them, | 0:36:46 | 0:36:49 | |
his inability to come to terms with his own failings, perhaps. | 0:36:49 | 0:36:53 | |
It wasn't his obsessions which had ruined the marriage | 0:36:53 | 0:36:56 | |
and made the wife get fed up. It was the other way round. | 0:36:56 | 0:36:59 | |
It was a bad marriage and not talking to each other | 0:36:59 | 0:37:02 | |
that led to his obsession for going out on the fells, which was interesting. He was getting... | 0:37:02 | 0:37:07 | |
exorcising himself, physically exhausting himself | 0:37:07 | 0:37:10 | |
by going on the fells and staying out all day and all night. | 0:37:10 | 0:37:13 | |
Well, his first wife and he had become estranged, | 0:37:15 | 0:37:19 | |
so he was...quite lonely. | 0:37:19 | 0:37:22 | |
He was an innocent person. | 0:37:25 | 0:37:29 | |
Do you know that picture of him as a baby? | 0:37:29 | 0:37:31 | |
In a high chair? | 0:37:31 | 0:37:34 | |
And he said he felt exactly like that all his life, | 0:37:34 | 0:37:37 | |
feeling...lonely and bereft | 0:37:37 | 0:37:42 | |
and wondering where that nice soft breast has gone to. | 0:37:42 | 0:37:46 | |
And that is what he said. And he is a little child, little baby, sitting there waiting for something. | 0:37:49 | 0:37:56 | |
It's interesting. | 0:37:59 | 0:38:01 | |
THUNDERCLAP | 0:38:01 | 0:38:04 | |
Was this a man in silent agony, | 0:38:12 | 0:38:16 | |
seeking to escape his deeper anxieties? | 0:38:16 | 0:38:19 | |
Loneliness, frustration and despair were the themes | 0:38:22 | 0:38:26 | |
in an autobiographical short story he'd written and kept secret | 0:38:26 | 0:38:31 | |
since 1939, when he was just 32. | 0:38:31 | 0:38:34 | |
When his biographer uncovered this manuscript, | 0:38:39 | 0:38:41 | |
three years after his death, | 0:38:41 | 0:38:44 | |
it shed a whole new light on the mysterious Wainwright enigma. | 0:38:44 | 0:38:49 | |
The only thing he made fictional was Michael Wayne, the name. | 0:38:49 | 0:38:55 | |
But in this marriage, "I have a boy, who is Peter, one child," | 0:38:55 | 0:39:01 | |
and he has a woman, who's... I think she's actually Milda in the book, | 0:39:01 | 0:39:05 | |
and he describes this awful life with her. | 0:39:05 | 0:39:08 | |
"He realised that his marriage had been a ghastly mistake. | 0:39:08 | 0:39:12 | |
"He had married someone who had been his equal. | 0:39:12 | 0:39:15 | |
"Now he had changed for the better, he thought. | 0:39:15 | 0:39:19 | |
"Certainly his aspirations were far nobler, | 0:39:19 | 0:39:22 | |
"but his wife had not changed with him." | 0:39:22 | 0:39:26 | |
And then he has this fantasy of... | 0:39:26 | 0:39:29 | |
he will one day meet a beautiful, marvellous, amazing woman who will somehow come to him. | 0:39:29 | 0:39:36 | |
In fact, he imagines she already is with him from time to time. | 0:39:36 | 0:39:40 | |
He imagines when he's sitting by the fireside that she's there, this lovely woman, his beloved. | 0:39:40 | 0:39:44 | |
He even imagines her coming to his bed | 0:39:44 | 0:39:47 | |
and coming when he's sleeping and being with him. | 0:39:47 | 0:39:50 | |
"He turned to her, resting his aching head against her sweet breast. | 0:39:50 | 0:39:56 | |
"She was with him, comforting him, soothing him. | 0:39:56 | 0:40:00 | |
"He was not perplexed and frightened any more." | 0:40:00 | 0:40:04 | |
After 12 years of working non-stop, | 0:40:06 | 0:40:09 | |
Wainwright embarked on his final pictorial guide. | 0:40:09 | 0:40:13 | |
"First time we've seen him with a cap on. | 0:40:14 | 0:40:18 | |
"He must be going bald or something." | 0:40:18 | 0:40:20 | |
Though Wainwright was by now used to receiving fan letters, there was one in particular that caught his eye. | 0:40:26 | 0:40:32 | |
It was from Betty McNally, the woman he'd called into his office eight years earlier. | 0:40:36 | 0:40:42 | |
I wrote and said how wonderful they'd been | 0:40:44 | 0:40:48 | |
and how much I'd appreciated | 0:40:48 | 0:40:51 | |
all the knowledge that I'd picked up from those books | 0:40:51 | 0:40:55 | |
and the fun they'd given me. | 0:40:55 | 0:40:58 | |
And, to my enormous surprise, he wrote a little thing | 0:40:58 | 0:41:02 | |
a little note saying...you know, thanking me for thanking him | 0:41:02 | 0:41:08 | |
and, um, "I hoped I'd see you again some time." | 0:41:08 | 0:41:13 | |
And that just made me think, | 0:41:13 | 0:41:16 | |
"Well...I might meet him again sometime." | 0:41:16 | 0:41:20 | |
After a few short meetings at the town hall and a brief flirtatious correspondence, | 0:41:20 | 0:41:25 | |
Wainwright fell for Betty. | 0:41:25 | 0:41:27 | |
Taking a huge risk, he decided to open his heart | 0:41:30 | 0:41:34 | |
to this relative stranger and presented her with the manuscript he'd written 26 years earlier. | 0:41:34 | 0:41:40 | |
Was she the woman of his dreams? | 0:41:48 | 0:41:50 | |
He gave Betty his 1939 short story and let her decide. | 0:41:53 | 0:41:58 | |
"Just read the book first | 0:42:00 | 0:42:02 | |
"and make sure it is not a case of mistaken identity with me and mistaken impression with you. | 0:42:02 | 0:42:09 | |
"Wait a fortnight, please, | 0:42:09 | 0:42:12 | |
"then let me know." | 0:42:12 | 0:42:13 | |
"There was the girl he'd dreamed of. | 0:42:17 | 0:42:20 | |
"How close he seemed to have come to her latterly. | 0:42:20 | 0:42:23 | |
"She had taken his mother's place as the guiding influence in his life. | 0:42:23 | 0:42:28 | |
"She dominated his thoughts, his actions. | 0:42:28 | 0:42:31 | |
"She had lifted him up, | 0:42:31 | 0:42:33 | |
"shown him the better way - such was the power of his imagination." | 0:42:33 | 0:42:39 | |
Wainwright did mention occasionally that he'd met somebody, | 0:42:42 | 0:42:46 | |
and, of course, I didn't tease him or anything like that, | 0:42:46 | 0:42:51 | |
because we didn't behave like that, but I said, "Oh, that's very nice." | 0:42:51 | 0:42:55 | |
She was able to give him a lift here and there, | 0:42:56 | 0:43:00 | |
and that was a great addition, because he hadn't had lifts before. | 0:43:00 | 0:43:03 | |
All of his adult life, Wainwright had been waiting | 0:43:05 | 0:43:08 | |
to find a passion to match his love for the Lakeland fells. | 0:43:08 | 0:43:12 | |
Now, aged 60, he seemed to have found her. | 0:43:12 | 0:43:16 | |
I mean, you were very different people, weren't you? | 0:43:23 | 0:43:26 | |
We were different people, yes. | 0:43:26 | 0:43:27 | |
It was a real...case of opposites attract, both sort of physically | 0:43:27 | 0:43:31 | |
and in all sorts of other ways. | 0:43:31 | 0:43:34 | |
Mum, very vivacious, lively and talkative, | 0:43:34 | 0:43:38 | |
-and AW was very taciturn and... -Yes. | 0:43:38 | 0:43:40 | |
And you were very practical. You did all the practical things in the house. | 0:43:40 | 0:43:44 | |
Yes, he wasn't at all practical, he was absolutely useless. | 0:43:44 | 0:43:47 | |
When this romance was going, | 0:43:49 | 0:43:51 | |
she was in her mid-40s and he was about 60, this is a 15-year gap. | 0:43:51 | 0:43:56 | |
The torrent of love letters to Betty were outpourings of emotion | 0:43:57 | 0:44:02 | |
displaying passions that had been absent from his 37-year marriage. | 0:44:02 | 0:44:08 | |
He'd found a new joy in life, | 0:44:08 | 0:44:10 | |
but there were dark clouds closing in. | 0:44:10 | 0:44:13 | |
He was worried about being seen in the streets, walking with Betty, who was a separated woman. | 0:44:13 | 0:44:21 | |
So they tended to meet, once the romance got going more strongly, | 0:44:21 | 0:44:26 | |
further afield, where nobody would identify them. | 0:44:26 | 0:44:30 | |
Ruth, his wife, eventually finds out there's something going on. | 0:44:30 | 0:44:34 | |
Some kind neighbour had told her that this neighbour had seen Wainwright | 0:44:34 | 0:44:40 | |
several times getting out of a car with a woman. | 0:44:40 | 0:44:45 | |
From this, suspicions were arisen. | 0:44:45 | 0:44:48 | |
She found something in his desk, we don't know what it was - | 0:44:48 | 0:44:51 | |
Ruth had died by the time I did the book, er... | 0:44:51 | 0:44:55 | |
It must have been a letter perhaps referring to Betty, | 0:44:55 | 0:44:58 | |
or a letter he was writing or a letter from her, when she realises something is going on, | 0:44:58 | 0:45:03 | |
he's fallen in love with another woman. That's it, I'm off. | 0:45:03 | 0:45:07 | |
You've got to feel sorry for Ruth. | 0:45:07 | 0:45:10 | |
She'd been his faithful wife for all these years, 30-odd years. | 0:45:10 | 0:45:14 | |
She cooked and cleaned for him, been absolutely loyal and helped him. | 0:45:14 | 0:45:18 | |
I imagine if she was alive today and had a good divorce lawyer | 0:45:18 | 0:45:22 | |
she would say, "Your career was based on me being a faithful wife." | 0:45:22 | 0:45:26 | |
She could probably, like film stars today, have got half his money. | 0:45:26 | 0:45:31 | |
Because he's totally undomesticated - doesn't know how the cooker works, the fire works, the oven works - | 0:45:35 | 0:45:40 | |
she leaves him these notes on how to run the house | 0:45:40 | 0:45:43 | |
and I think they never meet again. | 0:45:43 | 0:45:46 | |
"Sheets and pillowcases and towels in the top drawer of the dressing-table. | 0:45:46 | 0:45:52 | |
"Coal will come once a fortnight unless you cancel it. | 0:45:52 | 0:45:56 | |
"Papers are five and four a week at Kendal Green Post Office." | 0:45:56 | 0:46:01 | |
"Dear, Molly. | 0:46:01 | 0:46:03 | |
"Don't worry about me. | 0:46:03 | 0:46:05 | |
"I'm doing all right. | 0:46:05 | 0:46:06 | |
"I crunch around the kitchen amongst the spilt cornflakes | 0:46:08 | 0:46:12 | |
"and the bed is lumpy, because it hasn't been made for seven weeks. | 0:46:12 | 0:46:17 | |
"And I've stopped wearing underclothes because I have no clean ones left, | 0:46:17 | 0:46:21 | |
"and I don't know how to use the washing machine." | 0:46:21 | 0:46:24 | |
In the Christmas of 1965, after 13 years of painstaking work, | 0:46:27 | 0:46:33 | |
Wainwright finally completed his extraordinary Lakeland odyssey. | 0:46:33 | 0:46:38 | |
Finishing his last pictorial guide just one week ahead of his original 1952 schedule. | 0:46:38 | 0:46:44 | |
"So, this is farewell to the present series of books. | 0:46:47 | 0:46:52 | |
"The fleeting hours of life for those who love the hills is quickly spent. | 0:46:52 | 0:46:57 | |
"But the hills are eternal." | 0:46:57 | 0:47:00 | |
It was as if his life was a long, slow ascent | 0:47:04 | 0:47:09 | |
up a path to the summit that he saw quite early on and intended to get there. | 0:47:09 | 0:47:15 | |
And slowly but surely, and obsessively, he did get there. | 0:47:15 | 0:47:20 | |
At the age of 63, Wainwright had finally found the close relationship he'd been dreaming of all his life. | 0:47:41 | 0:47:48 | |
In 1970, after a difficult divorce, he and Betty got married. | 0:47:48 | 0:47:54 | |
He was very, very contented | 0:47:56 | 0:48:00 | |
and he seemed to put on weight because she was cooking for him. | 0:48:00 | 0:48:04 | |
But even though he and Betty had a marriage, | 0:48:04 | 0:48:09 | |
he was still self-obsessed by his work. | 0:48:09 | 0:48:12 | |
He always had a new project on, didn't he? | 0:48:13 | 0:48:15 | |
He always had something in mind, yes. | 0:48:15 | 0:48:18 | |
Right up until the end he used to... | 0:48:18 | 0:48:21 | |
Until his last illness he used to go upstairs | 0:48:21 | 0:48:25 | |
every day and try and work, didn't he? | 0:48:25 | 0:48:29 | |
He didn't take Betty on world tours to Venice. He didn't treat Betty. | 0:48:29 | 0:48:34 | |
He still put his life and his work first. | 0:48:34 | 0:48:37 | |
With Betty's help researching and editing, | 0:48:38 | 0:48:41 | |
Wainwright went on to produce more than 40 books, | 0:48:41 | 0:48:44 | |
including guides to Scotland and his ever-popular coast-to-coast walk. | 0:48:44 | 0:48:49 | |
But as more book royalties poured in, | 0:48:57 | 0:48:59 | |
Wainwright remained his typically independent self. | 0:48:59 | 0:49:04 | |
He decided to give away most of his new-found wealth to animal charities. | 0:49:04 | 0:49:10 | |
He and Betty shared this love of animals. | 0:49:16 | 0:49:20 | |
It started off with trying to help animals - they tried to help those | 0:49:20 | 0:49:24 | |
existing animal refuge places and he gave money from his books to these animal places. | 0:49:24 | 0:49:30 | |
In the end he and Betty decided to start their own animal refuge at Kapellan. | 0:49:30 | 0:49:36 | |
And every penny from all these books went into this animal refuge. | 0:49:36 | 0:49:40 | |
I said, "How would you like to be remembered?" | 0:49:42 | 0:49:46 | |
"Well," he said, "No doubt it will be those books | 0:49:46 | 0:49:49 | |
"but I'd like to be remembered | 0:49:49 | 0:49:51 | |
"for Kapellan and what it is." | 0:49:51 | 0:49:53 | |
"An absolute model, that's what we want, that's what we've set off to do. | 0:49:55 | 0:49:58 | |
"Have a model of animal welfare." | 0:49:58 | 0:50:02 | |
By the mid-1980s the hundreds of thousands of pounds of book revenues | 0:50:04 | 0:50:09 | |
matched Wainwright's new status as a legend of the Lakes. | 0:50:09 | 0:50:14 | |
Finally, television managed to woo the great Lake District enigma to the screen. | 0:50:15 | 0:50:21 | |
Though the reluctant Wainwright had held off public fame until he was almost 80. | 0:50:21 | 0:50:27 | |
So he was getting more money for his dogs and cats so he was delighted. | 0:50:27 | 0:50:32 | |
But it was quite a battle for him to become a public figure, | 0:50:32 | 0:50:36 | |
and he had to up to a point because he had to promote his charity. | 0:50:36 | 0:50:41 | |
Are you going to eat them straight away? Would you like them open? | 0:50:43 | 0:50:47 | |
'I knew he was a grumpy old man who liked animals better than people.' | 0:50:47 | 0:50:51 | |
When the producer came and said, "Would you like to make his programme with Wainwright?" | 0:50:51 | 0:50:56 | |
I thought, "Oh, joy(!)" | 0:50:56 | 0:50:57 | |
In your guide you say "do not disturb the sequestered privacy of the hamlet of Oddendale. | 0:50:57 | 0:51:03 | |
"Keep outside its walls and turn right." | 0:51:03 | 0:51:06 | |
You are probably not going to go down into the hamlet yourself. | 0:51:06 | 0:51:09 | |
No, I won't. | 0:51:09 | 0:51:11 | |
One of his greatest qualities | 0:51:13 | 0:51:15 | |
was that he engaged his brain before he opened his mouth. | 0:51:15 | 0:51:19 | |
There was no gabble. | 0:51:19 | 0:51:21 | |
In rather the same way that he distilled | 0:51:21 | 0:51:23 | |
the essence of the mountains into those seven pictorial guides. | 0:51:23 | 0:51:26 | |
Every time we went out filming he distilled the essence of the place | 0:51:26 | 0:51:30 | |
he knew we were going to go to into about 10 sentences. | 0:51:30 | 0:51:33 | |
Having said those, he didn't want to say any more. | 0:51:33 | 0:51:35 | |
There is Castle Crag. On there are the remains of an old British fort. | 0:51:35 | 0:51:42 | |
-On this crag here? -Yes. You can still see a wall surrounding it. | 0:51:42 | 0:51:46 | |
But it was a difficult challenge for him. | 0:51:50 | 0:51:53 | |
It made him come out of himself. | 0:51:53 | 0:51:55 | |
Excuse me, Mr Wainwright, isn't it? | 0:51:59 | 0:52:01 | |
Yeah. | 0:52:01 | 0:52:03 | |
-I've read your books and I've walked the fells. -Have you? | 0:52:03 | 0:52:09 | |
Alas, I can't any more, but I certainly enjoyed some of the things that you've seen. | 0:52:09 | 0:52:15 | |
Mr Wainwright... | 0:52:15 | 0:52:17 | |
By 1988, when he agreed to appear on Desert Island Discs, | 0:52:17 | 0:52:20 | |
sales of the pictorial guides had reached one million, | 0:52:20 | 0:52:24 | |
and they had doubled by the end of the century. | 0:52:24 | 0:52:28 | |
His eyesight got rather bad latterly. | 0:52:28 | 0:52:32 | |
And I think it was partially due to all the eyestrain he'd had had over the years. | 0:52:32 | 0:52:38 | |
But the beauty of the imagination in Wainwright shone through. | 0:52:38 | 0:52:42 | |
When we went to Haystacks, the weather was bloody awful | 0:52:42 | 0:52:45 | |
and you couldn't see your hand in front of your face. | 0:52:45 | 0:52:48 | |
That detracted from the view for us. | 0:52:48 | 0:52:51 | |
It didn't for Wainwright, because Wainwright was imagining the view anyway. | 0:52:51 | 0:52:55 | |
And Wainwright... | 0:52:55 | 0:52:57 | |
he could stand on top of a mountain with the weather down | 0:52:57 | 0:53:01 | |
and he would point out every summit, 35 of them from left to right. | 0:53:01 | 0:53:06 | |
'He knew every viewpoint from every summit in the Lake District.' | 0:53:06 | 0:53:09 | |
Haystacks, the High Stile range behind you. | 0:53:09 | 0:53:13 | |
One of the loneliest places in the district and one of the most beautiful. | 0:53:15 | 0:53:20 | |
-SUE LAWLEY: You are 81-years-old now, do you still walk a lot? -No. No. | 0:53:21 | 0:53:28 | |
Unfortunately my eyes have gone in the last two or three years. | 0:53:28 | 0:53:32 | |
The last time... | 0:53:35 | 0:53:38 | |
that I did a fell walk... | 0:53:38 | 0:53:41 | |
it was a pouring wet day, terrible wet day. | 0:53:41 | 0:53:45 | |
I was stumbling and slipping all over the place. | 0:53:46 | 0:53:49 | |
And it wasn't because my glasses were misted, | 0:53:49 | 0:53:53 | |
it were because I couldn't see where I was putting my feet. | 0:53:53 | 0:53:58 | |
And that's the last time I did a fell walk. | 0:53:58 | 0:54:00 | |
And the mountains... | 0:54:00 | 0:54:03 | |
wept tears for me that day. | 0:54:03 | 0:54:05 | |
He always said that he'd written the books so that when he ceased to be able to walk the fells any more | 0:54:07 | 0:54:15 | |
he would be able to look at the books and remember every nook and cranny and every detail. | 0:54:15 | 0:54:21 | |
That's why he wrote them, that's what he carried. | 0:54:21 | 0:54:23 | |
I doubt he needed to look at the books - I think they were all in his head. | 0:54:23 | 0:54:27 | |
And he was a very lucky man because he did everything he wanted to do. | 0:54:27 | 0:54:34 | |
He often said "My favourite mountain is Haystacks. I want my ashes there. | 0:54:37 | 0:54:43 | |
"And then when I'm gone my ashes will be still there." | 0:54:43 | 0:54:47 | |
He liked to think that nobody would go there because it was rather inaccessible, | 0:54:47 | 0:54:52 | |
but his ashes would be there. | 0:54:52 | 0:54:54 | |
-You've written in one of your books that you would like to end up here. -Oh, I shall end up here. | 0:54:54 | 0:55:00 | |
Somebody will carry me up in a little box and just leave me by the side. | 0:55:00 | 0:55:07 | |
And I shall be in company because only last few months ago | 0:55:07 | 0:55:12 | |
a woman wrote to me and said her husband had died | 0:55:12 | 0:55:16 | |
and wanted to have his ashes scattered on Innominate Tarn. | 0:55:16 | 0:55:21 | |
And several others have written and said, "When the time comes we will join you there." | 0:55:21 | 0:55:27 | |
So I'll be in company, lots of company. | 0:55:27 | 0:55:30 | |
But could you wish a better place? | 0:55:33 | 0:55:36 | |
And I think it's a wonderful world, as Louis Armstrong used to tell us. | 0:55:40 | 0:55:46 | |
But it would be even more wonderful without a lot of the people that are in it. | 0:55:48 | 0:55:55 | |
That's what I think. | 0:55:55 | 0:55:56 | |
People who don't appreciate what they've got. | 0:55:58 | 0:56:02 | |
People have stopped counting their blessings. | 0:56:02 | 0:56:05 | |
His legacy is really very, very special, | 0:56:07 | 0:56:11 | |
and I doubt there's anyone who walks in the Lake District seriously who doesn't carry a Wainwright | 0:56:11 | 0:56:17 | |
with them, or hasn't looked at one or referred to him at some point. | 0:56:17 | 0:56:21 | |
And they'll last forever because the Lake District doesn't change, and he didn't change. | 0:56:21 | 0:56:27 | |
And he mapped it like it was and like it is. | 0:56:27 | 0:56:31 | |
Nobody has interpreted the mountains better. | 0:56:36 | 0:56:40 | |
Somebody might, there might be a new IT interactive CD Rom being produced as we speak | 0:56:40 | 0:56:47 | |
by somebody as talented as Wainwright who's going to interpret them in a different way. | 0:56:47 | 0:56:52 | |
We can't know that, can we? | 0:56:52 | 0:56:54 | |
But as we sit here in the shores of Wastwater today, nobody has interpreted the mountains better. | 0:56:54 | 0:57:01 | |
And we're talking about a 50-year-old series. | 0:57:01 | 0:57:04 | |
50-year-old books and nobody's done it better. | 0:57:05 | 0:57:09 | |
Either the rest of us aren't sticking in or he did it bloody well. | 0:57:09 | 0:57:13 | |
Alfred Wainwright died in 1991, | 0:57:19 | 0:57:23 | |
three days after his 84th birthday. | 0:57:23 | 0:57:26 | |
That spring, Betty climbed Haystacks to carry out his last wish. | 0:57:31 | 0:57:37 | |
"All I ask for at the end | 0:57:39 | 0:57:42 | |
"is a last long resting place by the side of Innominate Tarn | 0:57:42 | 0:57:46 | |
"on Haystacks, where the water gently laps the gravelly shore. | 0:57:46 | 0:57:51 | |
"Someone who knew me in life will take me and empty me | 0:57:56 | 0:58:01 | |
"on to the little rocks and leave me there. | 0:58:01 | 0:58:05 | |
"Alone. | 0:58:05 | 0:58:07 | |
"And if you, dear reader, should get a bit of grit | 0:58:09 | 0:58:13 | |
"in your boot as you are crossing Haystacks in the years to come, | 0:58:13 | 0:58:17 | |
"please treat it with respect. | 0:58:17 | 0:58:20 | |
"It might be me." | 0:58:20 | 0:58:22 | |
Subtitles by Red Bee Media Ltd - 2007 | 0:58:48 | 0:58:51 | |
E-mail [email protected] | 0:58:51 | 0:58:56 |