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This is the Britain we know. | 0:00:02 | 0:00:03 | |
A patchwork of fields, forests, | 0:00:04 | 0:00:08 | |
of rugged mountains and dramatic skylines. | 0:00:08 | 0:00:12 | |
But ours is also a land of secrets | 0:00:14 | 0:00:16 | |
that you can only see if you look at it in a new way. | 0:00:16 | 0:00:19 | |
From beneath. | 0:00:21 | 0:00:22 | |
I'm going to show you Britain as you've never seen it before. | 0:00:25 | 0:00:28 | |
The hidden world below our cities. | 0:00:34 | 0:00:36 | |
The engineering genius that powers the nation | 0:00:38 | 0:00:41 | |
and keeps the country moving. | 0:00:41 | 0:00:44 | |
I'll be going deeper and deeper underground | 0:00:51 | 0:00:53 | |
to explore this unknown Britain. | 0:00:53 | 0:00:55 | |
To experience its awesome wonders. | 0:00:58 | 0:01:01 | |
The scale and the drama of this place is just off the chart. | 0:01:01 | 0:01:06 | |
And it's dirtiest surprises. | 0:01:06 | 0:01:08 | |
I don't even want to know what that is. | 0:01:11 | 0:01:13 | |
It will change the way you think about our country. | 0:01:13 | 0:01:16 | |
I want to unlock the secrets of what's above ground | 0:01:18 | 0:01:21 | |
by understanding what's below. | 0:01:21 | 0:01:23 | |
How every city, every forest, even every field, | 0:01:23 | 0:01:27 | |
depends on an extraordinary hidden world beneath our feet. | 0:01:27 | 0:01:31 | |
'I'm on my way to one of the most | 0:01:43 | 0:01:45 | |
'amazing structures in modern Britain.' | 0:01:45 | 0:01:47 | |
I'm about to discover how what goes on below ground | 0:01:49 | 0:01:52 | |
can have a profound and unexpected impact on what happens above it. | 0:01:52 | 0:01:57 | |
The realm of the underworld has so often determined | 0:01:57 | 0:02:00 | |
how Britain's been built over the centuries. | 0:02:00 | 0:02:03 | |
One building towers over London. | 0:02:05 | 0:02:07 | |
The tallest ever constructed in Western Europe. | 0:02:07 | 0:02:11 | |
The Shard. | 0:02:11 | 0:02:12 | |
London has never, ever looked this good. | 0:02:18 | 0:02:20 | |
The Shard's over 300 metres tall, | 0:02:26 | 0:02:28 | |
but until recently, London had precious few skyscrapers. | 0:02:28 | 0:02:33 | |
It wasn't until the 1960s | 0:02:33 | 0:02:35 | |
that the first building over 20 storeys went up. | 0:02:35 | 0:02:37 | |
Now, just compare that to New York. Think about Manhattan, | 0:02:37 | 0:02:40 | |
where, they've got over 600 skyscrapers | 0:02:40 | 0:02:44 | |
that were built since the 1890s. | 0:02:44 | 0:02:46 | |
Now, what is the difference? | 0:02:46 | 0:02:48 | |
# One, two, get down. # | 0:02:48 | 0:02:51 | |
It's all to do with what's underground. | 0:02:52 | 0:02:54 | |
You might assume you're best to build on something solid, | 0:02:56 | 0:02:59 | |
and you'd be absolutely right. | 0:02:59 | 0:03:02 | |
New York sits on hard rock. | 0:03:02 | 0:03:05 | |
This makes it relatively easy to secure skyscrapers into the ground | 0:03:06 | 0:03:10 | |
and support their colossal weight. | 0:03:10 | 0:03:12 | |
Classic skyscrapers, like the Chrysler Building, | 0:03:13 | 0:03:16 | |
built as early as 1930. | 0:03:16 | 0:03:18 | |
And the Empire State Building a year later. | 0:03:19 | 0:03:22 | |
Then the tallest building in the world. | 0:03:22 | 0:03:24 | |
So, why doesn't London have a skyline like Manhattan's? | 0:03:27 | 0:03:30 | |
Well, it's all to do with what's underground. | 0:03:30 | 0:03:32 | |
Last time I did this was in about 1983. | 0:03:34 | 0:03:37 | |
-Right, I'm going to step back. -I'd stand well back if I were you. | 0:03:37 | 0:03:40 | |
'Underneath most of London is this stuff. | 0:03:40 | 0:03:43 | |
'Soft, squidgy clay. | 0:03:43 | 0:03:45 | |
'A huge challenge for Roma Agrawal, | 0:03:45 | 0:03:48 | |
'a structural engineer who helped design The Shard.' | 0:03:48 | 0:03:51 | |
This is London clay, straight out of the ground. | 0:03:51 | 0:03:54 | |
This is the stuff that you would actually build on. | 0:03:54 | 0:03:57 | |
But is it the same clay that you'd get in your modelling shops | 0:03:57 | 0:03:59 | |
to make a pot, or a mug, or something? | 0:03:59 | 0:04:01 | |
Amazingly, the answer is yes. | 0:04:01 | 0:04:03 | |
All these pots and things that we make out of clay | 0:04:03 | 0:04:07 | |
and the stuff that we're putting our buildings on top of in London | 0:04:07 | 0:04:10 | |
are pretty much the same thing. | 0:04:10 | 0:04:12 | |
Let me get an idea, how difficult is it to actually build in London, | 0:04:14 | 0:04:17 | |
compared with somewhere like New York, | 0:04:17 | 0:04:19 | |
which is pretty much building straight onto bedrock? | 0:04:19 | 0:04:22 | |
Yeah, exactly. So New York is actually brilliant for skyscrapers. | 0:04:22 | 0:04:25 | |
You come in, you put the skyscraper on the rock | 0:04:25 | 0:04:27 | |
and the rock is very strong. | 0:04:27 | 0:04:29 | |
And the loads just go straight down into it. | 0:04:29 | 0:04:31 | |
In London, we need to do a bit more kind of gymnastics around the soil | 0:04:31 | 0:04:34 | |
to try and make sure that our loads are going down where it should be. | 0:04:34 | 0:04:37 | |
It's bizarre that this is the exact material | 0:04:37 | 0:04:40 | |
that you're building huge skyscrapers on. | 0:04:40 | 0:04:43 | |
It is very difficult to believe. | 0:04:43 | 0:04:44 | |
Yeah. It just seems... Why would you? | 0:04:44 | 0:04:46 | |
Well, we don't have a choice, do we, in London? | 0:04:46 | 0:04:49 | |
'Building on soft ground can have catastrophic consequences.' | 0:04:51 | 0:04:55 | |
In 2009 in Shanghai, China, | 0:04:57 | 0:04:59 | |
a 13-storey building was being constructed. | 0:04:59 | 0:05:02 | |
Its foundations couldn't support its weight. | 0:05:05 | 0:05:08 | |
And one day, it simply toppled over. | 0:05:08 | 0:05:10 | |
Despite the devastation, only one worker died. | 0:05:13 | 0:05:16 | |
'So, just how do you build the tallest building in Britain | 0:05:22 | 0:05:26 | |
'on soft, unstable clay? | 0:05:26 | 0:05:28 | |
'Well, to answer that, we're going to reveal how it would look | 0:05:28 | 0:05:32 | |
'from an entirely different angle. | 0:05:32 | 0:05:34 | |
'From beneath the ground.' | 0:05:34 | 0:05:36 | |
Imagine the earth is made of glass | 0:05:39 | 0:05:42 | |
and you could look up and see the street level above. | 0:05:42 | 0:05:45 | |
From down here, we can see a completely new subterranean world. | 0:05:49 | 0:05:53 | |
Tube trains thunder below the surface, | 0:05:58 | 0:06:00 | |
carrying millions of us to work each day. | 0:06:00 | 0:06:03 | |
And next to London Bridge Station, the base of The Shard, | 0:06:06 | 0:06:09 | |
sitting on the soft, unstable clay. | 0:06:09 | 0:06:12 | |
The Shard needs foundations, | 0:06:16 | 0:06:17 | |
and not just any old foundations. | 0:06:17 | 0:06:20 | |
18,000 tonnes of building is kept upright | 0:06:23 | 0:06:26 | |
by over 100 concrete piles. | 0:06:26 | 0:06:29 | |
And they're deep. | 0:06:34 | 0:06:35 | |
Most foundations only go down a few metres. | 0:06:40 | 0:06:42 | |
The Empire State Building's are just 16 metres deep. | 0:06:44 | 0:06:47 | |
But The Shard's are three times deeper. | 0:06:49 | 0:06:51 | |
An astonishing 53 metres down. | 0:06:56 | 0:06:59 | |
Deeper than Nelson's Column is tall. | 0:06:59 | 0:07:02 | |
So building London's new skyline has required | 0:07:03 | 0:07:06 | |
some of the most impressive foundations in the world. | 0:07:06 | 0:07:09 | |
Its 53-metre-deep foundations mean that The Shard remains, | 0:07:14 | 0:07:18 | |
and will remain, firmly rooted to the spot. | 0:07:18 | 0:07:20 | |
And thanks to these new techniques in digging ultra-deep foundations, | 0:07:20 | 0:07:24 | |
it means that London has had a real growth spurt in recent years. | 0:07:24 | 0:07:27 | |
We've seen all these new skyscrapers popping up all over the place. | 0:07:27 | 0:07:30 | |
You've got the Cheesegrater building | 0:07:30 | 0:07:32 | |
and you've got the Walkie-Talkie building and The Gherkin. | 0:07:32 | 0:07:35 | |
Who would have thought that that soft London clay | 0:07:35 | 0:07:38 | |
would have such a profound effect on the London skyline? | 0:07:38 | 0:07:42 | |
This may be one of the great sights of modern Britain, | 0:07:49 | 0:07:53 | |
yet the real wonder is the secret world that lies beneath. | 0:07:53 | 0:07:56 | |
Across the country, it's often the natural landscapes | 0:08:00 | 0:08:03 | |
that dominate our view. | 0:08:03 | 0:08:05 | |
Forests and fields, rolling hills, | 0:08:05 | 0:08:08 | |
ancient mountains. | 0:08:08 | 0:08:10 | |
But some of our most spectacular wonders are invisible, | 0:08:10 | 0:08:14 | |
hidden underground. | 0:08:14 | 0:08:16 | |
This is Gaping Gill in North Yorkshire. | 0:08:24 | 0:08:26 | |
A hole in the ground that swallows a river. | 0:08:27 | 0:08:30 | |
People once believed this was a gateway to hell. | 0:08:34 | 0:08:37 | |
More people have summated Everest than have abseiled into Gaping Gill, | 0:08:58 | 0:09:02 | |
and I can understand why. | 0:09:02 | 0:09:04 | |
When you look over the edge, it's just a black void into nothingness. | 0:09:04 | 0:09:07 | |
And that stream that you can see going over the edge | 0:09:07 | 0:09:10 | |
that doesn't look too dramatic, | 0:09:10 | 0:09:11 | |
it actually turns into a waterfall twice the height of Niagara Falls. | 0:09:11 | 0:09:17 | |
There is only one way, really, to explore it, | 0:09:17 | 0:09:21 | |
and that's to go over the edge. | 0:09:21 | 0:09:22 | |
I hope this looks nice from where you're sitting | 0:09:25 | 0:09:28 | |
because from where I am, it is bloody terrifying. | 0:09:28 | 0:09:31 | |
Ah! My God, just look at it! | 0:10:16 | 0:10:19 | |
The scale and the drama of this place is just off the chart. | 0:10:20 | 0:10:25 | |
It's much bigger and more impressive than I could imagine. | 0:10:27 | 0:10:30 | |
'With a vertical drop of over 100 metres, | 0:10:33 | 0:10:36 | |
'this is the tallest waterfall in Britain. | 0:10:36 | 0:10:39 | |
'A hidden natural wonder. | 0:10:39 | 0:10:41 | |
'And standing here, you can feel its raw, elemental power.' | 0:10:43 | 0:10:48 | |
And that water that pours down, it's not just here for dramatic effect. | 0:10:49 | 0:10:53 | |
That water is a real force of nature. | 0:10:53 | 0:10:57 | |
It's carved out Gaping Gill. | 0:10:57 | 0:10:59 | |
We think of the ground as pretty solid, | 0:11:02 | 0:11:04 | |
but down here, water has created a void as vast as York Minster. | 0:11:04 | 0:11:10 | |
So, just why did this gigantic underground cathedral | 0:11:12 | 0:11:16 | |
form in this particular place? | 0:11:16 | 0:11:17 | |
'Well, the water isn't quite what it seems.' | 0:11:20 | 0:11:22 | |
I've got some acid and a little pipette. | 0:11:27 | 0:11:31 | |
And if I put a little bit on the limestone, | 0:11:31 | 0:11:33 | |
you should see it fizz away | 0:11:33 | 0:11:37 | |
as it starts to dissolve the limestone. Let's have a go. | 0:11:37 | 0:11:40 | |
That's the one. Yeah, there you go. You can start to see it fizz away | 0:11:42 | 0:11:46 | |
as it eats away the limestone. | 0:11:46 | 0:11:48 | |
That's what's happening in here, but very, very slowly. | 0:11:49 | 0:11:52 | |
'The water that pours down here is, in fact, a weak acid. | 0:11:53 | 0:11:57 | |
'It forms when rainwater mixes with carbon dioxide in the air and soil | 0:12:03 | 0:12:07 | |
'to make carbonic acid. | 0:12:07 | 0:12:09 | |
'The same stuff that's in fizzy drinks. | 0:12:09 | 0:12:11 | |
'And that acid reacts with the particular type of rock | 0:12:12 | 0:12:15 | |
'that exists here. Limestone.' | 0:12:15 | 0:12:18 | |
It's this process, drawn out over 30 million years, | 0:12:21 | 0:12:25 | |
that's carved out Gaping Gill. | 0:12:25 | 0:12:27 | |
Hidden beneath these limestone hills. | 0:12:30 | 0:12:32 | |
'To escape the cavern, I've had to crawl for over a kilometre | 0:12:37 | 0:12:40 | |
'through a labyrinth of narrow passages.' | 0:12:40 | 0:12:43 | |
What's this? Oy-oy-oy! | 0:12:43 | 0:12:45 | |
From Britain's biggest underground cavern...to the smallest. | 0:12:46 | 0:12:50 | |
See, getting down was the easy bit. | 0:12:54 | 0:12:56 | |
Getting up is...is really difficult! | 0:12:56 | 0:13:01 | |
As I emerge from the womb, | 0:13:04 | 0:13:07 | |
I feel like I'm being born again. | 0:13:07 | 0:13:11 | |
That was one of the hardest day's filming ever. | 0:13:18 | 0:13:20 | |
It's really interesting because just in terms of fear factor, | 0:13:20 | 0:13:24 | |
you have that terrible fear of heights | 0:13:24 | 0:13:27 | |
combined with dreadful claustrophobia. | 0:13:27 | 0:13:30 | |
On every level, it was dreadful! | 0:13:30 | 0:13:32 | |
Across Britain, there are many more vast cave systems. | 0:13:35 | 0:13:39 | |
One stretches 90 kilometres, | 0:13:43 | 0:13:45 | |
nearly twice as long as the Channel Tunnel, | 0:13:45 | 0:13:48 | |
linking Cumbria, Lancashire and Yorkshire. | 0:13:48 | 0:13:51 | |
In fact, wherever you find limestone like that at Gaping Gill, | 0:13:53 | 0:13:57 | |
chances are there's a hidden network of caves and rivers below. | 0:13:57 | 0:14:02 | |
But if you live in a city, you might be just as surprised | 0:14:05 | 0:14:09 | |
at the extraordinary things you'd find beneath your streets. | 0:14:09 | 0:14:12 | |
Nowhere is this more true than Bristol. | 0:14:14 | 0:14:17 | |
You just need to know where to look. | 0:14:17 | 0:14:18 | |
I'm on my way to a place few people ever go, or even know about. | 0:14:22 | 0:14:26 | |
'This is the River Frome. | 0:14:29 | 0:14:31 | |
'And I'm about to pass into a lost world | 0:14:31 | 0:14:34 | |
'hidden below the city of Bristol.' | 0:14:34 | 0:14:36 | |
Here we go. | 0:14:44 | 0:14:45 | |
'Down here, the river's been entirely covered over, | 0:14:48 | 0:14:51 | |
'made invisible to the world above. | 0:14:51 | 0:14:54 | |
'My guide on this unique journey is explorer, Dave Talbot.' | 0:14:54 | 0:14:57 | |
I've a feeling we are well and truly off the Bristol tourist trail now. | 0:15:00 | 0:15:05 | |
We certainly are, yeah. | 0:15:05 | 0:15:06 | |
Over the last 200 years, this river's been | 0:15:06 | 0:15:09 | |
sort of built and covered over more and more. | 0:15:09 | 0:15:12 | |
-The last section was done in 1930. -Yeah. | 0:15:12 | 0:15:15 | |
And since then, very few people have been down here. | 0:15:15 | 0:15:17 | |
'As the city expanded, the River Frome got in the way. | 0:15:19 | 0:15:23 | |
'So it was simply built over. Creating this secret world.' | 0:15:23 | 0:15:28 | |
It's quite odd. You've got a lovely river that comes through Bristol, | 0:15:33 | 0:15:36 | |
it's very picturesque, and then suddenly, they just decide, | 0:15:36 | 0:15:39 | |
"Oh, we'll just cover it over now!" | 0:15:39 | 0:15:40 | |
'Without building over The Frome, | 0:15:44 | 0:15:46 | |
'many of the roads, houses and shopping centres | 0:15:46 | 0:15:49 | |
'of modern Bristol couldn't have existed. | 0:15:49 | 0:15:52 | |
'A mile in and we're passing under the main shopping streets. | 0:15:54 | 0:15:58 | |
'And no-one knows we're below them.' | 0:15:58 | 0:16:00 | |
Every so often, you can hear cars above us. | 0:16:02 | 0:16:06 | |
Yeah, you can. It's quite eerie, isn't it, | 0:16:06 | 0:16:08 | |
to think that you're underneath the road. | 0:16:08 | 0:16:11 | |
'Another half mile or so, the tunnel begins to get lower | 0:16:11 | 0:16:15 | |
'as we pass under the very heart of Bristol.' | 0:16:15 | 0:16:18 | |
Actually, the thing that strikes me when you come down here is that | 0:16:18 | 0:16:21 | |
it really is a case of human needs versus nature. | 0:16:21 | 0:16:25 | |
So over the last couple of hundred years, obviously, | 0:16:25 | 0:16:28 | |
Bristol became very successful and expanded. | 0:16:28 | 0:16:32 | |
And as a result, the whole river has had to be completely confined | 0:16:32 | 0:16:37 | |
and hidden away from view. | 0:16:37 | 0:16:38 | |
'A bit further, and the headroom's even tighter. | 0:16:41 | 0:16:44 | |
'To be honest, I'm getting a bit nervous down here. | 0:16:45 | 0:16:48 | |
'But finally, after a treacherous six-hour journey, | 0:16:48 | 0:16:51 | |
'we emerge in Bristol harbour.' | 0:16:51 | 0:16:54 | |
Did you remember the key, Dallas? | 0:16:57 | 0:16:59 | |
There we are. Escape from The River Frome. | 0:16:59 | 0:17:02 | |
'Who'd have thought you could canoe under Bristol | 0:17:04 | 0:17:07 | |
'through a hidden underworld that most people don't know exists? | 0:17:07 | 0:17:10 | |
'And across Britain, millions of us | 0:17:11 | 0:17:14 | |
'go about our daily lives above lost rivers.' | 0:17:14 | 0:17:16 | |
There's the River Sheaf of Sheffield. | 0:17:19 | 0:17:21 | |
The River Farset of Belfast. | 0:17:21 | 0:17:24 | |
The River Sherbourne of Coventry. | 0:17:24 | 0:17:26 | |
And in London, you might think of The Thames as the only river, | 0:17:26 | 0:17:30 | |
but there's another hidden underground | 0:17:30 | 0:17:32 | |
that's transformed the city above. | 0:17:32 | 0:17:34 | |
The River Fleet. | 0:17:36 | 0:17:37 | |
'The only visible signs above that this river still exists | 0:17:41 | 0:17:44 | |
'is the street that bears its name. | 0:17:44 | 0:17:46 | |
'But The Fleet has been put to work. | 0:17:47 | 0:17:50 | |
'It performs a role so vital that without it, | 0:17:50 | 0:17:53 | |
'London could not be the city it is now.' | 0:17:53 | 0:17:55 | |
I've got to say, actually, looking down here, | 0:18:00 | 0:18:03 | |
it doesn't look like much of a river at all. | 0:18:03 | 0:18:05 | |
There's just a short ladder going down. | 0:18:05 | 0:18:07 | |
But if you want to explore the River Fleet these days, | 0:18:07 | 0:18:09 | |
you have to go underground. | 0:18:09 | 0:18:11 | |
'I'm entering a world that's not for the faint-hearted, | 0:18:19 | 0:18:21 | |
'or the weak-stomached.' | 0:18:21 | 0:18:24 | |
Here we are, this is the River Fleet. | 0:18:32 | 0:18:35 | |
It looks like a sewer, smells like a sewer. | 0:18:35 | 0:18:37 | |
Whoo! | 0:18:38 | 0:18:40 | |
'That's because it is a sewer. | 0:18:40 | 0:18:43 | |
'Back in the early 19th century, the open River Fleet | 0:18:43 | 0:18:46 | |
'was essentially a cesspit carrying disease through London. | 0:18:46 | 0:18:50 | |
'So it was decided to cover it up. | 0:18:53 | 0:18:55 | |
'And using 318 million bricks, | 0:18:55 | 0:18:58 | |
'Victorian engineers turned it into this. | 0:18:58 | 0:19:01 | |
'It means that millions of us can now live | 0:19:04 | 0:19:06 | |
'without the risk of disease in a few square miles. | 0:19:06 | 0:19:09 | |
'But it also hides some pretty gruesome surprises. | 0:19:10 | 0:19:13 | |
'Dave Dennis is one of an army of underground workers | 0:19:15 | 0:19:18 | |
'that keep The Fleet flowing. | 0:19:18 | 0:19:21 | |
'Surely, one of the least-enviable jobs in Britain.' | 0:19:21 | 0:19:24 | |
So this is the main sewer tunnel. | 0:19:24 | 0:19:26 | |
Are there tributary sewer tunnels that come off it, or is this it? | 0:19:26 | 0:19:29 | |
Yeah. Yeah, there's loads. | 0:19:29 | 0:19:30 | |
Obviously, down very small side roads, you get a main sewer, | 0:19:30 | 0:19:33 | |
and they drop into a trunk sewer, which we're standing in. | 0:19:33 | 0:19:37 | |
And if you look over here, there's a small junction, | 0:19:37 | 0:19:39 | |
which basically is a small sewer. | 0:19:39 | 0:19:42 | |
What comes out of here, this is human waste? | 0:19:42 | 0:19:44 | |
Straight from the toilet, that is. Direct from the toilet. | 0:19:44 | 0:19:46 | |
-Man! -Direct from the customer. | 0:19:46 | 0:19:49 | |
-Oh, the smell! -Yeah, I know. | 0:19:49 | 0:19:51 | |
DALLAS COUGHS | 0:19:51 | 0:19:52 | |
Oh, man! | 0:19:52 | 0:19:54 | |
'Every underground labyrinth has its monster, as I'm about to discover. | 0:19:56 | 0:20:01 | |
'Down here, it's not a minotaur, | 0:20:01 | 0:20:04 | |
'it's something far, far worse.' | 0:20:04 | 0:20:06 | |
Oh, God! | 0:20:09 | 0:20:10 | |
Oh, the stink! | 0:20:10 | 0:20:12 | |
Oh, my God, that is horrendous! | 0:20:12 | 0:20:15 | |
Is this white stuff just fat? | 0:20:15 | 0:20:17 | |
This is pure fat that's solidified with other material. | 0:20:17 | 0:20:21 | |
This has come from all over London | 0:20:21 | 0:20:23 | |
-and it congeals here because it's a bit of a bottleneck. -Right. | 0:20:23 | 0:20:26 | |
You have to come and break it up? | 0:20:26 | 0:20:28 | |
-We have to come down and break it up for it to flow downstream. -OK. | 0:20:28 | 0:20:31 | |
'Down here lives the fatberg. | 0:20:33 | 0:20:35 | |
'A mixture of rancid fat, | 0:20:35 | 0:20:37 | |
'human excrement and other unmentionables.' | 0:20:37 | 0:20:40 | |
Oh, Christ! | 0:20:40 | 0:20:42 | |
You all right? | 0:20:42 | 0:20:43 | |
DAVE CHUCKLES | 0:20:43 | 0:20:45 | |
Do you want to get out, Dallas? | 0:20:45 | 0:20:47 | |
Oh, God, the smell! | 0:20:49 | 0:20:50 | |
-Look at the size of that! -This is a... | 0:20:51 | 0:20:54 | |
-So, this is...this is a fatberg? -This is a fatberg. | 0:20:54 | 0:20:56 | |
-Look at the size of it! -See the worms in it? | 0:20:56 | 0:20:58 | |
It's got worms in it?! | 0:20:58 | 0:21:00 | |
-Oh! -DALLAS COUGHS | 0:21:03 | 0:21:05 | |
'Nothing could have prepared me for the overpowering smell.' | 0:21:06 | 0:21:10 | |
DALLAS COUGHS AND GAGS | 0:21:10 | 0:21:12 | |
You all right there? | 0:21:12 | 0:21:13 | |
What did you have for breakfast(?) DAVE LAUGHS | 0:21:14 | 0:21:18 | |
Yeah, might see it. | 0:21:18 | 0:21:20 | |
This is one big berg. | 0:21:20 | 0:21:23 | |
Where does that rate on the berg scale? | 0:21:23 | 0:21:25 | |
-That's a... -Is that a big one? -Pretty good one. | 0:21:25 | 0:21:27 | |
Oop! It's breaking up quite nicely, though. | 0:21:27 | 0:21:29 | |
Shall I give it a...? | 0:21:29 | 0:21:31 | |
Yeah, give it a...give it a go. | 0:21:31 | 0:21:33 | |
This is worm heaven. | 0:21:33 | 0:21:34 | |
-So... -What the hell is that? | 0:21:35 | 0:21:37 | |
-God knows! -I don't even know what that is. | 0:21:37 | 0:21:39 | |
This is the most disgusting thing | 0:21:39 | 0:21:41 | |
I've ever done in my life, without a shadow of a doubt. | 0:21:41 | 0:21:44 | |
The worst thing is, yeah, | 0:21:46 | 0:21:47 | |
getting a bit of splashback and getting it in your mouth. | 0:21:47 | 0:21:50 | |
DAVE CHUCKLES | 0:21:52 | 0:21:53 | |
So when you guys say, actually, | 0:21:54 | 0:21:56 | |
please don't pour fat down your sink, you actually mean... | 0:21:56 | 0:21:58 | |
-Bin it, don't cook it. -..can you really not pour fat down your sink? | 0:21:58 | 0:22:01 | |
'What begins as an innocent bit of grease in your kitchen | 0:22:03 | 0:22:06 | |
'can quickly transform into the monster fatberg. | 0:22:06 | 0:22:10 | |
'This is a job I don't want to repeat any time soon. | 0:22:11 | 0:22:14 | |
'London's clean, fresh air has never smelt so good.' | 0:22:21 | 0:22:24 | |
It is only because of sophisticated sewer systems like we have in London | 0:22:27 | 0:22:31 | |
that millions of us can live together hygienically | 0:22:31 | 0:22:34 | |
and safely, well, relatively, anyway. | 0:22:34 | 0:22:38 | |
But, cities wouldn't work without all that underground | 0:22:38 | 0:22:41 | |
engineering and infrastructure. | 0:22:41 | 0:22:43 | |
Places like London and Glasgow | 0:22:43 | 0:22:45 | |
and Newcastle and Manchester just wouldn't exist. | 0:22:45 | 0:22:48 | |
'But there's more beneath our cities than the worlds we've built. | 0:22:52 | 0:22:56 | |
'If we go deeper, we can discover an older, more spectacular kingdom. | 0:22:56 | 0:23:02 | |
'One that shaped the lives of millions of us.' | 0:23:02 | 0:23:04 | |
Bath. One of Britain's most genteel cities, | 0:23:09 | 0:23:13 | |
and perhaps our most famous spa town. | 0:23:13 | 0:23:16 | |
Where, for centuries, | 0:23:16 | 0:23:18 | |
people have come to indulge themselves in the waters. | 0:23:18 | 0:23:21 | |
Yet you might never guess that beneath the city | 0:23:21 | 0:23:23 | |
is a trap door into a dramatic underworld. | 0:23:23 | 0:23:26 | |
'But that story starts out in the countryside.' | 0:23:28 | 0:23:30 | |
To understand how the city of Bath came to be, | 0:23:35 | 0:23:38 | |
you need to come up here, into the Mendip Hills. | 0:23:38 | 0:23:41 | |
Now, this is a pretty ordinary stream. | 0:23:41 | 0:23:43 | |
And it's only about 15 miles to Bath | 0:23:43 | 0:23:46 | |
from where I'm standing here, as the crow flies. | 0:23:46 | 0:23:49 | |
But this water is about to go on an extraordinary journey. | 0:23:49 | 0:23:53 | |
A journey that's going to take around about 10,000 years. | 0:23:53 | 0:23:57 | |
Soon, the stream plummets down a hole. | 0:23:59 | 0:24:02 | |
From here, the water travels deeper and deeper into the earth. | 0:24:07 | 0:24:11 | |
To follow its tortuous underground route, | 0:24:13 | 0:24:16 | |
surprisingly enough, I need to take to the air. | 0:24:16 | 0:24:19 | |
So I've hitched a ride with my new friend, Julian, in his plane | 0:24:22 | 0:24:26 | |
so we can follow the journey, albeit in much quicker time. | 0:24:26 | 0:24:29 | |
So behind me that way, you've got the Mendip Hills, where we were. | 0:24:29 | 0:24:33 | |
And straight ahead of me, it's only 15 miles or so, is the city of Bath. | 0:24:33 | 0:24:37 | |
Now what's going on is down to some very, very, | 0:24:37 | 0:24:39 | |
interesting geology beneath our feet. | 0:24:39 | 0:24:42 | |
'From up here, the landscape looks the picture of Middle England. | 0:24:44 | 0:24:48 | |
'But below the surface is a world closer | 0:24:48 | 0:24:51 | |
'to the furnace of volcanic Iceland.' | 0:24:51 | 0:24:53 | |
The water cascades down cracks in the rock, | 0:24:57 | 0:24:59 | |
pulled deeper towards the centre of the Earth. | 0:24:59 | 0:25:03 | |
It gets hotter the deeper it goes. | 0:25:03 | 0:25:06 | |
Until nearly two miles down, it's forced back up towards the surface. | 0:25:06 | 0:25:10 | |
A vast, natural steam engine hidden deep below ground. | 0:25:12 | 0:25:16 | |
And here we are over the city of Bath. | 0:25:22 | 0:25:24 | |
And this is where the water reappears 10,000 years later or so. | 0:25:24 | 0:25:30 | |
We've done it in, what, five minutes? | 0:25:30 | 0:25:32 | |
10,000 years! | 0:25:32 | 0:25:34 | |
It seems like an incredibly long time. | 0:25:34 | 0:25:37 | |
If you think about the Pyramids, for example, that's 4,000 years ago, | 0:25:37 | 0:25:40 | |
so 10,000 years, the rains in the Mendip Hills | 0:25:40 | 0:25:43 | |
have taken to get to Bath. | 0:25:43 | 0:25:45 | |
'This is where the water finally emerges.' | 0:25:56 | 0:25:59 | |
And if you look, just on the surface of the water, | 0:26:05 | 0:26:08 | |
you can see little bubbles where you can see it percolating through. | 0:26:08 | 0:26:11 | |
You can feel the heat against your face. | 0:26:11 | 0:26:14 | |
And the funny thing is, it's not the buildings themselves | 0:26:14 | 0:26:18 | |
that are the oldest thing here, it's actually the water. | 0:26:18 | 0:26:21 | |
Apparently, it's very medicinal. | 0:26:21 | 0:26:23 | |
Mm! | 0:26:26 | 0:26:27 | |
Really metallic. | 0:26:27 | 0:26:29 | |
I can taste that iron kind of taste. | 0:26:29 | 0:26:31 | |
I'm going to put that to one side, I think. | 0:26:31 | 0:26:33 | |
'When the Ancient Romans first arrived in Britain, | 0:26:37 | 0:26:40 | |
'the hot water bubbling up from the ground | 0:26:40 | 0:26:42 | |
'appealed to their fondness for bathing. | 0:26:42 | 0:26:46 | |
'And 2,000 years ago, | 0:26:46 | 0:26:47 | |
'they founded a city around these hot springs. | 0:26:47 | 0:26:50 | |
'Today, both city and springs are still thriving. | 0:26:51 | 0:26:55 | |
'And now I'm taking my first plunge into 10,000-year-old hot water.' | 0:26:55 | 0:26:59 | |
Seems quite decadent, doesn't it? | 0:27:10 | 0:27:12 | |
The idea of an open-air heated swimming pool in Britain. | 0:27:12 | 0:27:16 | |
But you've got to remember that the water in this pool | 0:27:16 | 0:27:19 | |
is all heated naturally inside the earth. | 0:27:19 | 0:27:21 | |
It gets to about 60 degrees. | 0:27:21 | 0:27:23 | |
And then when it comes up out of the ground, it's about 46 degrees, | 0:27:23 | 0:27:27 | |
and then here, they cool it to a nice balmy 33 degrees, | 0:27:27 | 0:27:31 | |
which is the ideal temperature for my morning constitutional. | 0:27:31 | 0:27:36 | |
But because of that high heat that occurs inside the Earth, | 0:27:36 | 0:27:39 | |
this is Britain's only true hot spring. | 0:27:39 | 0:27:42 | |
'This modern spa is a continuation of what the Romans began.' | 0:27:45 | 0:27:49 | |
I think the really interesting thing about Bath, | 0:27:51 | 0:27:55 | |
and it is the most beautiful city, | 0:27:55 | 0:27:57 | |
is that it is only here because of the geology. | 0:27:57 | 0:28:00 | |
'Bath may be the hottest spring in Britain, | 0:28:03 | 0:28:05 | |
'but there are others dotted around the country.' | 0:28:05 | 0:28:08 | |
So the fashion for taking the waters | 0:28:09 | 0:28:12 | |
led to a proliferation of many other spa towns. | 0:28:12 | 0:28:15 | |
But one city more than any other | 0:28:16 | 0:28:18 | |
has been shaped by even more ancient and violent forces. | 0:28:18 | 0:28:22 | |
Edinburgh. A beautiful city that's grown up around this. | 0:28:25 | 0:28:29 | |
The magnificent castle. | 0:28:30 | 0:28:31 | |
It dominates the skyline. | 0:28:33 | 0:28:34 | |
Up here, you can instantly see why this is the perfect place to put your castle. | 0:28:40 | 0:28:44 | |
We're nice and high, we've got very, very steep banks | 0:28:44 | 0:28:47 | |
and you can see for miles and miles and miles. | 0:28:47 | 0:28:50 | |
It's the perfect place to put a stronghold. | 0:28:50 | 0:28:52 | |
But there's something curious about the rock the castle stands on. | 0:28:55 | 0:28:59 | |
On three sides, the rock is a sheer face, | 0:29:01 | 0:29:03 | |
but on the fourth side, a ridge of land slopes gently downwards. | 0:29:03 | 0:29:08 | |
Seen from beneath, we can follow its course. | 0:29:12 | 0:29:15 | |
Over centuries, the city was built on this slope, | 0:29:18 | 0:29:22 | |
becoming the central spine of Edinburgh's Old Town, | 0:29:22 | 0:29:25 | |
the Royal Mile. | 0:29:25 | 0:29:26 | |
And at its head, the great rock where the castle stands above. | 0:29:28 | 0:29:32 | |
This is the gateway to an ancient and violent underworld | 0:29:35 | 0:29:39 | |
that holds the secret of Edinburgh itself. | 0:29:39 | 0:29:41 | |
350 million years ago, | 0:29:47 | 0:29:50 | |
what's now Edinburgh was sitting on a violent volcano. | 0:29:50 | 0:29:53 | |
Liquid magma surged upwards from beneath the earth. | 0:29:55 | 0:30:00 | |
Once it stopped, the magma that had made its way to the surface | 0:30:00 | 0:30:03 | |
cooled and formed solid rock. | 0:30:03 | 0:30:06 | |
This is called basalt, and it's one of the hardest rocks on earth. | 0:30:10 | 0:30:13 | |
And it's actually solidified lava. | 0:30:13 | 0:30:16 | |
So all of this would have been molten. | 0:30:16 | 0:30:18 | |
And if you look, you can see there's all these cracks. There's one here. | 0:30:18 | 0:30:23 | |
So this liquid rock would have cooled and contracted, | 0:30:23 | 0:30:26 | |
which is how you get these cracks. | 0:30:26 | 0:30:28 | |
'Castle Rock is all we can now see of the violent volcanic forces | 0:30:31 | 0:30:35 | |
'that shaped this city.' | 0:30:35 | 0:30:37 | |
The tip of a gigantic pillar of basalt | 0:30:40 | 0:30:42 | |
that stretches hundreds of metres down into the earth. | 0:30:42 | 0:30:45 | |
But that's not the end of Edinburgh's story. | 0:30:48 | 0:30:50 | |
During the Ice Ages, glaciers moved across the land. | 0:30:52 | 0:30:57 | |
They gouged out the softer rock around the hard, ancient volcano, | 0:30:59 | 0:31:04 | |
leaving just the Castle Rock | 0:31:04 | 0:31:06 | |
and a protected sloping ridge in its shadow. | 0:31:06 | 0:31:09 | |
Standing here, you can see all the evidence of this powerful | 0:31:12 | 0:31:14 | |
and ancient geological activity. | 0:31:14 | 0:31:16 | |
So you've got the Castle Rock itself, this volcanic plug | 0:31:16 | 0:31:20 | |
of very, very hard basalt that would have stood firm | 0:31:20 | 0:31:23 | |
in the face of the oncoming glacier. | 0:31:23 | 0:31:25 | |
And then behind it, you've got this tail of sloping ground | 0:31:25 | 0:31:29 | |
that would have survived where the Old Town is built. | 0:31:29 | 0:31:34 | |
'So if you're on the castle ramparts, | 0:31:35 | 0:31:37 | |
'you're standing on top of an ancient volcano.' | 0:31:37 | 0:31:40 | |
Sometimes, the rocks beneath us have made us rich. | 0:31:46 | 0:31:49 | |
We may not have diamonds hidden underground in Britain, | 0:31:51 | 0:31:55 | |
but we've something that's turned out to be far more valuable. | 0:31:55 | 0:31:58 | |
Coal. | 0:32:04 | 0:32:06 | |
Coal was the beating heart of the Industrial Revolution. | 0:32:06 | 0:32:10 | |
It drove the wheels of commerce and fired the factories. | 0:32:10 | 0:32:14 | |
It turned Britain into an industrial superpower | 0:32:14 | 0:32:17 | |
and helped grow the Empire. | 0:32:17 | 0:32:19 | |
Coal put the great into Britain. | 0:32:21 | 0:32:23 | |
And the best way to get it was deep underground. | 0:32:24 | 0:32:27 | |
For most of us, it's a world we can barely imagine. | 0:32:28 | 0:32:32 | |
An underground very few of us experience. | 0:32:32 | 0:32:34 | |
But in its heyday, mining was Britain's most important industry. | 0:32:36 | 0:32:40 | |
And for these miners, this wasn't Britain beneath their feet, | 0:32:41 | 0:32:44 | |
this WAS their Britain. | 0:32:44 | 0:32:46 | |
'I've come to West Yorkshire to one of the few collieries | 0:32:49 | 0:32:53 | |
'where you can still descend to a coalface.' | 0:32:53 | 0:32:55 | |
-How deep are we going to go now? -140 metres underground. | 0:32:57 | 0:32:59 | |
-It's going to take approximately... -That's pretty deep! | 0:32:59 | 0:33:02 | |
Collieries were much, much deeper than that. | 0:33:02 | 0:33:04 | |
You look at some of the Yorkshire coalmines, they were as deep as 1,000 metres. | 0:33:04 | 0:33:07 | |
So relatively, it's a relatively shallow coalmine. | 0:33:07 | 0:33:10 | |
'It certainly seems deep enough for me. | 0:33:14 | 0:33:16 | |
'Very few of us go this deep underground these days, | 0:33:17 | 0:33:20 | |
'but at its peak this was the daily commute to work | 0:33:20 | 0:33:24 | |
'for vast armies of miners.' | 0:33:24 | 0:33:26 | |
This way, Dallas. | 0:33:31 | 0:33:33 | |
'The riches that drew them down here | 0:33:36 | 0:33:39 | |
'had lain secretly buried for millions of years.' | 0:33:39 | 0:33:43 | |
I've got a lovely fossil here | 0:33:43 | 0:33:44 | |
of a tree fern that's come from a coalface. | 0:33:44 | 0:33:47 | |
You can make out the shape of the bark here. | 0:33:47 | 0:33:50 | |
And it's really good evidence of where coal actually comes from. | 0:33:50 | 0:33:53 | |
So trees would have died, they would have rotted down, | 0:33:53 | 0:33:56 | |
they would have become compressed. | 0:33:56 | 0:33:58 | |
Eventually becoming peat and then coal. | 0:33:58 | 0:34:02 | |
And it's funny to think that the only reason we have coal in Britain, | 0:34:02 | 0:34:06 | |
so much of it, is because 300 million years ago, | 0:34:06 | 0:34:10 | |
the entire country would have been covered in swampy forests. | 0:34:10 | 0:34:13 | |
And this is the result. | 0:34:16 | 0:34:17 | |
An underground world where miners spent their entire working lives. | 0:34:17 | 0:34:22 | |
This is just one tunnel, but if we could see through the earth, | 0:34:22 | 0:34:26 | |
then we could reveal the entire mine network. | 0:34:26 | 0:34:29 | |
This mine complex has a central shaft | 0:34:30 | 0:34:33 | |
that descends 140 metres into the Earth. | 0:34:33 | 0:34:35 | |
Branching off the main shaft are four galleries. | 0:34:36 | 0:34:39 | |
Each one tapping into a coal seam. | 0:34:39 | 0:34:42 | |
Along each working seam, a branching, intricate network | 0:34:44 | 0:34:47 | |
of many smaller tunnels spreads out into the coal. | 0:34:47 | 0:34:51 | |
There'd be teams of miners working on each coalface. | 0:34:52 | 0:34:55 | |
'Steve Guest is giving me a tiny insight | 0:34:59 | 0:35:01 | |
'into what life down here was like for the miners.' | 0:35:01 | 0:35:04 | |
The technique you're going to be using, Dallas, | 0:35:06 | 0:35:08 | |
down, pick low, undercut it | 0:35:08 | 0:35:12 | |
-and drop it down onto the floor. -OK, let's have a go. | 0:35:12 | 0:35:15 | |
-So, if I sort of go in here, around about here? -Yeah, that's right. | 0:35:15 | 0:35:18 | |
So we're chipping away at the bottom, | 0:35:23 | 0:35:25 | |
the idea that the coal seam above us would have fallen down, | 0:35:25 | 0:35:28 | |
but presumably, that would have also been very, very dangerous, as well. | 0:35:28 | 0:35:31 | |
Very, very dangerous. It's not only the coal seam that come down. | 0:35:31 | 0:35:34 | |
If you've got weak rock above, this is going to collapse on top of you. | 0:35:34 | 0:35:38 | |
Lots of fatalities on a daily basis. | 0:35:38 | 0:35:41 | |
This is how the industry was. | 0:35:41 | 0:35:42 | |
I'm trying to imagine what it would've been like | 0:35:45 | 0:35:47 | |
with dozens of miners in this cramped area. | 0:35:47 | 0:35:49 | |
Small conditions, yeah. All working together. | 0:35:49 | 0:35:52 | |
But this is what their daily work would be. | 0:35:52 | 0:35:54 | |
Man, it's frustrating! I just want to take a big swing and I can't! | 0:35:58 | 0:36:01 | |
-That's me done! -You don't think you'd have had a career in mining? | 0:36:07 | 0:36:11 | |
Well...I'd like to say yeah, | 0:36:11 | 0:36:14 | |
but if I'm honest, I think I would have, er... | 0:36:14 | 0:36:16 | |
I think I would have struggled with this. | 0:36:16 | 0:36:19 | |
'In this mine alone, there were 240 miners working underground. | 0:36:21 | 0:36:26 | |
'In total, a staggering 1.25 million people | 0:36:26 | 0:36:30 | |
'once worked down mines like this. | 0:36:30 | 0:36:32 | |
'That's as many people who today live in Sheffield, Newcastle | 0:36:32 | 0:36:36 | |
'and Manchester combined.' | 0:36:36 | 0:36:38 | |
Across Britain, in the coalfields that lay under Yorkshire | 0:36:41 | 0:36:44 | |
and Lancashire, the Midlands and the North-East, | 0:36:44 | 0:36:47 | |
under South Wales and lowland Scotland, | 0:36:47 | 0:36:50 | |
there were over 3,000 mines. | 0:36:50 | 0:36:53 | |
And above ground, major cities grew on the back of coal | 0:36:53 | 0:36:57 | |
and the industry it fuelled. | 0:36:57 | 0:36:59 | |
The riches below defined much of the urban map of Britain | 0:37:00 | 0:37:04 | |
responsible for where millions of us live today. | 0:37:04 | 0:37:07 | |
Mining may be fading from our lives, | 0:37:12 | 0:37:14 | |
but as so often in our islands, | 0:37:14 | 0:37:17 | |
what's left can be put to eccentric use. | 0:37:17 | 0:37:20 | |
As time marches on, our needs and our priorities shift. | 0:37:21 | 0:37:26 | |
And here in the Lake District is a really good example of that. | 0:37:26 | 0:37:29 | |
'Under a mountain, a slate mine has been appropriated | 0:37:32 | 0:37:35 | |
'for a rather different purpose. | 0:37:35 | 0:37:37 | |
'With their usual pitch destroyed by flooding, | 0:37:39 | 0:37:41 | |
'the Threlkeld Cricket Club | 0:37:41 | 0:37:44 | |
'has been forced to some rather unusual measures | 0:37:44 | 0:37:46 | |
'to raise funds for the repairs. | 0:37:46 | 0:37:49 | |
'Extreme cricket.' | 0:37:49 | 0:37:51 | |
CHEERING AND APPLAUSE | 0:37:57 | 0:38:00 | |
I'm better in daylight. | 0:38:00 | 0:38:02 | |
I've always been bad at cricket | 0:38:02 | 0:38:04 | |
and I'm even worse playing it in a slate mine. | 0:38:04 | 0:38:06 | |
'However with such a small pitch size, | 0:38:06 | 0:38:09 | |
'even I should manage a four, or even a six. | 0:38:09 | 0:38:12 | |
'Surely I can hit something!' | 0:38:14 | 0:38:16 | |
MUSIC: Soul Limbo by Booker T & The MGs | 0:38:16 | 0:38:20 | |
Quick single! Yes! | 0:38:26 | 0:38:28 | |
CHEERING | 0:38:38 | 0:38:40 | |
'A very disappointing innings. | 0:38:40 | 0:38:42 | |
'And sad to say, my efforts are more Fred Flintstone | 0:38:44 | 0:38:47 | |
'than Freddie Flintoff.' | 0:38:47 | 0:38:48 | |
Some 97% of the land area of Britain is countryside. | 0:39:00 | 0:39:04 | |
It dominates the map. | 0:39:05 | 0:39:07 | |
Most striking of all, the great forests | 0:39:10 | 0:39:13 | |
that make Britain such a green and pleasant land. | 0:39:13 | 0:39:17 | |
But hidden beneath the surface is a secret world we barely know about | 0:39:18 | 0:39:22 | |
and that keeps most of Britain alive. | 0:39:22 | 0:39:24 | |
To find out how, I've come to Burghley Country Park in Lincolnshire, | 0:39:28 | 0:39:32 | |
where there's an oak tree in its prime. | 0:39:32 | 0:39:34 | |
And with enough space around its base | 0:39:34 | 0:39:37 | |
to explore exactly what lies below in a way I've never seen before. | 0:39:37 | 0:39:41 | |
Just like any building, trees have their own clever foundations | 0:39:44 | 0:39:48 | |
hidden beneath the ground to keep them upright. | 0:39:48 | 0:39:50 | |
We call them roots, of course. | 0:39:50 | 0:39:52 | |
And a tree like this will have the most substantial roots of all. | 0:39:52 | 0:39:56 | |
And for the first time, we want to reveal the root system | 0:39:56 | 0:40:00 | |
of such a majestic tree. | 0:40:00 | 0:40:02 | |
To do this, I need some help. | 0:40:10 | 0:40:12 | |
Sharon Hosegood is an expert at uncovering the secret life of trees. | 0:40:12 | 0:40:17 | |
Now, is this going to give us a pretty accurate measurement | 0:40:19 | 0:40:21 | |
of the tree's age? | 0:40:21 | 0:40:23 | |
It's as good as we've got without felling the tree, | 0:40:23 | 0:40:25 | |
-which would be absolutely awful. -Wow, that would be little bit | 0:40:25 | 0:40:28 | |
extreme to get the age! | 0:40:28 | 0:40:30 | |
-6.3. -6.3. It's a big 'un. | 0:40:30 | 0:40:33 | |
A girth of 6.3 metres makes this tree around 440 years old. | 0:40:33 | 0:40:40 | |
In other words, it was a seedling | 0:40:42 | 0:40:44 | |
when Elizabeth I had just come to the throne. | 0:40:44 | 0:40:47 | |
To explore these roots requires something very special. | 0:40:50 | 0:40:53 | |
Now, it might look like a pimped-up pushchair, | 0:40:56 | 0:40:58 | |
but this is a sophisticated piece of kit | 0:40:58 | 0:41:01 | |
that's going to let us peer into the ground. | 0:41:01 | 0:41:03 | |
Have you done any science on a tree of this significance before? | 0:41:05 | 0:41:09 | |
Not an oak. This is the biggest, oldest oak tree | 0:41:09 | 0:41:12 | |
that I know is being scanned in the UK. | 0:41:12 | 0:41:15 | |
Are you managing OK? I feel like I'm... | 0:41:15 | 0:41:18 | |
-Like I should help, or something! -It's a one-woman job. | 0:41:18 | 0:41:21 | |
Tell me how it works. What's actually going on here? | 0:41:21 | 0:41:23 | |
Well, this piece of kit here, this tree radar looks like a pram, | 0:41:23 | 0:41:26 | |
but essentially, it's a ground-penetrating radar | 0:41:26 | 0:41:29 | |
which will pick up the roots | 0:41:29 | 0:41:31 | |
because they're full of water. | 0:41:31 | 0:41:34 | |
When we think about radar, we sort of think about aircraft radar. | 0:41:34 | 0:41:37 | |
We send out radio waves and they bounce back. | 0:41:37 | 0:41:40 | |
Is it doing the same thing as that? | 0:41:40 | 0:41:42 | |
It pretty much is. The principle's the same. | 0:41:42 | 0:41:44 | |
There's only a few of these in the world. | 0:41:44 | 0:41:46 | |
It'll show how deep they are, how far spread they are. | 0:41:46 | 0:41:50 | |
It picks up everything this diameter and above. | 0:41:50 | 0:41:53 | |
And to come here with this amazing, old, veteran tree | 0:41:54 | 0:41:57 | |
and to be able to see what's underground is a bit of a privilege. | 0:41:57 | 0:42:00 | |
'Sharon's got her work cut out. | 0:42:02 | 0:42:05 | |
'She goes round and round the tree in ever-increasing circles | 0:42:05 | 0:42:08 | |
'to well beyond where she thinks the roots will extend.' | 0:42:08 | 0:42:12 | |
Do we actually have a result? Am I allowed to see...? | 0:42:17 | 0:42:19 | |
We have a result. You are allowed to see it and here it is. | 0:42:19 | 0:42:23 | |
Oh, my God! That's great! | 0:42:23 | 0:42:25 | |
So here is the base of the tree. | 0:42:25 | 0:42:28 | |
And we can see the roots taper down quite quickly from the buttress. | 0:42:28 | 0:42:33 | |
I can't believe how clear it is. | 0:42:33 | 0:42:35 | |
I just thought it would be just a big mass of black | 0:42:35 | 0:42:37 | |
and you'd have to sort of tell me, "Oh, that's the root there." | 0:42:37 | 0:42:40 | |
But that... I mean, it's beautiful, isn't it? | 0:42:40 | 0:42:42 | |
Are these the biggest roots you've seen on a tree? | 0:42:42 | 0:42:45 | |
Well, this is certainly the biggest tree that I've scanned. | 0:42:45 | 0:42:49 | |
And I'm really pleased and surprised at the root density of this. | 0:42:49 | 0:42:54 | |
I mean, it was actually more than I imagined. | 0:42:54 | 0:42:56 | |
It shows that for a tree to be this old, | 0:42:56 | 0:42:59 | |
several hundred years old, | 0:42:59 | 0:43:01 | |
it needs to have a well-developed root system. | 0:43:01 | 0:43:04 | |
I'd like to go up to the tree and tell him, | 0:43:04 | 0:43:07 | |
-tell the tree that the news is good. -Yeah, yeah. | 0:43:07 | 0:43:09 | |
-Tree, you're going to be OK. -You're OK. | 0:43:09 | 0:43:11 | |
-We've done your medical, you're fine. -Yeah. | 0:43:11 | 0:43:13 | |
You're going to live another 400 years. | 0:43:13 | 0:43:15 | |
'Enhancing Sharon's data, we can reveal how trees | 0:43:16 | 0:43:20 | |
'keep themselves upright | 0:43:20 | 0:43:22 | |
'in a very different way from, say, a building.' | 0:43:22 | 0:43:24 | |
The root system of our oak tree here | 0:43:30 | 0:43:32 | |
is likely to be one of the most impressive in the whole of Britain. | 0:43:32 | 0:43:36 | |
Some roots are as thick as a big branch. | 0:43:38 | 0:43:41 | |
And Sharon reckons the roots make up as much as a quarter | 0:43:43 | 0:43:46 | |
of the total weight of the tree. | 0:43:46 | 0:43:48 | |
The spread of roots underground | 0:43:53 | 0:43:55 | |
is even greater than the expanse of the branches. | 0:43:55 | 0:43:58 | |
A 30-metre crown, | 0:44:02 | 0:44:04 | |
and an even more impressive 34-metre spread of roots. | 0:44:04 | 0:44:08 | |
You might think the roots of such a tall tree | 0:44:14 | 0:44:16 | |
would have to go deep into the ground. | 0:44:16 | 0:44:19 | |
But even for such a massive oak, these are relatively shallow. | 0:44:21 | 0:44:25 | |
No more than a couple of metres deep. | 0:44:25 | 0:44:27 | |
In a way, the complete opposite of how you do foundations in a building. | 0:44:37 | 0:44:40 | |
So The Shard, which is very, very deep and very, very contained, | 0:44:40 | 0:44:43 | |
-here, you have shallow and spread out. -Exactly. | 0:44:43 | 0:44:45 | |
And that manages the loading and it also helps the tree | 0:44:45 | 0:44:48 | |
get all the water and nutrients it needs from the soil. | 0:44:48 | 0:44:51 | |
Another reason why they tend to be shallow is tree roots need oxygen. | 0:44:51 | 0:44:54 | |
And the oxygen is found in the top metre or so, | 0:44:54 | 0:44:57 | |
before the ground gets too hard and consolidated. | 0:44:57 | 0:44:59 | |
So this is the perfect solution. | 0:44:59 | 0:45:01 | |
-Nature has found the perfect solution for the tree. -It has. | 0:45:01 | 0:45:04 | |
'The roots are not only supporting the tree, | 0:45:10 | 0:45:13 | |
'they're also the tree's life-support system. | 0:45:13 | 0:45:17 | |
'The very reason why it could grow in the first place. | 0:45:17 | 0:45:19 | |
'Think of roots as more than just pipes | 0:45:21 | 0:45:23 | |
'drawing water out of the ground. | 0:45:23 | 0:45:25 | |
'There's something else far more interesting going on. | 0:45:25 | 0:45:28 | |
'Hopefully, I can see what that is. | 0:45:28 | 0:45:30 | |
'IF I can burrow under here.' | 0:45:32 | 0:45:33 | |
I'm actually under a tree. | 0:45:36 | 0:45:38 | |
This is a nearby tree that was growing onto a hillside | 0:45:38 | 0:45:41 | |
and then the hillside's just slipped away in a landslide, | 0:45:41 | 0:45:44 | |
revealing the roots underneath. And you can actually get inside. | 0:45:44 | 0:45:47 | |
You can see just how many roots there are | 0:45:47 | 0:45:49 | |
and how knotted and tangled it becomes. | 0:45:49 | 0:45:52 | |
But there's something else | 0:45:52 | 0:45:54 | |
that happens to roots when you're underground. | 0:45:54 | 0:45:57 | |
Let's have a little dig around here maybe. | 0:45:57 | 0:45:59 | |
I might be able to show you. Yeah, here we go. Now, look at this. | 0:45:59 | 0:46:03 | |
Hopefully, you'll be able to see this. | 0:46:03 | 0:46:05 | |
This, er...sort of white, stringy stuff that almost looks like cobweb. | 0:46:05 | 0:46:11 | |
That is what I'm interested in. | 0:46:11 | 0:46:13 | |
And that is actually a kind of fungus. | 0:46:15 | 0:46:18 | |
Fungi, which includes mushrooms, are odd. | 0:46:22 | 0:46:24 | |
They're neither plants, nor animals. | 0:46:27 | 0:46:29 | |
But they do have a nice trick. | 0:46:31 | 0:46:33 | |
Fungi break up dead plant material in the soil. | 0:46:33 | 0:46:36 | |
And this releases nutrients which the tree roots can then take in. | 0:46:38 | 0:46:42 | |
Without this process, the trees just couldn't grow. | 0:46:44 | 0:46:47 | |
But the fungi can't do that job alone. | 0:46:48 | 0:46:51 | |
They have some rather surprising helpers. | 0:46:51 | 0:46:54 | |
If you magnify soil 500 times, you'll see, hidden inside, | 0:46:54 | 0:46:59 | |
an army of microscopic animals and bacteria. | 0:46:59 | 0:47:02 | |
Working together, they're the ultimate recycling machine, | 0:47:05 | 0:47:08 | |
keeping the soil fertile. | 0:47:08 | 0:47:11 | |
So there's a whole, vast ecosystem underground | 0:47:14 | 0:47:17 | |
that's completely invisible to the naked eye. | 0:47:17 | 0:47:19 | |
And yet it sustains all of this, | 0:47:19 | 0:47:21 | |
the natural world we're so familiar with. | 0:47:21 | 0:47:24 | |
Today, there are around 100 million trees in Britain, | 0:47:26 | 0:47:30 | |
covering 10% of the land. | 0:47:30 | 0:47:33 | |
But there are far fewer forests than there once were. | 0:47:33 | 0:47:36 | |
We've cleared most of our trees | 0:47:38 | 0:47:40 | |
to make way for another living habitat. | 0:47:40 | 0:47:43 | |
One that covers over a quarter of the country. | 0:47:43 | 0:47:45 | |
Our farmland. | 0:47:46 | 0:47:48 | |
The distinctive patchwork of British fields looks familiar to all of us, | 0:47:51 | 0:47:56 | |
but sometimes, underneath, these, too, can hold surprises. | 0:47:56 | 0:48:00 | |
'You can't see what's down there, | 0:48:02 | 0:48:04 | |
'but there is one way to try to find out.' | 0:48:04 | 0:48:07 | |
Terry! | 0:48:10 | 0:48:11 | |
'Terry Herbert's been metal-detecting for over 20 years. | 0:48:11 | 0:48:15 | |
'And now, he's going to teach me how to hunt for buried treasure.' | 0:48:15 | 0:48:19 | |
Right. You've got a control box here. | 0:48:19 | 0:48:21 | |
You've got the VDI display unit. | 0:48:21 | 0:48:24 | |
You've got the coil, which finds you the items, that does. | 0:48:24 | 0:48:27 | |
That actually sends radio waves into the ground. | 0:48:27 | 0:48:30 | |
And if you hit a target, it comes back | 0:48:30 | 0:48:33 | |
and it gives you a reading on the meter. | 0:48:33 | 0:48:36 | |
Is it the type of hobby that you could give up your day job for | 0:48:36 | 0:48:39 | |
and actually make a bit of money on? | 0:48:39 | 0:48:42 | |
Well, you can do. I mean, some do. | 0:48:42 | 0:48:44 | |
On the beach, some people go to Spain and actually detect. | 0:48:44 | 0:48:48 | |
-You can earn quite a bit. -Yeah. | 0:48:48 | 0:48:51 | |
So, what's the sort of most exciting thing that you've ever found? | 0:48:51 | 0:48:54 | |
Well, actually, the most exciting I ever found was a Saxon hoard. | 0:48:56 | 0:49:00 | |
It's the biggest haul of Anglo-Saxon gold and silver ever found. | 0:49:04 | 0:49:08 | |
In July 2009, Terry made the discovery of a lifetime. | 0:49:10 | 0:49:15 | |
An enormous collection of Anglo-Saxon treasure. | 0:49:16 | 0:49:19 | |
There were over 3,500 pieces | 0:49:19 | 0:49:22 | |
of decorated gold and silver buried underground. | 0:49:22 | 0:49:26 | |
I'm trying to imagine what it would have felt like | 0:49:27 | 0:49:29 | |
the first time you got a signal, like we're getting here, | 0:49:29 | 0:49:32 | |
and actually scrabbled around. And did you realise...? | 0:49:32 | 0:49:34 | |
You said it looked a bit like perhaps brass, or something. | 0:49:34 | 0:49:37 | |
Yeah. But at what point did you go, "Actually, no, that's gold"? | 0:49:37 | 0:49:40 | |
When I looked at it under me magnifying glass, | 0:49:40 | 0:49:43 | |
I noticed there was a pin. | 0:49:43 | 0:49:44 | |
So I thought, "Oh, this is a piece of gold." | 0:49:44 | 0:49:47 | |
I actually went back to me car and got me other machine out. | 0:49:47 | 0:49:49 | |
And, er...when I came back on the field with that, | 0:49:50 | 0:49:53 | |
it was just going off like a machine gun. | 0:49:53 | 0:49:55 | |
When archaeologists recovered the entire hoard and began to study it, | 0:49:58 | 0:50:03 | |
they realised the workmanship was exquisite. | 0:50:03 | 0:50:06 | |
Now it's considered one of Britain's most important archaeological finds. | 0:50:13 | 0:50:17 | |
The Staffordshire Hoard has been valued at a cool £3.25 million. | 0:50:19 | 0:50:25 | |
Terry received half of this, making him a millionaire overnight. | 0:50:27 | 0:50:31 | |
What happened to the money? What did you do with it? | 0:50:34 | 0:50:36 | |
I bought another machine. | 0:50:36 | 0:50:37 | |
I've actually bought three more machines, since then, like. | 0:50:37 | 0:50:41 | |
I think there's got to be another Saxon hoard somewhere in Britain. | 0:50:41 | 0:50:45 | |
No way have I just found the only one in this country. | 0:50:45 | 0:50:48 | |
There's got to be another one somewhere waiting to be found. | 0:50:48 | 0:50:51 | |
And it's going to take somebody with a metal detector to find it. | 0:50:51 | 0:50:55 | |
'Of course, the fields of Britain weren't cleared and cultivated | 0:51:00 | 0:51:04 | |
'just for Saxons to bury their hoards and for us to find them. | 0:51:04 | 0:51:08 | |
'They performed the very necessary task of feeding the country.' | 0:51:08 | 0:51:13 | |
And it seems every year, we demand the land produces | 0:51:13 | 0:51:15 | |
more and more food to put on our tables. | 0:51:15 | 0:51:18 | |
More than the soil can provide naturally. | 0:51:19 | 0:51:22 | |
And to find the magic ingredients to keep our fields fertile, | 0:51:23 | 0:51:27 | |
we've had to go beneath the ground once more. | 0:51:27 | 0:51:29 | |
I've saved the best till last. | 0:51:37 | 0:51:39 | |
Because here on the North Yorkshire coast, | 0:51:39 | 0:51:41 | |
I'm on my way to the deepest point you can reach under Britain. | 0:51:41 | 0:51:45 | |
OK, off we go. How long does it take to get all the way down? | 0:51:49 | 0:51:52 | |
-Takes about seven minutes, something like that. -OK. | 0:51:52 | 0:51:55 | |
-Starting off slow and then we pick it up. -Suddenly it speeds up! | 0:51:55 | 0:51:57 | |
This is Boulby Mine and it's the deepest mine in Britain. | 0:52:00 | 0:52:04 | |
And this lift shaft is over a kilometre straight down. | 0:52:04 | 0:52:07 | |
It travels at about ten metres a second. | 0:52:07 | 0:52:10 | |
Now we're getting to the bottom of the shaft. | 0:52:12 | 0:52:14 | |
'But the bottom of the shaft is just the start of my journey.' | 0:52:14 | 0:52:18 | |
This is so great. This is as deep as it is possible to go in Britain. | 0:52:22 | 0:52:26 | |
You can feel the wind, as well. | 0:52:26 | 0:52:27 | |
All the air that they're pumping in from up there. | 0:52:27 | 0:52:30 | |
There's a heck of a wind that comes down and just blows you. | 0:52:30 | 0:52:33 | |
'This is an amazing place. | 0:52:36 | 0:52:39 | |
'The mine is so vast, you've got to get around by truck. | 0:52:39 | 0:52:43 | |
'And I had no idea that the tunnels stretch out | 0:52:43 | 0:52:46 | |
'over five kilometres under the North Sea.' | 0:52:46 | 0:52:49 | |
It is an incredibly surreal experience being down here | 0:52:51 | 0:52:54 | |
because we're actually out to sea now, | 0:52:54 | 0:52:55 | |
we're actually underneath the seabed. | 0:52:55 | 0:52:57 | |
We've left Britain behind us. | 0:52:57 | 0:52:59 | |
And the tunnels just keep on going and going. | 0:52:59 | 0:53:01 | |
'It's a funny way to go to sea.' | 0:53:05 | 0:53:07 | |
We're 1,100 metres underground. | 0:53:08 | 0:53:10 | |
It's certainly the deepest place I've ever been in my life. | 0:53:11 | 0:53:15 | |
It's blisteringly hot, as well. | 0:53:15 | 0:53:17 | |
'The surface of the rock can be nearly 40 degrees centigrade. | 0:53:19 | 0:53:23 | |
'But what I'm really here for is what that rock contains. | 0:53:24 | 0:53:27 | |
'Now, it may not look much, but this is real buried treasure. | 0:53:30 | 0:53:34 | |
'And to get my hands on it, | 0:53:35 | 0:53:37 | |
'I'm going to operate this remote-controlled monster. | 0:53:37 | 0:53:40 | |
'Its jaws will do the hard for me.' | 0:53:41 | 0:53:43 | |
-So now you lift the head up. -Ah. | 0:53:45 | 0:53:46 | |
Now, down a touch. | 0:53:48 | 0:53:49 | |
-So that's the head going down a bit. -Yeah. | 0:53:49 | 0:53:51 | |
There we go, we're cutting in! | 0:53:51 | 0:53:53 | |
'These behemoths simple chew through the rock.' | 0:53:57 | 0:54:00 | |
This is what it's all about - freshly mined potash. | 0:54:02 | 0:54:05 | |
And it's this potash that they use to make fertiliser. | 0:54:05 | 0:54:08 | |
It's this stuff that reinvigorates the British landscape. | 0:54:08 | 0:54:11 | |
'They mine potash around the clock, | 0:54:14 | 0:54:16 | |
'carving out up to a million tonnes per year. | 0:54:16 | 0:54:19 | |
'This is the only place in Britain | 0:54:19 | 0:54:21 | |
'where we can get this valuable fertiliser. | 0:54:21 | 0:54:25 | |
'It's completely bizarre to think that down here | 0:54:25 | 0:54:28 | |
'is the stuff we need to put the food on our tables. | 0:54:28 | 0:54:31 | |
'But that's not all. | 0:54:36 | 0:54:38 | |
'They're mining for something else down here. | 0:54:38 | 0:54:41 | |
'Something strange and not of this Earth.' | 0:54:41 | 0:54:44 | |
Behind these doors, they're trying to get to the bottom | 0:54:45 | 0:54:48 | |
of perhaps the biggest mystery in all of science. | 0:54:48 | 0:54:51 | |
'Tucked away down here is Britain's deepest laboratory. | 0:54:54 | 0:54:57 | |
'And where you need to trade your green hat | 0:55:00 | 0:55:02 | |
'for a nice, clean, white one.' | 0:55:02 | 0:55:04 | |
-This is a full-on clean room. -OK. | 0:55:07 | 0:55:09 | |
'Sean Paling is a physicist. | 0:55:09 | 0:55:11 | |
'He and his team down here are hunting for something mysterious. | 0:55:11 | 0:55:15 | |
'When scientists looked at galaxies in deep space, they found a problem. | 0:55:17 | 0:55:22 | |
'According to their theories, these spinning collections of stars | 0:55:22 | 0:55:26 | |
'should fly apart, but they don't. | 0:55:26 | 0:55:29 | |
'Something unseen is holding them together. | 0:55:29 | 0:55:32 | |
'Something they call dark matter.' | 0:55:32 | 0:55:34 | |
Dark matter is a name that we give to stuff that we think | 0:55:39 | 0:55:41 | |
exists in the universe that we can't see. | 0:55:41 | 0:55:44 | |
We think that when you look at the night sky, | 0:55:44 | 0:55:46 | |
the stars and the planets and galaxies, | 0:55:46 | 0:55:48 | |
the stuff that we know about makes up 15% of what's out there. | 0:55:48 | 0:55:52 | |
We think 85% of the mass in the universe is missing. | 0:55:52 | 0:55:55 | |
That's a lot not to know about. | 0:55:55 | 0:55:57 | |
Yes. I mean, it's an embarrassing lack of knowledge. | 0:55:57 | 0:56:01 | |
So far, no-one's found any trace of this dark matter. | 0:56:04 | 0:56:08 | |
Above ground, there's just too much light and radiation | 0:56:09 | 0:56:12 | |
getting in the way to detect it. | 0:56:12 | 0:56:14 | |
'But here, Sean hopes that the 1,000 metres of solid rock | 0:56:14 | 0:56:18 | |
'will stop any radiation from penetrating, | 0:56:18 | 0:56:21 | |
'but the dark matter will be able to get through. | 0:56:21 | 0:56:24 | |
'Down here is perhaps our best chance of detecting it. | 0:56:24 | 0:56:28 | |
'In our rapidly-changing world, | 0:56:28 | 0:56:30 | |
'it's knowledge itself that's become Britain's greatest resource.' | 0:56:30 | 0:56:34 | |
In making this programme, | 0:56:38 | 0:56:40 | |
I've seen a Britain I never knew existed. A hidden world. | 0:56:40 | 0:56:44 | |
I discovered what's underneath Britain's tallest building. | 0:56:45 | 0:56:48 | |
And ventured into a vast underground cathedral. | 0:56:51 | 0:56:54 | |
I've encountered the eccentric, | 0:56:56 | 0:56:59 | |
the surprising and the downright disgusting. | 0:56:59 | 0:57:02 | |
And I've seen the extraordinary ways that Britain below ground | 0:57:04 | 0:57:08 | |
has affected and shaped the countries and cities above. | 0:57:08 | 0:57:11 | |
And next time... | 0:57:13 | 0:57:14 | |
..I blast my way back underground. | 0:57:17 | 0:57:20 | |
And take to the skies | 0:57:20 | 0:57:22 | |
to reveal the secret networks and connections | 0:57:22 | 0:57:27 | |
that keep Britain moving. | 0:57:27 | 0:57:29 |