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This is the Britain we know. | 0:00:02 | 0:00:04 | |
A patchwork of fields, forests, of rugged mountains, | 0:00:04 | 0:00:11 | |
and dramatic skylines. | 0:00:11 | 0:00:14 | |
But ours is also a land of secrets that you can only see | 0:00:14 | 0:00:18 | |
if you look at it in a new way. | 0:00:18 | 0:00:19 | |
From beneath. | 0:00:23 | 0:00:25 | |
I'm going to show you Britain as you've never seen it before. | 0:00:25 | 0:00:29 | |
A hidden, vibrant world that we rely on every day to keep | 0:00:31 | 0:00:35 | |
the country moving. | 0:00:35 | 0:00:37 | |
Bustling with life, unseen beneath our feet. | 0:00:40 | 0:00:43 | |
I'm going to explore the secret superhighways we've created | 0:00:48 | 0:00:51 | |
over 200 years. | 0:00:51 | 0:00:53 | |
Whichever way you look at it, this is a marvel of engineering, | 0:00:56 | 0:01:00 | |
even by modern standards. | 0:01:00 | 0:01:02 | |
I'll see how London's newest railway | 0:01:03 | 0:01:06 | |
is forging its way beneath the streets. | 0:01:06 | 0:01:09 | |
The accuracy of all of this is stunning as well, | 0:01:10 | 0:01:13 | |
it's millimetre precision. | 0:01:13 | 0:01:16 | |
And how some of the most magical parts of our country | 0:01:16 | 0:01:19 | |
are deep below the ground. | 0:01:19 | 0:01:21 | |
That was amazing. Really amazing. | 0:01:21 | 0:01:25 | |
I'm going to discover how everything that we see in our thriving, vibrant | 0:01:25 | 0:01:30 | |
Britain can only really function because of what we can't see. | 0:01:30 | 0:01:35 | |
A secret world of networks, of connections that are hidden | 0:01:35 | 0:01:39 | |
underground. | 0:01:39 | 0:01:40 | |
I'm starting at Heathrow. The busiest airport in Europe. | 0:01:51 | 0:01:55 | |
But this is an airport with a secret. | 0:01:55 | 0:01:59 | |
One you wouldn't guess from the familiar hectic | 0:01:59 | 0:02:01 | |
world of the terminal. | 0:02:01 | 0:02:03 | |
There's another world, | 0:02:05 | 0:02:06 | |
invisible to the eye, that's key to getting you into the air. | 0:02:06 | 0:02:10 | |
72 million people came through here last year, | 0:02:12 | 0:02:15 | |
which works out at nearly half a million flights. | 0:02:15 | 0:02:18 | |
Every one of those flights needs fuel. | 0:02:20 | 0:02:23 | |
We burn through nearly 14 billion litres of aviation fuel a year. | 0:02:23 | 0:02:27 | |
If all that fuel were carried on the roads, then the petrol tankers | 0:02:32 | 0:02:37 | |
would clog up the entire British motorway network, | 0:02:37 | 0:02:41 | |
which makes you think, where is all that extra traffic? | 0:02:41 | 0:02:45 | |
The answer lies in a secret world underground, | 0:02:45 | 0:02:49 | |
that came into existence during Britain's darkest days. | 0:02:49 | 0:02:53 | |
AIR RAID SIREN | 0:02:53 | 0:02:55 | |
It all began in World War II with the Battle of Britain. | 0:02:55 | 0:02:59 | |
The nation's survival depended on the RAF defeating | 0:03:01 | 0:03:04 | |
the German Luftwaffe. | 0:03:04 | 0:03:06 | |
So, it was crucial to keep our planes in the air. | 0:03:10 | 0:03:13 | |
Now, if an army marches on its stomach, | 0:03:17 | 0:03:20 | |
then a plane flies on its fuel tank. | 0:03:20 | 0:03:23 | |
And a new breed of fighter aircraft that were designed to protect | 0:03:23 | 0:03:27 | |
Britain in the Second World War, like the Spitfire or the Hurricane, | 0:03:27 | 0:03:30 | |
were incredibly thirsty beasts. In fact, the future of the nation | 0:03:30 | 0:03:35 | |
really did depend on being able to get enough fuel to these planes. | 0:03:35 | 0:03:39 | |
Fuel was too precious to keep above ground, | 0:03:41 | 0:03:44 | |
where a well aimed bomb could blow it up. | 0:03:44 | 0:03:47 | |
So, the RAF began to do something clever to keep fuel | 0:03:50 | 0:03:53 | |
out of harm's way. | 0:03:53 | 0:03:55 | |
I think this might be fun. | 0:03:56 | 0:03:57 | |
Up we go. | 0:04:03 | 0:04:04 | |
As we fly over the Wiltshire countryside, I'm going | 0:04:06 | 0:04:09 | |
to try to spot it from this original World War II reconnaissance plane. | 0:04:09 | 0:04:13 | |
Oh, what a great view. | 0:04:16 | 0:04:17 | |
They made sure it was well hidden. | 0:04:24 | 0:04:27 | |
In fact, so well hidden, it's hard to find. | 0:04:27 | 0:04:29 | |
OK, so, there it is, you can just see it, the Micheldever Fuel Depot. | 0:04:34 | 0:04:38 | |
It doesn't really look like much at all, you can | 0:04:38 | 0:04:40 | |
just see these two ridges. | 0:04:40 | 0:04:42 | |
There's actually a whole load of fuel tanks buried underneath there, | 0:04:42 | 0:04:46 | |
concealing the important aviation fuel. | 0:04:46 | 0:04:51 | |
As more fuel was needed, more underground fuel stores | 0:04:56 | 0:04:59 | |
like Micheldever were being built, | 0:04:59 | 0:05:01 | |
but there was another problem, because there were only two | 0:05:01 | 0:05:04 | |
sea ports that could distribute the fuel to the various stores - | 0:05:04 | 0:05:08 | |
Avonmouth in the south and Merseyside in the north. | 0:05:08 | 0:05:12 | |
From there, all fuel had to be transported by lorry, | 0:05:13 | 0:05:17 | |
making it vulnerable to attack. | 0:05:17 | 0:05:19 | |
So, in 1941, the RAF hatched an even more | 0:05:21 | 0:05:24 | |
ambitious plan, | 0:05:24 | 0:05:26 | |
which was to send all that fuel underground. | 0:05:26 | 0:05:29 | |
It began simply enough, with an underground pipeline joining | 0:05:35 | 0:05:38 | |
Merseyside to Avonmouth. | 0:05:38 | 0:05:40 | |
North and south were now connected, but fuel was needed | 0:05:41 | 0:05:45 | |
in airfields in the east, | 0:05:45 | 0:05:46 | |
so working secretly at night, engineers extended | 0:05:46 | 0:05:50 | |
the underground fuel network to Kent, East Anglia and Lincolnshire. | 0:05:50 | 0:05:54 | |
The pipeline now criss-crossed the country, | 0:05:56 | 0:05:59 | |
delivering fuel without ever going near the surface. | 0:05:59 | 0:06:02 | |
This was the GPSS, or Government Pipeline and Storage System. | 0:06:06 | 0:06:11 | |
We're actually flying right along one of the pipelines now, but of | 0:06:14 | 0:06:18 | |
course you'd never know flying above here. Completely buried, there's | 0:06:18 | 0:06:21 | |
absolutely no evidence at all, which is exactly what the British wanted. | 0:06:21 | 0:06:24 | |
The pipeline remained secret throughout the war. | 0:06:29 | 0:06:33 | |
It kept our air force flying | 0:06:33 | 0:06:35 | |
and helped turn the tide in the allies' favour. | 0:06:35 | 0:06:37 | |
And remarkably, we still need this same pipeline to get us | 0:06:44 | 0:06:47 | |
into the air today. | 0:06:47 | 0:06:49 | |
This is how Heathrow Terminal Five looks from below. | 0:06:52 | 0:06:55 | |
Once an RAF base, it's now one of the busiest | 0:06:58 | 0:07:01 | |
airports in the world. 1,200 aircraft use it every day. | 0:07:01 | 0:07:06 | |
All this is only possible | 0:07:07 | 0:07:09 | |
thanks to the intricate system of fuel pipes hidden underground. | 0:07:09 | 0:07:13 | |
Each pipe delivers fuel from right across the country, | 0:07:17 | 0:07:21 | |
direct to a plane at its stand. | 0:07:21 | 0:07:23 | |
Beyond Heathrow, Manchester, Gatwick and Stansted are all also connected. | 0:07:26 | 0:07:33 | |
In fact, half of all the aviation fuel used passes through | 0:07:33 | 0:07:37 | |
a direct descendent of the old wartime pipelines. | 0:07:37 | 0:07:41 | |
It's extraordinary to think that the underground network that gets us | 0:07:42 | 0:07:46 | |
on holiday today is the same one which helped us win the war. | 0:07:46 | 0:07:50 | |
As a nation, we're always on the move. | 0:07:59 | 0:08:02 | |
We make more journeys than ever before. | 0:08:03 | 0:08:06 | |
This pushes engineering to the limit. | 0:08:07 | 0:08:10 | |
And there's a place in Britain where, over the last two centuries, | 0:08:12 | 0:08:16 | |
this has played out in a spectacular way. | 0:08:16 | 0:08:18 | |
These are the huge bridges that span the Firth of Forth, connecting | 0:08:22 | 0:08:26 | |
the Highlands of Scotland to the rest of the country. | 0:08:26 | 0:08:29 | |
But the secret that makes all this possible is deep beneath the seabed. | 0:08:34 | 0:08:38 | |
Before it was built, the only way to cross the Firth of Forth was | 0:08:45 | 0:08:48 | |
to head up to Stirling, which is that way, which is going to add | 0:08:48 | 0:08:51 | |
another 60-odd miles to your journey, or do what I'm doing. | 0:08:51 | 0:08:56 | |
Neither of which are ideal. Not what you'd expect | 0:08:57 | 0:09:01 | |
from a connected country. | 0:09:01 | 0:09:03 | |
So, in the 1880s, | 0:09:06 | 0:09:08 | |
Victorian engineers decided to build a bridge. | 0:09:08 | 0:09:11 | |
It is such a familiar landmark, it's almost impossible to | 0:09:13 | 0:09:18 | |
imagine just how radical it was when it was built, | 0:09:18 | 0:09:21 | |
but the world had seen nothing like it. | 0:09:21 | 0:09:23 | |
The Forth Rail Bridge was the biggest bridge in the world | 0:09:28 | 0:09:32 | |
and the first made entirely from steel. | 0:09:32 | 0:09:35 | |
55,000 tonnes of it. | 0:09:35 | 0:09:38 | |
More than 4,500 men worked on it for eight years. | 0:09:38 | 0:09:42 | |
I'll tell you what, actually being this close, | 0:09:49 | 0:09:52 | |
you get a view of the bridge that you never normally get | 0:09:52 | 0:09:56 | |
and suddenly it becomes a completely different structure almost. | 0:09:56 | 0:10:00 | |
You can actually get really, really close and see the rivets themselves. | 0:10:00 | 0:10:04 | |
You can actually see how the whole thing is put together. | 0:10:04 | 0:10:07 | |
Obviously it takes some pretty spectacular engineering to build | 0:10:10 | 0:10:13 | |
something like this, particularly at the time it was built, but | 0:10:13 | 0:10:17 | |
just for a moment, ignore all that majestic metal work above us | 0:10:17 | 0:10:20 | |
and just concentrate on these piles, because the real genius | 0:10:20 | 0:10:25 | |
of this bridge is what's going on here, actually beneath the water. | 0:10:25 | 0:10:29 | |
So, to really appreciate what made the bridge such an engineering | 0:10:34 | 0:10:37 | |
triumph, we need to view it from deep below the waves. | 0:10:37 | 0:10:42 | |
Seen from this perspective, | 0:10:42 | 0:10:44 | |
the foundations take on a whole new prominence. | 0:10:44 | 0:10:47 | |
Great stones piles stretch nearly 30 metres below the water, | 0:10:48 | 0:10:53 | |
anchoring the bridge to the seabed. | 0:10:53 | 0:10:56 | |
Building them was a massive engineering challenge. | 0:10:56 | 0:11:00 | |
Foundations for a structure this size would be | 0:11:02 | 0:11:05 | |
tricky enough on land. | 0:11:05 | 0:11:06 | |
Underwater takes the problem to a whole new level. | 0:11:07 | 0:11:11 | |
What they did was lower huge metal cylinders or caissons to the seabed. | 0:11:14 | 0:11:19 | |
I've got a copy of the original plans made of the caissons | 0:11:22 | 0:11:27 | |
and they're fascinating. | 0:11:27 | 0:11:29 | |
They really capture how they work. | 0:11:29 | 0:11:31 | |
So, once the caisson is actually put in place and weighed down, | 0:11:35 | 0:11:38 | |
what you then have to do is pump all that water out using compressed air. | 0:11:38 | 0:11:42 | |
And this is the clever bit here. You create this | 0:11:42 | 0:11:44 | |
gap at the bottom, about 70 feet below the surface, and the men | 0:11:44 | 0:11:49 | |
would actually work here in the most horrifically dangerous conditions, | 0:11:49 | 0:11:54 | |
actually building the foundation and anchoring the bridge to the seabed. | 0:11:54 | 0:11:59 | |
It's a brilliant solution | 0:12:03 | 0:12:05 | |
and the first time it had ever been attempted on this scale. | 0:12:05 | 0:12:09 | |
The result is a triumph. | 0:12:09 | 0:12:11 | |
A bridge that many thought would be impossible to build. | 0:12:12 | 0:12:16 | |
75 years later, the rail bridge was joined by a second crossing, | 0:12:18 | 0:12:23 | |
the road bridge. | 0:12:23 | 0:12:25 | |
The longest suspension bridge in Europe when it was built in 1964. | 0:12:25 | 0:12:30 | |
And today, these two are being joined by a third - | 0:12:32 | 0:12:37 | |
the Queensferry Crossing. | 0:12:37 | 0:12:39 | |
With its three towers each over 200 metres tall, that's twice | 0:12:41 | 0:12:46 | |
as tall as the railway bridge, it'll be completed in 2016. | 0:12:46 | 0:12:50 | |
Three bridges, each from a different century. | 0:12:53 | 0:12:56 | |
But all using the same pioneering techniques of the rail bridge, | 0:13:01 | 0:13:05 | |
to anchor them to the seabed. | 0:13:05 | 0:13:06 | |
Not only are these three bridges such powerful icons of British | 0:13:12 | 0:13:16 | |
engineering, they also represent the importance of keeping | 0:13:16 | 0:13:20 | |
the country connected and moving. | 0:13:20 | 0:13:22 | |
They're not just symbols of the country, | 0:13:25 | 0:13:27 | |
they are symbols of a dynamic nation. | 0:13:27 | 0:13:30 | |
I'm on my way to somewhere special. | 0:13:41 | 0:13:43 | |
You might think of it as Britain's first motorway, | 0:13:49 | 0:13:53 | |
but it's from an era long before cars. | 0:13:53 | 0:13:56 | |
200 years ago, | 0:13:58 | 0:14:00 | |
it helped transform a sleepy Britain into a global industrial superpower. | 0:14:00 | 0:14:05 | |
In those days, coal and iron were needed in huge amounts to feed | 0:14:09 | 0:14:13 | |
the new industries, so to connect the mines with the factories, | 0:14:13 | 0:14:18 | |
canals like this were built and they revolutionized Britain. | 0:14:18 | 0:14:22 | |
Canals got Britain moving like never before. | 0:14:23 | 0:14:26 | |
But there was a problem. | 0:14:30 | 0:14:32 | |
The major industrial cities of northern England | 0:14:32 | 0:14:35 | |
are separated by a high barrier, the Pennine Mountains. | 0:14:35 | 0:14:39 | |
Going over was impossible. Going around would take far too long. | 0:14:39 | 0:14:44 | |
And that just left one solution. | 0:14:45 | 0:14:48 | |
To tunnel straight through. | 0:14:48 | 0:14:50 | |
But how on earth do you build a tunnel under a mountain? | 0:14:50 | 0:14:54 | |
Back in the 1790s, | 0:14:57 | 0:14:59 | |
without the aid of modern machinery, that was no mean feat. | 0:14:59 | 0:15:03 | |
But here it is, the Standedge Tunnel that passes through the Pennines. | 0:15:05 | 0:15:09 | |
It was the most ambitious engineering project of its day. | 0:15:11 | 0:15:14 | |
And after it was finished, | 0:15:25 | 0:15:26 | |
the only way to get the canal boats through the tunnel was like this. | 0:15:26 | 0:15:30 | |
So, this is called legging and this is how you propel your boat | 0:15:34 | 0:15:39 | |
along the canal to the other side, and you would have actually | 0:15:39 | 0:15:42 | |
had professional leggers doing this, probably a couple on each boat. | 0:15:42 | 0:15:46 | |
It's a long old push. Three miles and I'm done. | 0:15:48 | 0:15:53 | |
But it's nothing compared to the task of building | 0:15:53 | 0:15:55 | |
the tunnel in the first place. | 0:15:55 | 0:15:57 | |
Back in the day, the canals were called navigations | 0:16:01 | 0:16:04 | |
and the men that would have built them were called the navigators, | 0:16:04 | 0:16:07 | |
or navvies for short, and it would have been brutal work. | 0:16:07 | 0:16:12 | |
In the rough, deeper parts of the tunnel, | 0:16:16 | 0:16:19 | |
you can see some distinctive marks left behind. | 0:16:19 | 0:16:23 | |
They're an important clue as to how you build a tunnel through | 0:16:23 | 0:16:26 | |
a mountain by hand and a few tools. | 0:16:26 | 0:16:28 | |
This is a star drill. This is the original tool that the | 0:16:30 | 0:16:34 | |
navvies would have used. | 0:16:34 | 0:16:36 | |
You can see why it's called a star drill - you've got this cross | 0:16:36 | 0:16:38 | |
at one end and you would have had a couple of guys, with sledgehammers, | 0:16:38 | 0:16:43 | |
banging this end and then every bang you would have done a little quarter | 0:16:43 | 0:16:46 | |
turn, and then banged it again and then a little quarter turn, | 0:16:46 | 0:16:50 | |
but just imagine how long it would have taken | 0:16:50 | 0:16:52 | |
to make one of those holes. | 0:16:52 | 0:16:54 | |
You can see how long they are when you look at the ceiling. | 0:16:54 | 0:16:58 | |
Must have been just utterly back-breaking work. | 0:16:58 | 0:17:01 | |
To get a sense of the challenge of cutting through solid rock, | 0:17:03 | 0:17:07 | |
I'm going to try and build a little bit of tunnel myself. | 0:17:07 | 0:17:10 | |
And I'm going to cheat a bit. | 0:17:12 | 0:17:14 | |
This pneumatic drill will quickly make a four-foot long hole. | 0:17:19 | 0:17:23 | |
Once I've completed it, there's another key step the navvies | 0:17:28 | 0:17:32 | |
had to carry out. | 0:17:32 | 0:17:34 | |
For this you need some explosives. | 0:17:34 | 0:17:36 | |
That is some very coarse, black powder | 0:17:37 | 0:17:40 | |
and that is black powder in a plastic tube, | 0:17:40 | 0:17:44 | |
with a bit of fuse at the end, just like in Tom and Jerry. | 0:17:44 | 0:17:49 | |
There we go, just really temp it down, nice and firm. | 0:17:52 | 0:17:56 | |
Right. We're good to go. | 0:17:56 | 0:17:57 | |
The fuse gives me just enough time to clear the blast zone. | 0:17:59 | 0:18:03 | |
And then... | 0:18:03 | 0:18:04 | |
EXPLOSION | 0:18:07 | 0:18:08 | |
A nice big bang. | 0:18:14 | 0:18:16 | |
But after all that, how much rock have I blown away? | 0:18:16 | 0:18:21 | |
Right, let's have a look. There's a great smell of sulphur. | 0:18:21 | 0:18:26 | |
That's the opening to the hole there. | 0:18:27 | 0:18:30 | |
It's really just this bit here. | 0:18:30 | 0:18:32 | |
Actually the interesting thing is the shape that it's made is | 0:18:32 | 0:18:35 | |
exactly the same shape that you see... Or the same mark that you | 0:18:35 | 0:18:39 | |
see in the canal tunnel, on the ceiling and on the walls. | 0:18:39 | 0:18:43 | |
But actually, it's really not very much. Think about | 0:18:43 | 0:18:46 | |
that size in context of the canal tunnel. | 0:18:46 | 0:18:49 | |
It took 17 long years to complete the tunnel, | 0:18:51 | 0:18:54 | |
blasting and hacking through over three miles of solid rock. | 0:18:54 | 0:18:58 | |
God, I tell you what, if you've ever complained about your job, | 0:19:01 | 0:19:05 | |
just imagine what it would have been like to have been a navvy. | 0:19:05 | 0:19:09 | |
Today, we think of canals as rather restful places. | 0:19:09 | 0:19:14 | |
But back then, canals would have transported coal, iron, wood - | 0:19:14 | 0:19:18 | |
all powering our new industries. | 0:19:18 | 0:19:21 | |
And they carried another raw material that's less well-known - | 0:19:23 | 0:19:27 | |
silica. | 0:19:27 | 0:19:28 | |
During the industrial heyday, silica was crucial for smelting metal. | 0:19:29 | 0:19:34 | |
It could be turned into special bricks that would withstand | 0:19:34 | 0:19:37 | |
the raging fires of our furnaces. | 0:19:37 | 0:19:40 | |
Most silica came from Wales where it was mined from deep underground. | 0:19:49 | 0:19:53 | |
The Dinas Mine closed in 1964. | 0:19:57 | 0:20:00 | |
But today, it still draws people down into its depths, because deep | 0:20:01 | 0:20:06 | |
down there is a truly magical world and one of Britain's hidden wonders. | 0:20:06 | 0:20:11 | |
This is quite a haunting place. | 0:20:16 | 0:20:19 | |
Everywhere you look you see evidence of long gone human activity. | 0:20:19 | 0:20:23 | |
You can almost feel the presence | 0:20:23 | 0:20:26 | |
of the men who would have worked down here. | 0:20:26 | 0:20:28 | |
When the miners packed up 50 years ago, | 0:20:32 | 0:20:35 | |
something else took their place. | 0:20:35 | 0:20:37 | |
Water. | 0:20:37 | 0:20:39 | |
Millions of litres of water. | 0:20:39 | 0:20:41 | |
It attracted the attention of a group of extreme sports enthusiasts. | 0:20:45 | 0:20:50 | |
Cave divers. | 0:20:50 | 0:20:51 | |
I'm here to experience what it's like to scuba dive, down a mine. | 0:20:54 | 0:21:00 | |
Most of us instinctively feel pretty anxious | 0:21:00 | 0:21:02 | |
if we were trapped in an enclosed space, or underwater. | 0:21:02 | 0:21:06 | |
Here, I'm about to face both. | 0:21:06 | 0:21:08 | |
Martyn Farr, an experienced cave diver, | 0:21:12 | 0:21:15 | |
will guide me through its depths. | 0:21:15 | 0:21:17 | |
How nervous should I be doing this? | 0:21:19 | 0:21:21 | |
This is probably one of the most dangerous activities in the world. | 0:21:21 | 0:21:25 | |
You're in a confined tunnel. This is cold, icy water. | 0:21:25 | 0:21:30 | |
Yeah, it can be dangerous, OK? | 0:21:30 | 0:21:32 | |
People die doing this activity, that's for sure. | 0:21:32 | 0:21:36 | |
Well, I was actually hoping for something a little more encouraging. | 0:21:36 | 0:21:40 | |
After one last safety check, we're off. | 0:21:41 | 0:21:43 | |
Surrounded, like a tomb of solid stone, | 0:21:54 | 0:21:58 | |
I immediately feel vulnerable. | 0:21:58 | 0:22:00 | |
If something goes wrong, I can't simply swim to the | 0:22:00 | 0:22:02 | |
surface for air, because there is no surface, just a tunnel roof. | 0:22:02 | 0:22:07 | |
It's a disturbing reminder of how lethal a mistake could be. | 0:22:09 | 0:22:13 | |
Ahead of me, Martyn lays a safety cable. | 0:22:17 | 0:22:20 | |
That way, we should be able to find our way back if we get lost. | 0:22:22 | 0:22:26 | |
And I quickly see why this is so important. | 0:22:28 | 0:22:31 | |
I'm too close to the tunnel floor and disturb a layer of silt. | 0:22:31 | 0:22:36 | |
The water turns murky | 0:22:38 | 0:22:40 | |
and my visibility reduces to just a few inches. | 0:22:40 | 0:22:43 | |
I can hardly see a thing and it's difficult not to panic, | 0:22:44 | 0:22:48 | |
but I push on. | 0:22:48 | 0:22:50 | |
And soon, with a bit more practice, I begin to find my fins. | 0:22:52 | 0:22:57 | |
And then I see the perilous world of cave diving with different eyes. | 0:22:57 | 0:23:02 | |
Beneath the surface, the abandoned mine comes alive with colour. | 0:23:03 | 0:23:08 | |
The walls are a vivid orange because of the purity of the silica in them. | 0:23:12 | 0:23:18 | |
Air bubbles race across the mine roof, like drops of mercury. | 0:23:18 | 0:23:22 | |
These old carts and tram lines would have once pulled the silica out. | 0:23:34 | 0:23:38 | |
And wooden timbers prevented the roof of the mine from collapsing. | 0:23:44 | 0:23:48 | |
This is the eerie remains of the bustling world | 0:23:52 | 0:23:55 | |
that used to exist here for two centuries. | 0:23:55 | 0:23:58 | |
It is odd to think that this flooded mine, | 0:24:00 | 0:24:03 | |
frozen in time, could be as beautiful as this. | 0:24:03 | 0:24:06 | |
And I feel a genuine sense of regret when my air starts to run out | 0:24:15 | 0:24:19 | |
and it's time to leave. | 0:24:19 | 0:24:20 | |
Oh, wow. | 0:24:29 | 0:24:30 | |
It's absolutely amazing when you get into those big caverns, | 0:24:35 | 0:24:38 | |
because the water is just absolutely crystal clear | 0:24:38 | 0:24:44 | |
and you can just see for miles, but you can understand why people | 0:24:44 | 0:24:47 | |
get into trouble because it's really, really seductive. | 0:24:47 | 0:24:50 | |
You get into these open spaces and you just want to explore | 0:24:50 | 0:24:52 | |
and you want to sort of look around, and it's really easy | 0:24:52 | 0:24:56 | |
to come a cropper, because all you have to do is kick up some dust | 0:24:56 | 0:24:59 | |
and you're completely blind. | 0:24:59 | 0:25:03 | |
Keep an eye on the line. | 0:25:03 | 0:25:05 | |
That was amazing there. | 0:25:05 | 0:25:07 | |
Really amazing. New hobby. | 0:25:07 | 0:25:11 | |
Who'd have thought that such a magical world could exist | 0:25:14 | 0:25:17 | |
deep below the Welsh countryside? | 0:25:17 | 0:25:19 | |
Beneath the landscape of Britain, | 0:25:25 | 0:25:27 | |
there's another hidden kingdom I'm about to explore. | 0:25:27 | 0:25:31 | |
But this time, it's not one that we've created. | 0:25:31 | 0:25:34 | |
There are no maps, no architect's drawings. | 0:25:35 | 0:25:38 | |
It's a world created by some of the other inhabitants who | 0:25:38 | 0:25:41 | |
live on the Farne Islands, just off the Northumbrian coast. | 0:25:41 | 0:25:45 | |
There's something beneath my feet that, if you didn't know, | 0:25:47 | 0:25:50 | |
I reckon you'd be pretty hard pressed to guess what. | 0:25:50 | 0:25:53 | |
Now, I'll give you a clue - it's a kind of animal, | 0:25:53 | 0:25:56 | |
but it's not a mole or a rat or anything like that. | 0:25:56 | 0:25:59 | |
It is, in fact, a bird. | 0:25:59 | 0:26:02 | |
David Steel is a warden here on the Farne Islands. | 0:26:04 | 0:26:07 | |
He's hoping to reveal to me | 0:26:07 | 0:26:09 | |
who's responsible for engineering this subterranean world. | 0:26:09 | 0:26:13 | |
-No, nothing in that one. -No. -Oh, got one. -Have you? | 0:26:13 | 0:26:19 | |
Yeah, I've got one. Yes. I've got one, here we go. | 0:26:19 | 0:26:23 | |
This should be quite interesting fun. | 0:26:23 | 0:26:25 | |
Here, sir, is an adult puffin. | 0:26:25 | 0:26:28 | |
-Hi. Hi. Look at you. -Look at that. Say hello to the world. | 0:26:28 | 0:26:33 | |
Puffins spend most of their lives at sea. | 0:26:33 | 0:26:36 | |
But when they return to land, they become burrowers. | 0:26:36 | 0:26:40 | |
You can see how puffins dig out the holes. They've actually got big | 0:26:40 | 0:26:44 | |
claws, I don't know if you can see them on the end of the feet there. | 0:26:44 | 0:26:47 | |
Really sharp claws. | 0:26:47 | 0:26:48 | |
Extremely sharp claws and they'll actually just dig their burrows | 0:26:48 | 0:26:51 | |
with those claws and their bills, so, that's it. | 0:26:51 | 0:26:55 | |
They dig so fanatically for one fluffy reason. | 0:26:55 | 0:27:00 | |
Now, is there a puffling in there? Do we know? I mean... | 0:27:00 | 0:27:03 | |
Well, I'm hoping so. I'm just going to put him down, | 0:27:03 | 0:27:06 | |
-just keep him to one side there. -And is he quite happy there? | 0:27:06 | 0:27:09 | |
He is. I'm going to pass you... | 0:27:09 | 0:27:10 | |
If I can get the chick out, I'm going to pass my chick to you. | 0:27:10 | 0:27:13 | |
This is my first puffling. | 0:27:13 | 0:27:15 | |
So, this will be the first time this puffling has seen | 0:27:15 | 0:27:19 | |
the outside world, so I'm just going to put it into your hand. | 0:27:19 | 0:27:22 | |
There you go, sir. If you can just get a bit of grass out of his hair. | 0:27:22 | 0:27:26 | |
-That's it. -Oh, look. Hi. Hi, there. | 0:27:26 | 0:27:28 | |
Can you see? Come and meet your adoring public. | 0:27:28 | 0:27:31 | |
There we go. Look at that. That is a puffling. | 0:27:31 | 0:27:34 | |
He'll spend about 40 days down this dark, damp hole | 0:27:34 | 0:27:38 | |
and then under the cover of darkness, | 0:27:38 | 0:27:40 | |
without parents' consent, he's going to walk to the sea. | 0:27:40 | 0:27:44 | |
And he'll spend the next three years on the sea, | 0:27:44 | 0:27:47 | |
before eventually returning to breed as a breeding adult. | 0:27:47 | 0:27:51 | |
And life for them can be 30, 35 years. | 0:27:51 | 0:27:55 | |
Now listen, you, I'm going to put you back with your mum | 0:27:55 | 0:27:57 | |
-in your burrow underground. So, is this right? I just... -Yeah. | 0:27:57 | 0:28:00 | |
-..pop him back in? -Put him down. | 0:28:00 | 0:28:02 | |
Puffins lay only one egg a year, | 0:28:04 | 0:28:09 | |
so every puffling is precious. | 0:28:09 | 0:28:12 | |
That's why they dig their burrows up to two metres long to keep | 0:28:18 | 0:28:22 | |
their young safe from veracious predators such as the great skua. | 0:28:22 | 0:28:26 | |
With 80,000 puffins here, this is a city of sea birds, | 0:28:34 | 0:28:39 | |
all tucked safely beneath the ground. | 0:28:39 | 0:28:41 | |
On these islands, these cute little birds have constructed | 0:28:43 | 0:28:47 | |
an astonishing complex. | 0:28:47 | 0:28:49 | |
A staggering 80km of tunnels and burrows. | 0:28:51 | 0:28:56 | |
Essentially, this is the most excavated piece of real estate | 0:28:56 | 0:29:00 | |
anywhere in the UK. | 0:29:00 | 0:29:02 | |
Elsewhere, we share Britain beneath our feet with other animal species. | 0:29:06 | 0:29:11 | |
And these don't live on remote islands. | 0:29:13 | 0:29:16 | |
In fact, some of them are positively suburban. | 0:29:18 | 0:29:21 | |
The village of Clapham in Bedfordshire. | 0:29:25 | 0:29:29 | |
The local school is under attack from forces beneath the ground. | 0:29:29 | 0:29:33 | |
On the surface, it just looks like an ordinary primary school, | 0:29:37 | 0:29:41 | |
but if you look a little bit closer, you can see evidence everywhere | 0:29:41 | 0:29:45 | |
of a subterranean assault. | 0:29:45 | 0:29:46 | |
Now, just behind me is the kids' vegetable garden. | 0:29:46 | 0:29:50 | |
It's now just condemned and forgotten, pitted with these | 0:29:50 | 0:29:53 | |
lethal potholes and a shed that's teetering on the edge of collapse. | 0:29:53 | 0:29:59 | |
But who, or what, is responsible? | 0:29:59 | 0:30:02 | |
With the aid of a night vision camera, the culprits are revealed. | 0:30:05 | 0:30:09 | |
Badgers. | 0:30:15 | 0:30:16 | |
And by the looks of it, quite a number. | 0:30:16 | 0:30:21 | |
Across the UK there are an astonishing 300,000 badgers. | 0:30:21 | 0:30:25 | |
But all is not well in badger world. | 0:30:27 | 0:30:32 | |
Badgers live in a sett, which isn't just a simple burrow, | 0:30:32 | 0:30:36 | |
but a complex of tunnels and chambers. | 0:30:36 | 0:30:39 | |
The sett can spread for 200 metres or more | 0:30:39 | 0:30:43 | |
and can be up to six metres deep. | 0:30:43 | 0:30:45 | |
Their digging is so extensive, | 0:30:48 | 0:30:50 | |
it can undermine a building's foundations. | 0:30:50 | 0:30:53 | |
The badgers here are absolutely thriving | 0:30:53 | 0:30:56 | |
and their sett is expanding fast, which is putting them | 0:30:56 | 0:30:59 | |
on a collision course with the school about ten metres behind me. | 0:30:59 | 0:31:03 | |
And obviously, if the badgers start tunnelling under that, | 0:31:03 | 0:31:06 | |
then that could cause damage to the school, which is not what you want, | 0:31:06 | 0:31:09 | |
so there really is only one solution to the problem - | 0:31:09 | 0:31:12 | |
the badgers are going to have to move house. | 0:31:12 | 0:31:15 | |
They're victims of their own success. | 0:31:15 | 0:31:18 | |
Luckily, help is on hand from Tristram Pearce, | 0:31:21 | 0:31:24 | |
one of the few people in the country with the skills to save the school. | 0:31:24 | 0:31:29 | |
You are working with wild animals... | 0:31:29 | 0:31:32 | |
He's an expert in badger relocation. | 0:31:32 | 0:31:34 | |
First, we need to build an underground complex | 0:31:39 | 0:31:42 | |
fit for our badger society, an artificial sett. | 0:31:42 | 0:31:46 | |
-And how many rooms do we need to do? -We're going to build ten to 12. | 0:31:48 | 0:31:52 | |
Right. That's quite a lot of work. | 0:31:52 | 0:31:54 | |
It is, so I've got some help coming over, | 0:31:54 | 0:31:56 | |
so we pop the lid on here and go and get some help. | 0:31:56 | 0:31:59 | |
Right. Brilliant. | 0:31:59 | 0:32:00 | |
It's going to take a group of men armed with heavy machinery to | 0:32:00 | 0:32:04 | |
replicate the abilities of just six badgers. | 0:32:04 | 0:32:07 | |
If we could have a few chambers as well, guys. | 0:32:07 | 0:32:09 | |
Shall I start doing that at the end of the pipe, then? | 0:32:09 | 0:32:12 | |
Yeah. Good work, Dallas, good work. | 0:32:12 | 0:32:14 | |
Looking at our effort, | 0:32:15 | 0:32:17 | |
I'm not entirely convinced this is going to work. | 0:32:17 | 0:32:21 | |
And we still have to persuade the badgers to move. | 0:32:24 | 0:32:27 | |
This is where the current sett is, adjacent to the school. | 0:32:27 | 0:32:32 | |
And these are all the paths used by the badgers | 0:32:32 | 0:32:35 | |
when they're looking for food at night. | 0:32:35 | 0:32:37 | |
Our brand-new sett is here, | 0:32:37 | 0:32:39 | |
right next to this well-trodden badger path. | 0:32:39 | 0:32:42 | |
We need to entice them to the new sett, | 0:32:43 | 0:32:46 | |
and when they discover it, they'll love it so much, they'll move in. | 0:32:46 | 0:32:50 | |
At least that's the theory. | 0:32:50 | 0:32:53 | |
So, with the building almost complete, I've been sent on a rather | 0:32:55 | 0:32:58 | |
noxious mission to try and attract the badgers to their new home. | 0:32:58 | 0:33:04 | |
Here we are. Right. This is what I'm looking for. | 0:33:04 | 0:33:08 | |
Phwoar! That is ripe! | 0:33:09 | 0:33:11 | |
This is actually badger poo and the idea is we're going to try | 0:33:11 | 0:33:15 | |
and use this as a scent trail to entice them from here to the | 0:33:15 | 0:33:19 | |
palatial splendour of the new sett we're building over there. | 0:33:19 | 0:33:23 | |
And while Tristram's team bury our work beneath a few tonnes of | 0:33:27 | 0:33:30 | |
fresh earth, I have the unenviable task of laying the poo trail. | 0:33:30 | 0:33:36 | |
Oh, God! It stinks! | 0:33:37 | 0:33:40 | |
Literally leading the badgers by the nose to their new home. | 0:33:40 | 0:33:44 | |
Not the most glamorous job I've ever had. | 0:33:44 | 0:33:48 | |
OK, I think we're good here. We've built the sett, we've laid | 0:33:48 | 0:33:51 | |
our poo scent trail, we've got this whole area now as badgery | 0:33:51 | 0:33:55 | |
as we can get it. I think our work is done, just add badger now. | 0:33:55 | 0:34:00 | |
It's been three months, and I've come back to Clapham to find out | 0:34:04 | 0:34:08 | |
have the badgers moved into their des-res? | 0:34:08 | 0:34:10 | |
It's really started to blend in to the environment, | 0:34:13 | 0:34:16 | |
it's all covered in grass. | 0:34:16 | 0:34:17 | |
This was just a big pile of mud when we started. | 0:34:17 | 0:34:20 | |
We're going to set up a couple of night vision cameras, | 0:34:20 | 0:34:23 | |
round about here, | 0:34:23 | 0:34:25 | |
and lay some bait and then see if they've moved in. | 0:34:25 | 0:34:31 | |
-MIMICKING LLOYD GROSSMAN: -Who lives in a house like this? | 0:34:31 | 0:34:35 | |
Peanut butter. Stick. | 0:34:35 | 0:34:38 | |
Peanuts. | 0:34:46 | 0:34:48 | |
The night vision cameras will help me see in the pitch-black. | 0:34:48 | 0:34:52 | |
Keep our fingers crossed. | 0:34:53 | 0:34:55 | |
With everything set, all we have to do now is wait. | 0:34:59 | 0:35:02 | |
And wait. | 0:35:09 | 0:35:11 | |
After an hour, still nothing's happened. Are they here at all? | 0:35:12 | 0:35:18 | |
Shhh, shhh! There, there. Look, look, look. Just there. | 0:35:18 | 0:35:22 | |
He's coming this way. Look, it's coming over. Oh, my God, look. | 0:35:25 | 0:35:29 | |
Oh, look at that. Amazing. | 0:35:32 | 0:35:35 | |
I wasn't sure how this was going to turn out at all when we built | 0:35:41 | 0:35:44 | |
this three months ago, but, you know, we've seen some badgers | 0:35:44 | 0:35:47 | |
and they obviously really, really like it. | 0:35:47 | 0:35:49 | |
They're obviously very happy. It gives them a place to live, | 0:35:49 | 0:35:52 | |
they're secure, it gives them refuge. | 0:35:52 | 0:35:54 | |
Means the school isn't going to fall down, so it's a win-win. | 0:35:57 | 0:36:01 | |
We're learning how to share the Britain beneath our feet with | 0:36:04 | 0:36:07 | |
animals like these badgers, who build their whole world underground. | 0:36:07 | 0:36:11 | |
But it's extraordinary to think that there might have been a time | 0:36:14 | 0:36:17 | |
when every one of us had to look underground to survive. | 0:36:17 | 0:36:21 | |
I've come to the outskirts of Edinburgh to uncover | 0:36:25 | 0:36:28 | |
a place that belongs to a secretive and sinister era. | 0:36:28 | 0:36:32 | |
This is an old BBC studio that was kitted out over 50 years ago. | 0:36:38 | 0:36:44 | |
And it's interesting because in all that time, | 0:36:44 | 0:36:48 | |
it's never ever been used as a studio before, until today. | 0:36:48 | 0:36:53 | |
And it's just as well, because its sole function was to relay | 0:36:53 | 0:36:57 | |
some pretty devastating information. | 0:36:57 | 0:36:59 | |
RECORDING: 'This is the wartime broadcasting service. | 0:37:01 | 0:37:05 | |
'This country has been attacked with nuclear weapons. | 0:37:05 | 0:37:08 | |
'Communications have been severely disrupted and the number | 0:37:08 | 0:37:11 | |
'of casualties and the extent of the damage are not yet known. | 0:37:11 | 0:37:15 | |
'We shall bring you further information as soon as possible. | 0:37:15 | 0:37:19 | |
'Meanwhile, stay tuned to this wavelength, stay calm, | 0:37:19 | 0:37:23 | |
'and stay in your own house.' | 0:37:23 | 0:37:25 | |
Listening to that today, | 0:37:30 | 0:37:33 | |
it almost feels inconceivable that we got ourselves | 0:37:33 | 0:37:37 | |
into that situation. | 0:37:37 | 0:37:39 | |
Can you imagine hearing information like that today, how you'd feel? | 0:37:39 | 0:37:44 | |
When this place was set up, the government wasn't being paranoid. | 0:37:56 | 0:37:59 | |
In the 1950 and '60s, Russia and the West were on the brink | 0:38:01 | 0:38:05 | |
of nuclear war. | 0:38:05 | 0:38:07 | |
During the Cuban Missile Crisis, we came closer than ever to | 0:38:09 | 0:38:12 | |
annihilation. | 0:38:12 | 0:38:14 | |
JFK: 'It shall be the policy of this nation to regard any nuclear missile | 0:38:15 | 0:38:20 | |
'launched from Cuba against any nation in the western hemisphere | 0:38:20 | 0:38:23 | |
'as an attack by the Soviet Union on the United States.' | 0:38:23 | 0:38:26 | |
And in this tense political atmosphere, | 0:38:30 | 0:38:33 | |
Barnton Bunker came about. | 0:38:33 | 0:38:35 | |
A top-secret complex to be occupied in the event of an all-out | 0:38:36 | 0:38:40 | |
nuclear attack. | 0:38:40 | 0:38:41 | |
Today, a team of dedicated volunteers is attempting | 0:38:46 | 0:38:49 | |
the slow and arduous task of restoring the bunker. | 0:38:49 | 0:38:53 | |
Eventually, they plan to turn it into a museum. | 0:38:56 | 0:38:59 | |
But back in the Cold War, it was designed to withstand | 0:39:01 | 0:39:04 | |
the destructive blast of a nuclear bomb. | 0:39:04 | 0:39:06 | |
I've got hold of some amazing old documents connected to the | 0:39:13 | 0:39:18 | |
site from when it was built and you can see here, all round | 0:39:18 | 0:39:21 | |
the building, it's surrounded by ten feet of concrete and down | 0:39:21 | 0:39:25 | |
here you can see where the blast doors would be, which are enormous. | 0:39:25 | 0:39:29 | |
They weigh over a tonne each and, perhaps even more importantly, | 0:39:29 | 0:39:33 | |
you've got the ventilation system and this room that we're | 0:39:33 | 0:39:35 | |
in here are the kind of remains of that ventilation system. Over here | 0:39:35 | 0:39:39 | |
you've got a giant cooling unit and this bit here is the actual | 0:39:39 | 0:39:42 | |
filters that would have filtered out some of the radioactive particles. | 0:39:42 | 0:39:46 | |
The complex is enormous. 50 rooms spread over three floors. | 0:39:54 | 0:40:00 | |
Its generators and air filtration systems making it entirely | 0:40:00 | 0:40:04 | |
self-contained. | 0:40:04 | 0:40:06 | |
It would have held a key group of 420 people, | 0:40:06 | 0:40:10 | |
considered vital to keep the country running. | 0:40:10 | 0:40:14 | |
A cross-section of society, buried | 0:40:14 | 0:40:17 | |
and sealed off from the outside world, 40 feet below the surface. | 0:40:17 | 0:40:21 | |
Barnton Bunker in Edinburgh, was only one of a network | 0:40:24 | 0:40:28 | |
of 12 regional command bunkers spread across the UK. | 0:40:28 | 0:40:32 | |
It was from these that the country would have been run in the | 0:40:33 | 0:40:37 | |
event of a nuclear war, all linked by a secure telephone network. | 0:40:37 | 0:40:41 | |
It's startling to think that thousands of people would | 0:40:45 | 0:40:47 | |
have lived underground, possibly for years. | 0:40:47 | 0:40:51 | |
Could society really have survived in this way? | 0:40:51 | 0:40:55 | |
Fortunately, we never had to find out, | 0:40:58 | 0:41:01 | |
but places like these, like this bunker deep beneath me | 0:41:01 | 0:41:04 | |
that I'm standing on top of, are a really important part of our | 0:41:04 | 0:41:08 | |
recent history and they deserve to be restored, so that future | 0:41:08 | 0:41:11 | |
generations can see just how close we did come to self-annihilation. | 0:41:11 | 0:41:17 | |
Barnton Bunker is a chilling reminder of a world | 0:41:21 | 0:41:24 | |
on a permanent war footing. | 0:41:24 | 0:41:26 | |
But at other times, | 0:41:27 | 0:41:28 | |
we've gone underground for much more peaceful purposes. | 0:41:28 | 0:41:31 | |
The mountains of Snowdonia. | 0:41:39 | 0:41:42 | |
Majestic. Untamed. | 0:41:42 | 0:41:45 | |
And yet hidden among them | 0:41:45 | 0:41:47 | |
is a place we all rely on without even realising. | 0:41:47 | 0:41:51 | |
It's absolutely breathtaking. | 0:41:54 | 0:41:56 | |
There are few places in Britain where you feel | 0:41:56 | 0:41:58 | |
this close to nature and it's a wild refuge for many plants | 0:41:58 | 0:42:03 | |
and animals that would struggle to live elsewhere. | 0:42:03 | 0:42:05 | |
But for one particular mountain, that wilderness is only skin deep. | 0:42:08 | 0:42:13 | |
Mount Elidir has a secret beneath its surface. | 0:42:14 | 0:42:17 | |
To find out what it is, I'm actually driving into the heart | 0:42:24 | 0:42:27 | |
of the mountain. | 0:42:27 | 0:42:29 | |
It's like entering the lair of a Bond super villain. | 0:42:29 | 0:42:33 | |
But below this mountain is something far more useful. | 0:42:33 | 0:42:36 | |
Dinorwig Power Station. | 0:42:38 | 0:42:39 | |
These massive turbines make it one of the largest hydroelectric | 0:42:43 | 0:42:47 | |
power stations of its kind in the world, specifically built to | 0:42:47 | 0:42:51 | |
provide a rapid response in a crisis. | 0:42:51 | 0:42:53 | |
100 metres underground, Dean Mannion has an impressive | 0:42:59 | 0:43:03 | |
amount of power at his fingertips. | 0:43:03 | 0:43:06 | |
In terms of the number of homes, how many homes could you power? | 0:43:06 | 0:43:09 | |
Well, we should be able to provide enough energy for most of say | 0:43:09 | 0:43:13 | |
something like Manchester for about six hours now, | 0:43:13 | 0:43:16 | |
up to nearly six hours. | 0:43:16 | 0:43:18 | |
ALARM BEEPING | 0:43:18 | 0:43:19 | |
Suddenly, we're interrupted by an alarm. | 0:43:19 | 0:43:22 | |
-What did you look at on the screen? -Here? That's flashing red now. | 0:43:22 | 0:43:26 | |
-So SG means... -Spin-gen. -Spin generator. | 0:43:26 | 0:43:29 | |
And that's on Ffestiniog three. | 0:43:29 | 0:43:32 | |
Dinorwig exists to make lots of electricity, fast. | 0:43:32 | 0:43:36 | |
And Dean has just received an urgent demand for more power. | 0:43:36 | 0:43:39 | |
These emergencies happen all the time, like at the end of a huge | 0:43:41 | 0:43:45 | |
sporting event on the telly, when everyone pops the kettle on. | 0:43:45 | 0:43:49 | |
That leads to a huge spike in demand for electricity. | 0:43:51 | 0:43:54 | |
The power there's just coming up. | 0:43:56 | 0:43:58 | |
So, 18 megawatts, 24 megawatts. | 0:43:58 | 0:44:00 | |
With the flick of a switch, | 0:44:02 | 0:44:03 | |
Dean's created enough power from the water to provide for a whole city. | 0:44:03 | 0:44:08 | |
There we are, we're up to 92 megawatts. There we go. | 0:44:08 | 0:44:12 | |
So, in a way, it is magic. | 0:44:12 | 0:44:14 | |
If you can imagine, we've done that with nothing but water. | 0:44:14 | 0:44:17 | |
Dinorwig's secret is a lake high up in the mountain. | 0:44:17 | 0:44:22 | |
As soon as the alarm goes off, Dean releases the water held in the lake. | 0:44:22 | 0:44:27 | |
It tears down the network of pipes, cascading through the mountain, | 0:44:27 | 0:44:31 | |
until it enters here. | 0:44:31 | 0:44:33 | |
The turbine hall. | 0:44:35 | 0:44:36 | |
The torrent is funnelled through six huge generating units. | 0:44:37 | 0:44:41 | |
This creates more than enough power to meet the vast demand | 0:44:43 | 0:44:47 | |
in just 12 seconds. | 0:44:47 | 0:44:49 | |
That's 30 times quicker than any normal power station. | 0:44:49 | 0:44:53 | |
Electricity then floods into the national grid | 0:44:55 | 0:44:58 | |
along underground cables. | 0:44:58 | 0:44:59 | |
We're about 600 meters below the lake up at the top. | 0:45:06 | 0:45:10 | |
So, when the water gets down to this level, it's under huge | 0:45:10 | 0:45:14 | |
amounts of pressure. It comes in this vast, vast pipe here, | 0:45:14 | 0:45:18 | |
and this is the valve, so it can either be open or closed. | 0:45:18 | 0:45:21 | |
At the moment it's closed, and these yellow things here, | 0:45:21 | 0:45:23 | |
these huge counterweights, are what open and close the valve. | 0:45:23 | 0:45:28 | |
But as much water passes through that valve in | 0:45:28 | 0:45:32 | |
90 minutes as is used by London in an entire day. | 0:45:32 | 0:45:37 | |
All that water powering through turbines comes with a risk attached. | 0:45:39 | 0:45:44 | |
This is Shushenskaya Power Station in Russia. | 0:45:46 | 0:45:49 | |
One day in August, 2009, workers noticed the entire building | 0:45:52 | 0:45:56 | |
starting to vibrate. | 0:45:56 | 0:45:58 | |
And then this happened. | 0:45:59 | 0:46:01 | |
A 1,500 tonne turbine was flung | 0:46:05 | 0:46:09 | |
15 metres into the air, propelled by a huge column of water. | 0:46:09 | 0:46:13 | |
It blasted through the building and 75 people died. | 0:46:16 | 0:46:23 | |
So at Dinorwig, harnessing the power of all that water safely | 0:46:26 | 0:46:31 | |
is an extraordinary feat of engineering. | 0:46:31 | 0:46:33 | |
But the water of the lake doesn't last forever. | 0:46:43 | 0:46:47 | |
This is the end of the process. | 0:46:47 | 0:46:48 | |
So, you've generated your electricity, the water's come | 0:46:48 | 0:46:51 | |
all the way down there and ended up here at the bottom of the mountain. | 0:46:51 | 0:46:55 | |
And for most hydro-electric power stations, that would be that. | 0:46:56 | 0:47:01 | |
But Dinorwig has one last trick. | 0:47:01 | 0:47:03 | |
At night, spare electricity is used to throw the whole | 0:47:05 | 0:47:08 | |
process into reverse. | 0:47:08 | 0:47:10 | |
The machinery pumps water back up to the lake at the | 0:47:12 | 0:47:15 | |
top of the mountain, where it sits ready to be released again. | 0:47:15 | 0:47:19 | |
Dinorwig is like a mountain-sized rechargeable battery | 0:47:21 | 0:47:24 | |
that can be used over and over. | 0:47:24 | 0:47:26 | |
It's power available instantly at the flick of a switch. | 0:47:28 | 0:47:32 | |
The power station that's buried deep inside electric mountain harnesses | 0:47:38 | 0:47:42 | |
water to solve that tricky problem of being able to store and then | 0:47:42 | 0:47:46 | |
release very quickly huge amounts of energy, and it is an amazing thought | 0:47:46 | 0:47:51 | |
when you think of things as mundane as making a cup of tea or charging | 0:47:51 | 0:47:55 | |
your mobile phone or watching TV, you're actually plugging into that. | 0:47:55 | 0:48:01 | |
Over the last two centuries, | 0:48:04 | 0:48:06 | |
we've created a whole world of connections underground. | 0:48:06 | 0:48:10 | |
Pipelines, water mains, power and superhighways. | 0:48:10 | 0:48:15 | |
All essential to keep the country running. | 0:48:15 | 0:48:17 | |
And in our busiest city, | 0:48:22 | 0:48:24 | |
we've long relied on the world below our feet to keep people on the move. | 0:48:24 | 0:48:29 | |
London's Tube network has over 110 miles of tunnels. | 0:48:31 | 0:48:35 | |
During rush hour alone, | 0:48:39 | 0:48:41 | |
two million people go to work on the underground. | 0:48:41 | 0:48:45 | |
Now, that is enough to repopulate Birmingham twice over. | 0:48:45 | 0:48:50 | |
But every year, the underground is getting even more | 0:48:50 | 0:48:53 | |
crammed as more and more people head for the capital. | 0:48:53 | 0:48:56 | |
To ease the inevitable congestion, | 0:48:58 | 0:49:01 | |
a new network is being built under the streets of London. | 0:49:01 | 0:49:04 | |
It's called Crossrail and, unlike the Tube, it's a full-sized railway. | 0:49:04 | 0:49:09 | |
But there is a problem, because the engineers, | 0:49:09 | 0:49:12 | |
when building this, aren't starting with a blank canvas. | 0:49:12 | 0:49:16 | |
Beneath the surface, London is a very, very busy place. | 0:49:16 | 0:49:20 | |
The first underground railway arrived in 1863. | 0:49:23 | 0:49:27 | |
It linked Paddington in the west, to Farringdon in the east. | 0:49:27 | 0:49:31 | |
More lines followed in quick succession to keep | 0:49:34 | 0:49:37 | |
the population of the booming city moving. | 0:49:37 | 0:49:40 | |
And today, this is what the real Tube map of London looks like. | 0:49:40 | 0:49:44 | |
But beneath the surface, it's even more complex. | 0:49:46 | 0:49:50 | |
Foundations. | 0:49:57 | 0:49:59 | |
Underground stations. | 0:50:01 | 0:50:03 | |
And a web of tunnels all jostle for space. | 0:50:05 | 0:50:09 | |
This is about to be joined by the tunnels of Crossrail. | 0:50:11 | 0:50:15 | |
The biggest construction project in Europe, with a price tag to match. | 0:50:17 | 0:50:21 | |
£15 billion. | 0:50:21 | 0:50:24 | |
But how can you build something so massive | 0:50:26 | 0:50:29 | |
without hitting anything else down here? | 0:50:29 | 0:50:31 | |
I'm travelling along a section of the new Crossrail tunnel, | 0:50:34 | 0:50:37 | |
somewhere beneath the streets of east London. | 0:50:37 | 0:50:40 | |
Ahead of me is the technology that makes the whole project possible. | 0:50:42 | 0:50:46 | |
This appears to be a construction site, | 0:50:52 | 0:50:55 | |
but I've actually climbed inside the bowels of one gigantic machine. | 0:50:55 | 0:50:59 | |
This is a tunnel boring machine, | 0:51:03 | 0:51:04 | |
or TBM as it's known around these parts. | 0:51:04 | 0:51:07 | |
It doesn't really look like a machine at all. It resembles | 0:51:07 | 0:51:11 | |
much more a factory or a production line, lots of different parts | 0:51:11 | 0:51:15 | |
doing lots of different jobs. It's absolutely enormous. | 0:51:15 | 0:51:19 | |
They've given it a name, they've called it Ellie. | 0:51:19 | 0:51:22 | |
Ellie is so big, she has to be assembled beneath the surface. | 0:51:22 | 0:51:26 | |
She's one of eight tunnelling machines. | 0:51:28 | 0:51:31 | |
Completed, each is over 100 metres long | 0:51:31 | 0:51:34 | |
and weighs over 1,000 tonnes. | 0:51:34 | 0:51:36 | |
She tears her way through London with this, a huge cutting disc. | 0:51:38 | 0:51:43 | |
It chews through the earth | 0:51:43 | 0:51:45 | |
with enough force to lift 600 London buses. | 0:51:45 | 0:51:49 | |
Just imagine the damage this could do if you took a wrong turn. | 0:51:49 | 0:51:52 | |
And yet the controls are extremely delicate. | 0:51:56 | 0:52:00 | |
Reginald Swift is Ellie's driver. | 0:52:00 | 0:52:03 | |
He uses a guidance system to keep the machine on track. | 0:52:03 | 0:52:07 | |
There's a GPS system at the back of the machine, | 0:52:07 | 0:52:09 | |
which records where we've been, where we're heading to. | 0:52:09 | 0:52:12 | |
At the moment, we are two millimetres offline. | 0:52:12 | 0:52:15 | |
Two millimetres offline, I can't believe it! | 0:52:15 | 0:52:18 | |
-Is that OK, two millimetres? -That's pretty good, yeah. | 0:52:18 | 0:52:21 | |
And how fast are we going? | 0:52:21 | 0:52:23 | |
Speed wise, depending on the ground conditions, anything from, | 0:52:23 | 0:52:26 | |
30 millimetres a minute to 100 millimetres a minute, | 0:52:26 | 0:52:29 | |
depending on the ground conditions. | 0:52:29 | 0:52:30 | |
So, 100 millimetres, that's your top speed? | 0:52:30 | 0:52:32 | |
-That's your land speed record? -That's the top speed. -OK. | 0:52:32 | 0:52:35 | |
But what amazes me is the fact that, you know, you have to drill | 0:52:35 | 0:52:38 | |
under London where there's lots of structures, lots of tunnels, | 0:52:38 | 0:52:42 | |
lots of things already there, so how close can you go to these safely? | 0:52:42 | 0:52:47 | |
We've been within 300 millimetres, | 0:52:47 | 0:52:49 | |
one foot off, I think, the Northern Line at one time. | 0:52:49 | 0:52:54 | |
-A foot off the Northern Line? -Yeah, one of them anyway. | 0:52:54 | 0:52:57 | |
That's incredibly close. | 0:52:57 | 0:53:00 | |
It's amazing that something | 0:53:00 | 0:53:01 | |
so big can tunnel through the ground without damaging anything around it. | 0:53:01 | 0:53:06 | |
And as Ellie heaves her way through the ground, | 0:53:07 | 0:53:10 | |
she leaves the completed tunnel behind her. | 0:53:10 | 0:53:14 | |
They're just getting ready to install some of these huge concrete | 0:53:14 | 0:53:17 | |
panels that you can see, which line the tunnel to give it strength. | 0:53:17 | 0:53:21 | |
It's an amazing process. They've got this huge robot, | 0:53:31 | 0:53:34 | |
that sucks the panels up and then sticks them onto the wall. | 0:53:34 | 0:53:38 | |
The accuracy of all of this is stunning. Millimetre precision. | 0:53:38 | 0:53:44 | |
So, they've completed a whole ring now, which lines the tunnel. | 0:53:44 | 0:53:49 | |
Without these rings, the whole tunnel could collapse | 0:53:49 | 0:53:52 | |
in on itself, almost as quickly as it was built. | 0:53:52 | 0:53:55 | |
Bad for the tunnel and catastrophic for anything that sits above. | 0:53:56 | 0:54:00 | |
In Egypt, a TBM like Ellie was tunnelling beneath the streets of | 0:54:02 | 0:54:06 | |
Cairo when just one single concrete panel of the tunnel lining gave way. | 0:54:06 | 0:54:11 | |
The result? A 20-metre hole in the middle of the road. | 0:54:11 | 0:54:16 | |
But Crossrail's engineers face even greater challenges than just | 0:54:22 | 0:54:25 | |
building tunnels. | 0:54:25 | 0:54:27 | |
Crossrail also requires stations. | 0:54:27 | 0:54:30 | |
Huge underground labyrinths with concourses, platforms, | 0:54:30 | 0:54:35 | |
connecting tunnels, escalators and ventilation shafts. | 0:54:35 | 0:54:39 | |
Building all this means breaking out of the safety of the tunnel's | 0:54:41 | 0:54:44 | |
concrete ring and digging out into unsupported mud and clay. | 0:54:44 | 0:54:49 | |
A particularly risky operation. | 0:54:50 | 0:54:52 | |
To see how difficult building a new station really is, | 0:54:57 | 0:55:01 | |
I've come to the Crossrail site at Farringdon. | 0:55:01 | 0:55:04 | |
When completed, 140 trains per hour will pass through here, | 0:55:04 | 0:55:09 | |
making it one of the busiest stations in the country. | 0:55:09 | 0:55:12 | |
It calls for a huge amount of work, which is going on | 0:55:12 | 0:55:15 | |
at the bottom of this hole. | 0:55:15 | 0:55:17 | |
Nisrine Chartouny is the engineer in charge. | 0:55:21 | 0:55:24 | |
Key to her work is the concrete rings I saw being inserted earlier. | 0:55:25 | 0:55:29 | |
-These rings are sacrificial rings. -Sacrificial rings? | 0:55:31 | 0:55:33 | |
Sacrificial, so they serve a purpose in life, they're only here | 0:55:33 | 0:55:36 | |
temporarily, and then we take them out and we actually enlarge | 0:55:36 | 0:55:40 | |
the area around these rings to make a platform tunnel which is | 0:55:40 | 0:55:44 | |
11 metre in diameter, versus the six metre that we have now. | 0:55:44 | 0:55:49 | |
Removing the protective rings means there's now nothing | 0:55:49 | 0:55:52 | |
supporting the tonnes of mud and clay above. | 0:55:52 | 0:55:55 | |
The crumbling clay needs to be sprayed with concrete. | 0:55:57 | 0:56:01 | |
It's precise work that has to be done quickly. | 0:56:01 | 0:56:04 | |
We follow this spray concrete lining method, so you do it in three | 0:56:04 | 0:56:08 | |
phases, and it's always staggered, so you start with the top, | 0:56:08 | 0:56:11 | |
the middle and the bottom section | 0:56:11 | 0:56:13 | |
and this way you control ground movement. | 0:56:13 | 0:56:15 | |
It's all about controlling ground movement on the surface. | 0:56:15 | 0:56:18 | |
Without this ingenious technique, the busy streets of Farringdon | 0:56:18 | 0:56:21 | |
would start to sink. | 0:56:21 | 0:56:23 | |
The concrete sets hard into a solid layer | 0:56:24 | 0:56:27 | |
and acts just like the rings of the TBM. | 0:56:27 | 0:56:31 | |
And that keeps everything above ground exactly where it should be. | 0:56:31 | 0:56:35 | |
Back on the surface, it is almost hard to believe that | 0:56:37 | 0:56:40 | |
a project of that scale is going on below me, right where I'm standing. | 0:56:40 | 0:56:44 | |
It is almost as if they're doing it in secret, when nobody's looking. | 0:56:44 | 0:56:49 | |
It's that combination of brute force, of precision and elegance | 0:56:49 | 0:56:54 | |
that makes this a testament to the ingenuity of modern engineering. | 0:56:54 | 0:56:58 | |
When Crossrail opens in 2016 and an estimated 200 million Londoners | 0:57:01 | 0:57:07 | |
start to use it every year, we'll be more reliant than ever | 0:57:07 | 0:57:11 | |
on what goes on hidden beneath the streets. | 0:57:11 | 0:57:14 | |
Travelling around Britain making this programme, you start | 0:57:19 | 0:57:22 | |
to understand our familiar landscape in a completely different way. | 0:57:22 | 0:57:28 | |
So much of what we take for granted in our modern world would be | 0:57:28 | 0:57:31 | |
inconceivable without what happens below the earth. | 0:57:31 | 0:57:34 | |
I've discovered how the tallest building in Britain can | 0:57:36 | 0:57:39 | |
stand on the softest ground. | 0:57:39 | 0:57:41 | |
How every time we fly on holiday, | 0:57:47 | 0:57:49 | |
we rely on an underground pipeline that helped us win the war. | 0:57:49 | 0:57:53 | |
And I found some of the country's most spectacular landscapes | 0:57:56 | 0:57:59 | |
hidden underground. | 0:57:59 | 0:58:01 | |
A remarkable range of vibrant connections | 0:58:05 | 0:58:08 | |
and networks hidden below the familiar world we know so well. | 0:58:08 | 0:58:12 | |
Quite simply, | 0:58:13 | 0:58:15 | |
Britain would be impossible without the wonders beneath our feet. | 0:58:15 | 0:58:19 |