
Browse content similar to Ilford to Rochester. Check below for episodes and series from the same categories and more!
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In 1840, one man transformed travel in Britain. | 0:00:05 | 0:00:10 | |
His name was George Bradshaw. | 0:00:10 | 0:00:12 | |
And his railway guides inspired the Victorians to take to the tracks. | 0:00:12 | 0:00:16 | |
Stop by stop, he told them where to go, what to see and where to stay. | 0:00:18 | 0:00:23 | |
And now, 170 years later, I'm aboard for a series of rail adventures, | 0:00:23 | 0:00:28 | |
across the United Kingdom, to see what of Bradshaw's Britain remains. | 0:00:28 | 0:00:34 | |
I'm now halfway through a journey that began in Norwich | 0:00:54 | 0:00:57 | |
and will end in Chichester. | 0:00:57 | 0:00:59 | |
Today, I'll be running along the Essex bank of the Thames | 0:00:59 | 0:01:03 | |
before crossing the river into the so-called Garden of England, Kent. | 0:01:03 | 0:01:08 | |
My journey began in a cathedral city in Norfolk. | 0:01:12 | 0:01:16 | |
I travelled south, through East Anglia, to Ipswich and Chelmsford. | 0:01:16 | 0:01:21 | |
Now I'll cross the Thames at Tilbury and continue through Kent to Dover. | 0:01:21 | 0:01:26 | |
After heading inland to Tonbridge, I'll return to the coast | 0:01:26 | 0:01:29 | |
at Brighton before ending my journey in another cathedral city, | 0:01:29 | 0:01:34 | |
this time in West Sussex. | 0:01:34 | 0:01:36 | |
On this leg, I'll start in Ilford | 0:01:36 | 0:01:38 | |
in Essex before travelling to Tilbury on the Thames. | 0:01:38 | 0:01:42 | |
After crossing by ferry to Gravesend, I'll continue into Kent | 0:01:42 | 0:01:46 | |
and end in historic Rochester. | 0:01:46 | 0:01:48 | |
Today, I'll try my hand at lowering a massive container | 0:01:51 | 0:01:54 | |
onto a freight train. | 0:01:54 | 0:01:56 | |
That bell means Michael Portillo is at the controls, stand aside. | 0:01:56 | 0:02:00 | |
I'll discover the work of a renowned Victorian philanthropist. | 0:02:01 | 0:02:05 | |
Each of the images has a before and after photograph. | 0:02:05 | 0:02:07 | |
And I'll ask myself, "Who the Dickens are these characters?" | 0:02:07 | 0:02:11 | |
No doubt about who you are | 0:02:11 | 0:02:13 | |
cos you've got the iron around your leg | 0:02:13 | 0:02:14 | |
and you've got the rag around your head. | 0:02:14 | 0:02:16 | |
You're the convict, Magwitch, from Great Expectations, aren't you? | 0:02:16 | 0:02:20 | |
My first stop will be Ilford. | 0:02:23 | 0:02:25 | |
Bradshaw's tells me about Sir Charles Montague, | 0:02:25 | 0:02:27 | |
a 17th-century Member of Parliament, | 0:02:27 | 0:02:30 | |
who's buried in St Margaret's Church. | 0:02:30 | 0:02:32 | |
But had the book been published any later, it would | 0:02:32 | 0:02:35 | |
surely have mentioned another eminent citizen, | 0:02:35 | 0:02:38 | |
Dr Thomas John Barnardo. | 0:02:38 | 0:02:40 | |
By the late 19th century, | 0:02:42 | 0:02:44 | |
the Industrial Revolution had made Britain wealthy. | 0:02:44 | 0:02:47 | |
But there was a gulf between rich and poor, | 0:02:47 | 0:02:49 | |
which troubled the conscience of some Victorians. | 0:02:49 | 0:02:53 | |
A significant number of those who'd made fortunes | 0:02:53 | 0:02:56 | |
became philanthropists. | 0:02:56 | 0:02:59 | |
One of the most celebrated left his mark here in Barkingside just | 0:02:59 | 0:03:03 | |
outside Ilford and I'm meeting Diana Tickell from Barnardo's | 0:03:03 | 0:03:07 | |
amongst this unusual group of cottages. | 0:03:07 | 0:03:11 | |
Welcome to Barnardo's Barkingside. | 0:03:11 | 0:03:14 | |
Thank you very much indeed. So, who was Dr Barnardo? | 0:03:14 | 0:03:16 | |
Well, Thomas Barnardo came over from Dublin in 1866. | 0:03:16 | 0:03:20 | |
He was actually a very Christian man, was on a missionary expedition | 0:03:20 | 0:03:24 | |
to plan to go to the Far East, but in fact when he arrived in London | 0:03:24 | 0:03:27 | |
he visited the East End and was so appalled by the conditions | 0:03:27 | 0:03:30 | |
that he found, particularly for the children, | 0:03:30 | 0:03:32 | |
that it changed his whole life course and | 0:03:32 | 0:03:35 | |
he decided to stay and create what is now Barnardo's the organisation. | 0:03:35 | 0:03:39 | |
The London that Thomas Barnardo encountered in 1866, | 0:03:39 | 0:03:43 | |
particularly in the East End, presented harrowing sights. | 0:03:43 | 0:03:47 | |
Overcrowded slums, unemployment, and disease were rife. | 0:03:47 | 0:03:51 | |
Gangs of destitute children roamed the streets, scrabbling to survive. | 0:03:51 | 0:03:56 | |
What's Barnardo's attitude to the poor? | 0:03:56 | 0:03:59 | |
Well, he's a very philanthropic man and believes that the | 0:03:59 | 0:04:02 | |
children that he finds really should have a better chance. | 0:04:02 | 0:04:05 | |
He believes that they are not waifs | 0:04:05 | 0:04:07 | |
and strays that should just be left to die. | 0:04:07 | 0:04:09 | |
He wants to transform their lives and give them a future. | 0:04:09 | 0:04:13 | |
In 1867, just a year after arriving in London, Thomas Barnardo | 0:04:13 | 0:04:17 | |
set up a ragged school in the East End, | 0:04:17 | 0:04:19 | |
where destitute boys could get a basic education. | 0:04:19 | 0:04:23 | |
And what's the connection between Barnardo | 0:04:23 | 0:04:25 | |
and this rather idyllic housing development? | 0:04:25 | 0:04:28 | |
Well, this lovely site here is the actual homes for girls. | 0:04:28 | 0:04:32 | |
Victorian morals decreed that it wasn't "proper" for Barnardo, | 0:04:32 | 0:04:36 | |
as a bachelor, to open a home for girls. | 0:04:36 | 0:04:39 | |
But in 1876, three years after he married, he converted a lodge, | 0:04:39 | 0:04:43 | |
received as a wedding present, into this charming group of 12 cottages. | 0:04:43 | 0:04:48 | |
His aim was to provide "family homes" for penniless girls, | 0:04:48 | 0:04:52 | |
who were particularly vulnerable on the streets of the East End. | 0:04:52 | 0:04:56 | |
I mean, it seems beautiful even now. | 0:04:56 | 0:04:58 | |
It must have been revolutionary in its day. | 0:04:58 | 0:05:00 | |
Well, absolutely. To create an environment like this so far | 0:05:00 | 0:05:03 | |
away from the Victorian East End slums was really quite different. | 0:05:03 | 0:05:07 | |
How did he get the money that he required? | 0:05:07 | 0:05:09 | |
Well, he wasn't a rich man so he had to set about fund raising. | 0:05:09 | 0:05:12 | |
He made everybody understand that they were | 0:05:12 | 0:05:16 | |
responsible, as well, for the plight of children in Victorian Britain. | 0:05:16 | 0:05:19 | |
And he was very successful. | 0:05:19 | 0:05:21 | |
By 1905, Barnardo's charity was looking | 0:05:21 | 0:05:24 | |
after 8,500 children in 96 homes. | 0:05:24 | 0:05:28 | |
He raised the money using some rather modern marketing techniques. | 0:05:29 | 0:05:34 | |
So, Michael, what we have here is one of the first | 0:05:34 | 0:05:37 | |
volumes ever of the register for boys from Dr Barnardo's homes. | 0:05:37 | 0:05:41 | |
Just after my Bradshaw's. | 0:05:41 | 0:05:43 | |
Yes, so, right on time. | 0:05:43 | 0:05:44 | |
So, here we have some lovely images of some of the children. | 0:05:46 | 0:05:49 | |
Each of the images has a before and after photograph where you | 0:05:49 | 0:05:52 | |
record how the boy arrived and how they developed once | 0:05:52 | 0:05:55 | |
they had grown and been supported by Barnardo. | 0:05:55 | 0:05:58 | |
We have a story of the child and the reason for their admission. | 0:05:58 | 0:06:01 | |
We also often have the child's own statement, | 0:06:01 | 0:06:03 | |
which is quite unique for the time. | 0:06:03 | 0:06:05 | |
What were these photos for? | 0:06:05 | 0:06:06 | |
Well, these photographs originated for fundraising purposes. | 0:06:06 | 0:06:09 | |
He absolutely took the photos for the records but also | 0:06:09 | 0:06:12 | |
so that he could fundraise and in particular was able to show | 0:06:12 | 0:06:16 | |
Victorian Britain the difference that he could make. | 0:06:16 | 0:06:18 | |
Barnardo understood the power of these pictures. | 0:06:18 | 0:06:21 | |
Using them to advertise and | 0:06:21 | 0:06:23 | |
to raise funds put him ahead of his time. | 0:06:23 | 0:06:26 | |
Over the decades, some people who were children in Barnardo's homes | 0:06:26 | 0:06:29 | |
said that they weren't very well treated. | 0:06:29 | 0:06:31 | |
What led to that, do you think? | 0:06:31 | 0:06:33 | |
Well, I think often in those days children were seen and not heard. | 0:06:33 | 0:06:37 | |
I think we now know that some children didn't have the best of | 0:06:37 | 0:06:40 | |
upbringings and we regret that when that's happened but actually what's | 0:06:40 | 0:06:43 | |
happened today is off the back of some of those stories, that | 0:06:43 | 0:06:46 | |
children's lives are now supported in a much more different way | 0:06:46 | 0:06:49 | |
and children's voices are really, really heard | 0:06:49 | 0:06:51 | |
and I think the majority of children had | 0:06:51 | 0:06:53 | |
a very good upbringing and have gone on to have very successful lives. | 0:06:53 | 0:06:57 | |
Barnardo's devotion to the wellbeing of children can be | 0:06:57 | 0:07:00 | |
seen in this unusual church at Barkingside. | 0:07:00 | 0:07:04 | |
This is the first church ever built for children | 0:07:04 | 0:07:07 | |
and we think it's the only one in the country still. | 0:07:07 | 0:07:10 | |
For example, we have the low level bell pulls here for children! | 0:07:10 | 0:07:14 | |
BELLS RING | 0:07:15 | 0:07:17 | |
I am a child at heart! | 0:07:20 | 0:07:22 | |
Absolutely. | 0:07:22 | 0:07:24 | |
Religion was very important to Dr Barnardo. | 0:07:25 | 0:07:27 | |
The organisation, clearly, has Christian roots and today we embrace | 0:07:27 | 0:07:31 | |
those roots and they are enhanced by those of many other faiths. | 0:07:31 | 0:07:34 | |
When did Dr Barnardo die? | 0:07:34 | 0:07:36 | |
Well, Dr Barnardo died in 1905. | 0:07:36 | 0:07:38 | |
He had become a very popular man, | 0:07:38 | 0:07:41 | |
particularly amongst the people of the East End, | 0:07:41 | 0:07:43 | |
for all the effort he had made for the children, in particular, | 0:07:43 | 0:07:46 | |
and when he had his funeral procession, | 0:07:46 | 0:07:48 | |
which went from Stepney to Liverpool Street, | 0:07:48 | 0:07:50 | |
the streets were thronged with people wanting to well wish him on his way. | 0:07:50 | 0:07:54 | |
His coffin then went from Liverpool Street | 0:07:54 | 0:07:57 | |
to Barkingside station on the railway. | 0:07:57 | 0:08:00 | |
So, like Queen Victoria, just before him, his last journey was by train. | 0:08:01 | 0:08:06 | |
Absolutely! | 0:08:06 | 0:08:07 | |
This site is still part of the Barnardo's estate | 0:08:07 | 0:08:10 | |
and his organisation has survived to become one of the biggest | 0:08:10 | 0:08:15 | |
children's charities in the country. | 0:08:15 | 0:08:17 | |
I'm continuing my journey from nearby Upminster station. | 0:08:22 | 0:08:26 | |
I'll now be travelling on the London, Tilbury and Southend line. | 0:08:28 | 0:08:31 | |
It wasn't built by Brunel or by George Stephenson | 0:08:31 | 0:08:34 | |
or by Robert Stephenson, but by Thomas Brassey, | 0:08:34 | 0:08:37 | |
the least well remembered of Britain's railway engineers. | 0:08:37 | 0:08:40 | |
But by 1847 he was responsible for one in three miles | 0:08:40 | 0:08:44 | |
of the British railway system and by the time of his death | 0:08:44 | 0:08:47 | |
in 1870, for one mile in 20 of the world's railways! | 0:08:47 | 0:08:51 | |
My next stop will be Tilbury. | 0:09:04 | 0:09:06 | |
Bradshaw's reminds us that it was there, | 0:09:06 | 0:09:08 | |
when Britain was threatened by the Spanish Armada, that Queen Elizabeth | 0:09:08 | 0:09:12 | |
"by a spirited harangue inspired her army with dauntless courage." | 0:09:12 | 0:09:17 | |
That's when she said, "I know I have the body of a weak | 0:09:17 | 0:09:20 | |
"and feeble woman, but I have the heart and stomach of a king, | 0:09:20 | 0:09:24 | |
"and a king of England, too!" | 0:09:24 | 0:09:27 | |
Even in Bradshaw's time, a sturdy fort discouraged potential invaders | 0:09:31 | 0:09:36 | |
from venturing further up the River Thames towards the capital. | 0:09:36 | 0:09:40 | |
In 1854, the railway arrived with enormous consequences for the town. | 0:09:40 | 0:09:45 | |
The London, Tilbury and Southend Railway opened | 0:09:47 | 0:09:50 | |
a station at Tilbury Riverside, | 0:09:50 | 0:09:52 | |
to profit from the passenger steamer services | 0:09:52 | 0:09:55 | |
across the Thames from Kent and beyond. | 0:09:55 | 0:09:58 | |
Today, the station is closed, | 0:09:58 | 0:10:00 | |
but Jonathan Catton has kindly agreed to explain how it | 0:10:00 | 0:10:03 | |
transformed Tilbury into one of the country's most important ports. | 0:10:03 | 0:10:07 | |
Hello, Jonathan. | 0:10:07 | 0:10:08 | |
Hello, Michael. Welcome to Riverside station. | 0:10:08 | 0:10:10 | |
This would be the one mentioned in Bradshaw's, I suppose, | 0:10:10 | 0:10:13 | |
cos it says, "Steamers ply between the station and the pier | 0:10:13 | 0:10:15 | |
"at Gravesend, at the departure and arrival of every train." | 0:10:15 | 0:10:18 | |
So, that was happening from here? | 0:10:18 | 0:10:19 | |
Well, we're standing on top of it, | 0:10:19 | 0:10:21 | |
but it was superseded in the 1930s with the new railway terminus. | 0:10:21 | 0:10:25 | |
And lots of railway heritage. | 0:10:25 | 0:10:26 | |
We've got the booking office here, evidently. | 0:10:26 | 0:10:29 | |
Over four million tickets sold in 1947. | 0:10:29 | 0:10:32 | |
How on earth could it have been so many? | 0:10:32 | 0:10:34 | |
Well, because there were so many stevedores and dockers | 0:10:34 | 0:10:37 | |
and, of course, all the people arriving on boats | 0:10:37 | 0:10:39 | |
were all coming in and out, so it was very vibrant. | 0:10:39 | 0:10:42 | |
With the Empire at its peak and manufacturing booming, | 0:10:42 | 0:10:46 | |
by the 1880s the London docks were becoming increasingly overcrowded, | 0:10:46 | 0:10:50 | |
so Tilbury provided an alternative. | 0:10:50 | 0:10:53 | |
Now, Bradshaw's mentions the fort, all right, | 0:10:53 | 0:10:56 | |
but it doesn't really mention the port. | 0:10:56 | 0:10:58 | |
How was it that the port came to exist? | 0:10:58 | 0:11:00 | |
It was only in 1882 that the East and West India Dock Company | 0:11:00 | 0:11:03 | |
decided to build a new downstream dock. | 0:11:03 | 0:11:05 | |
And they were looking and, obviously, | 0:11:05 | 0:11:07 | |
saw that there was already a fantastic railway line here | 0:11:07 | 0:11:10 | |
and so, on the back of that, the docks were built here in 1886. | 0:11:10 | 0:11:13 | |
So, the railways made it all happen. | 0:11:13 | 0:11:15 | |
Yeah, the railways were the catalyst for the whole development. | 0:11:15 | 0:11:18 | |
And how's the port doing now? | 0:11:18 | 0:11:19 | |
Oh, doing very well and a very vast, diverse set of services | 0:11:19 | 0:11:24 | |
which we ought to go and have a look at. | 0:11:24 | 0:11:27 | |
Today Tilbury Docks | 0:11:27 | 0:11:29 | |
is the United Kingdom's third-largest container port. | 0:11:29 | 0:11:32 | |
About 3,000 cargo ships a year use the port, | 0:11:32 | 0:11:36 | |
handling over 12.5 million tonnes of cargo. | 0:11:36 | 0:11:39 | |
It's an amazingly busy port today. | 0:11:39 | 0:11:42 | |
What were they doing here in Victorian times? | 0:11:42 | 0:11:45 | |
Well, when the dock first opened, of course, it was a bit sluggish, | 0:11:45 | 0:11:48 | |
but there were general cargos coming in. | 0:11:48 | 0:11:51 | |
For instance, strangely, sausage skins was one, | 0:11:53 | 0:11:57 | |
but jute and timber products were also coming in. | 0:11:57 | 0:12:01 | |
One of the oddities was the arrival of zoos. | 0:12:01 | 0:12:03 | |
Whole zoos were being packed up and - | 0:12:03 | 0:12:06 | |
well, London Zoo, indeed - and being brought here. | 0:12:06 | 0:12:09 | |
So, there were strange pictures I've seen | 0:12:09 | 0:12:11 | |
of elephants coming off on cranes | 0:12:11 | 0:12:13 | |
and also quite wild animals like leopards and lions. | 0:12:13 | 0:12:17 | |
How is it that Tilbury has done so well? | 0:12:17 | 0:12:19 | |
Well, it has maintained the railway and the road link | 0:12:19 | 0:12:21 | |
and therefore it is pretty efficient. | 0:12:21 | 0:12:24 | |
And by comparison with the port of London? | 0:12:24 | 0:12:26 | |
Doesn't exist...does it? | 0:12:26 | 0:12:28 | |
With all these containers, are they using trains today? | 0:12:28 | 0:12:31 | |
Absolutely, you can see all around us, | 0:12:31 | 0:12:33 | |
there's something like 50 miles of rail within the docks | 0:12:33 | 0:12:35 | |
originally and freight liner services are still taking | 0:12:35 | 0:12:39 | |
out 80% of containers around Great Britain | 0:12:39 | 0:12:42 | |
and it's absolutely amazing! | 0:12:42 | 0:12:43 | |
Well, that I have to look at. | 0:12:43 | 0:12:46 | |
These immensely powerful cranes whisk the containers along as | 0:12:47 | 0:12:51 | |
though they were weightless. | 0:12:51 | 0:12:52 | |
Looks like there's nothing to it. I'll give it a try! | 0:12:52 | 0:12:56 | |
-Hello, Ron! -Hello, Michael! Come on up, sir. | 0:12:57 | 0:13:00 | |
We're going to pick that container up there | 0:13:05 | 0:13:08 | |
and we're going to put it in what we call a pocket wagon. | 0:13:08 | 0:13:10 | |
-Oh, yes, look at that lovely hole waiting for our container! -OK. | 0:13:10 | 0:13:13 | |
That bell means Michael Portillo is at the controls, stand aside. | 0:13:13 | 0:13:18 | |
That's it, forwards, down you go. | 0:13:18 | 0:13:21 | |
Right, one notch and it is beginning to lower. | 0:13:21 | 0:13:24 | |
That's about right. | 0:13:29 | 0:13:32 | |
Now we're well over the target. | 0:13:43 | 0:13:45 | |
We're going to drop it into that hole. | 0:13:45 | 0:13:47 | |
-Job done. -Thank you very much indeed. | 0:13:54 | 0:13:57 | |
-No problem. -One container down. | 0:13:57 | 0:13:59 | |
I think I'll leave the rest to Ron! | 0:13:59 | 0:14:02 | |
-Are you driving the train? -I am indeed. -Where's it headed for? | 0:14:02 | 0:14:04 | |
This one's going out to Leeds. | 0:14:04 | 0:14:06 | |
-Oh, well, a tip for you, I loaded that first wagon there. -Oh, OK. | 0:14:06 | 0:14:09 | |
So careful on the bends! | 0:14:09 | 0:14:11 | |
-OK, I'll keep my eye on that one then. -Thank you. | 0:14:11 | 0:14:14 | |
It's time for me to continue my journey. | 0:14:19 | 0:14:23 | |
I'm heading now to Kent, so I need to cross the Thames. | 0:14:23 | 0:14:27 | |
Bradshaw's tells me that, "Steamers ply between this station and the | 0:14:27 | 0:14:30 | |
"pier at Gravesend at the departure and arrival of every train". | 0:14:30 | 0:14:35 | |
Sadly, there are no more trains, but the ferry still runs. | 0:14:35 | 0:14:39 | |
The ferry is still used by dock workers | 0:14:42 | 0:14:45 | |
and provides the most easterly crossing of the River Thames. | 0:14:45 | 0:14:49 | |
Gravesend, says my guide, is, | 0:14:56 | 0:14:58 | |
"A capital starting point for a series of excursions throughout | 0:14:58 | 0:15:01 | |
"the finest parts of Kent. | 0:15:01 | 0:15:03 | |
"None should neglect Cobham, where, in the old | 0:15:03 | 0:15:07 | |
"wood and hall, a day's enjoyment can be most fully insured." | 0:15:07 | 0:15:11 | |
Well, it should therefore be good enough | 0:15:11 | 0:15:13 | |
for what remains of the evening. | 0:15:13 | 0:15:15 | |
Cobham Hall was the seat of an old Kentish aristocratic family, | 0:15:17 | 0:15:21 | |
The Darnleys. | 0:15:21 | 0:15:22 | |
Bradshaw's mentions a family mausoleum, grandly situated | 0:15:22 | 0:15:25 | |
on William's Hill in the grounds of the estate. | 0:15:25 | 0:15:28 | |
David Standen is going to show me around. | 0:15:29 | 0:15:32 | |
Bradshaw's says that this was "a spacious mausoleum | 0:15:33 | 0:15:35 | |
"erected in 1783 by Lord Darnley, | 0:15:35 | 0:15:39 | |
"but never was consecrated." | 0:15:39 | 0:15:42 | |
What's the story there? | 0:15:42 | 0:15:44 | |
There are a number of stories as to why it wasn't consecrated, | 0:15:44 | 0:15:48 | |
ranging from the Bishop running into a storm crossing the Channel | 0:15:48 | 0:15:51 | |
the day before he was due to consecrate it, | 0:15:51 | 0:15:54 | |
but the most likely reason, | 0:15:54 | 0:15:56 | |
the reason that it is sitting here empty today, | 0:15:56 | 0:15:58 | |
is probably a dispute, an argument between the Earl and the archbishop | 0:15:58 | 0:16:02 | |
about funding, particularly the amount of money | 0:16:02 | 0:16:05 | |
that the Darnley family put into the church. | 0:16:05 | 0:16:07 | |
The Third Earl of Darnley ordered the mausoleum to be built | 0:16:07 | 0:16:10 | |
after his family ran out of burial space in Westminster Abbey. | 0:16:10 | 0:16:13 | |
Completed in 1786, the design was inspired by the classical | 0:16:13 | 0:16:18 | |
architecture that the Earl had admired | 0:16:18 | 0:16:21 | |
on his Grand Tour of Italy as a young man. | 0:16:21 | 0:16:24 | |
It must have been considered extraordinary, architecturally speaking. | 0:16:24 | 0:16:28 | |
Bradshaw's devotes a lot of space to it. | 0:16:28 | 0:16:31 | |
He tells me that it's built of Portland stone, | 0:16:31 | 0:16:34 | |
in an octagonal form, and that it cost £9,000! | 0:16:34 | 0:16:38 | |
It was an incredible piece of architecture of the time. | 0:16:38 | 0:16:41 | |
Well, we're very lucky then that it's survived to the present day. | 0:16:41 | 0:16:43 | |
Quite a miracle that it's survived to the current day. | 0:16:43 | 0:16:46 | |
It has gone through some very turbulent times, | 0:16:46 | 0:16:49 | |
particularly in the '70s and '80s. | 0:16:49 | 0:16:51 | |
The crypt itself was filled with car tyres on Bonfire Night, | 0:16:51 | 0:16:55 | |
petrol poured on it and set light to, | 0:16:55 | 0:16:57 | |
which caused the collapse of the roof that's above us now. | 0:16:57 | 0:17:00 | |
And so how is it that it's been restored to its present very good condition? | 0:17:00 | 0:17:05 | |
The catalyst was the impact of the high-speed rail link on the edge of the historic park. | 0:17:05 | 0:17:10 | |
The rail company agreed to put forward £750,000 in compensation | 0:17:10 | 0:17:14 | |
and that acted as a seed funding for the restoration of the park. | 0:17:14 | 0:17:17 | |
There's no limit to what the railways can achieve! | 0:17:17 | 0:17:19 | |
Absolutely. | 0:17:19 | 0:17:20 | |
It's the end of the day and I'm fortunate to be staying the night at Cobham Hall. | 0:17:26 | 0:17:31 | |
Today, I'm back in Gravesend, pursuing a recommendation | 0:17:42 | 0:17:46 | |
from my trusty Bradshaw's. | 0:17:46 | 0:17:47 | |
The guidebook tells me that, "The terraced gardens | 0:17:48 | 0:17:51 | |
"on each side of the entrance to Gravesend pier | 0:17:51 | 0:17:54 | |
"are really very creditably and tastefully laid out." | 0:17:54 | 0:17:59 | |
Unfortunately, they haven't survived, | 0:17:59 | 0:18:01 | |
but thanks to a military hero | 0:18:01 | 0:18:03 | |
who lived in Gravesend, there's another delightful open space. | 0:18:03 | 0:18:07 | |
-How are you? -Very well indeed, thank you. | 0:18:12 | 0:18:14 | |
-Good. Can I join you for a moment? -You can. -Who's this? | 0:18:14 | 0:18:17 | |
-Lily. -Hello, Lily. | 0:18:17 | 0:18:20 | |
Lily, do you walk sometimes in the Gordon Gardens? | 0:18:20 | 0:18:23 | |
Oh, yes. Every morning, we're down here. | 0:18:23 | 0:18:26 | |
-I wanted to ask you whether you knew who General Gordon was. -Yes. | 0:18:26 | 0:18:31 | |
He was the chap that led the British Army at Khartoum. | 0:18:31 | 0:18:36 | |
The natives took a little bit of a dislike to him | 0:18:36 | 0:18:40 | |
and pulled him out and - bomp - that was it. | 0:18:40 | 0:18:43 | |
General Gordon was one of Queen Victoria's favourite army officers. | 0:18:43 | 0:18:47 | |
Born in Woolwich, the son of an artillery officer, | 0:18:47 | 0:18:50 | |
he distinguished himself in the Crimea | 0:18:50 | 0:18:52 | |
and in 1860 was posted to China to fight in the so-called Opium Wars. | 0:18:52 | 0:18:57 | |
Upon his return to Britain, he had become a popular figure, | 0:18:57 | 0:19:01 | |
and was posted here to Gravesend. | 0:19:01 | 0:19:03 | |
I'm meeting Tony Larkin in the gardens named after Gordon | 0:19:03 | 0:19:07 | |
to find out more. | 0:19:07 | 0:19:09 | |
Now, Gordon of Khartoum, I think of. He died in the Sudan. | 0:19:09 | 0:19:12 | |
What's he got to do with Gravesend? | 0:19:12 | 0:19:13 | |
He was in Gravesend for six years. | 0:19:13 | 0:19:15 | |
It was the longest posting he ever had in one place. | 0:19:15 | 0:19:18 | |
-What was he doing here? -Redevelopment of the forts. | 0:19:18 | 0:19:22 | |
They were falling to pieces. | 0:19:22 | 0:19:24 | |
-Was he already quite well known? -Probably not in Gravesend, | 0:19:24 | 0:19:26 | |
but around the nation as Chinese Gordon, yes. | 0:19:26 | 0:19:29 | |
Why was he called Chinese Gordon? | 0:19:29 | 0:19:31 | |
Because of the squashing of the Taiping rebellion. | 0:19:31 | 0:19:33 | |
In May 1862, Gordon's corps of engineers had been assigned | 0:19:35 | 0:19:39 | |
to strengthen the defence of Shanghai. | 0:19:39 | 0:19:42 | |
This free port, so valuable to British trade, | 0:19:42 | 0:19:45 | |
was threatened by an uprising, the Taiping Rebellion, | 0:19:45 | 0:19:48 | |
which had raged for 12 years. | 0:19:48 | 0:19:50 | |
During 18 months, troops under Gordon's command | 0:19:51 | 0:19:54 | |
helped to suppress the insurrection, | 0:19:54 | 0:19:56 | |
and to keep the port open. | 0:19:56 | 0:19:59 | |
This man was so used to warfare, to action and then he's sent to, | 0:19:59 | 0:20:03 | |
forgive me, Gravesend. Doesn't he get a bit bored here? | 0:20:03 | 0:20:07 | |
Yes, cos at the end of the day, when you've been | 0:20:07 | 0:20:10 | |
in action for something like seven years from one place to another, | 0:20:10 | 0:20:13 | |
fighting and fighting and fighting, | 0:20:13 | 0:20:15 | |
and suddenly come to a place like Gravesend... | 0:20:15 | 0:20:17 | |
-Did he warm to Gravesend eventually? -Oh, yes. | 0:20:17 | 0:20:20 | |
I think he really genuinely loved the place. | 0:20:20 | 0:20:23 | |
Probably not the town itself, but its people. | 0:20:23 | 0:20:27 | |
And it seems that the feeling was mutual. | 0:20:27 | 0:20:29 | |
Tony has led me to an impressive statue | 0:20:29 | 0:20:31 | |
commemorating General Gordon. | 0:20:31 | 0:20:34 | |
Why were the people of Gravesend so keen to remember Gordon? | 0:20:34 | 0:20:37 | |
-What had he done for them? -It's the good works, really. | 0:20:37 | 0:20:39 | |
Gordon spent six years here | 0:20:39 | 0:20:41 | |
looking after the poor and needy of the parish, really. | 0:20:41 | 0:20:45 | |
General Gordon became the chairman of the local ragged school, | 0:20:45 | 0:20:49 | |
where he insisted on a far-sighted new code of practice. | 0:20:49 | 0:20:52 | |
He made laws that any child that came to this school, | 0:20:52 | 0:20:55 | |
whatever their religion or creed, they were fed with food. | 0:20:55 | 0:20:58 | |
Because there were still these demarcation lines about faiths. | 0:20:58 | 0:21:01 | |
But Gordon said, you will feed any child or any person | 0:21:01 | 0:21:05 | |
that comes to this place and you will give them soup and bread | 0:21:05 | 0:21:08 | |
and that became known as the Gordon law. | 0:21:08 | 0:21:10 | |
It's been estimated that he gave away 90% of his army pay of £3,000 a year | 0:21:10 | 0:21:16 | |
to the poor of Gravesend, | 0:21:16 | 0:21:17 | |
and kept up his generosity in the years after he left. | 0:21:17 | 0:21:21 | |
In 1884, Gordon was sent to the Sudan | 0:21:21 | 0:21:24 | |
to help the Egyptians deal with a rebellion. | 0:21:24 | 0:21:27 | |
He died at the siege of Khartoum. | 0:21:27 | 0:21:30 | |
-What led to Gordon's death? -Well, basically, he was trapped. | 0:21:30 | 0:21:33 | |
On a personal level, he could have got out, I believe, | 0:21:33 | 0:21:35 | |
but he would not betray his people. | 0:21:35 | 0:21:37 | |
He was their father, their guv'nor. He was their boss, | 0:21:37 | 0:21:40 | |
and basically, he decided he would stay with them | 0:21:40 | 0:21:44 | |
because it would look morally bad for him to run away. | 0:21:44 | 0:21:47 | |
Gordon was a national hero, | 0:21:47 | 0:21:49 | |
and news of his death led to an outpouring of grief... | 0:21:49 | 0:21:52 | |
..nowhere more than at Gravesend. | 0:21:55 | 0:21:56 | |
From here I'm embarking on a railway journey across Kent, | 0:22:02 | 0:22:06 | |
and it sounds as if I'm in for a treat. | 0:22:06 | 0:22:08 | |
My guidebook enthuses about Kent. "From the diversity | 0:22:19 | 0:22:23 | |
"of its surface, the noble rivers by which it is watered, the richness | 0:22:23 | 0:22:27 | |
"and variety of its inland scenery, | 0:22:27 | 0:22:30 | |
"and the more sublime beauties of its sea coast, | 0:22:30 | 0:22:33 | |
"this county ranks among the most interesting portions of our island." | 0:22:33 | 0:22:39 | |
According to Bradshaw's, | 0:22:39 | 0:22:41 | |
this is not so much the Garden of England as the Garden of Eden! | 0:22:41 | 0:22:45 | |
I'll be getting out at Rochester, which, Bradshaw's reminds me, was | 0:22:53 | 0:22:57 | |
"a British town before the Roman invasion. | 0:22:57 | 0:23:01 | |
"An amphitheatre of hills encircles the beautiful landscape. | 0:23:01 | 0:23:06 | |
"The Medway serpentines round the castle and cathedral, | 0:23:06 | 0:23:09 | |
"to render a complete picturesque panorama". | 0:23:09 | 0:23:14 | |
I have great expectations. | 0:23:14 | 0:23:16 | |
'I'm told there's a tale or two of this city.' | 0:23:22 | 0:23:26 | |
You can barely turn or twist | 0:23:26 | 0:23:28 | |
without spotting a reference to a truly great author. | 0:23:28 | 0:23:32 | |
This bleak place, overgrown with nettles... | 0:23:32 | 0:23:35 | |
Charles Dickens. | 0:23:35 | 0:23:37 | |
..and that Philip Pirrip, late of this parish, | 0:23:37 | 0:23:39 | |
and also Georgina, wife of the above, were dead and buried. | 0:23:39 | 0:23:42 | |
-Well read! -Thank you! | 0:23:46 | 0:23:47 | |
You must be very keen Dickensians to get dressed up like this. | 0:23:47 | 0:23:52 | |
There's no doubt who you are. | 0:23:52 | 0:23:53 | |
You've got the iron around your leg and the rag around your head. | 0:23:53 | 0:23:56 | |
-And I've got my pork pie. -You've got a pork pie so you're the convict, | 0:23:56 | 0:23:59 | |
Magwitch, from Great Expectations, aren't you? | 0:23:59 | 0:24:01 | |
Why is Dickens so great, in your view? | 0:24:01 | 0:24:05 | |
I think it was just the characters he had. | 0:24:05 | 0:24:07 | |
Such marvellous characters. | 0:24:07 | 0:24:09 | |
This is why I like doing Magwitch, but also you have Fagin | 0:24:09 | 0:24:12 | |
and Miss Havisham. Just so many characters. | 0:24:12 | 0:24:15 | |
He was an artist! | 0:24:15 | 0:24:16 | |
He painted these stories so well for us | 0:24:16 | 0:24:21 | |
and gave us such great descriptive language | 0:24:21 | 0:24:24 | |
and you're drawn into it straightaway. | 0:24:24 | 0:24:27 | |
Charles Dickens grew up near Rochester, | 0:24:28 | 0:24:31 | |
falling in love with the house at Gads Hill Place | 0:24:31 | 0:24:33 | |
when he was a boy. | 0:24:33 | 0:24:35 | |
He never forgot it and came back to live there in his mid-forties. | 0:24:35 | 0:24:39 | |
With his photographic memory, | 0:24:39 | 0:24:41 | |
he could pepper his works with descriptions of people and places, | 0:24:41 | 0:24:45 | |
drawn from the Rochester of his childhood. | 0:24:45 | 0:24:48 | |
Steve Martin is giving me a tour of this Dickensian city. | 0:24:48 | 0:24:52 | |
Does Rochester make its way into the novels? | 0:24:53 | 0:24:55 | |
All the way through his major works, | 0:24:55 | 0:24:57 | |
he uses the buildings that he knew from his youth. | 0:24:57 | 0:25:00 | |
Behind us you've got the lovely clock, | 0:25:00 | 0:25:02 | |
which, when he was a small boy, he was frightened of. | 0:25:02 | 0:25:05 | |
In later life he wrote that why on earth was he frightened of such a thing as that? | 0:25:05 | 0:25:09 | |
Another major feature of the High Street here is Rochester Cathedral | 0:25:09 | 0:25:12 | |
and the castle. | 0:25:12 | 0:25:14 | |
And the town of Rochester in Edwin Drood was called Cloisterham. | 0:25:14 | 0:25:17 | |
And the centre of the story is based on Rochester Cathedral. | 0:25:17 | 0:25:20 | |
How did he feel about railways? | 0:25:20 | 0:25:22 | |
Wherever he went, he went by railway, | 0:25:22 | 0:25:24 | |
even when he was in America. | 0:25:24 | 0:25:26 | |
But that all changed | 0:25:26 | 0:25:28 | |
when he was involved in the Staplehurst rail crash. | 0:25:28 | 0:25:31 | |
The Folkestone to London boat train | 0:25:32 | 0:25:34 | |
derailed on a viaduct in Staplehurst in Kent in June 1865. | 0:25:34 | 0:25:40 | |
Dickens was in a first-class compartment | 0:25:40 | 0:25:42 | |
and narrowly escaped with his life. | 0:25:42 | 0:25:45 | |
Charles Dickens was seen to wander around the scene | 0:25:45 | 0:25:48 | |
giving people brandy and water from his top hat. | 0:25:48 | 0:25:51 | |
So did he not use the railways again? | 0:25:52 | 0:25:54 | |
Reluctantly, he did use the railways | 0:25:54 | 0:25:56 | |
but it did change his opinions of it and he was very reluctant to use them. | 0:25:56 | 0:26:01 | |
Tucked away off the High Street is another gem | 0:26:01 | 0:26:03 | |
of Rochester's Dickensian heritage | 0:26:03 | 0:26:05 | |
which was moved here from its original site in Gads Hill. | 0:26:05 | 0:26:09 | |
And this, of course, is Charles Dickens' writing chalet. | 0:26:09 | 0:26:12 | |
Christmas Eve in 1864, Charles Fector, | 0:26:12 | 0:26:16 | |
the actor friend of Charles Dickens, | 0:26:16 | 0:26:18 | |
said he had a Christmas present waiting for him at Higham station | 0:26:18 | 0:26:21 | |
but he'd have to collect it because it was heavy. | 0:26:21 | 0:26:24 | |
When they eventually went down there, there were 56 packing cases | 0:26:24 | 0:26:27 | |
containing 94 pieces. | 0:26:27 | 0:26:29 | |
The early flat pack and it was the Swiss chalet. | 0:26:29 | 0:26:32 | |
The story goes he used all his guests and his staff | 0:26:32 | 0:26:35 | |
to go down and collect it | 0:26:35 | 0:26:37 | |
and spent the Christmas festivities trying to put it together. | 0:26:37 | 0:26:40 | |
What use did Charles Dickens make of his Swiss chalet? | 0:26:40 | 0:26:43 | |
He furnished the upper floor as a study | 0:26:43 | 0:26:45 | |
and did some of his most famous and most serious work in there. | 0:26:45 | 0:26:49 | |
What do you think was Dickens' contribution to Victorian society? | 0:26:49 | 0:26:53 | |
Charles Dickens was one of the most...or the best social reformers of his time. | 0:26:53 | 0:26:57 | |
He was asked to stand for Parliament a couple of times | 0:26:57 | 0:27:00 | |
but he turned it down, saying to the effect of he could do more by writing one book | 0:27:00 | 0:27:04 | |
than he could for a lifetime in Parliament. | 0:27:04 | 0:27:07 | |
Charles Dickens was laid to rest in Poets' Corner at Westminster Abbey after his death in June 1870. | 0:27:07 | 0:27:15 | |
His wish to be buried in a simple grave at Rochester Cathedral was ignored. | 0:27:15 | 0:27:19 | |
General Gordon of Khartoum fought a battle against poverty in Gravesend. | 0:27:25 | 0:27:30 | |
Dr Barnardo, with evangelical zeal, | 0:27:30 | 0:27:33 | |
created a national institution for the relief of destitute children. | 0:27:33 | 0:27:38 | |
Charles Dickens was perhaps the greatest Victorian social reformer of all. | 0:27:38 | 0:27:43 | |
His novels revealed the horrors of the slums and the workhouses | 0:27:43 | 0:27:48 | |
and he spread the word on speaking tours, | 0:27:48 | 0:27:51 | |
making use of the new railways. | 0:27:51 | 0:27:53 | |
'Next time, I'll deliver beer with old-fashioned directness...' | 0:27:58 | 0:28:03 | |
Anyone in need of a drink? | 0:28:03 | 0:28:05 | |
'..learn about some old balls...' | 0:28:06 | 0:28:09 | |
That is the oldest cricket ball known to exist anywhere in the world. | 0:28:09 | 0:28:12 | |
It was used in a match at Lords in 1820. | 0:28:12 | 0:28:15 | |
'..and ruffle some feathers in Dorking.' | 0:28:16 | 0:28:19 | |
I quite like a wash and blow-dry myself, so we're birds of a feather. | 0:28:19 | 0:28:23 |