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When Christopher Columbus passed by this part | 0:00:11 | 0:00:14 | |
of Central America in 1502, he found a people bedecked in gold. | 0:00:14 | 0:00:18 | |
Europeans later named this land Costa Rica - the Rich Coast. | 0:00:18 | 0:00:23 | |
'But their initial interest in these lands, | 0:00:26 | 0:00:28 | |
'unlike other parts of Central America, was fleeting. | 0:00:28 | 0:00:32 | |
'And until the turn of the 20th century, | 0:00:32 | 0:00:35 | |
'archaeologists ignored this part of the world too. | 0:00:35 | 0:00:38 | |
'And yet hidden here for centuries was a treasure trove of ancient | 0:00:39 | 0:00:43 | |
'art and a history of powerful, independent societies. | 0:00:43 | 0:00:47 | |
'This was a land of mysterious stone spheres with vast settlements | 0:00:52 | 0:00:57 | |
'spreading deep into tropical valleys, | 0:00:57 | 0:01:00 | |
'and clinging to the slopes of forbidding mountains. | 0:01:00 | 0:01:04 | |
'And in this spectacular, vibrant landscape, amongst volcanoes | 0:01:04 | 0:01:07 | |
'and raging rivers, between oceans and continents, people | 0:01:07 | 0:01:12 | |
'created art and architecture which was astonishing in its complexity.' | 0:01:12 | 0:01:16 | |
Who were these people that Columbus saw, | 0:01:18 | 0:01:20 | |
draped from head to toe in gold? | 0:01:20 | 0:01:22 | |
Why were their elaborate settlements abandoned, | 0:01:22 | 0:01:25 | |
and what did they leave behind? | 0:01:25 | 0:01:26 | |
'My name is Jago Cooper. I'm a specialist in the archaeology | 0:01:32 | 0:01:36 | |
'of the Americas. In this series, I will be exploring the rise | 0:01:36 | 0:01:42 | |
'and fall of forgotten civilisations, | 0:01:42 | 0:01:44 | |
'from the crystal clear seas of the Caribbean, | 0:01:44 | 0:01:48 | |
'to the new world's most impressive pyramids, | 0:01:48 | 0:01:51 | |
'over the smoking volcanoes of Costa Rica, | 0:01:51 | 0:01:55 | |
'and deep underground in the caves of Central Mexico. | 0:01:55 | 0:01:59 | |
'I'll travel in the footsteps of these peoples | 0:02:03 | 0:02:06 | |
'to reveal their secrets, to unearth the astonishing cultures | 0:02:06 | 0:02:10 | |
'that flourished amongst some of the most dramatic landscapes | 0:02:10 | 0:02:13 | |
'in the world. | 0:02:13 | 0:02:14 | |
'And there are few landscapes more dramatic than Costa Rica, | 0:02:17 | 0:02:20 | |
'where 1,000 years ago, forgotten peoples battled against the elements | 0:02:20 | 0:02:25 | |
'to build a string of cities whose remains snake across this land.' | 0:02:25 | 0:02:29 | |
I want to find out the story of these people. | 0:02:29 | 0:02:32 | |
Find out why they rose, flourished, | 0:02:32 | 0:02:34 | |
and fell - and why that story has remained a mystery for centuries. | 0:02:34 | 0:02:38 | |
'Much of Costa Rica's ancient art | 0:02:58 | 0:03:00 | |
'and architecture was rediscovered during the 20th century. | 0:03:00 | 0:03:04 | |
'These discoveries helped us identify dozens of important | 0:03:06 | 0:03:09 | |
'settlements, which had lain buried and forgotten | 0:03:09 | 0:03:12 | |
'for hundreds of years.' | 0:03:12 | 0:03:13 | |
Archaeologists group together southern Costa Rica | 0:03:16 | 0:03:19 | |
and northern Panama under the term "Chiriqui" - a period roughly | 0:03:19 | 0:03:23 | |
800 to 1,500AD, when a collection of powerful societies arise. | 0:03:23 | 0:03:28 | |
A period of religious, | 0:03:28 | 0:03:29 | |
political and population growth that ends as suddenly as it began. | 0:03:29 | 0:03:34 | |
'It's a story that archaeologists are only just beginning | 0:03:42 | 0:03:45 | |
'to piece together. | 0:03:45 | 0:03:46 | |
'And to begin to understand the civilisation of the Chiriqui | 0:03:46 | 0:03:50 | |
'era, we need to understand the landscape in which they lived.' | 0:03:50 | 0:03:54 | |
This land is crushed between two oceans, with the Atlantic | 0:04:10 | 0:04:14 | |
just down there and the Pacific behind. | 0:04:14 | 0:04:17 | |
Just 100 miles between them. | 0:04:17 | 0:04:18 | |
These mountains rise up, with these steep valleys and ridges. | 0:04:18 | 0:04:22 | |
It's a hot, humid, mountainous terrain. | 0:04:22 | 0:04:25 | |
The climate and landscape combine to make this | 0:04:32 | 0:04:35 | |
a challenging environment. | 0:04:35 | 0:04:36 | |
And Costa Rica is home to some of nature's most destructive forces. | 0:04:38 | 0:04:42 | |
We're coming over the Turrialba volcano, | 0:04:42 | 0:04:44 | |
it's absolutely spectacular. | 0:04:44 | 0:04:47 | |
You can see the smoke coming out of the crater, | 0:04:47 | 0:04:50 | |
cos it's still very active, this volcano. | 0:04:50 | 0:04:52 | |
You can understand why, for decades, | 0:04:54 | 0:04:56 | |
historians believed no significant societies could have existed here. | 0:04:56 | 0:05:01 | |
The landscape seemed too hostile, too fractured, | 0:05:01 | 0:05:04 | |
for major settlements to flourish. | 0:05:04 | 0:05:06 | |
Instead, they focused their attention on what lay at either | 0:05:06 | 0:05:10 | |
end of this narrow strip of land. | 0:05:10 | 0:05:12 | |
To the north, you'll find the empires of the Maya, | 0:05:12 | 0:05:15 | |
and to the south, the famous cultures of the Andes. | 0:05:15 | 0:05:18 | |
But it's here, in this narrow isthmus, | 0:05:18 | 0:05:20 | |
hidden away in these valleys beneath the forest canopies, | 0:05:20 | 0:05:23 | |
that we find a whole series of vibrant cities waiting to be explored. | 0:05:23 | 0:05:28 | |
In the centuries before the Spanish conquest, | 0:05:31 | 0:05:34 | |
a complex and connected series of settlements rose in this | 0:05:34 | 0:05:38 | |
part of the world, from central Costa Rica right down to Panama. | 0:05:38 | 0:05:42 | |
They were able to flourish because this terrain | 0:05:43 | 0:05:46 | |
isn't as inhospitable as it appeared to the Europeans. | 0:05:46 | 0:05:50 | |
There's plenty of water, and volcanic ash creates a rich, | 0:05:50 | 0:05:53 | |
fertile soil. | 0:05:53 | 0:05:55 | |
But even once interest was piqued, finding these lost | 0:05:55 | 0:05:58 | |
cities in this landscape can be something of a challenge. | 0:05:58 | 0:06:01 | |
On average, nearly three metres of rain fall every year, | 0:06:11 | 0:06:15 | |
obliterating wooden structures and organic material. | 0:06:15 | 0:06:17 | |
And rain feeds this spectacular tropical vegetation, | 0:06:19 | 0:06:22 | |
which just engulfs anything man-made within a few years. | 0:06:22 | 0:06:25 | |
'But deep in the agricultural heart of the country, | 0:06:35 | 0:06:38 | |
'archaeologist Jeff Frost and his colleagues have spent | 0:06:38 | 0:06:41 | |
'the last two decades working at a site called Rivas. | 0:06:41 | 0:06:44 | |
'It's a site where we discover the first clues | 0:06:47 | 0:06:49 | |
'about how the Chiriqui people lived - and died.' | 0:06:49 | 0:06:52 | |
So, where should we start? | 0:06:53 | 0:06:55 | |
-So this is actually the site? -This is the site. This is it. | 0:06:55 | 0:06:58 | |
So there's actually people living on it right now, then? | 0:06:58 | 0:07:01 | |
Yes, it looks like they've utilised some of the stone circles here | 0:07:01 | 0:07:06 | |
and built right upon them. | 0:07:06 | 0:07:07 | |
So some of these walls you see here, | 0:07:07 | 0:07:09 | |
these stones are actually parts of the site. | 0:07:09 | 0:07:12 | |
'The modern world may be encroaching on the ancient ruins of Rivas, | 0:07:14 | 0:07:19 | |
'but roughly 700 years after it was abandoned, | 0:07:19 | 0:07:22 | |
'the outline of a settlement is still visible.' | 0:07:22 | 0:07:24 | |
It consists mostly of stone circles ranging from about ten metres | 0:07:27 | 0:07:31 | |
in diameter to about 30 metres in diameter. | 0:07:31 | 0:07:34 | |
This looks like... Is that one there, coming round here? | 0:07:34 | 0:07:36 | |
Yeah, exactly, we're just about to enter one here. | 0:07:36 | 0:07:38 | |
-You can see the other side of it here. -Mm-hm. | 0:07:38 | 0:07:40 | |
And it circles round this way. | 0:07:40 | 0:07:42 | |
And on that side of it we have one of the other architectural | 0:07:42 | 0:07:44 | |
features, which is a series of steps coming up from a causeway. | 0:07:44 | 0:07:48 | |
And these, they look almost like they are level platforms - | 0:07:48 | 0:07:51 | |
do you think these have been humanly levelled, | 0:07:51 | 0:07:53 | |
or have they just taken advantage of naturally flat ground? | 0:07:53 | 0:07:55 | |
It looks like what was happening here was they were modifying | 0:07:55 | 0:07:58 | |
the natural landscape, so as you move up from one terrace to the next, | 0:07:58 | 0:08:01 | |
these are natural terraces, but what they have done is they have | 0:08:01 | 0:08:04 | |
moved the rocks around into the positions that work for them. | 0:08:04 | 0:08:08 | |
And where are we standing here? | 0:08:08 | 0:08:09 | |
What is this stone platform, do you think, telling us? | 0:08:09 | 0:08:12 | |
This is one of probably about 30 stone circles in this site. | 0:08:12 | 0:08:16 | |
This isn't one of the largest ones, but it's pretty close. | 0:08:16 | 0:08:20 | |
This one's about 20 metres in diameter, and is constructed of | 0:08:20 | 0:08:24 | |
these large boulders that would have been moved into these positions. | 0:08:24 | 0:08:29 | |
This originally would have been a covered space, most likely, | 0:08:29 | 0:08:33 | |
so if we had been standing here in AD 1,000 or so, | 0:08:33 | 0:08:38 | |
we would have been inside one of these large, conical structures. | 0:08:38 | 0:08:42 | |
The evidence suggests that Rivas consisted largely of these | 0:08:44 | 0:08:48 | |
structures - probably homes - for several hundred years. | 0:08:48 | 0:08:51 | |
These families would have harvested maize | 0:08:53 | 0:08:55 | |
and other crops for subsistence. | 0:08:55 | 0:08:57 | |
But Jeff believes that at one particular moment | 0:08:59 | 0:09:01 | |
in the Chiriqui era, Rivas underwent a substantial change. | 0:09:01 | 0:09:05 | |
A collection of homes was transformed into an important | 0:09:06 | 0:09:09 | |
religious site - one which looked very different. | 0:09:09 | 0:09:12 | |
They completely rebuilt the site, and that involved building | 0:09:13 | 0:09:17 | |
the main monumental architecture on this central axis. | 0:09:17 | 0:09:21 | |
The central axis consisted of plazas, these stone circles, | 0:09:21 | 0:09:25 | |
steps, staircases, causeways - all arranged sequentially | 0:09:25 | 0:09:31 | |
in order to move people from one end of the site, through the site, | 0:09:31 | 0:09:34 | |
and then eventually up to the Panteon de la Reina above. | 0:09:34 | 0:09:39 | |
There were probably ceremonial specialists, funerary specialists, | 0:09:39 | 0:09:43 | |
chiefs, priests, all of whom would have helped | 0:09:43 | 0:09:46 | |
control the activities and guide participants through. | 0:09:46 | 0:09:50 | |
This strikes me as really important. | 0:09:52 | 0:09:55 | |
Rivas was completely rebuilt. | 0:09:55 | 0:09:58 | |
Houses were replaced with grand plazas. | 0:09:58 | 0:10:01 | |
And processional roads transformed Rivas from a village | 0:10:01 | 0:10:05 | |
into a place of pilgrimage. | 0:10:05 | 0:10:07 | |
The main road led people to a ridge-top cemetery called | 0:10:07 | 0:10:11 | |
Panteon de la Reina - the "Pantheon of the Queen" - | 0:10:11 | 0:10:14 | |
which was once one of the biggest cemeteries in the region. | 0:10:14 | 0:10:18 | |
'And perhaps one answer to the mystery of this transformation | 0:10:19 | 0:10:22 | |
'can be found in the way that the Chiriqui treated their dead. | 0:10:22 | 0:10:26 | |
'1,000 years ago, | 0:10:26 | 0:10:28 | |
'the processions through Rivas would have ended at gravesites here.' | 0:10:28 | 0:10:32 | |
-There's one right there. -Where? OK, cool. | 0:10:32 | 0:10:35 | |
-That thing there? -That's the top of one. | 0:10:38 | 0:10:41 | |
So how would these things have been around the grave, | 0:10:44 | 0:10:47 | |
do you think? | 0:10:47 | 0:10:48 | |
From the best we can tell, | 0:10:48 | 0:10:49 | |
they probably didn't mark individual graves, | 0:10:49 | 0:10:52 | |
but probably groups of graves. | 0:10:52 | 0:10:54 | |
In the way that the cemetery was organised, deceased members | 0:10:54 | 0:10:58 | |
of a single family would have been buried near one another. | 0:10:58 | 0:11:02 | |
So it does appear that they would have commemorated those | 0:11:02 | 0:11:05 | |
individuals and then when they themselves died | 0:11:05 | 0:11:08 | |
they would have been buried with their deceased family members. | 0:11:08 | 0:11:11 | |
'The bodies buried here are long gone, devoured by the tropical soil. | 0:11:13 | 0:11:18 | |
'And sadly, human hands have emptied the graves of valuable artefacts, | 0:11:18 | 0:11:22 | |
'vital clues to Chiriqui life.' | 0:11:22 | 0:11:25 | |
You can see, if you look around here, all these marks in the soil | 0:11:25 | 0:11:29 | |
are looted graves, or at least places where | 0:11:29 | 0:11:32 | |
looters thought there were graves. | 0:11:32 | 0:11:34 | |
So you can define the boundaries of these cemeteries pretty accurately, | 0:11:34 | 0:11:38 | |
by just defining where these holes are. | 0:11:38 | 0:11:42 | |
'But we can guess what the looters were looking for - gold.' | 0:11:43 | 0:11:47 | |
It is said that there were literally pounds | 0:11:48 | 0:11:51 | |
and pounds of gold coming out of this site every day for months. | 0:11:51 | 0:11:54 | |
So the looters would have systematically gone through | 0:11:54 | 0:11:58 | |
here, trying to find the graves, digging them up, tunnelling | 0:11:58 | 0:12:01 | |
to the ones on either side of it and then just taking out the gold. | 0:12:01 | 0:12:05 | |
Heartbreaking though it is to lose | 0:12:08 | 0:12:10 | |
so much of the treasure of Rivas, it's not surprising. | 0:12:10 | 0:12:13 | |
Today, gold is the ultimate symbol of wealth and power. | 0:12:15 | 0:12:19 | |
And because they placed so much gold in their ancestors' graves, perhaps | 0:12:19 | 0:12:23 | |
it held a similar significance for the Chiriqui people. | 0:12:23 | 0:12:26 | |
They certainly used it as an emblem of authority among certain figures. | 0:12:26 | 0:12:32 | |
We know that chiefs often had large amounts of gold. | 0:12:32 | 0:12:35 | |
Other high-status individuals, elites, | 0:12:35 | 0:12:38 | |
would have worn lots of gold. | 0:12:38 | 0:12:40 | |
Probably many commoners didn't have access to gold, so it was | 0:12:40 | 0:12:42 | |
one of those ways of defining who was in charge and who wasn't. | 0:12:42 | 0:12:47 | |
'The gold in these sites gives us some clues about the structure | 0:12:53 | 0:12:57 | |
'of Chiriqui society, but there are so many questions to answer. | 0:12:57 | 0:13:01 | |
'What intrigues me most about this hidden world at Rivas is | 0:13:02 | 0:13:06 | |
'the sudden change that occurs here - the unexplained metamorphosis | 0:13:06 | 0:13:10 | |
'from a residential settlement | 0:13:10 | 0:13:12 | |
'to what appears to be a place of pilgrimage. | 0:13:12 | 0:13:15 | |
'It was a major change in how the Chiriquis | 0:13:16 | 0:13:19 | |
'organised their settlement, | 0:13:19 | 0:13:20 | |
'which in turn would have changed the way they lived their lives. | 0:13:20 | 0:13:24 | |
'Walking around the site helps me to visualise the landscape, | 0:13:24 | 0:13:28 | |
'understand the lives of the people who were living here.' | 0:13:28 | 0:13:31 | |
There's a lot more going on in this part of the world | 0:13:31 | 0:13:34 | |
than was thought for a long time. | 0:13:34 | 0:13:35 | |
What's behind this rapid change at Rivas around 900 AD? | 0:13:35 | 0:13:39 | |
And what's the motivation behind this big phase of construction? | 0:13:39 | 0:13:43 | |
Is the answer connected to the large amounts of gold coming | 0:13:43 | 0:13:46 | |
out of the cemetery at the top of the hill? | 0:13:46 | 0:13:48 | |
The Museo Nacional in San Jose holds many of Costa Rica's | 0:14:06 | 0:14:10 | |
pre-Columbian artefacts. | 0:14:10 | 0:14:12 | |
'I've come here to talk to Myrna Rojas, who manages the collections, | 0:14:13 | 0:14:17 | |
'to find out if these objects can help explain | 0:14:17 | 0:14:19 | |
'what happened at Rivas. | 0:14:19 | 0:14:22 | |
'There is, of course, a lot of gold in the stores here. | 0:14:22 | 0:14:25 | |
'But, intriguingly, | 0:14:26 | 0:14:28 | |
'there are also artefacts from a different source - jade.' | 0:14:28 | 0:14:31 | |
TRANSLATION: | 0:14:31 | 0:14:34 | |
These pieces of jewellery are made from jadeite - | 0:14:42 | 0:14:46 | |
a form of the gemstone jade. | 0:14:46 | 0:14:47 | |
Evidence suggests that, before gold, | 0:14:50 | 0:14:53 | |
jade was the precious material of choice for people in this region. | 0:14:53 | 0:14:57 | |
These beautiful depictions of animals, birds and gods | 0:14:57 | 0:15:00 | |
represented agriculture, vitality, the power of life itself. | 0:15:00 | 0:15:05 | |
We haven't found a major source of jadeite in Costa Rica. | 0:15:08 | 0:15:12 | |
But we do know it was mined in modern-day Guatemala, | 0:15:12 | 0:15:17 | |
over 500 miles to the north. | 0:15:17 | 0:15:19 | |
And we know the use of jadeite flourished in the Mayan empire. | 0:15:19 | 0:15:23 | |
This is a surprisingly important fact. | 0:15:25 | 0:15:28 | |
If the Chiriqui were importing jade from the societies to the north, | 0:15:28 | 0:15:33 | |
they were also forming other connections - | 0:15:33 | 0:15:35 | |
probably trading not only goods, but also ideas and customs. | 0:15:35 | 0:15:40 | |
So, whilst jade was being used, the Chiqirui were clearly in contact | 0:15:41 | 0:15:45 | |
and exchanging influences with their northern neighbours. | 0:15:45 | 0:15:49 | |
But around 700 AD, | 0:16:30 | 0:16:32 | |
something strange happened in Costa Rica - people stopped using jade, | 0:16:32 | 0:16:37 | |
and started using gold. | 0:16:37 | 0:16:39 | |
The earthiness of the jade was replaced by a fine, | 0:16:45 | 0:16:49 | |
delicate gold-work which I've seen many times before, not to the north, | 0:16:49 | 0:16:53 | |
but to the south, over 600 miles away in the Andes. | 0:16:53 | 0:16:56 | |
These little shamanic figurines hint at a developing religious | 0:16:59 | 0:17:04 | |
culture different from that of the jade artefacts. | 0:17:04 | 0:17:07 | |
They suggest that religious faith is bound up not just with | 0:17:08 | 0:17:11 | |
the spiritual, but also with the physical well-being of the Chiriqui. | 0:17:11 | 0:17:15 | |
We saw that in the graves above Rivas, | 0:17:55 | 0:17:57 | |
gold was associated with power. | 0:17:57 | 0:17:59 | |
And it's likely that gold was controlled, and worn, | 0:18:02 | 0:18:06 | |
by the leaders of that society. | 0:18:06 | 0:18:08 | |
So gold had a political role and a religious role, conferring | 0:18:10 | 0:18:16 | |
both status in the community, and religious connections. | 0:18:16 | 0:18:19 | |
The transition from jade to gold is critical to | 0:18:35 | 0:18:39 | |
understanding how the Chiriqui world changed. | 0:18:39 | 0:18:42 | |
If the presence of jade signified influence from the North, then the | 0:18:42 | 0:18:46 | |
growing importance of gold suggests that influences had now shifted. | 0:18:46 | 0:18:50 | |
Which brings us back to our theme of connections, | 0:18:52 | 0:18:55 | |
because as the jade starts to disappear here, | 0:18:55 | 0:18:57 | |
we know that to the north, | 0:18:57 | 0:18:59 | |
the great Mayan city states were in a state of decline. | 0:18:59 | 0:19:02 | |
So, is it the case that as trade routes to the north are disrupted, | 0:19:02 | 0:19:06 | |
people here looked south, where the dominant cultures valued gold? | 0:19:06 | 0:19:11 | |
And, if they did, what does that tell us | 0:19:15 | 0:19:17 | |
about the lives of the people of the Chiriqui golden era? | 0:19:17 | 0:19:20 | |
'How would the change of attention from North to South change them? | 0:19:22 | 0:19:26 | |
'How did they live? And what did they believe in?' | 0:19:26 | 0:19:30 | |
In 1872, the forerunner of the American United Fruit Company | 0:19:34 | 0:19:39 | |
built a railway line connecting coastal ports to the interior, | 0:19:39 | 0:19:42 | |
in order to get its banana crop to market. | 0:19:42 | 0:19:45 | |
But during construction of the railway, one of the workers | 0:19:50 | 0:19:54 | |
found some unusual objects hidden in the undergrowth. | 0:19:54 | 0:19:57 | |
'Purely by accident, the country's biggest banana exporter had | 0:19:59 | 0:20:03 | |
'stumbled upon a lost city even more important than Rivas. | 0:20:03 | 0:20:07 | |
'The clue was 30 beautiful pieces of gold. | 0:20:08 | 0:20:11 | |
'Today, the once-lost settlement of Las Mercedes is | 0:20:13 | 0:20:16 | |
'managed by the EARTH University...' | 0:20:16 | 0:20:18 | |
HE SPEAKS SPANISH | 0:20:18 | 0:20:20 | |
'..and has been extensively | 0:20:21 | 0:20:23 | |
'studied by Ricardo Vazquez of the National Museum.' | 0:20:23 | 0:20:26 | |
So this is the cut coming through one of the buildings? | 0:20:31 | 0:20:34 | |
This is... exactly, one of the buildings, | 0:20:34 | 0:20:36 | |
and this is the cut of a tramway for bananas. | 0:20:36 | 0:20:39 | |
And this is the expanse of the site looking out over the... | 0:20:39 | 0:20:42 | |
Right. Exactly. | 0:20:42 | 0:20:43 | |
We are at the northern most part of the architectural court. | 0:20:43 | 0:20:48 | |
Yeah, if you look at the relief of the site, there are quite | 0:20:48 | 0:20:50 | |
a lot of mounds. | 0:20:50 | 0:20:51 | |
There is one over there, there is one over here. | 0:20:51 | 0:20:54 | |
So how far do these mounds spread out? | 0:20:54 | 0:20:56 | |
-It's about 11 hectares. -Wow. | 0:20:56 | 0:20:59 | |
-The architectural court entails 11 hectares. -That's massive. | 0:20:59 | 0:21:03 | |
'Las Mercedes offers us an opportunity to confirm the theory | 0:21:03 | 0:21:07 | |
'that a change in influences helped start the transformation at Rivas. | 0:21:07 | 0:21:12 | |
'And it does just that. | 0:21:12 | 0:21:14 | |
'It appears that, like Rivas, Las Mercedes underwent big | 0:21:14 | 0:21:17 | |
'changes shortly after the decline of the jade trade.' | 0:21:17 | 0:21:20 | |
The monumental architecture that we can see now | 0:21:20 | 0:21:24 | |
started at around 900 AD and continues all | 0:21:24 | 0:21:28 | |
the way for about three or four centuries. Only around 7.5% | 0:21:28 | 0:21:34 | |
of the site is occupied by what we call group areas. | 0:21:34 | 0:21:39 | |
I mean, features that qualify as households. | 0:21:39 | 0:21:42 | |
In which case, when we think about this site, we're not just | 0:21:42 | 0:21:45 | |
thinking about a big town full of residential complexes. | 0:21:45 | 0:21:48 | |
We're thinking about a space which brings together people from the | 0:21:48 | 0:21:51 | |
region at different times to meet, and what are they doing when they come here? | 0:21:51 | 0:21:55 | |
One thing we know is that now we are finding some gathering places | 0:21:55 | 0:21:59 | |
like plazas that are integrated into the administrative complex. | 0:21:59 | 0:22:04 | |
These plazas are really interesting because they are also paved. | 0:22:04 | 0:22:09 | |
That means they've got quite a bit of people getting into the plazas. | 0:22:09 | 0:22:14 | |
Las Mercedes looks like it was an important settlement, where | 0:22:17 | 0:22:21 | |
people congregated to celebrate important events. | 0:22:21 | 0:22:24 | |
'And, although looting has occurred here too, thousands of artefacts | 0:22:28 | 0:22:32 | |
'have been recovered from the site, and the surrounding area.' | 0:22:32 | 0:22:35 | |
What type of artefacts are coming out? | 0:22:35 | 0:22:37 | |
Well, gold, jade artefacts. Ceramic artefacts. | 0:22:37 | 0:22:41 | |
But perhaps the most impressive types of artefacts | 0:22:43 | 0:22:47 | |
are the stonework and the beautiful statues. | 0:22:47 | 0:22:52 | |
Some of them human size. | 0:22:52 | 0:22:54 | |
In other words, the site was filled with public sculptures. | 0:22:54 | 0:22:59 | |
I mean, sculptures that were decorating the site. | 0:22:59 | 0:23:02 | |
What do you think these artefacts tell us about what type | 0:23:02 | 0:23:04 | |
of site it is? If you imagine walking through this vegetation, | 0:23:04 | 0:23:07 | |
you've got these big stone sculptures you walk through - | 0:23:07 | 0:23:10 | |
what does that say about the people who were living here, | 0:23:10 | 0:23:12 | |
the type of site it was? | 0:23:12 | 0:23:13 | |
Right, I mean, it looks like they were trying to impress people, | 0:23:13 | 0:23:17 | |
the people who came into the site, | 0:23:17 | 0:23:19 | |
and not only with the sculptures but also with the architecture, and they | 0:23:19 | 0:23:25 | |
wanted to create that psychological impression to the visitors. | 0:23:25 | 0:23:30 | |
Next to the plazas, where hundreds of people would once have gathered, | 0:23:34 | 0:23:38 | |
was the biggest house in the settlement. | 0:23:38 | 0:23:40 | |
This was the house of the chief, | 0:23:40 | 0:23:42 | |
and was at the heart of public life in Las Mercedes. | 0:23:42 | 0:23:45 | |
This is the area that we think is the very heart | 0:23:45 | 0:23:50 | |
of the administrative centre. | 0:23:50 | 0:23:53 | |
That area over there used to be where the main mound was placed | 0:23:53 | 0:23:58 | |
and the whole thing relates to observations done by the | 0:23:58 | 0:24:04 | |
Spaniards, where the Spaniards say the house of the chief was | 0:24:04 | 0:24:11 | |
a very high house - the main house - | 0:24:11 | 0:24:16 | |
and also that was his office. | 0:24:16 | 0:24:20 | |
That was his administrative quarters. | 0:24:20 | 0:24:22 | |
And right beside it there was another similar house that | 0:24:22 | 0:24:26 | |
was for his family, where his sons, daughters, wives, were living. | 0:24:26 | 0:24:32 | |
Even centuries after it was abandoned, you can still feel | 0:24:34 | 0:24:38 | |
that this was the centre of Las Mercedes. | 0:24:38 | 0:24:41 | |
Many of the grandest statues were found scattered around here. | 0:24:41 | 0:24:45 | |
And there are tantalisingly ambiguous hints at just how | 0:24:45 | 0:24:49 | |
dramatic a spot this would have been. | 0:24:49 | 0:24:51 | |
There's a depression in here, in this nice, circular, | 0:24:51 | 0:24:54 | |
semi-circular wall running round. | 0:24:54 | 0:24:56 | |
What do you think the role of this depression in front of that | 0:24:56 | 0:24:58 | |
-mound would have been? -We started with two hypotheses. | 0:24:58 | 0:25:02 | |
The first one was a sunken plaza that was paved, | 0:25:02 | 0:25:06 | |
and that's why it's so wet. | 0:25:06 | 0:25:08 | |
And the second one is that it was a reflecting pool. | 0:25:09 | 0:25:12 | |
Now, we are leaning more towards the second hypothesis, that it was | 0:25:12 | 0:25:16 | |
a reflecting pool, because all around the area is a pavement that | 0:25:16 | 0:25:21 | |
slopes down into the plaza. That means that it was collecting | 0:25:21 | 0:25:25 | |
water, rain water, and bringing it to the plaza. | 0:25:25 | 0:25:28 | |
And then this is really interesting, | 0:25:28 | 0:25:31 | |
because it will reflect what was the main house, in a way. | 0:25:31 | 0:25:35 | |
Visually, it would have been very dominating, | 0:25:35 | 0:25:37 | |
if you have this big house structure on top of this big mound | 0:25:37 | 0:25:40 | |
and you're walking and approaching it through a reflecting pool. | 0:25:40 | 0:25:43 | |
The whole thing, the whole vista, would have been quite dramatic. | 0:25:43 | 0:25:45 | |
To me, it's really clear | 0:25:45 | 0:25:48 | |
that the site was dominated by the political figure. | 0:25:48 | 0:25:53 | |
I'm getting a sense of how these settlements were organised. | 0:25:55 | 0:25:59 | |
It's not just the gold, or the statues, | 0:25:59 | 0:26:01 | |
it's the way the people have manipulated the landscape itself, | 0:26:01 | 0:26:05 | |
creating a reflecting pool outside the chief's house to emphasise | 0:26:05 | 0:26:10 | |
the importance of the dwelling, and of the individual inside. | 0:26:10 | 0:26:14 | |
The intention was to leave no-one in any doubt the chief was at the | 0:26:14 | 0:26:18 | |
centre of political power here, and that implies religious power too. | 0:26:18 | 0:26:23 | |
'But something else strikes me - | 0:26:27 | 0:26:28 | |
'the plazas suggest Las Mercedes was designed to be seen - to be visited | 0:26:28 | 0:26:34 | |
'by people from the surrounding valleys and further afield. | 0:26:34 | 0:26:38 | |
'This meant people came here to visit. | 0:26:38 | 0:26:41 | |
'And, at the edge of the site, Ricardo and his team | 0:26:41 | 0:26:44 | |
'have discovered how these visitors were drawn in.' | 0:26:44 | 0:26:47 | |
-So, underneath here is the road, then? -Yes. -Nice. | 0:26:48 | 0:26:51 | |
This is the very end of one of the two roads leading to Las Mercedes. | 0:26:51 | 0:26:55 | |
And how long does the road go - | 0:26:56 | 0:26:58 | |
if Mercedes is... How far down the road is Mercedes? | 0:26:58 | 0:27:01 | |
It's 1,700 metres from here exactly, | 0:27:03 | 0:27:05 | |
according to the map. | 0:27:05 | 0:27:07 | |
This seemingly random jumble of boulders was once a road | 0:27:09 | 0:27:13 | |
seven metres wide, meticulously constructed using | 0:27:13 | 0:27:17 | |
thousands of stones extracted from nearby rivers. | 0:27:17 | 0:27:21 | |
They're almost like procession ways between sites. | 0:27:21 | 0:27:24 | |
So when you get close to a site, you start to walk along it, | 0:27:24 | 0:27:27 | |
and you have a sense of drama and arrival? | 0:27:27 | 0:27:30 | |
That's exactly what we think they are. | 0:27:30 | 0:27:32 | |
That's the function they had. | 0:27:32 | 0:27:34 | |
But also they are just formalised entrances to the site. | 0:27:34 | 0:27:40 | |
They were for controlling access to the site. | 0:27:40 | 0:27:44 | |
These roads were hacked out of the forest across this region. | 0:27:47 | 0:27:51 | |
They would have been used to connect settlements which otherwise | 0:27:51 | 0:27:55 | |
would have been cut off from one another by the tropical landscape. | 0:27:55 | 0:27:59 | |
And a grand causeway like this, | 0:27:59 | 0:28:01 | |
emerging from the forest as people approached Las Mercedes, | 0:28:01 | 0:28:05 | |
signifies just how important it was. | 0:28:05 | 0:28:07 | |
The implications of this road are profound, | 0:28:10 | 0:28:12 | |
because it requires hard labour - labour that needs to be | 0:28:12 | 0:28:15 | |
controlled and co-ordinated by someone - a political hierarchy. | 0:28:15 | 0:28:19 | |
And the purpose of these roads is to connect both practically | 0:28:19 | 0:28:23 | |
and ideologically communities together, which suggests trade, | 0:28:23 | 0:28:28 | |
interaction, a linked network of sites, sites similar or perhaps | 0:28:28 | 0:28:32 | |
larger than Las Mercedes, hidden somewhere in these valleys. | 0:28:32 | 0:28:36 | |
But to find those other communities in this landscape | 0:28:43 | 0:28:46 | |
is difficult and arduous. | 0:28:46 | 0:28:48 | |
Sometimes, a river works better than a road. | 0:28:48 | 0:28:52 | |
It's coming to remote valleys like this that you remember | 0:29:28 | 0:29:31 | |
just how extreme this part of the world can be. | 0:29:31 | 0:29:34 | |
It's a land full of environmental hazards - earthquakes, | 0:29:34 | 0:29:37 | |
volcanoes, floods and landslides. | 0:29:37 | 0:29:41 | |
But it's that ability to control the environment, harness its power, | 0:29:41 | 0:29:45 | |
that takes great skill, and it's key to understanding | 0:29:45 | 0:29:48 | |
how the cities emerged here. | 0:29:48 | 0:29:50 | |
'The natural world played a central role in pre-Colombian life. | 0:29:56 | 0:30:01 | |
'In order to flourish, cities had to be built in harmony | 0:30:01 | 0:30:05 | |
'with the landscape, hugging the contours of hills, | 0:30:05 | 0:30:08 | |
'guarding against the destructive power of fire and water.' | 0:30:08 | 0:30:12 | |
Water is key to understanding the landscapes here in Costa Rica. | 0:30:17 | 0:30:22 | |
It cascades down from the steep volcanic slopes | 0:30:22 | 0:30:24 | |
and funnels through raging rivers like this one. | 0:30:24 | 0:30:28 | |
It's what makes the landscape so lush and provides so much food. | 0:30:28 | 0:30:31 | |
But it is also dangerous. Floods are common, | 0:30:31 | 0:30:34 | |
and they can wash away villages and settlements in an instant. | 0:30:34 | 0:30:38 | |
'But as well as providing fertile territory, | 0:30:42 | 0:30:45 | |
'the rivers serve another purpose. | 0:30:45 | 0:30:48 | |
'River networks connect people, | 0:30:48 | 0:30:50 | |
'and so were critical to trade and communication for the Chiriqui.' | 0:30:50 | 0:30:54 | |
It's no coincidence that many settlements | 0:30:54 | 0:30:57 | |
were built where rivers met. | 0:30:57 | 0:30:59 | |
And here, between two rivers and on the slopes of an active volcano, | 0:30:59 | 0:31:03 | |
we find our largest settlement yet. | 0:31:03 | 0:31:06 | |
It is the greatest example of these peoples' ability | 0:31:10 | 0:31:13 | |
to harness their tough natural environment. | 0:31:13 | 0:31:17 | |
This is Guayabo de Turrialba, | 0:31:20 | 0:31:23 | |
a site which once housed several thousand inhabitants | 0:31:23 | 0:31:26 | |
and likely dominated life in these lush valleys 1,000 years ago. | 0:31:26 | 0:31:30 | |
Archaeologists have uncovered only a portion of this site. | 0:31:34 | 0:31:38 | |
Much of it still lies under the forest. | 0:31:38 | 0:31:41 | |
But what we can see is a highly developed, highly organised, | 0:31:41 | 0:31:46 | |
and powerful settlement, which thrived for hundreds of years. | 0:31:46 | 0:31:50 | |
Since controlled excavations began here in the 1960s, | 0:31:51 | 0:31:54 | |
archaeologists have uncovered dozens of mounds. | 0:31:54 | 0:31:58 | |
Just like the stone circles of Rivas, | 0:31:58 | 0:32:00 | |
these would have been the foundations of large homes. | 0:32:00 | 0:32:03 | |
And as at Rivas and Las Mercedes, there's more than homes. | 0:32:05 | 0:32:08 | |
In this case wide plazas, roads, | 0:32:08 | 0:32:12 | |
and even functioning aqueducts have been discovered. | 0:32:12 | 0:32:15 | |
Guayabo is the clearest example of just how impressive settlements | 0:32:15 | 0:32:20 | |
in Costa Rica had become in the centuries before Europeans arrived. | 0:32:20 | 0:32:23 | |
Mauricio Murillo has studied and written about Guayabo's history. | 0:32:27 | 0:32:31 | |
He believes that here, again, the most significant architecture | 0:32:31 | 0:32:35 | |
was completed in a short burst at the end of the first millennium. | 0:32:35 | 0:32:39 | |
There's a genius to this architecture. | 0:33:03 | 0:33:06 | |
Guayabo lies over 1,000 metres above sea level, | 0:33:06 | 0:33:09 | |
on the slopes of the Turrialba volcano. | 0:33:09 | 0:33:12 | |
It is drenched by three metres of rain every year. | 0:33:14 | 0:33:17 | |
And yet the people who built it were able to use this unpromising | 0:33:18 | 0:33:22 | |
natural environment to their advantage. | 0:33:22 | 0:33:24 | |
As well as guarding against flooding, | 0:33:59 | 0:34:01 | |
the people who built Guayabo | 0:34:01 | 0:34:03 | |
harnessed the natural flow of water through the landscape. | 0:34:03 | 0:34:07 | |
As the clouds broke on the volcano above, | 0:34:07 | 0:34:10 | |
rainwater was captured by a series of aqueducts and then directed | 0:34:10 | 0:34:14 | |
into communal tanks for drinking, bathing, and ritual purposes. | 0:34:14 | 0:34:18 | |
Everything in Guayabo is on a bigger scale compared to what | 0:34:20 | 0:34:23 | |
I have seen so far, but the similarities are clear. | 0:34:23 | 0:34:26 | |
This road stretches deep into the forest, just like at Las Mercedes. | 0:34:27 | 0:34:31 | |
You can see how it controlled access to the site, | 0:34:33 | 0:34:36 | |
funnelling people into the centre - | 0:34:36 | 0:34:39 | |
a central highway like the one at Rivas | 0:34:39 | 0:34:41 | |
which led religious processions up to the Panteon de la Reina. | 0:34:41 | 0:34:45 | |
And the construction of such a complex settlement | 0:34:45 | 0:34:49 | |
suggests a significant level of political control. | 0:34:49 | 0:34:52 | |
A chief would have been the most important political figure | 0:35:14 | 0:35:18 | |
in the community, standing at the top of an elite group of citizens, | 0:35:18 | 0:35:22 | |
and commanding the loyalty and labour of people for miles around. | 0:35:22 | 0:35:26 | |
But it wasn't just political control that the chief commanded. | 0:36:06 | 0:36:10 | |
'We can see a design that suggests the chief controlled nature itself, | 0:36:11 | 0:36:16 | |
'from the fiery volcano above to the running water below.' | 0:36:16 | 0:36:20 | |
In the middle of this plaza is a striking stone-built mound. | 0:36:22 | 0:36:26 | |
This would have been the residence of the chief, and on top | 0:36:26 | 0:36:28 | |
would have been a wooden structure, with a conical, thatched roof. | 0:36:28 | 0:36:31 | |
What I really like about the mound | 0:36:31 | 0:36:34 | |
is that it makes the most of the landscape. | 0:36:34 | 0:36:36 | |
The entrance procession would have led up here, and you would | 0:36:36 | 0:36:39 | |
have seen this chief's house framed by the Turrialba volcano behind. | 0:36:39 | 0:36:43 | |
It really gives a sense of power | 0:36:43 | 0:36:45 | |
and dominance of the landscape to the chief within. | 0:36:45 | 0:36:48 | |
And like at Las Mercedes, water appears to have been funnelled | 0:36:51 | 0:36:55 | |
'into these shallow pools in front of this residence. | 0:36:55 | 0:36:59 | |
'It would have been an awesome sight for any visitor to Guayabo. | 0:36:59 | 0:37:04 | |
'The wide road led them directly to this spot. | 0:37:04 | 0:37:07 | |
'In front of them the chief's house, reflected in a large pool of water.' | 0:37:07 | 0:37:13 | |
Behind the house, the fiery volcano, | 0:37:13 | 0:37:15 | |
the most potent force in the natural world. | 0:37:15 | 0:37:19 | |
Human construction and the natural world combined to emphasise | 0:37:19 | 0:37:23 | |
the power of the chief and their allies. | 0:37:23 | 0:37:25 | |
'At all three sites I've visited, | 0:37:27 | 0:37:29 | |
'there has been a rapid transformation | 0:37:29 | 0:37:31 | |
'at around the time jade ran out, and gold started to dominate.' | 0:37:31 | 0:37:35 | |
We can't say that gold alone explains the changes. | 0:37:38 | 0:37:41 | |
But I'm convinced it is part of the answer. | 0:37:42 | 0:37:45 | |
'It makes me wonder what other developments | 0:37:46 | 0:37:48 | |
'are associated with gold.' | 0:37:48 | 0:37:51 | |
All the sites I've visited in Costa Rica so far seem to have undergone | 0:37:51 | 0:37:55 | |
significant change around about the same time, | 0:37:55 | 0:37:57 | |
at the end of the first millennium AD. | 0:37:57 | 0:38:00 | |
And this usually involved a period of expansion and growth. | 0:38:00 | 0:38:03 | |
Politically, it's a picture of cities being controlled by chiefs, | 0:38:03 | 0:38:07 | |
and religion always plays a key part at each site. | 0:38:07 | 0:38:10 | |
This period of dramatic growth always seems to be associated | 0:38:10 | 0:38:14 | |
with the arrival of gold and if that's the case then the next | 0:38:14 | 0:38:17 | |
question has to be, where did the gold come from? | 0:38:17 | 0:38:20 | |
For centuries, prospectors have headed to southern Costa Rica | 0:38:28 | 0:38:32 | |
to pan for gold in the rivers which empty into the Pacific Ocean. | 0:38:32 | 0:38:36 | |
More than 90% of the gold in San Jose's museums | 0:38:37 | 0:38:41 | |
comes from that part of the country. | 0:38:41 | 0:38:44 | |
And that's where I'm heading now. | 0:38:44 | 0:38:46 | |
Occasionally gold nuggets as big as eggs have been washed out | 0:38:56 | 0:39:00 | |
'of the rivers and streams which crisscross southern Costa Rica,' | 0:39:00 | 0:39:03 | |
making this area a great source of gold. | 0:39:03 | 0:39:06 | |
'And making it an important bridge between Costa Rica | 0:39:07 | 0:39:10 | |
'and cultures to the south.' Woo-hoo! | 0:39:10 | 0:39:13 | |
Archaeologists believe people from the south, | 0:39:15 | 0:39:18 | |
who already worshipped gold, sailed up the Pacific Coast | 0:39:18 | 0:39:21 | |
in search of new sources, and to trade with the people here. | 0:39:21 | 0:39:24 | |
And one of the most important trading posts | 0:39:26 | 0:39:28 | |
was at the mouth of the Diquis Delta on the Isla del Cano. | 0:39:28 | 0:39:32 | |
This island was a trading post for gold. | 0:39:39 | 0:39:42 | |
But that culture of gold didn't spontaneously emerge here. | 0:39:42 | 0:39:45 | |
It developed with influences from further afield - | 0:39:45 | 0:39:48 | |
almost certainly from down that coast, | 0:39:48 | 0:39:50 | |
where great gold working cultures of South America were emerging. | 0:39:50 | 0:39:55 | |
'Just as jade is associated with connections to the north, | 0:40:00 | 0:40:04 | |
'so gold signifies a connection with the south.' | 0:40:04 | 0:40:06 | |
Gold was central to the people of the Andes. | 0:40:08 | 0:40:10 | |
To them, it was much more than a simple metal. | 0:40:11 | 0:40:14 | |
Gold objects were associated with political power | 0:40:14 | 0:40:17 | |
and spiritual authority. | 0:40:17 | 0:40:19 | |
So in societies where control over gold was limited to a select few, | 0:40:20 | 0:40:24 | |
these individuals wielded huge power over the community. | 0:40:24 | 0:40:28 | |
Is this what happened here? | 0:40:28 | 0:40:30 | |
The emergence of powerful chiefs | 0:40:30 | 0:40:33 | |
who ruled thanks to their control of gold? | 0:40:33 | 0:40:36 | |
Chiefs who could command large scale building projects | 0:40:36 | 0:40:39 | |
and the expansion of settlements. | 0:40:39 | 0:40:41 | |
On this island where the two worlds met, the gold is long gone. | 0:40:42 | 0:40:47 | |
But there are hints that an important society | 0:40:47 | 0:40:49 | |
did once exist here. | 0:40:49 | 0:40:51 | |
These are some of the stone spheres of the Diquis Delta. | 0:40:56 | 0:41:00 | |
Nearly 300 of them have been found | 0:41:02 | 0:41:05 | |
and production peaked during the Chiriqui era. | 0:41:05 | 0:41:11 | |
These spheres aren't created on a whim. | 0:41:11 | 0:41:13 | |
They are found throughout the region. | 0:41:13 | 0:41:15 | |
What role did they play in the lives of the people who lived here? | 0:41:15 | 0:41:18 | |
They must mean something. The question is, what? | 0:41:18 | 0:41:22 | |
There are many outlandish theories about them - | 0:41:31 | 0:41:34 | |
that they are aligned with Stonehenge, with Easter Island, | 0:41:34 | 0:41:37 | |
even that they were part of the lost city of Atlantis. | 0:41:37 | 0:41:40 | |
All of which, we can safely say, are nonsense. | 0:41:44 | 0:41:47 | |
'But whatever their purpose, | 0:41:47 | 0:41:49 | |
'the effort that went into their creation is remarkable.' | 0:41:49 | 0:41:52 | |
This has been carved from an igneous rock | 0:41:55 | 0:41:57 | |
where the outcrops are on the mainland, | 0:41:57 | 0:41:59 | |
transported over 12 miles out to this island. | 0:41:59 | 0:42:02 | |
It tells us something about how significant these pieces | 0:42:02 | 0:42:04 | |
of monumental architecture are to the society that they are being | 0:42:04 | 0:42:07 | |
transported across the landscape and placed in places like this. | 0:42:07 | 0:42:11 | |
Today, these spheres are everywhere in southern Costa Rica. | 0:42:15 | 0:42:20 | |
In parks, in schools, even in people's gardens. | 0:42:20 | 0:42:24 | |
They have become a national symbol. | 0:42:24 | 0:42:27 | |
And once again, we have the humble banana | 0:42:28 | 0:42:30 | |
to thank for inadvertently uncovering Costa Rica's past. | 0:42:30 | 0:42:34 | |
We've seen how the people here tried to live in harmony | 0:42:38 | 0:42:41 | |
with the landscape, building roads, settlements. | 0:42:41 | 0:42:44 | |
But not all the people who came here were so careful. | 0:42:44 | 0:42:48 | |
Some, like the United Fruit Company, | 0:42:48 | 0:42:50 | |
have radically altered the landscape. | 0:42:50 | 0:42:52 | |
In the 1930s, they came here and took down the large rainforest that | 0:42:52 | 0:42:56 | |
covered southern Costa Rica and put in huge banana plantations instead. | 0:42:56 | 0:43:02 | |
But during the process of the constructions of the plantations, | 0:43:02 | 0:43:05 | |
they discovered hundreds of stone spheres | 0:43:05 | 0:43:07 | |
that had lain hidden for over 400 years. | 0:43:07 | 0:43:10 | |
'The National Museum's Francisco Corrales | 0:43:25 | 0:43:27 | |
'is in charge of excavating one of these old banana plantations.' | 0:43:27 | 0:43:31 | |
Finca 6 is the centre of the sphere-making culture in Costa Rica. | 0:43:32 | 0:43:36 | |
The spheres were created using simple hammers. | 0:44:11 | 0:44:16 | |
These would be used to batter and chip away at massive rocks | 0:44:16 | 0:44:20 | |
until they were almost perfectly spherical. | 0:44:20 | 0:44:23 | |
'Some have a smooth, polished finished, | 0:44:25 | 0:44:27 | |
'achieved by rubbing sand across the surface.' | 0:44:27 | 0:44:30 | |
Centuries of rain and flooding have covered this site in deep layers | 0:45:06 | 0:45:10 | |
of sediment, leaving much of what was once here barely visible today. | 0:45:10 | 0:45:16 | |
But Francisco and his colleagues believe there is much more | 0:45:16 | 0:45:20 | |
to be discovered beneath these banana plants. | 0:45:20 | 0:45:22 | |
This site could be even bigger than Guayabo - a huge settlement | 0:46:00 | 0:46:04 | |
which may well have dominated this landscape 1,000 years ago. | 0:46:04 | 0:46:09 | |
And although the spheres are unique to the south, | 0:46:09 | 0:46:12 | |
the society that created them | 0:46:12 | 0:46:14 | |
sounds similar to the settlements I've visited further north. | 0:46:14 | 0:46:18 | |
'Societies in which rank was important. | 0:46:18 | 0:46:22 | |
'In which political and religious power were concentrated | 0:46:22 | 0:46:25 | |
'in the hands of a few significant individuals.' | 0:46:25 | 0:46:28 | |
The spheres are mainly found in southern Costa Rica. | 0:47:30 | 0:47:34 | |
They aren't found in Rivas, Guayabo, or Las Mercedes. | 0:47:34 | 0:47:37 | |
That shows that these settlements were independent of one another, | 0:47:40 | 0:47:44 | |
each with its own distinct culture. | 0:47:44 | 0:47:47 | |
And yet the similarities are clear. | 0:47:47 | 0:47:50 | |
Here, as further north, the chief and their allies used impressive | 0:47:50 | 0:47:54 | |
architecture like roads and statues to emphasise their power. | 0:47:54 | 0:47:58 | |
And at Finca 6 you can get an idea of just how powerful | 0:48:00 | 0:48:04 | |
the local chief was when you consider the effort required | 0:48:04 | 0:48:07 | |
to build his city of spheres. | 0:48:07 | 0:48:09 | |
It's a two-hour horse ride deep into the Talamanca Mountains, | 0:48:21 | 0:48:25 | |
to the spot where archaeologists now believe | 0:48:25 | 0:48:27 | |
the spheres began their life. | 0:48:27 | 0:48:29 | |
This sphere was not meant to remain here. | 0:48:41 | 0:48:44 | |
It was abandoned unfinished. | 0:48:44 | 0:48:46 | |
It was hewn out of one of the massive boulders | 0:48:48 | 0:48:51 | |
which cover this forest, making this place a quarry. | 0:48:51 | 0:48:55 | |
'And if this is the quarry, then moving these spheres into place | 0:48:55 | 0:48:59 | |
'must have been a truly enormous task.' | 0:48:59 | 0:49:02 | |
In between here and the valley below are rivers, ravines, | 0:49:20 | 0:49:24 | |
and steep slopes covered in dense vegetation. | 0:49:24 | 0:49:27 | |
So moving spheres like this, many weighing several tonnes, | 0:49:30 | 0:49:34 | |
down to the valley can only have been achieved | 0:49:34 | 0:49:37 | |
by a highly organised and obedient society. | 0:49:37 | 0:49:40 | |
This has profound implications for our understanding | 0:50:26 | 0:50:30 | |
of the way of life of the indigenous peoples in Costa Rica. | 0:50:30 | 0:50:33 | |
The spheres demonstrated power. | 0:50:33 | 0:50:36 | |
'Firstly, the power over nature to make them, and secondly, | 0:50:36 | 0:50:40 | |
'the power required to physically move them across the landscape. | 0:50:40 | 0:50:44 | |
'And all of this revolves around the power of the chief, | 0:50:45 | 0:50:48 | |
'who was able to command this incredible production' | 0:50:48 | 0:50:52 | |
and who would have the biggest | 0:50:52 | 0:50:54 | |
and most impressive spheres placed outside their house. | 0:50:54 | 0:50:57 | |
Looking at this sphere I can't help but see a complex, inventive, | 0:50:57 | 0:51:01 | |
and significant society behind it. | 0:51:01 | 0:51:04 | |
Just like Rivas, Guayabo, Rivas, and Las Mercedes, | 0:51:04 | 0:51:07 | |
there is an explosion in building and art around the same time, | 0:51:07 | 0:51:10 | |
when gold becomes the dominant material in the region. | 0:51:10 | 0:51:14 | |
And the way people live becomes more hierarchical, | 0:51:14 | 0:51:16 | |
centred on rank, status, and power. | 0:51:16 | 0:51:19 | |
But when the Europeans arrived, | 0:51:19 | 0:51:21 | |
they did not find a harmonious, prosperous people. | 0:51:21 | 0:51:24 | |
They found a world at war. | 0:51:24 | 0:51:26 | |
In the 16th century, Spanish accounts of brutal | 0:51:31 | 0:51:35 | |
indigenous warfare in this part of the world were common. | 0:51:35 | 0:51:38 | |
'One account describes roads piled high | 0:51:39 | 0:51:42 | |
'with hundreds of severed human heads. | 0:51:42 | 0:51:44 | |
'And that is the great unsolved questions | 0:51:46 | 0:51:49 | |
'of the Chiriqui era in Costa Rica. | 0:51:49 | 0:51:51 | |
'What happened? What caused this warfare?' | 0:51:51 | 0:51:55 | |
And why, when the Spanish arrived at the start of the 16th century, | 0:51:55 | 0:51:59 | |
did they find so many of these settlements | 0:51:59 | 0:52:02 | |
in decline or abandoned altogether? | 0:52:02 | 0:52:04 | |
One clue could lie deep in the Southern Costa Rican mountains. | 0:52:11 | 0:52:15 | |
After the arrival of the Spanish we know that the indigenous people | 0:52:21 | 0:52:25 | |
retreated here to the remote Talamanca mountains | 0:52:25 | 0:52:28 | |
next to the modern-day border with Panama. | 0:52:28 | 0:52:30 | |
And whilst we cannot identify the direct descendants of the people | 0:52:30 | 0:52:33 | |
of the Chiriqui era, we know that these indigenous populations | 0:52:33 | 0:52:37 | |
have managed to hold on to their beliefs, | 0:52:37 | 0:52:39 | |
customs and practices for hundreds of years. | 0:52:39 | 0:52:42 | |
The people who live here today are known as the Bribri. | 0:53:01 | 0:53:06 | |
15,000 live in scattered communities along the Panamanian border. | 0:53:06 | 0:53:10 | |
For many years they have existed on the fringes - | 0:53:11 | 0:53:14 | |
a reminder of Costa Rica's pre-Columbian past | 0:53:14 | 0:53:18 | |
'but not quite part of its modern story.' | 0:53:18 | 0:53:20 | |
'Meyor Leandro is a local Bribri community leader. | 0:53:33 | 0:53:37 | |
'Like a shaman of old, | 0:53:37 | 0:53:39 | |
'he is responsible for the health of the people who live here. | 0:53:39 | 0:53:42 | |
'And today, he has invited me into his surgery.' | 0:53:42 | 0:53:45 | |
So, the baby is seven months old, called Asley, | 0:53:47 | 0:53:50 | |
and the mother has brought her here cos she's been poorly. | 0:53:50 | 0:53:53 | |
And now Meyer Leandro is starting to prepare some of the plants | 0:53:54 | 0:53:58 | |
to try to and improve and solve the problem. | 0:53:58 | 0:54:03 | |
So, Meyor Leandro is toasting these leaves and then brushing them | 0:54:05 | 0:54:09 | |
over Asley, the little baby. | 0:54:09 | 0:54:11 | |
I don't understand how this treatment is helping little Asley | 0:54:16 | 0:54:20 | |
but Leandro's attitude to the causes of illness | 0:54:20 | 0:54:24 | |
is one that has existed amongst the Bribri for hundreds of years. | 0:54:24 | 0:54:28 | |
There's an interesting concept about where illnesses come from. | 0:54:53 | 0:54:56 | |
They are described as being strangers from far away and when | 0:54:56 | 0:54:59 | |
they visit the body they bring with them the sickness and the vomiting. | 0:54:59 | 0:55:02 | |
So, a big part of this ceremony is about purification to get rid | 0:55:02 | 0:55:06 | |
of that stranger and send them far away from the village. | 0:55:06 | 0:55:10 | |
If people believe disease is brought to the village from outside | 0:55:13 | 0:55:17 | |
then two things can occur. | 0:55:17 | 0:55:20 | |
Either you break off contact with your neighbours, | 0:55:20 | 0:55:23 | |
sending your community into isolation and decline, | 0:55:23 | 0:55:26 | |
or you retaliate against the attack. | 0:55:26 | 0:55:29 | |
So, could this have been the cause of the conflict the Spanish saw? | 0:55:29 | 0:55:33 | |
Leandro blames the Spanish for bringing disease | 0:55:35 | 0:55:37 | |
and discord to this world. | 0:55:37 | 0:55:39 | |
There is another possibility. | 0:56:01 | 0:56:04 | |
That the very success of the Chiriqui era | 0:56:04 | 0:56:06 | |
sowed the seeds of its own downfall. | 0:56:06 | 0:56:09 | |
As the people became more adept at mastering | 0:56:10 | 0:56:12 | |
their tropical environment, populations rose | 0:56:12 | 0:56:15 | |
and resources, once bountiful, became scarce... | 0:56:15 | 0:56:18 | |
..leading to conflict. | 0:56:19 | 0:56:22 | |
We don't have enough information to say for sure. | 0:56:23 | 0:56:27 | |
But whether we blame competition for resources or disease, | 0:56:27 | 0:56:30 | |
we can say one thing for certain. | 0:56:30 | 0:56:33 | |
Connections had nourished trade and ideas and sustained growth. | 0:56:34 | 0:56:39 | |
When the connections fractured, these societies fell. | 0:56:39 | 0:56:42 | |
So by the time the Spanish fought their way inland, | 0:56:43 | 0:56:46 | |
the great settlements were already in decline or had been abandoned. | 0:56:46 | 0:56:51 | |
All that was left was their gold. | 0:56:51 | 0:56:53 | |
The people here had thrived by reaching out to the communities | 0:56:55 | 0:56:59 | |
in the north and to the south but those links are broken. | 0:56:59 | 0:57:03 | |
For the first time the Chiriqui people | 0:57:03 | 0:57:05 | |
and their neighbours become isolated. | 0:57:05 | 0:57:08 | |
With isolation comes insecurity. | 0:57:08 | 0:57:11 | |
And with insecurity comes conflict. | 0:57:11 | 0:57:13 | |
Four centuries of rain and the suffocating spread | 0:57:23 | 0:57:26 | |
of tropical vegetation obscured the legacy of the Chiriqui era. | 0:57:26 | 0:57:31 | |
Only now are their substantial achievements coming back into view. | 0:57:31 | 0:57:35 | |
The cities of this era were controlled by chiefs | 0:57:37 | 0:57:40 | |
who built powerful networks far beyond these valleys. | 0:57:40 | 0:57:44 | |
These people shared ideas and traded peaceably | 0:57:44 | 0:57:47 | |
with one another for hundreds of years. | 0:57:47 | 0:57:50 | |
Gold was critical to growth and change | 0:57:53 | 0:57:56 | |
and we have started to uncover | 0:57:56 | 0:57:58 | |
some of the spectacular remains of their vibrant societies. | 0:57:58 | 0:58:03 | |
We know much more than we did just a few decades ago | 0:58:09 | 0:58:12 | |
about this incredible land that was once | 0:58:12 | 0:58:14 | |
relatively unexplored archeologically. | 0:58:14 | 0:58:17 | |
Now we know the people of the Chiriqui era, | 0:58:17 | 0:58:20 | |
how they thrived through their connections | 0:58:20 | 0:58:22 | |
between empires and between oceans. | 0:58:22 | 0:58:25 | |
How they harnessed the power of one of the wildest | 0:58:25 | 0:58:27 | |
and most challenging environments in the world. | 0:58:27 | 0:58:30 | |
And how they produced some of the most unusual, beautiful, | 0:58:30 | 0:58:34 | |
and impressive art and engineering feats in the Americas. | 0:58:34 | 0:58:38 |