Browse content similar to William Roy's Military Survey of Scotland. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
In Mapman I test historical maps. | 0:00:02 | 0:00:04 | |
Can they take me over landscapes like this - | 0:00:04 | 0:00:07 | |
the wildest and most beautiful in Britain? | 0:00:07 | 0:00:09 | |
Here in Scotland you get a sense for how savage geography can be. | 0:00:19 | 0:00:24 | |
In the last ice age, these mountains were covered in glaciers. | 0:00:24 | 0:00:28 | |
Around 11,000 years ago, when the ice melted, | 0:00:28 | 0:00:31 | |
the valleys were filled with water and deep, black lakes. | 0:00:31 | 0:00:35 | |
The people who lived among these mountains were tough | 0:00:37 | 0:00:41 | |
and a source of fear to those living in the warmer, richer south. | 0:00:41 | 0:00:46 | |
The Highlands were an unmapped void of sucking bogs, of tempests, and warlike clans. | 0:00:46 | 0:00:52 | |
To impose control, what you need is a good map. | 0:00:55 | 0:00:59 | |
So, in 1746, after the Battle Of Culloden, | 0:00:59 | 0:01:02 | |
the British Army commissioned one. And they gave a young man of 21, William Roy, the job. | 0:01:02 | 0:01:08 | |
Over the next few days, | 0:01:08 | 0:01:11 | |
I'll take a journey of over 100 miles across this map. | 0:01:11 | 0:01:14 | |
I'll be climbing a 2,000ft pass through the wild, rebellious heartland of 18th-century Scotland. | 0:01:14 | 0:01:20 | |
I'll discover just how Roy conducted his survey | 0:01:20 | 0:01:24 | |
and how much of the landscape he mapped can be seen today. | 0:01:24 | 0:01:28 | |
William Roy took nine years to produce a range of maps | 0:02:01 | 0:02:05 | |
detailing the geography of Scotland for hundreds of miles. | 0:02:05 | 0:02:09 | |
Packed with information, beautiful to look at, | 0:02:09 | 0:02:12 | |
they combine brilliant surveying and delicate water-colouring. | 0:02:12 | 0:02:16 | |
Roy began his work with the Highlands. | 0:02:17 | 0:02:21 | |
These maps were so successful, he went on to survey all of Scotland. | 0:02:21 | 0:02:25 | |
But two mysteries surround him. Who exactly was William Roy? | 0:02:25 | 0:02:30 | |
And why have some of the roads he mapped completely disappeared? | 0:02:30 | 0:02:35 | |
I'm going to discover just how William Roy constructed his map. | 0:02:37 | 0:02:42 | |
How much of his geography can be seen today? | 0:02:42 | 0:02:45 | |
I'll follow a route Roy took, along Loch Ness and the terrifying Corrieyairick Pass to Loch Rannoch. | 0:02:45 | 0:02:51 | |
It's one of the wettest, coldest parts of the British Isles. | 0:02:51 | 0:02:56 | |
But it's a very good example of what Roy had to deal with. | 0:02:56 | 0:03:00 | |
Roy made his headquarters in one of the forts on Loch Ness. | 0:03:02 | 0:03:07 | |
And so I'm starting my journey at Fort George. | 0:03:07 | 0:03:11 | |
DRUMS BEAT MILITARY RHYTHM | 0:03:11 | 0:03:13 | |
Roy, as a man, remains a mystery, | 0:03:21 | 0:03:25 | |
but we do know a bit about his surveying. | 0:03:25 | 0:03:28 | |
A letter describes him working | 0:03:28 | 0:03:31 | |
with a non-commissioned officer and six soldiers. I'll do the same. | 0:03:31 | 0:03:36 | |
I'm joined by soldiers from D-company of the First Royal Irish Regiment, | 0:03:36 | 0:03:42 | |
based at Fort George. I'll do my own mini survey, | 0:03:42 | 0:03:45 | |
using Roy's methods and equipment - | 0:03:45 | 0:03:47 | |
two flags, a compass, and a chain. | 0:03:47 | 0:03:51 | |
The task I've given myself is to map a bend in a road Roy surveyed. | 0:03:52 | 0:03:57 | |
What Roy did was very simple. | 0:03:57 | 0:03:59 | |
He took two measurements. | 0:03:59 | 0:04:02 | |
The angle between the road and north | 0:04:02 | 0:04:05 | |
and the distance from him to the bend. | 0:04:05 | 0:04:08 | |
The first thing to do is to place a flag on that bend. | 0:04:08 | 0:04:13 | |
William Roy's military survey could not have been done | 0:04:13 | 0:04:16 | |
without this device - a compass. The wonderful thing is, its needle always points to magnetic north. | 0:04:16 | 0:04:23 | |
So here we are, standing here. We'll wait until the needle settles and I can see magnetic north is down here. | 0:04:23 | 0:04:30 | |
So I start at the point I'm standing with a table. | 0:04:30 | 0:04:33 | |
'I just line up the sights on my compass with the flag...' | 0:04:33 | 0:04:38 | |
And the angle that I measure is this one here - 130 degrees. | 0:04:38 | 0:04:43 | |
'Right, now the next job is to measure the distance to the bend. | 0:04:43 | 0:04:48 | |
'For that, Roy used a chain. But the chain doesn't reach the flag.' | 0:04:48 | 0:04:53 | |
So we need the second flag. | 0:04:53 | 0:04:55 | |
'So I've got to put a flag midway, line it up, and measure to that.' | 0:04:55 | 0:05:01 | |
'So, having got the distance to the halfway flag, | 0:05:04 | 0:05:09 | |
'the soldiers need to leapfrog on with the chain and measure between.' | 0:05:09 | 0:05:15 | |
You can hardly make yourself heard. The face freezes in the cold. | 0:05:15 | 0:05:20 | |
-50 metres to the bend. -50 metres. Let's write that down. | 0:05:20 | 0:05:24 | |
It's what William Roy would have done in circumstances like this. | 0:05:24 | 0:05:28 | |
Each time the road changes direction, | 0:05:28 | 0:05:32 | |
I mark it onto my sketch map | 0:05:32 | 0:05:35 | |
and then carry the table and compass and do the same again. It's simple. | 0:05:35 | 0:05:39 | |
Compass, bearing, measurement. Compass, bearing, measurement. | 0:05:39 | 0:05:43 | |
Time and again. Thousands of times until the Highlands were mapped, | 0:05:43 | 0:05:47 | |
using this little device here and an old metal chain. | 0:05:47 | 0:05:51 | |
Key to Roy's map are the military roads built by General Wade | 0:06:03 | 0:06:07 | |
about 20 years before Roy started his work. | 0:06:07 | 0:06:10 | |
They provided a framework | 0:06:10 | 0:06:12 | |
on which Roy could hang the other features of his survey. | 0:06:12 | 0:06:16 | |
This is General Wade's military road along the south side of Loch Ness. | 0:06:21 | 0:06:26 | |
In the 1740s, this was the front line. | 0:06:26 | 0:06:29 | |
On this side - the army, generals, infantry, Scots loyal to the King. | 0:06:29 | 0:06:34 | |
On that side - the wild country, mountains, moors, and the rebels. | 0:06:34 | 0:06:39 | |
I want to find out how on Earth they built this road. | 0:06:43 | 0:06:46 | |
These brush strokes suggest there was sheer rock to the waterline, | 0:06:46 | 0:06:52 | |
which the road had to cut through. | 0:06:52 | 0:06:55 | |
Graeme Ambrose, who's lived on the road for three years, | 0:06:55 | 0:06:59 | |
knows all about how it was done. | 0:06:59 | 0:07:01 | |
I'd read about this section called the black rock - | 0:07:01 | 0:07:05 | |
wonderfully descriptive pieces on it | 0:07:05 | 0:07:08 | |
about soldiers hanging down on ropes over the precipice, | 0:07:08 | 0:07:12 | |
over the water, and planting gunpowder | 0:07:12 | 0:07:15 | |
to blow this road. | 0:07:15 | 0:07:17 | |
I'm glad I've brought the umbrella! | 0:07:17 | 0:07:20 | |
Probably the best time to see it, Graeme. | 0:07:20 | 0:07:23 | |
It's dark and the rock does look bleak and sombre indeed. | 0:07:23 | 0:07:27 | |
You get a sense of what an achievement it was to build this road above a black rock like this. | 0:07:27 | 0:07:34 | |
-It's absolutely towering. -Yes. | 0:07:34 | 0:07:36 | |
So imagine William Roy standing on the top, looking across Loch Ness, | 0:07:36 | 0:07:42 | |
-with his sketchbook, mapping. -In this wilderness, which it was then. | 0:07:42 | 0:07:47 | |
-One of the most dramatic points on the road network. -Definitely. | 0:07:47 | 0:07:52 | |
What they did here, at the time, 2,000 yards of rock like this. Incredible achievement. | 0:07:52 | 0:07:58 | |
Like the military roads, William Roy's map was to be a new weapon in any future guerrilla war. | 0:08:13 | 0:08:20 | |
Previous maps of the Highlands had been largely guesswork | 0:08:20 | 0:08:24 | |
and that had allowed the rebels to flee into the hills, | 0:08:24 | 0:08:28 | |
confident no-one would follow them. | 0:08:28 | 0:08:30 | |
But Roy's map would provide the vital information the army needed. | 0:08:30 | 0:08:35 | |
In today's military language, what a soldier's interested in are the "goings" - | 0:08:36 | 0:08:41 | |
where you can go with heavy vehicles, infantry. | 0:08:41 | 0:08:44 | |
What Roy's military map does very well is show the soldiers' goings. | 0:08:44 | 0:08:49 | |
For example, the roads are marked here in brown lines. | 0:08:49 | 0:08:53 | |
The buildings are marked in red. | 0:08:53 | 0:08:56 | |
If there's a red line around a building on the map, | 0:08:56 | 0:09:00 | |
that means there's a stone wall, so it's a better defensive position. | 0:09:00 | 0:09:05 | |
But this is also a map of no-go areas. | 0:09:05 | 0:09:08 | |
The marshes and bogs on Rannoch Moor are marked with a blue tint, | 0:09:08 | 0:09:13 | |
to tell you not to go there. | 0:09:13 | 0:09:15 | |
Soldiers need feeding. So crops are marked with parallel lines, | 0:09:15 | 0:09:19 | |
tinted with yellow, where you can get food. | 0:09:19 | 0:09:23 | |
But maps are also incredibly interesting for what they leave off. | 0:09:23 | 0:09:28 | |
And Roy's military maps leave off | 0:09:28 | 0:09:31 | |
the single most important symbol of Highland culture - | 0:09:31 | 0:09:34 | |
the clan territories. This is Scotland as a dominion of Britain. | 0:09:34 | 0:09:39 | |
This is a victor's map - a map of suppression. | 0:09:39 | 0:09:42 | |
Well, this is my last bit of luxury before the really hard work begins. | 0:09:45 | 0:09:51 | |
Tomorrow I'm embarking on two days of gruelling walking through the terrifying Corrieyairick Pass, | 0:09:52 | 0:09:58 | |
all 2,500ft of it. | 0:09:58 | 0:10:01 | |
One writer in the 1700s said that it made him fear for his life, | 0:10:01 | 0:10:06 | |
so strong was the blast, so hard the rain, so very thick the mist. | 0:10:06 | 0:10:11 | |
As for the cold, it stupefied him. | 0:10:11 | 0:10:13 | |
But if Roy got through, I've got to. | 0:10:13 | 0:10:16 | |
For the British, no other place better symbolised guerrilla war than the Corrieyairick Pass. | 0:10:30 | 0:10:37 | |
When General Wade was building his road through it, | 0:10:37 | 0:10:40 | |
boulders as big as cannons were rolled down the hill at his workers. | 0:10:40 | 0:10:45 | |
And overnight, the course of a stream could mysteriously change | 0:10:45 | 0:10:49 | |
so that it flowed across the new road and washed it away. | 0:10:49 | 0:10:53 | |
William Roy would have been in similar danger, | 0:10:53 | 0:10:57 | |
but still surveyed every metre - whatever the weather. | 0:10:57 | 0:11:01 | |
The winds get up to 70mph here. | 0:11:02 | 0:11:05 | |
I've got about 16 miles walking ahead of me | 0:11:05 | 0:11:09 | |
and already it's remarkable how much of what Roy mapped I'm finding. | 0:11:09 | 0:11:15 | |
There is no key on William Roy's map to explain the symbols used. | 0:11:15 | 0:11:20 | |
On the Corrieyairick Pass, there are two strange circles marked. | 0:11:20 | 0:11:24 | |
One here, and another here. | 0:11:24 | 0:11:27 | |
At first I thought they were wells or springs for them to get water. | 0:11:27 | 0:11:32 | |
Now I think they're something else because there's no water or well. | 0:11:32 | 0:11:38 | |
I think they're actually vantage points. | 0:11:38 | 0:11:41 | |
Those circles represent a place where a soldier with a telescope | 0:11:41 | 0:11:46 | |
can watch the pass for any movement below and to plan an ambush. | 0:11:46 | 0:11:50 | |
There are endless hiding places up here. | 0:11:55 | 0:11:59 | |
It was ideal for concealed attack on a passing column of Redcoats. | 0:11:59 | 0:12:04 | |
And THAT'S what Bonnie Prince Charlie was thinking | 0:12:07 | 0:12:11 | |
when he marched troops up here in August 1745 to lie in wait. | 0:12:11 | 0:12:16 | |
But something spooked the British and they never showed. | 0:12:19 | 0:12:23 | |
Military roads were usually built on the Roman principle - | 0:12:39 | 0:12:43 | |
dead straight, cutting right through the landscape. | 0:12:43 | 0:12:47 | |
But Roy's map suggests some builders had to abandon military principles | 0:12:47 | 0:12:52 | |
and go with the geography. | 0:12:52 | 0:12:55 | |
The mountainside is too steep for the road to take a direct course. | 0:12:55 | 0:12:59 | |
So General Wade constructed a series of spectacular hairpin bends. | 0:12:59 | 0:13:04 | |
For 100 years, this was the highest public road in Britain. | 0:13:04 | 0:13:08 | |
On William Roy's map the hairpins show up as dramatic zigzags. | 0:13:08 | 0:13:12 | |
They seem to have been drawn in a hurry. Perhaps Roy wasn't too keen on hanging around here. | 0:13:13 | 0:13:20 | |
His location for the zigzags is incredibly accurate. | 0:13:20 | 0:13:24 | |
The OS has the zigzags at 57 degrees north, four degrees west. | 0:13:24 | 0:13:29 | |
That means Roy was less than 1km out. | 0:13:29 | 0:13:33 | |
Amazing surveying for the 1700s. | 0:13:33 | 0:13:35 | |
The weather's closing in. | 0:13:47 | 0:13:50 | |
You don't have to spend many hours in the Highlands to realise | 0:13:50 | 0:13:55 | |
this is an incredibly exposed slab of the Earth's crust. | 0:13:55 | 0:13:59 | |
Corrieyairick is the closest Britain comes to an Alpine pass. And up at 2,000ft, it's freezing. | 0:14:17 | 0:14:24 | |
There are several bridges that were built by General Wade when he put the military road over the top. | 0:14:31 | 0:14:38 | |
But only one is named on William Roy's map. | 0:14:38 | 0:14:41 | |
And he calls it Snugburrow Bridge. | 0:14:41 | 0:14:44 | |
Well, what does Snugburrow mean? I've been looking around beside me | 0:14:44 | 0:14:49 | |
for snug burrows, somewhere you can snuggle out of the wind and shelter. | 0:14:49 | 0:14:54 | |
I think that's what snugburrow means. It's a military bivouac site. | 0:14:54 | 0:14:58 | |
I'm quite sure William Roy used the site because he had to shelter from this appalling weather as well. | 0:14:58 | 0:15:05 | |
Anyway, I think I've found the bivouac site. Let's look down here. | 0:15:05 | 0:15:10 | |
The only place I can find that's sheltered from the wind | 0:15:10 | 0:15:14 | |
and underneath the bridge parapet, quite steep... | 0:15:14 | 0:15:18 | |
The amazing thing is, that stone is bone dry. | 0:15:21 | 0:15:25 | |
Down here, three or four men could lie between rows of moss-covered stones, | 0:15:25 | 0:15:30 | |
completely sheltered from the wind blasting overhead and the rain too. | 0:15:30 | 0:15:35 | |
This little bivouac site, here, is a wonderful example | 0:15:35 | 0:15:40 | |
of how a place name on a map can act as a window on old geographies. | 0:15:40 | 0:15:44 | |
This is where Roy's job must have been really tough. It's cold. | 0:15:49 | 0:15:54 | |
I'm less than halfway across, dusk's falling, | 0:15:54 | 0:15:58 | |
the road isn't bad, but once it's dark, you lose sense of direction. | 0:15:58 | 0:16:03 | |
Everything looks the same. | 0:16:03 | 0:16:06 | |
I'll stop here for the night. | 0:16:06 | 0:16:08 | |
This is actually a five-star bivouac site. | 0:16:10 | 0:16:13 | |
And, um...I've spent... | 0:16:13 | 0:16:16 | |
many months, even years, tramping mountains | 0:16:16 | 0:16:20 | |
and slept in far worse places than this. | 0:16:20 | 0:16:23 | |
This is...an absolute beauty. That's my bed for the night. | 0:16:23 | 0:16:27 | |
There's the doorway. | 0:16:27 | 0:16:30 | |
It's nice to get out of the weather | 0:16:30 | 0:16:32 | |
and it's completely windproof and out of the rain. | 0:16:32 | 0:16:36 | |
And the added bonus that, as I lie in this... | 0:16:36 | 0:16:40 | |
snug little burrow, I might be lying on the same spot | 0:16:40 | 0:16:44 | |
William Roy also slept on over 200 years ago. | 0:16:44 | 0:16:48 | |
I love that - sleeping with ghosts. | 0:16:48 | 0:16:50 | |
Last night was very wet and very cold but a gale has come over the mountains, ripped the sky apart, | 0:17:08 | 0:17:15 | |
and I've now got clear blue skies and enormous views. | 0:17:15 | 0:17:19 | |
I can see for miles. This is what the Highlands are about. I love it! | 0:17:19 | 0:17:23 | |
Out of the pass. My next stop is Kinloch Rannoch, | 0:17:36 | 0:17:39 | |
a medium-sized village at the eastern end of Loch Rannoch. | 0:17:39 | 0:17:43 | |
Apart from the map itself, | 0:17:43 | 0:17:46 | |
there are hardly any records of Roy's work. | 0:17:46 | 0:17:49 | |
All his field books have disappeared but there is a painting by the water-colourist Paul Sandby. | 0:17:49 | 0:17:56 | |
In the late 1740s, Sandby was the chief draughtsman on Roy's team. | 0:17:57 | 0:18:02 | |
This is "A View Near Loch Rannoch" | 0:18:05 | 0:18:07 | |
and was made from a point very near here. | 0:18:07 | 0:18:11 | |
It shows a surveyor with his compass and soldiers with a measuring chain. Incredibly, it also shows | 0:18:11 | 0:18:18 | |
an elegantly dressed woman. There were no women on Roy's survey. | 0:18:18 | 0:18:22 | |
A wife, perhaps? Who knows? | 0:18:22 | 0:18:25 | |
I want to find where Sandby stood when he made this drawing. | 0:18:25 | 0:18:29 | |
If I can do that, perhaps I can solve a map mystery that's been puzzling me for ages. | 0:18:29 | 0:18:35 | |
Could this painting be the crucial missing link in the Roy story? | 0:18:38 | 0:18:43 | |
Unfortunately, since Sandby's day they've built a reservoir here | 0:18:44 | 0:18:49 | |
and I suspect that his vantage point may now be under 30ft of water. | 0:18:49 | 0:18:54 | |
But it's only by going out there that I'm going to find out. | 0:18:57 | 0:19:01 | |
Ever since I saw this, | 0:19:27 | 0:19:30 | |
I've been fascinated by the man in the foreground. Is it William Roy? | 0:19:30 | 0:19:35 | |
If he is, there's no way of knowing | 0:19:35 | 0:19:38 | |
because part way through the survey, | 0:19:38 | 0:19:41 | |
Roy's original team was joined by others. | 0:19:41 | 0:19:44 | |
Then I discovered the painting is dated 1749. | 0:19:44 | 0:19:47 | |
Well, the other teams didn't join Roy until 1750. | 0:19:47 | 0:19:52 | |
So this painting shows William Roy's own surveying team | 0:19:52 | 0:19:56 | |
and the man in the blue coat has to be Roy himself. | 0:19:56 | 0:19:59 | |
Well, I was wrong about Sandby painting from the reservoir. | 0:20:06 | 0:20:10 | |
I'd better try again on dry land. | 0:20:10 | 0:20:12 | |
I've crossed onto the far side of the loch. | 0:20:12 | 0:20:16 | |
And at last the landscape in Sandby's painting is beginning to match the view across the valley. | 0:20:17 | 0:20:24 | |
I'm going up a slight rise here onto a bridge and I think this is the spot he used. | 0:20:24 | 0:20:30 | |
It is. This is it. | 0:20:31 | 0:20:33 | |
But why here? Why this scene? | 0:20:34 | 0:20:37 | |
I think the clue lies in the crag in the background of the picture. | 0:20:37 | 0:20:42 | |
I'm climbing Craigvar. | 0:21:01 | 0:21:03 | |
This is the peak in the Sandby painting. | 0:21:03 | 0:21:06 | |
I'm sure William Roy must have come up here. It's perfect for surveying. | 0:21:06 | 0:21:11 | |
Look at that! What an incredible view! | 0:21:11 | 0:21:15 | |
You can see EVERY detail in the landscape. | 0:21:15 | 0:21:18 | |
What a perfect observation platform for a mapmaker! | 0:21:18 | 0:21:22 | |
And now I can see why Kinloch Rannoch was so important. | 0:21:40 | 0:21:44 | |
Only about 400 people live here now but, believe it or not, in the 1750s | 0:21:44 | 0:21:49 | |
the population was over 2,500. | 0:21:49 | 0:21:52 | |
The government planned to make the village the centre of the Highlands. | 0:21:53 | 0:21:58 | |
Troops would police the region. To do that, they needed good roads. | 0:21:58 | 0:22:03 | |
In the 1740s, there was a good military road running north to south through the Highlands. | 0:22:04 | 0:22:10 | |
But there was nothing west from here to Fort William on the front line. | 0:22:10 | 0:22:16 | |
All they had to do was push a road along the shore of the loch, towards those distant mountains, | 0:22:16 | 0:22:23 | |
across the unmapped wilderness of Rannoch Moor. | 0:22:23 | 0:22:26 | |
And that is where I'm going next. | 0:22:26 | 0:22:29 | |
But I think it's going to have to wait until tomorrow. | 0:22:29 | 0:22:34 | |
Last day of my hike. | 0:22:49 | 0:22:51 | |
We know that the army planned a route across Rannoch Moor | 0:22:51 | 0:22:55 | |
and Roy's map shows the road heading westwards from Loch Rannoch. | 0:22:55 | 0:22:59 | |
But there's a mystery. Roy's road finishes at the edge of his map, just before the moor. | 0:22:59 | 0:23:05 | |
The question is, why? | 0:23:05 | 0:23:08 | |
I want to walk along the road on Roy's map, | 0:23:09 | 0:23:12 | |
so I must get across that river. | 0:23:12 | 0:23:15 | |
To wade across a river in the Highlands, get someone who knows what he's doing, like Charlie Pirie. | 0:23:17 | 0:23:24 | |
The rivers in this part are fast and dangerous, as winter approaches | 0:23:24 | 0:23:29 | |
and the water comes down from the hills. | 0:23:29 | 0:23:32 | |
So, Charlie, how can you tell a good place to cross a river this deep? | 0:23:37 | 0:23:42 | |
Well, you see the ripple where the rocks are? | 0:23:42 | 0:23:45 | |
-Yes. -People reckon that if you have the ripple, | 0:23:45 | 0:23:49 | |
you're actually getting where it's dangerous. | 0:23:49 | 0:23:53 | |
So we've got a calm bit here. Still quite deep but not so dangerous. | 0:23:53 | 0:23:58 | |
Tell you what, it's cold! You don't notice, then it's in your bones. | 0:23:58 | 0:24:04 | |
If you were lying in here, you'd have between nine and 15 minutes. | 0:24:04 | 0:24:09 | |
-Before you drown? -Before hypothermia comes in. | 0:24:09 | 0:24:13 | |
Nine or 15 minutes till you're dead. | 0:24:13 | 0:24:15 | |
You'd maybe get a wee bit more in summertime. | 0:24:15 | 0:24:20 | |
Charlie's a gamekeeper and runs his own survival courses | 0:24:21 | 0:24:24 | |
in wild parts of the Highlands. | 0:24:24 | 0:24:27 | |
When it comes to distinguishing a proper military road on Roy's map | 0:24:27 | 0:24:31 | |
from a farm track, he ought to know. | 0:24:31 | 0:24:35 | |
Charlie, this is looking bigger than a shepherd's path. | 0:24:35 | 0:24:39 | |
Yeah, well, we're in an area here where we've got a big rock. | 0:24:39 | 0:24:43 | |
They've decided it was too high and I reckon with the shape of that, | 0:24:43 | 0:24:48 | |
three or four men blasted the top, allowing them on to the next bit. | 0:24:48 | 0:24:54 | |
If it had been a bulldozer, they'd have taken it. | 0:24:54 | 0:24:57 | |
-I'm pretty sure that's manmade. -What about this gap? | 0:24:57 | 0:25:01 | |
Basically, the same thing with that here. | 0:25:01 | 0:25:04 | |
But it looks, because it's so flat, as though it's been drilled through | 0:25:04 | 0:25:09 | |
and blasted with black powder, because it's so cut. | 0:25:09 | 0:25:13 | |
Well, that's fascinating, because William Roy marked a road through the valley we're in now. | 0:25:13 | 0:25:19 | |
The very fact that so much of Roy's map can be seen on the ground, | 0:25:22 | 0:25:26 | |
ought to mean we can discover where the military road went | 0:25:26 | 0:25:31 | |
and why it stopped before reaching Rannoch Moor. | 0:25:31 | 0:25:34 | |
I'm not sure about this, Charlie. | 0:25:34 | 0:25:37 | |
The path seems to go down there and there's another up here. | 0:25:37 | 0:25:41 | |
Well, we can have a look from here. We'll maybe get a better idea higher. | 0:25:41 | 0:25:46 | |
You can see the lie of the land up here. What does the map say? | 0:25:46 | 0:25:50 | |
Well, the road on the map... | 0:25:50 | 0:25:54 | |
..goes across the middle of what's now bog. | 0:25:55 | 0:25:58 | |
It's gone to bog because it hasn't been drained for years and years. | 0:25:58 | 0:26:03 | |
Can you feel the old road, Charlie? | 0:26:05 | 0:26:07 | |
There's no solid borders, where they would have put big boulders on | 0:26:07 | 0:26:11 | |
to make the base of the road, then put gravel on to it. | 0:26:11 | 0:26:16 | |
It's soft as anything, out of sight. | 0:26:16 | 0:26:19 | |
There's been no road on this part, that's for sure. | 0:26:19 | 0:26:22 | |
Well, the road used to go across here cos it's on the map. | 0:26:22 | 0:26:27 | |
Certainly no road on that bit. | 0:26:27 | 0:26:30 | |
-Charlie, we're at the end of the road. -The end of the road. | 0:26:30 | 0:26:34 | |
I mean, the road's not been there for 100, 200 years. | 0:26:34 | 0:26:39 | |
-And if it did go through there, you certainly can't get there now. It's waterlogged. -Absolutely. | 0:26:39 | 0:26:45 | |
It's disappeared into the bog. | 0:26:45 | 0:26:48 | |
The original military road on Roy's map got as far as Rannoch Moor and no further. | 0:26:49 | 0:26:56 | |
But today it doesn't even reach that far - | 0:26:56 | 0:26:59 | |
lost under several feet of peat and water. | 0:26:59 | 0:27:03 | |
So the road from Rannoch to Fort William wasn't built. In fact, it's never been built. | 0:27:04 | 0:27:09 | |
There's no road west across Rannoch Moor. | 0:27:09 | 0:27:12 | |
If you want to go to Fort William, it's a very long, boggy walk, | 0:27:12 | 0:27:17 | |
or you can sit back and enjoy a spectacular ride on the train. | 0:27:17 | 0:27:21 | |
William Roy was a visionary. His detailed, measured map of Scotland | 0:27:28 | 0:27:32 | |
led not only to the mapping of the whole country, but also to the mapping of the British Empire. | 0:27:32 | 0:27:39 | |
Roy set the pattern for 18th-century surveys of Canada, Bengal, | 0:27:41 | 0:27:46 | |
and the east coast of North America. | 0:27:46 | 0:27:49 | |
There's a final twist to William Roy's story. | 0:27:51 | 0:27:54 | |
The military survey, and the detailed information it contained, | 0:27:54 | 0:27:59 | |
was so valued it was kept secret for fear it would fall into enemy hands. | 0:27:59 | 0:28:05 | |
Today, this masterpiece is kept in a vault in the British Library, | 0:28:05 | 0:28:10 | |
who say that it's their greatest treasure. | 0:28:10 | 0:28:13 | |
William Roy's great map captured the Highlands, | 0:28:13 | 0:28:16 | |
but taming them is another thing altogether. | 0:28:16 | 0:28:19 | |
Subtitles by Laura Jones BBC Broadcast 2004 | 0:28:38 | 0:28:41 | |
E-mail us at [email protected] | 0:28:41 | 0:28:45 |