Episode 4 Normal for Norfolk


Episode 4

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Here.

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There are always people to avoid.

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Roly, here.

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Got to let them pass.

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Look.

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There they go.

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Look. There, there they go.

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Power walkers.

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They're all very nice people, who come here...

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..and then the lady rendezvous, and she does her keep-fit walk,

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and they're keeping their physiques in trim,

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rather than doing some useful toil.

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Go on, Ted.

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Go on, Ted.

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Good boy.

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Another summer has passed at

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Wiveton Hall Farm on the north coast of Norfolk,

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home to gentleman farmer, Desmond MacCarthy.

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He's the one who's been keeping my mother awake, for weeks.

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Desmond's lived here all his life, with his mother, Chloe,

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now 101 years old.

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My mother's lived so long because she's never drunk milk.

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I like cream, you know.

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What are your other tricks?

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When they're not at university, he's joined by his children,

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Isabel and Edmund.

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Does Granny pay rent?

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-She does pay rent.

-Bastard.

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Oh, my God!

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Last year, Desmond kept the wolf from the door

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by the seat of his tweed pants.

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Do I have a lot of cash around?

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No. Other people's cash, yes. Mostly the bank's.

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Earning just enough money from his 250-acre farm,

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cafe and holiday cottages to maintain a country way of life,

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and preserve the hall for generations to come.

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Perhaps this is where the nostrils came from.

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Thank goodness the double chin has been bred out.

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-Has it?

-Yes.

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This autumn, Desmond's on a marketing drive

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to attract guests from around the globe to Wiveton.

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I'm always saying we must get foreign people.

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Yes, and they're either...

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-And they're Chinese.

-Or Japanese, I'm not sure.

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That's so much better.

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And interest from an international magazine

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prompts a major tidy-up at the hall.

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Oh, my God, we must cover that awful chair.

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I can't bear it.

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The shabby chic was invented for this house.

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It's late October at Wiveton Hall Farm.

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Oh, my God, final sale.

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-Many items.

-Isn't that good?

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In a few days,

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the cafe and shop will close for four months,

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not opening again until spring.

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Desmond's desperate to sell old stock,

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and make as much money as possible to help them survive the winter.

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That should be seven, £7.

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-That should be a fiver.

-What?

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Because they last forever.

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Our restaurant is shutting in five days.

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Rather sad. We're going to have to learn how to cook.

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It's going to be sad.

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People will leave, the farm will begin to shut down,

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the customers will go, and I mean, it's rather like the party ending.

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Anyway, never mind, we get ready for next year.

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And what are we going to do to celebrate?

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We don't celebrate...

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Oh, what are we celebrating, the shutting down of the cafe?

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It is mad.

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We will lose 20 to 25 people.

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Which is great from a payroll point of view,

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but of course, we lose all our income.

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Not all our income, because we still get our holiday lets

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and that kind of thing, but the big chunk of income has finished.

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Sell them. Are they on a discount?

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-No, they're not.

-Well, then discount them,

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-they're awful, get rid of them.

-Well...

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At the end of the year, the cash flow is low,

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and we haven't got all the income coming in,

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and it's a bit of a struggle to get through to the next season.

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And it's not because the cafe hasn't done well - it has -

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but when you put everything together,

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there's not a lot left.

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This flour, look.

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That needs selling, otherwise mice will come and get it in the winter.

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When the cafe and shop close,

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Desmond will rely on other sources of income,

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like his holiday cottages.

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Charged with enticing visitors to

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spend winter in rural Norfolk is property manager, Emma.

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These quiet periods is where I've got to start, you know,

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putting my thinking cap on and rustling up some business.

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I'm actually just putting all the properties on Airbnb,

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to see if that works.

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I'm also trying to do up one of the cottages,

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to make that a bit smarter.

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I said to Desmond that I just thought we should

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maybe make the bedrooms a bit prettier and cosier.

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So I've found a few wallpaper samples.

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Desmond's coming down, because he's actually, you know,

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he has a very strong opinion about these things, and, you know,

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he's got a very good aesthetic.

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Hello, Emma.

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-Hello, Desmond.

-It's all, it's all happening.

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Ooh, who's living here?

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Who's living here?

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-Yes.

-It's the three little bears and Goldilocks!

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Do they have no clothes?

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-It's so warm.

-I know.

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Do you think in here...?

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I like the white walls here.

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Well, actually, maybe not.

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Makes me think you're in Spain or something, it's very nice.

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-Yes.

-I don't think anyone would complain.

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Oh, why can't they turn the heating down?

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Yes, we'll turn it down, don't worry.

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So, I was thinking, this or this.

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Oh, no!

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-And he's off.

-And you don't want to do this one?

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Yes, I want to do that one.

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Look.

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Yes. Oh, I love that.

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Or do you like the rabbits?

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I think it's rather cottage-y and charming.

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-Yes.

-It's quite nice to make them a little bit unique.

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-Yes.

-You know, that these have little, pretty wallpapered bedrooms.

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-Yes.

-That they're not all the same.

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-Desmond, hello?

-Yes.

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No, no. True, true.

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I'm looking at the crack around the top.

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-That little crack.

-Yes, well,

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-that'll get covered up by wallpaper, you see.

-OK.

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Even without new wallpaper,

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Emma's marketing push is proving successful.

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We've got our first Airbnb.

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Oh, yes. And I'm always saying we must get foreign people.

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-Yes.

-And I...

-And they're either...

-And they're Chinese.

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Or Japanese, I'm not sure.

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I think they're more likely Chinese.

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-Yes.

-There are more of them.

-So, it's very exciting.

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-So, Desmond has been wanting to get...

-Yes.

-Why?

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Well, because we've got to break into a new market, haven't we?

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-We're always told...

-The tiger economy.

-Mm.

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Just been told they're borrowing more than ever and they're

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as in debt as us, but never mind. Let's hope we have some...

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They might find you culturally quite odd.

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Very good, that's fine. Well, it might be mutual.

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All right. Going to see you later.

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The cottages are getting a makeover and so is Desmond.

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With the shooting season on the horizon,

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he's commissioned a tweed suit from tailor and ex-wife Tina.

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The material has arrived from a woollen mill on Islay

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and it's ready for inspection.

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-Hello, Tina.

-Hi, Desmond.

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-Oh, my God!

-I've opened it already.

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Oh, fantastic!

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-How exciting.

-I've opened it already.

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-I think you'll like it.

-Is it...? Oh, my God.

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Let's have a look. Because I've got to live with it.

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It's almost worse than getting married.

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Got to live with it for a long time.

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Look. Now, look at that.

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There was a brief moment when I suddenly had anxiety

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that it was going to be too green. And I'll be too leprechaun.

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-Yeah.

-Let's look at it in the light.

-Go out there and get a mirror.

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Oh, my God.

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-Have a look.

-Does it make me look taller?

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-What do you think?

-Yeah, I think it's really nice.

-Mm.

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Isn't that lovely? Look at it.

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-It's not too subtle.

-No, no, no.

-For a change.

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No. Oh, my flies are undone. Whoops.

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OK, lovely.

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Oh, one can become obsessed by tweed.

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The traditional thing is to wear a material

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that actually blends into the country.

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Who knows? No-one has actually asked a bird or a deer what they can see,

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but if you stand in a white suit on the side of a hill in Scotland,

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any movement and the creatures you're after to hunt would see you.

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And you can see why people get carried away and obsessed by stuff.

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Keen to increase global awareness of Wiveton's charms,

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Desmond has managed to pique the interest

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of an international interiors magazine.

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They want to do a feature on the grand 17th-century hall,

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which prompts the housekeeping team into a flurry of activity.

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This is, you know, an extremely high-end magazine.

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Oh, dear. Could the car be cleaned?

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I think they've been wanting to come and do it for ages.

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And then Desmond mentioned it to me and so I encouraged him

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and said, "Come on, let's do it."

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Oh, dear.

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I thought it would be really good for business.

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So hopefully, it will be.

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Let's just look through here, Debbie.

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They're coming to photograph the house today.

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Quite an honour they think the house is nice enough and also

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shows other people and some of them might want to come here.

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-Yeah.

-Let's try and make it look nicer.

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-Mm-hm.

-God.

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What's this board? Let's get rid of this bread bin.

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These are last year's nuts.

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Do you think they're any good?

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It will be very good publicity.

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That picture's not very straight.

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Come on. Oh, my God.

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OK. OK, Desmond.

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Remember to breathe.

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And breathe. Right.

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We must cover that awful chair.

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I said... Well, I mean...

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Well, well, a blanket. Something nice.

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Something nice. I can't bear it.

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We'll get... Well, I mean, we talked about it so many times.

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-I think it's absolutely disgusting, that chair.

-Where do I put these?

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No, I put some here earlier, but Desmond's taken them out,

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so he obviously doesn't like flowers in the kitchen.

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What about this sheet?

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Is it being photographed?

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Anything. Let's try that.

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I don't get around half of what I mean to get round.

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-Do we, Debbie?

-No, we don't.

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-Lots to do.

-So much to do.

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Get the other end of this thing.

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-And then I'm going to go and do something else.

-OK.

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That's so much better.

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You could have a fancy dress party...

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..using all the things in here.

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I'm not a stylist, but I know what I like.

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Yeah.

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That magazine, it's got all sorts of

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different houses from very smart apartments in...

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..Palermo or Pisa or Paris, you know.

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As well as some quite shabbier places.

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Where do you put yourself on the scale?

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Well, I think we are on the shabby...

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The shabby chic was invented for this house.

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The photographer has arrived.

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Along with the editor, who will oversee the photo shoot.

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It's an incredibly romantic house,

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and it's a house with a huge amount of history. It was, I think,

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a Carmelite or a Cistercian monastery

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destroyed under Henry VIII.

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So it's got these kind of incredible layers,

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and that is why we're attracted to it.

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It's heavenly and homely,

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and I think every piece of furniture has a story to tell.

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Several stories, probably.

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You put the camera too high again, so I can't film.

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-No, I just had to do that.

-No, you've done it deliberately.

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My parents lived in this room, mostly.

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And the radio, no telly.

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It's so old, you know, that they listened to the news.

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Houses are a reflection of their owners.

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So somewhere like this, which is built up of Desmond's family,

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families before Desmond's family,

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Desmond, Desmond's children - I mean,

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it can't help but be a portrait.

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-Do you see that?

-Yeah.

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Part of Wiveton's charm is that it's the home of a working farmer.

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-Come on.

-Have you spotted one?

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There's a little one here.

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Desmond's promised his housekeeper two egg-laying bantams.

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But he's got to catch them first.

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Oh, sorry! Sorry, sorry.

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Dangerous business.

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-Yeah, dangerous.

-Flattened.

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Oh!

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Yeah.

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Oh, it's so hard.

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It has to be the best of its kind.

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So we span everything.

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We do something very modern, we do something very old,

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we do something very broken down, we do something very pristine.

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But they all have to represent a kind of pinnacle, I suppose.

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-Margaret, if you could drive them round.

-Yeah.

-Just gently.

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Whoa! Oh!

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Go on! Oh!

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Blimey. Very hard.

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Much harder than I thought.

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This is a, in a way, one of the nicest English, romantic, old,

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very grand houses, constantly lived in for its whole history.

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And they're very few and far between now.

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Oh. Oh, dear.

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-Oh, dear God.

-My God, it's a sport.

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It's an Olympic sport.

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-Do you think that's all right?

-Yeah.

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-That'll be all right.

-Look at that, beautiful in the light.

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Yeah, no, that'll be fine.

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This is quite hard, this room, I think.

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It sometimes feels a bit rough around the edges here...

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A bit rough around the edges?

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But that's why you like it, isn't it?

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And that's why it makes very, very atmospheric pictures,

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because you want to somehow convey the kind of romance,

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and the age of somewhere,

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and obviously that is made a lot easier if it has some sort of...

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If it doesn't look scrubbed.

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If it doesn't look too new.

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Desmond will have to wait for publication

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to see if this exposure of his family home

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attracts interest in Wiveton as a place to stay.

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I'm going to go and say hello.

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At the edge of the farm, the Chinese family

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have arrived in one of the holiday cottages.

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-Hello.

-Hello.

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I'm Desmond MacCarthy.

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Nice to meet you.

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The arrival of the international guests

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is a marketing triumph for Desmond.

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We are now in international business.

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We've got Chinese customers

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from three of the biggest cities in China.

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High-flyers, high-flyers in the medical world.

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Any prostate problems, I know exactly who to go to.

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The holiday cottages and the hall

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are not the only accommodation being spruced up at Wiveton.

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Desmond has acquired a second-hand caravan

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for next year's seasonal farm workers.

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On. No, that doesn't work.

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That's the only thing that doesn't work.

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Mr Feldgate Jr is helping transport it

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-eight miles along the coast road to the hall.

-Oh, my God.

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Hold on. Yeah, we missed that by inches.

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-Yeah.

-Well done.

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I'm more worried about the fixtures and fittings in the caravan.

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Well, yeah, that's right.

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It's not often you get a chance to buy a fully furnished home.

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Well, yeah, that's right.

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You know, yeah, that is pretty good.

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Desmond needs to attract a reliable stream of

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Eastern European workers to keep his farm going.

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He's hoping a newly upgraded caravan will tempt them to Norfolk.

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We started having Polish workers when I started growing more fruit.

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They are loyal.

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They work lots of hours.

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Don't pay very much for being here.

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And they can then... Happy to go home for the winter.

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Oh, that was a...

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What a journey.

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I mean,

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we've come from Yarmouth.

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Yarmouth, yeah.

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Someone is going to have a disappointing holiday

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when they get there next year, but anyway.

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God, look at the old wheel.

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Bloody hell.

0:17:430:17:44

Oh. I don't think we want to come any further.

0:17:450:17:49

Very good. He looks a little bit on the sosh.

0:17:490:17:52

With Brexit on the horizon,

0:17:520:17:54

Desmond is worried his supply of seasonal farm workers may dry up.

0:17:540:17:59

If labour from Eastern Europe didn't come,

0:17:590:18:03

because they either weren't allowed to come,

0:18:030:18:05

or it wasn't worth their while,

0:18:050:18:08

it could be devastating news.

0:18:080:18:10

There, marvellous.

0:18:100:18:12

There might be English people who'd come forward, wanting to work.

0:18:120:18:17

But it's a might.

0:18:190:18:20

HE HUMS

0:18:200:18:23

We're going to see the new caravan.

0:18:280:18:31

It's rather good quality, Margaret.

0:18:310:18:32

Is this a quality...? Has the Wiveton vote gone up?

0:18:320:18:35

And I'm wondering who...

0:18:350:18:36

Rodney wants to live there.

0:18:360:18:38

Jack wants to live there. I'm pretty tempted.

0:18:380:18:41

Desmond has brought Emma, with her creative flair,

0:18:410:18:44

to inspect the new caravan.

0:18:440:18:47

Is it always going to be at this angle?

0:18:470:18:48

I think so. No, it's only just been put in there.

0:18:480:18:51

Don't worry.

0:18:510:18:53

-You get in first.

-Oh, my God. Oh, my God.

0:18:530:18:56

Oh, my goodness, a second bedroom!

0:18:560:18:59

Oh, I didn't know that. There is not anyone in there, is there?

0:18:590:19:02

I think it's great. Look at this.

0:19:020:19:04

Over the next few weeks,

0:19:040:19:06

Emma's job is to make it an attractive place to stay

0:19:060:19:09

for Wiveton's workers.

0:19:090:19:10

It's even got ornaments.

0:19:100:19:13

Some of the ornaments are superb.

0:19:130:19:15

-Roly.

-Oh, my God, look at the naughty mug.

0:19:150:19:19

Lovely ornaments. Lovely mugs.

0:19:190:19:21

Look, isn't that nice?

0:19:210:19:23

-Top shelf, top class.

-Top shelf, top class.

0:19:230:19:26

Look at this lovely bird.

0:19:260:19:27

It needs a good clean.

0:19:270:19:29

-Well, not much of a clean.

-But I guess...

0:19:290:19:32

Mistle thrush.

0:19:320:19:33

I mean, it's a fantastic place for someone to live.

0:19:330:19:37

If this doesn't pull them in...

0:19:370:19:39

If this doesn't pull them in, I don't know what will.

0:19:390:19:42

Yes, but it needs a clean, and maybe...

0:19:420:19:44

-Of course it needs a clean, but that's not bad.

-..and curating.

0:19:440:19:46

Yeah, curating, yes.

0:19:460:19:48

-Who's in charge of that?

-Well, you are.

-Oh, OK.

0:19:480:19:53

You are. It's one of your things.

0:19:530:19:55

-Oh, my God, this is like...

-Come up this end.

-Let's have a look.

0:19:560:19:59

-Ooh. Pungent.

-Oh, my God.

-It's a little...

0:19:590:20:02

Sorry. Oh, there's a lamp that's gone.

0:20:020:20:06

THEY SCREAM

0:20:060:20:08

Quick!

0:20:100:20:11

Did the earth move for you, Desmond?

0:20:120:20:15

It did. Is that what they say?

0:20:150:20:16

That's what they say.

0:20:160:20:17

In the bedroom. OK.

0:20:170:20:21

Now... Whoa!

0:20:210:20:23

The light's gone.

0:20:260:20:27

It's been several weeks since Tina

0:20:370:20:39

began work on Desmond's seasonal makeover.

0:20:390:20:43

Oh, my goodness, look at the sunlight on it.

0:20:430:20:46

And his new tweed suit is ready for a first fitting.

0:20:460:20:50

-Do you like it?

-It is very nice and subdued.

0:20:500:20:54

-Oh, look.

-I forgot to ask you to bring some socks.

0:20:540:20:57

-Stockings.

-Do you mind?

0:20:570:20:59

I'm not going to go home and get them.

0:20:590:21:02

So, shall I go and get some...?

0:21:020:21:05

Are there some of Edmund's?

0:21:060:21:08

-I'll go and have a look.

-Shall I try the...?

0:21:080:21:10

No, no, you've got to wait for me.

0:21:100:21:11

Oh, look at that. Isn't that lovely? Look at that.

0:21:130:21:16

I would have preferred that. Isn't that lovely? Isn't that lovely?

0:21:160:21:23

I'm just going to become obsessed.

0:21:230:21:25

Isn't that beautiful tweed?

0:21:250:21:27

I probably made a bit of a hasty...

0:21:280:21:30

I'll love it anyway.

0:21:300:21:32

I will love it.

0:21:320:21:34

You can't have that.

0:21:340:21:36

That's very, very exclusive.

0:21:360:21:37

-What do you mean?

-It belongs to someone else.

0:21:370:21:39

-I know it does.

-But yours is beautiful as well.

0:21:390:21:41

-Yes, yes.

-I don't think you should try these on, Desmond.

0:21:410:21:44

-No.

-They actually should be disposed of.

0:21:440:21:47

They'll be all right.

0:21:470:21:49

Don't worry, Tina, I'm going to have to put those on.

0:21:490:21:51

Just shake them out.

0:21:510:21:52

They were put away dirty.

0:21:540:21:55

-I know, I didn't know that.

-Well, you should go through...

0:21:550:21:58

They're actually quite stiff with dirt, aren't they?

0:21:580:22:01

They're filthy.

0:22:010:22:02

Anyway, I'll wear it for a short time.

0:22:040:22:06

The waist is fantastic.

0:22:150:22:17

Scarlett.

0:22:180:22:20

Come on.

0:22:200:22:21

Two pleats.

0:22:210:22:22

Do you think they need to be a bit bigger at the bottom?

0:22:220:22:25

-Well, I do.

-More fuller?

0:22:250:22:28

-A little bit fuller, yeah.

-OK, that's fine.

0:22:280:22:30

Why are they not full length?

0:22:300:22:31

Well, when you are tramping through the undergrowth,

0:22:310:22:35

if they were long trousers,

0:22:350:22:37

they would catch on the brambles and...

0:22:370:22:41

-They'd get wet.

-And they'd get wet.

0:22:410:22:44

Come on, let's put this on now.

0:22:440:22:45

Look, that's very smart.

0:22:450:22:47

Look at that lining. Oh, my goodness!

0:22:470:22:51

Yes, it's a really good lining. It's for a young person.

0:22:510:22:54

Oh, good.

0:22:540:22:55

-Do you mind the cat?

-No.

0:23:000:23:02

That's pretty good, you know, Tina.

0:23:020:23:04

-Is it?

-I've got a lot of bulk to me.

0:23:040:23:07

-It's quite broad.

-I am broad.

0:23:070:23:10

Can you raise your arms?

0:23:100:23:12

What does that feel like?

0:23:130:23:14

Just a tiny bit tight.

0:23:150:23:16

Where is it? Round the back?

0:23:160:23:18

-OK.

-Just here.

0:23:180:23:20

I know the front has got to be let down a bit.

0:23:210:23:24

Do you see how it's sort of popping up at the front?

0:23:240:23:26

Tweed is the centuries-old uniform of the country gentleman.

0:23:280:23:33

It's that quintessential English look

0:23:330:23:35

that attracted the international interiors magazine

0:23:350:23:39

to photograph Desmond's home.

0:23:390:23:41

The edition featuring Wiveton Hall has just arrived in the post.

0:23:420:23:46

Let's have a look.

0:23:460:23:48

-Conde Nast.

-Oh!

0:23:480:23:50

-Would you like to open it?

-Yes.

0:23:500:23:52

Oh, my God, this is so exciting.

0:23:520:23:54

Oh, my God, we're on the front cover!

0:23:540:23:56

Oh, my God, it looks beautiful.

0:23:580:24:00

Look, and Annabel's lovely birds.

0:24:000:24:03

-That's nice.

-There's your bathroom.

0:24:030:24:05

It makes the bathroom look nice.

0:24:050:24:07

So tidy.

0:24:070:24:09

I didn't know you were so tidy, Desmond.

0:24:090:24:11

Very tidy.

0:24:110:24:13

Oh, look.

0:24:130:24:14

-I hope being in this will bring a few more people.

-Yes, yes.

0:24:140:24:18

Well, I think this will be good for the wing,

0:24:180:24:20

which is the bit we want to...

0:24:200:24:22

-Rent out.

-Yes.

0:24:220:24:23

So we've already had someone ringing

0:24:230:24:26

saying they want to come and stay at Easter. So that's good news.

0:24:260:24:29

Very good. Look at that.

0:24:300:24:33

-That's cool.

-Where is that?

0:24:330:24:35

-That's in Uruguay.

-God, you can almost hear

0:24:350:24:38

the mosquitoes, can't you?

0:24:380:24:40

We may move there.

0:24:400:24:41

-That's very good and it's nice to have a record of it.

-Exactly.

0:24:410:24:47

When you're...

0:24:470:24:49

-When all has gone pear-shaped and...

-And we're living in Uruguay.

0:24:490:24:52

Living in Uruguay.

0:24:520:24:54

We'll take this with us and you can remember it.

0:24:540:24:57

Sell up, get out fast.

0:24:570:24:59

A very nice brochure.

0:24:590:25:00

And we'll try and sideline the estate agents.

0:25:020:25:05

-Very good.

-Yes.

-Well, there we are.

0:25:060:25:08

-Here, champ.

-Yes, Dad?

0:25:090:25:11

Look at that!

0:25:110:25:13

The new marketing strategy is paying off.

0:25:130:25:17

Wiveton Hall has been launched on the international stage.

0:25:170:25:21

I think we must celebrate by

0:25:210:25:23

going to have a quick cup of tea and a massive slice of cake.

0:25:230:25:28

I haven't had cake for ages.

0:25:280:25:30

Come on.

0:25:390:25:40

The cleaners at the holiday cottages have alerted Desmond and Emma

0:25:400:25:44

to comments left by recent occupants.

0:25:440:25:47

Shall we go down this way?

0:25:470:25:49

We had these Chinese people, they came and they were very nice,

0:25:490:25:54

and apparently they have left a message in the visitors' book.

0:25:540:25:59

Now, do you think this needs improving a bit?

0:26:010:26:03

Yes.

0:26:030:26:05

Oh, dear.

0:26:050:26:06

Like any hospitality business, responding to feedback is crucial.

0:26:060:26:11

Oh, my God. Look at that.

0:26:110:26:13

Oh, "What a wonderful week. Good walks."

0:26:150:26:17

Nice handwriting.

0:26:170:26:19

Yes, very nice.

0:26:190:26:20

"The cottage is perfect,

0:26:200:26:21

"everything you need for a relaxing and comfortable break."

0:26:210:26:25

It's very kind of them.

0:26:250:26:26

They needn't write quite such an essay.

0:26:260:26:28

It has taken up most of their holiday.

0:26:280:26:30

-Well, you know what, Desmond...

-"Fantastic wildlife,

0:26:320:26:35

"amazing birds and the comforting call of the owl at night."

0:26:350:26:40

"Beautiful cottage, prepared and cleaned as a home from home,

0:26:420:26:47

"but we absolutely hate the hunting pictures."

0:26:470:26:51

-Oh, really?

-"A beautiful wildlife and nature preservation place

0:26:510:26:55

"such as Norfolk, then artwork promoting

0:26:550:26:58

"the useless killing of our

0:26:580:27:00

"wonderful, living creatures. Horrific."

0:27:000:27:04

She didn't like that.

0:27:040:27:05

"The beautiful wildlife" - the boar.

0:27:050:27:08

You've got to learn how to shoot the boar, haven't you?

0:27:080:27:11

Haven't you?

0:27:130:27:14

You can't have them everywhere. Anyway.

0:27:160:27:19

She thinks...

0:27:190:27:21

She's the sort to think you've got to leave everything to nature.

0:27:210:27:24

Oh, my God!

0:27:270:27:28

That's nice.

0:27:310:27:32

-Well, we don't know.

-No.

-We don't know.

0:27:330:27:37

"A very nosy man came round, the moment we got here.

0:27:370:27:42

"We were about to put our feet up,

0:27:420:27:44

"nosey man came in and asked so many ruddy questions,

0:27:440:27:48

"I wished I was back in Beijing."

0:27:480:27:51

"We are never going to come again,

0:27:530:27:55

"certainly won't recommend our friends."

0:27:550:27:58

Next time, Desmond keeps with country traditions

0:28:040:28:07

by holding a shoot at Wiveton.

0:28:070:28:09

Got to keep quiet, Roly. Roly.

0:28:090:28:12

I've heard of people who swear at their dogs.

0:28:120:28:15

It doesn't do much good.

0:28:150:28:17

And as the end of the year approaches,

0:28:170:28:19

he rewards his faithful staff with a Christmas party.

0:28:190:28:24

We've got the tree in, so Christmas has begun.

0:28:240:28:26

-Has it?

-Yes.

0:28:260:28:28

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