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Here. | 0:00:02 | 0:00:03 | |
There are always people to avoid. | 0:00:05 | 0:00:07 | |
Roly, here. | 0:00:09 | 0:00:10 | |
Got to let them pass. | 0:00:11 | 0:00:12 | |
Look. | 0:00:12 | 0:00:14 | |
There they go. | 0:00:14 | 0:00:16 | |
Look. There, there they go. | 0:00:16 | 0:00:18 | |
Power walkers. | 0:00:18 | 0:00:19 | |
They're all very nice people, who come here... | 0:00:20 | 0:00:22 | |
..and then the lady rendezvous, and she does her keep-fit walk, | 0:00:23 | 0:00:28 | |
and they're keeping their physiques in trim, | 0:00:28 | 0:00:33 | |
rather than doing some useful toil. | 0:00:33 | 0:00:36 | |
Go on, Ted. | 0:00:38 | 0:00:39 | |
Go on, Ted. | 0:00:40 | 0:00:42 | |
Good boy. | 0:00:42 | 0:00:44 | |
Another summer has passed at | 0:00:44 | 0:00:46 | |
Wiveton Hall Farm on the north coast of Norfolk, | 0:00:46 | 0:00:50 | |
home to gentleman farmer, Desmond MacCarthy. | 0:00:50 | 0:00:54 | |
He's the one who's been keeping my mother awake, for weeks. | 0:00:54 | 0:00:59 | |
Desmond's lived here all his life, with his mother, Chloe, | 0:00:59 | 0:01:03 | |
now 101 years old. | 0:01:03 | 0:01:05 | |
My mother's lived so long because she's never drunk milk. | 0:01:05 | 0:01:08 | |
I like cream, you know. | 0:01:08 | 0:01:11 | |
What are your other tricks? | 0:01:11 | 0:01:13 | |
When they're not at university, he's joined by his children, | 0:01:13 | 0:01:16 | |
Isabel and Edmund. | 0:01:16 | 0:01:19 | |
Does Granny pay rent? | 0:01:19 | 0:01:20 | |
-She does pay rent. -Bastard. | 0:01:20 | 0:01:22 | |
Oh, my God! | 0:01:26 | 0:01:27 | |
Last year, Desmond kept the wolf from the door | 0:01:28 | 0:01:31 | |
by the seat of his tweed pants. | 0:01:31 | 0:01:33 | |
Do I have a lot of cash around? | 0:01:33 | 0:01:35 | |
No. Other people's cash, yes. Mostly the bank's. | 0:01:35 | 0:01:38 | |
Earning just enough money from his 250-acre farm, | 0:01:38 | 0:01:42 | |
cafe and holiday cottages to maintain a country way of life, | 0:01:42 | 0:01:47 | |
and preserve the hall for generations to come. | 0:01:47 | 0:01:50 | |
Perhaps this is where the nostrils came from. | 0:01:50 | 0:01:52 | |
Thank goodness the double chin has been bred out. | 0:01:52 | 0:01:56 | |
-Has it? -Yes. | 0:01:56 | 0:01:57 | |
This autumn, Desmond's on a marketing drive | 0:02:00 | 0:02:03 | |
to attract guests from around the globe to Wiveton. | 0:02:03 | 0:02:06 | |
I'm always saying we must get foreign people. | 0:02:06 | 0:02:08 | |
Yes, and they're either... | 0:02:08 | 0:02:10 | |
-And they're Chinese. -Or Japanese, I'm not sure. | 0:02:10 | 0:02:12 | |
That's so much better. | 0:02:12 | 0:02:13 | |
And interest from an international magazine | 0:02:13 | 0:02:16 | |
prompts a major tidy-up at the hall. | 0:02:16 | 0:02:19 | |
Oh, my God, we must cover that awful chair. | 0:02:19 | 0:02:21 | |
I can't bear it. | 0:02:21 | 0:02:23 | |
The shabby chic was invented for this house. | 0:02:23 | 0:02:26 | |
It's late October at Wiveton Hall Farm. | 0:02:40 | 0:02:44 | |
Oh, my God, final sale. | 0:02:44 | 0:02:46 | |
-Many items. -Isn't that good? | 0:02:46 | 0:02:48 | |
In a few days, | 0:02:48 | 0:02:50 | |
the cafe and shop will close for four months, | 0:02:50 | 0:02:53 | |
not opening again until spring. | 0:02:53 | 0:02:55 | |
Desmond's desperate to sell old stock, | 0:02:56 | 0:02:59 | |
and make as much money as possible to help them survive the winter. | 0:02:59 | 0:03:03 | |
That should be seven, £7. | 0:03:03 | 0:03:08 | |
-That should be a fiver. -What? | 0:03:08 | 0:03:11 | |
Because they last forever. | 0:03:11 | 0:03:12 | |
Our restaurant is shutting in five days. | 0:03:15 | 0:03:19 | |
Rather sad. We're going to have to learn how to cook. | 0:03:19 | 0:03:21 | |
It's going to be sad. | 0:03:21 | 0:03:23 | |
People will leave, the farm will begin to shut down, | 0:03:23 | 0:03:27 | |
the customers will go, and I mean, it's rather like the party ending. | 0:03:27 | 0:03:31 | |
Anyway, never mind, we get ready for next year. | 0:03:31 | 0:03:34 | |
And what are we going to do to celebrate? | 0:03:34 | 0:03:37 | |
We don't celebrate... | 0:03:37 | 0:03:38 | |
Oh, what are we celebrating, the shutting down of the cafe? | 0:03:39 | 0:03:44 | |
It is mad. | 0:03:44 | 0:03:45 | |
We will lose 20 to 25 people. | 0:03:47 | 0:03:50 | |
Which is great from a payroll point of view, | 0:03:52 | 0:03:54 | |
but of course, we lose all our income. | 0:03:54 | 0:03:57 | |
Not all our income, because we still get our holiday lets | 0:03:57 | 0:04:00 | |
and that kind of thing, but the big chunk of income has finished. | 0:04:00 | 0:04:03 | |
Sell them. Are they on a discount? | 0:04:03 | 0:04:06 | |
-No, they're not. -Well, then discount them, | 0:04:06 | 0:04:08 | |
-they're awful, get rid of them. -Well... | 0:04:08 | 0:04:10 | |
At the end of the year, the cash flow is low, | 0:04:10 | 0:04:13 | |
and we haven't got all the income coming in, | 0:04:13 | 0:04:15 | |
and it's a bit of a struggle to get through to the next season. | 0:04:15 | 0:04:18 | |
And it's not because the cafe hasn't done well - it has - | 0:04:18 | 0:04:21 | |
but when you put everything together, | 0:04:21 | 0:04:23 | |
there's not a lot left. | 0:04:23 | 0:04:25 | |
This flour, look. | 0:04:25 | 0:04:27 | |
That needs selling, otherwise mice will come and get it in the winter. | 0:04:28 | 0:04:32 | |
When the cafe and shop close, | 0:04:42 | 0:04:44 | |
Desmond will rely on other sources of income, | 0:04:44 | 0:04:46 | |
like his holiday cottages. | 0:04:46 | 0:04:48 | |
Charged with enticing visitors to | 0:04:49 | 0:04:52 | |
spend winter in rural Norfolk is property manager, Emma. | 0:04:52 | 0:04:56 | |
These quiet periods is where I've got to start, you know, | 0:04:56 | 0:05:00 | |
putting my thinking cap on and rustling up some business. | 0:05:00 | 0:05:04 | |
I'm actually just putting all the properties on Airbnb, | 0:05:04 | 0:05:08 | |
to see if that works. | 0:05:08 | 0:05:09 | |
I'm also trying to do up one of the cottages, | 0:05:09 | 0:05:12 | |
to make that a bit smarter. | 0:05:12 | 0:05:15 | |
I said to Desmond that I just thought we should | 0:05:17 | 0:05:21 | |
maybe make the bedrooms a bit prettier and cosier. | 0:05:21 | 0:05:24 | |
So I've found a few wallpaper samples. | 0:05:24 | 0:05:27 | |
Desmond's coming down, because he's actually, you know, | 0:05:27 | 0:05:30 | |
he has a very strong opinion about these things, and, you know, | 0:05:30 | 0:05:33 | |
he's got a very good aesthetic. | 0:05:33 | 0:05:34 | |
Hello, Emma. | 0:05:36 | 0:05:38 | |
-Hello, Desmond. -It's all, it's all happening. | 0:05:38 | 0:05:41 | |
Ooh, who's living here? | 0:05:41 | 0:05:43 | |
Who's living here? | 0:05:43 | 0:05:44 | |
-Yes. -It's the three little bears and Goldilocks! | 0:05:44 | 0:05:47 | |
Do they have no clothes? | 0:05:48 | 0:05:50 | |
-It's so warm. -I know. | 0:05:50 | 0:05:52 | |
Do you think in here...? | 0:05:52 | 0:05:53 | |
I like the white walls here. | 0:05:53 | 0:05:56 | |
Well, actually, maybe not. | 0:05:56 | 0:05:57 | |
Makes me think you're in Spain or something, it's very nice. | 0:05:57 | 0:06:00 | |
-Yes. -I don't think anyone would complain. | 0:06:00 | 0:06:02 | |
Oh, why can't they turn the heating down? | 0:06:02 | 0:06:05 | |
Yes, we'll turn it down, don't worry. | 0:06:05 | 0:06:07 | |
So, I was thinking, this or this. | 0:06:07 | 0:06:10 | |
Oh, no! | 0:06:10 | 0:06:13 | |
-And he's off. -And you don't want to do this one? | 0:06:13 | 0:06:15 | |
Yes, I want to do that one. | 0:06:15 | 0:06:17 | |
Look. | 0:06:17 | 0:06:19 | |
Yes. Oh, I love that. | 0:06:20 | 0:06:23 | |
Or do you like the rabbits? | 0:06:23 | 0:06:24 | |
I think it's rather cottage-y and charming. | 0:06:24 | 0:06:26 | |
-Yes. -It's quite nice to make them a little bit unique. | 0:06:26 | 0:06:30 | |
-Yes. -You know, that these have little, pretty wallpapered bedrooms. | 0:06:30 | 0:06:34 | |
-Yes. -That they're not all the same. | 0:06:34 | 0:06:37 | |
-Desmond, hello? -Yes. | 0:06:37 | 0:06:40 | |
No, no. True, true. | 0:06:40 | 0:06:42 | |
I'm looking at the crack around the top. | 0:06:42 | 0:06:44 | |
-That little crack. -Yes, well, | 0:06:44 | 0:06:46 | |
-that'll get covered up by wallpaper, you see. -OK. | 0:06:46 | 0:06:48 | |
Even without new wallpaper, | 0:06:48 | 0:06:51 | |
Emma's marketing push is proving successful. | 0:06:51 | 0:06:54 | |
We've got our first Airbnb. | 0:06:54 | 0:06:56 | |
Oh, yes. And I'm always saying we must get foreign people. | 0:06:56 | 0:06:59 | |
-Yes. -And I... -And they're either... -And they're Chinese. | 0:06:59 | 0:07:01 | |
Or Japanese, I'm not sure. | 0:07:01 | 0:07:03 | |
I think they're more likely Chinese. | 0:07:03 | 0:07:04 | |
-Yes. -There are more of them. -So, it's very exciting. | 0:07:04 | 0:07:07 | |
-So, Desmond has been wanting to get... -Yes. -Why? | 0:07:07 | 0:07:11 | |
Well, because we've got to break into a new market, haven't we? | 0:07:11 | 0:07:14 | |
-We're always told... -The tiger economy. -Mm. | 0:07:14 | 0:07:16 | |
Just been told they're borrowing more than ever and they're | 0:07:16 | 0:07:20 | |
as in debt as us, but never mind. Let's hope we have some... | 0:07:20 | 0:07:24 | |
They might find you culturally quite odd. | 0:07:25 | 0:07:28 | |
Very good, that's fine. Well, it might be mutual. | 0:07:28 | 0:07:30 | |
All right. Going to see you later. | 0:07:32 | 0:07:34 | |
The cottages are getting a makeover and so is Desmond. | 0:07:41 | 0:07:45 | |
With the shooting season on the horizon, | 0:07:45 | 0:07:48 | |
he's commissioned a tweed suit from tailor and ex-wife Tina. | 0:07:48 | 0:07:52 | |
The material has arrived from a woollen mill on Islay | 0:07:54 | 0:07:57 | |
and it's ready for inspection. | 0:07:57 | 0:07:59 | |
-Hello, Tina. -Hi, Desmond. | 0:07:59 | 0:08:02 | |
-Oh, my God! -I've opened it already. | 0:08:04 | 0:08:07 | |
Oh, fantastic! | 0:08:07 | 0:08:08 | |
-How exciting. -I've opened it already. | 0:08:08 | 0:08:10 | |
-I think you'll like it. -Is it...? Oh, my God. | 0:08:10 | 0:08:12 | |
Let's have a look. Because I've got to live with it. | 0:08:12 | 0:08:15 | |
It's almost worse than getting married. | 0:08:15 | 0:08:17 | |
Got to live with it for a long time. | 0:08:18 | 0:08:20 | |
Look. Now, look at that. | 0:08:20 | 0:08:22 | |
There was a brief moment when I suddenly had anxiety | 0:08:22 | 0:08:25 | |
that it was going to be too green. And I'll be too leprechaun. | 0:08:25 | 0:08:28 | |
-Yeah. -Let's look at it in the light. -Go out there and get a mirror. | 0:08:28 | 0:08:31 | |
Oh, my God. | 0:08:33 | 0:08:35 | |
-Have a look. -Does it make me look taller? | 0:08:35 | 0:08:37 | |
-What do you think? -Yeah, I think it's really nice. -Mm. | 0:08:37 | 0:08:41 | |
Isn't that lovely? Look at it. | 0:08:41 | 0:08:43 | |
-It's not too subtle. -No, no, no. -For a change. | 0:08:44 | 0:08:47 | |
No. Oh, my flies are undone. Whoops. | 0:08:47 | 0:08:50 | |
OK, lovely. | 0:08:50 | 0:08:52 | |
Oh, one can become obsessed by tweed. | 0:08:52 | 0:08:57 | |
The traditional thing is to wear a material | 0:08:57 | 0:09:00 | |
that actually blends into the country. | 0:09:00 | 0:09:02 | |
Who knows? No-one has actually asked a bird or a deer what they can see, | 0:09:04 | 0:09:09 | |
but if you stand in a white suit on the side of a hill in Scotland, | 0:09:09 | 0:09:14 | |
any movement and the creatures you're after to hunt would see you. | 0:09:14 | 0:09:20 | |
And you can see why people get carried away and obsessed by stuff. | 0:09:20 | 0:09:24 | |
Keen to increase global awareness of Wiveton's charms, | 0:09:32 | 0:09:36 | |
Desmond has managed to pique the interest | 0:09:36 | 0:09:38 | |
of an international interiors magazine. | 0:09:38 | 0:09:41 | |
They want to do a feature on the grand 17th-century hall, | 0:09:41 | 0:09:45 | |
which prompts the housekeeping team into a flurry of activity. | 0:09:45 | 0:09:49 | |
This is, you know, an extremely high-end magazine. | 0:09:49 | 0:09:55 | |
Oh, dear. Could the car be cleaned? | 0:09:55 | 0:09:58 | |
I think they've been wanting to come and do it for ages. | 0:09:58 | 0:10:00 | |
And then Desmond mentioned it to me and so I encouraged him | 0:10:00 | 0:10:04 | |
and said, "Come on, let's do it." | 0:10:04 | 0:10:05 | |
Oh, dear. | 0:10:07 | 0:10:09 | |
I thought it would be really good for business. | 0:10:09 | 0:10:11 | |
So hopefully, it will be. | 0:10:11 | 0:10:13 | |
Let's just look through here, Debbie. | 0:10:13 | 0:10:15 | |
They're coming to photograph the house today. | 0:10:15 | 0:10:19 | |
Quite an honour they think the house is nice enough and also | 0:10:19 | 0:10:24 | |
shows other people and some of them might want to come here. | 0:10:24 | 0:10:27 | |
-Yeah. -Let's try and make it look nicer. | 0:10:27 | 0:10:29 | |
-Mm-hm. -God. | 0:10:29 | 0:10:31 | |
What's this board? Let's get rid of this bread bin. | 0:10:31 | 0:10:34 | |
These are last year's nuts. | 0:10:34 | 0:10:37 | |
Do you think they're any good? | 0:10:37 | 0:10:38 | |
It will be very good publicity. | 0:10:38 | 0:10:40 | |
That picture's not very straight. | 0:10:42 | 0:10:45 | |
Come on. Oh, my God. | 0:10:45 | 0:10:47 | |
OK. OK, Desmond. | 0:10:47 | 0:10:48 | |
Remember to breathe. | 0:10:48 | 0:10:50 | |
And breathe. Right. | 0:10:50 | 0:10:52 | |
We must cover that awful chair. | 0:10:52 | 0:10:54 | |
I said... Well, I mean... | 0:10:54 | 0:10:56 | |
Well, well, a blanket. Something nice. | 0:10:56 | 0:10:58 | |
Something nice. I can't bear it. | 0:10:58 | 0:11:01 | |
We'll get... Well, I mean, we talked about it so many times. | 0:11:01 | 0:11:04 | |
-I think it's absolutely disgusting, that chair. -Where do I put these? | 0:11:04 | 0:11:07 | |
No, I put some here earlier, but Desmond's taken them out, | 0:11:07 | 0:11:09 | |
so he obviously doesn't like flowers in the kitchen. | 0:11:09 | 0:11:12 | |
What about this sheet? | 0:11:13 | 0:11:15 | |
Is it being photographed? | 0:11:15 | 0:11:16 | |
Anything. Let's try that. | 0:11:16 | 0:11:17 | |
I don't get around half of what I mean to get round. | 0:11:17 | 0:11:21 | |
-Do we, Debbie? -No, we don't. | 0:11:21 | 0:11:23 | |
-Lots to do. -So much to do. | 0:11:23 | 0:11:26 | |
Get the other end of this thing. | 0:11:26 | 0:11:28 | |
-And then I'm going to go and do something else. -OK. | 0:11:28 | 0:11:30 | |
That's so much better. | 0:11:32 | 0:11:33 | |
You could have a fancy dress party... | 0:11:35 | 0:11:37 | |
..using all the things in here. | 0:11:38 | 0:11:40 | |
I'm not a stylist, but I know what I like. | 0:11:40 | 0:11:43 | |
Yeah. | 0:11:44 | 0:11:45 | |
That magazine, it's got all sorts of | 0:11:48 | 0:11:50 | |
different houses from very smart apartments in... | 0:11:50 | 0:11:53 | |
..Palermo or Pisa or Paris, you know. | 0:11:56 | 0:11:59 | |
As well as some quite shabbier places. | 0:12:01 | 0:12:04 | |
Where do you put yourself on the scale? | 0:12:04 | 0:12:06 | |
Well, I think we are on the shabby... | 0:12:06 | 0:12:11 | |
The shabby chic was invented for this house. | 0:12:11 | 0:12:14 | |
The photographer has arrived. | 0:12:23 | 0:12:24 | |
Along with the editor, who will oversee the photo shoot. | 0:12:27 | 0:12:30 | |
It's an incredibly romantic house, | 0:12:32 | 0:12:34 | |
and it's a house with a huge amount of history. It was, I think, | 0:12:34 | 0:12:37 | |
a Carmelite or a Cistercian monastery | 0:12:37 | 0:12:40 | |
destroyed under Henry VIII. | 0:12:40 | 0:12:42 | |
So it's got these kind of incredible layers, | 0:12:42 | 0:12:44 | |
and that is why we're attracted to it. | 0:12:44 | 0:12:46 | |
It's heavenly and homely, | 0:12:46 | 0:12:48 | |
and I think every piece of furniture has a story to tell. | 0:12:48 | 0:12:51 | |
Several stories, probably. | 0:12:51 | 0:12:53 | |
You put the camera too high again, so I can't film. | 0:12:53 | 0:12:56 | |
-No, I just had to do that. -No, you've done it deliberately. | 0:12:56 | 0:12:58 | |
My parents lived in this room, mostly. | 0:13:00 | 0:13:02 | |
And the radio, no telly. | 0:13:02 | 0:13:05 | |
It's so old, you know, that they listened to the news. | 0:13:05 | 0:13:07 | |
Houses are a reflection of their owners. | 0:13:09 | 0:13:11 | |
So somewhere like this, which is built up of Desmond's family, | 0:13:11 | 0:13:14 | |
families before Desmond's family, | 0:13:14 | 0:13:16 | |
Desmond, Desmond's children - I mean, | 0:13:16 | 0:13:18 | |
it can't help but be a portrait. | 0:13:18 | 0:13:20 | |
-Do you see that? -Yeah. | 0:13:20 | 0:13:22 | |
Part of Wiveton's charm is that it's the home of a working farmer. | 0:13:22 | 0:13:28 | |
-Come on. -Have you spotted one? | 0:13:29 | 0:13:32 | |
There's a little one here. | 0:13:32 | 0:13:34 | |
Desmond's promised his housekeeper two egg-laying bantams. | 0:13:34 | 0:13:38 | |
But he's got to catch them first. | 0:13:38 | 0:13:39 | |
Oh, sorry! Sorry, sorry. | 0:13:40 | 0:13:43 | |
Dangerous business. | 0:13:43 | 0:13:45 | |
-Yeah, dangerous. -Flattened. | 0:13:45 | 0:13:47 | |
Oh! | 0:13:49 | 0:13:51 | |
Yeah. | 0:13:51 | 0:13:53 | |
Oh, it's so hard. | 0:13:53 | 0:13:54 | |
It has to be the best of its kind. | 0:13:56 | 0:13:58 | |
So we span everything. | 0:13:58 | 0:13:59 | |
We do something very modern, we do something very old, | 0:13:59 | 0:14:01 | |
we do something very broken down, we do something very pristine. | 0:14:01 | 0:14:04 | |
But they all have to represent a kind of pinnacle, I suppose. | 0:14:04 | 0:14:07 | |
-Margaret, if you could drive them round. -Yeah. -Just gently. | 0:14:07 | 0:14:10 | |
Whoa! Oh! | 0:14:12 | 0:14:14 | |
Go on! Oh! | 0:14:14 | 0:14:16 | |
Blimey. Very hard. | 0:14:16 | 0:14:18 | |
Much harder than I thought. | 0:14:18 | 0:14:20 | |
This is a, in a way, one of the nicest English, romantic, old, | 0:14:21 | 0:14:27 | |
very grand houses, constantly lived in for its whole history. | 0:14:27 | 0:14:30 | |
And they're very few and far between now. | 0:14:30 | 0:14:33 | |
Oh. Oh, dear. | 0:14:33 | 0:14:34 | |
-Oh, dear God. -My God, it's a sport. | 0:14:36 | 0:14:39 | |
It's an Olympic sport. | 0:14:39 | 0:14:41 | |
-Do you think that's all right? -Yeah. | 0:14:42 | 0:14:43 | |
-That'll be all right. -Look at that, beautiful in the light. | 0:14:43 | 0:14:46 | |
Yeah, no, that'll be fine. | 0:14:46 | 0:14:47 | |
This is quite hard, this room, I think. | 0:14:47 | 0:14:50 | |
It sometimes feels a bit rough around the edges here... | 0:14:50 | 0:14:53 | |
A bit rough around the edges? | 0:14:53 | 0:14:55 | |
But that's why you like it, isn't it? | 0:14:56 | 0:14:58 | |
And that's why it makes very, very atmospheric pictures, | 0:14:58 | 0:15:00 | |
because you want to somehow convey the kind of romance, | 0:15:00 | 0:15:03 | |
and the age of somewhere, | 0:15:03 | 0:15:04 | |
and obviously that is made a lot easier if it has some sort of... | 0:15:04 | 0:15:08 | |
If it doesn't look scrubbed. | 0:15:08 | 0:15:09 | |
If it doesn't look too new. | 0:15:09 | 0:15:11 | |
Desmond will have to wait for publication | 0:15:12 | 0:15:14 | |
to see if this exposure of his family home | 0:15:14 | 0:15:17 | |
attracts interest in Wiveton as a place to stay. | 0:15:17 | 0:15:20 | |
I'm going to go and say hello. | 0:15:27 | 0:15:28 | |
At the edge of the farm, the Chinese family | 0:15:28 | 0:15:31 | |
have arrived in one of the holiday cottages. | 0:15:31 | 0:15:33 | |
-Hello. -Hello. | 0:15:33 | 0:15:34 | |
I'm Desmond MacCarthy. | 0:15:34 | 0:15:36 | |
Nice to meet you. | 0:15:36 | 0:15:37 | |
The arrival of the international guests | 0:15:37 | 0:15:40 | |
is a marketing triumph for Desmond. | 0:15:40 | 0:15:43 | |
We are now in international business. | 0:15:43 | 0:15:45 | |
We've got Chinese customers | 0:15:45 | 0:15:47 | |
from three of the biggest cities in China. | 0:15:47 | 0:15:50 | |
High-flyers, high-flyers in the medical world. | 0:15:52 | 0:15:56 | |
Any prostate problems, I know exactly who to go to. | 0:15:56 | 0:15:59 | |
The holiday cottages and the hall | 0:16:04 | 0:16:06 | |
are not the only accommodation being spruced up at Wiveton. | 0:16:06 | 0:16:11 | |
Desmond has acquired a second-hand caravan | 0:16:11 | 0:16:14 | |
for next year's seasonal farm workers. | 0:16:14 | 0:16:17 | |
On. No, that doesn't work. | 0:16:18 | 0:16:21 | |
That's the only thing that doesn't work. | 0:16:21 | 0:16:23 | |
Mr Feldgate Jr is helping transport it | 0:16:25 | 0:16:28 | |
-eight miles along the coast road to the hall. -Oh, my God. | 0:16:28 | 0:16:33 | |
Hold on. Yeah, we missed that by inches. | 0:16:33 | 0:16:35 | |
-Yeah. -Well done. | 0:16:35 | 0:16:37 | |
I'm more worried about the fixtures and fittings in the caravan. | 0:16:40 | 0:16:43 | |
Well, yeah, that's right. | 0:16:43 | 0:16:45 | |
It's not often you get a chance to buy a fully furnished home. | 0:16:45 | 0:16:48 | |
Well, yeah, that's right. | 0:16:48 | 0:16:50 | |
You know, yeah, that is pretty good. | 0:16:50 | 0:16:51 | |
Desmond needs to attract a reliable stream of | 0:16:53 | 0:16:56 | |
Eastern European workers to keep his farm going. | 0:16:56 | 0:17:00 | |
He's hoping a newly upgraded caravan will tempt them to Norfolk. | 0:17:00 | 0:17:04 | |
We started having Polish workers when I started growing more fruit. | 0:17:04 | 0:17:10 | |
They are loyal. | 0:17:11 | 0:17:13 | |
They work lots of hours. | 0:17:13 | 0:17:15 | |
Don't pay very much for being here. | 0:17:15 | 0:17:19 | |
And they can then... Happy to go home for the winter. | 0:17:19 | 0:17:23 | |
Oh, that was a... | 0:17:26 | 0:17:27 | |
What a journey. | 0:17:27 | 0:17:29 | |
I mean, | 0:17:29 | 0:17:31 | |
we've come from Yarmouth. | 0:17:31 | 0:17:33 | |
Yarmouth, yeah. | 0:17:33 | 0:17:35 | |
Someone is going to have a disappointing holiday | 0:17:36 | 0:17:39 | |
when they get there next year, but anyway. | 0:17:39 | 0:17:41 | |
God, look at the old wheel. | 0:17:41 | 0:17:43 | |
Bloody hell. | 0:17:43 | 0:17:44 | |
Oh. I don't think we want to come any further. | 0:17:45 | 0:17:49 | |
Very good. He looks a little bit on the sosh. | 0:17:49 | 0:17:52 | |
With Brexit on the horizon, | 0:17:52 | 0:17:54 | |
Desmond is worried his supply of seasonal farm workers may dry up. | 0:17:54 | 0:17:59 | |
If labour from Eastern Europe didn't come, | 0:17:59 | 0:18:03 | |
because they either weren't allowed to come, | 0:18:03 | 0:18:05 | |
or it wasn't worth their while, | 0:18:05 | 0:18:08 | |
it could be devastating news. | 0:18:08 | 0:18:10 | |
There, marvellous. | 0:18:10 | 0:18:12 | |
There might be English people who'd come forward, wanting to work. | 0:18:12 | 0:18:17 | |
But it's a might. | 0:18:19 | 0:18:20 | |
HE HUMS | 0:18:20 | 0:18:23 | |
We're going to see the new caravan. | 0:18:28 | 0:18:31 | |
It's rather good quality, Margaret. | 0:18:31 | 0:18:32 | |
Is this a quality...? Has the Wiveton vote gone up? | 0:18:32 | 0:18:35 | |
And I'm wondering who... | 0:18:35 | 0:18:36 | |
Rodney wants to live there. | 0:18:36 | 0:18:38 | |
Jack wants to live there. I'm pretty tempted. | 0:18:38 | 0:18:41 | |
Desmond has brought Emma, with her creative flair, | 0:18:41 | 0:18:44 | |
to inspect the new caravan. | 0:18:44 | 0:18:47 | |
Is it always going to be at this angle? | 0:18:47 | 0:18:48 | |
I think so. No, it's only just been put in there. | 0:18:48 | 0:18:51 | |
Don't worry. | 0:18:51 | 0:18:53 | |
-You get in first. -Oh, my God. Oh, my God. | 0:18:53 | 0:18:56 | |
Oh, my goodness, a second bedroom! | 0:18:56 | 0:18:59 | |
Oh, I didn't know that. There is not anyone in there, is there? | 0:18:59 | 0:19:02 | |
I think it's great. Look at this. | 0:19:02 | 0:19:04 | |
Over the next few weeks, | 0:19:04 | 0:19:06 | |
Emma's job is to make it an attractive place to stay | 0:19:06 | 0:19:09 | |
for Wiveton's workers. | 0:19:09 | 0:19:10 | |
It's even got ornaments. | 0:19:10 | 0:19:13 | |
Some of the ornaments are superb. | 0:19:13 | 0:19:15 | |
-Roly. -Oh, my God, look at the naughty mug. | 0:19:15 | 0:19:19 | |
Lovely ornaments. Lovely mugs. | 0:19:19 | 0:19:21 | |
Look, isn't that nice? | 0:19:21 | 0:19:23 | |
-Top shelf, top class. -Top shelf, top class. | 0:19:23 | 0:19:26 | |
Look at this lovely bird. | 0:19:26 | 0:19:27 | |
It needs a good clean. | 0:19:27 | 0:19:29 | |
-Well, not much of a clean. -But I guess... | 0:19:29 | 0:19:32 | |
Mistle thrush. | 0:19:32 | 0:19:33 | |
I mean, it's a fantastic place for someone to live. | 0:19:33 | 0:19:37 | |
If this doesn't pull them in... | 0:19:37 | 0:19:39 | |
If this doesn't pull them in, I don't know what will. | 0:19:39 | 0:19:42 | |
Yes, but it needs a clean, and maybe... | 0:19:42 | 0:19:44 | |
-Of course it needs a clean, but that's not bad. -..and curating. | 0:19:44 | 0:19:46 | |
Yeah, curating, yes. | 0:19:46 | 0:19:48 | |
-Who's in charge of that? -Well, you are. -Oh, OK. | 0:19:48 | 0:19:53 | |
You are. It's one of your things. | 0:19:53 | 0:19:55 | |
-Oh, my God, this is like... -Come up this end. -Let's have a look. | 0:19:56 | 0:19:59 | |
-Ooh. Pungent. -Oh, my God. -It's a little... | 0:19:59 | 0:20:02 | |
Sorry. Oh, there's a lamp that's gone. | 0:20:02 | 0:20:06 | |
THEY SCREAM | 0:20:06 | 0:20:08 | |
Quick! | 0:20:10 | 0:20:11 | |
Did the earth move for you, Desmond? | 0:20:12 | 0:20:15 | |
It did. Is that what they say? | 0:20:15 | 0:20:16 | |
That's what they say. | 0:20:16 | 0:20:17 | |
In the bedroom. OK. | 0:20:17 | 0:20:21 | |
Now... Whoa! | 0:20:21 | 0:20:23 | |
The light's gone. | 0:20:26 | 0:20:27 | |
It's been several weeks since Tina | 0:20:37 | 0:20:39 | |
began work on Desmond's seasonal makeover. | 0:20:39 | 0:20:43 | |
Oh, my goodness, look at the sunlight on it. | 0:20:43 | 0:20:46 | |
And his new tweed suit is ready for a first fitting. | 0:20:46 | 0:20:50 | |
-Do you like it? -It is very nice and subdued. | 0:20:50 | 0:20:54 | |
-Oh, look. -I forgot to ask you to bring some socks. | 0:20:54 | 0:20:57 | |
-Stockings. -Do you mind? | 0:20:57 | 0:20:59 | |
I'm not going to go home and get them. | 0:20:59 | 0:21:02 | |
So, shall I go and get some...? | 0:21:02 | 0:21:05 | |
Are there some of Edmund's? | 0:21:06 | 0:21:08 | |
-I'll go and have a look. -Shall I try the...? | 0:21:08 | 0:21:10 | |
No, no, you've got to wait for me. | 0:21:10 | 0:21:11 | |
Oh, look at that. Isn't that lovely? Look at that. | 0:21:13 | 0:21:16 | |
I would have preferred that. Isn't that lovely? Isn't that lovely? | 0:21:16 | 0:21:23 | |
I'm just going to become obsessed. | 0:21:23 | 0:21:25 | |
Isn't that beautiful tweed? | 0:21:25 | 0:21:27 | |
I probably made a bit of a hasty... | 0:21:28 | 0:21:30 | |
I'll love it anyway. | 0:21:30 | 0:21:32 | |
I will love it. | 0:21:32 | 0:21:34 | |
You can't have that. | 0:21:34 | 0:21:36 | |
That's very, very exclusive. | 0:21:36 | 0:21:37 | |
-What do you mean? -It belongs to someone else. | 0:21:37 | 0:21:39 | |
-I know it does. -But yours is beautiful as well. | 0:21:39 | 0:21:41 | |
-Yes, yes. -I don't think you should try these on, Desmond. | 0:21:41 | 0:21:44 | |
-No. -They actually should be disposed of. | 0:21:44 | 0:21:47 | |
They'll be all right. | 0:21:47 | 0:21:49 | |
Don't worry, Tina, I'm going to have to put those on. | 0:21:49 | 0:21:51 | |
Just shake them out. | 0:21:51 | 0:21:52 | |
They were put away dirty. | 0:21:54 | 0:21:55 | |
-I know, I didn't know that. -Well, you should go through... | 0:21:55 | 0:21:58 | |
They're actually quite stiff with dirt, aren't they? | 0:21:58 | 0:22:01 | |
They're filthy. | 0:22:01 | 0:22:02 | |
Anyway, I'll wear it for a short time. | 0:22:04 | 0:22:06 | |
The waist is fantastic. | 0:22:15 | 0:22:17 | |
Scarlett. | 0:22:18 | 0:22:20 | |
Come on. | 0:22:20 | 0:22:21 | |
Two pleats. | 0:22:21 | 0:22:22 | |
Do you think they need to be a bit bigger at the bottom? | 0:22:22 | 0:22:25 | |
-Well, I do. -More fuller? | 0:22:25 | 0:22:28 | |
-A little bit fuller, yeah. -OK, that's fine. | 0:22:28 | 0:22:30 | |
Why are they not full length? | 0:22:30 | 0:22:31 | |
Well, when you are tramping through the undergrowth, | 0:22:31 | 0:22:35 | |
if they were long trousers, | 0:22:35 | 0:22:37 | |
they would catch on the brambles and... | 0:22:37 | 0:22:41 | |
-They'd get wet. -And they'd get wet. | 0:22:41 | 0:22:44 | |
Come on, let's put this on now. | 0:22:44 | 0:22:45 | |
Look, that's very smart. | 0:22:45 | 0:22:47 | |
Look at that lining. Oh, my goodness! | 0:22:47 | 0:22:51 | |
Yes, it's a really good lining. It's for a young person. | 0:22:51 | 0:22:54 | |
Oh, good. | 0:22:54 | 0:22:55 | |
-Do you mind the cat? -No. | 0:23:00 | 0:23:02 | |
That's pretty good, you know, Tina. | 0:23:02 | 0:23:04 | |
-Is it? -I've got a lot of bulk to me. | 0:23:04 | 0:23:07 | |
-It's quite broad. -I am broad. | 0:23:07 | 0:23:10 | |
Can you raise your arms? | 0:23:10 | 0:23:12 | |
What does that feel like? | 0:23:13 | 0:23:14 | |
Just a tiny bit tight. | 0:23:15 | 0:23:16 | |
Where is it? Round the back? | 0:23:16 | 0:23:18 | |
-OK. -Just here. | 0:23:18 | 0:23:20 | |
I know the front has got to be let down a bit. | 0:23:21 | 0:23:24 | |
Do you see how it's sort of popping up at the front? | 0:23:24 | 0:23:26 | |
Tweed is the centuries-old uniform of the country gentleman. | 0:23:28 | 0:23:33 | |
It's that quintessential English look | 0:23:33 | 0:23:35 | |
that attracted the international interiors magazine | 0:23:35 | 0:23:39 | |
to photograph Desmond's home. | 0:23:39 | 0:23:41 | |
The edition featuring Wiveton Hall has just arrived in the post. | 0:23:42 | 0:23:46 | |
Let's have a look. | 0:23:46 | 0:23:48 | |
-Conde Nast. -Oh! | 0:23:48 | 0:23:50 | |
-Would you like to open it? -Yes. | 0:23:50 | 0:23:52 | |
Oh, my God, this is so exciting. | 0:23:52 | 0:23:54 | |
Oh, my God, we're on the front cover! | 0:23:54 | 0:23:56 | |
Oh, my God, it looks beautiful. | 0:23:58 | 0:24:00 | |
Look, and Annabel's lovely birds. | 0:24:00 | 0:24:03 | |
-That's nice. -There's your bathroom. | 0:24:03 | 0:24:05 | |
It makes the bathroom look nice. | 0:24:05 | 0:24:07 | |
So tidy. | 0:24:07 | 0:24:09 | |
I didn't know you were so tidy, Desmond. | 0:24:09 | 0:24:11 | |
Very tidy. | 0:24:11 | 0:24:13 | |
Oh, look. | 0:24:13 | 0:24:14 | |
-I hope being in this will bring a few more people. -Yes, yes. | 0:24:14 | 0:24:18 | |
Well, I think this will be good for the wing, | 0:24:18 | 0:24:20 | |
which is the bit we want to... | 0:24:20 | 0:24:22 | |
-Rent out. -Yes. | 0:24:22 | 0:24:23 | |
So we've already had someone ringing | 0:24:23 | 0:24:26 | |
saying they want to come and stay at Easter. So that's good news. | 0:24:26 | 0:24:29 | |
Very good. Look at that. | 0:24:30 | 0:24:33 | |
-That's cool. -Where is that? | 0:24:33 | 0:24:35 | |
-That's in Uruguay. -God, you can almost hear | 0:24:35 | 0:24:38 | |
the mosquitoes, can't you? | 0:24:38 | 0:24:40 | |
We may move there. | 0:24:40 | 0:24:41 | |
-That's very good and it's nice to have a record of it. -Exactly. | 0:24:41 | 0:24:47 | |
When you're... | 0:24:47 | 0:24:49 | |
-When all has gone pear-shaped and... -And we're living in Uruguay. | 0:24:49 | 0:24:52 | |
Living in Uruguay. | 0:24:52 | 0:24:54 | |
We'll take this with us and you can remember it. | 0:24:54 | 0:24:57 | |
Sell up, get out fast. | 0:24:57 | 0:24:59 | |
A very nice brochure. | 0:24:59 | 0:25:00 | |
And we'll try and sideline the estate agents. | 0:25:02 | 0:25:05 | |
-Very good. -Yes. -Well, there we are. | 0:25:06 | 0:25:08 | |
-Here, champ. -Yes, Dad? | 0:25:09 | 0:25:11 | |
Look at that! | 0:25:11 | 0:25:13 | |
The new marketing strategy is paying off. | 0:25:13 | 0:25:17 | |
Wiveton Hall has been launched on the international stage. | 0:25:17 | 0:25:21 | |
I think we must celebrate by | 0:25:21 | 0:25:23 | |
going to have a quick cup of tea and a massive slice of cake. | 0:25:23 | 0:25:28 | |
I haven't had cake for ages. | 0:25:28 | 0:25:30 | |
Come on. | 0:25:39 | 0:25:40 | |
The cleaners at the holiday cottages have alerted Desmond and Emma | 0:25:40 | 0:25:44 | |
to comments left by recent occupants. | 0:25:44 | 0:25:47 | |
Shall we go down this way? | 0:25:47 | 0:25:49 | |
We had these Chinese people, they came and they were very nice, | 0:25:49 | 0:25:54 | |
and apparently they have left a message in the visitors' book. | 0:25:54 | 0:25:59 | |
Now, do you think this needs improving a bit? | 0:26:01 | 0:26:03 | |
Yes. | 0:26:03 | 0:26:05 | |
Oh, dear. | 0:26:05 | 0:26:06 | |
Like any hospitality business, responding to feedback is crucial. | 0:26:06 | 0:26:11 | |
Oh, my God. Look at that. | 0:26:11 | 0:26:13 | |
Oh, "What a wonderful week. Good walks." | 0:26:15 | 0:26:17 | |
Nice handwriting. | 0:26:17 | 0:26:19 | |
Yes, very nice. | 0:26:19 | 0:26:20 | |
"The cottage is perfect, | 0:26:20 | 0:26:21 | |
"everything you need for a relaxing and comfortable break." | 0:26:21 | 0:26:25 | |
It's very kind of them. | 0:26:25 | 0:26:26 | |
They needn't write quite such an essay. | 0:26:26 | 0:26:28 | |
It has taken up most of their holiday. | 0:26:28 | 0:26:30 | |
-Well, you know what, Desmond... -"Fantastic wildlife, | 0:26:32 | 0:26:35 | |
"amazing birds and the comforting call of the owl at night." | 0:26:35 | 0:26:40 | |
"Beautiful cottage, prepared and cleaned as a home from home, | 0:26:42 | 0:26:47 | |
"but we absolutely hate the hunting pictures." | 0:26:47 | 0:26:51 | |
-Oh, really? -"A beautiful wildlife and nature preservation place | 0:26:51 | 0:26:55 | |
"such as Norfolk, then artwork promoting | 0:26:55 | 0:26:58 | |
"the useless killing of our | 0:26:58 | 0:27:00 | |
"wonderful, living creatures. Horrific." | 0:27:00 | 0:27:04 | |
She didn't like that. | 0:27:04 | 0:27:05 | |
"The beautiful wildlife" - the boar. | 0:27:05 | 0:27:08 | |
You've got to learn how to shoot the boar, haven't you? | 0:27:08 | 0:27:11 | |
Haven't you? | 0:27:13 | 0:27:14 | |
You can't have them everywhere. Anyway. | 0:27:16 | 0:27:19 | |
She thinks... | 0:27:19 | 0:27:21 | |
She's the sort to think you've got to leave everything to nature. | 0:27:21 | 0:27:24 | |
Oh, my God! | 0:27:27 | 0:27:28 | |
That's nice. | 0:27:31 | 0:27:32 | |
-Well, we don't know. -No. -We don't know. | 0:27:33 | 0:27:37 | |
"A very nosy man came round, the moment we got here. | 0:27:37 | 0:27:42 | |
"We were about to put our feet up, | 0:27:42 | 0:27:44 | |
"nosey man came in and asked so many ruddy questions, | 0:27:44 | 0:27:48 | |
"I wished I was back in Beijing." | 0:27:48 | 0:27:51 | |
"We are never going to come again, | 0:27:53 | 0:27:55 | |
"certainly won't recommend our friends." | 0:27:55 | 0:27:58 | |
Next time, Desmond keeps with country traditions | 0:28:04 | 0:28:07 | |
by holding a shoot at Wiveton. | 0:28:07 | 0:28:09 | |
Got to keep quiet, Roly. Roly. | 0:28:09 | 0:28:12 | |
I've heard of people who swear at their dogs. | 0:28:12 | 0:28:15 | |
It doesn't do much good. | 0:28:15 | 0:28:17 | |
And as the end of the year approaches, | 0:28:17 | 0:28:19 | |
he rewards his faithful staff with a Christmas party. | 0:28:19 | 0:28:24 | |
We've got the tree in, so Christmas has begun. | 0:28:24 | 0:28:26 | |
-Has it? -Yes. | 0:28:26 | 0:28:28 |