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I saw you noticing these ears. | 0:00:02 | 0:00:03 | |
-Oh. -Try them on. | 0:00:03 | 0:00:05 | |
I don't think they fit, Desmond. | 0:00:07 | 0:00:10 | |
-Like this? -Yes! | 0:00:11 | 0:00:14 | |
-Like Narnia. -You like? -Narnia. Yes. | 0:00:14 | 0:00:17 | |
-Mr Tumnus. -Mr Tumnus. | 0:00:17 | 0:00:22 | |
Do they move? Yes. Yes. That's nice. | 0:00:22 | 0:00:26 | |
We might have a panto. | 0:00:26 | 0:00:29 | |
I think it's panto already. | 0:00:29 | 0:00:30 | |
THEY LAUGH | 0:00:32 | 0:00:33 | |
Come on, Ted. Good boy! | 0:00:36 | 0:00:41 | |
It's winter at Wiveton Hall Farm, on the north coast of Norfolk, | 0:00:41 | 0:00:47 | |
home to gentleman farmer Desmond McCarthy. | 0:00:47 | 0:00:51 | |
He's the one who's been keeping my mother awake for weeks. | 0:00:51 | 0:00:56 | |
He's lived here all his life with his mother Chloe, now 101 years old. | 0:00:56 | 0:01:01 | |
My mother's lived so long because she's never drunk milk. | 0:01:01 | 0:01:05 | |
I like cream. | 0:01:05 | 0:01:07 | |
What are your other tricks? | 0:01:07 | 0:01:09 | |
When they're not at university, he joined by his children, | 0:01:09 | 0:01:12 | |
Isabel and Edmund. | 0:01:12 | 0:01:14 | |
-Does Granny pay rent? -She does pay rent. -Bastard. | 0:01:14 | 0:01:19 | |
Oh, my God! | 0:01:22 | 0:01:24 | |
Desmond's kept the wolf from the door by the seat of his tweed pants. | 0:01:24 | 0:01:29 | |
Do I have a lot of cash around? No. Other people's cash, yes. | 0:01:29 | 0:01:33 | |
Mostly the bank's. | 0:01:33 | 0:01:36 | |
-He must run his farm... -In an emergency, you pull that. But don't! | 0:01:36 | 0:01:40 | |
..preserve his historic home, | 0:01:40 | 0:01:42 | |
and keep up customs handed down by generations. | 0:01:42 | 0:01:46 | |
Thank goodness the double chin has been bred out. | 0:01:46 | 0:01:49 | |
-Has it? -Yes. -SHE LAUGHS | 0:01:49 | 0:01:53 | |
Winter is the shooting season. | 0:01:53 | 0:01:55 | |
And Desmond upholds country tradition | 0:01:55 | 0:01:58 | |
by organising a shoot at the hall. | 0:01:58 | 0:02:00 | |
Pull! | 0:02:01 | 0:02:02 | |
Missed. | 0:02:05 | 0:02:07 | |
And as the year draws to an end, | 0:02:07 | 0:02:09 | |
he rewards his loyal team with a Christmas party. | 0:02:09 | 0:02:13 | |
-Happy Christmas! -Happy Christmas! -Cockerel korma. | 0:02:13 | 0:02:17 | |
-No, no. -Anyway, Happy Christmas, everybody! | 0:02:17 | 0:02:21 | |
ALL: Merry Christmas! | 0:02:22 | 0:02:25 | |
It's December at Wiveton. | 0:02:34 | 0:02:37 | |
The cafe is closed and the last of Desmond's seasonal workers have left for Poland. | 0:02:37 | 0:02:44 | |
Down to a skeleton crew. | 0:02:49 | 0:02:52 | |
No-one would ever call me a skeleton these days. | 0:02:52 | 0:02:55 | |
But there we are. | 0:02:55 | 0:02:56 | |
This feels like the Mary Celeste. | 0:02:58 | 0:03:00 | |
Suddenly the whole farm's just gone quiet. | 0:03:00 | 0:03:03 | |
Winter has come to Norfolk. | 0:03:03 | 0:03:07 | |
Desmond will spend most of the winter shooting now. | 0:03:07 | 0:03:10 | |
It's all gone from crazy madness to suddenly... | 0:03:10 | 0:03:15 | |
Kim and I. | 0:03:15 | 0:03:18 | |
Edward is gone, the cafe's closed and... | 0:03:18 | 0:03:22 | |
We have to face reality and have a look at what's actually happened. | 0:03:22 | 0:03:26 | |
Desmond doesn't really like to talk about the numbers. | 0:03:26 | 0:03:29 | |
I need to sit him down and go through the figures. | 0:03:29 | 0:03:33 | |
-Yes. -Yes. Sorry. | 0:03:33 | 0:03:36 | |
-1,500. -Yeah. | 0:03:36 | 0:03:38 | |
This meeting has become an uncomfortable but essential Wiveton ritual, | 0:03:38 | 0:03:42 | |
to assess the health and direction of the business. | 0:03:42 | 0:03:46 | |
Cost of new toilets? | 0:03:46 | 0:03:48 | |
Yeah. Two extra loos. Two extra basins. | 0:03:48 | 0:03:51 | |
What do we think about urinals? | 0:03:51 | 0:03:52 | |
-A lot quicker, I think. -Well, I have no experience. | 0:03:52 | 0:03:56 | |
-Hard to get women used to using them but... -SHE CHUCKLES | 0:03:56 | 0:04:00 | |
What does that bring it to? 191,000? | 0:04:00 | 0:04:04 | |
-Overdrawn. -Overdrawn. | 0:04:04 | 0:04:06 | |
I have to pay all our suppliers today, | 0:04:09 | 0:04:12 | |
-and at the end we will be at the overdraft limit. -Already? -Yep. | 0:04:12 | 0:04:16 | |
You can see quite clearly that the cafe, the shop, the holiday lets, | 0:04:17 | 0:04:22 | |
the wing, they all turn a profit. | 0:04:22 | 0:04:25 | |
The farm doesn't. So that's our problem. | 0:04:26 | 0:04:29 | |
The farming is very difficult at the moment. | 0:04:33 | 0:04:35 | |
People with big acreages are finding it very hard. | 0:04:37 | 0:04:41 | |
How long have you been farming here? | 0:04:41 | 0:04:42 | |
Oh, well... | 0:04:42 | 0:04:43 | |
35 years or something... | 0:04:45 | 0:04:47 | |
Anyway, I should've gotten better at it by now. | 0:04:49 | 0:04:52 | |
There will be little income from the farm over the winter, | 0:04:58 | 0:05:01 | |
but one seasonal enterprise at Wiveton does turn a profit... | 0:05:01 | 0:05:05 | |
..when the cafe kitchen is transformed into a jam factory. | 0:05:08 | 0:05:13 | |
4,000 jars of strawberry. | 0:05:13 | 0:05:15 | |
2,500 jars of raspberry | 0:05:15 | 0:05:20 | |
and 1,500 marmalade to make | 0:05:20 | 0:05:23 | |
by, I think, maybe the beginning of March. | 0:05:23 | 0:05:26 | |
Desmond's jam brings in over £20,000 a year. | 0:05:27 | 0:05:32 | |
Ah, Paul! | 0:05:32 | 0:05:33 | |
-Hello, Desmond! -What have you been doing? | 0:05:33 | 0:05:35 | |
Famous Wiveton strawberry jam. | 0:05:35 | 0:05:37 | |
-Mmm! Shall I try it? -You can indeed. | 0:05:37 | 0:05:40 | |
We have a jar yesterday that we made, if you'd like to try the stuff. | 0:05:40 | 0:05:44 | |
Mm! Nice and strawberry. And not over-sweet. | 0:05:48 | 0:05:50 | |
Sometimes jam is far too sweet. | 0:05:50 | 0:05:53 | |
-Yes. -And you put lemon in it? | 0:05:53 | 0:05:55 | |
Is that lemon? No pectin or anything? | 0:05:55 | 0:05:58 | |
No, no, no. Just lemon. That helps it set... | 0:05:58 | 0:06:00 | |
-Yeah. Yeah. -My mother is the expert on jam. | 0:06:00 | 0:06:04 | |
-I've heard. -Full of preconceived and fixed ideas. -Yep. | 0:06:04 | 0:06:11 | |
-Full of prejudice. -Yeah. -That's the most important thing. | 0:06:11 | 0:06:15 | |
-Yes. -You've got to be full of prejudice when making jam. | 0:06:15 | 0:06:19 | |
-That's lovely. -I'm glad you like it. -No, that's good. | 0:06:19 | 0:06:21 | |
But I think always remember that. | 0:06:21 | 0:06:24 | |
You can put some paracetamol in. | 0:06:24 | 0:06:27 | |
That is what is good for. | 0:06:27 | 0:06:29 | |
You could have medicated jam. | 0:06:29 | 0:06:31 | |
We could indeed. | 0:06:31 | 0:06:33 | |
They've been making jam at Wiveton for over 30 years. | 0:06:34 | 0:06:38 | |
But an even older winter tradition is shooting. | 0:06:38 | 0:06:42 | |
Tomorrow, Desmond's taking a duck-shooting party on to the now-frozen marsh. | 0:06:44 | 0:06:49 | |
His son Edmund has been sent out to check on conditions. | 0:06:49 | 0:06:53 | |
We are going to go and hopefully smash all the ice on the lake, | 0:06:53 | 0:06:58 | |
because we need... ducks like water, as most people know. | 0:06:58 | 0:07:05 | |
And they need some water to land on. | 0:07:05 | 0:07:08 | |
So then we can shoot them. | 0:07:08 | 0:07:10 | |
Well, we don't shoot them on the water, but... | 0:07:10 | 0:07:13 | |
They're not going to come to the pond if it's frozen. | 0:07:13 | 0:07:15 | |
Good duck. It looks to me it's bloody all thawed out. | 0:07:18 | 0:07:22 | |
Good duck! | 0:07:23 | 0:07:26 | |
That's a fair amount of duck. | 0:07:26 | 0:07:28 | |
That bodes well for tomorrow. | 0:07:28 | 0:07:31 | |
People are coming to stay. So we've got to be ready for them. | 0:07:36 | 0:07:39 | |
What have we got to do? Make sure the beaters are coming | 0:07:39 | 0:07:43 | |
and, um...lunch, | 0:07:43 | 0:07:46 | |
and I think the beds have all been made. | 0:07:46 | 0:07:49 | |
And I must make sure the heating's on. | 0:07:49 | 0:07:51 | |
Despite the temperatures plummeting, | 0:07:52 | 0:07:54 | |
the eye-watering bills mean Desmond is reluctant to turn the heating on | 0:07:54 | 0:07:58 | |
in the hall, even with friends arriving. | 0:07:58 | 0:08:02 | |
Nowadays people make assumptions that... | 0:08:02 | 0:08:06 | |
it's going to be warm. | 0:08:06 | 0:08:07 | |
On Christmas, I can put that on for an hour. | 0:08:07 | 0:08:11 | |
But otherwise it's mittens. | 0:08:11 | 0:08:13 | |
You know, you get things ready for people, guests coming to stay... | 0:08:13 | 0:08:17 | |
And you make it all nice for them. | 0:08:17 | 0:08:19 | |
And I used to put reading mittens by the beds. | 0:08:19 | 0:08:23 | |
-Or you just put another dog on the bed. -Or another dog. | 0:08:23 | 0:08:25 | |
SHE LAUGHS | 0:08:25 | 0:08:27 | |
Across the country, | 0:08:30 | 0:08:32 | |
winter marks the beginning of the shooting season for duck and pheasant. | 0:08:32 | 0:08:35 | |
Wiveton Hall has followed this rural tradition for centuries. | 0:08:37 | 0:08:41 | |
Tweed is the uniform for field sportsmen, | 0:08:42 | 0:08:45 | |
but it's an obsession for Desmond. | 0:08:45 | 0:08:47 | |
Have you chosen your tweed? | 0:08:47 | 0:08:49 | |
I haven't yet. | 0:08:49 | 0:08:51 | |
It's probably not in here, but look. | 0:08:51 | 0:08:53 | |
-Look at that man knowing all the... -Yes, I know. | 0:08:53 | 0:08:58 | |
Anyway, we finally made a decision. | 0:08:58 | 0:09:01 | |
Look at that lovely stuff. | 0:09:01 | 0:09:03 | |
Mmm! | 0:09:03 | 0:09:04 | |
-This is like pornography for Desmond. -Yes. | 0:09:08 | 0:09:13 | |
Having chosen the tweed and had a number of fittings, | 0:09:13 | 0:09:16 | |
the new shooting suit made by his ex-wife, Tina, is finally ready. | 0:09:16 | 0:09:21 | |
-Hi, Desmond! -Oh, good. | 0:09:21 | 0:09:23 | |
How exciting! | 0:09:23 | 0:09:25 | |
You mean... | 0:09:26 | 0:09:28 | |
Oh, it feels lovely. | 0:09:28 | 0:09:30 | |
Feels lovely. | 0:09:30 | 0:09:31 | |
-Oh, Dad! -It looks amazing. | 0:09:31 | 0:09:34 | |
I need to wear it a bit. | 0:09:34 | 0:09:35 | |
Oh, look at that. Now it's very important... | 0:09:35 | 0:09:38 | |
Edmund, could you get one of the guns? | 0:09:38 | 0:09:40 | |
That's the important bit. | 0:09:42 | 0:09:44 | |
That's the nice thing about... Lovely pockets. | 0:09:44 | 0:09:47 | |
Terrific, Desmond! | 0:09:47 | 0:09:49 | |
-The gun? Sorry... -Yeah, it looks amazing. | 0:09:49 | 0:09:53 | |
-Look at that. -It's got amazing pockets... | 0:09:53 | 0:09:56 | |
Nice pocket. Look. Sandwiches in there... | 0:09:56 | 0:09:59 | |
-Cake. Bit of cake. -A huge bit of cake. | 0:09:59 | 0:10:02 | |
-Tina, lovely. Thank you very much. -It's a pleasure. | 0:10:02 | 0:10:05 | |
I know there was commerce involved, but all the same. | 0:10:05 | 0:10:10 | |
Thank you very much. | 0:10:10 | 0:10:12 | |
No room in the hall is more steeped in country sporting tradition | 0:10:15 | 0:10:20 | |
than the gun room. | 0:10:20 | 0:10:22 | |
The gun room here is a very special place full of memories to me of my grandfather. | 0:10:22 | 0:10:28 | |
He was a great all-round country sportsman, and so I grew up | 0:10:28 | 0:10:32 | |
with all this sort of bits... | 0:10:32 | 0:10:34 | |
These gadgets and bits of kit around which were always intriguing. | 0:10:34 | 0:10:38 | |
This was my first gun. | 0:10:38 | 0:10:39 | |
I think I was probably 13. | 0:10:40 | 0:10:43 | |
Chosen by my grandfather, who spent a lot of time in this room. | 0:10:43 | 0:10:48 | |
And paid for by my father. | 0:10:48 | 0:10:52 | |
And we went to London, | 0:10:53 | 0:10:56 | |
I was sort of measured in the gun shop. | 0:10:56 | 0:10:59 | |
And that was a massive treat. | 0:11:02 | 0:11:05 | |
It was absolute pride and joy. | 0:11:05 | 0:11:08 | |
The sort of hunter in me was developed. | 0:11:08 | 0:11:10 | |
Do you think children should have guns? | 0:11:10 | 0:11:12 | |
Well, only if they... | 0:11:12 | 0:11:14 | |
If they're interested and prepared to listen and be sensible about it. | 0:11:14 | 0:11:19 | |
It's very good for a child to learn responsibility. | 0:11:19 | 0:11:24 | |
And it's not because you want to go out and massacre everything, it's just... | 0:11:24 | 0:11:29 | |
I don't know what it is, but we've all got it in us. | 0:11:29 | 0:11:32 | |
Yeah, that's a very nice little gun. | 0:11:35 | 0:11:37 | |
As night falls, some of Desmond's friends begin to arrive. | 0:11:43 | 0:11:47 | |
I've invited Alfie, who loves his shooting. | 0:11:49 | 0:11:54 | |
Ah, Alfie! | 0:11:54 | 0:11:56 | |
Ah, Van Dutch! | 0:11:56 | 0:11:57 | |
-Nice to see you. -Good to see you. How you been? | 0:11:57 | 0:12:00 | |
Willie, two Willies. | 0:12:00 | 0:12:02 | |
Willie Nickerson, who is a decorator. | 0:12:02 | 0:12:04 | |
Willie Attill lives in Tanzania. | 0:12:04 | 0:12:07 | |
Ah, Midge, how are you? | 0:12:07 | 0:12:09 | |
-I'm very, very well. -Nice to see you. | 0:12:09 | 0:12:11 | |
-I know. I've just come out of the freezing. -Yes. | 0:12:11 | 0:12:14 | |
You've met Christopher before? | 0:12:14 | 0:12:17 | |
Yes. Hi, there, how are you? | 0:12:17 | 0:12:19 | |
Christopher, who is a decorator. | 0:12:19 | 0:12:22 | |
Likes country life, loves coming here. | 0:12:22 | 0:12:24 | |
Charles! | 0:12:25 | 0:12:26 | |
And then a very good builder from Wells. | 0:12:26 | 0:12:30 | |
You might share with young... | 0:12:30 | 0:12:32 | |
Do you know Harry Lowther? | 0:12:32 | 0:12:34 | |
Yeah, yeah, yeah. Is he coming up here? | 0:12:34 | 0:12:37 | |
-Yes, he's here. -No way! | 0:12:37 | 0:12:38 | |
Some know each other well, some people don't know each other at all. | 0:12:38 | 0:12:42 | |
And some are older, some are younger. | 0:12:42 | 0:12:45 | |
Nice mixture of people. | 0:12:45 | 0:12:47 | |
Next morning, just before six, the guests, or guns, | 0:12:52 | 0:12:56 | |
are already up and heading off on what's known as a duck flight, or shoot. | 0:12:56 | 0:13:02 | |
Rowley. Oh, my God. I think I'll wear the snood today. | 0:13:02 | 0:13:06 | |
The Christmas snood. | 0:13:06 | 0:13:08 | |
OK, come this way. | 0:13:09 | 0:13:11 | |
Desmond leads the party to flight ponds on the marsh. | 0:13:11 | 0:13:15 | |
Lovely smell of cigar. | 0:13:15 | 0:13:16 | |
I love being... | 0:13:18 | 0:13:19 | |
Getting up early in the morning, going out, stars all over the sky. | 0:13:19 | 0:13:24 | |
Very careful. Oh, my God. | 0:13:26 | 0:13:28 | |
Seeing the light gather in the sky, hearing things, | 0:13:28 | 0:13:34 | |
birds calling as they wake. | 0:13:34 | 0:13:36 | |
That's exciting, being in touch with the elements. | 0:13:36 | 0:13:38 | |
Flight ponds attract ducks, and so the guns wait there | 0:13:40 | 0:13:44 | |
for their quarry to fly in or out at first light. | 0:13:44 | 0:13:47 | |
Shh. | 0:13:48 | 0:13:50 | |
These are wild birds, so you've got to keep quiet. | 0:13:51 | 0:13:54 | |
DOG WHINES | 0:13:54 | 0:13:55 | |
You've got to keep quiet, Rowley. | 0:13:55 | 0:13:56 | |
Shh, shh. Rowley, Rowley. | 0:14:00 | 0:14:02 | |
-Look, there's a teal. -GUNSHOTS | 0:14:04 | 0:14:08 | |
Oh, well done. | 0:14:08 | 0:14:10 | |
I didn't get my gun off again. | 0:14:12 | 0:14:14 | |
-DOG WHINES -Rowley. | 0:14:15 | 0:14:18 | |
Oh, my God, this is testing. | 0:14:20 | 0:14:22 | |
I think I've heard of people who swear at their dogs. | 0:14:25 | 0:14:28 | |
It doesn't do much good. | 0:14:28 | 0:14:30 | |
OK. OK. | 0:14:30 | 0:14:31 | |
DOG WHINES | 0:14:31 | 0:14:34 | |
Rowley, you've got the better of me. | 0:14:34 | 0:14:36 | |
Go on, get in there. Get on, get on, get on. | 0:14:37 | 0:14:39 | |
The ducks shot this morning - teal, widgeon and mallard - | 0:14:41 | 0:14:44 | |
will be shared out, taken home and eaten. | 0:14:44 | 0:14:47 | |
I think life and death... | 0:14:48 | 0:14:53 | |
is... is treated very differently in the countryside, | 0:14:53 | 0:14:57 | |
particularly amongst farmers. | 0:14:57 | 0:14:59 | |
Good boy. | 0:14:59 | 0:15:01 | |
People have lost contact with where their food came from. | 0:15:01 | 0:15:05 | |
Where meat comes from and that, you know, you kill to get it. | 0:15:05 | 0:15:10 | |
The party move off the marsh and on to farmland. | 0:15:13 | 0:15:17 | |
In the yard, they're joined by beaters, | 0:15:19 | 0:15:21 | |
whose job is to flush the birds and other game toward the guns. | 0:15:21 | 0:15:25 | |
Good morning. First of all, | 0:15:25 | 0:15:27 | |
you've got to admire my new suit which is made by Tina. | 0:15:27 | 0:15:32 | |
First outing. | 0:15:32 | 0:15:34 | |
Now, shoot pheasants, be careful you don't shoot English partridges. | 0:15:36 | 0:15:40 | |
You can shoot a French partridge. | 0:15:40 | 0:15:42 | |
Don't shoot any low pheasants cos they might fly better another day. | 0:15:42 | 0:15:46 | |
This is a smallish farm. | 0:15:49 | 0:15:51 | |
We rear a few pheasants to shoot and eat. | 0:15:51 | 0:15:55 | |
They're very good to eat, and this year I've discovered, very good smoked. | 0:15:55 | 0:16:00 | |
It's exciting. | 0:16:01 | 0:16:03 | |
I think when people start to play tennis, | 0:16:03 | 0:16:06 | |
do you think they get very excited | 0:16:06 | 0:16:07 | |
at the end of the court before the match? | 0:16:07 | 0:16:10 | |
Adrenaline before the croquet match. | 0:16:11 | 0:16:13 | |
What have you got in your ears? | 0:16:18 | 0:16:21 | |
A bit of loo paper to... | 0:16:21 | 0:16:23 | |
I can't find any proper defenders. | 0:16:23 | 0:16:26 | |
Pheasant shooting started in the 18th century, but it's not just | 0:16:28 | 0:16:33 | |
a tradition, it is very much an important part of the rural economy. | 0:16:33 | 0:16:38 | |
All the people involved, gamekeepers, people who are actually still in touch, | 0:16:38 | 0:16:42 | |
very much in touch with their country roots. | 0:16:42 | 0:16:45 | |
Look, there's a pheasant. Look. | 0:16:45 | 0:16:47 | |
First pheasant. Cock pheasant. | 0:16:47 | 0:16:49 | |
And another. Pheasant, coming! | 0:16:50 | 0:16:53 | |
HE SHOUTS | 0:16:53 | 0:16:55 | |
GUNSHOTS | 0:16:56 | 0:17:00 | |
Come on down, Harry. Harry. | 0:17:00 | 0:17:02 | |
Come down. Very exciting. | 0:17:02 | 0:17:05 | |
Look. Oh, look at that one. | 0:17:10 | 0:17:12 | |
Cunning bird. Did you see that? | 0:17:12 | 0:17:14 | |
HE SHOUTS | 0:17:16 | 0:17:19 | |
-Missed. -Did you see them? | 0:17:22 | 0:17:25 | |
GUNSHOTS | 0:17:25 | 0:17:28 | |
For me, a successful shoot is going to a nice place with nice people... | 0:17:28 | 0:17:34 | |
..and ideally shooting quite well. | 0:17:35 | 0:17:40 | |
Well done. Absolutely perfect. | 0:17:42 | 0:17:44 | |
Good. | 0:17:44 | 0:17:46 | |
And a nice lunch. | 0:17:46 | 0:17:48 | |
Well, what a success. | 0:17:55 | 0:17:57 | |
Oh, my God, look at that. | 0:17:58 | 0:18:00 | |
Doesn't that look beautiful? | 0:18:00 | 0:18:02 | |
Oh, you are good. | 0:18:02 | 0:18:03 | |
We've had a lovely day, wonderful day. It's all gone very well. | 0:18:08 | 0:18:11 | |
Everyone's had fun, apart from a few birds, and... | 0:18:11 | 0:18:15 | |
wonderful new suit. | 0:18:15 | 0:18:17 | |
And this is going to be my new companion and friend. | 0:18:19 | 0:18:23 | |
For a long time. | 0:18:23 | 0:18:25 | |
Very pleased. | 0:18:25 | 0:18:27 | |
Now, we get a tape measure. | 0:18:32 | 0:18:35 | |
I mean, it's all go. | 0:18:35 | 0:18:37 | |
Why do you need a tape measure? | 0:18:37 | 0:18:39 | |
Measure how tall we want the Christmas trees. | 0:18:39 | 0:18:41 | |
It's Christmas, look, I'm all bright and Christmassy. | 0:18:43 | 0:18:48 | |
I'm really so excited about Christmas. | 0:18:48 | 0:18:51 | |
We normally put the tree here. | 0:18:51 | 0:18:55 | |
Yeah, we always put it here. Everything's traditional. | 0:18:55 | 0:18:57 | |
There's no room for imagination. | 0:18:57 | 0:19:00 | |
With the end of the year approaching, | 0:19:01 | 0:19:03 | |
Desmond is planning a Christmas gathering at the hall for all his staff. | 0:19:03 | 0:19:08 | |
I mean, the Wiveton family. | 0:19:08 | 0:19:10 | |
It used to be a Sylvanian family, it's rather like that. | 0:19:12 | 0:19:17 | |
We must go. So that was seven foot. | 0:19:17 | 0:19:20 | |
Or did I say eight? | 0:19:20 | 0:19:21 | |
For the holiday cottages and the hall, | 0:19:23 | 0:19:26 | |
Desmond needs five trees in total. | 0:19:26 | 0:19:29 | |
Is that too bushy, this one? | 0:19:32 | 0:19:35 | |
It is bushy. | 0:19:35 | 0:19:36 | |
My God. Anyone slightly less bushy? | 0:19:36 | 0:19:39 | |
-Yes. -What's that? About... -That's about eight. -Eight foot. | 0:19:39 | 0:19:43 | |
-Yeah. -Well, that's perfect. | 0:19:43 | 0:19:44 | |
I hope these trees are tied on well enough. | 0:19:49 | 0:19:52 | |
Highways and byways, these are the byways. | 0:19:52 | 0:19:55 | |
It's like a little pocket of old England here. | 0:19:55 | 0:19:58 | |
With a few tipping sites. | 0:19:58 | 0:19:59 | |
Desmond will need some help getting the largest tree into the hall. | 0:20:02 | 0:20:06 | |
A bit prickly for my little hands. | 0:20:06 | 0:20:09 | |
Rodney, have you got a tree yet? | 0:20:09 | 0:20:11 | |
-Yes, we have an artificial one. -Artificial? | 0:20:11 | 0:20:14 | |
-Yes. -That's not very good for the forestry business. | 0:20:14 | 0:20:18 | |
You're enriching the Japanese market. | 0:20:18 | 0:20:20 | |
Oh, here he comes. And there's Rodney. | 0:20:22 | 0:20:25 | |
That's rather sweet. It's a sweet scene. | 0:20:25 | 0:20:28 | |
Rodney and Desmond and the tree. | 0:20:30 | 0:20:33 | |
I think Desmond would quite like to have Rodney on top of the tree. | 0:20:33 | 0:20:37 | |
Oh, my God. | 0:20:37 | 0:20:38 | |
This is the beginning of Christmas, this. Put it up. | 0:20:40 | 0:20:43 | |
-Oh, it could have been a bit bigger. Look at that. -That looks really nice. | 0:20:43 | 0:20:47 | |
Well done, Rodney. Feeding the tree. | 0:20:47 | 0:20:51 | |
-Yes? -I think as soon as Rodney's involved, Desmond's happy. | 0:20:51 | 0:20:54 | |
-Ooh! -DESMOND GROANS | 0:20:54 | 0:20:57 | |
No. Tighten up. | 0:20:57 | 0:20:59 | |
The final decorative touches are applied by Emma, | 0:20:59 | 0:21:02 | |
the property manager, and her daughter. | 0:21:02 | 0:21:05 | |
Where do you think that's going to go? | 0:21:05 | 0:21:07 | |
-Near the bottom. -These are nice, look, these little glass birds. | 0:21:07 | 0:21:11 | |
We're doing well. We've got the tree in, so Christmas has begun. | 0:21:11 | 0:21:16 | |
-Has it? -Yes. | 0:21:16 | 0:21:17 | |
Lights on. | 0:21:18 | 0:21:20 | |
Oh, that's perfect. | 0:21:20 | 0:21:21 | |
Even in the festive season, as a farmer, | 0:21:26 | 0:21:29 | |
there are jobs that aren't pleasant, but need doing. | 0:21:29 | 0:21:32 | |
Such as cockerel culling. | 0:21:32 | 0:21:35 | |
I've discovered that someone has been dropping... | 0:21:35 | 0:21:40 | |
Depositing their unwanted cockerels here. | 0:21:40 | 0:21:43 | |
Particularly ugly sort. | 0:21:43 | 0:21:45 | |
They're everywhere. | 0:21:45 | 0:21:47 | |
More people are keeping chickens as a hobby, | 0:21:47 | 0:21:50 | |
but every batch of new chicks brings unwelcome, noisy cockerels, | 0:21:50 | 0:21:55 | |
whose persistent sexual harassment | 0:21:55 | 0:21:58 | |
can injure the egg-laying hens. | 0:21:58 | 0:22:01 | |
And for some nearby smallholder, | 0:22:01 | 0:22:03 | |
the necessity of killing their own cockerels is clearly beyond them. | 0:22:03 | 0:22:07 | |
It's the sentimental approach of people who've got all these things | 0:22:07 | 0:22:11 | |
who can't wring their own cockerel's necks, | 0:22:11 | 0:22:15 | |
so they take them and deposit them somewhere else. | 0:22:15 | 0:22:17 | |
Furious. | 0:22:18 | 0:22:20 | |
I've got my own very special breeding programme going on here. | 0:22:20 | 0:22:23 | |
Desmond will deal with these cockerels | 0:22:25 | 0:22:27 | |
and put them on the menu at the staff Christmas party. | 0:22:27 | 0:22:31 | |
They don't realise that we are having to have cockerel korma | 0:22:31 | 0:22:34 | |
to get rid of them. | 0:22:34 | 0:22:36 | |
The hunt begins with the help of his trainee gardener. | 0:22:37 | 0:22:40 | |
Beamish, now, in a moment, what I'd like you to do is... | 0:22:40 | 0:22:43 | |
..drive... Drive him out. | 0:22:45 | 0:22:47 | |
Oh, my God. He's getting away. | 0:22:49 | 0:22:51 | |
They're very, very difficult. | 0:22:58 | 0:23:00 | |
If you drove him round, | 0:23:00 | 0:23:03 | |
I'll get a crossing shot. | 0:23:03 | 0:23:04 | |
There's very little decorum in the world of the cockerel. | 0:23:05 | 0:23:10 | |
They tend to wake up at about three in the morning and start crowing. | 0:23:10 | 0:23:15 | |
So if we didn't kill them, we'd hardly get any sleep. | 0:23:15 | 0:23:19 | |
There! Have we got him? | 0:23:25 | 0:23:28 | |
Just as he broke for cover. | 0:23:28 | 0:23:29 | |
Well done. | 0:23:30 | 0:23:31 | |
Yeah, another one. | 0:23:33 | 0:23:34 | |
Ah, that's the one there. | 0:23:36 | 0:23:38 | |
Too randy. Got to separate him out. | 0:23:38 | 0:23:42 | |
Push him round, catch him. | 0:23:42 | 0:23:44 | |
-He's gone into a... -Gone inside. -Gone in there. | 0:23:44 | 0:23:46 | |
OK, good. We've got him now. | 0:23:46 | 0:23:48 | |
I can't shoot him in here. | 0:23:49 | 0:23:51 | |
No, we'll catch him in here with the net. | 0:23:51 | 0:23:53 | |
-HE WHISPERS: -Oh, my God. There he is. | 0:23:53 | 0:23:55 | |
COCKEREL CLUCKS | 0:23:59 | 0:24:02 | |
I've got him. I've got him. | 0:24:12 | 0:24:13 | |
There. Oh, my goodness. | 0:24:16 | 0:24:18 | |
He's the one who's been keeping my mother awake. | 0:24:18 | 0:24:22 | |
For weeks. | 0:24:22 | 0:24:24 | |
Oh, my God. | 0:24:24 | 0:24:26 | |
Desmond's gardeners, Peter and Beamish, | 0:24:26 | 0:24:29 | |
turn butchers to deal with this morning's catch. | 0:24:29 | 0:24:33 | |
-It's a funny job to do, isn't it? Well, yeah. -Yeah. | 0:24:33 | 0:24:36 | |
-Got to make a living where you can. -Yeah. | 0:24:36 | 0:24:39 | |
Then head chef Ben transforms the birds into a '70s-style canape for the party. | 0:24:40 | 0:24:47 | |
They can be quite a pest. | 0:24:47 | 0:24:49 | |
We've had a huge amount of cockerels, | 0:24:49 | 0:24:51 | |
and we turn it into a korma, | 0:24:51 | 0:24:54 | |
served in vol-au-vents. | 0:24:54 | 0:24:56 | |
I've got... I've got very short time. | 0:24:57 | 0:25:00 | |
Hello. Oh, my goodness. | 0:25:01 | 0:25:04 | |
-Good morning. -Hello, Ben. | 0:25:04 | 0:25:07 | |
-How are you? -Very nice. | 0:25:07 | 0:25:10 | |
They're on the small side, but there we are. | 0:25:10 | 0:25:12 | |
-Well, they're perfect for... -Are they? ..a mouthful, aren't they? | 0:25:12 | 0:25:15 | |
Three or four each. | 0:25:15 | 0:25:17 | |
Now, have you got the boiling wine? | 0:25:18 | 0:25:20 | |
I've got 12 bottles of red wine for mulled wine. | 0:25:20 | 0:25:22 | |
-Yes. -So that will make... That will go quite a long way. | 0:25:22 | 0:25:25 | |
-Bit of water in it. -Little bit of water. | 0:25:25 | 0:25:27 | |
-Yes. -Water it down. -Good. | 0:25:27 | 0:25:28 | |
Are you going to be monitoring people's consumption? | 0:25:28 | 0:25:31 | |
Always do, can't help it. After the mishaps, | 0:25:31 | 0:25:35 | |
so many mishaps happen here. | 0:25:35 | 0:25:37 | |
The children will love that, won't they? | 0:25:42 | 0:25:44 | |
-Oh, good evening. -Hello. How are you? | 0:25:46 | 0:25:49 | |
How are you, Desmond? | 0:25:49 | 0:25:51 | |
There. That is nice. | 0:25:51 | 0:25:53 | |
Christmas look. | 0:25:53 | 0:25:55 | |
Thank you, Sue. Thank you, Kim. | 0:25:55 | 0:25:58 | |
Look at your Christmas jumper. | 0:25:58 | 0:26:00 | |
-Happy Christmas. -Oh, thank you. -No, it's... | 0:26:01 | 0:26:05 | |
-Hello. Happy Christmas. -Happy Christmas, Desmond. | 0:26:05 | 0:26:09 | |
Never known a party everyone's arrived on time so much. | 0:26:11 | 0:26:13 | |
Christmas party is a very nice way to thank your staff because we're | 0:26:15 | 0:26:20 | |
genuinely very grateful for all the work they do for me, | 0:26:20 | 0:26:25 | |
and keep the whole place going and make it a, mostly, | 0:26:25 | 0:26:29 | |
cheerful place to work. | 0:26:29 | 0:26:32 | |
But we don't want to go overboard, obviously. | 0:26:32 | 0:26:35 | |
Where's the hot wine? Try some of this. | 0:26:35 | 0:26:37 | |
It's an old... It's an old traditional Christmas mixture. | 0:26:37 | 0:26:42 | |
I mean, is wasn't a massively lavish event, | 0:26:42 | 0:26:45 | |
but it brings the whole house alive. | 0:26:45 | 0:26:47 | |
-I really want to try one of these vol-au-vents. -They are good. | 0:26:47 | 0:26:51 | |
The snacks were good. | 0:26:53 | 0:26:55 | |
Cockerel korma. | 0:26:55 | 0:26:57 | |
Little gamey for some. | 0:26:57 | 0:26:59 | |
-Oh. -No. No. | 0:26:59 | 0:27:01 | |
Edmund! Ah! | 0:27:04 | 0:27:07 | |
How are you? | 0:27:07 | 0:27:09 | |
How are you? | 0:27:10 | 0:27:11 | |
Have you had some hot wine? Have a glass of lovely hot wine. | 0:27:11 | 0:27:15 | |
-I don't know if I want hot wine. -Oh, go on. Go on. | 0:27:15 | 0:27:18 | |
OK. | 0:27:18 | 0:27:20 | |
Despite everything that country life has thrown at Desmond, somehow | 0:27:20 | 0:27:24 | |
he's kept the hall and its traditions alive for another year. | 0:27:24 | 0:27:28 | |
And blow my own trumpet, I am still here. | 0:27:28 | 0:27:30 | |
An impossible house, impossibly small farm, I'm still here. | 0:27:30 | 0:27:35 | |
More people are working here. | 0:27:35 | 0:27:37 | |
And things are doing better than they've ever done. | 0:27:37 | 0:27:40 | |
Anyway, happy Christmas, everybody. | 0:27:40 | 0:27:44 | |
Thank you all for coming. | 0:27:44 | 0:27:46 | |
Thank you all for the very hard work. | 0:27:46 | 0:27:49 | |
You had an incredibly busy summer, so, happy Christmas. | 0:27:49 | 0:27:51 | |
ALL: Happy Christmas! | 0:27:51 | 0:27:54 | |
Marvellous speech. | 0:27:59 | 0:28:02 | |
Next time - spring arrives. | 0:28:02 | 0:28:04 | |
And with it, new life returns to the farm. | 0:28:04 | 0:28:06 | |
Look, lovely family. Beautiful. | 0:28:06 | 0:28:08 | |
Preparations for the cafe opening begin in earnest. | 0:28:08 | 0:28:12 | |
It actually... | 0:28:13 | 0:28:15 | |
Very nice grass. | 0:28:15 | 0:28:18 | |
And they're off to a cracking start. | 0:28:18 | 0:28:21 | |
I went to fiddle with the water and I managed to turn all the electricity off. | 0:28:21 | 0:28:25 | |
But it's all under control. | 0:28:25 | 0:28:27 | |
So we can't use the till, the printers. | 0:28:27 | 0:28:29 | |
An ideal start to service. | 0:28:29 | 0:28:31 | |
Oh! We need a torch. Hold on. | 0:28:31 | 0:28:34 |