Browse content similar to Les Dawson. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Les Dawson was the rubber-faced comedy master who started his career | 0:00:12 | 0:00:17 | |
cracking one-liners and playing the piano on the northern club circuit. | 0:00:17 | 0:00:23 | |
He found national fame in the late '60s on the television talent show | 0:00:23 | 0:00:27 | |
Opportunity Knocks, and from that moment on, | 0:00:27 | 0:00:30 | |
he had the British public laughing. | 0:00:30 | 0:00:33 | |
Les looked funny, and he was funny, instinctively so. | 0:00:33 | 0:00:38 | |
Interviewers over the years would struggle to get a serious word | 0:00:38 | 0:00:41 | |
out of him. One who tried was Michael Parkinson. | 0:00:41 | 0:00:45 | |
So, let's begin with a look at Parkie cracking up over | 0:00:45 | 0:00:48 | |
territory that Les excelled in - | 0:00:48 | 0:00:51 | |
laughter over language barriers and the classic mother-in-law joke. | 0:00:51 | 0:00:56 | |
-You've done some work recently in Germany, haven't you? -Oh... | 0:00:57 | 0:01:01 | |
LAUGHTER | 0:01:01 | 0:01:03 | |
Did you have to learn German for it or...? | 0:01:03 | 0:01:06 | |
-Yeah, I tried. -You tried? -Yeah. | 0:01:06 | 0:01:07 | |
But...how do you get the gags over? | 0:01:07 | 0:01:09 | |
Well, that was the difficult part of it | 0:01:09 | 0:01:11 | |
because when we got there... | 0:01:11 | 0:01:13 | |
Before the show was actually due to go, two of us went to try | 0:01:13 | 0:01:16 | |
and suss the scene out to see what they wanted. | 0:01:16 | 0:01:18 | |
And the German mentality is something I had never previously | 0:01:18 | 0:01:21 | |
come across because it's all... | 0:01:21 | 0:01:23 | |
You know, faces really like flint. | 0:01:23 | 0:01:25 | |
You know, no... Really hard. Unyielding. | 0:01:25 | 0:01:28 | |
So they had a girl there with braided hair, you know, | 0:01:28 | 0:01:31 | |
looked a bit like Danny La Rue. Awful. | 0:01:31 | 0:01:34 | |
And she sat there and she said... | 0:01:34 | 0:01:35 | |
IN GERMAN ACCENT: "You tell me what you're going to do, which is funny." | 0:01:35 | 0:01:39 | |
"And I will tell all mein colleagues round the table." | 0:01:39 | 0:01:42 | |
So, in this atmosphere, I said, | 0:01:42 | 0:01:43 | |
"Well, the first thing we'd like to do is there is a man sweeping | 0:01:43 | 0:01:46 | |
"the streets." She said... | 0:01:46 | 0:01:47 | |
IMITATES GERMAN TRANSLATION: "Und man fastrausen sveiten wit da broomen." | 0:01:47 | 0:01:51 | |
They all went, "Ja, ja, ja..." | 0:01:51 | 0:01:52 | |
I said, "He looks one way." And this is what broke me. She said... | 0:01:52 | 0:01:55 | |
IMITATES GERMAN: "Man who looks ein fart." | 0:01:55 | 0:01:58 | |
LAUGHTER | 0:01:58 | 0:02:00 | |
Which is... HE LAUGHS | 0:02:00 | 0:02:03 | |
..which is German for one way. LAUGHTER | 0:02:03 | 0:02:05 | |
And I said, "He then looks the other way." She said... | 0:02:05 | 0:02:08 | |
IMITATES GERMAN: "Eins fart vie fart ubstrauss..." | 0:02:08 | 0:02:10 | |
SPEECH DROWNED OUT BY LAUGHTER | 0:02:10 | 0:02:12 | |
I said, "He then lifts up the pavement | 0:02:12 | 0:02:14 | |
"and brushes the dirt underneath it." | 0:02:14 | 0:02:16 | |
And there was a silence like the forgotten tomb. | 0:02:16 | 0:02:19 | |
And she said... IN GERMAN ACCENT: "I think I should tell you | 0:02:19 | 0:02:22 | |
"that in Germany, the pavements don't lift up." | 0:02:22 | 0:02:24 | |
LAUGHTER Terrible! | 0:02:24 | 0:02:27 | |
Oh... | 0:02:29 | 0:02:30 | |
Oh... | 0:02:30 | 0:02:32 | |
-Frightening, really was frightening. -How did you survive it? | 0:02:32 | 0:02:35 | |
-Only just? -Yeah, we got through, actually. | 0:02:35 | 0:02:37 | |
In fact... It's considered a mountainous area. | 0:02:37 | 0:02:39 | |
They called it... You know, they're named after a mountain flower | 0:02:39 | 0:02:42 | |
over there - the edelswine. LAUGHTER | 0:02:42 | 0:02:44 | |
No, it went quite well. | 0:02:44 | 0:02:46 | |
They put a top course on the Berlin Wall after that. | 0:02:46 | 0:02:48 | |
-It really was frightening, it really was. -Yeah. | 0:02:48 | 0:02:50 | |
Because there... I mean, to tell a joke | 0:02:50 | 0:02:52 | |
about the mother-in-law's brassiere... | 0:02:52 | 0:02:54 | |
When I do a joke, I say, "I'm not saying she's a big woman, | 0:02:54 | 0:02:57 | |
"but when she hangs her bras up to dry, a camel makes love to it." | 0:02:57 | 0:03:00 | |
LAUGHTER | 0:03:00 | 0:03:02 | |
In German... | 0:03:02 | 0:03:04 | |
In German, this comes out like... | 0:03:04 | 0:03:06 | |
IMITATES GERMAN: "Dies fies un wutas bustenhuten, | 0:03:06 | 0:03:10 | |
"mitsa ain with a und feinfendersun." | 0:03:10 | 0:03:12 | |
LAUGHTER | 0:03:12 | 0:03:14 | |
By the time you've said it, you've forgotten the bloody thing. | 0:03:14 | 0:03:17 | |
-LAUGHTER -What's your mother-in-law... | 0:03:17 | 0:03:20 | |
-I mean, you've got a mother-in-law, haven't you? -Oh, yeah. | 0:03:20 | 0:03:24 | |
She's... | 0:03:24 | 0:03:25 | |
MICHAEL LAUGHS, LES SIGHS | 0:03:25 | 0:03:28 | |
She's very nice, actually. | 0:03:28 | 0:03:31 | |
She's very nice. She's got a face like a bag of spanners. | 0:03:31 | 0:03:34 | |
LAUGHTER | 0:03:34 | 0:03:37 | |
-Oh, good... -She once went for a swim in Loch Ness | 0:03:37 | 0:03:39 | |
and the monster got out and picketed the lake. | 0:03:39 | 0:03:41 | |
LAUGHTER | 0:03:41 | 0:03:44 | |
-LAUGHING: -What does she...what does she think, though, about you? | 0:03:45 | 0:03:48 | |
-I mean, does she... -HE CRACKS UP | 0:03:48 | 0:03:51 | |
Does she think you are a loving son-in-law? | 0:03:51 | 0:03:53 | |
Oh, we... We get on ver... Really. Very well together. | 0:03:53 | 0:03:56 | |
When we stay at her house, you know, | 0:03:56 | 0:03:58 | |
which is decorated in early Dracula... | 0:03:58 | 0:03:59 | |
LAUGHTER | 0:03:59 | 0:04:01 | |
..she knows that I am personally very fond of pets. | 0:04:01 | 0:04:03 | |
And you can bet your life when I go to bed every night, | 0:04:03 | 0:04:06 | |
there's always a black widow spider in the corner. | 0:04:06 | 0:04:08 | |
LAUGHTER She is a very big woman, you know? | 0:04:08 | 0:04:10 | |
She has her knickers on a prescription. | 0:04:10 | 0:04:12 | |
LAUGHTER | 0:04:12 | 0:04:16 | |
-LAUGHING: -Be serious for a... | 0:04:18 | 0:04:21 | |
Be serious... | 0:04:21 | 0:04:22 | |
-Daffy. -Daft. It is daft. It's lovely. | 0:04:22 | 0:04:24 | |
LAUGHTER | 0:04:24 | 0:04:26 | |
-That was old... Who was that? That was old Norman... -Norman Evans. | 0:04:26 | 0:04:29 | |
-Norman Evans, yeah. -You see, one of the beautiful things about... | 0:04:29 | 0:04:32 | |
On the last series, we introduced these two old women in a launderette. | 0:04:32 | 0:04:36 | |
But it is something peculiar to Lancashire the fact that | 0:04:36 | 0:04:38 | |
when two women talk particularly of that age group, | 0:04:38 | 0:04:41 | |
if there is anything at all which they consider risque or something... | 0:04:41 | 0:04:44 | |
comparable to the female body, | 0:04:44 | 0:04:47 | |
-they never finish the sentence. -Hm. | 0:04:47 | 0:04:49 | |
You see... So, you'll get... | 0:04:49 | 0:04:50 | |
How are... How's things? | 0:04:50 | 0:04:52 | |
I'm... HE MOUTHS | 0:04:52 | 0:04:54 | |
I believe she's near her time. | 0:04:54 | 0:04:56 | |
Oh, yes. | 0:04:56 | 0:04:57 | |
I believe she had a... MOUTHS: stroke. | 0:04:57 | 0:04:59 | |
LAUGHTER | 0:04:59 | 0:05:02 | |
And they never finish the sentence! | 0:05:02 | 0:05:03 | |
LAUGHTER | 0:05:03 | 0:05:06 | |
It was really most peculiar, and they used to get things mixed up. | 0:05:06 | 0:05:09 | |
I may quote one thing that Peter Maloney from Liverpool thought. | 0:05:09 | 0:05:12 | |
-It's very true. -Oh, he's a funny man. | 0:05:12 | 0:05:13 | |
About the woman in hospital and the chap said, "How are you?" | 0:05:13 | 0:05:16 | |
She said, "I've been very ill, you know?" MOUTHS: Very ill. | 0:05:16 | 0:05:19 | |
She said, "That was my time of life... | 0:05:19 | 0:05:21 | |
HE MOUTHS, LAUGHTER | 0:05:21 | 0:05:26 | |
He said, "It's a very serious operation. | 0:05:26 | 0:05:28 | |
"It's called a hysterical rectum." LAUGHTER | 0:05:28 | 0:05:32 | |
Beautiful, isn't it? HE LAUGHS | 0:05:33 | 0:05:38 | |
-It does you good to have a laugh. -Hey! | 0:05:42 | 0:05:44 | |
LAUGHTER | 0:05:44 | 0:05:46 | |
The pleasure in watching Les Dawson wasn't just about the jokes. | 0:05:49 | 0:05:53 | |
There was also the sound of his sentences | 0:05:53 | 0:05:55 | |
and the way he used words like a human thesaurus. | 0:05:55 | 0:05:59 | |
He discussed this in a programme from 1977 called Word For Word | 0:05:59 | 0:06:04 | |
with interviewer Vicky Payne. | 0:06:04 | 0:06:06 | |
Noel Coward made Clapham funny. | 0:06:08 | 0:06:11 | |
Private Eye made Neasden funny. | 0:06:11 | 0:06:13 | |
King George VI made Bognor funny. | 0:06:13 | 0:06:17 | |
but could anyone raise a laugh by saying London? And if not, why not? | 0:06:17 | 0:06:21 | |
Les Dawson has some theories. | 0:06:21 | 0:06:23 | |
Les Dawson, do you indeed have theories? | 0:06:23 | 0:06:26 | |
Why do we, perhaps, laugh at words or place names like Neasden or | 0:06:26 | 0:06:30 | |
-Dollis Hill? -I think it's the softness of the word in question. | 0:06:30 | 0:06:34 | |
London is a very soft word. It's a very soft sound, therefore it's... | 0:06:34 | 0:06:39 | |
it's more of a tenderness almost. | 0:06:39 | 0:06:40 | |
There's a fondness about saying London or Landand. | 0:06:40 | 0:06:43 | |
If you say Ormskirk, | 0:06:43 | 0:06:46 | |
it's Descartes, straight to the point. Ormskirk. | 0:06:46 | 0:06:49 | |
Goole - you can't soften Goole. | 0:06:49 | 0:06:51 | |
So, if you want to build any sort of line on, say, Goole, | 0:06:51 | 0:06:54 | |
you wouldn't say, "He was an ex-religious leader from London." | 0:06:54 | 0:06:57 | |
It wouldn't sound very funny. | 0:06:57 | 0:06:58 | |
But if you said, "He was a lapsed Methodist from Goole," | 0:06:58 | 0:07:01 | |
then it starts become funny. | 0:07:01 | 0:07:02 | |
Do people in the North laugh at places in the South | 0:07:02 | 0:07:04 | |
and do we in the South laugh at places in the North? | 0:07:04 | 0:07:06 | |
Oh, I should think so, yeah. | 0:07:06 | 0:07:08 | |
We find Watford seems a fairly strange name. | 0:07:08 | 0:07:11 | |
I fell in love with... You know, with a... | 0:07:11 | 0:07:13 | |
I used to do a gag where I used to... I went... | 0:07:13 | 0:07:15 | |
I met the wife at a discount store in Watford. | 0:07:15 | 0:07:18 | |
I went in for a lampshade and I said, "What do you take off for cash?" | 0:07:18 | 0:07:20 | |
She said, "Everything but my earrings." | 0:07:20 | 0:07:22 | |
What about individual... | 0:07:22 | 0:07:24 | |
It's not true... SHE LAUGHS | 0:07:24 | 0:07:26 | |
What about individual words as opposed to place names? | 0:07:26 | 0:07:30 | |
Can individual words be intrinsically funny on their own? | 0:07:30 | 0:07:33 | |
Oh, yeah. For instance, a marvellous description of a dirty pond - | 0:07:33 | 0:07:37 | |
so I threw the stick into the depths | 0:07:37 | 0:07:38 | |
and the smell that emerged was positively mauve. | 0:07:38 | 0:07:41 | |
And it summed it all up. | 0:07:41 | 0:07:43 | |
You obviously think very hard about the gag itself | 0:07:43 | 0:07:46 | |
and about the punchline. | 0:07:46 | 0:07:48 | |
Do you think equally hard about the order in which you put | 0:07:48 | 0:07:52 | |
the words to achieve the best effect? | 0:07:52 | 0:07:54 | |
Oh, yes, this can happen... | 0:07:54 | 0:07:56 | |
I used to do a gag in the act which never got a laugh. | 0:07:56 | 0:07:58 | |
I forget how I used to word it properly now, | 0:07:58 | 0:08:00 | |
but I used to say, "I wouldn't say my father was lazy, | 0:08:00 | 0:08:02 | |
"but during the hunger march from Jarrow in the '30s, | 0:08:02 | 0:08:05 | |
"he was the only one singing." The way I used put it before, | 0:08:05 | 0:08:07 | |
"He used to sing when he was unemployed," so I just switched | 0:08:07 | 0:08:10 | |
the thing round and got more of a laugh. | 0:08:10 | 0:08:11 | |
And by the same token, do we laugh at the same words in the South as... | 0:08:11 | 0:08:14 | |
-Oh, yes. -..in the North? -Oh, you are slightly more... | 0:08:14 | 0:08:17 | |
-You're getting educated down here. It's quite true. -Thank you very much. | 0:08:17 | 0:08:20 | |
Oh, you are, definitely. It's on the increase. | 0:08:20 | 0:08:22 | |
You wouldn't alter your act according to whether you were | 0:08:22 | 0:08:24 | |
playing in the North or the South? | 0:08:24 | 0:08:26 | |
No, I die in the North and the South equally as well as the other. | 0:08:26 | 0:08:28 | |
Makes no difference to me. | 0:08:28 | 0:08:29 | |
Going back to names, we mentioned place names, do you think | 0:08:29 | 0:08:32 | |
individual Christian names are funny? | 0:08:32 | 0:08:34 | |
Or surnames or names together? | 0:08:34 | 0:08:36 | |
Well, yes, I think, you know, you can say, for instance, | 0:08:36 | 0:08:39 | |
that our love affair was born on the shores of Geneva as the sunlight | 0:08:39 | 0:08:44 | |
dappled the waters into fragmentations of patterns | 0:08:44 | 0:08:46 | |
and I turned to Miriam... And you know, I think the word Miriam | 0:08:46 | 0:08:49 | |
after this build-up... HE MUTTERS | 0:08:49 | 0:08:51 | |
Probably some very nice Miriams in Ealing. | 0:08:51 | 0:08:53 | |
I wouldn't know, but I think that sort of thing, yeah. | 0:08:53 | 0:08:55 | |
They are not meant to be terribly funny. | 0:08:55 | 0:08:57 | |
It's the ring, the connotation you put them in | 0:08:57 | 0:08:59 | |
or the situation you put them in. | 0:08:59 | 0:09:01 | |
Les Dawson, thank you very much indeed for... | 0:09:01 | 0:09:03 | |
-Will you send the check on? -I'll send the check on. | 0:09:03 | 0:09:05 | |
That's a very funny word at the BBC. | 0:09:05 | 0:09:07 | |
..for coming on to us. Thank you very much. | 0:09:07 | 0:09:09 | |
Been a pleasure to be in this cupboard. | 0:09:09 | 0:09:12 | |
By the mid-'80s, Dawson was well-established as one | 0:09:12 | 0:09:15 | |
of the nation's favourite entertainers, which made him | 0:09:15 | 0:09:18 | |
the perfect guest for Roy Plomley's television version | 0:09:18 | 0:09:21 | |
of Desert Island Discs called Favourite Things | 0:09:21 | 0:09:24 | |
and here he is discussing the origins of his routine | 0:09:24 | 0:09:28 | |
and his love of writing. | 0:09:28 | 0:09:30 | |
Where did you spend your childhood, Les? Where do you come from? | 0:09:33 | 0:09:36 | |
-Originally, Manchester. -Hm. | 0:09:36 | 0:09:37 | |
Yes, it was hard childhood in many ways. | 0:09:39 | 0:09:42 | |
Mainly because, although it's difficult for you, | 0:09:42 | 0:09:44 | |
I know, looking at this magnificent profile, | 0:09:44 | 0:09:48 | |
but oddly enough, I was an incredibly ugly baby. | 0:09:48 | 0:09:51 | |
In fact, I was so ugly, | 0:09:51 | 0:09:52 | |
they had to give the midwife gas and air before she delivered me. | 0:09:52 | 0:09:56 | |
My own mother used to look at me often in the cot | 0:09:56 | 0:09:59 | |
and she'd say to my father, "I don't know what to make of him," | 0:09:59 | 0:10:01 | |
and my father used to say, "Have you thought of a rug?" | 0:10:01 | 0:10:04 | |
But basically we were a poor, but poverty-stricken family. | 0:10:04 | 0:10:07 | |
-You had an ambition to write. -Yeah. | 0:10:08 | 0:10:11 | |
What did you want to write? | 0:10:11 | 0:10:14 | |
Er, essays. | 0:10:14 | 0:10:15 | |
-Why essays, Les? -I don't know. I liked words. | 0:10:15 | 0:10:20 | |
I think the only one I was ever proud... | 0:10:20 | 0:10:22 | |
I went to Paris to write them. | 0:10:22 | 0:10:23 | |
I used to want to write things in the vein like Elia, Lamb, | 0:10:23 | 0:10:27 | |
or something like this. You know, lovely prose, sort of thing. | 0:10:27 | 0:10:30 | |
Or, "Frost hanging delicately from sodden leaves," | 0:10:30 | 0:10:32 | |
or something like this, you know? | 0:10:32 | 0:10:33 | |
Tell me about Paris. You wanted to have a sort of Left Bank existence. | 0:10:33 | 0:10:36 | |
Well, I thought Paris was the place to gravitate to. | 0:10:36 | 0:10:39 | |
I mean, it's not really. If you're going to write a novel, | 0:10:39 | 0:10:41 | |
you should do it in Bradford because there are too many distractions | 0:10:41 | 0:10:44 | |
-in Paris, you know? -How long were you there? -About 18 months, actually. | 0:10:44 | 0:10:48 | |
Why did you come back? Why did you leave Paris? | 0:10:48 | 0:10:50 | |
I was broke. | 0:10:50 | 0:10:52 | |
Is Paris a favourite thing you go back to? | 0:10:52 | 0:10:55 | |
Oh, I think Paris is a lovely city, yeah. | 0:10:55 | 0:10:57 | |
To me, it's like a spoilt woman, Paris, you know? | 0:10:57 | 0:11:01 | |
-I love Paris. It's very nice. -Hm. -It's wasted on the French totally. | 0:11:01 | 0:11:05 | |
So, you'd done some piano playing in the army and in Paris, | 0:11:05 | 0:11:10 | |
when did comicking come into it? | 0:11:10 | 0:11:12 | |
Well, I used to play on the piano and sing | 0:11:12 | 0:11:15 | |
and tell a few gags especially when I sang and played the piano. | 0:11:15 | 0:11:18 | |
The act in those days was dreadful. I mean, it really was. | 0:11:18 | 0:11:21 | |
-Would you like to see a little gobbet, would you? -I'd love to, yes. | 0:11:21 | 0:11:24 | |
-What did you do? -Well, this is... | 0:11:24 | 0:11:26 | |
You sat yourself at the piano? | 0:11:26 | 0:11:28 | |
Well, I found it more comfortable that way. | 0:11:28 | 0:11:31 | |
And this was the sort of thing I used to do. | 0:11:31 | 0:11:33 | |
"Hi..." With this terrible grimace, | 0:11:35 | 0:11:38 | |
with all the fillings showing. | 0:11:38 | 0:11:40 | |
Cos I've got quite a few fillings, you know? | 0:11:40 | 0:11:42 | |
-In fact, my gums have got metal fatigue. -Oh, yes. | 0:11:42 | 0:11:45 | |
And I go "Hi there! I just love being here, ladies and gentlemen. | 0:11:45 | 0:11:48 | |
"I'm going to play you a little song and I hope you like it." | 0:11:48 | 0:11:51 | |
HE SINGS INCOHERENTLY | 0:11:51 | 0:11:56 | |
-And I used to get paid off. -Yes, I can... -Quite regularly. -Mm-hm. | 0:11:59 | 0:12:02 | |
And then after that, I was living in London for quite some time. | 0:12:02 | 0:12:06 | |
I was living in a cubicle with a plug point that passed as a flat. | 0:12:06 | 0:12:10 | |
And I went round to all the clubs and so and all the agents | 0:12:10 | 0:12:13 | |
and got the usual thing, you know, "We'll let you know." | 0:12:13 | 0:12:16 | |
"We'll ring you," which was hard to do cos I ain't got a phone. | 0:12:16 | 0:12:19 | |
That didn't dawn on me for months after. | 0:12:19 | 0:12:21 | |
And I went to see an agent - Al Heath, his name was, | 0:12:21 | 0:12:23 | |
and he still is in existence. | 0:12:23 | 0:12:24 | |
-And he gave me a week's booking for 16 quid in Hull. -Yes. | 0:12:24 | 0:12:29 | |
-Have you ever been to Hull? -Doing that same act? -Yes. -Yes. -Totally. | 0:12:30 | 0:12:35 | |
To all of these hardened fisherfolk. | 0:12:35 | 0:12:38 | |
Men with salt creased into the lines of their faces. Hard men. | 0:12:38 | 0:12:42 | |
And on I went, "I just want to say what a great pleasure to be in Hull. | 0:12:42 | 0:12:45 | |
"I had been here before, but it was shut." | 0:12:45 | 0:12:48 | |
-See? Which got roars of silence. -Of course. | 0:12:48 | 0:12:51 | |
You know, I was getting crouching ovations. | 0:12:51 | 0:12:53 | |
And on the Wednesday, it began to dawn on me | 0:12:53 | 0:12:56 | |
that by this time, failure was a stark reality. | 0:12:56 | 0:12:59 | |
Really fail. I mean, I was lucky. | 0:12:59 | 0:13:02 | |
I mean, my only ambition in those days were for luxuries in life, | 0:13:02 | 0:13:06 | |
like bread in my shoes. | 0:13:06 | 0:13:07 | |
You know, I think it was getting worse. And on the Thursday... | 0:13:07 | 0:13:11 | |
I did the time-honoured mistake, | 0:13:11 | 0:13:13 | |
although in this case it worked, of going for a few drinks. | 0:13:13 | 0:13:16 | |
-And I drank more than I should have done. -Right. | 0:13:16 | 0:13:19 | |
This is before your show? | 0:13:19 | 0:13:20 | |
And that night at the piano, | 0:13:20 | 0:13:22 | |
"It's a great pleasure to be in this kipper depot." | 0:13:22 | 0:13:25 | |
And I found that I was playing off key. | 0:13:25 | 0:13:27 | |
HE PLAYS DISSONANT NOTES You know, terrible things like that. | 0:13:27 | 0:13:30 | |
I started telling about my life and about how bad things were. | 0:13:30 | 0:13:33 | |
For the first time in my chequered career, | 0:13:33 | 0:13:35 | |
somebody clapped in the corner, | 0:13:35 | 0:13:36 | |
a little bald-headed man clapped in the corner. | 0:13:36 | 0:13:39 | |
I said, "Thank you for clapping." | 0:13:39 | 0:13:40 | |
He said, "I'm not clapping. "I'm slapping my head to keep awake." | 0:13:40 | 0:13:43 | |
But then I started to get a few laughs and that's how it started. | 0:13:43 | 0:13:46 | |
So, I owe Hull quite a lot, actually. | 0:13:46 | 0:13:48 | |
In 1984, Les became host of the popular game show Blankety Blank. | 0:13:50 | 0:13:56 | |
He spent six years on the show. | 0:13:56 | 0:13:59 | |
During this time, he lost his first wife Margaret to cancer, | 0:13:59 | 0:14:03 | |
suffered his own health problems, married his second wife Tracy | 0:14:03 | 0:14:07 | |
and wrote a biography that he would shamelessly plug in this | 0:14:07 | 0:14:11 | |
appearance on The Wogan Show. | 0:14:11 | 0:14:12 | |
-So how do you feel, Ter? -I'm OK. You look very fit. | 0:14:16 | 0:14:19 | |
Well, I feel fit, actually. I'm a great believer in exercise. | 0:14:19 | 0:14:23 | |
LAUGHTER | 0:14:23 | 0:14:26 | |
-Can't be bad, the band laughed. -No, no. | 0:14:30 | 0:14:34 | |
If you'd like to use the phrase band. | 0:14:34 | 0:14:36 | |
Know what? LAUGHTER | 0:14:36 | 0:14:40 | |
Don't start them off. Don't... | 0:14:40 | 0:14:41 | |
I've had to put up with them for six weeks. Listen, it's not... | 0:14:41 | 0:14:44 | |
I know a lot of people think it in the audience, | 0:14:44 | 0:14:46 | |
but everybody just leaps up and down today. | 0:14:46 | 0:14:49 | |
-That's the thing to be fit. -Hm. | 0:14:49 | 0:14:52 | |
But take the turtle. | 0:14:52 | 0:14:54 | |
In the South Sea, there are turtles that live 200 years of age. | 0:14:57 | 0:15:01 | |
What does a turtle do? | 0:15:01 | 0:15:04 | |
It crawls. | 0:15:04 | 0:15:05 | |
-Doesn't it? -Mm-hm. | 0:15:07 | 0:15:09 | |
And it does nothing else. | 0:15:09 | 0:15:12 | |
Now, that's exercise. | 0:15:12 | 0:15:13 | |
-LAUGHTER No. -Oh, please. | 0:15:14 | 0:15:18 | |
I believe and every morning, I wake up, I go, | 0:15:18 | 0:15:20 | |
"One, two, three. Up, one, two, three. Down, one, two, three." | 0:15:20 | 0:15:24 | |
Then the other eyelid. | 0:15:24 | 0:15:25 | |
LAUGHTER | 0:15:25 | 0:15:28 | |
Fit as a fiddle and every artery is as solid as a rock. | 0:15:29 | 0:15:32 | |
It's too much rubbish talked about exercise. | 0:15:32 | 0:15:35 | |
Sloth is the key to life. | 0:15:35 | 0:15:37 | |
Doing nothing as I've written in the book! | 0:15:38 | 0:15:41 | |
LAUGHTER | 0:15:41 | 0:15:43 | |
Giving things up. Yes, seriously. | 0:15:43 | 0:15:46 | |
But don't you even take a little gentle exer...? | 0:15:46 | 0:15:48 | |
I mean, you potter about in the garden? | 0:15:48 | 0:15:49 | |
Well, there's nothing wrong with... What's wrong with pot...? | 0:15:49 | 0:15:53 | |
-Well, nowadays, gardening is bad for you. -Is it? -Oh, yes. | 0:15:53 | 0:15:56 | |
The only way to get over gardening is... | 0:15:56 | 0:15:58 | |
Particularly for a married man, cos women are obsessed | 0:15:58 | 0:16:02 | |
with the idea that a man should be doing something. | 0:16:02 | 0:16:04 | |
Wives don't like somebody who sits there. | 0:16:04 | 0:16:07 | |
-There's something wrong. -Yeah. -You see? -Yeah. | 0:16:07 | 0:16:09 | |
So what you do is you buy a small plant | 0:16:09 | 0:16:12 | |
and you put it in the garden and you deliberately pull | 0:16:12 | 0:16:16 | |
the leaves off so the thing looks as though it's dying. | 0:16:16 | 0:16:19 | |
She comes out and says... | 0:16:19 | 0:16:21 | |
LAUGHTER | 0:16:21 | 0:16:23 | |
MOUTHS: What's wrong with this? | 0:16:23 | 0:16:25 | |
You say, "I don't know, I haven't got green fingers." She says, | 0:16:25 | 0:16:28 | |
"Well, your neck's a funny colour, | 0:16:28 | 0:16:30 | |
but that's got nothing to do with it." | 0:16:30 | 0:16:32 | |
That was a joke to put Ter at ease. LAUGHTER | 0:16:32 | 0:16:34 | |
Then you by another plant | 0:16:34 | 0:16:36 | |
and you say to her, "Well, you have a go at the first plant," | 0:16:36 | 0:16:39 | |
and she pours a little water over it. | 0:16:39 | 0:16:41 | |
Now, you get up at four o'clock in the morning, you sneak out, | 0:16:41 | 0:16:44 | |
put a chloroform pad over her first. | 0:16:44 | 0:16:46 | |
You sneak out and you change the flowers over. | 0:16:46 | 0:16:49 | |
So the new flower has grown. | 0:16:49 | 0:16:51 | |
And she says, "There you are, love. In future, I'll do the gardening." | 0:16:51 | 0:16:54 | |
LAUGHTER AND APPLAUSE | 0:16:54 | 0:16:57 | |
What a rascal! | 0:16:59 | 0:17:00 | |
Yes! | 0:17:00 | 0:17:01 | |
-Another fine mess. -It's all there. | 0:17:02 | 0:17:05 | |
What about the grouting and the rendering and the DIY | 0:17:05 | 0:17:08 | |
and that kind of stuff? | 0:17:08 | 0:17:09 | |
Well, you must always avoid that like the plague. | 0:17:09 | 0:17:13 | |
Always keep away from do-it-yourself. | 0:17:13 | 0:17:15 | |
You don't fancy extending the house or...? | 0:17:15 | 0:17:18 | |
No, because you see the trouble is you have people in... | 0:17:18 | 0:17:20 | |
If you have builders in to do the house up, | 0:17:20 | 0:17:23 | |
the first thing they will do is they will go, "Tsk, tsk, tsk." | 0:17:23 | 0:17:26 | |
Now, you've lived in that house for years. | 0:17:26 | 0:17:29 | |
You are proud of it, it's your domain. | 0:17:29 | 0:17:31 | |
It's where your children have their nest. | 0:17:31 | 0:17:33 | |
And you are happy with that house. | 0:17:33 | 0:17:35 | |
Suddenly, this fella comes in with overalls, | 0:17:35 | 0:17:38 | |
takes a few measurements and goes, "Tsk, tsk, tsk." | 0:17:38 | 0:17:41 | |
And then he sighs. They all go... HE SIGHS | 0:17:41 | 0:17:45 | |
Which means that for years, you've been living in a Gothic slum | 0:17:45 | 0:17:48 | |
and you didn't know it. LAUGHTER | 0:17:48 | 0:17:50 | |
So, you've got to keep well away from that. What you do, you go to | 0:17:50 | 0:17:53 | |
a theatrical agency and find an actor who has not worked for years, right? | 0:17:53 | 0:17:56 | |
Or even Lionel Blair, somebody like that. | 0:17:56 | 0:17:58 | |
LAUGHTER | 0:17:58 | 0:18:00 | |
Get them to come round and say, "What a magnificent house! | 0:18:00 | 0:18:04 | |
"You would be a fool to change it." | 0:18:04 | 0:18:07 | |
Leave it as it is. LAUGHTER | 0:18:07 | 0:18:11 | |
It's the art of getting no stress. | 0:18:11 | 0:18:13 | |
Stress-free life. But then, why get married? | 0:18:13 | 0:18:18 | |
If you want a stress-free life? And you've just done that. | 0:18:18 | 0:18:22 | |
-Well, yes, you've got a good point there. I'm very lucky. -Yeah? | 0:18:22 | 0:18:27 | |
Yes, she does... | 0:18:27 | 0:18:28 | |
I mean, she does things her way | 0:18:28 | 0:18:30 | |
and I do things her way. LAUGHTER | 0:18:30 | 0:18:33 | |
-Does she nag? -She never nags. | 0:18:35 | 0:18:37 | |
I've found the perfect answer to nagging. | 0:18:37 | 0:18:40 | |
It's called half a brick. No! | 0:18:40 | 0:18:43 | |
No, she doesn't nag at all. | 0:18:43 | 0:18:44 | |
-We get guidance. I get guidance off Tracy. -Do you? | 0:18:44 | 0:18:47 | |
Yes, she guides me very gently. TERRY LAUGHS | 0:18:47 | 0:18:50 | |
No, there's no stress at all. It's... | 0:18:50 | 0:18:52 | |
I'm so happy. LAUGHTER | 0:18:52 | 0:18:57 | |
It's just lovely to be on the show. | 0:18:58 | 0:19:00 | |
It's like being on the Titanic being on the show. | 0:19:00 | 0:19:02 | |
LAUGHTER, HE BLOWS NOSE LOUDLY | 0:19:02 | 0:19:05 | |
-Such a quality act! -What? | 0:19:05 | 0:19:08 | |
I never knew you had an audience, and I was right. | 0:19:08 | 0:19:11 | |
Now, listen. | 0:19:11 | 0:19:12 | |
Doesn't she take you shopping... You go shopping with her. | 0:19:12 | 0:19:15 | |
Now, come on, don't tell me you get out of that. | 0:19:15 | 0:19:17 | |
Well, that's quite easy shopping. That's very easy to avoid that. | 0:19:17 | 0:19:20 | |
-Yes? -You see, the trouble with women is, economically, | 0:19:20 | 0:19:22 | |
-and I've said this many times and I'll say it again... -Thank goodness. | 0:19:22 | 0:19:25 | |
..they're tremendous economists. | 0:19:25 | 0:19:29 | |
You see, I am very lucky with Tracy. | 0:19:29 | 0:19:30 | |
Not many men in the audience tonight could say the same thing. She saves | 0:19:30 | 0:19:33 | |
me every time she goes shopping... | 0:19:33 | 0:19:35 | |
Like the other week, she went to Harrods and she came back | 0:19:35 | 0:19:39 | |
and she had saved me £80. | 0:19:39 | 0:19:41 | |
That's terrific. | 0:19:43 | 0:19:44 | |
It only cost me 200. But she had saved me 80. | 0:19:44 | 0:19:48 | |
You see, so I'm lucky. | 0:19:48 | 0:19:49 | |
LAUGHTER | 0:19:49 | 0:19:52 | |
Yeah. I'm lucky. | 0:19:52 | 0:19:53 | |
And you believe in letting it all hang out, don't you? | 0:19:53 | 0:19:56 | |
You've always been one of those. I was saying... | 0:19:56 | 0:19:58 | |
Well, no, the police are getting very interested in that. Sorry? | 0:19:58 | 0:20:00 | |
I'm just saying, you are known in the business as the stud, | 0:20:00 | 0:20:03 | |
-apart from anything else and you do... -Really? | 0:20:03 | 0:20:07 | |
You haven't... You haven't restricted your... | 0:20:08 | 0:20:10 | |
LAUGHTER | 0:20:10 | 0:20:12 | |
You haven't restricted... | 0:20:12 | 0:20:14 | |
ROARING LAUGHTER AND APPLAUSE | 0:20:14 | 0:20:19 | |
You haven't... | 0:20:22 | 0:20:24 | |
I mean, you had a small illness there... | 0:20:24 | 0:20:27 | |
LAUGHTER | 0:20:27 | 0:20:29 | |
You had a small illness some time ago. | 0:20:29 | 0:20:31 | |
Now, you must've had the doctor go round and say, | 0:20:31 | 0:20:33 | |
"Now, look, cut down on the...cut down on the fags, | 0:20:33 | 0:20:36 | |
"cut down on the drinking, cut down on the eating." | 0:20:36 | 0:20:39 | |
You mean, you've just taken no notice? | 0:20:39 | 0:20:41 | |
Well, that's not absolutely true. | 0:20:42 | 0:20:44 | |
They all gave me these... Except... | 0:20:44 | 0:20:46 | |
As everybody knows in the audience, if you've had a slight illness, | 0:20:46 | 0:20:50 | |
straightaway there seems to be a power surrounding us, | 0:20:50 | 0:20:55 | |
which suddenly predetermines that you are now suspect for every germ, | 0:20:55 | 0:20:59 | |
microbe that ever coexisted on this planet. | 0:20:59 | 0:21:03 | |
You're going to get it, so first of all, the greybeards come round | 0:21:03 | 0:21:07 | |
and they look at the size of you, the weight. | 0:21:07 | 0:21:09 | |
First of all, they looked at my stomach, | 0:21:09 | 0:21:12 | |
which we all have to do cos that's the way it is. That had to go. | 0:21:12 | 0:21:15 | |
They said, "You'll have to diet." I said, "What colour?" | 0:21:15 | 0:21:17 | |
I did all the gags, it didn't make any difference. | 0:21:17 | 0:21:19 | |
First of all, lose weight. | 0:21:19 | 0:21:22 | |
Don't smoke, don't drink and breathing can be difficult | 0:21:22 | 0:21:26 | |
because there's toxic fumes in the air. | 0:21:26 | 0:21:29 | |
So, what do you do, Terry? | 0:21:29 | 0:21:31 | |
-I don't know. -You come on the show. No! | 0:21:31 | 0:21:33 | |
LAUGHTER | 0:21:33 | 0:21:35 | |
All you can do is do what you think is right. So, I didn't do anything. | 0:21:35 | 0:21:40 | |
I've given up the fags. I smoke cigars now. | 0:21:40 | 0:21:41 | |
Didn't you have some technique with the doctor of the suits? | 0:21:41 | 0:21:45 | |
Oh, yeah. | 0:21:45 | 0:21:46 | |
I put this in the book, and I hope you don't mind me plugging the book. | 0:21:46 | 0:21:50 | |
No. | 0:21:51 | 0:21:53 | |
The idea is, and this is a worthwhile tip... | 0:21:53 | 0:21:56 | |
Appearances matter to everybody. | 0:21:57 | 0:22:00 | |
So you buy a suit that is slightly too small and they go, | 0:22:00 | 0:22:05 | |
"You are a mess. You look like a frankfurter about to burst." Huh. | 0:22:05 | 0:22:10 | |
Now, your other suit that you buy fits, | 0:22:10 | 0:22:13 | |
but it's just a bit too big. | 0:22:13 | 0:22:15 | |
Now, the doctor says, | 0:22:15 | 0:22:18 | |
"You've listened." | 0:22:18 | 0:22:19 | |
LAUGHTER | 0:22:19 | 0:22:22 | |
You've been on the F-plan. You've listened. | 0:22:22 | 0:22:24 | |
You've spent your time in the loo. You've listened. | 0:22:24 | 0:22:27 | |
You've got rid of all that toxic waste. You are now a person. | 0:22:27 | 0:22:29 | |
You're going thin, and to be thin today means to be healthy. | 0:22:29 | 0:22:32 | |
And you feel great because he doesn't know that the suit is a bit bigger. | 0:22:32 | 0:22:35 | |
Now, the third suit has got to be enormous... | 0:22:37 | 0:22:39 | |
LAUGHTER | 0:22:39 | 0:22:40 | |
..and preferably with a hat that is too big. | 0:22:40 | 0:22:44 | |
Now, when you go to see him, he says, "My God, you've gone too far!" | 0:22:44 | 0:22:47 | |
LAUGHTER | 0:22:47 | 0:22:50 | |
"Get some steak and chips down you straight away." | 0:22:50 | 0:22:52 | |
And you are back to square one. LAUGHTER AND APPLAUSE | 0:22:52 | 0:22:56 | |
It's true! | 0:22:56 | 0:22:58 | |
And you... Despite all you say, | 0:23:03 | 0:23:04 | |
you are an old traditionalist at heart, aren't you? | 0:23:04 | 0:23:07 | |
You're going to do panto. Jack And The Beanstalk. | 0:23:07 | 0:23:09 | |
Jack And The Beanstalk at Sunderland, yes. | 0:23:09 | 0:23:11 | |
WILD CHEERS AND APPLAUSE | 0:23:11 | 0:23:14 | |
IN NORTHERN ACCENT: They'll be great. We're great. | 0:23:14 | 0:23:18 | |
Two nice people - Rose Marie and Diamond and Layton, a nice team. | 0:23:18 | 0:23:21 | |
So, it's been a busy year with the book and the... | 0:23:21 | 0:23:23 | |
You're doing it to avoid the in-laws, aren't you? | 0:23:23 | 0:23:25 | |
The panto. | 0:23:25 | 0:23:26 | |
-No, my in-laws are fabulous. -Are they? | 0:23:26 | 0:23:29 | |
Oh, you're joking, yeah. Well, I'm a bit... | 0:23:29 | 0:23:32 | |
Well, you've got a nice show going. I don't know why I should... | 0:23:33 | 0:23:36 | |
LAUGHTER | 0:23:36 | 0:23:38 | |
The wife's mother went to Sydney last week to see her sister | 0:23:38 | 0:23:42 | |
who works over there as a brick layer. | 0:23:42 | 0:23:45 | |
And they apparently went swimming off of Bondi Beach and... | 0:23:45 | 0:23:50 | |
the wife's mother was attacked by a great white shark. | 0:23:50 | 0:23:53 | |
You know, they pulled her out, all night they worked in the hospital, | 0:23:55 | 0:23:58 | |
but it was too late, the shark died. | 0:23:58 | 0:24:01 | |
LAUGHTER | 0:24:01 | 0:24:04 | |
I sort of had a feeling that it would. | 0:24:06 | 0:24:09 | |
Everybody is very pleased that you are so happily remarried | 0:24:09 | 0:24:12 | |
and that Tracy, your wife, is looking after you so well. | 0:24:12 | 0:24:15 | |
-Well, we've still got the wedding present. -Have you? | 0:24:15 | 0:24:17 | |
Yeah, it still ticking away there. TERRY LAUGHS | 0:24:17 | 0:24:20 | |
Ladies and gentlemen, my friend Les Dawson. | 0:24:20 | 0:24:23 | |
APPLAUSE | 0:24:23 | 0:24:26 | |
Four years after that appearance in 1993, | 0:24:30 | 0:24:34 | |
Les died of a sudden heart attack. | 0:24:34 | 0:24:37 | |
He was 62. | 0:24:37 | 0:24:39 | |
Since then, he has been cited as a major influence | 0:24:39 | 0:24:42 | |
and inspiration for many of today's comedians. | 0:24:42 | 0:24:46 | |
So, let's end with one of the routines that made his peers | 0:24:46 | 0:24:50 | |
and the public fall for him so heavily. | 0:24:50 | 0:24:54 | |
It's from a 1976 appearance on Parkinson with Les playing up | 0:24:54 | 0:24:59 | |
whilst playing the piano. | 0:24:59 | 0:25:01 | |
We will start off with Side By Side, so let's hear you sing. You ready? | 0:25:03 | 0:25:06 | |
Raise the roof. It won't take much doing, the guttering's on the inside. | 0:25:06 | 0:25:11 | |
HE PLAYS, AUDIENCE SINGS FEEBLY | 0:25:11 | 0:25:16 | |
Now, wait a minute. LAUGHTER | 0:25:16 | 0:25:19 | |
This sounds like an asthma clinic. | 0:25:19 | 0:25:21 | |
Try it again. You haven't paid. Go on. | 0:25:21 | 0:25:23 | |
HE PLAYS | 0:25:23 | 0:25:26 | |
AUDIENCE SINGS That's it! | 0:25:26 | 0:25:30 | |
HE PLAYS OUT OF TUNE | 0:25:30 | 0:25:34 | |
Oh, come on! Come on! | 0:25:44 | 0:25:47 | |
Try this one. The bells are ringing For Me And My Gal. | 0:25:47 | 0:25:51 | |
HE PLAYS OUT OF TUNE AUDIENCE SINGS ALONG | 0:25:54 | 0:25:56 | |
That's it! | 0:25:56 | 0:25:57 | |
That's the idea. Keep it up. | 0:26:02 | 0:26:05 | |
# For me and my gal... # | 0:26:05 | 0:26:07 | |
HE CONTINUES PLAYING OUT OF TUNE AUDIENCE SINGS ALONG | 0:26:07 | 0:26:12 | |
It just flows. HE PLAYS OUT OF TUNE | 0:26:12 | 0:26:16 | |
# For me and my gal... # | 0:26:28 | 0:26:31 | |
My father always told me, "If you can play the piano, son, | 0:26:34 | 0:26:36 | |
you'll never be short of a bob or two." | 0:26:36 | 0:26:38 | |
Wrong. LAUGHTER | 0:26:38 | 0:26:41 | |
HE CONTINUES TO PLAY OUT OF TUNE | 0:26:45 | 0:26:47 | |
Marvellous! APPLAUSE | 0:26:58 | 0:27:01 | |
His fingers at the keys and the audience in the palm of his hand, | 0:27:12 | 0:27:16 | |
that was a comedy master at work. | 0:27:16 | 0:27:18 | |
No wonder that Les Dawson is known as one of Britain's best-ever, | 0:27:18 | 0:27:22 | |
best-loved funny men. | 0:27:22 | 0:27:24 |