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Summer has come to the mountain. | 0:00:03 | 0:00:06 | |
The midgies are brutal today. | 0:00:10 | 0:00:13 | |
Welcome to Scotland! | 0:00:13 | 0:00:15 | |
THEY LAUGH | 0:00:15 | 0:00:17 | |
Agh! This is beautiful. Agh! | 0:00:17 | 0:00:20 | |
THEY SHRIEK | 0:00:20 | 0:00:22 | |
It's been a long, hard winter. | 0:00:22 | 0:00:25 | |
But the summer season brings thousands of visitors | 0:00:27 | 0:00:29 | |
to Scotland's top outdoor adventure playground. | 0:00:29 | 0:00:32 | |
THEY SCREAM | 0:00:32 | 0:00:35 | |
And for the people of Cairngorm, | 0:00:35 | 0:00:37 | |
that brings new challenges. | 0:00:37 | 0:00:39 | |
We've just discovered a gas leak. | 0:00:41 | 0:00:44 | |
Whoo-hoo-hoo! | 0:00:44 | 0:00:46 | |
Stop. Stop, stop, stop. | 0:00:46 | 0:00:48 | |
In this episode, the fitters bring in the heavy lifters... | 0:00:50 | 0:00:54 | |
I'm standing under here. | 0:00:54 | 0:00:56 | |
HE LAUGHS | 0:00:56 | 0:00:57 | |
..Ruari's up the creek on the way to his wedding... | 0:00:57 | 0:01:00 | |
Right, boys, come on. | 0:01:00 | 0:01:01 | |
..and Spud the piper faces the biggest audience of his life. | 0:01:04 | 0:01:08 | |
Welcome to summer on the mountain. | 0:01:12 | 0:01:14 | |
Whoa! Windy up here. | 0:01:16 | 0:01:18 | |
It's midsummer on Cairngorm. | 0:01:43 | 0:01:45 | |
It's terrible weather. | 0:01:47 | 0:01:50 | |
It's just miserable. It's cold as well. | 0:01:51 | 0:01:53 | |
I mean, it's about two degrees. We've had snow this morning. | 0:01:53 | 0:01:56 | |
This is the end of July. | 0:01:56 | 0:02:00 | |
High on the mountain, Jim Cornfoot and his team are building | 0:02:05 | 0:02:09 | |
new snow fences for the winter season. | 0:02:09 | 0:02:11 | |
But they're in need of some help. | 0:02:11 | 0:02:13 | |
It's not looking good. | 0:02:14 | 0:02:16 | |
It was meant to be clear today. | 0:02:16 | 0:02:18 | |
But with this drizzly rain, it's not looking good now. | 0:02:20 | 0:02:23 | |
The team has ordered up a helicopter to lift tonnes of fencing | 0:02:23 | 0:02:27 | |
and heavy machinery up the mountain. | 0:02:27 | 0:02:29 | |
Have to get Col on the radio | 0:02:30 | 0:02:32 | |
and see how it's looking down there, I think. | 0:02:32 | 0:02:35 | |
Jim, call sign Ops 2, calls Colin Matthew, Ops 1, at base station, | 0:02:35 | 0:02:39 | |
to see if it's any better down below. | 0:02:39 | 0:02:42 | |
Opts 2 for Ops 1. | 0:02:44 | 0:02:45 | |
OVER RADIO: 'Go ahead, Jim.' | 0:02:45 | 0:02:48 | |
Col, how's it looking down there? | 0:02:48 | 0:02:50 | |
Is it clearer to the north, or anything? | 0:02:50 | 0:02:52 | |
Or is it worse than it was before? | 0:02:52 | 0:02:54 | |
'I can't see the north, Jim. | 0:02:56 | 0:02:58 | |
'I can't see the south, west or east. | 0:02:58 | 0:03:01 | |
'We'll sit tight for another hour, anyway, Jim.' | 0:03:03 | 0:03:06 | |
Yeah, understood, Colin. Thanks. | 0:03:07 | 0:03:09 | |
This is the third time this week that Ops 1 has tried | 0:03:10 | 0:03:13 | |
to get the helicopter in, but the weather's been against it. | 0:03:13 | 0:03:17 | |
The plan is to have the helicopter in for a couple of weeks now. | 0:03:17 | 0:03:20 | |
There's about ?100,000 worth of materials, | 0:03:20 | 0:03:24 | |
mainly fencing, some new motors, | 0:03:24 | 0:03:26 | |
a couple of gearboxes going in, and cabling, | 0:03:26 | 0:03:30 | |
so, yeah, busy day. | 0:03:30 | 0:03:32 | |
I just hope the weather breaks. | 0:03:32 | 0:03:34 | |
You can see the mist lifting up the hill now, | 0:03:34 | 0:03:36 | |
so I'm pretty confident we'll get it. | 0:03:36 | 0:03:38 | |
You don't want to mobilise the chopper and it pulls out | 0:03:38 | 0:03:41 | |
and you have to do it twice. | 0:03:41 | 0:03:43 | |
That's a lot of money, so... | 0:03:43 | 0:03:45 | |
And there's no point in worrying about it. | 0:03:45 | 0:03:47 | |
You can't control the weather. | 0:03:47 | 0:03:49 | |
Waiting with Jim at the M2 ski run, | 0:03:50 | 0:03:53 | |
mountain ranger Johnny Porteous is optimistic | 0:03:53 | 0:03:56 | |
about the helicopter's arrival. | 0:03:56 | 0:04:00 | |
If it doesn't, we'll just stand and watch Neil all day | 0:04:00 | 0:04:03 | |
putting posts in. It's quite exciting. | 0:04:03 | 0:04:05 | |
In the valley below, the village of Aviemore, population 2,836, | 0:04:14 | 0:04:20 | |
is bracing itself for an invasion. | 0:04:20 | 0:04:23 | |
It's been chosen by Mumford Sons, one of Britain's biggest bands, | 0:04:30 | 0:04:34 | |
as the only UK venue for their Stopover Festival. | 0:04:34 | 0:04:38 | |
We're expecting up to 20,000 festival-goers over the weekend, | 0:04:40 | 0:04:45 | |
about six times Aviemore's normal size, | 0:04:45 | 0:04:48 | |
and it's got some of the locals pretty excited. | 0:04:48 | 0:04:50 | |
I've got my festival socks on. | 0:04:52 | 0:04:54 | |
They're quite different than my normal socks, | 0:04:54 | 0:04:57 | |
but I feel, you know, the need to wear festival socks. | 0:04:57 | 0:05:01 | |
Spud has been asked to pipe in the festival-goers. | 0:05:01 | 0:05:04 | |
I've just got to grab my jacket and then we're nearly ready. | 0:05:04 | 0:05:09 | |
So, you know what they say, don't you? | 0:05:09 | 0:05:12 | |
What? What do they say? | 0:05:12 | 0:05:14 | |
# We've got the best piper in the world... # | 0:05:14 | 0:05:17 | |
Spud's long-suffering wife Karen has heard it all before. | 0:05:17 | 0:05:20 | |
I think, if you asked the Tartan Army, they might say something else. | 0:05:20 | 0:05:25 | |
# One, two, buckle my shoe | 0:05:25 | 0:05:28 | |
# Three, four, out the door. # | 0:05:28 | 0:05:30 | |
As so often, the weather in the valley is in complete contrast | 0:05:34 | 0:05:38 | |
to that on the mountain. | 0:05:38 | 0:05:39 | |
It's currently 15 degrees - tropical. | 0:05:39 | 0:05:43 | |
Tropical. | 0:05:43 | 0:05:45 | |
It's dry. | 0:05:45 | 0:05:47 | |
Did you hear me? It's dry. | 0:05:47 | 0:05:49 | |
For the businesses of Aviemore, | 0:05:50 | 0:05:52 | |
a festival like this is a huge bonus, | 0:05:52 | 0:05:55 | |
particularly after such a wet summer so far. | 0:05:55 | 0:05:58 | |
I think it'll be great. | 0:05:58 | 0:06:00 | |
Great for the area, good for the village, good for the local hotels. | 0:06:00 | 0:06:03 | |
We've had about a month's rain in the space of a week. | 0:06:03 | 0:06:09 | |
Everything is sodden. Everybody is soaked to the skin. | 0:06:09 | 0:06:13 | |
But, mind you, these mad dafties that are, you know, half my age, | 0:06:13 | 0:06:17 | |
they don't care if it's raining or blinking snowing or what. | 0:06:17 | 0:06:21 | |
They just go in their wellies and have fun. | 0:06:21 | 0:06:24 | |
HE WHISTLES | 0:06:31 | 0:06:33 | |
Here's the next generation of puppy dogs. | 0:06:35 | 0:06:37 | |
Vicious brutes(!) | 0:06:39 | 0:06:41 | |
Frank Law is gamekeeper on the Kinveachy Estate. | 0:06:41 | 0:06:43 | |
He's off to check on their grouse stocks | 0:06:43 | 0:06:46 | |
ahead of this year's glorious 12th, the start of the shooting season. | 0:06:46 | 0:06:50 | |
When the red jackets or the red collars come out, | 0:06:50 | 0:06:52 | |
the dogs know exactly that it's work time, | 0:06:52 | 0:06:55 | |
so they don't mind this at all. | 0:06:55 | 0:06:57 | |
Ready to go? | 0:06:58 | 0:07:00 | |
Hup! Hup! | 0:07:00 | 0:07:02 | |
The 30,000-acre Kinveachy Estate strictly controls | 0:07:04 | 0:07:07 | |
the number of grouse to be shot. | 0:07:07 | 0:07:09 | |
But on larger sporting estates, | 0:07:09 | 0:07:11 | |
a shoot of driven grouse can bring in ?30,000 a day. | 0:07:11 | 0:07:15 | |
In a year when there are good grouse numbers, | 0:07:15 | 0:07:19 | |
and everyone round us is shooting grouse, | 0:07:19 | 0:07:21 | |
then the amount of revenue that's brought in to all the villages, | 0:07:21 | 0:07:25 | |
to all the estates, is really important, but when it's a bad year | 0:07:25 | 0:07:29 | |
for grouse, all the hotels suffer, all the petrol stations suffer, | 0:07:29 | 0:07:32 | |
everywhere, so that's the importance of doing these counts. | 0:07:32 | 0:07:36 | |
Frank has records of grouse numbers on the moor going back to 1983, | 0:07:36 | 0:07:40 | |
so he needs to compare those with the number he counts today. | 0:07:40 | 0:07:44 | |
Well, it was supposed to be the middle of summer up here. | 0:07:45 | 0:07:48 | |
I don't know what the temperature is, but it's very, very cold. | 0:07:48 | 0:07:52 | |
It might only be seven or eight degrees up here. | 0:07:52 | 0:07:54 | |
And it's been like this for the whole of the summer up here. | 0:07:54 | 0:07:57 | |
Hey! | 0:08:00 | 0:08:01 | |
It is not just the grouse Frank needs the good weather for. | 0:08:04 | 0:08:07 | |
His son Ruari is about to get married. | 0:08:07 | 0:08:10 | |
Of course, we're hoping for better than this for Ruari's wedding. | 0:08:10 | 0:08:14 | |
We just need 24 hours of sun for a happy old family occasion, | 0:08:16 | 0:08:20 | |
so we've got our fingers crossed. | 0:08:20 | 0:08:23 | |
Until then, we'll try and keep going | 0:08:23 | 0:08:25 | |
with all our duvets and jackets and stuff on. | 0:08:25 | 0:08:28 | |
Here, here, here. | 0:08:30 | 0:08:31 | |
I just grabbed three packets of it cos I didn't know... | 0:08:36 | 0:08:39 | |
It is Ruari and Adele's wedding. Wey-hey! | 0:08:42 | 0:08:45 | |
Wedding of the year! Pretty excited. | 0:08:45 | 0:08:48 | |
So, we're just doing some final decorations. | 0:08:48 | 0:08:51 | |
Ruari, a ski patroller on the mountain, | 0:08:53 | 0:08:55 | |
is marrying Adele McCaughey, | 0:08:55 | 0:08:57 | |
a local schoolteacher. | 0:08:57 | 0:08:59 | |
Where should we put this? It's our last wee bit to hang up. | 0:08:59 | 0:09:02 | |
So far, they've organised most of the wedding themselves, | 0:09:02 | 0:09:06 | |
and they've called on their pals for the last big job - | 0:09:06 | 0:09:09 | |
decorating the wedding hall. | 0:09:09 | 0:09:10 | |
We're getting there, I think. This is all the wee bits. | 0:09:10 | 0:09:14 | |
So it's, yeah, scary. | 0:09:14 | 0:09:15 | |
But it's just all the wee last bits that we need to do. | 0:09:15 | 0:09:18 | |
I need to double-check my list. | 0:09:18 | 0:09:19 | |
So, this is the room where... we're getting married in here. | 0:09:21 | 0:09:25 | |
Which looks nice. | 0:09:25 | 0:09:27 | |
We've still got to do some wee decorations and stuff in here. | 0:09:27 | 0:09:31 | |
Ruari has got his own idea about what makes the perfect wedding decoration. | 0:09:31 | 0:09:35 | |
The main decoration is already in position there, | 0:09:36 | 0:09:39 | |
which I don't think Adele was too happy about, | 0:09:39 | 0:09:42 | |
but I think it's a work of art in itself. | 0:09:42 | 0:09:45 | |
It's my new spear gun... | 0:09:45 | 0:09:48 | |
Which my brother got me. | 0:09:48 | 0:09:50 | |
His friend built it out in Indonesia. | 0:09:50 | 0:09:53 | |
Double bands for extra power, double barb there, for the pollock, | 0:09:53 | 0:09:57 | |
and also, it's a wee warning for people who step out of line. | 0:09:57 | 0:10:01 | |
They're going to get pronged. | 0:10:01 | 0:10:03 | |
HE LAUGHS | 0:10:03 | 0:10:05 | |
Sadly, that's Ruari's idea of romance! | 0:10:05 | 0:10:07 | |
I don't think that should stay up in the ceremony room, though. | 0:10:09 | 0:10:12 | |
It doesn't say romance, does it? Spearing animals! | 0:10:12 | 0:10:15 | |
To do his grouse count, Frank walks a set number of representative plots. | 0:10:20 | 0:10:26 | |
In any one, he would expect to find | 0:10:26 | 0:10:28 | |
between 12 and 20 pairs of adult grouse. | 0:10:28 | 0:10:31 | |
There's something there, isn't there? | 0:10:31 | 0:10:33 | |
The numbers he finds will determine whether there are enough | 0:10:33 | 0:10:36 | |
both to shoot and to preserve stocks for future years. | 0:10:36 | 0:10:39 | |
It's Sophie's job to find them. | 0:10:39 | 0:10:42 | |
When she finds a scent, | 0:10:42 | 0:10:44 | |
she'll indicate and her tail will be wagging, | 0:10:44 | 0:10:46 | |
but when she actually locks onto the animal or bird, | 0:10:46 | 0:10:49 | |
her tail will go rigid. | 0:10:49 | 0:10:51 | |
So, just now, there's a good scent here. | 0:10:51 | 0:10:53 | |
The adult grouse are territorial and nest in pairs, | 0:10:53 | 0:10:56 | |
well camouflaged in the heather. | 0:10:56 | 0:10:58 | |
She's indicating something, whether it's a grouse or a hare, | 0:10:58 | 0:11:02 | |
but the wind is coming perfectly into her nose here, | 0:11:02 | 0:11:05 | |
so there'll be something sitting out here. | 0:11:05 | 0:11:08 | |
Here! Dizzy. | 0:11:08 | 0:11:10 | |
Stay. Stay. | 0:11:12 | 0:11:14 | |
Good dog. Gone away. Gone away. | 0:11:23 | 0:11:26 | |
That was five old birds sitting together, | 0:11:26 | 0:11:28 | |
but no breeding success for those adults. | 0:11:28 | 0:11:31 | |
OK. | 0:11:33 | 0:11:34 | |
That's fine. Try again. | 0:11:35 | 0:11:37 | |
The grouse need a good supply of insects to raise healthy chicks. | 0:11:40 | 0:11:44 | |
If there's no heat in the ground, no insects. No insects, no chicks. | 0:11:44 | 0:11:49 | |
There they go. It's a barren pair. | 0:11:49 | 0:11:51 | |
And there's... Was that a barren pair too? | 0:11:51 | 0:11:55 | |
I just saw two more going over the ridge. | 0:11:55 | 0:11:57 | |
Stay. | 0:11:57 | 0:11:58 | |
Sophie's the latest in a long line of pointers | 0:11:58 | 0:12:01 | |
that Frank has worked with. | 0:12:01 | 0:12:03 | |
You stay where I tell you. | 0:12:03 | 0:12:04 | |
Dizzy's still learning the ropes. | 0:12:04 | 0:12:07 | |
Sit. Sit. Good dog. | 0:12:07 | 0:12:09 | |
Those are another five old birds. | 0:12:11 | 0:12:13 | |
You could see the feathers coming off them when they took off, | 0:12:13 | 0:12:16 | |
and that means they're moulting, | 0:12:16 | 0:12:18 | |
and they usually moult if they don't rear broods. | 0:12:18 | 0:12:20 | |
Here's a hare here, as well. | 0:12:20 | 0:12:22 | |
In a normal year, Frank would expect to find | 0:12:25 | 0:12:28 | |
between four and six chicks with each breeding pair of grouse. | 0:12:28 | 0:12:31 | |
There's young ones, look. | 0:12:32 | 0:12:34 | |
One, two, three... | 0:12:34 | 0:12:36 | |
And two. OK. | 0:12:36 | 0:12:38 | |
So, after searching for about an hour, | 0:12:38 | 0:12:42 | |
we've finally got three young ones. | 0:12:42 | 0:12:45 | |
You could see the size of them and the colour of them taking off there. | 0:12:45 | 0:12:48 | |
One more. The dog's just found another one there. Going away. | 0:12:48 | 0:12:51 | |
So, we've got four young, but it's not brilliant. | 0:12:51 | 0:12:54 | |
Good dog! | 0:12:56 | 0:12:57 | |
It's been a disappointing morning so far. | 0:12:59 | 0:13:02 | |
At the wedding hall, things aren't quite going to plan either. | 0:13:02 | 0:13:05 | |
You're shoogling it! Right... | 0:13:05 | 0:13:07 | |
Time is pressing, and the festive lights won't stay in place. | 0:13:07 | 0:13:11 | |
No, Nick, don't. | 0:13:11 | 0:13:13 | |
As long as he's doing something, I'm not bothered what he's doing. | 0:13:13 | 0:13:16 | |
As long as he's busy. | 0:13:16 | 0:13:17 | |
She's home for now, but there's noises coming out of it. | 0:13:17 | 0:13:21 | |
This is slowly bending. | 0:13:21 | 0:13:23 | |
Can we get a bit of string on Ruari as well, just in case he falls. | 0:13:25 | 0:13:28 | |
Because we can't afford that, the day before the wedding. | 0:13:28 | 0:13:31 | |
I've had this problem with conger eels before. | 0:13:33 | 0:13:36 | |
Just bend the hook, straighten it out and then they're off. | 0:13:36 | 0:13:39 | |
But we just need to overcome this little problem. | 0:13:39 | 0:13:42 | |
As the spear gun suggests, Ruari is an avid diver. | 0:13:45 | 0:13:49 | |
For the 80 wedding guests, | 0:13:50 | 0:13:52 | |
he's provided hand-picked scallops for starters. | 0:13:52 | 0:13:55 | |
Whoa-ho! | 0:13:55 | 0:13:57 | |
And for the table decorations too. | 0:13:57 | 0:14:00 | |
Here are the shells from the scallops that we'll be eating, | 0:14:00 | 0:14:04 | |
which have worked quite well, and there's also going to be | 0:14:04 | 0:14:07 | |
some scallop shells down either side of the aisle for Adele to walk down. | 0:14:07 | 0:14:12 | |
So, that's really nice. | 0:14:12 | 0:14:14 | |
We're all set. Yeah, it's looking good, isn't it? It looks good. | 0:14:16 | 0:14:19 | |
Will we put the deer's head peeping through the lights? | 0:14:19 | 0:14:22 | |
I think you should leave them where they are. There are two. | 0:14:22 | 0:14:24 | |
But we're going to put the spear gun across the antlers. | 0:14:24 | 0:14:27 | |
No, you're not. | 0:14:27 | 0:14:29 | |
Hmm... And is it going to stay up in the ceremony? Tough crowd. | 0:14:29 | 0:14:32 | |
I don't think it should. OK. We'll see. We'll see. | 0:14:32 | 0:14:35 | |
The lights look good. I might just try and see if they work. | 0:14:35 | 0:14:38 | |
Have these been tested? | 0:14:38 | 0:14:41 | |
LOUD GASP | 0:14:43 | 0:14:45 | |
Finally, Frank and Sophie have something to show | 0:14:52 | 0:14:54 | |
for their day on the moors. | 0:14:54 | 0:14:56 | |
(Sophie. Sophie, Sophie, steady. | 0:14:56 | 0:14:59 | |
(Steady, steady. | 0:14:59 | 0:15:00 | |
(OK.) | 0:15:00 | 0:15:01 | |
You can see there's a tiny little grouse chick here. | 0:15:03 | 0:15:06 | |
It should be twice or three times that size, | 0:15:08 | 0:15:10 | |
and there's too much wind today. | 0:15:10 | 0:15:12 | |
It's sitting very tightly because it's so young, | 0:15:12 | 0:15:15 | |
so we're not even going to count this covey. | 0:15:15 | 0:15:17 | |
We're going to take the dog away here because, | 0:15:17 | 0:15:19 | |
if we disturbed that bird, it's vulnerable now. | 0:15:19 | 0:15:22 | |
On a good year, | 0:15:22 | 0:15:24 | |
Frank would expect to find around 60 chicks on a plot like this. | 0:15:24 | 0:15:28 | |
Today, he's found five. | 0:15:28 | 0:15:30 | |
(Good girl, come on. Come on, Sophie. Sophie, come on.) | 0:15:30 | 0:15:33 | |
For the first time in his 40 years on the moors, | 0:15:33 | 0:15:36 | |
he's going to have to call off the Glorious Twelfth. | 0:15:36 | 0:15:39 | |
Probably, we'll cancel absolutely everything this year. | 0:15:39 | 0:15:43 | |
Which is life. That's the way it goes. | 0:15:43 | 0:15:46 | |
If you live out here, you take what it throws at you, you know? | 0:15:47 | 0:15:51 | |
There you go. | 0:15:51 | 0:15:52 | |
Apart from that, nice day on the mountains now. | 0:15:52 | 0:15:55 | |
Digestive, anyone? | 0:15:57 | 0:15:58 | |
The weather has cleared on the mountains, | 0:16:14 | 0:16:16 | |
but there's still no sign of the helicopter. | 0:16:16 | 0:16:19 | |
Jim and Johnny are still waiting for their fence posts. | 0:16:21 | 0:16:24 | |
Ruari would have been leading the fencing detail if it weren't for | 0:16:28 | 0:16:31 | |
the wedding, but he's left a page or two of instructions for his team. | 0:16:31 | 0:16:35 | |
It's a fair essay that has been written here. | 0:16:37 | 0:16:40 | |
I think he actually just gave us his wedding speech | 0:16:40 | 0:16:43 | |
from what I can make out of it! | 0:16:43 | 0:16:45 | |
It starts off... What does it start off with? | 0:16:45 | 0:16:48 | |
On behalf of my wife and I! Wey-hey! | 0:16:48 | 0:16:52 | |
If we'd delayed it till Saturday, we had could have given him a trip | 0:16:52 | 0:16:55 | |
in a helicopter to the church. Could have hooked him up. | 0:16:55 | 0:16:58 | |
Hooked him up by his sporran! | 0:16:58 | 0:17:01 | |
And flown him to the church! | 0:17:01 | 0:17:03 | |
The day is slipping away. | 0:17:05 | 0:17:06 | |
Concerned that they'll run out of daylight flying time, | 0:17:06 | 0:17:10 | |
Colin makes the call. | 0:17:10 | 0:17:11 | |
Well, at long last. It's 1.30 but it's looking pretty clear... | 0:17:13 | 0:17:16 | |
The valley towards Inverness and the top station is clear. | 0:17:18 | 0:17:21 | |
All the drop sites are clear, so we'll give it a go. | 0:17:21 | 0:17:25 | |
There he is. Yes! | 0:17:27 | 0:17:29 | |
I know my lesser-spotted helicopters when I hear them. | 0:17:31 | 0:17:35 | |
The first of the huge motors, weighing in at 800 kilos, | 0:17:53 | 0:17:56 | |
is picked up from base station. | 0:17:56 | 0:17:58 | |
Its destination is the West Wall Poma. | 0:18:03 | 0:18:06 | |
It's dropped with inch-perfect precision. | 0:18:11 | 0:18:13 | |
And that's him. Back to the car park for the next one. | 0:18:18 | 0:18:21 | |
It's cool to think how much effort it would take to do that by hand. | 0:18:23 | 0:18:28 | |
Then it's the turn of the cabling. | 0:18:30 | 0:18:32 | |
Here's your cable. You can land it. | 0:18:40 | 0:18:43 | |
All Johnny can do is stand and watch in admiration. | 0:19:03 | 0:19:06 | |
We should just have a helicopter on site all year, | 0:19:06 | 0:19:09 | |
just for moving stuff round the hill, | 0:19:09 | 0:19:12 | |
like lunchboxes and flasks. | 0:19:12 | 0:19:15 | |
The helicopter can lift up to 950 kilos at a time. | 0:19:18 | 0:19:22 | |
I'm standing under here! | 0:19:22 | 0:19:24 | |
Ops 1 had originally planned that the helicopter would make | 0:19:57 | 0:20:00 | |
25 individual drops, but it's clear they're going to have to do more. | 0:20:00 | 0:20:05 | |
And they're running out of flying time. | 0:20:05 | 0:20:07 | |
It's going to take a bit longer than we thought. | 0:20:07 | 0:20:10 | |
We thought it could lift two bundles of posts, but it can't. | 0:20:10 | 0:20:13 | |
It's too heavy. | 0:20:13 | 0:20:15 | |
So we need a few more or lifts than what we anticipated. | 0:20:15 | 0:20:21 | |
The first load of fencing is on its way, | 0:20:21 | 0:20:23 | |
but yet again, Jim and Johnny are going to have to wait their turn. | 0:20:23 | 0:20:28 | |
OVER RADIO: 'OK, next, we'll start on the fencing. | 0:20:28 | 0:20:31 | |
'The West Wall area.' | 0:20:32 | 0:20:34 | |
What?! | 0:20:35 | 0:20:37 | |
'Yeah, understood.' | 0:20:37 | 0:20:39 | |
The news doesn't go down well. | 0:20:41 | 0:20:43 | |
It's tough. | 0:20:44 | 0:20:46 | |
And there were only six drops here. | 0:20:46 | 0:20:48 | |
Six rails... Six drops of posts and... | 0:20:48 | 0:20:52 | |
Where has Ruari Law's wedding speech gone?! | 0:20:54 | 0:20:57 | |
We're working to midnight here, Johnny. Aye! | 0:20:58 | 0:21:01 | |
Oh, you look stunning, absolutely stunning. Thank you. | 0:21:07 | 0:21:10 | |
It's time for the bride-to-be to head to the church. | 0:21:10 | 0:21:14 | |
I made it. First success of the day, getting down the stairs! | 0:21:14 | 0:21:17 | |
Wait till Ruari sees you, Adele. | 0:21:17 | 0:21:19 | |
I know. He'd better cry. | 0:21:19 | 0:21:22 | |
# Don't rock the boat, dear | 0:21:23 | 0:21:25 | |
# Keep our love afloat, dear... # | 0:21:25 | 0:21:27 | |
The groom has chosen a rather different route. | 0:21:27 | 0:21:30 | |
Whether he gets to the church on time is slightly dependent on the rapids. | 0:21:30 | 0:21:34 | |
We're going backwards down the rapids, and there's not many rapids, | 0:21:36 | 0:21:39 | |
so we've decided to go the back route. But it's all right. | 0:21:39 | 0:21:42 | |
I mean, we've got 20 minutes to dry off if we do go in the water, | 0:21:42 | 0:21:46 | |
so that'll be more than enough. | 0:21:46 | 0:21:48 | |
Perhaps more conventional transport would have been a wiser idea. | 0:21:48 | 0:21:52 | |
I'm excited. Have I said that if I could pick someone to marry you, | 0:21:54 | 0:21:57 | |
it would have been Ruari? It really would have been. | 0:21:57 | 0:22:00 | |
If you would look at each other... | 0:22:00 | 0:22:02 | |
A proud moment for Dad. | 0:22:02 | 0:22:03 | |
Do we look the most handsome couple you've ever seen? | 0:22:03 | 0:22:07 | |
Right, boys, come on. | 0:22:08 | 0:22:10 | |
We're at the most treacherous part of the river, | 0:22:10 | 0:22:13 | |
and I've got confidence in my men. | 0:22:13 | 0:22:15 | |
INDISTINCT | 0:22:18 | 0:22:20 | |
You are joking me. | 0:22:27 | 0:22:29 | |
Ruari's nervousness is fully justified. | 0:22:29 | 0:22:32 | |
The rapids prove a bit more hazardous than anticipated. | 0:22:33 | 0:22:37 | |
Now, straighten up, boys. We're not out of it yet. | 0:22:39 | 0:22:42 | |
Stranded in the middle of the River Spey, | 0:22:44 | 0:22:47 | |
the church is still a long way off, | 0:22:47 | 0:22:50 | |
and Ruari's marriage is on the rocks. | 0:22:50 | 0:22:53 | |
Adele is blissfully unaware... | 0:22:53 | 0:22:56 | |
On the river, calm waters are restored. | 0:23:01 | 0:23:04 | |
Well done, men. We did it. We're all still alive. | 0:23:04 | 0:23:08 | |
Ruari's off the rocks. | 0:23:10 | 0:23:12 | |
The wedding is back on schedule. | 0:23:12 | 0:23:13 | |
Now all that's left is keeping the feet dry as they land. | 0:23:13 | 0:23:17 | |
THEY LAUGH | 0:23:17 | 0:23:19 | |
We're not in till we're all in. | 0:23:19 | 0:23:22 | |
THEY CHEER | 0:23:24 | 0:23:27 | |
Oh, no! | 0:23:31 | 0:23:33 | |
The weather is not being kind to the wedding outfits. | 0:23:34 | 0:23:38 | |
Those wellies may still be needed. | 0:23:41 | 0:23:44 | |
At the Stopover Festival, Spud the piper is getting the VIP treatment. | 0:23:54 | 0:23:58 | |
Crew. | 0:24:02 | 0:24:03 | |
Crew! | 0:24:03 | 0:24:05 | |
Mumford Sons' crew. | 0:24:05 | 0:24:07 | |
18,000 fans are descending on a muddy field in Aviemore. | 0:24:11 | 0:24:15 | |
SHE SHRIEKS | 0:24:15 | 0:24:17 | |
Spud is on hand to lead them in. | 0:24:17 | 0:24:19 | |
Hat, keys, boot... | 0:24:19 | 0:24:22 | |
Ready. Let's do it. | 0:24:27 | 0:24:29 | |
CHEERING AND APPLAUSE | 0:24:34 | 0:24:37 | |
HE PLAYS | 0:24:40 | 0:24:42 | |
SPUD CONTINUES TO PLAY | 0:25:13 | 0:25:15 | |
Not everybody is off to enjoy the festival. | 0:25:23 | 0:25:26 | |
We've been here all day. | 0:25:26 | 0:25:27 | |
We might be here all night. | 0:25:27 | 0:25:29 | |
So I'm creating some shelter. | 0:25:30 | 0:25:32 | |
I'm going to set up a snare, catch some mountain hares. | 0:25:32 | 0:25:36 | |
Oh, for goodness' sake. | 0:25:36 | 0:25:39 | |
BAND PLAYS | 0:25:44 | 0:25:47 | |
Having finished his end of the helicopter drop, | 0:25:54 | 0:25:57 | |
Ops 1 wastes no time in getting into the festival mood. | 0:25:57 | 0:26:00 | |
What a day. It's cold, warm, wet, windy, warm, wet, cold, windy. | 0:26:00 | 0:26:06 | |
People you're speaking to are just getting such a buzz | 0:26:06 | 0:26:09 | |
thinking how beautiful this areas is for a concert, or a festival. | 0:26:09 | 0:26:13 | |
The sun's out. It's great. | 0:26:13 | 0:26:15 | |
Help! | 0:26:22 | 0:26:23 | |
Help me. | 0:26:23 | 0:26:24 | |
# We've got the best piper in the world... # | 0:26:25 | 0:26:28 | |
Spud's still blowing strong. | 0:26:28 | 0:26:30 | |
# ..We've got the best piper in the world | 0:26:30 | 0:26:33 | |
# We've got the best piper in the world | 0:26:33 | 0:26:41 | |
# We've got the best piper in the world | 0:26:41 | 0:26:46 | |
# We've got the best piper in the world! # | 0:26:46 | 0:26:49 | |
CROWDS CHEER SPUD'S PLAYING | 0:26:49 | 0:26:50 | |
That's it. | 0:26:50 | 0:26:52 | |
Cheers, guys. Thanks very much. | 0:26:53 | 0:26:55 | |
CHEERING | 0:26:55 | 0:26:57 | |
CROWD: Spud! Spud! Spud! | 0:26:57 | 0:27:01 | |
Finally, the helicopter flies in to deliver the fence posts | 0:27:06 | 0:27:09 | |
to Jim and Johnny. | 0:27:09 | 0:27:11 | |
In the end, it took 55 drops, not 25, | 0:27:24 | 0:27:28 | |
but in half a day, it did what would have taken weeks of hard labour. | 0:27:28 | 0:27:32 | |
The preparations for the winter season are on target. | 0:27:35 | 0:27:38 | |
In the valley, the rain has stopped. | 0:27:41 | 0:27:43 | |
The wedding is over, and Ruari and Adele head off on honeymoon. | 0:27:43 | 0:27:46 | |
# I wanna be with you all the time | 0:27:47 | 0:27:50 | |
# Because you're gonna be my girl... # | 0:27:50 | 0:27:54 | |
Next time on The Mountain, | 0:28:01 | 0:28:03 | |
Mike's given a run for his money by his son... | 0:28:03 | 0:28:07 | |
At least I'm keeping on him here and maybe make him safe. | 0:28:07 | 0:28:10 | |
..Connor's left in charge of the zip line... | 0:28:11 | 0:28:13 | |
It's braking him... | 0:28:13 | 0:28:15 | |
What happens if you're not here? | 0:28:15 | 0:28:17 | |
He'll hit the tree. | 0:28:17 | 0:28:19 | |
HORN BLOWS | 0:28:19 | 0:28:21 | |
And a strange herd of wild animals descends on Aviemore. | 0:28:21 | 0:28:24 |