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As night creeps across the planet | 0:00:04 | 0:00:08 | |
and our familiar, daytime world is plunged into darkness, | 0:00:08 | 0:00:12 | |
strange creatures are beginning to stir. | 0:00:12 | 0:00:16 | |
This is when most animals are active. | 0:00:20 | 0:00:23 | |
But the drama of their nocturnal lives is hidden from our eyes. | 0:00:23 | 0:00:29 | |
These are specialised beasts... | 0:00:31 | 0:00:32 | |
all adapted for the dark. | 0:00:34 | 0:00:38 | |
It's is a world we know almost nothing about. | 0:00:45 | 0:00:47 | |
Now a team armed with specialist cameras | 0:00:53 | 0:00:55 | |
is travelling to the remotest corners | 0:00:55 | 0:00:58 | |
of Central and South America. | 0:00:58 | 0:01:00 | |
Unbelievable. | 0:01:00 | 0:01:01 | |
To uncover the secret lives of animals after dark. | 0:01:01 | 0:01:07 | |
(Oh, wow.) | 0:01:07 | 0:01:09 | |
Look at that. | 0:01:10 | 0:01:13 | |
It is a journey into the unknown. | 0:01:13 | 0:01:16 | |
This one will kill you. | 0:01:17 | 0:01:19 | |
-Holy -BLEEP. -What is that? | 0:01:19 | 0:01:22 | |
I shouldn't really be out here alone. | 0:01:22 | 0:01:24 | |
South and Central America | 0:01:34 | 0:01:36 | |
has some of the richest habitats on Earth. | 0:01:36 | 0:01:39 | |
From tropical jungles in the north to frozen mountains in the south. | 0:01:39 | 0:01:45 | |
Over six months, a team of biologists and filmmakers | 0:01:48 | 0:01:52 | |
will find and film nocturnal creatures here. | 0:01:52 | 0:01:55 | |
Why do so many animals come out at night? | 0:01:58 | 0:02:01 | |
How can they operate in total darkness? | 0:02:03 | 0:02:05 | |
The expedition will survey the continent from top to bottom. | 0:02:07 | 0:02:12 | |
But their journey starts here, in Central America. | 0:02:13 | 0:02:16 | |
Dr George McGavin is heading up the team. | 0:02:21 | 0:02:24 | |
I would imagine very few people have been out after dark | 0:02:27 | 0:02:30 | |
in this part of the world. | 0:02:30 | 0:02:32 | |
So I'm not entirely sure what I'll find there. | 0:02:32 | 0:02:34 | |
They've packed over a ton of specialist equipment | 0:02:38 | 0:02:42 | |
for filming at night. | 0:02:42 | 0:02:43 | |
Well, that is not quite all of it, actually. | 0:02:47 | 0:02:49 | |
There's a little bit more to come. | 0:02:49 | 0:02:51 | |
It's unbelievable how much stuff there is. | 0:02:51 | 0:02:54 | |
But everything will be used, every bit of it will be used. | 0:02:54 | 0:02:56 | |
George is a former Oxford University biologist | 0:02:56 | 0:03:00 | |
and world-renowned insect expert. | 0:03:00 | 0:03:02 | |
He will investigate how miniature predators hunt at night. | 0:03:02 | 0:03:06 | |
What I'm particularly interested in is specialist hunters | 0:03:06 | 0:03:09 | |
who are active after dark, | 0:03:09 | 0:03:11 | |
who have an amazing range of techniques to catch their prey. | 0:03:11 | 0:03:16 | |
Bryson Voirin is an expert in larger nocturnal creatures. | 0:03:16 | 0:03:20 | |
He will discover how they function in the pitch black. | 0:03:20 | 0:03:23 | |
Central America is full of big animals and I'm here to see | 0:03:23 | 0:03:26 | |
which of them are out at night-time and to see what they're up to. | 0:03:26 | 0:03:29 | |
The jungle here is teeming with animals, most of them nocturnal. | 0:03:31 | 0:03:36 | |
The team will track them down | 0:03:38 | 0:03:40 | |
to reveal the secrets of survival in the dark. | 0:03:40 | 0:03:44 | |
Base camp is a remote research station | 0:03:46 | 0:03:49 | |
in the heart of the rainforest. | 0:03:49 | 0:03:51 | |
-Hammock or tent, Bryson? -Ooh, I might take a hammock. -Really? | 0:03:52 | 0:03:55 | |
How about you? Yeah, above the ground is better for me. | 0:03:55 | 0:03:58 | |
-I can't, can't sleep in those things. -Really? -Yeah. | 0:03:58 | 0:04:01 | |
To work at night the whole team will have to turn their body clocks | 0:04:03 | 0:04:06 | |
upside down and sleep during the heat of the day. | 0:04:06 | 0:04:09 | |
I'm a little bit concerned because it's so hot right now, | 0:04:12 | 0:04:14 | |
I don't know how I could ever fall asleep being covered in sweat. | 0:04:14 | 0:04:17 | |
I've already drunk two litres of water in just the past 20 minutes. | 0:04:17 | 0:04:21 | |
So it's going to be challenge trying to get enough sleep. | 0:04:21 | 0:04:24 | |
Before the first nightfall, | 0:04:24 | 0:04:26 | |
the main expedition tries to rest or prepare equipment. | 0:04:26 | 0:04:30 | |
Another member of the team has headed north to stake out | 0:04:31 | 0:04:34 | |
a remote stretch of coastline. | 0:04:34 | 0:04:36 | |
Justine Evans is the world's leading night-time camera specialist. | 0:04:40 | 0:04:44 | |
She's here to investigate sightings of jaguars. | 0:04:44 | 0:04:48 | |
Park rangers have captured images of a jaguar from remote cameras | 0:04:54 | 0:04:58 | |
near the beach and have seen their tracks in the sand. | 0:04:58 | 0:05:01 | |
These elusive big cats are active under the cover of darkness, | 0:05:05 | 0:05:10 | |
when their keen senses give them the edge over their prey. | 0:05:10 | 0:05:14 | |
Jaguars hardly ever leave the thick jungle. | 0:05:19 | 0:05:22 | |
This is a rare opportunity to observe their natural behaviour | 0:05:22 | 0:05:26 | |
and discover why they visit this beach at night. | 0:05:26 | 0:05:29 | |
Justine has built a hide four metres high. | 0:05:33 | 0:05:36 | |
It'll keep her hidden and her scent off the ground. | 0:05:36 | 0:05:40 | |
I don't want to get my hopes up too much | 0:05:42 | 0:05:44 | |
cos we might spend two weeks getting nothing, | 0:05:44 | 0:05:46 | |
but I'm excited about the idea of actually seeing one standing there. | 0:05:46 | 0:05:50 | |
That would just, that would be a real dream. | 0:05:50 | 0:05:55 | |
For now, Justine must settle in and wait. | 0:05:57 | 0:06:01 | |
As daylight fades over the jungle, | 0:06:07 | 0:06:09 | |
the rest of the team head out for their first night of exploration. | 0:06:09 | 0:06:14 | |
There's something up there. | 0:06:17 | 0:06:19 | |
Oh, spider monkeys. Yeah, spider monkeys just up on top there. | 0:06:21 | 0:06:24 | |
They're just using the last half hour of sunlight | 0:06:24 | 0:06:31 | |
just to get extra food. | 0:06:31 | 0:06:32 | |
And then that'll be it and the evening shift takes over. | 0:06:32 | 0:06:36 | |
We're trying to unlock the secrets of the night | 0:06:41 | 0:06:45 | |
and find out what things really do | 0:06:45 | 0:06:47 | |
at the time when we are never up, we're usually asleep. | 0:06:47 | 0:06:51 | |
The team will use two specialist night vision technologies. | 0:06:58 | 0:07:01 | |
Thermal imaging cameras detect heat, | 0:07:06 | 0:07:09 | |
making warm-blooded animals easy to spot in the darkness. | 0:07:09 | 0:07:13 | |
And infrared cameras record a spectrum of light | 0:07:17 | 0:07:20 | |
invisible to animal eyes. | 0:07:20 | 0:07:23 | |
The team will be able to follow nocturnal creatures | 0:07:26 | 0:07:29 | |
without disturbing them. | 0:07:29 | 0:07:31 | |
And see how they survive in a world | 0:07:33 | 0:07:35 | |
where, without technology, humans are helpless. | 0:07:35 | 0:07:39 | |
Close to base camp, Bryson and a local boatman are preparing | 0:07:45 | 0:07:49 | |
to head up a forest river. | 0:07:49 | 0:07:50 | |
My boat is about as unstable as they get. | 0:07:52 | 0:07:54 | |
It's basically a canoe packed full of all my equipment | 0:07:54 | 0:07:57 | |
with an engine on the back. | 0:07:57 | 0:07:58 | |
So if the slightest thing bumps into us or there's too many waves, | 0:07:58 | 0:08:02 | |
it'll tip right over, I'll go in the water. | 0:08:02 | 0:08:03 | |
Bryson is searching for large, nocturnal animals. | 0:08:07 | 0:08:10 | |
Using the river, he can cover more ground | 0:08:15 | 0:08:16 | |
and explore deep into heart of the forest. | 0:08:16 | 0:08:19 | |
Scanning the banks with a portable thermal imaging camera, | 0:08:27 | 0:08:30 | |
he soon picks up a massive heat source. | 0:08:30 | 0:08:33 | |
(Oh, it's back there.) | 0:08:41 | 0:08:43 | |
(What is that?) | 0:08:48 | 0:08:49 | |
I can just make out its mouth. | 0:08:50 | 0:08:53 | |
And I think it's a tapir. It has a long nose. | 0:08:54 | 0:08:58 | |
Tapirs look sort of like a funny-looking elephant. | 0:08:58 | 0:09:00 | |
See if I can get closer. | 0:09:00 | 0:09:02 | |
Tapirs are the largest forest animal in Central America. | 0:09:12 | 0:09:16 | |
They're not strictly nocturnal, | 0:09:16 | 0:09:18 | |
but they prefer to forage for food in the dark, when it's cooler. | 0:09:18 | 0:09:21 | |
Tapirs are actually really well-suited for night-time activity. | 0:09:24 | 0:09:27 | |
They don't see very well at night-time, | 0:09:27 | 0:09:29 | |
but they hear really well. | 0:09:29 | 0:09:31 | |
They've got these big, goofy ears that can move around, | 0:09:31 | 0:09:33 | |
that can hear really well. | 0:09:33 | 0:09:35 | |
Their hearing helps detect predators. | 0:09:37 | 0:09:40 | |
And their acute sense of smell helps them identify 100 types of plant. | 0:09:42 | 0:09:47 | |
Now, the reason they eat so many different types of plants is | 0:09:51 | 0:09:54 | |
because a lot of the leaves in the rainforest are actually toxic | 0:09:54 | 0:09:57 | |
and so, in order to have a balanced diet, | 0:09:57 | 0:10:00 | |
they eat a bunch of different things, | 0:10:00 | 0:10:02 | |
so they don't get too much of one toxin and they can process it. | 0:10:02 | 0:10:06 | |
Because of their size, tapirs have few natural predators, | 0:10:08 | 0:10:12 | |
but humans hunt them for their meat. | 0:10:12 | 0:10:14 | |
They're very, very shy usually. | 0:10:15 | 0:10:18 | |
There must be absolutely no poaching in this forest | 0:10:18 | 0:10:21 | |
cos he's not afraid of me at all. | 0:10:21 | 0:10:24 | |
Oh, my God. | 0:10:30 | 0:10:32 | |
This thing is walking right towards me. | 0:10:33 | 0:10:36 | |
I've never been as close to such a big animal. | 0:10:38 | 0:10:41 | |
Woah. | 0:10:43 | 0:10:44 | |
Oh, my God, my heart is beating so fast. | 0:10:46 | 0:10:48 | |
I've worked in Central America for over ten years. | 0:10:48 | 0:10:51 | |
I've never seen a tapir, I've always wanted to. | 0:10:51 | 0:10:54 | |
It's incredible. | 0:10:55 | 0:10:57 | |
Bryson is blind without his camera. | 0:10:57 | 0:11:00 | |
But the tapir is completely at home in the dark. | 0:11:00 | 0:11:02 | |
When sight fails, other senses compensate. | 0:11:03 | 0:11:05 | |
Back near base camp, George is looking for miniature predators | 0:11:13 | 0:11:17 | |
that have evolved to hunt in the dark. | 0:11:17 | 0:11:19 | |
Spiders. | 0:11:23 | 0:11:25 | |
Just every inch of this forest is covered in spider web. | 0:11:31 | 0:11:35 | |
If you took all the spider thread in this forest alone, | 0:11:35 | 0:11:38 | |
it would wrap the Earth up, probably, about five times. | 0:11:38 | 0:11:41 | |
It's just... There's so much of it. | 0:11:41 | 0:11:43 | |
Spinning a web leaves spiders exposed | 0:11:46 | 0:11:49 | |
to larger night-time predators. | 0:11:49 | 0:11:51 | |
So some have evolved to remain hidden and still catch prey. | 0:11:54 | 0:11:58 | |
Now, ideal habitat here | 0:12:01 | 0:12:04 | |
for a rather specialised nocturnal hunter. | 0:12:04 | 0:12:10 | |
Trouble is, they're very hard to see. | 0:12:10 | 0:12:14 | |
Ooh, there's a whip spider in fact, look at that. | 0:12:14 | 0:12:16 | |
That's not what I'm after. | 0:12:16 | 0:12:18 | |
That is a nocturnal hunter, but the one I'm after is rather sneaky. | 0:12:18 | 0:12:25 | |
George is searching for the ultimate ambush hunter. | 0:12:27 | 0:12:31 | |
Right, here's one. Right. | 0:12:36 | 0:12:39 | |
Now, that is a trapdoor spider. | 0:12:41 | 0:12:44 | |
Now, these spiders are amazing. | 0:12:44 | 0:12:48 | |
They live permanently inside a silk-lined tube. | 0:12:48 | 0:12:51 | |
And they just make a little lid out of debris and soil and silk. | 0:12:51 | 0:12:56 | |
And it fits absolutely perfectly onto that hole. | 0:12:56 | 0:12:59 | |
Hidden behind the trap door, | 0:13:02 | 0:13:04 | |
the spider detects its prey through ultra sensitive hairs on its legs. | 0:13:04 | 0:13:08 | |
When it feels vibration, | 0:13:09 | 0:13:11 | |
it springs the trap. | 0:13:11 | 0:13:14 | |
So if I get a stick and I just lever it up, | 0:13:14 | 0:13:18 | |
you can see, yeah, in there. Can you see it? | 0:13:18 | 0:13:22 | |
Now, he's in there, OK? | 0:13:22 | 0:13:24 | |
So he's going to wait until an insect crawls past. | 0:13:24 | 0:13:29 | |
All we've got to now is to sit here and wait. | 0:13:29 | 0:13:33 | |
These spiders remain safely hidden day and night. | 0:13:35 | 0:13:39 | |
They only risk emerging for a split second | 0:13:39 | 0:13:41 | |
under the cover of darkness | 0:13:41 | 0:13:44 | |
to snatch their victim. | 0:13:44 | 0:13:45 | |
Oh, here's a cricket, look, look. A tree cricket, a very small one. | 0:13:48 | 0:13:52 | |
It's just beneath the lip. | 0:13:52 | 0:13:54 | |
It's preening now. | 0:13:59 | 0:14:00 | |
It's just millimetres from the edge of the lid and it's stopped | 0:14:00 | 0:14:06 | |
and it's preening its antennae and leg. | 0:14:06 | 0:14:08 | |
Now, the lid's moved, just a fraction, | 0:14:17 | 0:14:21 | |
so the spider is aware it's there. | 0:14:21 | 0:14:23 | |
(Oh, it's close.) | 0:14:29 | 0:14:30 | |
Yes! Got it. Look at that. | 0:14:32 | 0:14:34 | |
Didn't you see that? | 0:14:34 | 0:14:36 | |
That was so quick. | 0:14:36 | 0:14:38 | |
This is just one of the ingenious hunting strategies | 0:14:38 | 0:14:42 | |
spiders have evolved. | 0:14:42 | 0:14:43 | |
George heads deeper into the forest in search of more. | 0:14:44 | 0:14:48 | |
On the coast, Justine has found no sign of jaguars. | 0:14:53 | 0:14:57 | |
But her cameras have detected another animal | 0:15:00 | 0:15:03 | |
using the cover of darkness to slip onto the beach. | 0:15:03 | 0:15:05 | |
Wow. | 0:15:11 | 0:15:13 | |
That's an amazing sight. | 0:15:13 | 0:15:14 | |
There's a turtle coming out of the sea. | 0:15:16 | 0:15:19 | |
This is peak nesting season now, | 0:15:19 | 0:15:21 | |
for the next three months. | 0:15:21 | 0:15:23 | |
Female green turtles time their beach landings | 0:15:27 | 0:15:30 | |
for the darkest nights. | 0:15:30 | 0:15:32 | |
They lay up to 200 eggs in the sand. | 0:15:36 | 0:15:38 | |
Hidden by the night, the eggs are safe | 0:15:42 | 0:15:45 | |
from daytime predators, like the black vulture. | 0:15:45 | 0:15:48 | |
They will incubate in the warm sand for two months. | 0:15:52 | 0:15:54 | |
Eggs laid by earlier females are already hatching. | 0:15:55 | 0:15:59 | |
(Oh, some freshly hatched turtles.) | 0:16:02 | 0:16:05 | |
(Just see these little, white creatures all just bubbling away.) | 0:16:05 | 0:16:10 | |
It's close to dawn. | 0:16:10 | 0:16:12 | |
Vultures are leaving their roosts and coming onto the beach. | 0:16:12 | 0:16:15 | |
Turtles hatch in the dark to avoid predators. | 0:16:16 | 0:16:20 | |
This group is cutting it fine. | 0:16:20 | 0:16:22 | |
The vultures are out and they're passing in front of them, | 0:16:26 | 0:16:29 | |
but it's dark, the vultures haven't noticed them, | 0:16:29 | 0:16:32 | |
so it does clearly show the advantage of emerging at night | 0:16:32 | 0:16:35 | |
versus during the day. | 0:16:35 | 0:16:37 | |
If they were doing this in daylight, they'd be mincemeat. | 0:16:39 | 0:16:42 | |
Those vultures would be on to them like a shot. | 0:16:42 | 0:16:44 | |
Fortunately for the turtles, very few birds have good night vision. | 0:16:46 | 0:16:51 | |
(I have a lot of respect for these little guys.) | 0:16:56 | 0:16:59 | |
(I think they might make it to the sea.) | 0:17:00 | 0:17:02 | |
The dawn chorus marks the start of the day shift. | 0:17:10 | 0:17:13 | |
Animals that have been active all night find a safe place to rest. | 0:17:19 | 0:17:23 | |
Most mammals, reptiles and birds have to sleep. | 0:17:25 | 0:17:27 | |
Some scientists think it is vital to regenerate muscle | 0:17:28 | 0:17:32 | |
and tissue in the body and chemicals in the brain. | 0:17:32 | 0:17:34 | |
Humans can go longer without food than they can without sleep. | 0:17:36 | 0:17:40 | |
Upriver, Bryson is burning the candle at both ends. | 0:17:43 | 0:17:47 | |
He's setting up motion sensitive cameras. | 0:17:47 | 0:17:50 | |
I've only got one set of eyes, | 0:17:52 | 0:17:53 | |
but with these I can have hundreds of eyes, all over the forest. | 0:17:53 | 0:17:56 | |
The camera traps will reveal | 0:17:56 | 0:17:58 | |
what other large animals live in this forest | 0:17:58 | 0:18:01 | |
and how they behave at night. | 0:18:01 | 0:18:02 | |
After failing to see a jaguar last night, | 0:18:08 | 0:18:10 | |
Justine's searching a few miles further down the beach | 0:18:10 | 0:18:13 | |
for any signs they might have left. | 0:18:13 | 0:18:15 | |
Look at this. | 0:18:21 | 0:18:23 | |
This is what I've been looking for. | 0:18:23 | 0:18:26 | |
This is jaguar tracks, definitely. | 0:18:26 | 0:18:28 | |
Look at the size of them. | 0:18:28 | 0:18:30 | |
Big tracks, bigger than my hand. | 0:18:30 | 0:18:32 | |
Heading straight south, down the middle of the beach. | 0:18:32 | 0:18:35 | |
This is a mature individual and it's definitely jaguar. | 0:18:35 | 0:18:39 | |
Without this evidence, | 0:18:39 | 0:18:40 | |
I didn't know for sure that jaguar were on the beach, but now I know. | 0:18:40 | 0:18:43 | |
100 metres on, Justine makes a gruesome discovery. | 0:18:49 | 0:18:53 | |
Wow. | 0:18:53 | 0:18:55 | |
A half-eaten turtle. | 0:18:55 | 0:18:57 | |
It's all been spread by vultures, most likely, all these bits. | 0:18:57 | 0:19:02 | |
But what killed it is another thing altogether. | 0:19:02 | 0:19:05 | |
Something's gone through that shell | 0:19:05 | 0:19:07 | |
and that's something really significant, | 0:19:07 | 0:19:10 | |
something like a big cat that can bite through. | 0:19:10 | 0:19:13 | |
And the head has been virtually severed. | 0:19:13 | 0:19:16 | |
And again, I mean, that takes a lot of effort. | 0:19:16 | 0:19:19 | |
That's not just a bird pecking away or a crab nibbling, | 0:19:19 | 0:19:22 | |
this is something big. | 0:19:22 | 0:19:25 | |
So, I mean, we might have our first jaguar kill here. | 0:19:25 | 0:19:28 | |
Poor girl, though. | 0:19:29 | 0:19:30 | |
The carcass is proof that jaguars are visiting this beach at night | 0:19:34 | 0:19:37 | |
to hunt nesting turtles. | 0:19:37 | 0:19:38 | |
Justine heads back to the tower. She knows she's in the right place. | 0:19:40 | 0:19:44 | |
Now she has to wait. | 0:19:46 | 0:19:47 | |
Before night falls, Bryson is pushing further upriver, | 0:19:53 | 0:19:57 | |
towards a swamp where he hopes to find large, nocturnal predators. | 0:19:57 | 0:20:02 | |
But progress is slow. | 0:20:05 | 0:20:06 | |
We've been working, basically, all day, just trying to get | 0:20:07 | 0:20:10 | |
a few miles of river right now and we still have a long way to go. | 0:20:10 | 0:20:13 | |
Fallen trees block the way. | 0:20:14 | 0:20:16 | |
And it's choked with vegetation. | 0:20:20 | 0:20:21 | |
Well, there's another dead tree in the way. | 0:20:23 | 0:20:25 | |
Oh, something just dove right in front of me. | 0:20:31 | 0:20:33 | |
SPEAKS IN SPANISH | 0:20:35 | 0:20:36 | |
There's something diving right in front of me. | 0:20:38 | 0:20:40 | |
Well, the sound, when I'm hitting the branch with my machete, | 0:20:43 | 0:20:47 | |
makes a really deep pulsing sound | 0:20:47 | 0:20:49 | |
that actually attracts crocodiles a lot of times. | 0:20:49 | 0:20:52 | |
THUMP THUMP | 0:20:52 | 0:20:55 | |
I'm going to try and get this done. | 0:20:57 | 0:21:00 | |
Woo. | 0:21:13 | 0:21:14 | |
It's the hardest boat journey I've ever made. | 0:21:14 | 0:21:17 | |
Few people have made it this far upriver. | 0:21:21 | 0:21:23 | |
It's a unique opportunity for Bryson to find out | 0:21:25 | 0:21:27 | |
what emerges in the heart of this jungle after dark. | 0:21:27 | 0:21:32 | |
700 miles north of base camp is one final member of the team. | 0:21:35 | 0:21:40 | |
Wildlife cameraman Gordon Buchanan. | 0:21:43 | 0:21:46 | |
He's aiming to learn more about the jungle canopy. | 0:21:48 | 0:21:52 | |
By day, primates like the howler monkey gorge on fruits and leaves. | 0:21:53 | 0:21:59 | |
What animals exploit this rich food source at night? | 0:21:59 | 0:22:03 | |
How do they function in the dark? | 0:22:03 | 0:22:06 | |
Gordon has chosen a unique vantage point. | 0:22:08 | 0:22:11 | |
Oh, my word, look at this. | 0:22:13 | 0:22:15 | |
Gosh. | 0:22:16 | 0:22:17 | |
Now, that is impressive. | 0:22:18 | 0:22:21 | |
I've seen lots of impressive things in the rainforest, | 0:22:21 | 0:22:24 | |
but nothing, nothing like this. | 0:22:24 | 0:22:25 | |
These are the remains of an ancient Mayan city. | 0:22:29 | 0:22:32 | |
This temple was once a site of worship and human sacrifice. | 0:22:32 | 0:22:38 | |
These ruins have left openings deep in the forest. | 0:22:38 | 0:22:41 | |
The best thing about these temple clearings is that the forest is | 0:22:41 | 0:22:45 | |
so dense that you can't actually see what's right in front of you, | 0:22:45 | 0:22:48 | |
but here you can actually see | 0:22:48 | 0:22:50 | |
this whole tree line. | 0:22:50 | 0:22:52 | |
So you're covering maybe 200-300 metres of forest from one position. | 0:22:52 | 0:22:56 | |
This site will make it easier to spot secretive canopy dwellers | 0:22:59 | 0:23:03 | |
and see how they've adapted to move about the trees in the pitch black. | 0:23:03 | 0:23:07 | |
About 20 minutes from now, the sun's going to disappear | 0:23:08 | 0:23:12 | |
and that's when things start changing. | 0:23:12 | 0:23:14 | |
Light level drops, the temperature drops | 0:23:14 | 0:23:18 | |
and it's the start of a different world. | 0:23:18 | 0:23:21 | |
This is really the start of the dark. | 0:23:21 | 0:23:23 | |
Gordon's first task is to find fruiting trees. | 0:23:33 | 0:23:37 | |
During the day, monkeys, parrots and these toucans will feast on fruit, | 0:23:43 | 0:23:47 | |
but, at night, they hide from predators and sleep. | 0:23:47 | 0:23:50 | |
Now is the chance for night-time canopy specialists | 0:23:52 | 0:23:55 | |
to come in and feed. | 0:23:55 | 0:23:56 | |
It's not long before Gordon's strategy pays off | 0:24:02 | 0:24:04 | |
and he spots movement above. | 0:24:04 | 0:24:06 | |
Gordon's infrared camera uses light which is invisible to animal eyes, | 0:24:09 | 0:24:13 | |
enabling him to take a closer look. | 0:24:13 | 0:24:15 | |
OK, there is something climbing up this vine. | 0:24:17 | 0:24:20 | |
Right, look. | 0:24:22 | 0:24:24 | |
That is a possum. | 0:24:24 | 0:24:27 | |
Now, possums are just one of those peculiar animals, | 0:24:29 | 0:24:34 | |
quite unlike the kind of animals you expect to bump into during the day. | 0:24:34 | 0:24:38 | |
Possums are nocturnal. | 0:24:40 | 0:24:42 | |
During the day they sleep in hollow trees or holes in the ground. | 0:24:43 | 0:24:47 | |
And it is a bit of hotchpotch of different animals really. | 0:24:49 | 0:24:54 | |
Look at those ears. | 0:24:54 | 0:24:56 | |
It's got the ears of a bat, kind of whiskers of a cat, | 0:24:56 | 0:25:00 | |
this kind of long snout. | 0:25:00 | 0:25:03 | |
Maybe not the most attractive looking thing, | 0:25:03 | 0:25:06 | |
but I suppose it doesn't really matter what you look like | 0:25:06 | 0:25:09 | |
when it's dark. | 0:25:09 | 0:25:11 | |
Possums have evolved a suite of super senses | 0:25:12 | 0:25:16 | |
that let them function at night. | 0:25:16 | 0:25:18 | |
They don't rely on their eyesight, which is relatively poor. | 0:25:18 | 0:25:21 | |
They find food by smell. | 0:25:22 | 0:25:24 | |
Their long, tactile whiskers help them feel their way in the dark. | 0:25:24 | 0:25:28 | |
Their hearing helps them detect predators. | 0:25:34 | 0:25:36 | |
That's vital when they leave the safety of the trees | 0:25:36 | 0:25:39 | |
to forage for insects on the ground. | 0:25:39 | 0:25:41 | |
Ooh, he's got something there, he's found something. | 0:25:47 | 0:25:50 | |
I can't quite see what it is. | 0:25:50 | 0:25:52 | |
Something small. | 0:25:52 | 0:25:54 | |
It's a very rich place for a possum. Literally comes down the tree | 0:25:54 | 0:25:57 | |
and finds something to eat straight away. | 0:25:57 | 0:25:59 | |
Possums will eat just about anything. | 0:26:01 | 0:26:04 | |
Rodents, fruit and snakes, lizards. | 0:26:04 | 0:26:09 | |
It's a generalist rather than a specialist. | 0:26:09 | 0:26:12 | |
Possums have a clever trick to avoid being eaten. | 0:26:15 | 0:26:18 | |
They've got a very interesting, unusual way of deterring predators | 0:26:21 | 0:26:24 | |
and that is playing possum, pretending that they're dead. | 0:26:24 | 0:26:28 | |
And they go into this stupefied state. | 0:26:28 | 0:26:31 | |
They lie on their side with their tongue hanging out, | 0:26:31 | 0:26:34 | |
their eyes open and they will stay like that for 40 minutes. | 0:26:34 | 0:26:37 | |
And the belief is they'll give off a smell of rotting meat | 0:26:37 | 0:26:42 | |
that's going to deter quite a lot of predators. | 0:26:42 | 0:26:44 | |
The possum is a good start, but there are animals here | 0:26:46 | 0:26:50 | |
that spend their whole lives in the trees at night. | 0:26:50 | 0:26:52 | |
To find them, Gordon must move on. | 0:26:55 | 0:26:57 | |
Near base camp, George is still searching | 0:27:01 | 0:27:03 | |
for his ultimate mini predator. | 0:27:03 | 0:27:05 | |
He has a particular animal in mind. | 0:27:06 | 0:27:09 | |
The net-casting spider. | 0:27:09 | 0:27:11 | |
During the day they hide, | 0:27:13 | 0:27:15 | |
but at night they use a unique hunting strategy. | 0:27:15 | 0:27:19 | |
Ooh, hang on an minute. | 0:27:19 | 0:27:22 | |
Oh, my God. It's the first time I've seen this. | 0:27:24 | 0:27:27 | |
What it does, is it spins a framework of silk | 0:27:27 | 0:27:31 | |
which holds itself in place. | 0:27:31 | 0:27:33 | |
It then spins with special silk, which is this blue silk | 0:27:34 | 0:27:37 | |
which isn't the same as the ordinary silk it makes. | 0:27:37 | 0:27:42 | |
And that blue silk is very stretchy. | 0:27:42 | 0:27:44 | |
And then, when the prey walks past underneath, | 0:27:44 | 0:27:48 | |
the huge eyes on the back row of the head see it. | 0:27:48 | 0:27:52 | |
In a fraction of a second, the front legs, the four front legs | 0:27:52 | 0:27:56 | |
stretch open the web as wide as it can | 0:27:56 | 0:28:00 | |
and throw it over the prey. | 0:28:00 | 0:28:02 | |
And it scoops it up into the web. | 0:28:02 | 0:28:05 | |
And it happens in such a fast time. | 0:28:05 | 0:28:08 | |
If you only had your eyesight, you would hardly see anything, a blur. | 0:28:09 | 0:28:13 | |
It would just be a blur. | 0:28:13 | 0:28:14 | |
And what would be great is to get this filmed in super slow-mo. | 0:28:14 | 0:28:19 | |
It would just be amazing. | 0:28:19 | 0:28:21 | |
Like most spiders, net-casters have eight eyes. | 0:28:21 | 0:28:24 | |
But one pair is huge. | 0:28:24 | 0:28:26 | |
Biologists think these are particularly sensitive, | 0:28:26 | 0:28:30 | |
letting the spider target prey in the dark. | 0:28:30 | 0:28:32 | |
To examine their incredible hunting behaviour for himself, | 0:28:34 | 0:28:37 | |
George has called in one of the camera crew, Sophie Darlington. | 0:28:37 | 0:28:42 | |
So where do you think? I'm just trying... I don't want to... | 0:28:42 | 0:28:46 | |
I can see these scaffoldings are coming down. | 0:28:46 | 0:28:49 | |
Right, he's going to catch something | 0:28:49 | 0:28:51 | |
that's going to pass beneath there. | 0:28:51 | 0:28:54 | |
Sophie sets up a high speed camera | 0:28:54 | 0:28:56 | |
that will slow down the action 40 times. | 0:28:56 | 0:28:58 | |
This behaviour has rarely been seen in the wild. | 0:28:58 | 0:29:02 | |
Filming it may take all night. | 0:29:02 | 0:29:05 | |
Rather than wait, George heads off into the forest | 0:29:06 | 0:29:09 | |
in search of more night-time specialists. | 0:29:09 | 0:29:12 | |
Oh, look. Look, look, look. | 0:29:15 | 0:29:16 | |
It's a headlight beetle. | 0:29:21 | 0:29:22 | |
Look at that. Is that not the weirdest thing ever? | 0:29:26 | 0:29:29 | |
Now, on the back of the thorax, | 0:29:29 | 0:29:31 | |
there's these two little, green-glowing organs, | 0:29:31 | 0:29:35 | |
which is produced by an enzyme. | 0:29:35 | 0:29:37 | |
Headlight beetles only come out at night. | 0:29:38 | 0:29:41 | |
Scientists think they use their lights to attract a mate. | 0:29:42 | 0:29:45 | |
On the underside, they've got an orange light as well, | 0:29:48 | 0:29:53 | |
which they glow when they fly. | 0:29:53 | 0:29:56 | |
Orange light. | 0:30:00 | 0:30:01 | |
And we're good to go. | 0:30:02 | 0:30:03 | |
Ha! Ha-ha-ha. | 0:30:04 | 0:30:07 | |
It's fantastic. Ha-ha-ha. | 0:30:08 | 0:30:10 | |
It's this bright light. Every time. Look. Orange light. | 0:30:10 | 0:30:14 | |
Prepare for take off. Ha-ha-ha. | 0:30:15 | 0:30:19 | |
Now, it was said by the early explorers | 0:30:19 | 0:30:22 | |
that you could actually read a book | 0:30:22 | 0:30:24 | |
by the glow of these particular insects. | 0:30:24 | 0:30:27 | |
If we switch off all our headlights and everything, | 0:30:27 | 0:30:30 | |
and just go to complete darkness, you'll see how eerily green they are. | 0:30:30 | 0:30:35 | |
Just beautiful. | 0:30:35 | 0:30:37 | |
By generating their own light, | 0:30:39 | 0:30:41 | |
these beetles have evolved an ingenious way | 0:30:41 | 0:30:44 | |
to communicate in the dark. | 0:30:44 | 0:30:45 | |
George returns to Sophie at the net-casting spider stakeout. | 0:30:53 | 0:30:56 | |
OK. | 0:30:56 | 0:30:58 | |
For six hours, no insects have walked into its trap. | 0:30:58 | 0:31:02 | |
This is something I've always wanted to see. | 0:31:05 | 0:31:09 | |
To have a chance of seeing it first-hand in the jungle | 0:31:09 | 0:31:11 | |
is just worth everything. | 0:31:11 | 0:31:14 | |
OK, here we go. | 0:31:22 | 0:31:23 | |
What is it? | 0:31:26 | 0:31:27 | |
(A tiny cricket.) | 0:31:29 | 0:31:31 | |
Ah! | 0:31:36 | 0:31:37 | |
Oh, that is just fantastic. | 0:31:37 | 0:31:41 | |
-Sophie, you are a genius, well done, absolutely. -I don't yet. | 0:31:41 | 0:31:44 | |
-Can I check the shot? -Look at it. Look, oh! | 0:31:44 | 0:31:48 | |
Only when the footage has been slowed down, | 0:31:48 | 0:31:50 | |
will they see if Sophie captured the kill. | 0:31:50 | 0:31:52 | |
So she hasn't now. | 0:31:52 | 0:31:54 | |
-OK. -You ready? -Yeah. | 0:31:55 | 0:31:56 | |
Then the antennules, it's just... | 0:31:58 | 0:32:01 | |
it's just touched that wire. There. | 0:32:01 | 0:32:02 | |
Orientates. | 0:32:05 | 0:32:07 | |
Opens the net. | 0:32:07 | 0:32:09 | |
Oh-ho! | 0:32:09 | 0:32:11 | |
-Ha-ha-ha. -God, that's fantastic. | 0:32:12 | 0:32:15 | |
That is absolutely fantastic. | 0:32:17 | 0:32:21 | |
So it's not just the eyesight, | 0:32:21 | 0:32:23 | |
the antennae of the cricket touched one of the wires. | 0:32:23 | 0:32:27 | |
-It was a trigger. -Yeah. | 0:32:27 | 0:32:28 | |
George can see, for the first time, | 0:32:30 | 0:32:32 | |
that net-casting spiders are highly sophisticated. | 0:32:32 | 0:32:35 | |
They use multiple senses to catch prey in the dark. | 0:32:36 | 0:32:40 | |
But I've never seen it with my own eyes... | 0:32:49 | 0:32:53 | |
-That was awesome. -..until now. | 0:32:53 | 0:32:54 | |
She's a superb creature. | 0:32:54 | 0:32:57 | |
Bryson has followed the river inland towards a swamp. | 0:33:02 | 0:33:05 | |
There's still no sign of the large predators he's been looking for. | 0:33:05 | 0:33:10 | |
There's something swimming right around the boat. | 0:33:27 | 0:33:30 | |
Woah. Right, coming up. | 0:33:32 | 0:33:33 | |
Ooh, what's that? | 0:33:38 | 0:33:40 | |
What is that? | 0:33:40 | 0:33:42 | |
-Holy -BLEEP. | 0:33:44 | 0:33:45 | |
Get my camera out. | 0:33:46 | 0:33:47 | |
Now, unfortunately, this camera needs light to work, | 0:33:47 | 0:33:50 | |
so I've got to use my flashlight to illuminate it. | 0:33:50 | 0:33:52 | |
And make sure it's on. OK. | 0:33:53 | 0:33:55 | |
All right. | 0:33:57 | 0:33:58 | |
Woah. There he is, there he is. Woah. | 0:34:07 | 0:34:09 | |
Woah, it's huge. | 0:34:09 | 0:34:10 | |
Wow. | 0:34:11 | 0:34:12 | |
There's a bull shark. Look at that. | 0:34:12 | 0:34:15 | |
Bull sharks have evolved to survive in fresh water. | 0:34:20 | 0:34:24 | |
It lets them hunt in the middle of the forest where prey is abundant. | 0:34:24 | 0:34:28 | |
Ready? It's coming right in. | 0:34:29 | 0:34:31 | |
Woah, woah, woah. | 0:34:34 | 0:34:36 | |
Jeez, you see that? | 0:34:36 | 0:34:38 | |
That's exactly how bull sharks hunt. | 0:34:40 | 0:34:41 | |
They come in and right before they're going to go in for the kill, | 0:34:41 | 0:34:44 | |
they bump whatever it is they want to eat. | 0:34:44 | 0:34:46 | |
And that helps them see what it is. | 0:34:46 | 0:34:48 | |
Bull sharks can hunt 24 hours a day. | 0:34:48 | 0:34:52 | |
They have acute senses tuned to catching prey in murky rivers. | 0:34:52 | 0:34:56 | |
So hunting at night is no problem. | 0:34:56 | 0:34:59 | |
It's got a really good sense of smell. | 0:34:59 | 0:35:01 | |
Sharks can smell blood in one part of a million in the water. | 0:35:01 | 0:35:05 | |
They can also sense electric charges. | 0:35:05 | 0:35:07 | |
So if a fish is swimming around, they can sense its electric field. | 0:35:07 | 0:35:10 | |
And they also have a really cool thing called a lateral line, | 0:35:13 | 0:35:15 | |
which is basically a really sensitive patch of skin | 0:35:15 | 0:35:19 | |
up and down their sides, | 0:35:19 | 0:35:20 | |
and it can detect any sort of motion around them. | 0:35:20 | 0:35:24 | |
So they can actually feel a fish swimming many feet from them. | 0:35:24 | 0:35:28 | |
It's kind of like if a big truck drives past you | 0:35:28 | 0:35:30 | |
and blasts you with some wind. | 0:35:30 | 0:35:32 | |
That's what sharks can feel when they're swimming around, hunting. | 0:35:32 | 0:35:35 | |
These bull sharks will feed on fish, baby crocodiles and river turtles. | 0:35:35 | 0:35:41 | |
They can even take tapirs as they swim the river. | 0:35:41 | 0:35:44 | |
Wow! That was amazing. | 0:35:50 | 0:35:53 | |
Seeing sharks in a freshwater river at night-time. | 0:35:53 | 0:35:56 | |
Ha! That's a first for me! | 0:35:56 | 0:35:58 | |
As the team searches for nocturnal animals | 0:36:01 | 0:36:04 | |
they must work right through the night. | 0:36:04 | 0:36:07 | |
It's an unnatural time for humans to be awake. | 0:36:09 | 0:36:14 | |
The punishing schedule is starting to take its toll. | 0:36:14 | 0:36:20 | |
On the beach, Justine is three sleepless nights into her stakeout. | 0:36:25 | 0:36:29 | |
Everything in my brain is telling my body to sleep. | 0:36:32 | 0:36:35 | |
To film jaguars in the dark, she must stay awake. | 0:36:39 | 0:36:43 | |
It's going to be worth it. | 0:36:45 | 0:36:47 | |
It's going to be worth it. | 0:36:47 | 0:36:49 | |
I keep telling myself that. | 0:36:49 | 0:36:51 | |
Something will happen. In the end. | 0:36:52 | 0:36:56 | |
There'll be a big, bright shape of a jaguar | 0:36:56 | 0:36:58 | |
right in the middle of the screen. | 0:36:58 | 0:37:01 | |
And then I'll be awake. That's for sure. | 0:37:01 | 0:37:03 | |
-SHE WHISPERS -What is that? | 0:37:13 | 0:37:16 | |
No, that is something. | 0:37:18 | 0:37:20 | |
That... | 0:37:21 | 0:37:23 | |
..yes, yes, yes! | 0:37:25 | 0:37:26 | |
That's a jaguar! | 0:37:26 | 0:37:28 | |
That is a jaguar! | 0:37:28 | 0:37:30 | |
I don't believe it! | 0:37:30 | 0:37:32 | |
Whoa! Coming right out! | 0:37:37 | 0:37:39 | |
Yes! | 0:37:41 | 0:37:43 | |
It's coming right out to the beach. | 0:37:44 | 0:37:46 | |
Seeing a jaguar out in the open is unbelievably rare. | 0:37:50 | 0:37:55 | |
This is one of the first opportunities | 0:37:55 | 0:37:57 | |
to observe their behaviour at night. | 0:37:57 | 0:38:00 | |
Whoa! | 0:38:00 | 0:38:01 | |
This is the closest I've ever been to a wild jaguar. | 0:38:03 | 0:38:07 | |
There's a turtle right in front of him. | 0:38:15 | 0:38:18 | |
Is he going to get it? | 0:38:23 | 0:38:25 | |
Just walked straight past it! | 0:38:30 | 0:38:33 | |
Turtles are easy pickings on this beach. | 0:38:35 | 0:38:39 | |
But this big male is not in hunting mode. | 0:38:39 | 0:38:42 | |
He is interested in a smell on the sand. | 0:38:49 | 0:38:53 | |
Scent is an important way to communicate in the dark. | 0:38:55 | 0:38:59 | |
Jaguars have glands that they rub on the ground and on trees. | 0:38:59 | 0:39:04 | |
This marks their territories. | 0:39:04 | 0:39:06 | |
Just starting to see all sorts of bits of behaviour happening | 0:39:15 | 0:39:20 | |
which I didn't expect to witness. | 0:39:20 | 0:39:24 | |
Some people said to me, "You'll never film a jaguar. | 0:39:28 | 0:39:31 | |
"Not unless you use a remote camera." | 0:39:31 | 0:39:34 | |
But here I am, | 0:39:34 | 0:39:35 | |
with a jaguar not 20 metres away. | 0:39:35 | 0:39:40 | |
There's another one! | 0:39:50 | 0:39:52 | |
There's two! There's two! I don't believe it! | 0:39:53 | 0:39:57 | |
Two! | 0:39:57 | 0:39:59 | |
This is magical! | 0:40:01 | 0:40:04 | |
This is more than I ever imagined would happen! | 0:40:08 | 0:40:11 | |
It looks like a male and female. | 0:40:20 | 0:40:24 | |
Seeing them together is almost unheard of. | 0:40:24 | 0:40:29 | |
Jaguars are normally solitary and highly territorial. | 0:40:29 | 0:40:34 | |
They only meet up to mate. | 0:40:34 | 0:40:38 | |
Justine is seeing the intimate moment | 0:40:38 | 0:40:40 | |
when these two have come together to breed. | 0:40:40 | 0:40:42 | |
Wonderful experience. | 0:40:51 | 0:40:53 | |
We're finally able to witness their night-time behaviour | 0:40:53 | 0:40:59 | |
in a way that's not been possible before. | 0:40:59 | 0:41:03 | |
At dawn, the night shift draws to a close | 0:41:10 | 0:41:13 | |
and the beach becomes a more familiar place. | 0:41:13 | 0:41:16 | |
The last turtle hatchlings make a dash for the sea. | 0:41:16 | 0:41:20 | |
In the forest, Bryson has returned to check his camera traps. | 0:41:34 | 0:41:37 | |
They have been out for several nights. | 0:41:37 | 0:41:39 | |
He's hoping they've captured some of the large animals | 0:41:39 | 0:41:42 | |
that roam the forest after dark. | 0:41:42 | 0:41:45 | |
Any animals that walked in front of here will be videoed. | 0:41:45 | 0:41:47 | |
So hopefully there's some good videos on there. | 0:41:47 | 0:41:49 | |
A puma! | 0:41:53 | 0:41:54 | |
Wow! I knew there were pumas out here. | 0:41:54 | 0:41:58 | |
Pumas are mainly nocturnal. | 0:41:58 | 0:41:59 | |
During the day, they'll kind of rest because it's so hot, | 0:41:59 | 0:42:01 | |
but at night-time, they come out and they hunt. | 0:42:01 | 0:42:03 | |
Oh, my God! That's beautiful! An ocelot! | 0:42:07 | 0:42:09 | |
Jeez, look at the stripes on it! | 0:42:09 | 0:42:12 | |
And he's got such big eyes. | 0:42:12 | 0:42:14 | |
You can tell that he's seeing perfectly clear at night-time. | 0:42:14 | 0:42:16 | |
Oh! | 0:42:16 | 0:42:17 | |
The camera traps have caught cats | 0:42:20 | 0:42:22 | |
returning in the morning after a night's hunt. | 0:42:22 | 0:42:25 | |
Oh, my gosh! | 0:42:26 | 0:42:28 | |
Look at that! | 0:42:28 | 0:42:30 | |
An ocelot with a freshly killed coati in its mouth. | 0:42:30 | 0:42:33 | |
Coatis are daytime animals. | 0:42:33 | 0:42:36 | |
It's likely the nocturnal ocelot caught it while it was sleeping. | 0:42:36 | 0:42:41 | |
Looks like it might be a juvenile. | 0:42:41 | 0:42:43 | |
He's almost the same size as the coati. | 0:42:43 | 0:42:45 | |
But because he's such a perfect hunter, | 0:42:45 | 0:42:47 | |
he's able to take prey up to his own size, or probably bigger. | 0:42:47 | 0:42:50 | |
That's a big meal for him! | 0:42:50 | 0:42:53 | |
Oh, wow! | 0:42:55 | 0:42:57 | |
An early morning puma! | 0:42:57 | 0:42:59 | |
Look at that! That is huge! | 0:42:59 | 0:43:01 | |
Pumas are actually one of the biggest predators in this forest. | 0:43:01 | 0:43:05 | |
They are like the king of the jungle. | 0:43:05 | 0:43:07 | |
They roam around here, and can eat basically whatever they want to. | 0:43:07 | 0:43:11 | |
I came out here to see the big animals and, really, | 0:43:11 | 0:43:14 | |
it doesn't get any bigger than pumas. | 0:43:14 | 0:43:16 | |
That's awesome! | 0:43:16 | 0:43:18 | |
George has seen his ultimate night-time predator in action. | 0:43:25 | 0:43:29 | |
It's time for him to move on to the second phase of the expedition. | 0:43:29 | 0:43:33 | |
His next location is 1,500 miles away | 0:43:36 | 0:43:41 | |
in one of the remotest parts of Venezuela. | 0:43:41 | 0:43:45 | |
He's going to explore a newly discovered cave system. | 0:43:45 | 0:43:50 | |
A place of perpetual darkness. | 0:43:50 | 0:43:52 | |
George wants to discover what strange animals have evolved here | 0:43:52 | 0:43:57 | |
in an isolated world without light. | 0:43:57 | 0:44:00 | |
This cave has remained unexplored for so long | 0:44:02 | 0:44:06 | |
because its entrance is hundreds of metres up a sheer mountain. | 0:44:06 | 0:44:10 | |
George will be the first biologist to set foot in it. | 0:44:10 | 0:44:14 | |
Inside these enormous lumps of rock are caves | 0:44:14 | 0:44:18 | |
and caverns which have been etched out, eroded, | 0:44:18 | 0:44:22 | |
by rain over millennia. | 0:44:22 | 0:44:24 | |
And inside there are animals which haven't seen the sun, ever. | 0:44:24 | 0:44:28 | |
Since these caves were formed. | 0:44:28 | 0:44:30 | |
I can't wait to see what's in here! | 0:44:30 | 0:44:33 | |
There's only one flat place to set up camp. | 0:44:33 | 0:44:37 | |
We're just going to be perched on this little rocky out drop. | 0:44:37 | 0:44:41 | |
I tell you, this is... | 0:44:41 | 0:44:43 | |
this is EXTREME camping! HE LAUGHS | 0:44:43 | 0:44:46 | |
George is joining an international team of explorers. | 0:44:52 | 0:44:56 | |
They discovered the cave in 2009 | 0:44:56 | 0:44:58 | |
and are returning for the first time. | 0:44:58 | 0:45:00 | |
Go, go, go! | 0:45:00 | 0:45:03 | |
Well, that's it. | 0:45:05 | 0:45:06 | |
We really are on our own now. | 0:45:06 | 0:45:08 | |
I mean, this is about as foreboding a place as I've ever seen. | 0:45:08 | 0:45:11 | |
Tomorrow, the cave exploration will begin. | 0:45:14 | 0:45:17 | |
They will travel three miles underground | 0:45:17 | 0:45:19 | |
to places light has not touched for millions of years. | 0:45:19 | 0:45:23 | |
As darkness falls on Justine's beach, | 0:45:32 | 0:45:34 | |
she is hurrying to set up a new hide at ground level, | 0:45:34 | 0:45:37 | |
where the jaguars entered the forest last night. | 0:45:37 | 0:45:40 | |
She wants closer shots of the jaguars, | 0:45:40 | 0:45:44 | |
but it's a risky strategy. | 0:45:44 | 0:45:47 | |
It's a bold step, coming off the tower, | 0:45:47 | 0:45:49 | |
where my scent's all up in the air and it's a lot more discreet. | 0:45:49 | 0:45:53 | |
And then being down here, | 0:45:53 | 0:45:54 | |
where I'm right bang in the middle of everything. | 0:45:54 | 0:45:57 | |
That's a big step. And the jaguar might just go, "You know what? No." | 0:45:57 | 0:46:01 | |
"I'm going to go back in the forest." | 0:46:01 | 0:46:05 | |
In the Mayan ruins, a strange sound in the trees | 0:46:17 | 0:46:21 | |
has caught Gordon's attention. | 0:46:21 | 0:46:22 | |
HOWLING | 0:46:22 | 0:46:26 | |
Seems counter-intuitive to walk towards an animal | 0:46:26 | 0:46:28 | |
-that produces this sound, but... -LOUD HOWLING | 0:46:28 | 0:46:31 | |
It's incredible! Such a spooky noise! | 0:46:31 | 0:46:35 | |
If I didn't know what that was, | 0:46:37 | 0:46:39 | |
I would probably run as fast as I could in the opposite direction! | 0:46:39 | 0:46:44 | |
It's Howler monkeys. | 0:46:44 | 0:46:46 | |
Howler monkeys are daytime animals. | 0:46:47 | 0:46:51 | |
They should be asleep. | 0:46:51 | 0:46:53 | |
Something has disturbed them. | 0:46:53 | 0:46:55 | |
Such an incredible noise! | 0:46:59 | 0:47:02 | |
There we go. Got you! | 0:47:03 | 0:47:05 | |
Howler monkeys are one of the loudest animals on the planet. | 0:47:07 | 0:47:10 | |
HOWLING CONTINUES | 0:47:10 | 0:47:13 | |
Now, it would be nice if this one was to call. | 0:47:13 | 0:47:16 | |
That's typical! | 0:47:21 | 0:47:22 | |
All this noise, and the one and only Howler monkey | 0:47:22 | 0:47:26 | |
that I can actually see isn't calling! | 0:47:26 | 0:47:28 | |
Howler monkeys can't move freely about the trees after dark. | 0:47:28 | 0:47:34 | |
Their night vision is about as poor as ours. | 0:47:34 | 0:47:38 | |
So they use their distinctive call | 0:47:38 | 0:47:40 | |
to scare off nocturnal animals | 0:47:40 | 0:47:43 | |
that come into their territory, looking for food. | 0:47:43 | 0:47:45 | |
Something else is out there. | 0:47:45 | 0:47:48 | |
Where are you? Where are you? | 0:47:52 | 0:47:55 | |
There we go. Right in the middle. | 0:47:55 | 0:47:57 | |
Oh, nice! Look at that! | 0:47:59 | 0:48:02 | |
It's a kinkajou, sometimes called the night stalker. | 0:48:02 | 0:48:05 | |
The kinkajou is an arboreal specialist, | 0:48:07 | 0:48:10 | |
and he's also a specialist of the dark. | 0:48:10 | 0:48:13 | |
-HE LAUGHS QUIETLY -I would go as far as to say | 0:48:13 | 0:48:16 | |
that kinkajous hate the light. | 0:48:16 | 0:48:18 | |
They'll go into the deepest, darkest hole in the tree | 0:48:18 | 0:48:21 | |
that they can find, spend the day there. | 0:48:21 | 0:48:23 | |
And there's no reason for the kinkajou | 0:48:23 | 0:48:26 | |
to even think about coming out during the day. | 0:48:26 | 0:48:29 | |
It finds everything it needs after dark. | 0:48:29 | 0:48:33 | |
Kinkajous come out at night | 0:48:33 | 0:48:36 | |
when there is little competition for food. | 0:48:36 | 0:48:39 | |
Their whole biology is geared towards | 0:48:39 | 0:48:42 | |
a nocturnal life in the trees. | 0:48:42 | 0:48:44 | |
Large eyes help them see in low light. | 0:48:47 | 0:48:50 | |
But their most important sense is smell. | 0:48:50 | 0:48:54 | |
They use it to navigate in the pitch black. | 0:48:54 | 0:48:57 | |
He's got scent glands on his face, | 0:48:57 | 0:49:00 | |
and a big patch on his stomach, | 0:49:00 | 0:49:02 | |
that he can use to leave a constant trail of scent up there in the tree. | 0:49:02 | 0:49:08 | |
Their scent trail marks every route they take, | 0:49:11 | 0:49:13 | |
so they never get lost in the dark. | 0:49:13 | 0:49:16 | |
Oh, no. Do you know what he's doing? | 0:49:16 | 0:49:19 | |
It looks like he's licking the moisture from the leaves. | 0:49:19 | 0:49:22 | |
So this animal has absolutely no reason to come down to the ground. | 0:49:24 | 0:49:28 | |
For the kinkajou, the ground just signifies danger. | 0:49:28 | 0:49:33 | |
Look at that, hanging completely upside down. | 0:49:38 | 0:49:41 | |
And he can only do that by having that big prehensile tail. | 0:49:41 | 0:49:44 | |
You can see how flexible he is. | 0:49:44 | 0:49:47 | |
And if you can imagine trying to pick fruit | 0:49:47 | 0:49:49 | |
up on these little spindly branches, | 0:49:49 | 0:49:51 | |
you're going to have to be able to | 0:49:51 | 0:49:53 | |
reach and stretch and twist yourself. | 0:49:53 | 0:49:55 | |
And the kinkajou can do that so easily. | 0:49:55 | 0:49:59 | |
He's like a rubber band. | 0:49:59 | 0:50:01 | |
These are really privileged views, actually. | 0:50:05 | 0:50:07 | |
What we're looking at is the result of millions of years of evolution. | 0:50:07 | 0:50:12 | |
The night and the environment shaping an animal | 0:50:12 | 0:50:16 | |
that has become an expert. | 0:50:16 | 0:50:20 | |
They've really earned their name of the night stalker. | 0:50:20 | 0:50:25 | |
In her hide on the beach, | 0:50:42 | 0:50:44 | |
Justine is spending her first night at ground level. | 0:50:44 | 0:50:48 | |
She is alone in the dark, | 0:50:54 | 0:50:56 | |
with the largest cat in the Americas lurking close by. | 0:50:56 | 0:51:00 | |
Got a bit of a speck... | 0:51:01 | 0:51:03 | |
Ah, that looks promising. | 0:51:05 | 0:51:08 | |
Could be a jaguar. Possibly. | 0:51:11 | 0:51:14 | |
Hard to see, though. | 0:51:14 | 0:51:17 | |
It's just a bit of a white glow. | 0:51:17 | 0:51:21 | |
Although it's moving a lot faster than a turtle would. | 0:51:21 | 0:51:24 | |
Ah! It's hard to see anything through this. | 0:51:26 | 0:51:28 | |
SHE SIGHS | 0:51:28 | 0:51:31 | |
Come on. | 0:51:34 | 0:51:35 | |
Where have you gone? | 0:51:36 | 0:51:39 | |
I actually feel quite nervous now. | 0:51:43 | 0:51:45 | |
The thought of actually a jaguar | 0:51:45 | 0:51:48 | |
appearing on the beach in front of me. | 0:51:48 | 0:51:51 | |
I'm just sitting in a hide here, made of cotton. | 0:51:51 | 0:51:53 | |
I haven't really thought about it, up until this moment. | 0:51:55 | 0:51:57 | |
I mean, what if it decides to come up to me, close? | 0:52:00 | 0:52:05 | |
What do I do? | 0:52:05 | 0:52:06 | |
Just sit quietly? Or make a noise? | 0:52:06 | 0:52:09 | |
I don't know. | 0:52:13 | 0:52:14 | |
Looks like a... | 0:52:33 | 0:52:35 | |
..that's a jaguar. | 0:52:37 | 0:52:38 | |
Definitely. That's a jaguar. | 0:52:38 | 0:52:41 | |
He's walking down the line of the forest. | 0:52:46 | 0:52:49 | |
It's that male again. | 0:52:50 | 0:52:52 | |
Scent marking. | 0:52:56 | 0:52:57 | |
It's definitely scent marking. | 0:52:58 | 0:53:00 | |
It's still coming. | 0:53:10 | 0:53:12 | |
If he keeps along this line, he's going to walk right past my hide. | 0:53:14 | 0:53:18 | |
Hopefully he's going to head out to the beach in a minute. | 0:53:18 | 0:53:21 | |
Why don't you head out onto the beach? | 0:53:34 | 0:53:36 | |
No. No, he's going to keep going down this line. | 0:53:39 | 0:53:42 | |
It's getting a bit close now. | 0:53:47 | 0:53:49 | |
Oh, no! | 0:53:54 | 0:53:55 | |
He's walking straight at me. | 0:53:57 | 0:53:59 | |
SHE SIGHS | 0:54:01 | 0:54:03 | |
SHE MOUTHS | 0:54:06 | 0:54:09 | |
Come on. Come on. Stop. | 0:54:12 | 0:54:13 | |
No, he's walking straight at me. | 0:54:27 | 0:54:30 | |
SHE MOUTHS | 0:54:49 | 0:54:54 | |
-SHE EXHALES -I can't believe it! | 0:55:12 | 0:55:17 | |
He's gone! | 0:55:20 | 0:55:23 | |
He's passed. I thought he was... | 0:55:23 | 0:55:26 | |
I thought he'd stopped outside the hide. | 0:55:26 | 0:55:30 | |
Went out of...he went out of focus, he was so close, | 0:55:31 | 0:55:34 | |
he went out of focus. | 0:55:34 | 0:55:36 | |
I've just caught a glimpse of him further up. | 0:55:36 | 0:55:39 | |
SHE EXHALES | 0:55:39 | 0:55:42 | |
SHE LAUGHS QUIETLY | 0:55:42 | 0:55:44 | |
I don't believe that! | 0:55:46 | 0:55:49 | |
I thought I was mincemeat. | 0:55:49 | 0:55:51 | |
I half-expected to see flailing claws ripping through the hide! | 0:55:53 | 0:55:57 | |
-God! -SHE SIGHS | 0:56:01 | 0:56:04 | |
I'm going to get hysterical now! | 0:56:07 | 0:56:09 | |
Well, it's dawn now, | 0:56:33 | 0:56:35 | |
and I want to go and see just how close | 0:56:35 | 0:56:38 | |
that jaguar got last night. | 0:56:38 | 0:56:40 | |
Oh, my God! | 0:56:42 | 0:56:44 | |
Look at that! There's my hide, and the tracks are literally... | 0:56:46 | 0:56:50 | |
..there! It went straight past. | 0:56:52 | 0:56:56 | |
I mean, I could have reached out and stroked his back as he went past. | 0:56:56 | 0:56:59 | |
Seeing these tracks next to the hide, | 0:56:59 | 0:57:02 | |
last night is flooding back to me. | 0:57:02 | 0:57:05 | |
My heart was in my mouth. | 0:57:05 | 0:57:07 | |
But now, I just feel strangely elated. | 0:57:07 | 0:57:10 | |
I just feel that I've had such an intimate experience | 0:57:10 | 0:57:12 | |
with this wild jaguar. | 0:57:12 | 0:57:14 | |
The team have ventured into the dark | 0:57:19 | 0:57:22 | |
to uncover the secret lives of highly specialised creatures. | 0:57:22 | 0:57:25 | |
They have witnessed incredible adaptations, | 0:57:28 | 0:57:32 | |
ingenious strategies, | 0:57:32 | 0:57:36 | |
super senses. | 0:57:36 | 0:57:38 | |
Sophisticated adaptations that allow animals | 0:57:39 | 0:57:43 | |
to thrive in a world without light. | 0:57:43 | 0:57:45 | |
And they are just getting started. | 0:57:48 | 0:57:51 | |
Next time, the team head into the dark heart of South America. | 0:57:51 | 0:57:56 | |
Gordon is on the trail of a bizarre night-time creature. | 0:57:58 | 0:58:02 | |
Freaky, freaky! | 0:58:02 | 0:58:04 | |
In the Amazon, camerawoman Sophie comes eye to eye | 0:58:04 | 0:58:08 | |
with the world's only nocturnal monkey. | 0:58:08 | 0:58:10 | |
It's extraordinary! | 0:58:10 | 0:58:11 | |
Just pouncing through the trees! It's just incredible! | 0:58:13 | 0:58:16 | |
And a mile underground, George makes the discovery of a lifetime. | 0:58:16 | 0:58:21 | |
Oh, my God! | 0:58:21 | 0:58:24 | |
Subtitles by Red Bee Media Ltd | 0:58:47 | 0:58:50 |