Browse content similar to Amazon Flooded Forests. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
As night creeps across the planet... | 0:00:02 | 0:00:04 | |
..and our familiar daytime world is plunged into darkness, | 0:00:05 | 0:00:09 | |
strange creatures are beginning to stir. | 0:00:09 | 0:00:12 | |
This is when most animals are active. | 0:00:14 | 0:00:17 | |
But the drama of their nocturnal lives is hidden from our eyes. | 0:00:19 | 0:00:23 | |
These are specialized beasts, all adapted for the dark. | 0:00:25 | 0:00:29 | |
It's a world we know almost nothing about. | 0:00:34 | 0:00:38 | |
Now, a team armed with specialist cameras is travelling | 0:00:40 | 0:00:43 | |
to the remotest corners of Central and South America... | 0:00:43 | 0:00:47 | |
That's unbelievable! | 0:00:48 | 0:00:50 | |
..to uncover the secret lives of animals after dark. | 0:00:50 | 0:00:54 | |
-WHISPERING: -Wow! | 0:00:55 | 0:00:57 | |
It's a journey into the unknown. | 0:00:57 | 0:01:00 | |
WHISPERING: Look at him. He can smell me. | 0:01:00 | 0:01:04 | |
-WHISPERING: -Don't...run. | 0:01:05 | 0:01:07 | |
-Holy -BLEEP. | 0:01:07 | 0:01:09 | |
WHISPERS: Get me out of here. | 0:01:09 | 0:01:11 | |
For six months, a team of biologists and film makers | 0:01:21 | 0:01:25 | |
is exploring Central and South America... | 0:01:25 | 0:01:28 | |
..home to many of the most diverse habitats on Earth. | 0:01:29 | 0:01:32 | |
They aim to discover why animals come out in the dark, | 0:01:33 | 0:01:38 | |
and how they survive in a world with no light. | 0:01:38 | 0:01:42 | |
They started in the jungles of Costa Rica. | 0:01:51 | 0:01:54 | |
Now, the team is moving South for the second leg of the expedition. | 0:01:54 | 0:01:58 | |
The team has split to follow three separate missions, | 0:02:00 | 0:02:03 | |
in three very different habitats, | 0:02:03 | 0:02:05 | |
across the dark heart of South America. | 0:02:05 | 0:02:08 | |
Insect specialist Dr George McGavin is in Venezuela | 0:02:12 | 0:02:16 | |
to explore a place of permanent darkness. | 0:02:16 | 0:02:18 | |
A cave that no biologist | 0:02:22 | 0:02:23 | |
has ever entered. | 0:02:23 | 0:02:25 | |
There are caves here which have formed over millions of years | 0:02:31 | 0:02:35 | |
and haven't seen the sun - any animals in there | 0:02:35 | 0:02:38 | |
have been there evolving in total darkness for millions of years, | 0:02:38 | 0:02:43 | |
and we might be the first people to ever see them. | 0:02:43 | 0:02:46 | |
The cave was discovered in 2009 | 0:02:50 | 0:02:53 | |
by international exploration team La Venta. | 0:02:53 | 0:02:56 | |
George has joined them as they prepare | 0:02:56 | 0:02:58 | |
to return for the first time. | 0:02:58 | 0:03:00 | |
These places have been isolated for so long that | 0:03:00 | 0:03:04 | |
there's a very high chance anything we find here is completely new. | 0:03:04 | 0:03:09 | |
Their base is the top of this remote tepui - | 0:03:10 | 0:03:14 | |
a giant table top mountain. | 0:03:14 | 0:03:16 | |
The cave entrance is far below them, | 0:03:17 | 0:03:20 | |
hidden in thick jungle at the base of this cliff. | 0:03:20 | 0:03:24 | |
It's about 110 metres from where I am to the end of the rope. | 0:03:29 | 0:03:35 | |
That is a very long way down. A very long way down, indeed. | 0:03:36 | 0:03:42 | |
The cave has been cut off from the light for millions of years - | 0:03:46 | 0:03:50 | |
enough time for new species to evolve. | 0:03:50 | 0:03:53 | |
What creatures live here? | 0:03:54 | 0:03:55 | |
And how have they adapted to permanent darkness? | 0:03:55 | 0:03:58 | |
George hopes to find out. | 0:03:58 | 0:04:00 | |
1,700 miles south, | 0:04:12 | 0:04:14 | |
at the edge of the Amazon basin, | 0:04:14 | 0:04:17 | |
wildlife filmmaker Gordon Buchanan is heading into the Pantanal - | 0:04:17 | 0:04:22 | |
the largest wetland on Earth, and the richest. | 0:04:22 | 0:04:26 | |
The Pantanal is one of the most | 0:04:37 | 0:04:39 | |
bio-diverse places on the planet. | 0:04:39 | 0:04:41 | |
There's life everywhere, but most of those animals | 0:04:44 | 0:04:47 | |
that you see during the day are absent at night, | 0:04:47 | 0:04:49 | |
and they're replaced by a whole set of other creatures. | 0:04:49 | 0:04:52 | |
Almost nothing is known about what goes on here at night-time. | 0:04:52 | 0:04:56 | |
Gordon wants to find out more. | 0:05:08 | 0:05:10 | |
Top of his list is one of South America's most bizarre animals. | 0:05:10 | 0:05:15 | |
The giant anteater. | 0:05:17 | 0:05:19 | |
Elsewhere, they come out in the day. | 0:05:21 | 0:05:24 | |
But here, scientists have reported them emerging after dark | 0:05:24 | 0:05:29 | |
to escape the relentless heat. | 0:05:29 | 0:05:31 | |
In the shade, it's 42. | 0:05:31 | 0:05:33 | |
Out here in the sun, I don't know what it'll go up to, | 0:05:33 | 0:05:36 | |
but it is blisteringly hot. | 0:05:36 | 0:05:38 | |
How does a daytime animal function in the dark? | 0:05:40 | 0:05:44 | |
Gordon will use the latest night vision cameras to find out. | 0:05:44 | 0:05:48 | |
He hopes to learn what the giant anteaters are up to at night. | 0:05:50 | 0:05:53 | |
In Venezuela, George has reached the cave entrance. | 0:05:58 | 0:06:01 | |
This will be his last glimpse of daylight. | 0:06:03 | 0:06:06 | |
That's not coming through. | 0:06:10 | 0:06:12 | |
For the next four days, the team will follow the river | 0:06:14 | 0:06:17 | |
three miles through the cave, looking for life in the darkness. | 0:06:17 | 0:06:22 | |
Only a few steps inside... | 0:06:25 | 0:06:27 | |
Ho-ho! Look at this. | 0:06:27 | 0:06:30 | |
..and George finds something interesting. | 0:06:30 | 0:06:32 | |
Now, that is one of a cave's most spectacular insects. | 0:06:36 | 0:06:40 | |
Now, all of these threads are produced by a fly larva. | 0:06:42 | 0:06:48 | |
You can just see it there. | 0:06:48 | 0:06:50 | |
And it makes these vertical threads, | 0:06:53 | 0:06:56 | |
and on the threads are very sticky blobs of goo. | 0:06:56 | 0:07:01 | |
There, you see? That's fantastic. Now, that is a prey item. | 0:07:03 | 0:07:07 | |
It's still alive, look! | 0:07:07 | 0:07:08 | |
This predator takes advantage of the dark. | 0:07:10 | 0:07:13 | |
It sets its traps close to the cave entrance. | 0:07:14 | 0:07:17 | |
Insects from the outside stray in. | 0:07:18 | 0:07:22 | |
Unable to see the threads, some, inevitably, are caught. | 0:07:22 | 0:07:26 | |
So, that tiny little midge has flown along here in the pitch darkness, | 0:07:28 | 0:07:34 | |
it can't see anything, of course, and it's stuck fast. | 0:07:34 | 0:07:37 | |
Vibrations on the thread tell the larva | 0:07:38 | 0:07:41 | |
that a new meal has been snared. | 0:07:41 | 0:07:43 | |
The larva then oozes its way along, down the vertical thread, | 0:07:47 | 0:07:51 | |
consumes the prey, and then goes back up. | 0:07:51 | 0:07:54 | |
And these threads are all over here. | 0:07:54 | 0:07:56 | |
So, for a small, flying insect like this, | 0:07:56 | 0:07:59 | |
this cave is just full of hazards, and there it's come to a sticky end. | 0:07:59 | 0:08:04 | |
HE LAUGHS | 0:08:04 | 0:08:06 | |
In every sense of the word! | 0:08:06 | 0:08:08 | |
Even in this twilight zone, creatures are adapted to the dark. | 0:08:10 | 0:08:14 | |
George and the team head further underground in search of life. | 0:08:16 | 0:08:19 | |
To the South, the third and final team | 0:08:22 | 0:08:25 | |
will push deep into the Peruvian rainforest | 0:08:25 | 0:08:27 | |
at the headwaters of the mighty Amazon. | 0:08:27 | 0:08:30 | |
Base Camp is an old river steamer. | 0:08:35 | 0:08:38 | |
On board are tropical biologist Bryson Voirin, | 0:08:40 | 0:08:43 | |
and camerawoman Sophie Darlington. | 0:08:43 | 0:08:45 | |
It's sort of a wildlife filmmaker's dream to come to the Amazon. | 0:08:46 | 0:08:50 | |
It's rammed full of the world's most exciting animals. | 0:08:50 | 0:08:54 | |
Bryson is an expert on the large mammals in this region. | 0:08:56 | 0:09:01 | |
During the day, I know what to expect. | 0:09:01 | 0:09:03 | |
But at night-time, it's going to be a whole different ball game. | 0:09:03 | 0:09:07 | |
The forest floor here is covered by several metres of flood water | 0:09:09 | 0:09:13 | |
for most of the year. | 0:09:13 | 0:09:14 | |
It's a unique habitat for the team to explore. | 0:09:17 | 0:09:20 | |
With little dry land, many animals live in the canopy. | 0:09:29 | 0:09:33 | |
Sophie is here to find a very special monkey. | 0:09:35 | 0:09:38 | |
There are over 100 different species in the Amazon, | 0:09:40 | 0:09:43 | |
but only one kind comes out at night. | 0:09:43 | 0:09:45 | |
Owl monkeys. | 0:09:45 | 0:09:48 | |
It would just be amazing to see these owl monkeys | 0:09:48 | 0:09:51 | |
and how they move about the trees at night. | 0:09:51 | 0:09:53 | |
Like us, monkeys all over the world are completely reliant on daylight. | 0:09:53 | 0:09:58 | |
All except the owl monkey, | 0:10:00 | 0:10:01 | |
which is uniquely adapted for life in the dark. | 0:10:01 | 0:10:05 | |
Sophie will stake out a fruiting tree, | 0:10:10 | 0:10:12 | |
where she hopes the monkeys will come to feed. | 0:10:12 | 0:10:15 | |
She will have to perch on a small platform | 0:10:17 | 0:10:19 | |
30 metres above the water. | 0:10:19 | 0:10:21 | |
OK... | 0:10:23 | 0:10:24 | |
This is a new challenge for her. | 0:10:24 | 0:10:26 | |
She has 20 years' experience, but all of it at ground level. | 0:10:28 | 0:10:33 | |
I'm not enjoying this. | 0:10:33 | 0:10:36 | |
SHE PANTS | 0:10:40 | 0:10:43 | |
I'm finding it very hard. | 0:10:43 | 0:10:44 | |
It's an amazingly odd feeling, being up above the forest. | 0:10:51 | 0:10:55 | |
OK, it's solid. | 0:10:56 | 0:10:57 | |
Catching the monkeys on film will take luck and persistence. | 0:11:00 | 0:11:04 | |
The reward will be a unique glimpse into canopy life after dark. | 0:11:07 | 0:11:11 | |
While Sophie stakes out the treetops, | 0:11:13 | 0:11:15 | |
Bryson searches at water level. | 0:11:15 | 0:11:18 | |
He's looking for nocturnal animals in the undergrowth | 0:11:20 | 0:11:23 | |
and in the waters of this flooded forest. | 0:11:23 | 0:11:26 | |
My plan is to do a survey of species in the river at night-time. | 0:11:28 | 0:11:31 | |
So we're going to go out and try to go into the forest | 0:11:31 | 0:11:34 | |
with the little boats, with bright torches or spotlights | 0:11:34 | 0:11:37 | |
and hopefully see some of the nocturnal species | 0:11:37 | 0:11:39 | |
that are out here in this part of the Amazon. | 0:11:39 | 0:11:42 | |
Across South America, night approaches. | 0:11:46 | 0:11:49 | |
In the Pantanal, Gordon leaves camp and heads out onto the plains | 0:11:54 | 0:11:58 | |
in search of the giant anteater. | 0:11:58 | 0:12:00 | |
As the sun sets, the Pantanal changes. | 0:12:11 | 0:12:15 | |
Night is when most predators come out to hunt. | 0:12:15 | 0:12:17 | |
Animals of the day hide as best they can and sleep. | 0:12:17 | 0:12:23 | |
The countless species that have lain hidden during daylight | 0:12:32 | 0:12:35 | |
gradually emerge. | 0:12:35 | 0:12:37 | |
The night shift begins. | 0:12:39 | 0:12:42 | |
Armed with a thermal camera that detects body heat, | 0:12:48 | 0:12:52 | |
it doesn't take Gordon long to spot something. | 0:12:52 | 0:12:56 | |
Right... | 0:12:56 | 0:12:57 | |
Oh! | 0:12:57 | 0:12:59 | |
On his camera, warm-blooded animals glow brightly | 0:13:00 | 0:13:04 | |
against the cool background. | 0:13:04 | 0:13:06 | |
-WHISPERS: -It's a rhea. It's a flightless bird. | 0:13:06 | 0:13:08 | |
This is the biggest bird in South America. | 0:13:08 | 0:13:12 | |
-HE CHUCKLES -Look at that! | 0:13:17 | 0:13:19 | |
Oh, that's really nice. It has a whole heap of chicks with it. | 0:13:20 | 0:13:26 | |
Rheas ferociously protect their young. | 0:13:28 | 0:13:30 | |
During the day, most predators stay clear of these giant birds. | 0:13:31 | 0:13:35 | |
They stand one-and-a-half metres tall, | 0:13:35 | 0:13:38 | |
and their heavily muscled legs pack enough punch to break bones. | 0:13:38 | 0:13:42 | |
But in the dark, the tables are turned. | 0:13:42 | 0:13:45 | |
With poor vision, they are vulnerable to surprise attack. | 0:13:45 | 0:13:49 | |
At night-time, they do the sensible thing and just keep a low profile. | 0:13:51 | 0:13:55 | |
With a second specialist camera | 0:14:03 | 0:14:04 | |
that films using light invisible to animals, | 0:14:04 | 0:14:08 | |
Gordon can take a more detailed look. | 0:14:08 | 0:14:11 | |
These chicks are just mini versions of the adult. | 0:14:12 | 0:14:15 | |
And that big bird is not the mother, that's the father. | 0:14:15 | 0:14:20 | |
The female lays the eggs and the male broods them. | 0:14:20 | 0:14:23 | |
The female swans off. | 0:14:23 | 0:14:26 | |
But he's doing an incredibly good job of looking after these chicks. | 0:14:26 | 0:14:30 | |
He's taking that one under his wing. | 0:14:30 | 0:14:33 | |
Sitting still is a surprisingly effective strategy | 0:14:36 | 0:14:39 | |
to hide from predators in the dark. | 0:14:39 | 0:14:41 | |
This rhea is sitting out there in the pitch black, | 0:14:43 | 0:14:45 | |
it can't see anything. Probably doesn't even know that I'm here. | 0:14:45 | 0:14:49 | |
If we just switch the light off, | 0:14:49 | 0:14:52 | |
you will see what I can see without the equipment. | 0:14:52 | 0:14:55 | |
Like us, rheas are virtually blind in the dark. | 0:15:00 | 0:15:04 | |
But they have very good hearing. | 0:15:04 | 0:15:07 | |
CHIRPING | 0:15:08 | 0:15:10 | |
At the first sound of danger, they scatter. | 0:15:10 | 0:15:13 | |
The male finds his chicks in the dark by calling. | 0:15:17 | 0:15:20 | |
CHIRPING | 0:15:20 | 0:15:23 | |
They will regroup in a safe place to wait out the hours of darkness. | 0:15:25 | 0:15:29 | |
Rheas survive the dark by hunkering down. | 0:15:33 | 0:15:36 | |
But the giant anteaters Gordon is searching for | 0:15:37 | 0:15:40 | |
are always on the move. | 0:15:40 | 0:15:42 | |
To find them, he, too, must keep going. | 0:15:42 | 0:15:45 | |
In Venezuela, George has journeyed deeper into the cave. | 0:15:50 | 0:15:54 | |
No light reaches here at all. | 0:15:55 | 0:15:57 | |
It's the perfect place to find strange, dark-adapted creatures. | 0:15:59 | 0:16:03 | |
The team are getting ready to spend their first night underground. | 0:16:08 | 0:16:13 | |
It's not long before George finds something | 0:16:17 | 0:16:19 | |
sharing their sleeping quarters. | 0:16:19 | 0:16:21 | |
My bed is about five yards from here. | 0:16:23 | 0:16:27 | |
HE LAUGHS | 0:16:27 | 0:16:28 | |
So I didn't have to come very far to find an amazing beastie. | 0:16:28 | 0:16:33 | |
I'm going to stick out my neck here | 0:16:35 | 0:16:37 | |
and say that this is a new species | 0:16:37 | 0:16:40 | |
of harvestman. | 0:16:40 | 0:16:41 | |
I'll bet you this is the first time | 0:16:41 | 0:16:43 | |
anyone's seen this thing. | 0:16:43 | 0:16:45 | |
And I'll bet you any money | 0:16:45 | 0:16:47 | |
that it's unique to this tepui. | 0:16:47 | 0:16:49 | |
Harvestmen are ancient relatives of spiders. | 0:16:51 | 0:16:55 | |
And this one is very unusual. | 0:16:58 | 0:17:00 | |
It's not reacting to my torch at all, | 0:17:04 | 0:17:08 | |
so I'm assuming it may not have any eyes. I can't see any eyes. | 0:17:08 | 0:17:13 | |
For animals here, it's all about touch. | 0:17:13 | 0:17:16 | |
Eyesight is of no importance whatsoever. | 0:17:16 | 0:17:18 | |
And so it seems very odd to us, who are dependent on our eyesight. | 0:17:18 | 0:17:22 | |
But for them, their main sense is touch. | 0:17:22 | 0:17:25 | |
Over millions of years, these harvestmen have evolved | 0:17:32 | 0:17:35 | |
to live in complete darkness. | 0:17:35 | 0:17:37 | |
For George, it's an exciting taste of what lies ahead. | 0:17:46 | 0:17:49 | |
It's been a long day, | 0:17:51 | 0:17:53 | |
and the team bed down for their first night in the cave. | 0:17:53 | 0:17:56 | |
I have absolutely no idea what time it is. | 0:18:01 | 0:18:04 | |
I don't know if it's morning, noon or night. | 0:18:04 | 0:18:09 | |
One of the things that hits you | 0:18:10 | 0:18:12 | |
is when you switch off all your torches | 0:18:12 | 0:18:15 | |
and it just gets totally, profoundly dark... | 0:18:15 | 0:18:20 | |
But it is very scary. | 0:18:20 | 0:18:23 | |
Away from the cave's oppressive darkness, Gordon's still searching | 0:18:34 | 0:18:38 | |
for clues that may lead him to the giant anteater. | 0:18:38 | 0:18:41 | |
He's stumbled across something strangely out of place | 0:18:44 | 0:18:48 | |
in the Pantanal's wild plains. | 0:18:48 | 0:18:50 | |
This building up ahead... | 0:18:52 | 0:18:55 | |
Definitely abandoned, no sign of light or life at all. | 0:18:55 | 0:18:59 | |
Places like this, when the human inhabitants move out, | 0:18:59 | 0:19:03 | |
become homes for other creatures. | 0:19:03 | 0:19:07 | |
And if there's any access to it, | 0:19:07 | 0:19:09 | |
I'm sure there will be animals coming and going. | 0:19:09 | 0:19:12 | |
This goes against my better judgement... | 0:19:12 | 0:19:16 | |
OK. | 0:19:16 | 0:19:17 | |
God, I don't really want to go in there. | 0:19:19 | 0:19:22 | |
I'd rather be walking about out in the forest | 0:19:28 | 0:19:31 | |
than being anywhere near this house. | 0:19:31 | 0:19:33 | |
-WHISPERS: -This place has been taken over by animals, | 0:19:38 | 0:19:40 | |
there's crap all over the floor. | 0:19:40 | 0:19:43 | |
I'm not sure what's left that, maybe a fox. | 0:19:43 | 0:19:46 | |
Oh, it stinks! | 0:19:48 | 0:19:50 | |
It really stinks in here. | 0:19:50 | 0:19:52 | |
Jeez! | 0:19:52 | 0:19:54 | |
CONTINUOUS HIGH-PITCHED SCREECHING | 0:19:54 | 0:19:57 | |
Look at that. This looks like blood that's dripping down the walls. | 0:19:58 | 0:20:03 | |
HE EXHALES | 0:20:05 | 0:20:06 | |
There's just a kind of stench wafting out of this room. | 0:20:06 | 0:20:09 | |
It's a really strong, animal-y smell. | 0:20:09 | 0:20:14 | |
Right, I'm going to look. | 0:20:16 | 0:20:18 | |
-SCREECHING -What is that noise?! | 0:20:18 | 0:20:20 | |
Definitely something in there. | 0:20:20 | 0:20:22 | |
Oh, my God. | 0:20:28 | 0:20:30 | |
Oh, my God. | 0:20:30 | 0:20:32 | |
-That is a -BLEEP -nightmare. | 0:20:38 | 0:20:41 | |
-WHISPERS: -It's full of bats... Oh, they're vampire bats. | 0:20:42 | 0:20:46 | |
Hundreds of them. | 0:20:46 | 0:20:49 | |
Eugh, God. | 0:20:49 | 0:20:51 | |
That stuff coming down the walls is blood. | 0:20:55 | 0:20:58 | |
Vampire bats, they feed entirely on blood. | 0:20:58 | 0:21:03 | |
And when they roost, during the day when they defecate, | 0:21:03 | 0:21:07 | |
they're just defecating blood. | 0:21:07 | 0:21:09 | |
So it's just blood that is fuelling them, | 0:21:09 | 0:21:12 | |
blood that's passing through them, and all these streaks | 0:21:12 | 0:21:14 | |
down the walls, it's just... | 0:21:14 | 0:21:17 | |
It's blood from | 0:21:20 | 0:21:22 | |
other living animals. | 0:21:22 | 0:21:24 | |
That is gross. | 0:21:24 | 0:21:25 | |
Under cover of darkness, vampire bats sneak up on large mammals, | 0:21:30 | 0:21:35 | |
using their acute hearing to home in on the sound of breathing. | 0:21:35 | 0:21:39 | |
Then, with special thermo receptors on their noses, | 0:21:40 | 0:21:44 | |
they detect hot blood flowing | 0:21:44 | 0:21:47 | |
close to the skin. | 0:21:47 | 0:21:48 | |
This is where they bite and feed. | 0:21:48 | 0:21:51 | |
It's official. I've found the most disgusting toilet on the planet. | 0:21:53 | 0:21:57 | |
These hideouts are safe places for the vampire bats | 0:22:02 | 0:22:05 | |
to take refuge during daylight hours. | 0:22:05 | 0:22:08 | |
When they return to the roost, they regurgitate blood to share | 0:22:09 | 0:22:13 | |
with the young and other hungry bats in the colony. | 0:22:13 | 0:22:17 | |
I know they're just animals doing what they do, | 0:22:18 | 0:22:21 | |
-but it's disgusting! -HE CHUCKLES | 0:22:21 | 0:22:24 | |
Eugh! God... Get me out of here. | 0:22:28 | 0:22:31 | |
I have never been so glad to leave a place in all my life. | 0:22:32 | 0:22:35 | |
It's an unsettling encounter, and not what Gordon is looking for. | 0:22:36 | 0:22:41 | |
With no signs of giant anteaters, he heads back to camp. | 0:22:42 | 0:22:46 | |
The Amazon team, Sophie and Bryson, are coming to the end | 0:22:51 | 0:22:56 | |
of a long night. | 0:22:56 | 0:22:57 | |
On the river, Bryson has spotted something colourful. | 0:22:59 | 0:23:02 | |
Look at that. A sleeping kingfisher. | 0:23:04 | 0:23:07 | |
The majority of birds down here are going to be sleeping at night-time, | 0:23:07 | 0:23:11 | |
cos flying at night-time is kind of risky behaviour, | 0:23:11 | 0:23:13 | |
or a dangerous thing to do. You crash into a tree, you'll die. | 0:23:13 | 0:23:16 | |
But while most birds don't have the vision to operate at night, | 0:23:18 | 0:23:23 | |
their prey, insects, come out in their millions. | 0:23:23 | 0:23:26 | |
INSECTS BUZZ INSISTENTLY | 0:23:26 | 0:23:30 | |
I'm getting attacked by these night wasps. | 0:23:30 | 0:23:33 | |
You get about a three-second warning once they land on you | 0:23:33 | 0:23:35 | |
before they sting you. Ow! | 0:23:35 | 0:23:37 | |
HE COUGHS | 0:23:37 | 0:23:39 | |
They keep going into my nostrils and I just ate one. | 0:23:39 | 0:23:41 | |
HE SPLUTTERS Agh! | 0:23:41 | 0:23:44 | |
I can feel it crawling in my throat. | 0:23:44 | 0:23:46 | |
At night, biting insects are everywhere. | 0:23:49 | 0:23:52 | |
INSECTS BUZZ | 0:23:52 | 0:23:55 | |
In the canopy, Sophie is a sitting target. | 0:23:55 | 0:23:58 | |
She's been stuck on a one-metre square platform all night, | 0:23:58 | 0:24:02 | |
waiting for owl monkeys to visit the fruiting tree. | 0:24:02 | 0:24:05 | |
(I've never, ever been around so many mosquitoes.) | 0:24:07 | 0:24:11 | |
It's hell on Earth at the minute. | 0:24:12 | 0:24:14 | |
Mosquitoes, like vampire bats, hunt for blood | 0:24:18 | 0:24:21 | |
under the cover of darkness. | 0:24:21 | 0:24:23 | |
They home in on the carbon dioxide from every breath | 0:24:23 | 0:24:26 | |
that Sophie exhales. | 0:24:26 | 0:24:28 | |
When you're being bitten this much, | 0:24:30 | 0:24:32 | |
staying still and concentrating is really quite hard. | 0:24:32 | 0:24:38 | |
I'm fairly knackered. | 0:24:42 | 0:24:44 | |
I'm quite looking forward to a bit of sleep... | 0:24:44 | 0:24:46 | |
..and no mosquitoes. | 0:24:50 | 0:24:52 | |
Day brings a change in the flooded forest, | 0:25:01 | 0:25:05 | |
as a new set of animals emerge. | 0:25:05 | 0:25:07 | |
The light makes the jungle seem a friendlier place. | 0:25:09 | 0:25:13 | |
BIRDS HOOT | 0:25:13 | 0:25:14 | |
And it gives the team a chance to rest. | 0:25:17 | 0:25:20 | |
In the Pantanal, Gordon washes off the stench | 0:25:23 | 0:25:26 | |
of last night's bat encounter | 0:25:26 | 0:25:28 | |
and relaxes after his long hours exploring the plains. | 0:25:28 | 0:25:32 | |
Oh, God, I've got these mosquito bites all over my legs, | 0:25:35 | 0:25:38 | |
it's just so nice to be in the water. | 0:25:38 | 0:25:41 | |
As the day wears on, deep in the heart of this Venezuelan mountain, | 0:26:02 | 0:26:07 | |
George's mission into perpetual darkness continues. | 0:26:07 | 0:26:10 | |
Up on the surface, | 0:26:17 | 0:26:19 | |
it takes special technology to uncover the secrets of the dark. | 0:26:19 | 0:26:23 | |
Down here, for George, it is old-fashioned exploration. | 0:26:23 | 0:26:27 | |
They have reached a deeper area of river. | 0:26:32 | 0:26:34 | |
And the caving team are keen to show George what they think | 0:26:36 | 0:26:39 | |
is a very significant find. | 0:26:39 | 0:26:41 | |
What we're hunting for is this little pale catfish. | 0:26:43 | 0:26:49 | |
The catfish would almost certainly be a new species | 0:26:51 | 0:26:55 | |
and the only fish to be found anywhere in these mountains. | 0:26:55 | 0:26:58 | |
Why is it here? | 0:27:02 | 0:27:04 | |
And how does it survive in the dark? | 0:27:04 | 0:27:07 | |
George! | 0:27:07 | 0:27:09 | |
Have you got one? | 0:27:09 | 0:27:11 | |
Well done, guys. Oh, wow, look at that. Well, here it is. | 0:27:11 | 0:27:16 | |
That is fantastic, look at it! | 0:27:16 | 0:27:18 | |
I'm holding in my hand the only species of fish | 0:27:21 | 0:27:25 | |
that's been found anywhere on any tepui. | 0:27:25 | 0:27:29 | |
It only lives inside this cave stream | 0:27:29 | 0:27:31 | |
and it just found its way into the cave system. | 0:27:31 | 0:27:34 | |
This is a truly extraordinary discovery. | 0:27:36 | 0:27:40 | |
With no other fish for miles around, | 0:27:42 | 0:27:45 | |
how its ancestors found their way into this cave | 0:27:45 | 0:27:48 | |
is a complete mystery. | 0:27:48 | 0:27:50 | |
Isolated in the dark for millennia, | 0:27:54 | 0:27:57 | |
these catfish have started to lose the skin pigment | 0:27:57 | 0:28:01 | |
that camouflages them. | 0:28:01 | 0:28:03 | |
Without light, it has no use. | 0:28:03 | 0:28:06 | |
Generation by generation, these fish are adapting to the dark. | 0:28:13 | 0:28:18 | |
I'm not sure if it's completely blind. | 0:28:22 | 0:28:25 | |
There are eyes there, but a million years from now, | 0:28:25 | 0:28:28 | |
it will be completely blind, | 0:28:28 | 0:28:30 | |
because it's evolving in the total darkness of this cave | 0:28:30 | 0:28:34 | |
and so eyes have no value at all for it. | 0:28:34 | 0:28:36 | |
Instead of eyes, this fish relies on other senses. | 0:28:40 | 0:28:44 | |
The large barbels around its mouth are sensory organs, | 0:28:46 | 0:28:50 | |
similar to the whiskers of a cat. | 0:28:50 | 0:28:53 | |
Its skin is also covered in taste buds, | 0:28:53 | 0:28:57 | |
meaning that this fish can taste its way to a meal in the dark. | 0:28:57 | 0:29:01 | |
There is heaps of food material that gets washed in from the top | 0:29:05 | 0:29:09 | |
with all the rains, silt, algae, bits and pieces | 0:29:09 | 0:29:13 | |
and eventually ends up here. It doesn't have to go anywhere else, | 0:29:13 | 0:29:16 | |
all the food arrives on its patch. | 0:29:16 | 0:29:20 | |
Well, it's time for our little star... | 0:29:20 | 0:29:25 | |
..to go back... | 0:29:26 | 0:29:28 | |
..into the wild. | 0:29:29 | 0:29:31 | |
Beautiful. | 0:29:35 | 0:29:37 | |
In the Pantanal, Gordon has struggled to find | 0:29:42 | 0:29:44 | |
the giant anteaters that are reportedly coming out at night. | 0:29:44 | 0:29:48 | |
Perfect tree here. | 0:29:48 | 0:29:50 | |
To improve his chances of studying them, Gordon sets up camera traps | 0:29:50 | 0:29:55 | |
in an area where the animals have been seen in the past. | 0:29:55 | 0:29:59 | |
Switched on, ready to go. | 0:29:59 | 0:30:02 | |
If anything visits these trees during the night, | 0:30:08 | 0:30:10 | |
an infrared motion sensor will trigger the cameras, | 0:30:10 | 0:30:15 | |
and the animal's activity will be recorded. | 0:30:15 | 0:30:18 | |
Wow, look at this! | 0:30:26 | 0:30:28 | |
This big tree is covered in lots of interesting marks. | 0:30:28 | 0:30:35 | |
It looks as if somebody's hacked it with a machete, | 0:30:35 | 0:30:38 | |
but there's way too many of them for it to have been made by humans. | 0:30:38 | 0:30:42 | |
You've got one big score there. | 0:30:42 | 0:30:44 | |
Whatever animal left these marks, | 0:30:44 | 0:30:47 | |
it is enormous. The highest scratches go beyond my reach. | 0:30:47 | 0:30:51 | |
A great place to set up a camera trap, and if this animal comes back, | 0:30:51 | 0:30:55 | |
we'll get a clear shot of it. It's a little bit of a mystery, | 0:30:55 | 0:30:59 | |
because I haven't seen anything like this before. | 0:30:59 | 0:31:01 | |
The area covered with camera traps, | 0:31:09 | 0:31:12 | |
Gordon moves on to search for the giant anteater. | 0:31:12 | 0:31:14 | |
As the sun sets, | 0:31:17 | 0:31:19 | |
the Amazon team prepare for another night in the jungle. | 0:31:19 | 0:31:22 | |
Bryson is pushing further into the flooded forest. | 0:31:30 | 0:31:34 | |
HE CALLS OUT IN FOREIGN LANGUAGE | 0:31:43 | 0:31:45 | |
Wow, look at that! | 0:31:46 | 0:31:48 | |
A huge three-toed sloth just sleeping right there. Look at that! | 0:31:50 | 0:31:54 | |
Despite their reputation for laziness, | 0:32:00 | 0:32:03 | |
sloths spend more time awake than asleep. | 0:32:03 | 0:32:06 | |
They are polyphasic, active for periods during both day and night. | 0:32:08 | 0:32:13 | |
Oh, look, she's starting to climb. | 0:32:16 | 0:32:19 | |
Climbing around the canopy in the dark is risky. | 0:32:21 | 0:32:25 | |
One wrong move could mean a fatal fall. | 0:32:28 | 0:32:31 | |
For Bryson, it's a chance to witness | 0:32:34 | 0:32:36 | |
some of the sloth's special adaptations. | 0:32:36 | 0:32:39 | |
She's smelling the branch before she crawls on it. | 0:32:39 | 0:32:42 | |
They never will crawl on a dead branch, cos if they do, | 0:32:43 | 0:32:46 | |
they'll fall out of the tree. | 0:32:46 | 0:32:47 | |
They've got an amazing sense of smell. | 0:32:47 | 0:32:50 | |
Sloths can detect a dangerously weak and rotten branch in the darkness | 0:32:54 | 0:32:59 | |
by smell alone. | 0:32:59 | 0:33:01 | |
To help them move around the canopy at night, | 0:33:02 | 0:33:05 | |
they also create a mind map of trees. | 0:33:05 | 0:33:07 | |
They have an amazing memory of the canopy connections, | 0:33:09 | 0:33:12 | |
so she probably knows exactly where she's going. | 0:33:12 | 0:33:14 | |
This sloth is low enough that I think I can get a closer look at it. | 0:33:16 | 0:33:20 | |
It's just on the other side of these vines. | 0:33:20 | 0:33:23 | |
Right up there. | 0:33:25 | 0:33:27 | |
Sloths spend most of their lives high up in the canopy. | 0:33:27 | 0:33:30 | |
Finding one so low in the tree is rare. | 0:33:30 | 0:33:34 | |
Bryson has studied them for many years. | 0:33:34 | 0:33:36 | |
This is a great opportunity to examine one. | 0:33:36 | 0:33:39 | |
Ooh! | 0:33:40 | 0:33:42 | |
Hey. Wow. | 0:33:43 | 0:33:45 | |
Wow, she is beautiful, look at her. | 0:33:45 | 0:33:47 | |
HE CHUCKLES She's absolutely gorgeous. | 0:33:49 | 0:33:53 | |
Hey. So, I've been working with sloths for ten years now. | 0:33:54 | 0:33:57 | |
This doesn't stress them out at all. They're pretty comfortable with it. | 0:33:57 | 0:34:01 | |
They're so strange looking when you see them up close. | 0:34:01 | 0:34:05 | |
They are also surprisingly comfortable with the insects | 0:34:07 | 0:34:10 | |
in their fur. | 0:34:10 | 0:34:13 | |
Sloths have a special relationship with a moth called the sloth moth. | 0:34:13 | 0:34:16 | |
And you can see them crawling all over her right now. | 0:34:16 | 0:34:19 | |
And these moths spend their entire life on the back of the sloth. | 0:34:19 | 0:34:23 | |
Living in the sloth's fur helps the moths avoid predators. | 0:34:23 | 0:34:27 | |
What the sloth gains from the relationship, if anything, | 0:34:30 | 0:34:33 | |
is a mystery. | 0:34:33 | 0:34:35 | |
Oh, taking my headlamp. | 0:34:42 | 0:34:44 | |
I think she's ready to go home. I'll put her back in her tree. | 0:34:44 | 0:34:47 | |
All right. Back home. | 0:34:52 | 0:34:55 | |
Out on the Pantanal, | 0:35:05 | 0:35:07 | |
Gordon's anteater search continues. | 0:35:07 | 0:35:10 | |
He has heard movement in a small patch of forest. | 0:35:12 | 0:35:15 | |
Not the giant anteater he's hoping for, but one of its cousins. | 0:35:17 | 0:35:22 | |
Isn't that just the weirdest-looking animal you've ever seen? | 0:35:24 | 0:35:27 | |
A lesser anteater. | 0:35:29 | 0:35:30 | |
Just metres in front of me. | 0:35:32 | 0:35:35 | |
Amazing. | 0:35:35 | 0:35:38 | |
Lesser anteaters spend up to 60% of their time in trees. | 0:35:46 | 0:35:50 | |
(OK, it's moved down. Let's see if I can follow it.) | 0:35:50 | 0:35:53 | |
However, they often leave the branches | 0:35:53 | 0:35:56 | |
to move between patches of forest, or to forage on the ground. | 0:35:56 | 0:36:01 | |
(There it is, right there.) | 0:36:01 | 0:36:03 | |
And look at this fella. Now, that is one bold little creature. | 0:36:04 | 0:36:08 | |
This is incredible, to be so close to a wild animal like this. | 0:36:08 | 0:36:12 | |
Anteaters are distant relatives of sloths and, like them, | 0:36:21 | 0:36:25 | |
they forage for food during the day and at night. | 0:36:25 | 0:36:29 | |
Still here. He's about to open a little bit of this log. | 0:36:31 | 0:36:36 | |
There's probably some ants or termites in there. | 0:36:36 | 0:36:40 | |
They have poor eyesight, | 0:36:42 | 0:36:44 | |
relying on smell and hearing to avoid predators and detect prey. | 0:36:44 | 0:36:48 | |
You can see here exactly what he was after - these termites. | 0:36:50 | 0:36:54 | |
Now, he's just pulled back the bark, and underneath this rotten log, | 0:36:54 | 0:37:00 | |
there are millions and millions of termites. | 0:37:00 | 0:37:03 | |
He just starts probing his tongue in there and lapping them up. | 0:37:03 | 0:37:08 | |
There's clearly plenty of food here for anteaters. | 0:37:14 | 0:37:18 | |
Even enough for giants. | 0:37:18 | 0:37:21 | |
It's a promising sign. | 0:37:21 | 0:37:23 | |
In the canopy of the Amazon, | 0:37:28 | 0:37:30 | |
Sophie is still staking out the fruiting tree, | 0:37:30 | 0:37:33 | |
waiting for any sign of the owl monkeys. | 0:37:33 | 0:37:36 | |
So far, she has had no luck at all... | 0:37:36 | 0:37:39 | |
..and things are about to get worse. | 0:37:42 | 0:37:43 | |
THUNDERCLAP | 0:37:43 | 0:37:46 | |
They are really large clouds. Very, very foreboding. | 0:37:46 | 0:37:51 | |
Not great, really, to be up a tree... | 0:37:51 | 0:37:54 | |
in the middle of a tropical rainstorm, on a metal platform. | 0:37:54 | 0:37:58 | |
The thunderstorm is really nearly here, and I'm in two minds. | 0:38:06 | 0:38:09 | |
I want to stay, and I really want to see the monkeys, | 0:38:09 | 0:38:12 | |
but I also don't want to get caught in a storm. | 0:38:12 | 0:38:15 | |
Here it comes. | 0:38:18 | 0:38:20 | |
THUNDER RUMBLES | 0:38:20 | 0:38:21 | |
Here it is, here it is. Go! Go! | 0:38:26 | 0:38:29 | |
Oh, I can't believe we pushed it. | 0:38:29 | 0:38:30 | |
Please, don't leave me up here. | 0:38:32 | 0:38:34 | |
It's quite unnerving up there, | 0:38:38 | 0:38:40 | |
the tree's moving around an awful lot. | 0:38:40 | 0:38:42 | |
OK, clear. | 0:38:44 | 0:38:45 | |
We need to get out of the forest. It's dangerous. | 0:38:45 | 0:38:49 | |
The one place you don't want to be in a tropical rainstorm | 0:38:52 | 0:38:55 | |
is in a flooded forest, | 0:38:55 | 0:38:57 | |
in a metal boat with loads of deadwood, | 0:38:57 | 0:39:00 | |
and that's why we're trying to get out of here | 0:39:00 | 0:39:02 | |
as quickly and safely as possible. | 0:39:02 | 0:39:04 | |
BOAT ENGINE STARTS | 0:39:04 | 0:39:05 | |
The storm brings high winds and lightning. | 0:39:05 | 0:39:09 | |
The biggest danger to Sophie is falling trees. | 0:39:10 | 0:39:13 | |
They must pick their way | 0:39:14 | 0:39:15 | |
back through the forest to the main river fast. | 0:39:15 | 0:39:18 | |
That is... That's lovely. | 0:39:32 | 0:39:34 | |
Even though we're now out and you can now see the lightning | 0:39:34 | 0:39:36 | |
and the rain's heavier, we're away from the woods. That is very good. | 0:39:36 | 0:39:41 | |
The Amazon team take shelter in the old steamer. | 0:39:45 | 0:39:47 | |
Sophie and Bryson will have to wait for the storm to subside | 0:39:48 | 0:39:51 | |
before they can head back out into the flooded forest. | 0:39:51 | 0:39:53 | |
George is now two miles into the cave. | 0:40:05 | 0:40:10 | |
Few creatures can survive this far into total darkness. | 0:40:10 | 0:40:14 | |
Oh, my God! | 0:40:17 | 0:40:18 | |
I don't believe what I'm seeing! | 0:40:23 | 0:40:25 | |
This is a swimming cricket. | 0:40:27 | 0:40:29 | |
Whoa! Look at it! Look! | 0:40:29 | 0:40:34 | |
It's using its little legs | 0:40:34 | 0:40:37 | |
in a sort of breaststroke. | 0:40:37 | 0:40:38 | |
Look at it, it's a proper breaststroke. | 0:40:38 | 0:40:41 | |
Oh! | 0:40:41 | 0:40:43 | |
Oh! Oh, my God! | 0:40:43 | 0:40:47 | |
It's a female, it's an adult female. | 0:40:48 | 0:40:52 | |
This is one of the weirdest | 0:40:52 | 0:40:54 | |
cave animals I've ever seen. | 0:40:54 | 0:40:56 | |
Crickets are common around the world, | 0:40:59 | 0:41:02 | |
but this one is entirely different. | 0:41:02 | 0:41:04 | |
In mastering this environment, using only touch and taste, | 0:41:07 | 0:41:10 | |
this strange-looking animal has become the apex predator. | 0:41:10 | 0:41:16 | |
There is an animal perfectly adapted | 0:41:19 | 0:41:23 | |
for life as a hunter in pitch-darkness. | 0:41:23 | 0:41:26 | |
It's got everything it needs - | 0:41:27 | 0:41:29 | |
it's got long antennae, | 0:41:29 | 0:41:31 | |
it's got these very sensitive palps | 0:41:31 | 0:41:33 | |
here for feeling its prey, | 0:41:33 | 0:41:35 | |
and these amazingly spiny legs. | 0:41:35 | 0:41:37 | |
So as soon as it meets something, feels it, the legs come in, | 0:41:37 | 0:41:40 | |
the spines are there, | 0:41:40 | 0:41:41 | |
and then grab them between these ENORMOUS great jaws. | 0:41:41 | 0:41:44 | |
This is the lion of the cave. | 0:41:48 | 0:41:50 | |
This is something you don't want to meet if you're a bug. | 0:41:50 | 0:41:54 | |
Look at her, look at her! Ooh, she's big! | 0:41:54 | 0:41:57 | |
Ooh, God, she is strong, and she's trying to bite my finger. Agh! | 0:41:57 | 0:42:02 | |
She is trying to slice through my thumb. Agh! | 0:42:02 | 0:42:05 | |
Ooh! Argh. | 0:42:05 | 0:42:07 | |
Look, I'm not even holding you, just go away, please. | 0:42:07 | 0:42:11 | |
This is the only way she is going to let go. Argh! Agh! | 0:42:12 | 0:42:17 | |
Gah! Oh! | 0:42:18 | 0:42:21 | |
Oh! | 0:42:24 | 0:42:25 | |
Isolated for millions of years in a cave with limited prey, | 0:42:27 | 0:42:31 | |
this animal has evolved to hunt both on land and underwater, | 0:42:31 | 0:42:35 | |
making the most of its uniquely demanding habitat. | 0:42:35 | 0:42:40 | |
HE LAUGHS | 0:42:48 | 0:42:50 | |
Oh, man! Just the perfect animal for a cave. | 0:42:52 | 0:42:55 | |
Animals could live in the dark as easily as we live in daylight. | 0:42:58 | 0:43:04 | |
They just need the right senses - touch, smell and hearing. | 0:43:04 | 0:43:10 | |
As Bryson pushes into the very depths of the flooded forest, | 0:43:15 | 0:43:18 | |
he comes across a creature that takes hearing to an extreme. | 0:43:18 | 0:43:23 | |
CREATURES SCREECHING | 0:43:23 | 0:43:26 | |
There's dolphins swimming around my boat right now. | 0:43:26 | 0:43:29 | |
They're actually pretty loud at night-time. | 0:43:29 | 0:43:31 | |
They kind of come by and you hear them breathe, going... | 0:43:31 | 0:43:34 | |
-HE MIMICS BREATHING NOISE -..right next to the boat. | 0:43:34 | 0:43:37 | |
DOLPHIN EXHALES LOUDLY | 0:43:37 | 0:43:39 | |
Thousands of miles from the sea, these pink river dolphins | 0:43:42 | 0:43:47 | |
have evolved for life in the fresh water of these flooded forests. | 0:43:47 | 0:43:51 | |
They use sound to navigate and hunt, sending out clicks, | 0:43:54 | 0:43:58 | |
and listening for echoes from their surroundings. | 0:43:58 | 0:44:01 | |
I never realised that the forest floods this much, that the dolphin | 0:44:05 | 0:44:08 | |
can actually feed in the middle of the forest, miles from the river. | 0:44:08 | 0:44:13 | |
That's weird. | 0:44:13 | 0:44:14 | |
And they do it at night-time. | 0:44:16 | 0:44:18 | |
With their highly tuned sonar, | 0:44:27 | 0:44:29 | |
dolphins operate superbly in the pitch-black. | 0:44:29 | 0:44:33 | |
High up in the canopy, Sophie's vigil has finally paid off. | 0:44:43 | 0:44:47 | |
(I think I've just heard an owl monkey.) | 0:44:49 | 0:44:52 | |
SCREECHING | 0:44:52 | 0:44:55 | |
(Oh, do you hear that? That's an owl monkey.) | 0:44:55 | 0:44:58 | |
(Did you see it thrashing around in the bushes?) | 0:45:00 | 0:45:03 | |
SHE GASPS | 0:45:20 | 0:45:21 | |
After days of frustration, | 0:45:22 | 0:45:25 | |
Sophie is able to capture footage of these wild monkeys in the canopy. | 0:45:25 | 0:45:30 | |
(There's another one just come in.) | 0:45:36 | 0:45:38 | |
(And they're feeding.) | 0:45:39 | 0:45:41 | |
(That's very cool.) | 0:45:41 | 0:45:43 | |
(It's just a pure example of an animal) | 0:45:49 | 0:45:53 | |
(beautifully adapted for the night.) | 0:45:53 | 0:45:55 | |
(They're out there on their own, all the other primates are asleep,) | 0:45:55 | 0:45:58 | |
(and so they have the trees to themselves.) | 0:45:58 | 0:46:01 | |
Unlike many nocturnal animals, owl monkeys still rely on eyesight. | 0:46:03 | 0:46:07 | |
(Big glowing eyes. It's the main feature.) | 0:46:09 | 0:46:12 | |
Their eyes are 50% larger than other monkeys, | 0:46:15 | 0:46:18 | |
and perfectly adapted for the dark. | 0:46:18 | 0:46:21 | |
They have sacrificed colour and sharpness for sensitivity. | 0:46:23 | 0:46:27 | |
Their retinas are crammed with cells that detect even the dimmest light. | 0:46:31 | 0:46:35 | |
For a fuller picture of how these monkeys function in the dark, | 0:46:39 | 0:46:43 | |
Sophie must switch to thermal imaging. | 0:46:43 | 0:46:46 | |
(It's extraordinary, the way he's moving around.) | 0:46:56 | 0:46:59 | |
(Just bouncing through the trees. It's just incredible.) | 0:46:59 | 0:47:02 | |
Sophie's images show how the monkeys' ultra-sensitive eyes | 0:47:03 | 0:47:07 | |
help them see branches and judge distances in the darkness. | 0:47:07 | 0:47:12 | |
(This is the first time they've ever been filmed in the canopy) | 0:47:17 | 0:47:21 | |
(with the thermal cameras,) | 0:47:21 | 0:47:22 | |
(and it just gives you a whole new view.) | 0:47:22 | 0:47:25 | |
(He's going to jump!) | 0:47:27 | 0:47:28 | |
(He's going to jump! Oh!) | 0:47:28 | 0:47:30 | |
(That's incredible.) | 0:47:33 | 0:47:35 | |
(This creature has just leapt) | 0:47:35 | 0:47:37 | |
(ten foot through the air.) | 0:47:37 | 0:47:39 | |
(I've just watched them leaping through the forest) | 0:47:43 | 0:47:46 | |
(as if it was broad daylight, and it's not.) | 0:47:46 | 0:47:50 | |
(It's dark.) | 0:47:50 | 0:47:51 | |
(They are so well adapted, it takes your breath away.) | 0:47:53 | 0:47:57 | |
(You don't expect to see monkeys leaping through the forest at night.) | 0:47:57 | 0:48:00 | |
(You just don't.) | 0:48:00 | 0:48:01 | |
(Owl monkeys have very distinct territories,) | 0:48:19 | 0:48:23 | |
(which means if they're visiting this fruiting tree,) | 0:48:23 | 0:48:26 | |
(their nest could very well be close-by.) | 0:48:26 | 0:48:29 | |
Sophie has recorded unique footage | 0:48:29 | 0:48:32 | |
of these remarkable animals at night. | 0:48:32 | 0:48:35 | |
Her final challenge is to film them at their nest in the day. | 0:48:35 | 0:48:39 | |
On the plains of the Pantanal, | 0:48:54 | 0:48:57 | |
Gordon's thermal camera has picked up something large. | 0:48:57 | 0:49:01 | |
Oh, my God. | 0:49:02 | 0:49:04 | |
Look, look, look, look! | 0:49:04 | 0:49:06 | |
The unmistakable outline of the elusive giant anteater. | 0:49:08 | 0:49:13 | |
That's great. | 0:49:15 | 0:49:17 | |
This is the first time I've ever seen a giant anteater, | 0:49:19 | 0:49:24 | |
and I'm not disappointed. | 0:49:24 | 0:49:28 | |
It is an INCREDIBLE beast. | 0:49:28 | 0:49:31 | |
Like the lesser anteater, this giant has poor eyesight. | 0:49:31 | 0:49:36 | |
It uses a strong sense of smell to navigate in the dark. | 0:49:36 | 0:49:40 | |
He's got that big long nose. | 0:49:43 | 0:49:46 | |
SNIFFING | 0:49:46 | 0:49:48 | |
I think it's safe to say that the giant anteater | 0:49:51 | 0:49:54 | |
is one of the strangest animals that roams the planet. | 0:49:54 | 0:49:58 | |
I wonder if I can get closer? | 0:50:00 | 0:50:02 | |
(Yeah, I'm going to try and get a bit closer.) | 0:50:02 | 0:50:04 | |
Now, this animal is after the exact same prey | 0:50:13 | 0:50:18 | |
as the lesser anteater that I saw - | 0:50:18 | 0:50:21 | |
ants and termites - | 0:50:21 | 0:50:22 | |
but obviously, a monster like this | 0:50:22 | 0:50:24 | |
needs many, many more of them. | 0:50:24 | 0:50:26 | |
The giant anteater is not truly nocturnal. | 0:50:32 | 0:50:36 | |
In other parts of South America, it forages during the day. | 0:50:36 | 0:50:40 | |
But its powerful sense of smell | 0:50:40 | 0:50:42 | |
means it's equally at home in the dark. | 0:50:42 | 0:50:45 | |
In very hot areas like the Pantanal, | 0:50:46 | 0:50:49 | |
they make the most of the cool night air | 0:50:49 | 0:50:51 | |
and sleep during the heat of the day. | 0:50:51 | 0:50:53 | |
He's still on the move, so I'm going to try and keep up with him. | 0:50:55 | 0:50:59 | |
Giant anteaters can move quickly. | 0:51:02 | 0:51:05 | |
With his heavy cameras, Gordon is unable to keep up. | 0:51:05 | 0:51:08 | |
I completely lost it. Even with all this technology, | 0:51:11 | 0:51:15 | |
it's still quite easy to lose stuff in the dark. | 0:51:15 | 0:51:18 | |
Gordon gives up the chase, after a disappointingly short encounter. | 0:51:19 | 0:51:23 | |
His hope is that the camera traps | 0:51:23 | 0:51:25 | |
will reveal more nocturnal behaviour. | 0:51:25 | 0:51:28 | |
As soon as it's light enough, Gordon checks his traps. | 0:51:31 | 0:51:36 | |
With luck, their footage will reveal | 0:51:39 | 0:51:41 | |
what these giants are doing at night. | 0:51:41 | 0:51:44 | |
Right, here we go. | 0:51:49 | 0:51:51 | |
Oh, look at this! | 0:51:53 | 0:51:56 | |
The traps have done their job. | 0:51:56 | 0:51:59 | |
Oops, he's having a sniff. | 0:52:06 | 0:52:08 | |
He's having a stiff at the tree. | 0:52:08 | 0:52:10 | |
The cameras have recorded over 15 hours of footage. | 0:52:14 | 0:52:17 | |
Surprisingly, several different individuals have visited this spot. | 0:52:18 | 0:52:23 | |
Ooh, look, this one's got a baby on its back. You can just see it. | 0:52:23 | 0:52:28 | |
They seem drawn to the tree | 0:52:30 | 0:52:32 | |
where Gordon found mysterious scratch marks. | 0:52:32 | 0:52:35 | |
Oh, wow! | 0:52:38 | 0:52:40 | |
That's what it is! | 0:52:41 | 0:52:43 | |
Whoa! | 0:52:49 | 0:52:51 | |
That anteater's actually off the ground. | 0:52:52 | 0:52:55 | |
He's technically climbing. | 0:52:56 | 0:53:00 | |
Giant anteaters are ground-dwellers and are not known to climb. | 0:53:03 | 0:53:08 | |
This animal isn't reaching. He's not standing up on his back legs. | 0:53:12 | 0:53:15 | |
He's actually climbing the tree. | 0:53:15 | 0:53:17 | |
So, all these marks way up the tree have been left | 0:53:21 | 0:53:25 | |
by that mysterious creature - the giant anteater. | 0:53:25 | 0:53:28 | |
The big question is, why is the anteater climbing the tree? | 0:53:34 | 0:53:38 | |
I think it may well have something to do with marking a territory, | 0:53:39 | 0:53:44 | |
that different anteaters come here and they scratch and leave a scent. | 0:53:44 | 0:53:48 | |
Smell is incredibly important to these giants. | 0:53:48 | 0:53:52 | |
The camera trap images suggest that they use scent to communicate, | 0:53:52 | 0:53:56 | |
and to map each other's movements in the dark. | 0:53:56 | 0:53:58 | |
There's not that much known about giant anteaters, | 0:54:00 | 0:54:03 | |
but one thing that is in every publication | 0:54:03 | 0:54:06 | |
is that they do not climb trees, and here's an anteater climbing a tree. | 0:54:06 | 0:54:11 | |
Oh, wow! Wow, look at him. | 0:54:11 | 0:54:14 | |
Gordon has done more than just film these animals. | 0:54:16 | 0:54:19 | |
He has documented a completely new behaviour. | 0:54:19 | 0:54:22 | |
This is the first place it's EVER been filmed. | 0:54:24 | 0:54:27 | |
In the flooded forests of the Amazon, | 0:54:34 | 0:54:37 | |
Sophie has found the owl monkeys' nest. | 0:54:37 | 0:54:41 | |
In daylight, the eyes that are so vital at night | 0:54:41 | 0:54:43 | |
seem even more striking. | 0:54:43 | 0:54:46 | |
The little one is yawning. | 0:54:48 | 0:54:52 | |
And it's obviously night-time. He's meant to be asleep. | 0:54:52 | 0:54:54 | |
But he's so curious, he can't resist just peeking out the hole. | 0:54:55 | 0:54:58 | |
By adapting for life after dark, | 0:55:00 | 0:55:02 | |
these owl monkeys avoid competition for food | 0:55:02 | 0:55:05 | |
and can shelter from daytime predators. | 0:55:05 | 0:55:08 | |
I've never filmed anything quite so gorgeous. | 0:55:08 | 0:55:11 | |
Seeing these monkeys at rest during the day | 0:55:15 | 0:55:17 | |
is a perfect end to Sophie's mission. | 0:55:17 | 0:55:20 | |
She has achieved a wildlife first. | 0:55:23 | 0:55:26 | |
Her remarkable thermal images show how freely these monkeys are able to | 0:55:26 | 0:55:31 | |
move around the canopy in the dark. | 0:55:31 | 0:55:33 | |
Working through the night in the flooded forest | 0:55:36 | 0:55:39 | |
has been an extreme challenge for the Amazon team. | 0:55:39 | 0:55:42 | |
However, both Sophie and Bryson leave with new insight | 0:55:44 | 0:55:48 | |
into how animals survive here in the dark. | 0:55:48 | 0:55:50 | |
In Venezuela, after four days in total darkness, | 0:55:55 | 0:56:01 | |
and following the underground river for three miles, | 0:56:01 | 0:56:04 | |
George can go no further. | 0:56:04 | 0:56:06 | |
We're now exactly at the end of the underground stream. | 0:56:09 | 0:56:12 | |
And it sinks down... Ooh! | 0:56:12 | 0:56:15 | |
..through a big choke of boulders which have fallen down. | 0:56:15 | 0:56:18 | |
HE GRUNTS | 0:56:20 | 0:56:23 | |
Oh! Look, sunlight! That's the most amazing colour to see | 0:56:23 | 0:56:27 | |
after being in darkness for so long. | 0:56:27 | 0:56:30 | |
Ah, we're there. | 0:56:30 | 0:56:32 | |
Oh, look at it, it's getting brighter and brighter! | 0:56:38 | 0:56:40 | |
God, that almost hurts your eyes, actually. | 0:56:40 | 0:56:42 | |
And the other thing that really hits you is the fresh air. | 0:56:44 | 0:56:46 | |
HE BREATHES IN DEEPLY | 0:56:46 | 0:56:49 | |
Ah! What a view! | 0:56:51 | 0:56:53 | |
Ah! | 0:56:57 | 0:56:59 | |
This is the world I am part of down here. | 0:57:00 | 0:57:03 | |
Fascinating though the darkness is | 0:57:03 | 0:57:06 | |
and amazing as the animals are, we're not creatures of the dark. | 0:57:06 | 0:57:11 | |
We should be out there in the sun, and that's where I belong. | 0:57:11 | 0:57:15 | |
It's the end of an extraordinary journey. | 0:57:20 | 0:57:23 | |
From night in the flooded forest | 0:57:25 | 0:57:28 | |
to the perpetual darkness of the cave, | 0:57:28 | 0:57:30 | |
incredible creatures and new species | 0:57:30 | 0:57:34 | |
have evolved to live in an alien world. | 0:57:34 | 0:57:37 | |
Adapting their senses and behaviour | 0:57:40 | 0:57:43 | |
to survive...in the dark. | 0:57:43 | 0:57:47 | |
Next time, the team head to the very bottom of the continent... | 0:57:47 | 0:57:52 | |
..for the final phase of the expedition... | 0:57:54 | 0:57:57 | |
..at the wild southern tip of South America... | 0:57:58 | 0:58:02 | |
Look at that. | 0:58:05 | 0:58:08 | |
It's scary as hell! | 0:58:11 | 0:58:12 | |
..where more nocturnal mysteries await. | 0:58:12 | 0:58:16 | |
What is that? | 0:58:16 | 0:58:19 | |
Subtitles by Red Bee Media Ltd | 0:58:42 | 0:58:45 |