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As night creeps across the planet, | 0:00:05 | 0:00:08 | |
and our familiar daytime world is plunged into darkness... | 0:00:08 | 0:00:11 | |
..strange creatures are beginning to stir. | 0:00:14 | 0:00:17 | |
This is when most animals are active. | 0:00:18 | 0:00:21 | |
The drama of their nocturnal lives, hidden from our eyes. | 0:00:23 | 0:00:26 | |
Now a team of scientists and filmmakers is on an expedition | 0:00:33 | 0:00:36 | |
to the remotest parts of South America. | 0:00:36 | 0:00:38 | |
Whoa, whoa, whoa! | 0:00:38 | 0:00:41 | |
What is that? | 0:00:41 | 0:00:43 | |
Armed with specialist technology, | 0:00:44 | 0:00:46 | |
they will attempt to discover the secrets of the night. | 0:00:46 | 0:00:49 | |
-Holy -BLEEP! -I'm getting it. I'm getting it. | 0:00:49 | 0:00:52 | |
She's hunting. | 0:00:53 | 0:00:55 | |
It's a journey into the unknown... | 0:00:55 | 0:00:57 | |
I shouldn't really be out here alone. | 0:00:59 | 0:01:02 | |
..a world where we are blind... | 0:01:02 | 0:01:05 | |
Please don't leave me up here. | 0:01:05 | 0:01:07 | |
I don't know what that is. | 0:01:07 | 0:01:09 | |
Technology will reveal it as never before.... | 0:01:09 | 0:01:11 | |
Right now's the most dangerous time to be out here. | 0:01:11 | 0:01:15 | |
He will attack you. | 0:01:15 | 0:01:16 | |
The mysteries of life in the dark. | 0:01:16 | 0:01:20 | |
Don't...run. | 0:01:20 | 0:01:21 | |
Over six months, the expedition is travelling | 0:01:32 | 0:01:36 | |
the length of Central and South America, | 0:01:36 | 0:01:39 | |
from the pristine rainforests of the north, | 0:01:39 | 0:01:42 | |
to the darkest heart of the Amazon jungle. | 0:01:42 | 0:01:44 | |
They've been using their new technology | 0:01:44 | 0:01:47 | |
to illuminate a world hidden from human eyes. | 0:01:47 | 0:01:51 | |
Now on the final leg of their journey, | 0:01:52 | 0:01:54 | |
they have come to solve more nocturnal mysteries | 0:01:54 | 0:01:57 | |
in a new and very different environment... | 0:01:57 | 0:02:00 | |
..the southern tip of South America - Patagonia. | 0:02:01 | 0:02:06 | |
Bryson, Bryson, we're going to head off now | 0:02:20 | 0:02:23 | |
and we're going to check out another ridge line. | 0:02:23 | 0:02:25 | |
All right. We're going to take the other road and loop back around. | 0:02:25 | 0:02:28 | |
'We're going to carry on in this direction.' | 0:02:28 | 0:02:30 | |
Heading up the team of wildlife experts | 0:02:32 | 0:02:34 | |
is biologist Dr George McGavin. | 0:02:34 | 0:02:36 | |
We've come to the Torres del Paine National Park | 0:02:38 | 0:02:41 | |
right at the southern tip of the Andes, | 0:02:41 | 0:02:43 | |
and we've come here to look for the largest ranging | 0:02:43 | 0:02:46 | |
land carnivore in all the Americas - the puma. | 0:02:46 | 0:02:50 | |
The puma is the top predator here. | 0:02:52 | 0:02:54 | |
They're a crucial part of the mountain ecosystem, | 0:02:54 | 0:02:57 | |
but their behaviour has been little studied. | 0:02:57 | 0:03:00 | |
We're pretty sure we know what they do during the day. | 0:03:00 | 0:03:04 | |
They sleep. But what a puma does after dark is a black book. | 0:03:04 | 0:03:09 | |
There is a higher concentration of pumas here | 0:03:09 | 0:03:12 | |
than anywhere else on earth. | 0:03:12 | 0:03:13 | |
The team will use their specialist cameras | 0:03:13 | 0:03:16 | |
to build a more complete picture of their lives. | 0:03:16 | 0:03:18 | |
They have never been filmed hunting after dark - ever. | 0:03:18 | 0:03:21 | |
If we can do that, that'd be the holy grail of puma ecology. | 0:03:21 | 0:03:28 | |
Their first challenge is to find a puma. | 0:03:28 | 0:03:31 | |
That means splitting up and searching by day for possible lairs. | 0:03:32 | 0:03:35 | |
Three miles from George, | 0:03:35 | 0:03:37 | |
night-time camera specialist Justine Evans scans from the air. | 0:03:37 | 0:03:41 | |
There's a huge, huge area. | 0:03:42 | 0:03:44 | |
And there's a series of ridges and valleys, lots of lakes... | 0:03:44 | 0:03:49 | |
and there's little rocky outcrops where pumas can hide away. | 0:03:49 | 0:03:52 | |
Justine is guiding a third team member, biologist Bryson Voirin - | 0:03:54 | 0:03:58 | |
the expedition's tracker. | 0:03:58 | 0:04:00 | |
The most difficult thing about this place is actually finding a puma - | 0:04:01 | 0:04:05 | |
it's like looking for a needle in a haystack, | 0:04:05 | 0:04:07 | |
except this needle is moving around. | 0:04:07 | 0:04:09 | |
Bryson has spent years studying nocturnal mammals. | 0:04:10 | 0:04:13 | |
If he can identify where pumas are hunting, | 0:04:14 | 0:04:17 | |
then Justine can return at night to film them. | 0:04:17 | 0:04:19 | |
'Be careful in there.' | 0:04:21 | 0:04:23 | |
You don't want to corner a puma or scare it. | 0:04:23 | 0:04:24 | |
Justine, I'm seeing lots and lots of game trails here, | 0:04:26 | 0:04:29 | |
so it seems like there's a lot of activity with animals. | 0:04:29 | 0:04:31 | |
By working in different areas, | 0:04:33 | 0:04:35 | |
the team hope to maximise their chances of finding a puma. | 0:04:35 | 0:04:38 | |
I'm just looking for anything I can see - | 0:04:40 | 0:04:43 | |
tracks or signs, bits or remains of animals, | 0:04:43 | 0:04:46 | |
anything that will hand us a clue. | 0:04:46 | 0:04:49 | |
You know, hunting animals, you have to be sneaky, | 0:04:49 | 0:04:51 | |
you have to have a strategy to catch whatever you're routing. | 0:04:51 | 0:04:55 | |
And if you're doing it after dark, | 0:04:55 | 0:04:57 | |
you have to have a special suite of tricks up your sleeve. | 0:04:57 | 0:05:00 | |
Here, the puma's meal of choice is guanaco - | 0:05:03 | 0:05:07 | |
an ancient cousin of the llama. | 0:05:07 | 0:05:09 | |
They are constantly alert - | 0:05:10 | 0:05:12 | |
almost impossible to hunt by day, | 0:05:12 | 0:05:15 | |
but at night, they are vulnerable. | 0:05:15 | 0:05:17 | |
Oooh. Wait. Wait, wait, wait. | 0:05:22 | 0:05:24 | |
There's a kill here. Look, just right next to me. | 0:05:27 | 0:05:31 | |
That is a puma kill. | 0:05:33 | 0:05:37 | |
Right under that bush. | 0:05:41 | 0:05:43 | |
Now, it's been hidden. | 0:05:43 | 0:05:45 | |
What they do is, they hunt for their prey | 0:05:45 | 0:05:47 | |
and they jump on its back and then after it's killed, | 0:05:47 | 0:05:50 | |
they can't possibly eat an animal of this size in one go. | 0:05:50 | 0:05:55 | |
So they hide it under all this brush and it's completely hidden. | 0:05:55 | 0:05:59 | |
They then come back over two or three evenings and eat it all. | 0:05:59 | 0:06:03 | |
And that is the remains of a kill. | 0:06:03 | 0:06:05 | |
So there's a guanaco. That's all that remains of it. | 0:06:06 | 0:06:09 | |
There'll be no more eating here. That's just skin and bone there. | 0:06:12 | 0:06:15 | |
It's proof that a puma is hunting here. | 0:06:18 | 0:06:21 | |
To see the animal in action, the team must return after dark. | 0:06:21 | 0:06:26 | |
Three hundred miles south, in the Magellan Strait, | 0:06:33 | 0:06:36 | |
a second part of the expedition is under way. | 0:06:36 | 0:06:39 | |
Wildlife cameraman Gordon Buchanan will use state-of-the-art technology | 0:06:39 | 0:06:43 | |
to shed light on a marine mystery in these rich waters. | 0:06:43 | 0:06:47 | |
It's probably one of the most treacherous bodies of water | 0:06:47 | 0:06:51 | |
in the world, but it is also one of the most unique marine environments | 0:06:51 | 0:06:56 | |
and the reason being, we've got the Atlantic | 0:06:56 | 0:06:58 | |
and the Pacific coming together right at this point | 0:06:58 | 0:07:02 | |
and what that leads to is a biodiversity on an epic scale. | 0:07:02 | 0:07:07 | |
You've got creatures in this water | 0:07:07 | 0:07:09 | |
from the very smallest to some of the planet's biggest. | 0:07:09 | 0:07:13 | |
One of the largest is the humpback whale. | 0:07:14 | 0:07:17 | |
Ooh, a big humpback whale just here. | 0:07:18 | 0:07:22 | |
Spectacular. | 0:07:23 | 0:07:25 | |
And there's more. | 0:07:25 | 0:07:26 | |
Just here, maybe 300 metres away. | 0:07:26 | 0:07:28 | |
Most humpback whales pass quickly through the Magellan Strait. | 0:07:30 | 0:07:34 | |
This group chooses to stay here for three months of every year. | 0:07:35 | 0:07:39 | |
So little is known about what takes place during the day | 0:07:43 | 0:07:46 | |
under the surface of the water and absolutely nothing is known, | 0:07:46 | 0:07:49 | |
really, about what takes place at night-time. | 0:07:49 | 0:07:51 | |
Gordon hopes to solve a puzzle | 0:07:51 | 0:07:53 | |
that has mystified the scientists that study these whales. | 0:07:53 | 0:07:56 | |
They can hear them coming close to shore at night, | 0:07:56 | 0:07:59 | |
but can't see what they're doing. | 0:07:59 | 0:08:02 | |
Gosh, look at that! | 0:08:02 | 0:08:03 | |
Gordon's specialist equipment could give them the answer. | 0:08:04 | 0:08:08 | |
We have an arsenal of cameras for filming at night-time. | 0:08:11 | 0:08:14 | |
We've got thermal imaging cameras, we've got infrared, | 0:08:14 | 0:08:17 | |
we've got low light cameras. | 0:08:17 | 0:08:20 | |
Pretty much nothing can take place at night-time | 0:08:20 | 0:08:23 | |
without us being able to film it in some way. | 0:08:23 | 0:08:26 | |
Using this technology to film whales at night will be a first, | 0:08:27 | 0:08:31 | |
and could open up a whole new world. | 0:08:31 | 0:08:33 | |
It'd be good to get into the water and find out | 0:08:36 | 0:08:38 | |
what those humpbacks are doing at night, | 0:08:38 | 0:08:40 | |
if they are doing anything. And that's why we're here, | 0:08:40 | 0:08:42 | |
to get out there and just try and answer some questions. | 0:08:42 | 0:08:45 | |
Whoa, whoa, whoa, whoa! | 0:08:45 | 0:08:48 | |
Unbelievable. | 0:08:48 | 0:08:49 | |
As daylight fades, 300 miles north, | 0:09:04 | 0:09:08 | |
the puma team has split to search the area where George found a kill. | 0:09:08 | 0:09:12 | |
This is the time the pumas are just waking up, | 0:09:13 | 0:09:16 | |
going around looking for dinner. | 0:09:16 | 0:09:17 | |
It's a really good time to see them | 0:09:17 | 0:09:19 | |
walking along the hillsides or in the valleys. | 0:09:19 | 0:09:21 | |
Tonight we've got all three teams out | 0:09:23 | 0:09:26 | |
in separate vehicles and driving all the tracks, | 0:09:26 | 0:09:29 | |
and we're throwing everything at it tonight, | 0:09:29 | 0:09:31 | |
getting everyone out there. | 0:09:31 | 0:09:32 | |
It's a large area - we need to spread out as far as we can | 0:09:32 | 0:09:36 | |
and to use a variety of strategies if we're to see anything good. | 0:09:36 | 0:09:41 | |
This puma will have a territory of about 25 square miles. | 0:09:56 | 0:10:00 | |
-Are you ready? -Yeah. We're ready. -OK. | 0:10:00 | 0:10:03 | |
They are each searching in a different part of its range. | 0:10:06 | 0:10:09 | |
This is great, because we've got thermal sensing going on, | 0:10:13 | 0:10:16 | |
and visible light. Diego's out the roof with a spotlight, | 0:10:16 | 0:10:20 | |
and I've got the little thermal spotting camera here, | 0:10:20 | 0:10:23 | |
which will reveal the heat of anything warm-blooded | 0:10:23 | 0:10:25 | |
that's out there. | 0:10:25 | 0:10:27 | |
Right now, we're using lights to find the pumas, | 0:10:31 | 0:10:33 | |
but as soon as we see we one, we've got to turn the car off, | 0:10:33 | 0:10:36 | |
turn off all the lights and switch to either infrared | 0:10:36 | 0:10:38 | |
or thermal cameras that don't emit any light, | 0:10:38 | 0:10:41 | |
cos lights will scare the pumas away. | 0:10:41 | 0:10:42 | |
Three miles west, George is with two biologists | 0:10:44 | 0:10:47 | |
who have studied the pumas here for years. | 0:10:47 | 0:10:50 | |
What we're hunting for is green eye shine. | 0:10:51 | 0:10:55 | |
Pumas have got very big eyes, | 0:10:55 | 0:10:57 | |
and they glow bright green in a headlight beam. | 0:10:57 | 0:11:01 | |
So it'll be very obvious if there's one there. | 0:11:01 | 0:11:04 | |
Quick! Quick, quick! | 0:11:08 | 0:11:10 | |
So something just ran out of the bushes. Where'd it go? | 0:11:10 | 0:11:13 | |
Oh, I see the eye shine. | 0:11:15 | 0:11:16 | |
It's moving too fast. | 0:11:16 | 0:11:18 | |
Fox. | 0:11:19 | 0:11:20 | |
Yeah, it's a fox. | 0:11:20 | 0:11:21 | |
While Bryson and Justine continue their search, | 0:11:28 | 0:11:30 | |
George leaves the safety of his vehicle | 0:11:31 | 0:11:34 | |
to check out a ridge above the road with a military spotting scope. | 0:11:34 | 0:11:37 | |
There was definitely, definitely eye shine over there. | 0:11:40 | 0:11:43 | |
It was just by that rock. | 0:11:45 | 0:11:46 | |
Right there! | 0:11:48 | 0:11:49 | |
(There's one just there.) | 0:11:54 | 0:11:56 | |
Yeah, it's just on the hillside. Just halfway up the slope. | 0:11:59 | 0:12:04 | |
Well, it isn't a very clear sighting. | 0:12:06 | 0:12:08 | |
I just saw eye shine. | 0:12:11 | 0:12:12 | |
It didn't look very green. It looked greenish. | 0:12:14 | 0:12:18 | |
But it definitely wasn't a guanaco eye shine. | 0:12:18 | 0:12:21 | |
And it was just over there. | 0:12:21 | 0:12:22 | |
If it is a puma, then I'm right on the top of this ridge. | 0:12:24 | 0:12:28 | |
I mean, it's obvious he'll go. | 0:12:28 | 0:12:30 | |
The animal heads down towards the road. | 0:12:31 | 0:12:34 | |
George radios biologist Rodrigo, waiting in the vehicle below. | 0:12:34 | 0:12:39 | |
I just thought I saw a moving spot | 0:12:41 | 0:12:46 | |
'on a slight slope just southwest of here.' | 0:12:46 | 0:12:50 | |
OK, perfect. | 0:12:50 | 0:12:52 | |
Now Rodrigo must try to intercept the animal as it crosses the road. | 0:12:57 | 0:13:02 | |
Stop, stop, stop. | 0:13:02 | 0:13:04 | |
Did you see something? | 0:13:04 | 0:13:05 | |
-Got binoculars? -Yeah, it's a puma, Christina. | 0:13:05 | 0:13:08 | |
Absolutely 100% puma. OK. | 0:13:09 | 0:13:13 | |
This is great for filming. | 0:13:13 | 0:13:14 | |
Give me the radio. | 0:13:16 | 0:13:18 | |
Rodrigo calls in Justine, | 0:13:18 | 0:13:19 | |
who is two miles away searching on a different mountain track. | 0:13:19 | 0:13:23 | |
-'Rodrigo, how are you getting on? Over.' -We just spotted a puma. | 0:13:23 | 0:13:27 | |
Quick. It's just here. | 0:13:27 | 0:13:29 | |
'Perfect.' | 0:13:29 | 0:13:30 | |
OK, we're on our way. Let's go. Let's move on. | 0:13:30 | 0:13:34 | |
The challenge now is to stick close to the puma. | 0:13:37 | 0:13:40 | |
With luck, Justine will get there in time | 0:13:40 | 0:13:43 | |
to film its behaviour at night. | 0:13:43 | 0:13:45 | |
In the Magellan Strait, | 0:13:51 | 0:13:53 | |
Gordon is hoping to solve the mystery | 0:13:53 | 0:13:55 | |
of what brings a pod of humpback whales | 0:13:55 | 0:13:58 | |
so close to shore at night. | 0:13:58 | 0:13:59 | |
There's so much about these animals that we don't know, | 0:14:02 | 0:14:07 | |
so much about them that we'll never know | 0:14:07 | 0:14:10 | |
and the reason is because most of the things they do | 0:14:10 | 0:14:13 | |
are done in complete darkness. | 0:14:13 | 0:14:16 | |
Gordon is relying on his thermal camera to see in total darkness, | 0:14:16 | 0:14:21 | |
but there's no guarantee | 0:14:21 | 0:14:22 | |
his technology will even detect the whales. | 0:14:22 | 0:14:25 | |
This has never been attempted before. | 0:14:25 | 0:14:27 | |
we're answering some questions, we're learning new stuff | 0:14:27 | 0:14:30 | |
and we're only able to do this | 0:14:30 | 0:14:32 | |
because of the technology that we're using. | 0:14:32 | 0:14:34 | |
This camera, it's a thermal camera, so it sees heat sources. | 0:14:34 | 0:14:39 | |
Humpbacks are incredibly well insulated. | 0:14:39 | 0:14:41 | |
They've got a thick, thick layer of blubber, | 0:14:41 | 0:14:44 | |
so it may well be that humpbacks | 0:14:44 | 0:14:46 | |
actually don't give off a temperature signal. | 0:14:46 | 0:14:49 | |
They might be the same temperature as the water. We just don't know. | 0:14:49 | 0:14:52 | |
This is the first time anyone's ever tried | 0:14:52 | 0:14:54 | |
to use this technology to find these animals. | 0:14:54 | 0:14:56 | |
Within minutes, the camera begins to pick up | 0:14:59 | 0:15:02 | |
unusual activity in the water. | 0:15:02 | 0:15:03 | |
Oh, there you go! There you go. You can actually see... | 0:15:09 | 0:15:12 | |
Ohhh! You can see its tail splashing in the water there. | 0:15:14 | 0:15:18 | |
That's interesting - there's this huge cloud of white vapour, | 0:15:20 | 0:15:25 | |
and the reason it's white is because it's hot. | 0:15:25 | 0:15:28 | |
It's hot breath being expelled from these huge lungs. | 0:15:28 | 0:15:33 | |
And it shows up much, much warmer than the ambient water. | 0:15:33 | 0:15:36 | |
Now, you see that? | 0:15:38 | 0:15:40 | |
Oh! Great. | 0:15:40 | 0:15:42 | |
Huge tail splashes and clouds of water coming up from the surface, | 0:15:42 | 0:15:46 | |
not just from it slapping its tail, but from its blowhole as well. | 0:15:46 | 0:15:50 | |
We came out looking for behaviour, | 0:15:51 | 0:15:54 | |
and this is not at all what I expected to see. | 0:15:54 | 0:15:57 | |
From this distance, Gordon can only speculate what the whales are doing. | 0:15:58 | 0:16:02 | |
It may be a way in lower light conditions | 0:16:02 | 0:16:05 | |
for whales to communicate to each other, | 0:16:05 | 0:16:08 | |
to let them know precisely where they are. | 0:16:08 | 0:16:11 | |
That sound, that huge, thunderous sound of the tail | 0:16:11 | 0:16:14 | |
slapping on the surface of the water, | 0:16:14 | 0:16:16 | |
will carry literally for miles. | 0:16:16 | 0:16:18 | |
But they also do it to stun fish. | 0:16:20 | 0:16:22 | |
They'll swim through a shoal and then they'll give a huge tail slap, | 0:16:22 | 0:16:26 | |
literally stunning the life out of the fish, | 0:16:26 | 0:16:28 | |
and then they swim back round and hoover them up. | 0:16:28 | 0:16:32 | |
This is...spectacular. | 0:16:32 | 0:16:34 | |
Humpbacks need to eat one and a half tonnes of food | 0:16:39 | 0:16:41 | |
every 24 hours. They must feed both day and night. | 0:16:41 | 0:16:45 | |
But what brings a pod of humpback whales close to shore | 0:16:47 | 0:16:49 | |
remains a mystery. | 0:16:49 | 0:16:51 | |
What we've seen at night-time is whales | 0:16:53 | 0:16:55 | |
moving closer in to the coast. | 0:16:55 | 0:16:56 | |
What I'd love to do is to get in | 0:16:57 | 0:16:59 | |
to find out exactly what they're doing. | 0:16:59 | 0:17:01 | |
Look at that! Oh! | 0:17:03 | 0:17:05 | |
In Torres del Paine, the puma team has found their cat. | 0:17:15 | 0:17:19 | |
Now Justine wants to see just how it operates in the dark. | 0:17:19 | 0:17:23 | |
-Hi. Hiya. -Hello. | 0:17:29 | 0:17:30 | |
Where's the puma, then? | 0:17:30 | 0:17:31 | |
The puma was... | 0:17:31 | 0:17:33 | |
Upwind and high above her position, | 0:17:33 | 0:17:34 | |
a herd of a guanaco are oblivious to the puma's presence. | 0:17:34 | 0:17:38 | |
Yeah. This is a good scenario. | 0:17:38 | 0:17:42 | |
We've got loads of guanacos over there. | 0:17:42 | 0:17:44 | |
Hunting at night dramatically increases | 0:17:49 | 0:17:52 | |
the puma's chance of a kill. | 0:17:52 | 0:17:54 | |
It's going up over the ridge. | 0:17:54 | 0:17:57 | |
By day, it's almost impossible to get close enough | 0:17:57 | 0:18:00 | |
to ambush prey as alert as these guanacos. | 0:18:00 | 0:18:02 | |
At night, the puma's superior eyesight gives it the advantage. | 0:18:06 | 0:18:11 | |
(What's happening, Diego? Are they doing anything?) | 0:18:11 | 0:18:14 | |
Justine fires up her thermal imaging camera | 0:18:17 | 0:18:22 | |
and the puma's heat signature is immediately revealed. | 0:18:22 | 0:18:25 | |
(Got it. I've got it.) | 0:18:25 | 0:18:27 | |
(I'm getting it...I'm getting it. Ah, this is fantastic.) | 0:18:38 | 0:18:41 | |
(She's hunting.) | 0:18:44 | 0:18:45 | |
(Wow.) | 0:18:47 | 0:18:48 | |
She's putting each paw down really carefully. | 0:18:53 | 0:18:56 | |
The darkness here is almost total, | 0:18:59 | 0:19:01 | |
yet the puma is utterly focussed | 0:19:01 | 0:19:03 | |
on its prey more than 30 metres away. | 0:19:03 | 0:19:06 | |
(It's perfectly equipped to be hunting at night like this.) | 0:19:12 | 0:19:15 | |
(It's got great sense of smell and hearing.) | 0:19:15 | 0:19:17 | |
(Even though the moon hasn't come up and it's really dark out there,) | 0:19:17 | 0:19:21 | |
(it can still see very well.) | 0:19:21 | 0:19:24 | |
Guanacos have a highly developed sense of hearing. | 0:19:27 | 0:19:30 | |
The contest is so finely balanced | 0:19:31 | 0:19:33 | |
that the puma must take the guanacos by surprise. | 0:19:33 | 0:19:36 | |
(He's in full hunt mode - it's an amazing sight.) | 0:19:43 | 0:19:48 | |
(This is an absolute gem of a situation.) | 0:19:54 | 0:19:58 | |
(As long as I don't cock it up and the puma doesn't cock it up.) | 0:19:58 | 0:20:01 | |
(Now, who knows what's going to happen?) | 0:20:11 | 0:20:12 | |
(I've no idea.) | 0:20:12 | 0:20:13 | |
The puma is about to make its move. | 0:20:36 | 0:20:38 | |
GUANACOS WHINNY | 0:20:52 | 0:20:54 | |
The guanacos sense the danger, and the hunt is over. | 0:20:56 | 0:21:00 | |
(That was such a shame.) | 0:21:05 | 0:21:07 | |
(It looked like he had got everything right,) | 0:21:07 | 0:21:09 | |
(and suddenly - bang! - they were all going.) | 0:21:09 | 0:21:12 | |
(It makes you realise just how hard it is for a puma to hunt.) | 0:21:14 | 0:21:18 | |
Filming a puma hunt in such detail is a great start for Justine. | 0:21:26 | 0:21:30 | |
George is travelling 2,000 miles north to solve another mystery. | 0:21:39 | 0:21:44 | |
He's come to the Atacama desert. | 0:21:44 | 0:21:46 | |
Well, the Atacama, where we are now, is probably | 0:21:48 | 0:21:51 | |
one of the most inhospitable and dry places on earth. | 0:21:51 | 0:21:55 | |
There are parts of the land here that have never had rain ever | 0:21:55 | 0:21:59 | |
in recorded history. It's that dry. | 0:21:59 | 0:22:02 | |
Almost nothing can survive here, | 0:22:02 | 0:22:05 | |
but one nocturnal mammal is thriving and George wants to know why. | 0:22:05 | 0:22:10 | |
I'm heading to this island, | 0:22:10 | 0:22:11 | |
which is just a short way off the coast, | 0:22:11 | 0:22:13 | |
and it's believed to have a colony of vampire bats, | 0:22:13 | 0:22:16 | |
and that is really what I want to see, | 0:22:16 | 0:22:17 | |
and they're only active, and they only fly, | 0:22:17 | 0:22:20 | |
when it's totally dark. | 0:22:20 | 0:22:22 | |
Oh, dolphin! Look at that. Whoa! | 0:22:34 | 0:22:37 | |
They're right under us. | 0:22:41 | 0:22:43 | |
Vampire bats are one of the most iconic creatures of the night. | 0:22:43 | 0:22:46 | |
And the colony here is truly mysterious. | 0:22:46 | 0:22:51 | |
I want to find out what on earth | 0:22:51 | 0:22:54 | |
a colony of vampire bats is feeding on, | 0:22:54 | 0:22:57 | |
on an island that seemingly has few other animals on it | 0:22:57 | 0:23:02 | |
and it looks pretty inhospitable, | 0:23:02 | 0:23:04 | |
but clearly there's enough there for vampire bats to eat. | 0:23:04 | 0:23:07 | |
To help him, he's calling upon the expertise of biologist | 0:23:10 | 0:23:14 | |
Marcelo Flores and wildlife camerawoman Sophie Darlington. | 0:23:14 | 0:23:18 | |
Everything is actually completely fine. | 0:23:18 | 0:23:20 | |
We've put everything in dry bags so all the kit's protected. | 0:23:20 | 0:23:24 | |
This is a hostile landscape, littered with boulders | 0:23:31 | 0:23:34 | |
and coated with guano, or bird excrement. | 0:23:34 | 0:23:38 | |
I've never been anywhere like this before. | 0:23:39 | 0:23:42 | |
The one thing is just the overpowering stench, | 0:23:42 | 0:23:45 | |
which is just everywhere. | 0:23:45 | 0:23:46 | |
Looking around it's sort of like you've landed on the moon a bit. | 0:23:46 | 0:23:49 | |
It's really desolate - like a lunar landscape. | 0:23:49 | 0:23:52 | |
It's incredibly bleak. Really dry, really arid. | 0:23:52 | 0:23:55 | |
George's first task is to find where the bats are roosting. | 0:23:55 | 0:23:59 | |
They say that the cave with the vampires in it | 0:24:00 | 0:24:03 | |
is actually on the coast, so it's really important | 0:24:03 | 0:24:06 | |
that we find the cave as quickly as we can, | 0:24:06 | 0:24:08 | |
cos if we can't find it now, we won't find it in the dark. | 0:24:08 | 0:24:11 | |
This looks very like the cave. | 0:24:15 | 0:24:18 | |
Yeah. | 0:24:19 | 0:24:20 | |
You're right. | 0:24:21 | 0:24:23 | |
The smell is very different. | 0:24:33 | 0:24:35 | |
That's not guano smell, that's something else. That's... | 0:24:35 | 0:24:37 | |
-HE SNIFFS -That's not nice. | 0:24:37 | 0:24:39 | |
That really is not a nice smell. | 0:24:41 | 0:24:43 | |
HE COUGHS | 0:24:43 | 0:24:44 | |
That's acrid. That's urea, uric acid, | 0:24:44 | 0:24:48 | |
really intense urine smell. | 0:24:48 | 0:24:50 | |
And the rocks are really slippy with bat droppings. | 0:24:51 | 0:24:56 | |
That's just absolutely thick. | 0:24:56 | 0:24:59 | |
Running down the wall. | 0:25:00 | 0:25:02 | |
Oh, yeah. There's one. Just flew...two. | 0:25:10 | 0:25:12 | |
(Oh, yeah, yeah, yeah. Here.) | 0:25:14 | 0:25:16 | |
There's about eight vampire bats just looking straight at me. | 0:25:19 | 0:25:22 | |
Nine, ten...oh, there's more up there. | 0:25:22 | 0:25:25 | |
This is the first time I've ever seen a vampire bat, | 0:25:25 | 0:25:27 | |
and it's, what? Six feet away from me? | 0:25:27 | 0:25:30 | |
(That is amazing.) | 0:25:31 | 0:25:32 | |
(Oh!) | 0:25:32 | 0:25:33 | |
These tiny blood suckers don't use their eyes to find their victims. | 0:25:35 | 0:25:39 | |
Their eyesight is fairly good, their hearing is good, | 0:25:39 | 0:25:43 | |
they can echolocate, | 0:25:43 | 0:25:44 | |
they have infra-red pits around their face | 0:25:44 | 0:25:47 | |
where they can sense the really hot part of the animal | 0:25:47 | 0:25:50 | |
where the blood flow is highest, | 0:25:50 | 0:25:51 | |
and they have teeth that are just razor sharp, | 0:25:51 | 0:25:54 | |
and they just hack off a flap of skin, | 0:25:54 | 0:25:57 | |
and as the blood wells into it, | 0:25:57 | 0:25:58 | |
they just suck it up with their tongue. | 0:25:58 | 0:26:01 | |
And they have a little groove on their lip here | 0:26:01 | 0:26:04 | |
which they press against the wound, | 0:26:04 | 0:26:06 | |
and, of course, they introduce anticoagulants into the bite | 0:26:06 | 0:26:10 | |
so that the saliva makes the blood flow and flow and flow. | 0:26:10 | 0:26:14 | |
There's no doubting the vampire bat's supreme ability | 0:26:14 | 0:26:18 | |
to locate mammals and extract their blood. | 0:26:18 | 0:26:21 | |
What's eluded biologists is why this colony chooses to live here. | 0:26:22 | 0:26:27 | |
What are they eating? | 0:26:27 | 0:26:29 | |
What animal are they extracting the blood from? | 0:26:29 | 0:26:33 | |
That's what I want to know. | 0:26:33 | 0:26:34 | |
I think the only way we're going to find out | 0:26:35 | 0:26:37 | |
is if we can catch one and glue a little tracker on its back | 0:26:37 | 0:26:42 | |
and track it to where it's eating, | 0:26:42 | 0:26:46 | |
and then we should be able to film exactly what animal it's feeding on. | 0:26:46 | 0:26:53 | |
The problem is how to catch a bat, as they are roosting out of reach. | 0:26:54 | 0:26:58 | |
George must return at dusk to net one as it leaves the cave to feed. | 0:27:00 | 0:27:04 | |
Back in the Andes, the puma team prepares for dark. | 0:27:13 | 0:27:16 | |
-OK. Ready. -Ready, ready. -We're off, we're off. | 0:27:18 | 0:27:20 | |
They've had a good start, filming a puma hunting. | 0:27:21 | 0:27:24 | |
Now, Justine wants to spend more time with this secretive predator. | 0:27:26 | 0:27:29 | |
What we really want to find out is what pumas actually do | 0:27:29 | 0:27:32 | |
during the night, and that's when they do everything | 0:27:32 | 0:27:36 | |
that pumas get up to. | 0:27:36 | 0:27:37 | |
And we're going to need quite a lot of luck. | 0:27:37 | 0:27:40 | |
But we're hoping to see some unique behaviour. | 0:27:40 | 0:27:43 | |
With dusk approaching, their plan is to spot a puma | 0:27:51 | 0:27:54 | |
as it leaves its daytime lair and goes out to hunt. | 0:27:54 | 0:27:57 | |
Bryson has already picked up a trail. | 0:27:59 | 0:28:01 | |
Look. Fresh tracks. | 0:28:03 | 0:28:06 | |
Right here. | 0:28:07 | 0:28:08 | |
There's another one right there. Look at that. | 0:28:10 | 0:28:13 | |
Wow. That's a good one. | 0:28:13 | 0:28:15 | |
Here's a nice paw print right here. | 0:28:15 | 0:28:17 | |
It's big, but it's not huge. | 0:28:17 | 0:28:19 | |
You know, a full-grown adult would be a bit bigger, | 0:28:19 | 0:28:22 | |
about the size of the middle of my hand. | 0:28:22 | 0:28:24 | |
So it's a teenager. | 0:28:24 | 0:28:25 | |
He's been walking right here. | 0:28:25 | 0:28:27 | |
And that's a pretty good span between footprints. | 0:28:27 | 0:28:30 | |
Yeah. | 0:28:31 | 0:28:32 | |
He's a pretty good size, though. He's not little. | 0:28:34 | 0:28:37 | |
We have a puma. | 0:28:50 | 0:28:52 | |
There's a puma. Right here. | 0:28:52 | 0:28:54 | |
(He just came out of the woods.) | 0:28:57 | 0:28:59 | |
(OK, he's walking along the edge.) | 0:28:59 | 0:29:01 | |
(There he is. Wow.) | 0:29:01 | 0:29:03 | |
(He's right there.) | 0:29:06 | 0:29:07 | |
(He's looking.) | 0:29:08 | 0:29:10 | |
(Nobody move. Everybody stay still.) | 0:29:10 | 0:29:12 | |
(There he is. Right there.) | 0:29:15 | 0:29:17 | |
(He's walking in the brush.) | 0:29:17 | 0:29:19 | |
(What's amazing is, he's not making any sound at all.) | 0:29:19 | 0:29:22 | |
(I can't hear him at all.) | 0:29:22 | 0:29:23 | |
(God.) | 0:29:24 | 0:29:26 | |
(But he's an absolute silent hunter.) | 0:29:26 | 0:29:28 | |
Pumas are at their most dangerous | 0:29:30 | 0:29:32 | |
when they haven't eaten for several days. | 0:29:32 | 0:29:36 | |
He's hungry and he's looking for a meal | 0:29:37 | 0:29:40 | |
so I really got to be careful right now. | 0:29:40 | 0:29:42 | |
The last thing I need to do is act like a prey animal. | 0:29:42 | 0:29:46 | |
Under no circumstances can I run. | 0:29:46 | 0:29:48 | |
That's the worst thing to do. | 0:29:48 | 0:29:50 | |
The thing is, you don't hear a puma coming. | 0:29:50 | 0:29:53 | |
If you're lucky, you see it. | 0:29:53 | 0:29:55 | |
Should it choose to, | 0:29:56 | 0:29:57 | |
this puma is more than capable of killing a fully grown man. | 0:29:57 | 0:30:01 | |
(Don't...run.) | 0:30:05 | 0:30:06 | |
Don't run. | 0:30:08 | 0:30:09 | |
He will attack you. | 0:30:09 | 0:30:10 | |
(He's just staring.) | 0:30:13 | 0:30:14 | |
(Wow, God.) | 0:30:19 | 0:30:20 | |
You know, this is the top predator | 0:30:28 | 0:30:29 | |
and you'll be able to watch him walk out of the woods, | 0:30:29 | 0:30:31 | |
look right at me, and not care at all. | 0:30:31 | 0:30:34 | |
(He's walking away.) | 0:30:36 | 0:30:37 | |
That is the most elegant predator I've ever seen. | 0:30:39 | 0:30:43 | |
(What an incredible animal. God.) | 0:30:45 | 0:30:47 | |
Wow. The dark doesn't belong to us. | 0:30:48 | 0:30:50 | |
It belongs to the pumas. | 0:30:50 | 0:30:52 | |
with hearing and smell and vision like his, | 0:30:52 | 0:30:56 | |
he really is the king of the dark. | 0:30:56 | 0:30:57 | |
The team have a cat in their sights. | 0:30:59 | 0:31:01 | |
This is the opportunity they have been waiting for. | 0:31:01 | 0:31:05 | |
So I'll radio Justine and see if she can get him on a thermal camera. | 0:31:05 | 0:31:08 | |
Justine, this is Bryson. Come in. | 0:31:09 | 0:31:12 | |
'Hi, Bryson.' | 0:31:12 | 0:31:13 | |
Can you hear me? Over. | 0:31:13 | 0:31:15 | |
We just found a puma. | 0:31:16 | 0:31:17 | |
We're on our way to you. Over. | 0:31:19 | 0:31:21 | |
Off the coast of the Atacama desert, | 0:31:36 | 0:31:38 | |
George and biologist Marcelo are heading back into the cave | 0:31:38 | 0:31:41 | |
to catch and tag one of the vampire bats | 0:31:41 | 0:31:44 | |
as it leaves the roost to feed. | 0:31:44 | 0:31:46 | |
(Because they're so closely grouped together,) | 0:31:49 | 0:31:52 | |
(I think it'll be quite easy to catch one,) | 0:31:52 | 0:31:55 | |
(cos in the melee, as they fly off,) | 0:31:55 | 0:31:59 | |
(one of them will surely go in the net.) | 0:31:59 | 0:32:02 | |
(That's my theory, anyway.) | 0:32:03 | 0:32:05 | |
Oof! | 0:32:17 | 0:32:19 | |
Took my head off, that one. | 0:32:19 | 0:32:21 | |
-There's a few. -That one there. | 0:32:22 | 0:32:24 | |
There's one there. | 0:32:24 | 0:32:25 | |
Yeah, and another one flew behind you. | 0:32:25 | 0:32:28 | |
Is it there? | 0:32:33 | 0:32:34 | |
Got it. | 0:32:34 | 0:32:36 | |
Phew. | 0:32:38 | 0:32:39 | |
These bats carry diseases including rabies. | 0:32:39 | 0:32:42 | |
George and Marcelo must take care when handling them. | 0:32:42 | 0:32:46 | |
-Oh! They're very strong, aren't they? -Yeah. | 0:32:46 | 0:32:48 | |
-You got it? -Yeah. -OK. | 0:32:48 | 0:32:51 | |
-OK? -Yeah. | 0:32:53 | 0:32:55 | |
What an absolute beauty. Now... | 0:32:55 | 0:32:59 | |
-We'll glue it on the back, yeah? About there. -Mm-hm. | 0:32:59 | 0:33:02 | |
The miniature radio transmitter | 0:33:02 | 0:33:04 | |
is carefully glued onto the bat's back. | 0:33:04 | 0:33:06 | |
That's it. Lovely. OK? | 0:33:07 | 0:33:10 | |
And that should be it. | 0:33:10 | 0:33:12 | |
George must now track the bat across the island | 0:33:13 | 0:33:16 | |
before the transmitter drops off. | 0:33:16 | 0:33:18 | |
This wee chap is the one that hopefully will show us | 0:33:20 | 0:33:24 | |
where he and his mates are obtaining their evening meal, | 0:33:24 | 0:33:29 | |
and who from, which is the key thing. | 0:33:29 | 0:33:32 | |
Is its transmitter working? | 0:33:33 | 0:33:36 | |
Excellent. Yeah. Very nice. | 0:33:36 | 0:33:39 | |
'Yeah, I can hear you good...' | 0:33:43 | 0:33:45 | |
Justine and Rodrigo are on the trail of Bryson's puma. | 0:33:45 | 0:33:50 | |
I see something coming. It was the puma. | 0:33:57 | 0:34:00 | |
Incredibly, the puma passes just metres in front of Rodrigo. | 0:34:02 | 0:34:06 | |
I saw it. I saw it run across the road in front of you. | 0:34:08 | 0:34:11 | |
That was extreme, actually. | 0:34:11 | 0:34:14 | |
I'm nervous now. I'm trembling. | 0:34:14 | 0:34:15 | |
It was really, really near. | 0:34:16 | 0:34:18 | |
It ran off over the hill. Clearly hunting. | 0:34:19 | 0:34:22 | |
And then I heard all the guanacos just alarming... | 0:34:22 | 0:34:26 | |
IMITATES GUANACO | 0:34:26 | 0:34:27 | |
You could hear them all just going. | 0:34:27 | 0:34:29 | |
And we can't see the puma now. | 0:34:29 | 0:34:32 | |
Yeah, you should go very slowly. | 0:34:40 | 0:34:42 | |
-Maybe we should go round. -Yeah. | 0:34:43 | 0:34:45 | |
Pumas are ambush predators. | 0:34:46 | 0:34:48 | |
With proportionally the longest back legs of any big cat... | 0:34:48 | 0:34:52 | |
..they can leap ten metres through the air... | 0:34:54 | 0:34:56 | |
..and bring down prey with a single bite to the neck. | 0:34:57 | 0:35:01 | |
Wow, we are so near. | 0:35:02 | 0:35:04 | |
There, there, there! There's the puma. | 0:35:07 | 0:35:10 | |
Turn round, look. Turn round. | 0:35:10 | 0:35:11 | |
I can see...I saw eye shine just then. | 0:35:13 | 0:35:15 | |
-Yeah? -Yeah. There. | 0:35:15 | 0:35:17 | |
By the time they find the puma, it's clear he's been successful. | 0:35:17 | 0:35:21 | |
I think he might have food in there. He's pulling at something. | 0:35:21 | 0:35:26 | |
Pretty sure there was a kill here. | 0:35:26 | 0:35:28 | |
Yeah, he's pulling at something. | 0:35:28 | 0:35:30 | |
See the head going up and down? | 0:35:30 | 0:35:32 | |
Wow. This is incredible. Wonderful. | 0:35:50 | 0:35:53 | |
This is a one-off, unique experience. | 0:35:54 | 0:35:57 | |
(It's absolutely amazing.) | 0:35:59 | 0:36:01 | |
(We are right next to a puma on a kill.) | 0:36:01 | 0:36:04 | |
(Literally...metres away.) | 0:36:04 | 0:36:08 | |
(We are so close, we can just hear him crunching the bones,) | 0:36:08 | 0:36:12 | |
(pulling at the meat.) | 0:36:12 | 0:36:14 | |
He's just completely absorbed in feeding. | 0:36:16 | 0:36:20 | |
Not bothered about us whatsoever. | 0:36:20 | 0:36:22 | |
It's only been possible to capture these intimate moments | 0:36:23 | 0:36:27 | |
of nocturnal behaviour with Justine's specialist cameras. | 0:36:27 | 0:36:31 | |
He's probably going for a snooze. | 0:36:34 | 0:36:36 | |
Do you hear those sounds? He's going... | 0:36:41 | 0:36:43 | |
IMITATES PUMA | 0:36:43 | 0:36:45 | |
(Calling the mum, calling for his mother.) | 0:36:45 | 0:36:47 | |
PUMA SQUEAKS | 0:36:47 | 0:36:50 | |
(Which means we actually should really have a good look round,) | 0:36:54 | 0:36:57 | |
(because if the mother's turning up, we are in trouble.) | 0:36:57 | 0:37:00 | |
There, there, there. | 0:37:02 | 0:37:04 | |
The mother is far larger and more powerful than the juvenile. | 0:37:04 | 0:37:08 | |
It's time for Justine and Rodrigo to leave. | 0:37:09 | 0:37:12 | |
To film natural behaviour, Justine needs a safer way to stay on a kill. | 0:37:16 | 0:37:20 | |
Two thousand miles south, Gordon is making progress. | 0:37:31 | 0:37:34 | |
He's tracked a humpback whale right into the coastline. | 0:37:34 | 0:37:37 | |
We've got a whale right here in against the shore. | 0:37:38 | 0:37:42 | |
I heard a whale blowing right here. | 0:37:44 | 0:37:46 | |
We've switched off the engine to see if we can hear it. | 0:37:46 | 0:37:49 | |
Seems a strange place for a whale to be, so close to shore. | 0:37:52 | 0:37:55 | |
Gordon's hoping to discover why whales come into such shallow water. | 0:37:55 | 0:38:00 | |
But his hopes are dashed. | 0:38:00 | 0:38:01 | |
With a humpback so close to the boat, | 0:38:01 | 0:38:03 | |
it's now too dangerous for him to get in. | 0:38:03 | 0:38:07 | |
Going in with a 35 tonne animal in there, it's a bit scary. | 0:38:07 | 0:38:12 | |
It's dealing with a set of circumstances | 0:38:12 | 0:38:14 | |
it will never have seen before, | 0:38:14 | 0:38:16 | |
and we just don't know how it's going to react, | 0:38:16 | 0:38:18 | |
and we can't take that risk. | 0:38:18 | 0:38:20 | |
Gordon will need to wait until the whale has moved off | 0:38:22 | 0:38:26 | |
before getting into the water to discover what was attracting it. | 0:38:26 | 0:38:29 | |
We should hear it blow if it's close. | 0:38:31 | 0:38:33 | |
Can't see anything. | 0:38:34 | 0:38:36 | |
I don't think there's anything out there. | 0:38:38 | 0:38:41 | |
All right, let's do it. | 0:38:43 | 0:38:46 | |
Finally, the decision to dive is made | 0:38:46 | 0:38:49 | |
as the whale moves away from the shore. | 0:38:49 | 0:38:50 | |
We're going to get into the water here. | 0:38:50 | 0:38:53 | |
There was definitely a whale | 0:38:53 | 0:38:55 | |
right in the place where we were intending to go. | 0:38:55 | 0:38:59 | |
We think it's gone. They are an enormously powerful animal. | 0:38:59 | 0:39:03 | |
If it comes back, I think we just have to get out of the water. | 0:39:03 | 0:39:07 | |
-Happy for me to get in, Richard? -Yeah, yeah. Good to go. | 0:39:08 | 0:39:11 | |
Here goes. | 0:39:11 | 0:39:13 | |
Even with his lights, | 0:39:31 | 0:39:32 | |
Gordon can only see 10 metres in the gloom. | 0:39:32 | 0:39:36 | |
It's a claustrophobic and disorientating environment. | 0:39:36 | 0:39:39 | |
Beneath the surface lies a thick maze of kelp - | 0:39:48 | 0:39:52 | |
immensely strong strands of seaweed up to 30 metres long. | 0:39:52 | 0:39:56 | |
The closer to shore, the thicker it becomes. | 0:40:01 | 0:40:05 | |
Whatever it is that's attracting the whales | 0:40:10 | 0:40:13 | |
is hidden deep within this impenetrable forest. | 0:40:13 | 0:40:16 | |
Like tentacles, the weed clings to anything | 0:40:24 | 0:40:27 | |
it comes into contact with, ensnaring Gordon at every turn. | 0:40:27 | 0:40:32 | |
He has to abort his dive. | 0:40:46 | 0:40:48 | |
If Gordon is to solve the whale mystery, | 0:40:50 | 0:40:53 | |
he must find another way. | 0:40:53 | 0:40:55 | |
I guessed, when we got into the water at night-time, | 0:40:58 | 0:41:01 | |
there was going to be some problems that we didn't foresee, | 0:41:01 | 0:41:04 | |
and the big problem, the insurmountable problem, | 0:41:04 | 0:41:08 | |
is this kelp. | 0:41:08 | 0:41:10 | |
It's like Sleeping Beauty's forest. | 0:41:10 | 0:41:12 | |
You can't get through it. | 0:41:12 | 0:41:14 | |
It's impossible. | 0:41:14 | 0:41:16 | |
You just get tangled up in it. | 0:41:16 | 0:41:18 | |
Yeah. | 0:41:18 | 0:41:19 | |
Far from a result. | 0:41:20 | 0:41:22 | |
With two days left in the Andes, | 0:41:41 | 0:41:44 | |
Justine still wants to spend more time with a puma. | 0:41:44 | 0:41:47 | |
Her best chance is to stake out a kill. | 0:41:47 | 0:41:51 | |
Condors circling high overhead are a hopeful sign. | 0:41:51 | 0:41:54 | |
We've been seeing lots of condors flying, circling, | 0:42:00 | 0:42:04 | |
just over the brow of this hill, | 0:42:04 | 0:42:06 | |
and that can only mean one thing, that there's a puma kill around. | 0:42:06 | 0:42:09 | |
If Justine is right, then the puma will be resting up nearby, | 0:42:10 | 0:42:15 | |
waiting to return after dark. | 0:42:15 | 0:42:18 | |
This is just going to be fantastic. This is what I've been waiting for. | 0:42:18 | 0:42:22 | |
I can stake it out, I can get the hide in, | 0:42:22 | 0:42:25 | |
the camera on the tripod, and just sit quietly | 0:42:25 | 0:42:28 | |
and hopefully observe some behaviour. | 0:42:28 | 0:42:31 | |
So far we've been driving around on the tracks | 0:42:31 | 0:42:33 | |
and that's been very productive for actually sighting pumas. | 0:42:33 | 0:42:36 | |
But I want to see some behaviour now. | 0:42:36 | 0:42:38 | |
And I want to get to know the personality of this puma. | 0:42:38 | 0:42:41 | |
In the next valley, | 0:42:45 | 0:42:46 | |
Justine discovers the fresh remains of a juvenile guanaco. | 0:42:46 | 0:42:50 | |
Look at that. | 0:42:53 | 0:42:54 | |
That's a really fresh kill. | 0:42:56 | 0:42:58 | |
You can see where it's been bitten into around the neck, | 0:42:59 | 0:43:02 | |
just beneath the jaw. | 0:43:02 | 0:43:03 | |
It's opened up the guts, | 0:43:05 | 0:43:07 | |
but nothing's been taken from the legs or the chest. | 0:43:07 | 0:43:11 | |
I mean, most of the meat's still left on it. | 0:43:11 | 0:43:14 | |
So this cat's going to want to come back here. | 0:43:15 | 0:43:18 | |
Moving back to higher ground, | 0:43:22 | 0:43:23 | |
Justine prepares for the puma's return. | 0:43:23 | 0:43:26 | |
I mean, it's essential that I'm here and ready before it gets dark, | 0:43:28 | 0:43:32 | |
cos that's when the puma's going to be on the move, | 0:43:32 | 0:43:34 | |
so I've got this rather alarming pop-up hide. | 0:43:34 | 0:43:38 | |
This is going to be it. | 0:43:38 | 0:43:40 | |
This is going to be home for the next 12, 14 hours. | 0:43:40 | 0:43:43 | |
I just have to have a bit of luck now. | 0:43:44 | 0:43:46 | |
Justine has filmed big cats in the wild for over 20 years, | 0:43:51 | 0:43:55 | |
but has only captured glimpses of pumas. | 0:43:55 | 0:43:57 | |
Now, for the first time, | 0:43:59 | 0:44:01 | |
she is hoping to spend the whole night with this elusive cat - | 0:44:01 | 0:44:05 | |
documenting its natural behaviour around a kill. | 0:44:05 | 0:44:09 | |
Just changed from the daytime camera to the night-time camera. | 0:44:10 | 0:44:13 | |
And there's a puma out there. | 0:44:13 | 0:44:16 | |
Wow. It's right on the kill. | 0:44:19 | 0:44:22 | |
Already. It just goes to show, doesn't it, | 0:44:22 | 0:44:26 | |
that the moment it started getting dark, there came the puma. | 0:44:26 | 0:44:30 | |
It's starting to feed. Excellent. | 0:44:32 | 0:44:35 | |
I can see that he's a male. | 0:44:37 | 0:44:39 | |
So strong, the way he's just pulling at that guanaco. | 0:44:39 | 0:44:43 | |
He's walking away. Ah, there he is. He's lying down. | 0:45:02 | 0:45:06 | |
And this is beautiful, to see this puma just feeding. | 0:45:07 | 0:45:10 | |
And now he's just cleaning himself. | 0:45:10 | 0:45:12 | |
It's amazing just seeing this behaviour. | 0:45:15 | 0:45:18 | |
This is everything Justine hoped for. | 0:45:20 | 0:45:22 | |
She will keep watch all night, | 0:45:22 | 0:45:25 | |
her camera ready to capture footage never seen before. | 0:45:25 | 0:45:28 | |
Back off the coast of the Atacama desert, | 0:45:36 | 0:45:40 | |
the vampire bats have left their roost to begin a night of feeding. | 0:45:40 | 0:45:43 | |
It seemed to me that the bats, when they left the cave, | 0:45:45 | 0:45:49 | |
turned left, so we're now heading along the island in that direction, | 0:45:49 | 0:45:54 | |
so if my hunch is right, they should be over here. | 0:45:54 | 0:45:58 | |
Using the VHF receiver, | 0:45:59 | 0:46:02 | |
George and Marcelo hope to track the bats to their victim. | 0:46:02 | 0:46:05 | |
-Got it. -Have I heard something? -Yeah. | 0:46:05 | 0:46:08 | |
Yeah? There, there. | 0:46:08 | 0:46:09 | |
Very faint. | 0:46:09 | 0:46:11 | |
Marcelo has identified the signal coming from George's tagged bat. | 0:46:11 | 0:46:15 | |
At first it was very faint, | 0:46:15 | 0:46:18 | |
but it's a lot stronger now, a "beep...beep...beep". | 0:46:18 | 0:46:23 | |
And as long as you follow the bleep, | 0:46:23 | 0:46:26 | |
then you'll end up hopefully right at the bat. | 0:46:26 | 0:46:30 | |
Following the signal for over a mile, | 0:46:31 | 0:46:34 | |
George is getting closer to discovering | 0:46:34 | 0:46:36 | |
where the bats are going to feed, and on what. | 0:46:36 | 0:46:39 | |
That's very strong now. | 0:46:42 | 0:46:45 | |
HONKING | 0:46:45 | 0:46:47 | |
Sea lions. I can hear them. | 0:46:47 | 0:46:49 | |
I can hear them. Look. | 0:46:51 | 0:46:52 | |
We may be one step closer to solving the mystery. | 0:46:58 | 0:47:01 | |
Sea lions are a perfect food source for vampire bats. | 0:47:04 | 0:47:08 | |
Now George must get close enough to the colony to see them in action. | 0:47:08 | 0:47:12 | |
Further south, Gordon is getting closer to solving | 0:47:25 | 0:47:29 | |
the puzzle of why the humpbacks are coming so close to shore. | 0:47:29 | 0:47:33 | |
I thought I heard something back that way. | 0:47:37 | 0:47:39 | |
There's a humpback fairly close by. | 0:47:42 | 0:47:44 | |
I can't see it yet. I just heard it breathing. | 0:47:44 | 0:47:48 | |
Right here, look - whale here. | 0:47:50 | 0:47:52 | |
Oh, you can see his pectoral. | 0:47:52 | 0:47:54 | |
He's going to come up again. | 0:47:56 | 0:47:58 | |
Got a humpback whale just in front of us, less than 25 metres away. | 0:47:58 | 0:48:02 | |
The whale is deep inside the kelp forest | 0:48:03 | 0:48:06 | |
that entangled Gordon earlier. | 0:48:06 | 0:48:07 | |
The camera reveals that despite the current, | 0:48:07 | 0:48:10 | |
the whale is not moving. | 0:48:10 | 0:48:13 | |
It can't be feeding. The kelp is too dense. | 0:48:13 | 0:48:17 | |
But the whale has deliberately chosen to be here - | 0:48:17 | 0:48:20 | |
and Gordon has a theory why. | 0:48:20 | 0:48:23 | |
What could be happening is that the humpback whales in this area | 0:48:23 | 0:48:27 | |
go into the kelp to rest. | 0:48:27 | 0:48:30 | |
Imagine the effort constantly trying to deal with these currents. | 0:48:30 | 0:48:34 | |
To save that effort, | 0:48:34 | 0:48:36 | |
they go in towards the shore and wrap themselves up in the kelp. | 0:48:36 | 0:48:40 | |
Humpbacks are active day and night, | 0:48:43 | 0:48:45 | |
expending vast amounts of energy, so they need to sleep. | 0:48:45 | 0:48:49 | |
But for all whales, sleep is a challenge. | 0:48:49 | 0:48:52 | |
Humpback whales never truly sleep, | 0:48:56 | 0:48:58 | |
they shut down one half of their brain at a time. | 0:48:58 | 0:49:02 | |
For a humpback whale, breathing is a conscious effort. | 0:49:02 | 0:49:06 | |
They have to think about every single breath. | 0:49:06 | 0:49:09 | |
For us, it's an automatic response. | 0:49:09 | 0:49:12 | |
Hear that big puff? | 0:49:12 | 0:49:14 | |
That humpback is saying, "I have to breathe now," | 0:49:14 | 0:49:17 | |
so they can't afford to go to sleep entirely. | 0:49:17 | 0:49:20 | |
They close down one half of their brain, rest that half, | 0:49:20 | 0:49:24 | |
wake up that half, shut down the other side, | 0:49:24 | 0:49:27 | |
and that way they get a full night's sleep. | 0:49:27 | 0:49:29 | |
(Oh, wow!) | 0:49:32 | 0:49:33 | |
Holy schmoly. Look at that. | 0:49:35 | 0:49:36 | |
Whoa, whoa, whoa! Incredible. | 0:49:36 | 0:49:40 | |
By wrapping themselves in the kelp, this pod has found | 0:49:40 | 0:49:44 | |
an ingenious way of conserving energy while they sleep. | 0:49:44 | 0:49:48 | |
I think to be this close to a humpback whale | 0:49:53 | 0:49:56 | |
takes your breath away. | 0:49:56 | 0:49:58 | |
There are few animals on this planet | 0:49:58 | 0:50:02 | |
that are as impressive as the humpback whale. | 0:50:02 | 0:50:06 | |
Gordon's night vision camera has finally been able to reveal | 0:50:07 | 0:50:11 | |
what these whales are doing so close to shore. | 0:50:11 | 0:50:14 | |
In the Andes, Justine has been watching the puma for six hours. | 0:50:24 | 0:50:29 | |
Most night-time encounters with these predators are fleeting. | 0:50:29 | 0:50:33 | |
She's lucky to immerse herself in this cat's world. | 0:50:33 | 0:50:36 | |
It's just wonderful using this camera. | 0:50:38 | 0:50:41 | |
I've no lights on, just sitting here in the dark, | 0:50:41 | 0:50:45 | |
so it's not disruptive at all. | 0:50:45 | 0:50:47 | |
I think I'm really going to see exactly | 0:50:48 | 0:50:50 | |
what he wants to get up to with his kill. | 0:50:50 | 0:50:53 | |
But for now, he's just having a snooze. | 0:50:55 | 0:50:57 | |
Big cats spend much of their time sleeping. | 0:51:00 | 0:51:03 | |
The puma only stirs as a storm front begins to move across the valley. | 0:51:03 | 0:51:08 | |
It's gusting at extreme speeds | 0:51:09 | 0:51:12 | |
and I'm not sure whether this hide is just going to blow over. | 0:51:12 | 0:51:15 | |
Oh, my God. | 0:51:16 | 0:51:18 | |
I swear the tent's going to fall in. | 0:51:21 | 0:51:23 | |
Puma's got up - what's he doing? | 0:51:26 | 0:51:29 | |
Can't be hunting. He's still got a good kill there. | 0:51:31 | 0:51:35 | |
Oh, he's chasing something. | 0:51:35 | 0:51:37 | |
Probably just trying to keep warm. | 0:51:39 | 0:51:41 | |
That's great. | 0:51:41 | 0:51:42 | |
For all cats, domestic or wild, play is a serious business. | 0:51:49 | 0:51:53 | |
Strong winds and a clump of dry grass | 0:51:53 | 0:51:56 | |
give the puma a chance to hone his hunting skills. | 0:51:56 | 0:52:00 | |
He's playing with it. Just biffing it. | 0:52:07 | 0:52:10 | |
It's so funny. He just looks like a domestic cat. | 0:52:27 | 0:52:30 | |
It's like a secret little view on his life. | 0:52:32 | 0:52:34 | |
I guess if he does this, | 0:52:37 | 0:52:38 | |
sits here by the kill, just cleaning himself and sleeping, | 0:52:38 | 0:52:42 | |
nothing else can come in. | 0:52:42 | 0:52:44 | |
He's dominating it all night long. | 0:52:45 | 0:52:48 | |
This is the sort of amazing behaviour | 0:52:54 | 0:52:56 | |
that I just wanted to see. | 0:52:56 | 0:52:58 | |
Just the cat alone, | 0:52:58 | 0:53:01 | |
blissfully unaware of it being filmed. | 0:53:01 | 0:53:04 | |
Doing what it does in the night. | 0:53:04 | 0:53:06 | |
I just really feel I'm seeing the true side of the puma. | 0:53:08 | 0:53:12 | |
Oh, it's wonderful. | 0:53:12 | 0:53:14 | |
It's the perfect end to Justine's expedition. | 0:53:16 | 0:53:20 | |
She's seen pumas hunting, feeding and playing - | 0:53:20 | 0:53:23 | |
capturing unique footage of these beautiful animals | 0:53:23 | 0:53:26 | |
and their nocturnal lives. | 0:53:26 | 0:53:28 | |
In the Atacama desert, George has called in | 0:53:31 | 0:53:34 | |
wildlife camerawoman Sophie Darlington. | 0:53:34 | 0:53:37 | |
Her thermal camera will be able to capture the vampire bats feeding. | 0:53:37 | 0:53:41 | |
What we need to do to nail it is see them feeding. | 0:53:41 | 0:53:44 | |
-That would be extraordinary. -That's it. | 0:53:44 | 0:53:47 | |
George has tracked them to a sea lion colony | 0:53:47 | 0:53:50 | |
on the far side of the island. | 0:53:50 | 0:53:51 | |
It could be a perfect source of blood for the bats. | 0:53:52 | 0:53:56 | |
We're coming down here. Some bats would be awesome. | 0:53:56 | 0:53:58 | |
That would be incredible. | 0:53:58 | 0:54:00 | |
Sophie's night vision cameras should provide the answer. | 0:54:00 | 0:54:03 | |
(Well, we're just waiting for the bats to arrive.) | 0:54:04 | 0:54:07 | |
(We're almost set up now,) | 0:54:07 | 0:54:09 | |
(so any minute now...) | 0:54:09 | 0:54:11 | |
(..the vampires will be flying.) | 0:54:14 | 0:54:16 | |
Soon after George and Sophie arrive, | 0:54:18 | 0:54:20 | |
so do the bats, flitting close to them, | 0:54:20 | 0:54:22 | |
attracted by their body heat. | 0:54:22 | 0:54:24 | |
What have you got? Let's see. | 0:54:24 | 0:54:26 | |
(OK.) | 0:54:26 | 0:54:27 | |
There's a big bull, | 0:54:27 | 0:54:29 | |
and there's been a bat flying around completely harassing him. | 0:54:29 | 0:54:33 | |
Oh, yeah, I can see. Yeah, yeah. | 0:54:33 | 0:54:35 | |
There's two of them now. | 0:54:35 | 0:54:37 | |
Three! There's three of them. | 0:54:37 | 0:54:40 | |
That was a bite. | 0:54:43 | 0:54:44 | |
This is unbelievable. Look at it! | 0:54:44 | 0:54:46 | |
-I knew it was there. -And there's one at the back. | 0:54:46 | 0:54:48 | |
-There's more than one. -The bats are all over them. | 0:54:48 | 0:54:51 | |
They're following it, look. | 0:54:53 | 0:54:54 | |
There's a vampire bat...look! | 0:54:54 | 0:54:56 | |
It's just following it up behind it. | 0:54:56 | 0:54:58 | |
It's right on the back! | 0:55:00 | 0:55:02 | |
That's just unbelievable. | 0:55:02 | 0:55:04 | |
So they are feeding on sea lions. | 0:55:06 | 0:55:09 | |
The bats employ a clever strategy | 0:55:11 | 0:55:13 | |
when attempting to feed on an animal many times their size. | 0:55:13 | 0:55:16 | |
They land close by and creep towards an area of flesh | 0:55:17 | 0:55:21 | |
the creature will struggle to defend. | 0:55:21 | 0:55:23 | |
They're attacking from the rear, | 0:55:28 | 0:55:31 | |
and the sea lions know they're there, | 0:55:31 | 0:55:33 | |
and they keep turning their heads up, | 0:55:33 | 0:55:35 | |
and as the sea lion moves, they just keep following it. | 0:55:35 | 0:55:37 | |
And the poor sea lions are being harassed. | 0:55:37 | 0:55:40 | |
I mean, they really are aware of that. | 0:55:40 | 0:55:42 | |
Look at him hopping, George. | 0:55:42 | 0:55:43 | |
It dispels the myth of animals having a quiet sleep at night. | 0:55:43 | 0:55:49 | |
They're not. It's torment! It's absolute torment. | 0:55:49 | 0:55:53 | |
They must be exhausted in the morning. | 0:55:53 | 0:55:57 | |
These bats, they're completely and utterly just going for it. | 0:55:57 | 0:55:59 | |
Oh! Oh! Wow! | 0:56:01 | 0:56:03 | |
One's just been hit by that wave. | 0:56:03 | 0:56:05 | |
I just can't believe what I'm seeing. | 0:56:07 | 0:56:08 | |
Weighing 40 grams, each bat can consume half its own body weight | 0:56:10 | 0:56:15 | |
of blood in a single feed, lasting up to 20 minutes. | 0:56:15 | 0:56:19 | |
Is that a hotspot there? Is that the hotspot? | 0:56:19 | 0:56:22 | |
We can see the wound. | 0:56:22 | 0:56:24 | |
Good grief! | 0:56:24 | 0:56:25 | |
We can see the wound on the flipper. | 0:56:27 | 0:56:29 | |
Only the thermal camera can reveal this extraordinary behaviour. | 0:56:32 | 0:56:36 | |
The bats are going in to the rear end because that's where it's hottest | 0:56:36 | 0:56:39 | |
and you can really see that on the thermal camera. They're very bright, | 0:56:39 | 0:56:42 | |
which means the blood's very close to the surface, | 0:56:42 | 0:56:45 | |
so easy access for the bats. An easy meal, I'd reckon. | 0:56:45 | 0:56:48 | |
To see the wound, the heat signature of the wound | 0:56:48 | 0:56:51 | |
left by a vampire bat on the flipper of a sea lion, | 0:56:51 | 0:56:55 | |
in pitch darkness... | 0:56:55 | 0:56:57 | |
That is just... | 0:56:57 | 0:56:59 | |
That is truly awesome. | 0:57:00 | 0:57:01 | |
It is the last of the team's mysteries solved. | 0:57:04 | 0:57:07 | |
Now we know what's happening. | 0:57:07 | 0:57:09 | |
That's why there's a permanent colony of vampire bats here, | 0:57:09 | 0:57:12 | |
because there's a permanent colony of big, fat, | 0:57:12 | 0:57:15 | |
blood-filled food bags for them. | 0:57:15 | 0:57:19 | |
SEA LION HONKS | 0:57:21 | 0:57:23 | |
It's the end of an incredible six months. | 0:57:29 | 0:57:32 | |
The team have pushed themselves to the limit | 0:57:32 | 0:57:35 | |
to capture unique footage of South America's nocturnal wildlife. | 0:57:35 | 0:57:38 | |
We've seen new species. | 0:57:38 | 0:57:40 | |
We've seen behaviours that haven't been seen by anybody before. | 0:57:40 | 0:57:45 | |
Yes! Got it. Look at that. | 0:57:45 | 0:57:47 | |
Using cutting edge technology, | 0:57:47 | 0:57:49 | |
they have uncovered natural behaviour never seen before. | 0:57:49 | 0:57:53 | |
That's fantastic. | 0:57:53 | 0:57:54 | |
There's a whole night shift of animals going about their business, | 0:57:54 | 0:57:58 | |
doing things that we just never see. | 0:57:58 | 0:58:00 | |
(Wow. She's hunting.) | 0:58:00 | 0:58:02 | |
They have witnessed dramas unfolding in total darkness... | 0:58:02 | 0:58:06 | |
(That's incredible.) | 0:58:06 | 0:58:07 | |
..and started to unlock the secrets of a hidden and mysterious world. | 0:58:07 | 0:58:14 | |
Daytime is a practical desert when it comes to animal activity. | 0:58:14 | 0:58:20 | |
And I suppose we're just beginning to scratch the surface | 0:58:20 | 0:58:23 | |
with new technology to reveal a little bit | 0:58:23 | 0:58:26 | |
of what goes on when it's dark. | 0:58:26 | 0:58:28 | |
Subtitles by Red Bee Media Ltd | 0:58:51 | 0:58:54 |