
Browse content similar to The Crimson Wing. Check below for episodes and series from the same categories and more!
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Once upon a time, in the heart of Africa, | 0:01:16 | 0:01:19 | |
there was a lake of fire. | 0:01:19 | 0:01:21 | |
The lake's water burned with colour. | 0:01:26 | 0:01:29 | |
Scarlet and crimson. | 0:01:29 | 0:01:34 | |
And in its stillness held heaven's reflection. | 0:01:34 | 0:01:38 | |
After months without rain, there came a season of drought. | 0:01:57 | 0:02:03 | |
And the lake dried and turned white as ash. | 0:02:03 | 0:02:08 | |
But in the desolation came the promise of another season. | 0:02:18 | 0:02:23 | |
A season of colour and life. | 0:02:23 | 0:02:26 | |
A season of beginning. | 0:02:26 | 0:02:29 | |
Lake Natron in northern Tanzania | 0:04:02 | 0:04:05 | |
lies at the very centre of East Africa's Great Rift Valley. | 0:04:05 | 0:04:10 | |
This is a raw and unfinished land. | 0:04:10 | 0:04:14 | |
Ol Doinyo Lengai rises from the lake's southern shore. | 0:04:22 | 0:04:26 | |
A living volcano, restless and impatient. | 0:04:26 | 0:04:31 | |
Hidden deep in its dark core, | 0:04:41 | 0:04:43 | |
a chamber of magma burns with primeval energy. | 0:04:43 | 0:04:48 | |
HISSING AND BUBBLING | 0:04:54 | 0:04:56 | |
For the local Masai tribe, Lengai is simply where God lives. | 0:05:22 | 0:05:28 | |
Natron is a vast, shallow lake, | 0:05:36 | 0:05:39 | |
40 miles long and no more than six feet deep, | 0:05:39 | 0:05:44 | |
and so toxic with soda salt that almost nothing can live in its water. | 0:05:44 | 0:05:50 | |
But each year, for only a few weeks, | 0:05:52 | 0:05:55 | |
rain comes to Natron. | 0:05:55 | 0:05:57 | |
And a grand act of creation takes place - | 0:05:59 | 0:06:03 | |
one of Africa's last great mysteries. | 0:06:03 | 0:06:07 | |
FLAMINGOS HONK | 0:06:19 | 0:06:21 | |
And with the rain come the flamingos. | 0:06:27 | 0:06:31 | |
Somehow they know the time has come to return to Natron. | 0:06:41 | 0:06:46 | |
They have abandoned a dozen other lakes along the Rift Valley | 0:06:46 | 0:06:50 | |
and flown hundreds, even thousands, of miles to be here. | 0:06:50 | 0:06:55 | |
ORCHESTRAL MUSIC | 0:07:01 | 0:07:03 | |
ORCHESTRAL MUSIC | 0:07:47 | 0:07:49 | |
THUNDER | 0:08:46 | 0:08:49 | |
Each bird has its own story, | 0:08:55 | 0:08:58 | |
its own secret life. | 0:08:58 | 0:09:00 | |
And each story is one that began here at Natron with the rain. | 0:09:02 | 0:09:07 | |
The rain triggers the growth of algae in the water. | 0:09:20 | 0:09:24 | |
When the flamingos eat the algae, they transform. | 0:09:24 | 0:09:28 | |
Their feathers, eyes and legs flush with crimson. | 0:09:28 | 0:09:33 | |
It is their colour they find most attractive about each other. | 0:09:50 | 0:09:55 | |
After all, this is why they have come to Natron - | 0:09:55 | 0:10:00 | |
to find a mate. | 0:10:00 | 0:10:02 | |
FLAMINGOS HONK | 0:10:04 | 0:10:06 | |
Slowly, almost politely, they begin. | 0:10:50 | 0:10:54 | |
Every movement part of a courtship, | 0:11:02 | 0:11:06 | |
a choreography... | 0:11:06 | 0:11:08 | |
a growing dervish of desire. | 0:11:10 | 0:11:13 | |
PERCUSSION MUSIC | 0:11:20 | 0:11:23 | |
WORLD MUSIC | 0:11:33 | 0:11:36 | |
MUSIC SWELLS | 0:12:25 | 0:12:27 | |
HEADS SWISH | 0:12:49 | 0:12:52 | |
ORCHESTRAL MUSIC | 0:13:13 | 0:13:15 | |
FLAMINGOS HONK | 0:14:08 | 0:14:10 | |
MUSIC STOPS | 0:14:38 | 0:14:40 | |
FLAMINGOS HONK | 0:14:45 | 0:14:48 | |
One by one, the flamingos find each other. | 0:15:30 | 0:15:35 | |
A pairing to last the season. | 0:15:35 | 0:15:38 | |
A pairing that begins with a moment. | 0:15:40 | 0:15:43 | |
There is a myth told by the Masai | 0:16:02 | 0:16:05 | |
that the flamingos are made from the water's salt, | 0:16:05 | 0:16:09 | |
that they are the children of the lake. | 0:16:09 | 0:16:13 | |
But the truth is no less extraordinary, | 0:16:13 | 0:16:16 | |
and something that only happens here at Natron. | 0:16:16 | 0:16:20 | |
A secret island emerges from the middle of the lake. | 0:16:25 | 0:16:29 | |
As the rainy season ends and the furnace sun resumes its rule, | 0:16:35 | 0:16:40 | |
water evaporates so quickly that a residue of salt forms on the surface. | 0:16:40 | 0:16:46 | |
Each day, the sun bears down and the salt thickens into sheets, | 0:16:55 | 0:17:01 | |
like plates of salt ice that shift and grind in the wind. | 0:17:01 | 0:17:06 | |
The sheets drift, blending into a series of small islands as they go. | 0:18:07 | 0:18:13 | |
The wind pushes the islands towards the centre of the lake. | 0:18:14 | 0:18:18 | |
After several weeks of intense evaporation, | 0:18:21 | 0:18:25 | |
the water in the centre of the lake is only a few inches deep. | 0:18:25 | 0:18:30 | |
The floating salt islands run aground on the emerging mud | 0:18:30 | 0:18:34 | |
and soon accumulate into a single island of salt, ten miles wide. | 0:18:34 | 0:18:41 | |
Here, remnant water congeals into sulphurous pools | 0:18:43 | 0:18:47 | |
and the temperature regularly rises above 130 degrees. | 0:18:47 | 0:18:52 | |
No land animal could travel or survive here. | 0:18:57 | 0:19:02 | |
But to the flamingos, this strange, new world is a gift. | 0:19:02 | 0:19:08 | |
There are 2 million lesser flamingos in East Africa. | 0:19:09 | 0:19:13 | |
And every one of them is born here, on Natron's secret salt island. | 0:19:13 | 0:19:18 | |
CROWD OF FLAMINGOS HONK | 0:19:25 | 0:19:27 | |
The expectant parents build their nests from the salty lake mud. | 0:19:35 | 0:19:40 | |
Even though the salt island is vast, | 0:19:43 | 0:19:46 | |
as social birds, the flamingos prefer to group closely together, | 0:19:46 | 0:19:51 | |
and define the boundaries of their chosen nest sites. | 0:19:51 | 0:19:55 | |
The nests are almost a foot high, | 0:20:04 | 0:20:06 | |
drier and a few degrees cooler than the floor of the salt island. | 0:20:06 | 0:20:12 | |
The salt bakes, bleaches and hardens into a cradle. | 0:20:12 | 0:20:17 | |
After the nest comes the egg. | 0:20:28 | 0:20:32 | |
And then there is nothing to do but wait. | 0:20:34 | 0:20:39 | |
For one long, hot month. | 0:20:44 | 0:20:48 | |
SCRAPING AND CHIRPING | 0:21:36 | 0:21:38 | |
Finally, a small but determined beginning. | 0:21:45 | 0:21:49 | |
A new life - | 0:21:53 | 0:21:55 | |
one that will start today, | 0:21:55 | 0:21:57 | |
and might, if she's lucky, last for 40 years. | 0:21:57 | 0:22:02 | |
A whole new story. | 0:22:04 | 0:22:06 | |
PARENT HONKS AND BABY CHIRPS | 0:22:20 | 0:22:23 | |
Her very first cries are unique. | 0:22:31 | 0:22:35 | |
This is her own voice and how she and her parents | 0:22:35 | 0:22:38 | |
will always be able to recognise each other. | 0:22:38 | 0:22:42 | |
Within a few hours, her down dries in the hot sun | 0:23:06 | 0:23:11 | |
and she tries to stand... | 0:23:11 | 0:23:13 | |
something that will take only a little more practice. | 0:23:28 | 0:23:32 | |
Then it's time for food, | 0:24:01 | 0:24:03 | |
a high-energy liquid made from the lake's algae, | 0:24:03 | 0:24:07 | |
but also containing traces of her parents' own blood. | 0:24:07 | 0:24:11 | |
For these first days, | 0:24:39 | 0:24:41 | |
she has the constant presence of one or other of her parents. | 0:24:41 | 0:24:46 | |
This is a time of bonding and intimacy. | 0:24:46 | 0:24:49 | |
The dark hollow under her mother's wing | 0:25:07 | 0:25:10 | |
is a favourite place to hide from the fierce sun. | 0:25:10 | 0:25:14 | |
FLAMINGOS ALL SQUAWK | 0:25:39 | 0:25:41 | |
While still small, the chicks stay in the parents' shadows | 0:25:51 | 0:25:55 | |
or on their nest mounds, | 0:25:55 | 0:25:57 | |
anything to stay cool. | 0:25:57 | 0:26:00 | |
BABY SQUEAKS | 0:26:34 | 0:26:36 | |
At about a week old, her legs are strong enough | 0:27:24 | 0:27:28 | |
and, with a little encouragement, she decides to leave the nest. | 0:27:28 | 0:27:34 | |
Her world expands, one unsteady step at a time. | 0:28:06 | 0:28:11 | |
Now that she can walk, her relationship with her parents | 0:28:18 | 0:28:22 | |
will become more and more about separation. | 0:28:22 | 0:28:26 | |
Like every other chick, her inclination is to be with others - | 0:28:33 | 0:28:38 | |
the comfort and familiarity of her kind, | 0:28:38 | 0:28:43 | |
for a life that is not so much about the individual, but a collective. | 0:28:43 | 0:28:48 | |
Up to half a million adults and chicks | 0:29:04 | 0:29:06 | |
live in this season's noisy and boisterous nursery. | 0:29:06 | 0:29:10 | |
FLAMINGOS SQUAWK | 0:29:10 | 0:29:13 | |
But the island can also be harsh and unkind, | 0:29:53 | 0:29:58 | |
an impermanent place of salt and extreme heat. | 0:29:58 | 0:30:02 | |
When the chicks walk through the puddles of thick, salty water | 0:30:07 | 0:30:10 | |
that are all around, | 0:30:10 | 0:30:12 | |
a thin band of salt sometimes forms on their ankles. | 0:30:12 | 0:30:17 | |
If it does or not seems a matter of luck. | 0:30:21 | 0:30:24 | |
But the more these chicks wade into the water, | 0:30:24 | 0:30:27 | |
the more the salt accumulates | 0:30:27 | 0:30:29 | |
and hardens into a cement shackle that cannot be broken. | 0:30:29 | 0:30:34 | |
High above the colonies, the marabou storks appear, | 0:30:56 | 0:31:00 | |
circling like storybook witches. | 0:31:00 | 0:31:03 | |
They have come from far beyond the lake | 0:31:06 | 0:31:09 | |
with their own mysterious knowledge of what happens at Natron. | 0:31:09 | 0:31:14 | |
Very quickly... | 0:31:17 | 0:31:18 | |
..their intentions become clear. | 0:31:21 | 0:31:24 | |
SINISTER MUSIC | 0:31:25 | 0:31:27 | |
ALL CHIRP | 0:31:33 | 0:31:35 | |
ALL CHIRP | 0:32:33 | 0:32:35 | |
Almost insatiable, a few marabous can kill hundreds of chicks, | 0:32:50 | 0:32:56 | |
scattering and scaring off the parents. | 0:32:56 | 0:32:59 | |
STORK HONKS | 0:33:38 | 0:33:40 | |
With their gentle curved beaks, | 0:34:20 | 0:34:23 | |
the flamingos are no match for the marabous. | 0:34:23 | 0:34:27 | |
But every once in a while, a parent wins a reprieve for her chick. | 0:34:30 | 0:34:35 | |
One day, the chicks have had enough. | 0:34:58 | 0:35:01 | |
Perhaps some instinct tells them of a better place, | 0:35:04 | 0:35:08 | |
somewhere beyond the salt. | 0:35:08 | 0:35:11 | |
Suddenly, in their hundreds of thousands, | 0:35:24 | 0:35:28 | |
they abandon their nursery. | 0:35:28 | 0:35:30 | |
ORCHESTRAL MUSIC | 0:35:32 | 0:35:34 | |
Guardian birds lead them away and out across the miles of the salt island, | 0:36:34 | 0:36:39 | |
perhaps on routes they took themselves when they were chicks. | 0:36:39 | 0:36:43 | |
But there are those who are left behind, | 0:37:24 | 0:37:27 | |
too weak or too injured to make the journey. | 0:37:27 | 0:37:30 | |
Stories that barely began. | 0:37:40 | 0:37:42 | |
Each day, the surviving chicks continue on across the burning miles. | 0:38:41 | 0:38:46 | |
Though they are reunited each evening with their parents for rest and food, | 0:39:01 | 0:39:06 | |
it is the guardian birds who lead this daytime march | 0:39:06 | 0:39:11 | |
and make sure even the smallest find their way. | 0:39:11 | 0:39:14 | |
But the group can't wait for everyone. | 0:39:32 | 0:39:35 | |
The chicks burdened with salt shackles | 0:40:07 | 0:40:10 | |
fall further and further behind. | 0:40:10 | 0:40:13 | |
SQUEALS | 0:40:35 | 0:40:38 | |
But, for the hundreds of chicks who die, thousands will make it. | 0:41:08 | 0:41:14 | |
How far they've come. | 0:41:33 | 0:41:35 | |
The groups merge and gather momentum, | 0:41:42 | 0:41:45 | |
as if, at last, they sense the destination. | 0:41:45 | 0:41:50 | |
And, reaching the edge of the salt island, find the lake | 0:42:01 | 0:42:05 | |
with its cool, blue water. | 0:42:05 | 0:42:09 | |
And she has made it, too. | 0:42:20 | 0:42:23 | |
Cautiously at first. | 0:42:48 | 0:42:50 | |
But then... | 0:42:51 | 0:42:53 | |
Up ahead... | 0:43:33 | 0:43:36 | |
..there are the others. | 0:43:36 | 0:43:38 | |
Leaving the salt island, the chicks enter the wider kingdom of the lake. | 0:44:25 | 0:44:30 | |
Here, a very different world awaits them. | 0:44:35 | 0:44:39 | |
A living landscape, complex and animate. | 0:44:41 | 0:44:45 | |
MONKEYS SQUAWK | 0:44:47 | 0:44:49 | |
BIRDS CHIRRUP | 0:45:25 | 0:45:27 | |
The rift's escarpment rises 1,000ft above the lake, | 0:45:51 | 0:45:55 | |
a rock wall severed by deep canyons. | 0:45:55 | 0:45:58 | |
Here, amid the shadows and the swifts, | 0:46:01 | 0:46:04 | |
water gushes up from hundreds of underground springs. | 0:46:04 | 0:46:08 | |
The water is rich in sodium carbonate, | 0:46:08 | 0:46:11 | |
the mineral that creates the salty chemistry of the lake. | 0:46:11 | 0:46:15 | |
Dozens of springs and rivers feed into a series of marshes | 0:47:18 | 0:47:22 | |
that border the lake. | 0:47:22 | 0:47:24 | |
Almost all of Natron's life | 0:47:24 | 0:47:26 | |
depends upon the relatively fresh water of this abundant green maze. | 0:47:26 | 0:47:31 | |
And, for the next few months, so too will the chicks. | 0:47:31 | 0:47:37 | |
Each morning, the parents leave their chicks | 0:48:35 | 0:48:38 | |
on the muddy shore below the marsh. | 0:48:38 | 0:48:40 | |
They spend the day almost completely unsupervised. | 0:48:42 | 0:48:46 | |
They learn to feed themselves. | 0:49:21 | 0:49:23 | |
Their beaks are developing the filters and distinctive shape | 0:49:23 | 0:49:27 | |
that will allow them to separate the algae they need | 0:49:27 | 0:49:30 | |
from the mud and silt of the marsh. | 0:49:30 | 0:49:33 | |
Her super-soft down is the perfect insulation against the strong sun. | 0:49:44 | 0:49:49 | |
But it requires frequent grooming, | 0:49:49 | 0:49:52 | |
not only to keep it healthy, | 0:49:52 | 0:49:54 | |
but to encourage the growth of adult feathers. | 0:49:54 | 0:49:57 | |
Without those feathers, she can't fly - | 0:50:18 | 0:50:23 | |
no matter how hard she tries. | 0:50:23 | 0:50:26 | |
There are plenty of things to want to fly away from. | 0:50:39 | 0:50:43 | |
The mongoose that lives in the marsh, for instance. | 0:50:49 | 0:50:53 | |
As the chicks change and grow, life in the marsh goes on. | 0:51:36 | 0:51:41 | |
Routine, yet quietly full of wonder. | 0:51:43 | 0:51:46 | |
BIRDS CHIRP | 0:52:31 | 0:52:33 | |
At three months old, she has grown more sure of herself, | 0:52:59 | 0:53:03 | |
and her place in the marsh. | 0:53:03 | 0:53:05 | |
Now her down has transformed into a juvenile plumage. | 0:53:19 | 0:53:24 | |
And one by one... | 0:53:25 | 0:53:27 | |
..her wing feathers have fledged. | 0:53:27 | 0:53:31 | |
The day comes when she discovers her wings are strong enough. | 0:54:01 | 0:54:05 | |
And a whole new way of being is suddenly possible. | 0:54:08 | 0:54:13 | |
A flight that at first stays close to the lake and marsh, | 0:54:13 | 0:54:18 | |
the familiar places of her life. | 0:54:18 | 0:54:21 | |
But a flight that will soon release her, | 0:54:21 | 0:54:25 | |
above the Earth, above everything she has known. | 0:54:25 | 0:54:29 | |
No longer a chick, | 0:55:12 | 0:55:14 | |
but a young bird whose wings have given her the whole Rift Valley. | 0:55:14 | 0:55:20 | |
Every 30 years, Lengai erupts. | 0:55:38 | 0:55:41 | |
Deep in the volcano's molten core, | 0:55:45 | 0:55:48 | |
lava is pulverised by pressure into ash and thrown upward into the air. | 0:55:48 | 0:55:55 | |
The ash contains sodium carbonate, | 0:55:59 | 0:56:02 | |
the exact mineral in the lake's water and soil. | 0:56:02 | 0:56:06 | |
It is as if each aspect of the lake's landscape is simply a different form, | 0:56:06 | 0:56:12 | |
a different incarnation of the same basic element. | 0:56:12 | 0:56:18 | |
Natron is one place. | 0:56:18 | 0:56:21 | |
Water, earth and air. | 0:56:21 | 0:56:25 | |
And the flamingos, born on the lake's salt island, | 0:56:49 | 0:56:54 | |
transformed by its salt water, | 0:56:54 | 0:56:57 | |
embody Natron in a living form. | 0:56:57 | 0:57:00 | |
The flamingos' ceaseless journeys | 0:58:11 | 0:58:14 | |
among the many lakes of the Rift Valley | 0:58:14 | 0:58:16 | |
are nomadic rather than migratory. | 0:58:16 | 0:58:19 | |
For the flamingos move of their own accord. | 0:58:19 | 0:58:23 | |
Natron, Bogoria, Empakai, | 0:58:29 | 0:58:33 | |
Magadi, Nakuru, Manyara. | 0:58:33 | 0:58:36 | |
They come and go as they want, | 0:58:36 | 0:58:39 | |
their presence the sudden and complete possession of a lake. | 0:58:39 | 0:58:44 | |
But every lake has its storybook witches. | 0:59:39 | 0:59:43 | |
DRAMATIC MUSIC | 1:00:39 | 1:00:41 | |
MUSIC STOPS | 1:01:20 | 1:01:23 | |
This time, she keeps her story. | 1:01:59 | 1:02:02 | |
She keeps her secret life. | 1:02:02 | 1:02:05 | |
Just as they arrived at Natron, like a magic act, | 1:02:13 | 1:02:17 | |
the flamingos suddenly disappear. | 1:02:17 | 1:02:21 | |
Born of salt, they possess the sky. | 1:03:10 | 1:03:13 | |
They absorb the colour of the water | 1:03:13 | 1:03:15 | |
and their feathers burnish crimson as the Phoenix. | 1:03:15 | 1:03:20 | |
Their lives are continual transformation. | 1:03:21 | 1:03:25 | |
And even in death, their forms shift to something other. | 1:03:25 | 1:03:30 | |
Their feathers, bones, colour, | 1:03:31 | 1:03:34 | |
their life force, return to the lake. | 1:03:34 | 1:03:37 | |
As the seasons change, microscopic life in the water blooms. | 1:04:05 | 1:04:10 | |
Natron becomes a lake of fire. | 1:04:10 | 1:04:13 | |
After six months without a single drop of rain, | 1:04:43 | 1:04:47 | |
the colour fades and bleaches. | 1:04:47 | 1:04:50 | |
The ash of the volcano blends with the salt of the lake | 1:05:17 | 1:05:20 | |
and the dust of the Earth, | 1:05:20 | 1:05:22 | |
scattering in the restless dry-season wind. | 1:05:22 | 1:05:27 | |
Natron's elements shapeshift, one into the other. | 1:05:32 | 1:05:37 | |
Ash, dust and salt. | 1:05:37 | 1:05:41 | |
But even this season of silence will pass. | 1:06:05 | 1:06:08 | |
The story of the bird is a promise to us - | 1:06:21 | 1:06:25 | |
Nature's affirmation. | 1:06:25 | 1:06:28 | |
In winter or in death, | 1:06:40 | 1:06:43 | |
in times of desolation, the rain will arrive. | 1:06:43 | 1:06:50 | |
The call of the birds will be heard. | 1:06:50 | 1:06:53 | |
And everything, everything, can begin again. | 1:06:53 | 1:06:58 | |
THUNDER AND TORRENTIAL RAIN | 1:06:58 | 1:07:01 | |
Lightning Bird, Firebird, Phoenix. | 1:07:36 | 1:07:41 | |
She will return on crimson wings and make a nest among the ashes. | 1:07:41 | 1:07:47 | |
And the children of the lake will be reborn. | 1:07:53 | 1:07:57 | |
SCRAPING | 1:08:08 | 1:08:10 | |
CHIRPS | 1:08:43 | 1:08:45 | |
Once upon a time, in the heart of Africa, there was a lake of fire. | 1:10:33 | 1:10:40 | |
Subtitles by IMS | 1:11:31 | 1:11:36 |