
Browse content similar to Attenborough's Life That Glows. Check below for episodes and series from the same categories and more!
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As dusk gives way to twilight, | 0:00:07 | 0:00:09 | |
the encroaching darkness is lit by life. | 0:00:09 | 0:00:12 | |
These dancing lights around me are produced by fireflies - | 0:00:16 | 0:00:23 | |
creatures that have the strange ability to produce light. | 0:00:23 | 0:00:27 | |
They bioluminesce. | 0:00:27 | 0:00:29 | |
And fireflies are not alone. | 0:00:32 | 0:00:35 | |
Scientists are finding ever more strange and wonderful | 0:00:35 | 0:00:38 | |
glowing life forms all around the world. | 0:00:38 | 0:00:41 | |
Living light has always fascinated me. | 0:00:46 | 0:00:49 | |
And the discovery of more and more luminous creatures raises more | 0:00:49 | 0:00:53 | |
and more questions. | 0:00:53 | 0:00:55 | |
Why? What is the light for? And how is it made? | 0:00:55 | 0:00:59 | |
In recent years, | 0:01:02 | 0:01:03 | |
scientists have begun to find answers to those questions. | 0:01:03 | 0:01:07 | |
And in doing so, | 0:01:07 | 0:01:08 | |
they've taken us into a world that is utterly unlike our own. | 0:01:08 | 0:01:12 | |
However astonishing these images look, they are all real. | 0:01:18 | 0:01:22 | |
With help from new cameras, one designed just for this film, | 0:01:27 | 0:01:31 | |
we can reveal this extraordinary phenomenon | 0:01:31 | 0:01:33 | |
as it has never been seen before. | 0:01:33 | 0:01:35 | |
Bioluminescence holds many mysteries. | 0:01:53 | 0:01:57 | |
But we do know that fireflies use it to attract the opposite sex. | 0:01:57 | 0:02:01 | |
Each species has its own flash code and WE can join in the conversation. | 0:02:15 | 0:02:21 | |
I'm going to use this rod to fish for fireflies. | 0:02:28 | 0:02:33 | |
It's the actual rod used by the scientist who was the first | 0:02:34 | 0:02:38 | |
to decipher the various call signs of fireflies. | 0:02:38 | 0:02:42 | |
And there are 15 different species, at least, around here. | 0:02:42 | 0:02:47 | |
Each with its own signal. | 0:02:47 | 0:02:49 | |
Biologist Jim Lloyd used the rod to imitate male fireflies | 0:02:49 | 0:02:54 | |
and so decode their various light patterns. | 0:02:54 | 0:02:58 | |
He discovered that the call sign consisted partly in | 0:02:58 | 0:03:02 | |
the actual flight path of the species concerned. | 0:03:02 | 0:03:05 | |
There are, for example, | 0:03:05 | 0:03:08 | |
some fireflies which move steadily horizontally, like that. | 0:03:08 | 0:03:12 | |
And there are others which | 0:03:12 | 0:03:14 | |
turn their light on as they climb, like that. | 0:03:14 | 0:03:18 | |
But in addition to the flight path, they flash a particular signal. | 0:03:19 | 0:03:24 | |
It's rather like Morse code. | 0:03:24 | 0:03:26 | |
So I should be able to use this light myself. | 0:03:27 | 0:03:30 | |
There is a female amongst these leaves here, | 0:03:32 | 0:03:36 | |
which will emit a single flash. | 0:03:36 | 0:03:38 | |
And the male of her species waits for precisely four seconds, | 0:03:38 | 0:03:45 | |
and then answers back with a flash. | 0:03:45 | 0:03:48 | |
Whereupon she immediately gives another flash, like that. | 0:03:48 | 0:03:53 | |
And the male then knows that he is going to be a welcome visitor. | 0:03:54 | 0:03:58 | |
But the message has recently been shown to be more than | 0:04:00 | 0:04:03 | |
a simple signal for sex. | 0:04:03 | 0:04:05 | |
A female judges the quality of a male's genes | 0:04:07 | 0:04:10 | |
by the precision of his timing and the brightness of his light. | 0:04:10 | 0:04:13 | |
She encourages her chosen suitor by directing her lanterns towards him. | 0:04:19 | 0:04:24 | |
And it seems this male sent out all the right signals. | 0:04:35 | 0:04:39 | |
We are now discovering that | 0:04:44 | 0:04:46 | |
this language of light even has local dialects. | 0:04:46 | 0:04:49 | |
Throughout the summer months, from Florida to southern Canada, | 0:04:54 | 0:04:58 | |
gardens, fields and forests sparkle with these mating messages. | 0:04:58 | 0:05:02 | |
Time-lapse photography reveals | 0:05:07 | 0:05:09 | |
the extraordinary extent of this courtship. | 0:05:09 | 0:05:11 | |
Some species flash only at dusk. | 0:05:17 | 0:05:21 | |
Others prefer the forest canopy for their light show. | 0:05:23 | 0:05:26 | |
Some species make their flashes more conspicuous by choosing | 0:05:31 | 0:05:35 | |
the very darkest places in which to display. | 0:05:35 | 0:05:38 | |
I can see virtually nothing here, except the flashes. | 0:05:39 | 0:05:44 | |
And this particular species has another trick, too. | 0:05:46 | 0:05:50 | |
It synchronises the displays. | 0:05:51 | 0:05:53 | |
Individuals flash together. | 0:05:53 | 0:05:56 | |
Each individual is triggered by its neighbour, | 0:06:00 | 0:06:03 | |
and soon waves of light pulse through the woods. | 0:06:03 | 0:06:07 | |
Speeded up, the wave becomes clearer. | 0:06:13 | 0:06:16 | |
Between the waves, | 0:06:25 | 0:06:26 | |
an impressed female can respond with two flashes of her own. | 0:06:26 | 0:06:31 | |
And the males home in on her. | 0:06:33 | 0:06:35 | |
But she can only choose one. | 0:06:37 | 0:06:39 | |
These displays peak for just a few nights in June, | 0:06:44 | 0:06:48 | |
which could explain why they were only recently discovered. | 0:06:48 | 0:06:52 | |
Why they all flash together is still a mystery. | 0:06:54 | 0:06:57 | |
It's surprising how little we know about bioluminescence. | 0:07:05 | 0:07:10 | |
Fireflies are perhaps the best understood | 0:07:11 | 0:07:13 | |
but some living light is still very perplexing indeed. | 0:07:13 | 0:07:18 | |
With dawn, the sexual signals of the fireflies are drowned | 0:07:18 | 0:07:22 | |
by the increasing flood of light. | 0:07:22 | 0:07:25 | |
The flies take refuge in the undergrowth, | 0:07:25 | 0:07:27 | |
away from the sharp-eyed predators of the day. | 0:07:27 | 0:07:31 | |
But right now, | 0:07:31 | 0:07:33 | |
light is being produced by life in the soil under my feet. | 0:07:33 | 0:07:37 | |
The threads of certain fungi form a glowing underground network. | 0:07:41 | 0:07:46 | |
But why would a fungus shine in the permanent darkness of the soil? | 0:07:55 | 0:07:59 | |
We simply don't know. | 0:07:59 | 0:08:01 | |
And for years, fungus bioluminescence, | 0:08:03 | 0:08:07 | |
like much other living light, was written off as a beautiful | 0:08:07 | 0:08:10 | |
by-product of evolution with no function. | 0:08:10 | 0:08:13 | |
But some species only glow above ground and only at night, | 0:08:16 | 0:08:20 | |
when their intense green light is very obvious. | 0:08:20 | 0:08:23 | |
If it was just a biochemical accident then surely | 0:08:28 | 0:08:31 | |
they would shine all the time. | 0:08:31 | 0:08:33 | |
The glow certainly attracts insects | 0:08:33 | 0:08:36 | |
and the theory is that these visitors spread the fungal spores. | 0:08:36 | 0:08:39 | |
So here, too, just as with fireflies, | 0:08:52 | 0:08:55 | |
we're learning new things all the time. | 0:08:55 | 0:08:58 | |
But much living light remains a beautiful enigma. | 0:09:04 | 0:09:08 | |
And throughout history, | 0:09:11 | 0:09:12 | |
stories of bioluminescence were often thought to be pure fiction. | 0:09:12 | 0:09:16 | |
In the 1870s, Jules Verne, the French science-fiction novelist, | 0:09:18 | 0:09:23 | |
wrote this in his book, 20,000 Leagues Under The Sea. | 0:09:23 | 0:09:28 | |
"At seven o'clock in the evening, our ship, half-immersed, | 0:09:29 | 0:09:33 | |
"was sailing in a sea of milk. | 0:09:33 | 0:09:37 | |
"At first sight, the ocean seemed lactified. | 0:09:37 | 0:09:40 | |
"The whole sky seemed black by contrast with | 0:09:40 | 0:09:44 | |
"the whiteness of the waters." | 0:09:44 | 0:09:47 | |
Jules Verne may have based this story | 0:09:47 | 0:09:50 | |
on a myth told to him by sailors. | 0:09:50 | 0:09:52 | |
But in 1995, the captain of a British vessel wrote | 0:09:52 | 0:09:57 | |
a real-life account in his ship's log. | 0:09:57 | 0:10:00 | |
"At 18:00 hours on a clear moonless night, | 0:10:00 | 0:10:04 | |
"while 150 miles east of the Somalian coast, | 0:10:04 | 0:10:08 | |
"a whitish glow was observed on the horizon. | 0:10:08 | 0:10:11 | |
"And after 15 minutes of steaming, the ship was completely surrounded | 0:10:11 | 0:10:16 | |
"by a sea of milky white colour with a fairly uniform luminescence. | 0:10:16 | 0:10:23 | |
"And it appeared as though the ship was sailing over | 0:10:23 | 0:10:26 | |
"a field of snow or gliding over the clouds." | 0:10:26 | 0:10:30 | |
Reports like this are rarer than the supposed sightings | 0:10:33 | 0:10:36 | |
of the Loch Ness Monster. | 0:10:36 | 0:10:38 | |
And there was no photographic evidence. | 0:10:38 | 0:10:41 | |
Some scientists, including marine biologist Steven Haddock, | 0:10:44 | 0:10:48 | |
were curious, and sought confirmation from above. | 0:10:48 | 0:10:52 | |
We wondered if you could find one of these ship reports where | 0:10:54 | 0:10:57 | |
they record sailing through one of these milky seas, | 0:10:57 | 0:11:00 | |
and actually find the corresponding satellite data that cover | 0:11:00 | 0:11:03 | |
that area at that same time. | 0:11:03 | 0:11:06 | |
So we looked at the satellite from the ship report in 1995 | 0:11:06 | 0:11:09 | |
and it was somewhat of a eureka moment. | 0:11:09 | 0:11:12 | |
We cleaned up the noisy sensor image from the camera, | 0:11:12 | 0:11:15 | |
we mapped it onto the ship track, and this 300km feature | 0:11:15 | 0:11:19 | |
emerged on the map matching exactly with what the ship had reported. | 0:11:19 | 0:11:24 | |
So it was really an amazing moment. | 0:11:24 | 0:11:27 | |
We were able to document the full extent of the milky sea over | 0:11:27 | 0:11:30 | |
three successive nights as it rotated with the currents. | 0:11:30 | 0:11:34 | |
So satellite images from the space age validated | 0:11:34 | 0:11:38 | |
a piece of maritime folklore. | 0:11:38 | 0:11:40 | |
On rare occasions, the oceans do glow. | 0:11:42 | 0:11:45 | |
But what was causing a glow | 0:11:48 | 0:11:49 | |
so bright that it could be seen from space? | 0:11:49 | 0:11:52 | |
The answer can be found at the back of a neglected fridge. | 0:11:54 | 0:11:58 | |
Left for a couple of days, this sea bream starts to glow. | 0:12:04 | 0:12:09 | |
The fish itself has no light-producing ability. | 0:12:18 | 0:12:22 | |
The glow is, in fact, produced by bacteria that are found | 0:12:23 | 0:12:27 | |
in almost all seawater when they start to feed on decaying fish. | 0:12:27 | 0:12:31 | |
On rare occasions when currents and temperatures cause a large bloom of | 0:12:33 | 0:12:37 | |
algae in the ocean, these very same bacteria also feed on dying algae. | 0:12:37 | 0:12:42 | |
Once they reach a critical concentration, | 0:12:44 | 0:12:46 | |
their secretions trigger others to glow. | 0:12:46 | 0:12:50 | |
They were glowing in such numbers that they can be | 0:12:52 | 0:12:54 | |
detected by a satellite in orbit. | 0:12:54 | 0:12:56 | |
Bacteria are among the most ancient forms of life, | 0:13:07 | 0:13:10 | |
so they may have been the very first living things to glow. | 0:13:10 | 0:13:14 | |
But why they did so is still debated. | 0:13:14 | 0:13:17 | |
Today some animals have stolen the genes of the bacteria, | 0:13:18 | 0:13:22 | |
and incorporated them into their own DNA. | 0:13:22 | 0:13:24 | |
Others have simply kidnapped the bacteria themselves. | 0:13:26 | 0:13:29 | |
These lights are made by captives, | 0:13:38 | 0:13:41 | |
which are farmed in special organs below the eyes of flashlight fish. | 0:13:41 | 0:13:45 | |
They have harnessed the bacterial glow for many purposes. | 0:13:55 | 0:13:58 | |
We can only see them because our special cameras use infrared light. | 0:14:01 | 0:14:05 | |
But to a predator, the fish look like this. | 0:14:07 | 0:14:10 | |
A confusion of lights which makes it hard to pick a single target. | 0:14:12 | 0:14:15 | |
Just before they change direction, the fish give a quick blink. | 0:14:24 | 0:14:28 | |
These lights have other functions, too. | 0:14:36 | 0:14:38 | |
They act as headlights to illuminate the sea floor | 0:14:40 | 0:14:44 | |
as the fish search for food. | 0:14:44 | 0:14:46 | |
They may even help a fish to flirt with the opposite sex. | 0:14:55 | 0:14:59 | |
Unlike their captive bacteria, | 0:15:06 | 0:15:08 | |
flashlight fish use living light for functions we now understand. | 0:15:08 | 0:15:13 | |
But how is the light made? | 0:15:16 | 0:15:19 | |
While it might appear magic, | 0:15:19 | 0:15:21 | |
it's actually a straightforward chemical reaction that happens | 0:15:21 | 0:15:25 | |
when a substance is mixed with a particular enzyme, like this. | 0:15:25 | 0:15:31 | |
Hey, presto, light. | 0:15:37 | 0:15:39 | |
The exact chemical formula varies according to the species. | 0:15:42 | 0:15:46 | |
The reaction is very similar to that with which bacteria produce energy. | 0:15:46 | 0:15:52 | |
Indeed, it could well be that the first luminescence was | 0:15:52 | 0:15:56 | |
a by-product of that process. | 0:15:56 | 0:15:58 | |
An evolutionary accident that has been co-opted by the fish to | 0:15:59 | 0:16:03 | |
help them survive. | 0:16:03 | 0:16:05 | |
The chemicals involved are quite harmless. | 0:16:07 | 0:16:10 | |
In fact, you can actually buy a lollipop which, | 0:16:10 | 0:16:14 | |
when you put it in hot water, glows. | 0:16:14 | 0:16:19 | |
But to be truthful, I don't really find that very appetising. | 0:16:20 | 0:16:27 | |
Perhaps, at the back of my mind, there's a memory of those | 0:16:27 | 0:16:31 | |
bacteria on rotting fish, which tells me | 0:16:31 | 0:16:34 | |
that things that glow aren't all that nice to eat. | 0:16:34 | 0:16:38 | |
Bacteria may have been the first living lights, | 0:16:40 | 0:16:43 | |
but then many other organisms also developed the ability. | 0:16:43 | 0:16:47 | |
From jellyfish to fungi and insects, | 0:16:48 | 0:16:51 | |
bioluminescence has evolved independently over 50 times, | 0:16:51 | 0:16:56 | |
and is now produced by thousands of different species. | 0:16:56 | 0:17:00 | |
And defence seems to be a common function. | 0:17:02 | 0:17:05 | |
Millipedes are found across the globe. | 0:17:11 | 0:17:14 | |
Many are active during the day, | 0:17:14 | 0:17:16 | |
scuttling across the damp forest floor. | 0:17:16 | 0:17:18 | |
They can do this with impunity, because they are deadly poisonous. | 0:17:20 | 0:17:24 | |
Their bright colours are a clear message to predators - | 0:17:24 | 0:17:28 | |
"Do not eat me. I am laced with cyanide." | 0:17:28 | 0:17:32 | |
But what about millipedes that are active at night? | 0:17:39 | 0:17:42 | |
They are no less toxic than those that are active during the day. | 0:17:45 | 0:17:49 | |
But, of course, colours at night are no warning at all. | 0:17:51 | 0:17:56 | |
Could it be that luminescence is a way | 0:17:56 | 0:18:00 | |
of warning off night-time predators? | 0:18:00 | 0:18:03 | |
These extraordinary millipedes are only found | 0:18:04 | 0:18:07 | |
in the high mountains of California. | 0:18:07 | 0:18:10 | |
Their bioluminescence has never been filmed before. | 0:18:11 | 0:18:14 | |
They can't be sending signals to one another, because they're blind. | 0:18:16 | 0:18:20 | |
Their living light evolved separately from bacteria, | 0:18:23 | 0:18:26 | |
from a chemical process that helps millipedes conserve water | 0:18:26 | 0:18:30 | |
in dry environments. | 0:18:30 | 0:18:32 | |
But since the millipedes already contain cyanide, | 0:18:32 | 0:18:35 | |
the light evolved a function. | 0:18:35 | 0:18:37 | |
To my eyes, he doesn't look very bright. | 0:18:39 | 0:18:43 | |
But my eyes are not the eyes of a night-time predator, | 0:18:43 | 0:18:48 | |
or indeed of our specialist camera. | 0:18:48 | 0:18:51 | |
And to both of them, | 0:18:51 | 0:18:53 | |
this could look very bright indeed and be a real warning. | 0:18:53 | 0:18:57 | |
When scientists made clay models of these millipedes, | 0:18:59 | 0:19:02 | |
half of which glowed, | 0:19:02 | 0:19:03 | |
nocturnal predators were more likely to attack those that didn't glow. | 0:19:03 | 0:19:08 | |
This simple experiment produced a clear result. | 0:19:13 | 0:19:16 | |
Living light can act as a warning. | 0:19:16 | 0:19:20 | |
But proving the function of bioluminescence is not always | 0:19:23 | 0:19:27 | |
so easy, as a recent discovery has shown. | 0:19:27 | 0:19:30 | |
These, surely, are like creatures from science-fiction. | 0:19:35 | 0:19:40 | |
Luminous earthworms. | 0:19:40 | 0:19:43 | |
A few years ago, | 0:19:43 | 0:19:44 | |
a lady living in the Loire Valley in central France went out during the | 0:19:44 | 0:19:49 | |
evening to look for her dog which was digging a hole in the garden. | 0:19:49 | 0:19:54 | |
And in the bottom of the hole, the soil was glowing. | 0:19:54 | 0:19:59 | |
It was these earthworms. She could hardly believe her eyes. | 0:19:59 | 0:20:03 | |
And she went and told people what she had seen | 0:20:03 | 0:20:06 | |
and few people would believe her. | 0:20:06 | 0:20:08 | |
The species of worm was already known, it lived over quite | 0:20:08 | 0:20:12 | |
a lot of France, but no-one had ever seen it glow before. | 0:20:12 | 0:20:16 | |
Perhaps that's because few people went out in the middle of the night | 0:20:16 | 0:20:20 | |
digging a hole, especially without a light. | 0:20:20 | 0:20:23 | |
But eventually, science recognised these creatures. | 0:20:23 | 0:20:27 | |
But why should they luminesce in the darkness of the soil? | 0:20:27 | 0:20:32 | |
Nobody knew. | 0:20:33 | 0:20:35 | |
This blue light had gone unnoticed by science until 2010, | 0:20:38 | 0:20:43 | |
when biologist Marcel Koken first saw their eerie glow. | 0:20:43 | 0:20:48 | |
We are trying to find out why this animal produces light. | 0:20:50 | 0:20:54 | |
A thing living underground. Why produce light? | 0:20:54 | 0:20:58 | |
No use for it, apparently. | 0:20:58 | 0:21:01 | |
Is it just a by-product of some internal chemistry? | 0:21:01 | 0:21:04 | |
Or could the glow be used to frighten off attackers? | 0:21:04 | 0:21:07 | |
These ground beetles are voracious predators and they love earthworms. | 0:21:09 | 0:21:13 | |
The worms look like ordinary ones until the light goes out. | 0:21:16 | 0:21:19 | |
Our special camera gives us | 0:21:20 | 0:21:22 | |
a privileged view of what's happening in the dark. | 0:21:22 | 0:21:25 | |
Marcel's experiments have shown that the worms can | 0:21:30 | 0:21:34 | |
control their brightness. | 0:21:34 | 0:21:36 | |
When the beetle touches part of the worm, its light gets brighter. | 0:21:36 | 0:21:40 | |
So it could be that in case a predator tries to bite it, | 0:21:42 | 0:21:46 | |
it lights up, that scares the predator. | 0:21:46 | 0:21:49 | |
The predator goes off and the earthworm can escape. | 0:21:49 | 0:21:52 | |
The beetle bites, and the worm's entire body | 0:21:53 | 0:21:56 | |
bursts into light as it struggles to break free. | 0:21:56 | 0:21:59 | |
But the beetle doesn't seem put off by the glow. | 0:22:00 | 0:22:03 | |
If this is defence, it isn't working here. | 0:22:07 | 0:22:10 | |
Marcel is still looking for the function. | 0:22:12 | 0:22:14 | |
Perhaps other predators are put off or perhaps the worms use | 0:22:17 | 0:22:20 | |
light to find each other. | 0:22:20 | 0:22:22 | |
So it seems that this beautiful glow has a function which | 0:22:26 | 0:22:31 | |
we still don't understand. | 0:22:31 | 0:22:32 | |
The world of living light is full of mysteries. | 0:22:35 | 0:22:39 | |
The French worms went unnoticed for so long | 0:22:39 | 0:22:41 | |
because they produce their eerie light underground. | 0:22:41 | 0:22:45 | |
But there are rare occasions | 0:22:47 | 0:22:49 | |
when luminous life is all about revealing yourself. | 0:22:49 | 0:22:52 | |
May 2015. | 0:23:02 | 0:23:04 | |
While the southern aurora illuminates the night sky above, | 0:23:04 | 0:23:08 | |
the sea below produces a strange blue glow. | 0:23:08 | 0:23:11 | |
Each wave causes a ripple of intense colour. | 0:23:21 | 0:23:24 | |
The animals in the bay notice it first. | 0:23:38 | 0:23:41 | |
Wading birds are attracted to small crustaceans | 0:23:43 | 0:23:46 | |
caught in the glow. | 0:23:46 | 0:23:47 | |
Each movement alerts others to this rare spectacle. | 0:23:51 | 0:23:54 | |
People gather to marvel at this once-in-a-lifetime event. | 0:23:54 | 0:23:58 | |
That is amazing! | 0:24:02 | 0:24:03 | |
I've never seen anything like this before in my life. | 0:24:03 | 0:24:06 | |
That's wicked. | 0:24:09 | 0:24:10 | |
LAUGHTER | 0:24:13 | 0:24:17 | |
It may look like something from Willy Wonka's chocolate factory, | 0:24:24 | 0:24:28 | |
but the phenomenon is real. | 0:24:28 | 0:24:30 | |
A mass bloom of microscopic organisms caused by a rare | 0:24:31 | 0:24:35 | |
combination of climate and nutrients. | 0:24:35 | 0:24:39 | |
Under this microscope, I've got a drop of ordinary seawater. | 0:24:39 | 0:24:44 | |
And it's full of tiny organisms, invisible to the naked eye, | 0:24:44 | 0:24:49 | |
called dinoflagellates. | 0:24:49 | 0:24:50 | |
And if I disturb them in some way, | 0:24:51 | 0:24:54 | |
they combine two chemicals in their body to produce a flash of light. | 0:24:54 | 0:24:59 | |
Watch. | 0:24:59 | 0:25:01 | |
Dinoflagellates are one of the | 0:25:17 | 0:25:19 | |
biggest single-celled organisms known. | 0:25:19 | 0:25:22 | |
They are 1,000 times bigger than bacteria. | 0:25:24 | 0:25:27 | |
They are neither animal nor plant, | 0:25:27 | 0:25:29 | |
but have characteristics of them both, | 0:25:29 | 0:25:32 | |
and when conditions are right in the sea, as they were in Tasmania, | 0:25:32 | 0:25:36 | |
they bloom in enormous numbers. | 0:25:36 | 0:25:38 | |
Bioluminescent tides like this one are certainly rare. | 0:25:41 | 0:25:45 | |
However, dinoflagellates are found in huge numbers all over the world. | 0:25:48 | 0:25:53 | |
They are among the most widespread of all bioluminescent life. | 0:25:53 | 0:25:58 | |
Wherever they exist, | 0:25:58 | 0:26:00 | |
these single-celled creatures highlight anything that moves. | 0:26:00 | 0:26:04 | |
But why do dinoflagellates behave in this way? | 0:26:07 | 0:26:12 | |
It's certainly not to entertain us, though it obviously does. | 0:26:12 | 0:26:16 | |
Well, it could be that it is a kind of burglar alarm - | 0:26:16 | 0:26:19 | |
that when a shrimp or some other animal | 0:26:19 | 0:26:22 | |
that feeds on the dinoflagellates by filtering them out, | 0:26:22 | 0:26:25 | |
comes along and starts to feed, | 0:26:25 | 0:26:27 | |
it is, in doing so, illuminating itself. | 0:26:27 | 0:26:30 | |
So that attracts the attention of perhaps bigger fish that might | 0:26:33 | 0:26:37 | |
feed on the shrimp. | 0:26:37 | 0:26:39 | |
Just as a flashing burglar alarm alerts the police to a thief, | 0:26:41 | 0:26:45 | |
the dinoflagellates expose their attacker to its enemies. | 0:26:45 | 0:26:49 | |
The shrimp is revealed to a cuttlefish, with fatal results. | 0:26:54 | 0:26:58 | |
And so the cuttlefish can hunt in total darkness. | 0:27:02 | 0:27:06 | |
But while the dinoflagellates' light can work in this way, | 0:27:08 | 0:27:11 | |
it is still debated if that's why they do it. | 0:27:11 | 0:27:14 | |
Whatever the reason, the magic created by their light can be | 0:27:18 | 0:27:21 | |
one of nature's most magical spectacles. | 0:27:21 | 0:27:24 | |
Bow-riding dolphins are revealed as dazzling outlines. | 0:27:40 | 0:27:44 | |
Whenever these lights appear, the way life in the ocean hunts | 0:27:51 | 0:27:56 | |
and hides is transformed. | 0:27:56 | 0:27:58 | |
Perhaps dolphins are guided to their prey by the light | 0:27:59 | 0:28:02 | |
of the dinoflagellates. | 0:28:02 | 0:28:03 | |
Only now has it become possible to film these scenes with such clarity. | 0:28:16 | 0:28:21 | |
But every night, spectacular light shows like this play out | 0:28:21 | 0:28:25 | |
somewhere in the vastness of the oceans. | 0:28:25 | 0:28:28 | |
While exactly how dinoflagellates use bioluminescence remains | 0:28:44 | 0:28:48 | |
unproven, there are other instances | 0:28:48 | 0:28:51 | |
when the burglar alarm effect has been clearly demonstrated. | 0:28:51 | 0:28:55 | |
Caribbean coral reefs are some of the | 0:29:03 | 0:29:05 | |
most well-dived waters in the world... | 0:29:05 | 0:29:08 | |
..by day. | 0:29:09 | 0:29:10 | |
At night, it's a different world. | 0:29:22 | 0:29:26 | |
A crab searches for a tasty morsel. | 0:29:28 | 0:29:31 | |
This is just what it's looking for, the delicate | 0:29:34 | 0:29:37 | |
tentacles of a brittle star, a relative of starfish. | 0:29:37 | 0:29:41 | |
But the brittle star has a surprisingly effective defence. | 0:29:52 | 0:29:56 | |
When disturbed, it unleashes a dazzling weapon, raising the alarm. | 0:29:59 | 0:30:03 | |
Having been revealed, the crab makes a run for it. | 0:30:06 | 0:30:09 | |
And the normally well camouflaged crustacean becomes easy prey | 0:30:15 | 0:30:19 | |
for the octopus, even in the gloom. | 0:30:19 | 0:30:22 | |
Scientists have only recently proved the light helps the | 0:30:24 | 0:30:28 | |
brittle star drive off predators or, better still, to get them eaten. | 0:30:28 | 0:30:32 | |
It's in the open water, where there's nowhere to hide, that the | 0:30:39 | 0:30:42 | |
burglar alarm defence is most effective. | 0:30:42 | 0:30:45 | |
Fish hunt small invertebrates silhouetted against the night sky. | 0:30:47 | 0:30:51 | |
Ostracods, tiny crustaceans no bigger than a grain of sand, | 0:30:53 | 0:30:57 | |
emerge from the reef. | 0:30:57 | 0:30:58 | |
Cardinal fish are common predators of the small and unwary. | 0:31:00 | 0:31:04 | |
But when they strike an ostracod, | 0:31:06 | 0:31:08 | |
they get more than they bargained for. | 0:31:08 | 0:31:10 | |
The ostracod discharges a bioluminescent flash bomb, | 0:31:13 | 0:31:16 | |
one of the brightest forms of living light. | 0:31:16 | 0:31:19 | |
And the cardinal fish quickly spits it out. | 0:31:19 | 0:31:21 | |
The light is so bright that it shines through | 0:31:26 | 0:31:29 | |
the body of the fish, temporarily blinding it, and this normally | 0:31:29 | 0:31:33 | |
invisible fish becomes an easy target for a predator. | 0:31:33 | 0:31:36 | |
Ostracods, with their flash bomb defence, | 0:31:47 | 0:31:49 | |
are found throughout the world's oceans. | 0:31:49 | 0:31:52 | |
But in the Caribbean, | 0:31:58 | 0:32:00 | |
they employ their glow to attract as well as to repel. | 0:32:00 | 0:32:03 | |
It's something that researchers Gretchen Gerrish | 0:32:06 | 0:32:09 | |
and Trevor Rivers are studying. | 0:32:09 | 0:32:11 | |
The spectacular mating display of ostracods. | 0:32:11 | 0:32:14 | |
But they can't even begin to work until the moon has set. | 0:32:16 | 0:32:19 | |
A fully moonlit night is not dark in the eyes of an organism that | 0:32:21 | 0:32:25 | |
depends on their own light that they create, and so darkness truly | 0:32:25 | 0:32:29 | |
is just a starlit sky, no moon present in the sky at all. | 0:32:29 | 0:32:34 | |
Diving without torches in near total darkness, Gretchen | 0:32:44 | 0:32:47 | |
and Trevor are entering a world that few people ever witness. | 0:32:47 | 0:32:51 | |
You are immersed in darkness, you are immersed in water. | 0:32:55 | 0:32:58 | |
And you see streaming stars floating past you and they're being | 0:32:59 | 0:33:03 | |
produced by these tiny crustaceans that we barely understand. | 0:33:03 | 0:33:07 | |
By releasing small amounts of glowing liquid as they swim, | 0:33:08 | 0:33:11 | |
male ostracods leave a trail of lights in their wake. | 0:33:11 | 0:33:15 | |
The series of precisely timed dots tell the female where | 0:33:17 | 0:33:21 | |
he will be in exactly half a second. | 0:33:21 | 0:33:23 | |
But as one male starts to display, another and another join him. | 0:33:25 | 0:33:30 | |
And as they synchronise, | 0:33:37 | 0:33:38 | |
they fan out into this firework-like display of light. | 0:33:38 | 0:33:42 | |
It's one of the most awe-inspiring things I've ever seen. | 0:33:47 | 0:33:50 | |
With every research trip, Trevor and Gretchen discover new species, | 0:34:01 | 0:34:05 | |
each with its own light language. | 0:34:05 | 0:34:08 | |
Ostracods and fireflies use bioluminescence | 0:34:23 | 0:34:26 | |
to find potential mates. | 0:34:26 | 0:34:28 | |
And it can be an efficient means of getting your message across, | 0:34:28 | 0:34:32 | |
but it's not foolproof. | 0:34:32 | 0:34:35 | |
Those messages can be hacked. | 0:34:35 | 0:34:37 | |
There's a love cheat in this situation. | 0:34:39 | 0:34:42 | |
There's also a female of a particular species here that, | 0:34:42 | 0:34:47 | |
when she sees the males of a different species fly past, | 0:34:47 | 0:34:52 | |
answers with their particular call sign, and that attracts them. | 0:34:52 | 0:34:56 | |
And when they arrive, instead of mating with them, | 0:34:56 | 0:35:00 | |
she has her own dastardly way with them. | 0:35:00 | 0:35:03 | |
She mimics the flash patterns of other species. | 0:35:06 | 0:35:09 | |
An unsuspecting male is lured in. | 0:35:13 | 0:35:16 | |
Fireflies contain toxins thought to protect them against most predators. | 0:35:32 | 0:35:37 | |
But this femme fatale is not put off. | 0:35:37 | 0:35:40 | |
And she eats him alive. | 0:35:42 | 0:35:45 | |
In fact, it may be the toxins that she is after. | 0:35:45 | 0:35:48 | |
She can't produce such chemicals herself. | 0:35:50 | 0:35:53 | |
So she tricks and then devours males of different species to obtain them. | 0:35:53 | 0:35:59 | |
If she can't get males to come to her, she goes after them. | 0:36:04 | 0:36:08 | |
And a good place to look for one is on a spider's web. | 0:36:10 | 0:36:14 | |
A male firefly is ensnared. | 0:36:19 | 0:36:22 | |
As the spider venom takes effect, | 0:36:22 | 0:36:24 | |
his flashing turns to a constant glow. | 0:36:24 | 0:36:27 | |
The femme fatale is alerted by the dim glow, | 0:36:34 | 0:36:37 | |
and she flies straight onto the web to steal the spider's catch. | 0:36:37 | 0:36:42 | |
As the spider struggles to keep its prey, | 0:36:44 | 0:36:46 | |
she dazzles it with her lantern. | 0:36:46 | 0:36:48 | |
Using her light, the firefly can clearly see the spider | 0:36:56 | 0:36:59 | |
and avoid the web. | 0:36:59 | 0:37:01 | |
The confused spider loses out. | 0:37:06 | 0:37:08 | |
Predation turns out to be one area where light-making life | 0:37:16 | 0:37:21 | |
has been very creative. | 0:37:21 | 0:37:23 | |
Like a scene from the surface of an alien planet, | 0:37:28 | 0:37:31 | |
these termite mounds have lodgers living in their walls. | 0:37:31 | 0:37:35 | |
The luminous larvae of click beetles wait in burrows. | 0:37:43 | 0:37:47 | |
Insects are drawn to their death by the green glow, | 0:37:55 | 0:37:59 | |
like moths to a flame. | 0:37:59 | 0:38:00 | |
And the beetle larvae gorge | 0:38:03 | 0:38:05 | |
on the steady supply of unsuspecting victims. | 0:38:05 | 0:38:09 | |
These predators work as individuals. | 0:38:19 | 0:38:22 | |
There is another insect that excels in deception. | 0:38:25 | 0:38:29 | |
But it works alongside thousands of its own kind. | 0:38:31 | 0:38:34 | |
From outside, this cave shows no sign of the astonishing | 0:38:38 | 0:38:41 | |
things that go on inside. | 0:38:41 | 0:38:43 | |
The entrance is fringed with a curtain of silk, | 0:38:49 | 0:38:53 | |
woven by the larvae of a kind of gnat. | 0:38:53 | 0:38:55 | |
They move back and forth along the rocks, | 0:38:57 | 0:38:59 | |
lowering sticky strings of saliva from the roof of the cave. | 0:38:59 | 0:39:04 | |
As night falls, the walls | 0:39:09 | 0:39:11 | |
and ceiling of this cavern become nature's very own planetarium. | 0:39:11 | 0:39:15 | |
The trap is set. | 0:39:26 | 0:39:27 | |
The cool, blue light produced in each larva's tail is the lure. | 0:39:30 | 0:39:35 | |
Other insects that hatch | 0:39:41 | 0:39:42 | |
and emerge in the cave instinctively fly upwards to the sky. | 0:39:42 | 0:39:47 | |
But this is not a starlit sky. It's a deathtrap. | 0:39:47 | 0:39:51 | |
Bioluminescence is clearly a powerful tool | 0:40:04 | 0:40:07 | |
to these life forms that possess it. | 0:40:07 | 0:40:10 | |
But it is only effective in darkness. | 0:40:10 | 0:40:13 | |
Each dawn, | 0:40:13 | 0:40:15 | |
the bright rays of the sun overwhelm the power of living light. | 0:40:15 | 0:40:19 | |
For all of the wonders of bioluminescence | 0:40:24 | 0:40:27 | |
in the plains and woodlands of the Earth, there is | 0:40:27 | 0:40:30 | |
one place where living light is virtually the key to existence. | 0:40:30 | 0:40:35 | |
The world of eternal darkness, the deep sea. | 0:40:35 | 0:40:39 | |
The Western Fire is one of the world's most advanced | 0:40:48 | 0:40:51 | |
deep sea research vessels. | 0:40:51 | 0:40:53 | |
In the black depths there are no edges. | 0:40:55 | 0:40:58 | |
No boundaries, nowhere to hide. | 0:40:59 | 0:41:01 | |
Predators and prey have therefore had to develop some | 0:41:03 | 0:41:06 | |
extraordinary strategies to stay alive. | 0:41:06 | 0:41:08 | |
And many do so with the help of light. | 0:41:08 | 0:41:11 | |
Dr Steven Haddock has spent the last 25 years studying the | 0:41:13 | 0:41:17 | |
least known part of our planet, the ocean depths. | 0:41:17 | 0:41:21 | |
I think people look at bioluminescence, | 0:41:23 | 0:41:26 | |
this ability to make light, they think of it as a very magical thing, | 0:41:26 | 0:41:30 | |
but once you see the diversity and the range of functions that | 0:41:30 | 0:41:34 | |
bioluminescence serves for animals in the ocean, it is | 0:41:34 | 0:41:37 | |
clear that it is a critical part of the whole ecology | 0:41:37 | 0:41:40 | |
of the system. | 0:41:40 | 0:41:41 | |
Until recently, it was all but impossible | 0:41:41 | 0:41:44 | |
to collect living bioluminescent creatures from the deep. | 0:41:44 | 0:41:49 | |
But this remote submersible, known as the Doc Ricketts, | 0:41:49 | 0:41:52 | |
is equipped to do just that. | 0:41:52 | 0:41:55 | |
They are trying to find new life | 0:41:56 | 0:41:58 | |
and clues as to why light-making has evolved in so many forms. | 0:41:58 | 0:42:02 | |
In the control room, thousands of metres above, Steve | 0:42:11 | 0:42:14 | |
and the crew navigate past alien-like life forms. | 0:42:14 | 0:42:18 | |
Nice. | 0:42:18 | 0:42:19 | |
Wow. | 0:42:22 | 0:42:23 | |
But in truth, it is us who are the aliens down here. | 0:42:23 | 0:42:26 | |
Although very sophisticated, the Doc Ricketts' | 0:42:43 | 0:42:46 | |
own remote cameras are not sensitive enough to record bioluminescence, | 0:42:46 | 0:42:51 | |
so they use bright lights to find and film these creatures. | 0:42:51 | 0:42:54 | |
To have any hope of observing their light-making powers, | 0:42:57 | 0:43:00 | |
the research team needs to bring them to the surface. | 0:43:00 | 0:43:04 | |
Gentle suction and remotely controlled canisters are used to | 0:43:05 | 0:43:09 | |
delicately scoop up the rare sea creatures. | 0:43:09 | 0:43:12 | |
Vampire squid. | 0:43:18 | 0:43:19 | |
Yes! | 0:43:26 | 0:43:27 | |
Viper fish. | 0:43:29 | 0:43:30 | |
Perfect. | 0:43:34 | 0:43:36 | |
Oh, look at that! | 0:43:36 | 0:43:38 | |
And dragonfish. | 0:43:38 | 0:43:39 | |
They don't just sound like something from a sailor's tale of | 0:43:42 | 0:43:45 | |
fantasy monsters, they look like them, too. | 0:43:45 | 0:43:48 | |
This is one of the few dragonfish that has ever been seen alive. | 0:43:51 | 0:43:54 | |
And it's one of the even fewer that have been captured unharmed. | 0:43:57 | 0:44:01 | |
-Yes! -Yay! -Oh, my gosh. | 0:44:05 | 0:44:09 | |
Once they arrive on the ship, thousands of metres | 0:44:14 | 0:44:17 | |
above their normal environment, there is no time to waste. | 0:44:17 | 0:44:21 | |
The enormous pressure change is likely to cause any | 0:44:21 | 0:44:24 | |
bioluminescence abilities to disappear. | 0:44:24 | 0:44:27 | |
The race is on to try and observe those abilities | 0:44:30 | 0:44:33 | |
and understand their functions. | 0:44:33 | 0:44:35 | |
Wow. | 0:44:39 | 0:44:41 | |
In some species, it seems to be defensive. | 0:44:48 | 0:44:50 | |
Like the circling flashes of the Atolla jellyfish. | 0:44:52 | 0:44:56 | |
Or the rippling light waves of the Beroe comb jelly. | 0:44:59 | 0:45:03 | |
In other species, like this viper fish, | 0:45:14 | 0:45:17 | |
light is used not only for defence, but to lure prey. | 0:45:17 | 0:45:21 | |
These pyrosomes, colonies of minute translucent creatures, | 0:45:26 | 0:45:31 | |
use light to communicate within the colony. | 0:45:31 | 0:45:34 | |
The team's experiment shows that as one colony begins to glow, | 0:45:34 | 0:45:39 | |
its neighbours light up in response. | 0:45:39 | 0:45:41 | |
What could they be saying? | 0:45:43 | 0:45:45 | |
Thanks to the delicate sampling methods of the Doc Ricketts, | 0:45:49 | 0:45:53 | |
the team are able to observe a living | 0:45:53 | 0:45:55 | |
and luminescing dragonfish, a sight few have ever witnessed. | 0:45:55 | 0:46:00 | |
Whatever their function, | 0:46:03 | 0:46:04 | |
one thing unites all these types of bioluminescence - | 0:46:04 | 0:46:08 | |
their otherworldly beauty. | 0:46:08 | 0:46:10 | |
And this beauty is the result of an evolutionary arms race | 0:46:16 | 0:46:20 | |
where light is a weapon to blind or deceive. | 0:46:20 | 0:46:24 | |
In response, some animals have evolved the most sophisticated | 0:46:27 | 0:46:32 | |
and bizarre eyes on the planet. | 0:46:32 | 0:46:35 | |
The rare barreleye fish has eyes that can only look upwards, | 0:46:38 | 0:46:43 | |
through the top of its translucent head. | 0:46:43 | 0:46:46 | |
Searching for prey above. | 0:46:46 | 0:46:47 | |
It is so rare, | 0:46:50 | 0:46:51 | |
catching even a glimpse of it alive is a huge achievement. | 0:46:51 | 0:46:54 | |
And the same is true for the cock-eyed squid. | 0:47:01 | 0:47:04 | |
It has one normal eye and one strange, upward-looking eye. | 0:47:04 | 0:47:08 | |
At this depth, it is too dark for human eyes. | 0:47:18 | 0:47:22 | |
But the faintest light from the surface, | 0:47:22 | 0:47:24 | |
half a kilometre above, can just reach this twilight zone. | 0:47:24 | 0:47:29 | |
Firefly squid normally live at these depths. | 0:47:32 | 0:47:35 | |
To prevent themselves from being seen from below, | 0:47:35 | 0:47:38 | |
they hide themselves with light. | 0:47:38 | 0:47:43 | |
It's a strange paradox. | 0:47:43 | 0:47:45 | |
In this dark world, light can be used for camouflage. | 0:47:45 | 0:47:48 | |
At close range, the light-emitting cells, called photophores, | 0:47:53 | 0:47:57 | |
are easy to see. | 0:47:57 | 0:47:59 | |
But from a distance, they break up the outline of the squid | 0:47:59 | 0:48:02 | |
and it merges with the background. | 0:48:02 | 0:48:04 | |
It's an elegant solution used by many creatures | 0:48:10 | 0:48:13 | |
when a silhouette can be a death sentence. | 0:48:13 | 0:48:16 | |
In shallower waters, the colour of the light changes | 0:48:24 | 0:48:27 | |
so the squid, as it gets closer to the surface, uses green photophores. | 0:48:27 | 0:48:33 | |
The lives of firefly squid are short. | 0:48:43 | 0:48:46 | |
When they are only a year old, | 0:48:46 | 0:48:48 | |
mated females make their final journey, to the surface to spawn. | 0:48:48 | 0:48:52 | |
But even in their final moments, they are both spectacular | 0:48:57 | 0:49:01 | |
and valuable. | 0:49:01 | 0:49:02 | |
All along the coast here, | 0:49:11 | 0:49:13 | |
these squid, which die naturally after spawning, | 0:49:13 | 0:49:16 | |
are gathered as a local delicacy. | 0:49:16 | 0:49:18 | |
It's largely through this fishery that we know | 0:49:20 | 0:49:23 | |
anything at all about the firefly squid. | 0:49:23 | 0:49:26 | |
Like so many deep sea creatures, | 0:49:28 | 0:49:30 | |
their daily lives are still virtually unknown. | 0:49:30 | 0:49:33 | |
What we do know is that their world is dominated by bioluminescence. | 0:49:34 | 0:49:39 | |
We've come a long way from watching fireflies | 0:49:43 | 0:49:46 | |
in the woodlands of Pennsylvania. | 0:49:46 | 0:49:49 | |
Organisms that produce light on land may be exceptional | 0:49:49 | 0:49:54 | |
but in the sea, | 0:49:54 | 0:49:55 | |
creatures that do so, like these comb jellies, | 0:49:55 | 0:49:59 | |
are, in fact, the norm. | 0:49:59 | 0:50:01 | |
In the oceans and on land, | 0:50:06 | 0:50:09 | |
living creatures of many kinds have harnessed the power of light in | 0:50:09 | 0:50:13 | |
extraordinary ways, to mate, to lie, even to hide under a cloak of light. | 0:50:13 | 0:50:20 | |
Yet, with the latest cameras and technology, we are | 0:50:24 | 0:50:27 | |
only beginning to understand the lives of luminous creatures. | 0:50:27 | 0:50:31 | |
There remain many mysteries. But what a beautiful world they create. | 0:50:34 | 0:50:40 | |
And what a beautiful world awaits the scientists of the future. | 0:50:42 | 0:50:46 | |
During this programme, we've had to use cameras | 0:51:03 | 0:51:06 | |
that are far more sensitive than our own eyes | 0:51:06 | 0:51:08 | |
and about as sensitive as many of the animals that we are showing. | 0:51:08 | 0:51:13 | |
The eye is one of evolution's greatest achievements. | 0:51:17 | 0:51:20 | |
And nature has certainly devised some fiendishly complex | 0:51:20 | 0:51:24 | |
and sensitive examples. | 0:51:24 | 0:51:26 | |
Some of which are designed specifically to see bioluminescence. | 0:51:26 | 0:51:30 | |
When we enter the dark, we barely notice bioluminescence. | 0:51:34 | 0:51:39 | |
But after a few minutes, physiological changes | 0:51:39 | 0:51:41 | |
take place in our eyes that enable us to see living light. | 0:51:41 | 0:51:46 | |
Cameras have always struggled to replicate | 0:51:47 | 0:51:49 | |
what the human eye can do, | 0:51:49 | 0:51:51 | |
but with special low-light cameras, | 0:51:51 | 0:51:53 | |
we can now record glowing light at least as well, | 0:51:53 | 0:51:57 | |
and sometimes better, than we can see it ourselves. | 0:51:57 | 0:52:00 | |
But being able to film the glow is only one part of the solution. | 0:52:02 | 0:52:06 | |
To really understand light on Earth, you need to be able to record | 0:52:06 | 0:52:10 | |
the creature themselves as they make the light. | 0:52:10 | 0:52:13 | |
This camera allows you to film | 0:52:14 | 0:52:16 | |
in low-light levels in a completely new way. | 0:52:16 | 0:52:20 | |
The beam of light comes in through the single lens, | 0:52:20 | 0:52:23 | |
but it is then split into two, and one camera records on one | 0:52:23 | 0:52:28 | |
light frequency, and the other on a different light frequency. | 0:52:28 | 0:52:33 | |
One of the cameras is sensitive to infrared light, invisible to | 0:52:33 | 0:52:37 | |
most animals, but which allows the camera to record in the dark. | 0:52:37 | 0:52:41 | |
The second camera records only the bioluminescence, | 0:52:42 | 0:52:46 | |
which is mostly blue or green. | 0:52:46 | 0:52:48 | |
The two are then combined into one picture. | 0:52:49 | 0:52:52 | |
And that way you can get pictures at a low-light level, | 0:52:56 | 0:52:59 | |
not only of bioluminescent animals, | 0:52:59 | 0:53:01 | |
but even the environment in which they are living. | 0:53:01 | 0:53:05 | |
This technique, pioneered by film-maker Martin Dohrn, | 0:53:05 | 0:53:08 | |
allows us to enter the world of bioluminescent creatures, | 0:53:08 | 0:53:12 | |
and also to contribute to new science. | 0:53:12 | 0:53:16 | |
With this type of camera, there are many things | 0:53:16 | 0:53:18 | |
I see on these images which I wouldn't be able to see normally. | 0:53:18 | 0:53:22 | |
In the past, scientist Marcel Koken has been unable to | 0:53:24 | 0:53:28 | |
study the worm and beetle without using a light. | 0:53:28 | 0:53:31 | |
But when he did, the light would frighten the beetle | 0:53:31 | 0:53:34 | |
and overpower the worm's bioluminescence. | 0:53:34 | 0:53:37 | |
With the help of Martin's camera, Marcel is able to observe | 0:53:37 | 0:53:41 | |
and record the beetle and worm encounter for the first time. | 0:53:41 | 0:53:46 | |
Having decided working with two cameras simultaneously wasn't | 0:53:46 | 0:53:49 | |
already hard enough, the team decide to take them underwater. | 0:53:49 | 0:53:54 | |
The objective was to film | 0:53:54 | 0:53:56 | |
the beautiful mating display of ostracods - | 0:53:56 | 0:54:00 | |
tiny, one millimetre long crustaceans in the dark | 0:54:00 | 0:54:04 | |
swirling currents of their natural habitat. A huge challenge. | 0:54:04 | 0:54:09 | |
-Martin, how was it tonight? -We had a lot of problems. | 0:54:09 | 0:54:12 | |
Tonight, it went smoother. It's calmer. Much, much calmer. | 0:54:12 | 0:54:16 | |
A lot of what I saw looked utterly amazing. | 0:54:16 | 0:54:20 | |
Martin's beam-splitting system makes it possible to film | 0:54:22 | 0:54:25 | |
the bioluminescence as well as the tiny ostracods, as they leave | 0:54:25 | 0:54:29 | |
lights in their wake. | 0:54:29 | 0:54:31 | |
However, the scientists are not done. | 0:54:31 | 0:54:34 | |
Marine biologist Gretchen Gerrish hopes the camera will enable | 0:54:35 | 0:54:39 | |
her to film groups of males that aren't flashing, | 0:54:39 | 0:54:42 | |
swimming alongside the individual that is. | 0:54:42 | 0:54:45 | |
Something that has only ever been seen in the lab. | 0:54:45 | 0:54:48 | |
These males, known as sneakers, are invisible to a normal camera, | 0:54:51 | 0:54:55 | |
because they leave no night trail. | 0:54:55 | 0:54:57 | |
But our camera, nicknamed Bertha, could change all that. | 0:54:57 | 0:55:02 | |
-So, how was Bertha? -Bertha is awesome. | 0:55:02 | 0:55:05 | |
She was filming sneakers and you could see them swimming. | 0:55:05 | 0:55:10 | |
She's a bit of a beast. | 0:55:10 | 0:55:13 | |
What do you think, Trevor? Did you get any good footage? | 0:55:13 | 0:55:16 | |
It was just awesome. | 0:55:16 | 0:55:17 | |
This is opening the doors for so much. | 0:55:17 | 0:55:19 | |
The scientists are keen to get their first look at the combined | 0:55:21 | 0:55:24 | |
images from Bertha. | 0:55:24 | 0:55:26 | |
The infrared does show there is a spiralling group of males, | 0:55:31 | 0:55:34 | |
intent on intercepting the female, before she can reach the male | 0:55:34 | 0:55:38 | |
that has done all the hard work of attracting her. | 0:55:38 | 0:55:41 | |
And there are far more competing males | 0:55:45 | 0:55:47 | |
than the scientists had expected. | 0:55:47 | 0:55:50 | |
It's an ostracod soup. There's thousands of them. | 0:55:51 | 0:55:53 | |
What, to our eyes, is a beautiful, orderly display is in fact | 0:55:54 | 0:55:59 | |
an ostracod free-for-all. | 0:55:59 | 0:56:01 | |
Lots of males try to cash in on the efforts of a few. | 0:56:01 | 0:56:04 | |
The amount of information you could fire from this is something | 0:56:04 | 0:56:07 | |
we've been trying to do for the last five years. | 0:56:07 | 0:56:09 | |
Yeah, that's a paper, right there. | 0:56:09 | 0:56:11 | |
What? You mean in that short clip? There's not a paper there. | 0:56:11 | 0:56:13 | |
Close to it. | 0:56:13 | 0:56:16 | |
But having hi-tech kit is only part of the story. | 0:56:16 | 0:56:20 | |
Since much of the bioluminescence is little-known, | 0:56:20 | 0:56:22 | |
just finding it is often the biggest hurdle. | 0:56:22 | 0:56:26 | |
The crew are about to head out on their most ambitious shoot. | 0:56:26 | 0:56:31 | |
Tonight, we're going to try | 0:56:31 | 0:56:32 | |
and film something that we know is found all over the world, | 0:56:32 | 0:56:35 | |
and it happens every night in every ocean, almost anywhere, | 0:56:35 | 0:56:39 | |
and yet, in terms of getting information from people | 0:56:39 | 0:56:43 | |
as to where we might find it, | 0:56:43 | 0:56:44 | |
and when the best time is, there is nothing. | 0:56:44 | 0:56:47 | |
As night falls, they head away from shore and any artificial light. | 0:56:49 | 0:56:54 | |
And soon, they are sailing in the sea laced with dinoflagellates. | 0:56:56 | 0:56:59 | |
These blue flashes can be seen | 0:57:01 | 0:57:03 | |
in almost any ocean at night, with the lights out. | 0:57:03 | 0:57:07 | |
But this alone is not what the crew came for. | 0:57:07 | 0:57:10 | |
They are hoping to meet some special visitors. | 0:57:10 | 0:57:12 | |
Working on a rocking boat in complete darkness with | 0:57:23 | 0:57:26 | |
a prototype camera is one of the trickiest challenges Martin | 0:57:26 | 0:57:29 | |
has faced in his career. | 0:57:29 | 0:57:31 | |
After a week searching the dark sea, here they are. | 0:57:34 | 0:57:38 | |
Dolphins. | 0:57:38 | 0:57:40 | |
To be out at night, with clear skies and beautiful stars, | 0:57:48 | 0:57:52 | |
and everywhere there are flashes of light, | 0:57:52 | 0:57:56 | |
and when dolphins turn up, the show just gets more extraordinary still. | 0:57:56 | 0:58:00 | |
It really is one of the most amazing things I've ever seen in my life. | 0:58:00 | 0:58:04 | |
Scenes like this are happening across the oceans, | 0:58:06 | 0:58:10 | |
yet this is one of the few times they've ever been caught on camera. | 0:58:10 | 0:58:14 | |
New technologies and new ideas are creating | 0:58:17 | 0:58:21 | |
a revolution in our way of seeing the world. | 0:58:21 | 0:58:25 | |
And of understanding life that glows. | 0:58:25 | 0:58:28 |