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-Three for a tenner then. -Fiver an orchid! | 0:00:02 | 0:00:05 | |
'Flowers - we give them | 0:00:05 | 0:00:07 | |
'to each other to express our most powerful feelings...' | 0:00:07 | 0:00:11 | |
Oh, wow! | 0:00:11 | 0:00:12 | |
'..from passionate love to abject apology...' | 0:00:13 | 0:00:16 | |
Three bunches a tenner. | 0:00:16 | 0:00:18 | |
'..from joyful celebration to profound grief, | 0:00:18 | 0:00:21 | |
'they mark the most important moments in our lives.' | 0:00:21 | 0:00:24 | |
They're amazing! They're so beautiful. | 0:00:24 | 0:00:27 | |
Here in the UK, we spend over £1 billion every year on one | 0:00:28 | 0:00:32 | |
of the most fragile and beautiful things on the planet - flowers. | 0:00:32 | 0:00:37 | |
But where do they come from and how do they get here? | 0:00:38 | 0:00:41 | |
Millions of men and women all over the world work to bring these | 0:00:43 | 0:00:47 | |
flowers into our homes. | 0:00:47 | 0:00:49 | |
The beating heart of the world's cut flower business is | 0:00:49 | 0:00:53 | |
a market like no other - | 0:00:53 | 0:00:55 | |
a vast complex the size of Monaco that draws | 0:00:55 | 0:00:59 | |
billions of flowers from around the globe for the buyers that do | 0:00:59 | 0:01:03 | |
battle with each other in what's known as the Wall Street of Flowers. | 0:01:03 | 0:01:07 | |
I've been given exclusive access | 0:01:09 | 0:01:11 | |
to the largest flower market on Earth | 0:01:11 | 0:01:14 | |
at one of the busiest times of the year | 0:01:14 | 0:01:16 | |
to follow the truly extraordinary journey of flowers. | 0:01:16 | 0:01:20 | |
'I'll be joined by Simon Lycett - florist to celebrities | 0:01:20 | 0:01:25 | |
'and the royal palaces.' | 0:01:25 | 0:01:27 | |
Flowers knock some of the rough edges off life | 0:01:27 | 0:01:29 | |
and make it a whole lot more enjoyable for many, many people. | 0:01:29 | 0:01:32 | |
'This is the miraculous story of how three of our most loved flowers - | 0:01:32 | 0:01:38 | |
'the rose, the lily and the tulip - are bred...' | 0:01:38 | 0:01:41 | |
-That's the stamen? -That is the stamen. | 0:01:43 | 0:01:45 | |
That is massive! | 0:01:45 | 0:01:46 | |
'..grown...' | 0:01:46 | 0:01:48 | |
I could nearly cry! I work with these on a daily basis | 0:01:48 | 0:01:51 | |
and I've never seen them in such quantity! | 0:01:51 | 0:01:54 | |
'..transported thousands of miles in just 48 hours to arrive pristine | 0:01:54 | 0:02:00 | |
'and beautiful for us to share them with the people who matter most. | 0:02:00 | 0:02:04 | |
'It's the most beautiful race against time.' | 0:02:04 | 0:02:08 | |
Simon Lycett created the exquisite flower arrangements for | 0:02:22 | 0:02:26 | |
Posh and Becks' wedding and is florist to the royal palaces. | 0:02:26 | 0:02:30 | |
He spends his life working with flowers | 0:02:30 | 0:02:33 | |
but he's never explored the miraculous journey of how | 0:02:33 | 0:02:36 | |
they get from the other side of the world to his workshop. | 0:02:36 | 0:02:40 | |
As florists, a lot of us take for granted the fact that we can | 0:02:42 | 0:02:45 | |
ring our wholesaler, we can pop into New Covent Garden Market | 0:02:45 | 0:02:49 | |
and that there will be the flowers we want. | 0:02:49 | 0:02:51 | |
It's always mystified me. | 0:02:54 | 0:02:56 | |
If I want 20,000 Sweet Avalanche roses on Thursday, I can have them. | 0:02:56 | 0:03:01 | |
Where do all these roses come from that we use? | 0:03:02 | 0:03:04 | |
Around 70% of all the flowers we buy in the UK arrive via | 0:03:05 | 0:03:10 | |
the Netherlands. | 0:03:10 | 0:03:11 | |
Most pass through a 60 square mile area in Holland | 0:03:11 | 0:03:15 | |
made up of three huge flower markets - | 0:03:15 | 0:03:17 | |
Aalsmeer, Naaldwijk and Rijnsburg. | 0:03:17 | 0:03:21 | |
Together, they form the biggest flower market in the world. | 0:03:21 | 0:03:25 | |
This is Aalsmeer flower market. | 0:03:28 | 0:03:31 | |
This structure covers one million square metres, | 0:03:31 | 0:03:35 | |
giving it the largest footprint on the planet. | 0:03:35 | 0:03:38 | |
This is just one part of a vast market complex | 0:03:38 | 0:03:42 | |
processing 12.5 billion plants and flowers a year. | 0:03:42 | 0:03:46 | |
Every 24 hours, almost 30 million flowers arrive here | 0:03:51 | 0:03:55 | |
from all over the world. | 0:03:55 | 0:03:58 | |
The auction begins at 6am | 0:04:02 | 0:04:04 | |
and there's just a four-hour window to sell every single stem. | 0:04:04 | 0:04:09 | |
There are seven auction rooms... | 0:04:16 | 0:04:18 | |
..an electric monorail system | 0:04:20 | 0:04:22 | |
with 18km of track, and it's the run-up to Mother's Day | 0:04:22 | 0:04:27 | |
and millions of flowers will be sent to the UK. | 0:04:27 | 0:04:30 | |
This place is absolutely vast. | 0:04:32 | 0:04:36 | |
It's like a town where the houses move. | 0:04:36 | 0:04:39 | |
This entire market complex is owned by Royal FloraHolland - | 0:04:39 | 0:04:44 | |
a co-operative of flower growers. | 0:04:44 | 0:04:46 | |
It began over 100 years ago. | 0:04:48 | 0:04:51 | |
Towards the end of the 19th century, Dutch farmers and gardeners started | 0:04:51 | 0:04:55 | |
to grow and sell cut flowers to supplement their incomes. | 0:04:55 | 0:04:59 | |
Then the growers came up with a brilliant idea - to join | 0:05:00 | 0:05:04 | |
together and sell their flowers from one place at special auctions. | 0:05:04 | 0:05:08 | |
These gave buyers a wider choice of flowers | 0:05:09 | 0:05:12 | |
but they had to compete with one another to buy them, | 0:05:12 | 0:05:16 | |
giving the growers a better price. | 0:05:16 | 0:05:19 | |
The Dutch flower industry exploded. | 0:05:19 | 0:05:22 | |
By the 1920s, Dutch buyers started driving across Europe | 0:05:23 | 0:05:27 | |
to sell their flowers. | 0:05:27 | 0:05:29 | |
Known as Flying Dutchmen, they based themselves in the markets | 0:05:29 | 0:05:33 | |
and they still operate here today. | 0:05:33 | 0:05:35 | |
'Robert Janssen is a Flying Dutchman | 0:05:37 | 0:05:39 | |
'who works with his father in the family business.' | 0:05:39 | 0:05:42 | |
Right. Here we go. | 0:05:42 | 0:05:43 | |
Wow, Robert, this is so beautiful. | 0:05:46 | 0:05:49 | |
'They supply flowers to 140 clients in the South of England. | 0:05:49 | 0:05:53 | |
'Yesterday, he bought half the flowers he needs | 0:05:53 | 0:05:55 | |
'for his next trip to the UK.' | 0:05:55 | 0:05:57 | |
Why is your lorry laid out in such a beautiful way? | 0:05:57 | 0:06:02 | |
It must look like a shop for my customers. | 0:06:04 | 0:06:06 | |
It's a shop? So your customers come in here? | 0:06:06 | 0:06:08 | |
Yes, then they can choose whatever they like. | 0:06:08 | 0:06:11 | |
-It must be like a showroom. -Yes. | 0:06:11 | 0:06:13 | |
So it has to be laid out really good. | 0:06:13 | 0:06:16 | |
How much does it cost for this lorry to go to the UK and come back? | 0:06:16 | 0:06:20 | |
Every week, it costs you about 6,000, 7,000 euros. | 0:06:20 | 0:06:23 | |
-£6,000...in petrol and time? -Yep. | 0:06:23 | 0:06:26 | |
And the space that you rent at the auction, things like that. | 0:06:27 | 0:06:30 | |
So you've got to make sure that you sell every single bunch of flowers? | 0:06:30 | 0:06:33 | |
Yes. | 0:06:33 | 0:06:34 | |
But the cut flower business is rapidly changing. | 0:06:34 | 0:06:37 | |
Increasingly, it's dominated by big exporters | 0:06:37 | 0:06:40 | |
who only buy in vast scale and sell globally. | 0:06:40 | 0:06:44 | |
Simon has gone to the dealing rooms of one of the very largest. | 0:06:44 | 0:06:49 | |
Bart Duyvenvoorde's company has an annual turnover | 0:06:49 | 0:06:52 | |
of almost 100 million euros. | 0:06:52 | 0:06:55 | |
-How much money will you spend? -Normally, £300,000-£400,000 a day. | 0:06:55 | 0:06:59 | |
-So this is a very busy time? -This is a very busy time, yeah. | 0:06:59 | 0:07:02 | |
The flowers that you're buying, | 0:07:02 | 0:07:03 | |
you're going to send all across the world? | 0:07:03 | 0:07:05 | |
All across the world, yeah, that's true. | 0:07:05 | 0:07:07 | |
-10-15 different countries or something. -Wow. | 0:07:07 | 0:07:09 | |
-Poland, England. -Poland, England. | 0:07:09 | 0:07:12 | |
Tsjechie, Spanje, Portugal, France, | 0:07:12 | 0:07:15 | |
Russia, Siberia, Switzerland, Germany. | 0:07:15 | 0:07:20 | |
-These flowers really are going worldwide, aren't they? -Yeah. | 0:07:22 | 0:07:27 | |
There's one flower that will be at the very top of Bart's | 0:07:28 | 0:07:32 | |
shopping list - the rose. | 0:07:32 | 0:07:34 | |
Each day, almost 15 million of them | 0:07:35 | 0:07:37 | |
pass through the market to be sold on all over the world. | 0:07:37 | 0:07:41 | |
They are the best-selling flower in the UK. | 0:07:42 | 0:07:45 | |
Our love affair with them stretches back through time. | 0:07:45 | 0:07:49 | |
The Romans believed the rose was a symbol of Venus - | 0:07:49 | 0:07:53 | |
the goddess of love. | 0:07:53 | 0:07:55 | |
Wars have been fought in their name | 0:07:56 | 0:07:58 | |
and Shakespeare celebrated them in his sonnets. | 0:07:58 | 0:08:01 | |
For decades, most of our roses were grown in Europe, but today, | 0:08:03 | 0:08:08 | |
we want more affordable roses all year round | 0:08:08 | 0:08:11 | |
and that means 70% of the roses we buy in the UK | 0:08:11 | 0:08:14 | |
are grown in a country which has perpetual sunshine - | 0:08:14 | 0:08:18 | |
Kenya. | 0:08:18 | 0:08:19 | |
I've heading to Nanyuki in Kenya. | 0:08:20 | 0:08:23 | |
Thanks to the warm climate and low labour costs, the Kenyan | 0:08:24 | 0:08:28 | |
flower industry has grown tenfold over the last 30 years. | 0:08:28 | 0:08:31 | |
Kenya is now the third largest producer of cut flowers | 0:08:31 | 0:08:35 | |
in the world. | 0:08:35 | 0:08:36 | |
The bulk of the roses grown in Kenya are for supermarkets | 0:08:36 | 0:08:40 | |
but one farm here grows some of the most beautiful | 0:08:40 | 0:08:43 | |
and rare English varieties you can buy, and I love them. | 0:08:43 | 0:08:48 | |
It's strange to have come all the way to Africa | 0:08:48 | 0:08:50 | |
in search of English garden roses | 0:08:50 | 0:08:52 | |
but I'm off to Tambuzi Farm, | 0:08:52 | 0:08:54 | |
who are famous, in my world, for growing scented roses. | 0:08:54 | 0:08:58 | |
And to me, they're Dom Perignon. They are the rose of my choice. | 0:08:58 | 0:09:01 | |
The farm is nestled in the foothills of Mount Kenya. | 0:09:03 | 0:09:06 | |
Originally, it was a beef and dairy farm, but 20 years ago, the owners | 0:09:06 | 0:09:11 | |
decided to switch to growing scented roses for the high-end market. | 0:09:11 | 0:09:15 | |
Today, they have six greenhouses on 60 acres and employ 500 people. | 0:09:15 | 0:09:21 | |
-You lead on. -OK. OK, just follow me. Please. | 0:09:21 | 0:09:24 | |
Do I step in this? | 0:09:24 | 0:09:26 | |
Yes, you have to because that is a disinfectant, | 0:09:26 | 0:09:29 | |
as you head to the greenhouses. | 0:09:29 | 0:09:30 | |
-Oh, my gosh! -Welcome to the greenhouse. | 0:09:30 | 0:09:34 | |
So exciting to be here! | 0:09:34 | 0:09:36 | |
'The rose-growing industry is relatively new in Kenya. | 0:09:36 | 0:09:38 | |
'Rebecca Muthiani had never even seen a rose before she started | 0:09:38 | 0:09:42 | |
'working in the business two decades ago. | 0:09:42 | 0:09:44 | |
'Today, she oversees the cultivation of all the roses, including | 0:09:44 | 0:09:48 | |
'some created by the legendary English breeder David Austin.' | 0:09:48 | 0:09:52 | |
Smell it. | 0:09:52 | 0:09:53 | |
Oh! And this is a David Austin rose? | 0:09:54 | 0:09:58 | |
This is a David Austin rose. | 0:09:58 | 0:09:59 | |
Relatively new, strong colour, | 0:09:59 | 0:10:01 | |
so very on-trend for sort of the hot colours, i.e. in London... | 0:10:01 | 0:10:05 | |
Yeah, hot colours. | 0:10:05 | 0:10:06 | |
..I create flower arrangements for a lot of my clients. | 0:10:06 | 0:10:09 | |
Many are weddings, using all the pale colours behind you, | 0:10:09 | 0:10:12 | |
but a lot of the parties love that pink. | 0:10:12 | 0:10:14 | |
So which of all of them is your favourite rose? | 0:10:14 | 0:10:18 | |
My favourite rose is Juliet. | 0:10:18 | 0:10:21 | |
And what are you harvesting? This is... | 0:10:21 | 0:10:25 | |
-This is Juliet. -Juliet. | 0:10:25 | 0:10:27 | |
-Look at that! Look at... -Look at that colour! | 0:10:27 | 0:10:29 | |
-Wow! Really pale. -Yes. | 0:10:29 | 0:10:32 | |
And then very deep. | 0:10:32 | 0:10:33 | |
Yeah, it will open to this orange, and I love it. | 0:10:33 | 0:10:36 | |
You honestly cannot believe how... | 0:10:38 | 0:10:41 | |
What a scent! | 0:10:41 | 0:10:42 | |
..extraordinary it is for me to be here amongst all these beaut... | 0:10:42 | 0:10:46 | |
I could nearly cry. | 0:10:46 | 0:10:47 | |
I work with these on a daily basis and I've never seen them | 0:10:47 | 0:10:50 | |
in such quantity and they... Oh! | 0:10:50 | 0:10:52 | |
Oh, my God! | 0:10:52 | 0:10:54 | |
The farm is owned and run by Maggie Hobbs and her husband, Tim. | 0:10:57 | 0:11:01 | |
They grow over 70 varieties of rose. | 0:11:01 | 0:11:04 | |
But in a fiercely competitive market, they're constantly trialling | 0:11:04 | 0:11:08 | |
new breeds. | 0:11:08 | 0:11:09 | |
So this is where we look at plants that we think | 0:11:09 | 0:11:12 | |
-we might grow in the future. -Yep. | 0:11:12 | 0:11:14 | |
We take them from all sorts of different breeders, | 0:11:14 | 0:11:16 | |
lots of different places, | 0:11:16 | 0:11:18 | |
and we tend to select primarily for beauty and scent. | 0:11:18 | 0:11:21 | |
We want to delight people like you. | 0:11:21 | 0:11:24 | |
Well, you certainly do it so well, my God! | 0:11:24 | 0:11:27 | |
Let's go and see where we choose what the next Tambuzi roses | 0:11:27 | 0:11:30 | |
are going to be. | 0:11:30 | 0:11:31 | |
-HE GASPS -Wow! | 0:11:31 | 0:11:34 | |
This is a spray rose, | 0:11:34 | 0:11:35 | |
so you're getting four different flowers on there. | 0:11:35 | 0:11:39 | |
You're getting a little bit of scent. Not heavy, heavy scent. | 0:11:39 | 0:11:41 | |
It hasn't got enough scent, perhaps. I don't know - | 0:11:41 | 0:11:43 | |
-what do you think? -No, it's... | 0:11:43 | 0:11:45 | |
Yeah, it's on the edge. So we will come in with a sheet | 0:11:45 | 0:11:49 | |
and we'll say, colour - yes. So we give that a nine. | 0:11:49 | 0:11:52 | |
Shape - we're really liking the shape. | 0:11:52 | 0:11:54 | |
The scent - we're going to give it a three or a four. | 0:11:54 | 0:11:56 | |
And we would then rate it overall to see if it becomes a Tambuzi rose. | 0:11:56 | 0:12:01 | |
And will fragrance win over virtually everything else? | 0:12:01 | 0:12:05 | |
-Pretty much. -Yeah. | 0:12:05 | 0:12:06 | |
-Because fragrance... -I'm with you! | 0:12:06 | 0:12:08 | |
Because fragrance is actually not what anyone else is doing. | 0:12:08 | 0:12:10 | |
These roses are already opening when they're cut, | 0:12:12 | 0:12:15 | |
so by the time they arrive | 0:12:15 | 0:12:16 | |
anywhere in the world, the flowers are ready for immediate display. | 0:12:16 | 0:12:19 | |
But their large open blooms are incredibly fragile. | 0:12:21 | 0:12:25 | |
I'm curious to find out how they survive their 4,000-mile journey. | 0:12:25 | 0:12:30 | |
So Shadrack, the roses have come from the field... | 0:12:32 | 0:12:35 | |
'Shadrack Atanda has the huge challenge of ensuring these | 0:12:35 | 0:12:39 | |
'roses get to buyers like me in perfect condition.' | 0:12:39 | 0:12:42 | |
And why is that so crucial? | 0:12:46 | 0:12:48 | |
As a florist, I know cut flowers | 0:12:55 | 0:12:57 | |
deteriorate very quickly in the heat. | 0:12:57 | 0:13:00 | |
At their field temperature of 25 degrees, | 0:13:00 | 0:13:02 | |
these roses will age around 30 times faster than at their ideal | 0:13:02 | 0:13:07 | |
storage temperature, just above freezing. | 0:13:07 | 0:13:09 | |
Chilling them too quickly can kill them, | 0:13:09 | 0:13:11 | |
so they need to be cooled down slowly in stages. | 0:13:11 | 0:13:14 | |
How long do you keep them in here? | 0:13:17 | 0:13:19 | |
24 hours in a cool room like this | 0:13:36 | 0:13:38 | |
is a long time in the life cycle of a rose, but it's vital... | 0:13:38 | 0:13:42 | |
This vast flower head needs to be slowly and gently put to sleep, | 0:13:42 | 0:13:46 | |
and then it will reawaken when you get it into your vase. | 0:13:46 | 0:13:49 | |
Because they're an open flower that are being transported, | 0:13:55 | 0:13:58 | |
not tight buds that we see elsewhere, these flowers need extra | 0:13:58 | 0:14:01 | |
special care, so they've pioneered a packaging technique where | 0:14:01 | 0:14:04 | |
they're using cardboard to separate each bloom so that even if | 0:14:04 | 0:14:08 | |
that box is kicked from here to Siberia, they'll arrive unbruised. | 0:14:08 | 0:14:12 | |
Then the team add one final touch. | 0:14:13 | 0:14:15 | |
So they're going to drink...? | 0:14:20 | 0:14:21 | |
Then the bunches are carefully packed in special boxes. | 0:14:25 | 0:14:28 | |
Yes. | 0:14:42 | 0:14:43 | |
Botrytis is a fungus that can destroy roses. | 0:14:50 | 0:14:53 | |
So this sheet of very special impregnated paper... | 0:14:53 | 0:14:55 | |
-Very special, yeah. -..goes on to prevent diseases? | 0:14:55 | 0:14:58 | |
Diseases. | 0:14:58 | 0:14:59 | |
Tambuzi caters to a small select clientele | 0:15:00 | 0:15:03 | |
like me and other high-end customers. | 0:15:03 | 0:15:06 | |
Their flowers are expensive at between £1 and £2 a stem. | 0:15:06 | 0:15:10 | |
The bulk of the Kenyan flower industry grow very different | 0:15:10 | 0:15:13 | |
varieties for a mass market, supplying supermarkets with huge | 0:15:13 | 0:15:18 | |
quantities of roses at a fraction of the cost - around 40p-60p a stem. | 0:15:18 | 0:15:23 | |
I've come to Sian Roses - one of the largest growers in Kenya. | 0:15:25 | 0:15:29 | |
They have three flower farms covering 250 acres - | 0:15:29 | 0:15:33 | |
over twice the size of the Vatican City - | 0:15:33 | 0:15:36 | |
and they employ 2,000 people. | 0:15:36 | 0:15:38 | |
Every year, they send five million roses to the UK. | 0:15:39 | 0:15:43 | |
'General manager Clement Ngetich is showing me around.' | 0:15:47 | 0:15:50 | |
Wow! | 0:15:50 | 0:15:51 | |
Wow, it's huge! | 0:15:52 | 0:15:54 | |
How many plants are in one hectare of greenhouse? | 0:15:55 | 0:15:58 | |
And how many flowers will 80,000 rose plants produce each year? | 0:16:02 | 0:16:06 | |
They have 100 of these polytunnels, | 0:16:12 | 0:16:15 | |
and every year, they produce 150 million stems of roses. | 0:16:15 | 0:16:20 | |
In contrast to the Tambuzi roses, these are cut | 0:16:20 | 0:16:23 | |
just as they're about to bloom, | 0:16:23 | 0:16:26 | |
so when we buy them in the UK and put them in water, | 0:16:26 | 0:16:29 | |
they will open in our vase. | 0:16:29 | 0:16:30 | |
If you cut too early, what will happen to them? | 0:16:33 | 0:16:36 | |
The cut point on any stem is like an open wound. | 0:16:44 | 0:16:48 | |
If it gets infected, the rose won't be able to drink the water it needs, | 0:16:48 | 0:16:53 | |
so each flower is put in an antibacterial solution. | 0:16:53 | 0:16:57 | |
These smaller, less open roses can be cooled faster - | 0:16:57 | 0:17:01 | |
in under 12 hours. | 0:17:01 | 0:17:03 | |
Then they are graded and packed. | 0:17:03 | 0:17:05 | |
Sian sells flowers to Asia, the Middle East and Australia, | 0:17:08 | 0:17:12 | |
but Europe is their biggest market. | 0:17:12 | 0:17:15 | |
'These roses won't travel with water because the extra weight would | 0:17:17 | 0:17:20 | |
'mean much higher airfreight costs | 0:17:20 | 0:17:23 | |
'and a higher price for you and me...' | 0:17:23 | 0:17:24 | |
-It's cold in here! -It's cold enough. | 0:17:26 | 0:17:28 | |
'..so to make sure they survive their big journey, | 0:17:28 | 0:17:30 | |
'they're given one last drink, cooled down further | 0:17:30 | 0:17:34 | |
'to two degrees into an almost sleep-like state | 0:17:34 | 0:17:37 | |
'and densely packed in boxes.' | 0:17:37 | 0:17:39 | |
'I'm following the roses to Nairobi Airport to see them | 0:17:41 | 0:17:44 | |
'head off to Holland. | 0:17:44 | 0:17:46 | |
'Before they can board the plane, | 0:17:46 | 0:17:47 | |
'each box needs to be X-rayed for security.' | 0:17:47 | 0:17:50 | |
I'm quite liking the X-ray of a rose. They're rather beautiful. | 0:17:51 | 0:17:56 | |
Sort of a little bit art house. | 0:17:56 | 0:17:58 | |
Yeah, it does rob them a bit of their colour | 0:17:58 | 0:18:00 | |
but, you know, it's there for them to see. | 0:18:00 | 0:18:03 | |
'Art Wright, general manager for Panalpina Airflo, has to make sure | 0:18:03 | 0:18:07 | |
'that flowers from all over Kenya make it onto the plane safely.' | 0:18:07 | 0:18:12 | |
And this is all going on 24 hours a day? | 0:18:12 | 0:18:14 | |
365 days a year. | 0:18:14 | 0:18:16 | |
And how many stems will pass through here in a day? | 0:18:16 | 0:18:20 | |
Well, close to 25 million stems. | 0:18:20 | 0:18:22 | |
People in the UK and Europe love a good rose. | 0:18:22 | 0:18:25 | |
They do love a good rose. | 0:18:25 | 0:18:26 | |
Once the flowers have passed security, teams of cargo handlers | 0:18:31 | 0:18:34 | |
build them into huge pallets ready for loading onto the cargo planes. | 0:18:34 | 0:18:39 | |
This is extraordinary. These pallets, each of them weighing | 0:18:41 | 0:18:45 | |
between two and three tonnes | 0:18:45 | 0:18:47 | |
and containing up to 100,000 stems of flowers, | 0:18:47 | 0:18:51 | |
have been gathered from all across Kenya, | 0:18:51 | 0:18:54 | |
boxed down in a compact manner | 0:18:54 | 0:18:56 | |
and they're going to start their journey, 4,000 miles to the markets. | 0:18:56 | 0:19:01 | |
MAN SHOUTS OUT | 0:19:01 | 0:19:02 | |
The flowers are often shipped at night | 0:19:04 | 0:19:06 | |
so they can arrive early in the markets. | 0:19:06 | 0:19:08 | |
I've been given access to one of the cargo planes | 0:19:14 | 0:19:17 | |
as it's about to be loaded. | 0:19:17 | 0:19:18 | |
It's massive! And every night, planes like this leave Kenya | 0:19:26 | 0:19:32 | |
packed with flowers. | 0:19:32 | 0:19:33 | |
Last year, over 2,000 planes flew out of Kenya, packed with flowers, | 0:19:34 | 0:19:39 | |
destined for the Dutch markets. | 0:19:39 | 0:19:41 | |
These roses have just travelled 4,000 miles from Africa. | 0:19:53 | 0:19:58 | |
By the time they get here, they are really in need of some TLC. | 0:19:58 | 0:20:04 | |
Many of these roses are destined for supermarkets. | 0:20:05 | 0:20:09 | |
For the majority of their journey, they have to be kept chilled. | 0:20:09 | 0:20:12 | |
But while they're being unloaded, | 0:20:12 | 0:20:14 | |
the roses are exposed to temperatures of 15 degrees. | 0:20:14 | 0:20:17 | |
It's now a race against time to break up these huge bales | 0:20:17 | 0:20:22 | |
and transport the boxes to the far side of the complex, | 0:20:22 | 0:20:26 | |
where the roses are readied for auction. | 0:20:26 | 0:20:29 | |
Aalsmeer is vast and they need to travel almost half a kilometre | 0:20:29 | 0:20:33 | |
to get to Fresco Flowers - the company that unpacks them, | 0:20:33 | 0:20:37 | |
checks them for quality and prepares them for sale. | 0:20:37 | 0:20:40 | |
They process 20% of all the roses that come to this market. | 0:20:40 | 0:20:45 | |
'Gerjan Telleman has spent a decade making sure African roses | 0:20:45 | 0:20:49 | |
'look their very best for the buyers.' | 0:20:49 | 0:20:52 | |
-In Kenya, they put a wrapper around for their protection. -OK. | 0:20:52 | 0:20:56 | |
-They take off the wrapper... -Yep. | 0:20:56 | 0:20:59 | |
They look into the flowers... | 0:20:59 | 0:21:01 | |
Hang them in their fingers to make them all the same level. | 0:21:01 | 0:21:04 | |
Right, and what else are they doing? | 0:21:04 | 0:21:07 | |
They take out the open flowers and the damaged flowers | 0:21:07 | 0:21:10 | |
and put in a new stem. | 0:21:10 | 0:21:13 | |
What's the problem if they're open? | 0:21:13 | 0:21:14 | |
An open flower, like you can see here, is opened much quicker than | 0:21:14 | 0:21:19 | |
the tight flower, so after two or three days, it is gone, | 0:21:19 | 0:21:24 | |
and the other ones can stay for a couple of days longer. | 0:21:24 | 0:21:26 | |
Oh, I see. So, as the consumer, I want flowers that are going to open | 0:21:26 | 0:21:30 | |
-all at the same time? -Yeah, that's true. | 0:21:30 | 0:21:32 | |
Once Gerjan's team are happy with the quality, | 0:21:34 | 0:21:37 | |
each bunch is tied and recut. | 0:21:37 | 0:21:39 | |
This removes any decaying tissue from the end of the stem. | 0:21:40 | 0:21:44 | |
It's a bit like unblocking a straw | 0:21:44 | 0:21:47 | |
and it helps the roses to drink water again. | 0:21:47 | 0:21:50 | |
Finally, they're wrapped. | 0:21:50 | 0:21:53 | |
So they're starting to really look like the kind of thing | 0:21:53 | 0:21:55 | |
-that I would buy. -Now we put them in water. | 0:21:55 | 0:21:57 | |
OK. So what is in the buckets? Is it just water? | 0:21:57 | 0:22:01 | |
-It's water with an antibacterial. -Antibacterial. | 0:22:01 | 0:22:04 | |
Why don't you put plant food in there? | 0:22:04 | 0:22:06 | |
Flower food is more for the consumer. | 0:22:06 | 0:22:08 | |
They want the flowers more open. | 0:22:08 | 0:22:09 | |
OK. | 0:22:09 | 0:22:11 | |
Now that the roses have been processed, | 0:22:13 | 0:22:15 | |
they're taken to the chill rooms. | 0:22:15 | 0:22:16 | |
Flowers aren't just arriving here from Africa... | 0:22:20 | 0:22:24 | |
3,000 trucks from all over Europe are delivering roses, tulips, | 0:22:24 | 0:22:29 | |
lilies and a myriad of other flowers to the auctions. | 0:22:29 | 0:22:33 | |
This whole operation is driven by one big purpose - | 0:22:35 | 0:22:39 | |
to get these beautiful and fragile flowers into our homes | 0:22:39 | 0:22:43 | |
and florists in pristine condition in the shortest time possible. | 0:22:43 | 0:22:48 | |
As soon as they arrive, the flowers are moved to huge | 0:22:50 | 0:22:53 | |
refrigerators known as chill rooms. | 0:22:53 | 0:22:55 | |
Each variety of flower needs to be stored at its own | 0:22:56 | 0:23:01 | |
special temperature. | 0:23:01 | 0:23:03 | |
There's just an hour to go before the auctions starts. | 0:23:03 | 0:23:06 | |
Buyers are coming to chill rooms all over the market complex | 0:23:06 | 0:23:09 | |
to scrutinise the flowers and decide which ones they want to buy. | 0:23:09 | 0:23:14 | |
Simon has gone to the chill room in Naaldwijk, | 0:23:14 | 0:23:17 | |
which is full of roses ready for inspection. | 0:23:17 | 0:23:20 | |
I've come here to meet Bart. | 0:23:28 | 0:23:30 | |
As the third biggest buyer of roses in Holland, | 0:23:31 | 0:23:34 | |
he has hundreds of clients counting on HIM to deliver | 0:23:34 | 0:23:38 | |
the best quality roses at the right price. | 0:23:38 | 0:23:41 | |
But Bart only has a tiny window of time to decide which roses | 0:23:41 | 0:23:45 | |
he's going to bid for today. | 0:23:45 | 0:23:46 | |
So Bart, what are you looking for with these roses? | 0:23:47 | 0:23:50 | |
I'm looking if the quality's good, | 0:23:50 | 0:23:52 | |
if they're not too tight, not too open. Um... | 0:23:52 | 0:23:56 | |
Like, this is a bit too open for today. | 0:23:56 | 0:23:58 | |
And do you do this every day? | 0:23:58 | 0:24:01 | |
I do this every day, yeah. Every day we need to check it, | 0:24:01 | 0:24:03 | |
every day we need to check quickly how they're looking. | 0:24:03 | 0:24:06 | |
So you need to make sure that what you're buying is fabulous? | 0:24:06 | 0:24:09 | |
-I need to do it for the customer. -Yes. | 0:24:09 | 0:24:11 | |
I'm the eyes of the customer. There we go. | 0:24:11 | 0:24:14 | |
So you're able to look at a rose and know how much it's worth? | 0:24:14 | 0:24:17 | |
More or less, yeah. | 0:24:17 | 0:24:19 | |
This one's a bit too tight. That tells me | 0:24:19 | 0:24:21 | |
-how much money I want to give for it... -Oh, OK. Yep. | 0:24:21 | 0:24:24 | |
..in the morning. | 0:24:24 | 0:24:25 | |
So I think, not too much money today! | 0:24:25 | 0:24:28 | |
No. | 0:24:28 | 0:24:29 | |
'Buying on such a huge scale gives Bart a lot of power. | 0:24:29 | 0:24:32 | |
'He can afford to bid higher, making a smaller margin on each rose | 0:24:32 | 0:24:37 | |
'and still make a good profit overall. | 0:24:37 | 0:24:39 | |
'This means Bart gets the roses HE needs, | 0:24:39 | 0:24:42 | |
'elbowing out his smaller competitors.' | 0:24:42 | 0:24:44 | |
How much would you pay for a stem for a rose? | 0:24:44 | 0:24:47 | |
I think, for this one, this is 7cm, I think | 0:24:47 | 0:24:49 | |
this goes up today to a maximum of 60 cents. | 0:24:49 | 0:24:52 | |
-For a single stem? -Maximum. I hope I'm going to buy them for 50, 55. | 0:24:52 | 0:24:56 | |
All the flowers sold at the auctions are graded by the growers | 0:24:57 | 0:25:00 | |
into three categories - | 0:25:00 | 0:25:02 | |
A1, A2 and B1. | 0:25:02 | 0:25:04 | |
Most of the flowers we buy in the UK are A1s. | 0:25:04 | 0:25:08 | |
A2 and B1 are cheaper | 0:25:08 | 0:25:10 | |
and are usually sold to Eastern Europe and Russia. | 0:25:10 | 0:25:13 | |
Look, this is the A2. | 0:25:13 | 0:25:15 | |
This is more damaged, you see. | 0:25:15 | 0:25:16 | |
So, that's a good one, that's a bad one? | 0:25:16 | 0:25:19 | |
-Yeah, this one is too open. This one is too black. -Right. | 0:25:19 | 0:25:22 | |
There's all different head sizes in it. That makes them A2. | 0:25:22 | 0:25:25 | |
-Gosh, you really have to scrutinise these. -Yeah. | 0:25:25 | 0:25:27 | |
What quality is this? | 0:25:28 | 0:25:30 | |
-This is A1. -A1. | 0:25:30 | 0:25:31 | |
This is more for the exclusive florist. | 0:25:31 | 0:25:35 | |
This is much bigger than the others ones, | 0:25:35 | 0:25:37 | |
this is much nicer than the other ones, | 0:25:37 | 0:25:39 | |
it's a longer vase life than the other ones. | 0:25:39 | 0:25:43 | |
It's nice to see as well. | 0:25:43 | 0:25:44 | |
-Yeah, it's really nice to see. -So I want to see them every day. | 0:25:44 | 0:25:47 | |
-Yes. -Yeah. -Yeah. -LAUGHTER | 0:25:47 | 0:25:49 | |
One third of the roses that Bart buys today will go to the UK. | 0:25:52 | 0:25:56 | |
Our second most-loved flower, the lily, is also sold here | 0:25:57 | 0:26:01 | |
in huge quantities. | 0:26:01 | 0:26:04 | |
Mentioned in the Bible, and associated with the Virgin Mary, | 0:26:04 | 0:26:08 | |
the lily became the symbol of purity and chastity. | 0:26:08 | 0:26:13 | |
The white lily, in particular, is given at funerals | 0:26:13 | 0:26:16 | |
to symbolise the innocence of the soul. | 0:26:16 | 0:26:19 | |
The regal lily, with its trumpet-shaped flowers, | 0:26:20 | 0:26:23 | |
was brought to Britain from China in 1903. | 0:26:23 | 0:26:27 | |
Today, the Oriental varieties are the best-selling lilies in the UK. | 0:26:28 | 0:26:33 | |
Many of these travel through the Dutch markets, | 0:26:33 | 0:26:36 | |
where almost 300 million lilies are sold each year. | 0:26:36 | 0:26:40 | |
Just like Dutch rose growers, | 0:26:42 | 0:26:44 | |
the lily growers in Holland face increasing competition | 0:26:44 | 0:26:47 | |
from countries with warmer climates and lower labour costs. | 0:26:47 | 0:26:50 | |
To keep their market share, | 0:26:51 | 0:26:53 | |
the Dutch are having to find cheaper ways to grow high quality flowers. | 0:26:53 | 0:26:58 | |
I've come to Rijnsburg... | 0:26:58 | 0:27:00 | |
..to meet a grower who has totally transformed his business | 0:27:01 | 0:27:04 | |
by investing ten million euros on cutting-edge technology. | 0:27:04 | 0:27:08 | |
I've always imagined flower-growing to be a traditional | 0:27:11 | 0:27:14 | |
and labour-intensive business, | 0:27:14 | 0:27:16 | |
but I'm about to meet a grower who is using a high-tech system | 0:27:16 | 0:27:20 | |
to produce some of the best lilies in the world. | 0:27:20 | 0:27:23 | |
This glasshouse is vast. | 0:27:23 | 0:27:26 | |
It's the size of 16 football pitches, | 0:27:26 | 0:27:29 | |
but the most astonishing thing... | 0:27:29 | 0:27:32 | |
is that the lilies are moving. | 0:27:32 | 0:27:35 | |
I'm surrounded by an army of marching flowers. | 0:27:35 | 0:27:40 | |
This is the cutting edge of flower-growing, | 0:27:43 | 0:27:46 | |
developed to feed the market's insatiable hunger for lilies. | 0:27:46 | 0:27:50 | |
In the UK alone, we import over £50 million worth of lilies each year. | 0:27:51 | 0:27:58 | |
Half of the lilies grown in the Netherlands end up in the UK. | 0:27:58 | 0:28:01 | |
Three vast greenhouses cover over 20 acres and are filled with | 0:28:02 | 0:28:07 | |
16,000 moving beds of lilies growing under artificial sunlight. | 0:28:07 | 0:28:13 | |
An entire ecosystem created to defy nature | 0:28:13 | 0:28:17 | |
and grow the perfect lily 365 days a year. | 0:28:17 | 0:28:22 | |
With a staff of just 18 people, | 0:28:23 | 0:28:26 | |
it's almost entirely automated and the only moving thing you'll see | 0:28:26 | 0:28:29 | |
when you walk through here are lilies. | 0:28:29 | 0:28:31 | |
'Paauw Lilies was founded almost a century ago | 0:28:35 | 0:28:39 | |
'and managing director Wim-Jan Paauw | 0:28:39 | 0:28:42 | |
'is the third generation of his family to grow lilies. | 0:28:42 | 0:28:45 | |
'He's brought me to see the first stage of the process.' | 0:28:45 | 0:28:48 | |
Whoa. Oh, my God. | 0:28:48 | 0:28:50 | |
Wow. | 0:28:52 | 0:28:54 | |
So this is our stock of fresh, clean peat moss. | 0:28:54 | 0:28:57 | |
Why is it steaming? | 0:28:57 | 0:28:59 | |
Because, in the steaming process, we sterilise the soil. | 0:28:59 | 0:29:03 | |
We heat the peat up to 100 degrees. | 0:29:03 | 0:29:05 | |
Because, during the growth of the last crop, | 0:29:05 | 0:29:07 | |
you have some harmful bacterias | 0:29:07 | 0:29:09 | |
and, with steaming it, you kill those. | 0:29:09 | 0:29:11 | |
And then we can reuse it again. | 0:29:11 | 0:29:13 | |
Don't you kill all of the nutrients in the soil? | 0:29:13 | 0:29:15 | |
-No, they are still in it. That's not a problem. -They're still in there. | 0:29:15 | 0:29:19 | |
So, this soil is clean, | 0:29:19 | 0:29:20 | |
-it's going to give you the best result. -That's the way, yeah. | 0:29:20 | 0:29:24 | |
The soil is made up of peat moss from the Baltic states, | 0:29:24 | 0:29:28 | |
chosen because it's lightweight, | 0:29:28 | 0:29:30 | |
suits the mobile growing trays and the lilies, | 0:29:30 | 0:29:33 | |
which like good drainage. | 0:29:33 | 0:29:34 | |
Every day, around 150 tonnes of it pass through this plant | 0:29:34 | 0:29:39 | |
to be recycled after each crop is harvested. | 0:29:39 | 0:29:43 | |
The temperature of the steam is controlled, | 0:29:43 | 0:29:45 | |
to make sure any bacteria growing in the soil are killed. | 0:29:45 | 0:29:49 | |
After cooling down for three days, it's ready for planting. | 0:29:49 | 0:29:53 | |
So here we do the planting. | 0:29:55 | 0:29:57 | |
So, as you can see, this is a medium-sized bulb, | 0:29:57 | 0:29:59 | |
and, depending on the variety, | 0:29:59 | 0:30:01 | |
we place a number of bulbs in the crate. | 0:30:01 | 0:30:04 | |
And the reason we still do it by hand | 0:30:04 | 0:30:06 | |
is that the bulb has to face up. | 0:30:06 | 0:30:08 | |
-You try? -MEN LAUGH | 0:30:08 | 0:30:10 | |
-Can I have a go? -Yeah. | 0:30:10 | 0:30:11 | |
-OK, so you have to do them... -Every time, two hands. | 0:30:11 | 0:30:13 | |
-All up. -Every time, two hands. -Two hands. | 0:30:13 | 0:30:16 | |
-OK, why two hands? -It's more efficient. | 0:30:16 | 0:30:19 | |
OK. So where are these grown? Where do you get these from? | 0:30:19 | 0:30:23 | |
We buy the bulbs from bulb growers and every bulb has only one stem | 0:30:23 | 0:30:26 | |
and the bigger the bulb is, the more flowers it gives per stem. | 0:30:26 | 0:30:30 | |
-Is this a big bulb? -This is an extra large size. | 0:30:30 | 0:30:32 | |
This is an extra large, and how many flowers | 0:30:32 | 0:30:34 | |
-would you expect from it? -At least five or six. | 0:30:34 | 0:30:37 | |
'Ten lily bulbs are planted in each crate | 0:30:39 | 0:30:41 | |
'and then moved out into the first of three glasshouses.' | 0:30:41 | 0:30:45 | |
'Each one has its own carefully controlled microclimate.' | 0:30:47 | 0:30:50 | |
'The temperature, lighting and irrigation | 0:30:53 | 0:30:55 | |
'are all regulated by a central computer. | 0:30:55 | 0:30:58 | |
'This system produces stunning lilies in just a third of the time | 0:30:58 | 0:31:02 | |
'it would take if they were grown outdoors.' | 0:31:02 | 0:31:05 | |
They go through three phases. | 0:31:05 | 0:31:07 | |
-This is the first stage over there. -OK. | 0:31:07 | 0:31:09 | |
Then they come to this greenhouse | 0:31:09 | 0:31:11 | |
-and they stay about a month in this greenhouse. -Yes. | 0:31:11 | 0:31:14 | |
And, after two months, they go to the last greenhouse | 0:31:14 | 0:31:16 | |
when they start flowering. | 0:31:16 | 0:31:18 | |
So they have different climate zones for different growing periods. | 0:31:18 | 0:31:23 | |
-How interesting. So you're recreating the seasons? -Yeah. | 0:31:23 | 0:31:26 | |
-In the beginning they like more springtime, so more cold. -Yes. | 0:31:26 | 0:31:29 | |
This is the summertime, so we need lots of light and temperature. | 0:31:29 | 0:31:33 | |
And, at the end, we need to cool down a little bit | 0:31:33 | 0:31:35 | |
to get the good quality. | 0:31:35 | 0:31:37 | |
'The computer tracks the location of each tray, | 0:31:37 | 0:31:39 | |
'moving it through the glasshouses and seasons to maturity. | 0:31:39 | 0:31:44 | |
'Once the lilies are close to flowering, | 0:31:44 | 0:31:46 | |
'they are moved into this central hub, | 0:31:46 | 0:31:49 | |
'where human skills are still needed.' | 0:31:49 | 0:31:51 | |
So, after three months they come here in the hub, | 0:31:53 | 0:31:55 | |
but the problem is that they're not all finished at the same time. | 0:31:55 | 0:31:58 | |
So, how can you tell, cos, to me, these all look the same? | 0:31:58 | 0:32:00 | |
The guys who are doing the harvesting, | 0:32:00 | 0:32:02 | |
they have so much experience that they know exactly which one to pick. | 0:32:02 | 0:32:05 | |
They just pick out the ones that are ripe enough. | 0:32:05 | 0:32:07 | |
So, for example, which one is ready and which one isn't? | 0:32:07 | 0:32:10 | |
You can see this one has started colouring | 0:32:10 | 0:32:11 | |
-and probably they will pick this one. -OK. | 0:32:11 | 0:32:14 | |
But this is still too green. | 0:32:14 | 0:32:16 | |
Right, so it's actually nothing about how tall they are, | 0:32:16 | 0:32:18 | |
-because those two are almost the same. -No. | 0:32:18 | 0:32:20 | |
This one needs another three or four days before it has to be ready. | 0:32:20 | 0:32:24 | |
Traditionally, workers have to go out into the huge glasshouses | 0:32:26 | 0:32:29 | |
to harvest the flowers, but here the lilies come to them. | 0:32:29 | 0:32:34 | |
This has increased production by 15%, | 0:32:34 | 0:32:36 | |
without increasing the workforce, which has stayed at just 18 people. | 0:32:36 | 0:32:40 | |
So how many stems are you cutting every day? | 0:32:40 | 0:32:44 | |
Er, we do about between 40,000 and 50,000 stems a day. | 0:32:44 | 0:32:49 | |
That's absolutely incredible. How much does that equate to a year? | 0:32:49 | 0:32:52 | |
-Yeah. We do about ten million stems a year. -Ten million! | 0:32:52 | 0:32:56 | |
Yeah, correct. | 0:32:56 | 0:32:57 | |
Once the lilies are cut, they're off to be graded. | 0:33:00 | 0:33:03 | |
Each stem is sorted by number of flowers and bunched. | 0:33:07 | 0:33:10 | |
Finally, they're wrapped and within just a minute of being cut, | 0:33:12 | 0:33:16 | |
they're back in the water. | 0:33:16 | 0:33:17 | |
-So these are ready now? -These are ready to go to the auction. | 0:33:18 | 0:33:22 | |
-So it's THAT quick? -Yeah. | 0:33:22 | 0:33:23 | |
So they're cut, sorted, packed, | 0:33:23 | 0:33:26 | |
-sold at auction, transported to England in 24 hours? -Yep. | 0:33:26 | 0:33:33 | |
So tomorrow night these lilies could be on someone's kitchen table? | 0:33:33 | 0:33:37 | |
Yeah. That's what we work for, yep. | 0:33:37 | 0:33:40 | |
Wim sends all his lilies to the markets, | 0:33:41 | 0:33:44 | |
where the auctions begin at 6am each day. | 0:33:44 | 0:33:47 | |
Seven auctions run simultaneously, across the market complex. | 0:33:47 | 0:33:52 | |
'Robert Janssen, the Flying Dutchman, | 0:33:54 | 0:33:56 | |
'was at the auction in Rijnsburg yesterday. | 0:33:56 | 0:33:59 | |
'But, with UK Mother's Day looming, | 0:33:59 | 0:34:01 | |
'he's got to buy 30,000 stems of flowers to fill his orders. | 0:34:01 | 0:34:05 | |
'He has to leave for England by 1pm, | 0:34:05 | 0:34:07 | |
'so this is his last chance to buy what he needs. | 0:34:07 | 0:34:10 | |
'Robert has 30,000 euros to spend, | 0:34:10 | 0:34:13 | |
'but he is competing against 500 other buyers in the auction | 0:34:13 | 0:34:17 | |
'and 2,000 others online. | 0:34:17 | 0:34:19 | |
'His family's business hinges on the next four hours.' | 0:34:19 | 0:34:23 | |
Is today a particularly busy day for you? | 0:34:23 | 0:34:25 | |
Yes. Mother's Day is more like the busiest for us. | 0:34:25 | 0:34:28 | |
-The busiest week. -How long have you been doing this? | 0:34:28 | 0:34:31 | |
-19 years. -19 years! | 0:34:31 | 0:34:33 | |
Yeah. I was 17. | 0:34:33 | 0:34:35 | |
So did you come here with your dad, originally? | 0:34:35 | 0:34:38 | |
-Yes. -Well, are you a dream team? | 0:34:38 | 0:34:41 | |
-No mistakes... -Yeah, no mistakes. | 0:34:41 | 0:34:43 | |
LAUGHTER | 0:34:43 | 0:34:45 | |
'Rijnsburg is where most of the small buyers, like Robert, | 0:34:45 | 0:34:48 | |
'come to get their flowers, because it has lots of variety | 0:34:48 | 0:34:52 | |
'and they can buy here in smaller quantities.' | 0:34:52 | 0:34:56 | |
So what are you buying today? What's on the shopping list? | 0:34:56 | 0:34:59 | |
-Tulips, and some roses. -Tulips. | 0:34:59 | 0:35:02 | |
And what particular colour? | 0:35:02 | 0:35:04 | |
-At the moment it's all pink. -It's all pink. -Mother's Day. | 0:35:04 | 0:35:06 | |
-OK, so it's a Mother's Day...? -Mother's Day is always pink. | 0:35:06 | 0:35:09 | |
Right. | 0:35:09 | 0:35:10 | |
-I have to have a look now. -OK. Go for it. Go for it. | 0:35:10 | 0:35:13 | |
It's just after 6am and the auction is under way. | 0:35:15 | 0:35:20 | |
Most of the buyers here are Flying Dutchmen, like Robert. | 0:35:20 | 0:35:23 | |
They trade in smaller quantities, which means they need to have | 0:35:23 | 0:35:27 | |
a bigger profit margin to make a living. | 0:35:27 | 0:35:30 | |
The flowers are brought out on trolleys for buyers to view. | 0:35:32 | 0:35:35 | |
Robert is keeping track of what's happening on the big screens. | 0:35:35 | 0:35:39 | |
From these, he can see the variety, grower... | 0:35:41 | 0:35:44 | |
..quality and size, | 0:35:45 | 0:35:47 | |
amount of stems for sale and the country of origin. | 0:35:47 | 0:35:52 | |
So, over here, we've got flowers from Israel... | 0:35:52 | 0:35:54 | |
We've got tulips from Holland. We've got roses from Kenya. | 0:35:54 | 0:35:57 | |
We've just had some from Ethiopia and we've had flowers from Italy. | 0:35:57 | 0:36:02 | |
And they really are coming from all over the world | 0:36:02 | 0:36:05 | |
and they could end up anywhere. | 0:36:05 | 0:36:06 | |
Robert, are you buying right now? | 0:36:08 | 0:36:09 | |
Just one moment... | 0:36:09 | 0:36:11 | |
In the centre of each screen is a large circle of dots, | 0:36:13 | 0:36:17 | |
which is a called a Dutch Auction Clock. | 0:36:17 | 0:36:20 | |
In auctions, the auctioneer starts with a high asking price, | 0:36:20 | 0:36:23 | |
and, as the clock counts down from 100 - | 0:36:23 | 0:36:26 | |
which is shown by the red dot - the price drops. | 0:36:26 | 0:36:29 | |
It keeps dropping until a bid is made, which stops the clock. | 0:36:29 | 0:36:33 | |
Buyers bid by pressing the button on their desk. | 0:36:33 | 0:36:36 | |
But what makes THESE auctions so tricky is that the first bid wins. | 0:36:40 | 0:36:44 | |
It seems more like a gamble than an auction. | 0:36:47 | 0:36:51 | |
If Robert waits too long, hoping to get a lower price, | 0:36:51 | 0:36:54 | |
another buyer will get there first and win the bid. | 0:36:54 | 0:36:58 | |
Every time the dot stops flowers are sold. | 0:36:58 | 0:37:02 | |
It's so fast that I find it impossible to keep up. | 0:37:02 | 0:37:05 | |
On a busy day like this, there are over 100,000 transactions, | 0:37:05 | 0:37:10 | |
totalling approximately ten million euros. | 0:37:10 | 0:37:14 | |
So it seems to me that the real skill is all about timing. | 0:37:14 | 0:37:18 | |
You can only bid once. | 0:37:19 | 0:37:20 | |
The trick is to catch the moment where you get the lowest price, | 0:37:20 | 0:37:26 | |
without missing the batch. | 0:37:26 | 0:37:27 | |
That seems to be the key. | 0:37:27 | 0:37:29 | |
-What have you just bought? -Nine boxes of Cymbidium orchids. | 0:37:30 | 0:37:34 | |
-The orchids? -Yeah. | 0:37:34 | 0:37:35 | |
They are absolutely amazing. | 0:37:35 | 0:37:37 | |
-Are they expensive? -2.50 euros. | 0:37:37 | 0:37:39 | |
-2.50 euros for every box? -For the small ones. | 0:37:39 | 0:37:41 | |
-No, for a stem. -Every stem?! -Yeah. | 0:37:41 | 0:37:44 | |
You can't disappoint your customers. | 0:37:44 | 0:37:46 | |
I give them a price and it's up to me if I can buy it cheap or not. | 0:37:46 | 0:37:50 | |
-So you carry the cost if you get the bid wrong? -Yes. | 0:37:50 | 0:37:54 | |
So it is very stressful and there's a huge amount of pressure on you | 0:37:54 | 0:37:57 | |
-to get it right? -Yes. | 0:37:57 | 0:37:59 | |
-Robert, have you ever bought anything by mistake? -Yes. | 0:37:59 | 0:38:03 | |
-Everybody does. -Oh, God! | 0:38:04 | 0:38:06 | |
SHE LAUGHS | 0:38:06 | 0:38:09 | |
So, I've just counted the women in here... | 0:38:09 | 0:38:13 | |
and there's one. | 0:38:13 | 0:38:14 | |
Just the one woman. | 0:38:14 | 0:38:16 | |
Who knew that flowers was such a masculine industry? | 0:38:16 | 0:38:20 | |
Robert isn't just competing with everyone in the auction room. | 0:38:23 | 0:38:26 | |
There are thousands of other traders online | 0:38:26 | 0:38:28 | |
who are trying to buy the same flowers. | 0:38:28 | 0:38:31 | |
Simon's gone to Naaldwijk, on the other side of the market complex | 0:38:32 | 0:38:37 | |
to catch up with one of the biggest buyers - Bart - who he met earlier. | 0:38:37 | 0:38:41 | |
Bart has his very own high-tech dealing room | 0:38:43 | 0:38:45 | |
that allows him and his team to buy huge quantities of flowers, | 0:38:45 | 0:38:49 | |
at all seven auctions in the market complex... | 0:38:49 | 0:38:52 | |
without leaving the office. | 0:38:52 | 0:38:54 | |
Each buyer specialises in just one type of flower. | 0:38:56 | 0:39:00 | |
Bart's been busy buying the Dutch roses he was checking out earlier | 0:39:02 | 0:39:06 | |
and trading has been hectic. | 0:39:06 | 0:39:08 | |
So, Bart, tell me how many stems have you been buying today? | 0:39:10 | 0:39:13 | |
It's 1.4 million till now. | 0:39:13 | 0:39:16 | |
-1.4 million stems already? -Yes. Already. | 0:39:16 | 0:39:20 | |
-And we're half... -We're still running for another hour. | 0:39:20 | 0:39:23 | |
-Another hour. -It's quite busy. | 0:39:23 | 0:39:25 | |
-It's really busy. -Yeah, a busy day. | 0:39:25 | 0:39:27 | |
And you're buying from three different flower markets. | 0:39:27 | 0:39:31 | |
Yes, three different auctions, yeah. | 0:39:31 | 0:39:33 | |
-So this screen... -This is Aalsmeer. | 0:39:33 | 0:39:35 | |
-This shows me what's happening in Aalsmeer. -Yeah. | 0:39:35 | 0:39:37 | |
-And it's a different grower. -I need to buy them... | 0:39:37 | 0:39:40 | |
Oops, sorry. So you just bought... | 0:39:40 | 0:39:42 | |
No... Did you buy...? Yeah, you bought those. | 0:39:42 | 0:39:44 | |
50 I bought for 39 cents. | 0:39:44 | 0:39:46 | |
And that's a good price? | 0:39:46 | 0:39:48 | |
Yeah, that's a good price. It's a really good price. | 0:39:48 | 0:39:50 | |
'Bart isn't just filling his clients' orders... | 0:39:50 | 0:39:53 | |
'When he spots a good deal, he's buying extra, | 0:39:53 | 0:39:55 | |
'hoping to sell them on his company web shop | 0:39:55 | 0:39:57 | |
'to florists all over Europe.' | 0:39:57 | 0:39:59 | |
You bought those? | 0:39:59 | 0:40:01 | |
Yeah, it was a Golden Ambition, it was a yellow rose. | 0:40:01 | 0:40:03 | |
-Yep. -60cms. | 0:40:03 | 0:40:04 | |
I've got now in my stock 1,200 bins of roses | 0:40:04 | 0:40:08 | |
that need to go today or tomorrow. | 0:40:08 | 0:40:10 | |
So today or tomorrow you've got to shift...? | 0:40:10 | 0:40:12 | |
I can check it... It's 52,000 stems. | 0:40:12 | 0:40:16 | |
52,000 stems that you alone | 0:40:16 | 0:40:18 | |
-have got to shift. -Yep. And they need to go today or tomorrow. | 0:40:18 | 0:40:21 | |
Today or tomorrow. And what happens if they don't? | 0:40:21 | 0:40:24 | |
-Then I've got a problem. -LAUGHTER | 0:40:24 | 0:40:28 | |
70% to 80% of the flowers that Bart buys will be sold online. | 0:40:29 | 0:40:34 | |
But his company also serves wholesalers and florists directly. | 0:40:34 | 0:40:38 | |
On a busy week like this, they will send over 150 trucks into the UK. | 0:40:38 | 0:40:44 | |
It's Robin Hesselberth's job to ensure that all these flowers | 0:40:44 | 0:40:47 | |
get to their clients on time. | 0:40:47 | 0:40:49 | |
It's not only having the best quality flowers. | 0:40:49 | 0:40:52 | |
The price needs to be good and you have to be the quickest. | 0:40:52 | 0:40:56 | |
-So, if you get an order in from a flower shop in the UK... -Yeah. | 0:40:56 | 0:41:00 | |
..how long have you got to get the flowers? | 0:41:00 | 0:41:02 | |
If I got my order in before, let's say, 4am in the morning, | 0:41:02 | 0:41:06 | |
it can be at the florist shop within 24 hours. | 0:41:06 | 0:41:10 | |
Within 24 hours, you can have those flowers in the UK? | 0:41:10 | 0:41:13 | |
-Six days a week. -Six days a week. | 0:41:13 | 0:41:15 | |
'In less than four hours of trading, | 0:41:16 | 0:41:18 | |
'Bart and his team have spent almost 600,000 euros buying flowers.' | 0:41:18 | 0:41:24 | |
CHERRY: Back in the auction, Robert is buying the last of HIS orders. | 0:41:26 | 0:41:30 | |
He's managed to get all the flowers that he needs | 0:41:30 | 0:41:32 | |
for his budget of 30,000 euros. | 0:41:32 | 0:41:35 | |
Do you love the thrill of it, the buzz, the excitement? | 0:41:37 | 0:41:39 | |
Yes. The buying I do love, to make sure that I'm buying | 0:41:39 | 0:41:43 | |
the best quality for the best price. | 0:41:43 | 0:41:44 | |
You make a sport out of it to have the cheapest. | 0:41:44 | 0:41:47 | |
-So, yeah. -So it's hunting? -Yes. | 0:41:47 | 0:41:50 | |
It's hunting for the perfect prize. | 0:41:50 | 0:41:52 | |
-Yes. -Will you let me buy something? | 0:41:52 | 0:41:54 | |
Yes. Just go to the clock, say number six, | 0:41:54 | 0:41:57 | |
-and then you have to put your thumb on the thing. -On the button. | 0:41:57 | 0:42:01 | |
You can buy, say, the Mont Blanc. | 0:42:01 | 0:42:03 | |
Just push it when it is a bit lower than this. | 0:42:03 | 0:42:06 | |
Not yet. Just push it now and just say one. | 0:42:06 | 0:42:09 | |
-Now? -Yes, now. -One. | 0:42:09 | 0:42:11 | |
SHE GASPS | 0:42:11 | 0:42:13 | |
-How many did I buy? Two boxes. -Two. -Fine. | 0:42:15 | 0:42:17 | |
Is your house always full of flowers? | 0:42:17 | 0:42:19 | |
Yes, but that's also a good thing, | 0:42:19 | 0:42:21 | |
cos then I see how the quality is as well. | 0:42:21 | 0:42:24 | |
So then you see what it is. | 0:42:24 | 0:42:26 | |
So, what do you get your wife for her birthday? | 0:42:26 | 0:42:29 | |
-She probably doesn't want flowers, does she? -No. | 0:42:29 | 0:42:32 | |
-Diamonds. -Diamonds? LAUGHTER | 0:42:32 | 0:42:35 | |
Now the auction is finished, Robert has to wait | 0:42:36 | 0:42:38 | |
around two-and-half hours for his flowers to arrive. | 0:42:38 | 0:42:42 | |
In the buyers' depot, his truck is already half full | 0:42:42 | 0:42:45 | |
with the flowers he bought yesterday. | 0:42:45 | 0:42:47 | |
There's a dazzling array of different varieties and colours, | 0:42:47 | 0:42:51 | |
but his largest purchase is Holland's most famous flower | 0:42:51 | 0:42:56 | |
and one of the most loved in the world - | 0:42:56 | 0:42:59 | |
the tulip. | 0:42:59 | 0:43:00 | |
The tulip is the third best-selling flower in the UK. | 0:43:00 | 0:43:04 | |
We love them because they're colourful, | 0:43:04 | 0:43:06 | |
uplifting and inexpensive. | 0:43:06 | 0:43:09 | |
They originally came from the mountains of Central Asia. | 0:43:09 | 0:43:13 | |
The Persians began growing tulips over 1,000 years ago | 0:43:13 | 0:43:17 | |
and the Ottoman sultans loved their bold colours. | 0:43:17 | 0:43:21 | |
Soon after the first bulbs arrived in Holland, | 0:43:21 | 0:43:24 | |
the upper classes fell in love with this exotic flower. | 0:43:24 | 0:43:28 | |
At the height of tulip mania, | 0:43:28 | 0:43:30 | |
a single bulb could be bought and sold for the price of a house. | 0:43:30 | 0:43:35 | |
The tulip market crashed in 1637, | 0:43:35 | 0:43:39 | |
but by then it had become one of the most loved flowers in Holland. | 0:43:39 | 0:43:44 | |
Today, it's the cornerstone of the Dutch flower industry. | 0:43:44 | 0:43:48 | |
Every year, vast sums of money are spent studying the species, | 0:43:48 | 0:43:52 | |
helping growers develop new and better varieties. | 0:43:52 | 0:43:55 | |
I'm meeting Professor Beverley Glover, | 0:43:57 | 0:43:59 | |
a British scientist who has spent decades investigating | 0:43:59 | 0:44:02 | |
the sex lives of flowers, including the tulip. | 0:44:02 | 0:44:06 | |
So I'm going to take you to see some tulips that show | 0:44:07 | 0:44:09 | |
some really nice patterns of colour | 0:44:09 | 0:44:12 | |
and how they use those to attract different sorts of pollinators. | 0:44:12 | 0:44:15 | |
So this is a wild tulip species and you can see that it's got this | 0:44:15 | 0:44:18 | |
wonderful yellow target, like a bull's-eye, in the middle | 0:44:18 | 0:44:20 | |
of these pink petals. | 0:44:20 | 0:44:22 | |
And that's to make it easy for the pollinator. | 0:44:22 | 0:44:23 | |
So, rather than having to think, from a distance, of where to land | 0:44:23 | 0:44:26 | |
to get at the nectar and pollen, you can see you just go | 0:44:26 | 0:44:29 | |
straight to the centre of the bull's-eye. | 0:44:29 | 0:44:31 | |
Such bright colours and all of them have that target in the middle. | 0:44:31 | 0:44:35 | |
That's right. So the bull's-eye is very important. | 0:44:35 | 0:44:38 | |
So you can see it here in this red tulip, | 0:44:38 | 0:44:40 | |
with its strong black centre. That's another way of achieving | 0:44:40 | 0:44:43 | |
the same thing. But insects see in a different colour spectrum from us, | 0:44:43 | 0:44:46 | |
they don't see the same range of colours we do | 0:44:46 | 0:44:48 | |
and they see into the ultraviolet, which we can't. | 0:44:48 | 0:44:50 | |
So some flowers do this similar kind of bull's-eye patterning, | 0:44:50 | 0:44:53 | |
but we can't see it. It's only visible to the insects. | 0:44:53 | 0:44:56 | |
What does it look like? | 0:44:56 | 0:44:57 | |
It looks just like an unpatterned flower to us. | 0:44:57 | 0:44:59 | |
Something like a buttercup or an evening primrose. | 0:44:59 | 0:45:01 | |
Let me take you over and show you one. | 0:45:01 | 0:45:03 | |
This is a great example of a plant that has a bull's-eye on the flower | 0:45:03 | 0:45:07 | |
that we just can't see at all. | 0:45:07 | 0:45:08 | |
It's a buttercup and what you can see is this astonishing gloss. | 0:45:08 | 0:45:11 | |
-It's really shiny, isn't it? -Yes. -Bright, shiny and yellow. | 0:45:11 | 0:45:14 | |
But you can't see any pattern. | 0:45:14 | 0:45:15 | |
But if we look at it in the UV, which is how the insect can see it, | 0:45:15 | 0:45:18 | |
then you see there's this really clear bull's-eye in the centre, | 0:45:18 | 0:45:21 | |
just like with the visible ones we saw in the tulips. | 0:45:21 | 0:45:23 | |
-It looks completely different. -Yeah. | 0:45:23 | 0:45:25 | |
So, if I was an insect, that is what I would see | 0:45:25 | 0:45:29 | |
-if I was approaching that flower? -Yeah. | 0:45:29 | 0:45:31 | |
So this has developed purely so that the flower can reproduce, | 0:45:31 | 0:45:35 | |
so that it can carry on breeding? | 0:45:35 | 0:45:38 | |
Yeah, that's right. | 0:45:38 | 0:45:39 | |
All of this advertising... | 0:45:39 | 0:45:41 | |
You can think of it as adverts, they're billboards, | 0:45:41 | 0:45:43 | |
are there to bring in insects, make sure the flower gets pollinated, | 0:45:43 | 0:45:46 | |
make sure there's seed and another generation to come. | 0:45:46 | 0:45:48 | |
Today, tulip growers build upon this knowledge | 0:45:51 | 0:45:55 | |
to breed an extraordinary range of different varieties | 0:45:55 | 0:45:58 | |
that they sell at the markets. | 0:45:58 | 0:46:00 | |
As the flower industry grows every year, | 0:46:02 | 0:46:04 | |
the thirst for new varieties is never-ending. | 0:46:04 | 0:46:07 | |
Growers invest millions of euros in trying to create something new | 0:46:07 | 0:46:12 | |
that we customers cannot resist. | 0:46:12 | 0:46:14 | |
The tulip, the flower that started the Dutch revolution, | 0:46:16 | 0:46:20 | |
has changed enormously since it came here in the 16th century. | 0:46:20 | 0:46:25 | |
There are now over 8,000 different varieties | 0:46:26 | 0:46:30 | |
and that's thanks to growers like Geert Hageman, | 0:46:30 | 0:46:33 | |
who has been breeding them for almost 40 years. | 0:46:33 | 0:46:37 | |
So, what's through here? | 0:46:39 | 0:46:41 | |
Tulips, tulips, tulips. | 0:46:42 | 0:46:43 | |
This was taken in two days ago. | 0:46:45 | 0:46:48 | |
-Oh, gosh, it's already sprouting. -Yes. | 0:46:48 | 0:46:50 | |
-And that was about five days ago. -OK. God, they grow quickly! | 0:46:50 | 0:46:55 | |
These are almost two weeks. | 0:46:55 | 0:46:56 | |
I love that there are some renegade ones | 0:46:56 | 0:46:58 | |
that have just grown massively tall. | 0:46:58 | 0:47:00 | |
-Yeah. -They're particularly Dutch tulips, really tall! | 0:47:00 | 0:47:05 | |
So, what's through here? | 0:47:05 | 0:47:08 | |
-Over here, we have a testing room for all new varieties. -Ooh. | 0:47:08 | 0:47:13 | |
These are varieties that are, for the first time, in the greenhouse. | 0:47:13 | 0:47:17 | |
-We have bred this in 2010. -Whoa. | 0:47:17 | 0:47:19 | |
It takes six years before you have this bulb | 0:47:19 | 0:47:22 | |
and it takes another 20 years | 0:47:22 | 0:47:24 | |
before you have enough to go to the auction. | 0:47:24 | 0:47:26 | |
So it takes 25 years to cultivate a new breed? | 0:47:26 | 0:47:29 | |
Yes, it takes 25 years. | 0:47:29 | 0:47:32 | |
Wow, that's some love! | 0:47:32 | 0:47:33 | |
'Geert wants to show me some of the tulips he bred six years ago, | 0:47:33 | 0:47:38 | |
'that are flowering for the first time.' | 0:47:38 | 0:47:40 | |
Oh, wow. | 0:47:40 | 0:47:42 | |
This part is from one mother and one father. | 0:47:42 | 0:47:46 | |
So these are all brothers and sisters? | 0:47:46 | 0:47:48 | |
-They are all brothers and sisters. -So they came from two parent bulbs? | 0:47:48 | 0:47:53 | |
-Yes. -But they're so different. -Yes. | 0:47:53 | 0:47:56 | |
So how do you cross-breed tulips? I mean, do they go on a date? | 0:47:56 | 0:48:00 | |
Yes, there is a date and I will make an example. | 0:48:00 | 0:48:05 | |
The first important part is that you are taking away | 0:48:05 | 0:48:07 | |
the pollen from the plant that we are choosing. | 0:48:07 | 0:48:10 | |
-So that's the daddy plant... -Yes. -OK. | 0:48:10 | 0:48:13 | |
-Cos you love that one... -Yes, because it is heavy. | 0:48:13 | 0:48:16 | |
-Heavy and strong. -This has a lot of crispa, we call that crispa. | 0:48:16 | 0:48:19 | |
-Kind of like little teeth. -Yeah. -OK. | 0:48:19 | 0:48:22 | |
-You are taking... -Oh, you brush it. | 0:48:22 | 0:48:24 | |
-Brush it. -OK, to get the pollen off? -Pollen out. | 0:48:24 | 0:48:27 | |
-And then you put it onto the stamen. -The stamen. | 0:48:27 | 0:48:30 | |
Oh, I see. So you're taking the genetics from one plant | 0:48:30 | 0:48:34 | |
-and mixing them with the other. -Yep. Totally right. | 0:48:34 | 0:48:37 | |
This is a little bit too early because on a certain moment | 0:48:37 | 0:48:40 | |
it's a little bit hairy. | 0:48:40 | 0:48:42 | |
Yeah, yeah... | 0:48:42 | 0:48:44 | |
And then the pollen stays on the stamen. | 0:48:44 | 0:48:47 | |
-So you have to wait for the lady to be nice and hairy? -Yeah, yeah. | 0:48:47 | 0:48:50 | |
I mean, I love it. | 0:48:50 | 0:48:52 | |
And, after five or six weeks, the stamen is growing | 0:48:52 | 0:48:55 | |
and we have some examples on that side of the window. | 0:48:55 | 0:48:59 | |
And that is growing after six or seven weeks. | 0:48:59 | 0:49:03 | |
-That's the stamen?! -That is the stamen. | 0:49:03 | 0:49:06 | |
That is massive! What?! | 0:49:06 | 0:49:09 | |
-The stamen actually grows? -Yes. | 0:49:09 | 0:49:12 | |
Oh, God, I never... | 0:49:12 | 0:49:13 | |
I did GCSE Biology and that is... I must have forgotten that bit. | 0:49:13 | 0:49:16 | |
And, in the stamen, you now see there's some seeds | 0:49:16 | 0:49:20 | |
and the seeds you are planting in autumn. | 0:49:20 | 0:49:23 | |
-Oh, I see. -And, the year after, you get small bulblets | 0:49:23 | 0:49:25 | |
and then, after five years, you see the first flowers. | 0:49:25 | 0:49:28 | |
-You have to be a patient person to breed tulips. -Yes... | 0:49:28 | 0:49:31 | |
So, from this batch, that are all from the same stamen, | 0:49:31 | 0:49:36 | |
which ones are you going to choose? | 0:49:36 | 0:49:38 | |
I think only this one. | 0:49:38 | 0:49:41 | |
-So that yellow one, that's the only one you'll keep? -Yep. | 0:49:41 | 0:49:44 | |
Last year we were growing about 100,000 new varieties | 0:49:44 | 0:49:47 | |
and we kept only 100. | 0:49:47 | 0:49:50 | |
That was it. | 0:49:50 | 0:49:52 | |
That's it?! | 0:49:52 | 0:49:53 | |
So do you have anything here that is a fantastic success | 0:49:53 | 0:49:57 | |
that you've bred? Something new? | 0:49:57 | 0:49:59 | |
Yeah, we... | 0:49:59 | 0:50:01 | |
Again, another greenhouse. | 0:50:01 | 0:50:03 | |
I will show you one of my favourites. | 0:50:03 | 0:50:06 | |
Especially the colour and also the form. | 0:50:07 | 0:50:10 | |
-You see? -Oh, wow! Oh, my God! | 0:50:10 | 0:50:12 | |
-Did you breed that? -Yes, I bred that. | 0:50:12 | 0:50:15 | |
-You bred that? -Yep. | 0:50:15 | 0:50:16 | |
This is a crossing from about 20 years ago. | 0:50:16 | 0:50:19 | |
That's incredible. | 0:50:19 | 0:50:22 | |
It looks like a peony. | 0:50:22 | 0:50:24 | |
Yes, it does. It's beautiful. | 0:50:24 | 0:50:26 | |
-And that took you 20 years? -Yep, 20 years. | 0:50:26 | 0:50:30 | |
So how many tulips have you created, have you bred, in that time? | 0:50:30 | 0:50:34 | |
I think more than 100. | 0:50:34 | 0:50:36 | |
That's incredible. | 0:50:36 | 0:50:37 | |
Is that one of your favourites of the whole programme? | 0:50:37 | 0:50:40 | |
-Yeah. -Yeah? | 0:50:40 | 0:50:42 | |
Yeah, because it is totally different. | 0:50:42 | 0:50:45 | |
Geert is one of the biggest suppliers of tulips to the markets. | 0:50:48 | 0:50:52 | |
Each day, seven million tulips, | 0:50:52 | 0:50:55 | |
along with tens of millions of other flowers, are sold at auction. | 0:50:55 | 0:50:59 | |
The moment any flower is bought, they're taken to a huge buffer zone | 0:50:59 | 0:51:04 | |
to be distributed to the buyer. | 0:51:04 | 0:51:06 | |
And it's Edward Mauritz's job to get them to the correct destination. | 0:51:06 | 0:51:11 | |
So, Edward, can you please explain what is going on here? | 0:51:12 | 0:51:16 | |
This is the start of the distribution process. | 0:51:16 | 0:51:19 | |
In two-and-a-half hours, the buyer should have his flowers. | 0:51:19 | 0:51:23 | |
It's 11am in Aalsmeer and the flowers need to travel | 0:51:24 | 0:51:28 | |
almost 2km to the special depot, | 0:51:28 | 0:51:30 | |
on the other side of the complex, where the buyers are waiting. | 0:51:30 | 0:51:34 | |
Many buyers purchase small amounts of different flowers. | 0:51:34 | 0:51:38 | |
These are first grouped together | 0:51:38 | 0:51:40 | |
so they can be delivered in one big batch. | 0:51:40 | 0:51:43 | |
People are whizzing around, criss-crossing with each other | 0:51:47 | 0:51:50 | |
and, yet, no one seems to be banging into each other. | 0:51:50 | 0:51:53 | |
That's because we train them a lot. | 0:51:53 | 0:51:56 | |
The flowers are then taken in caravans to a special loading bay. | 0:51:57 | 0:52:02 | |
Every moment is critical, so now they're loaded | 0:52:02 | 0:52:05 | |
onto the fastest electrical monorail in the world. | 0:52:05 | 0:52:09 | |
It has 18km of track, 13,000 trolleys | 0:52:09 | 0:52:13 | |
and a max speed of 180 metres a minute. | 0:52:13 | 0:52:17 | |
Engineer Adwin Sohl installed the system | 0:52:19 | 0:52:22 | |
and it's his job to make sure that it runs like clockwork. | 0:52:22 | 0:52:25 | |
-Ooh! -Be careful. | 0:52:25 | 0:52:27 | |
Oh, my gosh. | 0:52:27 | 0:52:28 | |
I'm assuming we're not allowed a ride on the shuttle? | 0:52:28 | 0:52:31 | |
-No! -OK. LAUGHTER | 0:52:31 | 0:52:33 | |
Oh, wow. Look at this! | 0:52:33 | 0:52:36 | |
'The monorail collects flowers from ten stations | 0:52:37 | 0:52:40 | |
'and carries them over a busy road, via a 500-metre bridge.' | 0:52:40 | 0:52:45 | |
How many trolleys are going across every day? | 0:52:50 | 0:52:52 | |
On a busy day like now, | 0:52:52 | 0:52:55 | |
it's about 16,000 transports a day. | 0:52:55 | 0:52:57 | |
-16,000 transports today? -Yeah. | 0:52:57 | 0:53:02 | |
Wow. | 0:53:02 | 0:53:03 | |
-SIMON: -In the buyer's warehouse at Rijnsburg Market, | 0:53:07 | 0:53:10 | |
the flowers have landed. | 0:53:10 | 0:53:11 | |
Danny Van der Meij, a former Flying Dutchman, | 0:53:15 | 0:53:17 | |
is now the UK sales manager for a big export company. | 0:53:17 | 0:53:21 | |
He's just taken delivery of some of the Kenyan roses I saw being grown. | 0:53:21 | 0:53:26 | |
Like Bart, Danny has embraced a new way of selling | 0:53:26 | 0:53:30 | |
in this rapidly changing market. | 0:53:30 | 0:53:32 | |
His company, Rijnsflowers, sell huge amounts of flowers online | 0:53:32 | 0:53:37 | |
and uploading reliable photographs | 0:53:37 | 0:53:39 | |
is crucial to the success of this business. | 0:53:39 | 0:53:42 | |
They have installed an ingenious computer system in the warehouse | 0:53:42 | 0:53:46 | |
that reads each barcode and decides how to take the best photographs | 0:53:46 | 0:53:50 | |
of each bucket of flowers. | 0:53:50 | 0:53:52 | |
-Wow. So that takes a photo... -Yes. | 0:53:53 | 0:53:56 | |
-..that then you immediately upload? -Yeah. | 0:53:56 | 0:53:59 | |
And then any florist in a flower shop throughout Europe | 0:53:59 | 0:54:03 | |
can look and access those... | 0:54:03 | 0:54:04 | |
-Throughout the world. -Throughout the world? -Yes. | 0:54:04 | 0:54:07 | |
And be buying immediately. | 0:54:07 | 0:54:09 | |
Yes. Ones that have been bought this morning at eight o'clock | 0:54:09 | 0:54:12 | |
will be in our premises at ten o'clock | 0:54:12 | 0:54:14 | |
and will be anywhere in Europe the next morning by eight o'clock. | 0:54:14 | 0:54:18 | |
CHERRY: All the flowers bought at this morning's auctions | 0:54:24 | 0:54:26 | |
are ready to be loaded up for the buyers. | 0:54:26 | 0:54:29 | |
Robert Janssen's flowers have arrived. | 0:54:31 | 0:54:33 | |
His wife, Anja, has come to help him | 0:54:34 | 0:54:37 | |
pack up his lorry before he heads off to the UK. | 0:54:37 | 0:54:40 | |
In times like this - Mother's Day, Valentine's Day - | 0:54:42 | 0:54:45 | |
he's going away today and he's back next Wednesday, I think. | 0:54:45 | 0:54:51 | |
-Gosh, that's a long time. -Yeah. | 0:54:51 | 0:54:53 | |
A normal week is leaving Sunday morning at seven, | 0:54:53 | 0:54:56 | |
driving to England, then be back, say, Tuesday evening. | 0:54:56 | 0:55:01 | |
-Yeah. -You must miss your kids so much when you're away. -Yes. -Really? | 0:55:01 | 0:55:04 | |
-Especially in the morning. -Yeah. -Oh. -"Are you going again?" | 0:55:04 | 0:55:07 | |
Yes, of course. | 0:55:07 | 0:55:09 | |
Sometimes the kids think that this is his home. | 0:55:09 | 0:55:12 | |
-They think he lives here? -Especially the little one. | 0:55:12 | 0:55:15 | |
-Really? -Yeah, yeah. | 0:55:15 | 0:55:17 | |
Now Robert has turned from buyer to seller. | 0:55:18 | 0:55:21 | |
Once he arrives in the UK, he heads to Weymouth. | 0:55:23 | 0:55:26 | |
Over the next 34 hours, he needs to sell all the flowers in his truck. | 0:55:35 | 0:55:41 | |
-Morning. -Hello. | 0:55:41 | 0:55:43 | |
Lilac stalks would be nice, a couple of lilac stalks. | 0:55:52 | 0:55:56 | |
Robert has 48 customers, spread over 300 miles | 0:55:57 | 0:56:01 | |
along the south coast of England... | 0:56:01 | 0:56:03 | |
Florists, fruit and veg shops and market traders. | 0:56:05 | 0:56:09 | |
In London, at Simon's studio, | 0:56:14 | 0:56:16 | |
his team are unloading a delivery of flowers from the Dutch markets, | 0:56:16 | 0:56:20 | |
including some Tambuzi roses. | 0:56:20 | 0:56:23 | |
Simon is using them to make some spectacular table arrangements | 0:56:23 | 0:56:27 | |
for a big charity dinner at Christie's. | 0:56:27 | 0:56:30 | |
Having seen where the flowers come from, | 0:56:30 | 0:56:34 | |
one of the things I've realised is the fact that | 0:56:34 | 0:56:36 | |
the people that grow the flowers, sell them, transport them, | 0:56:36 | 0:56:40 | |
all of them are as passionate about flowers as we are. | 0:56:40 | 0:56:44 | |
They realise the value and beauty of the product. | 0:56:44 | 0:56:47 | |
And, I mean, look at that rose. That's... | 0:56:47 | 0:56:49 | |
absolutely gorgeous. | 0:56:49 | 0:56:51 | |
Grown in Kenya, it's flown all this way, thousands of miles, | 0:56:51 | 0:56:56 | |
and it's as beautiful as if it had come from your garden. | 0:56:56 | 0:56:59 | |
And it will last for days on end. | 0:56:59 | 0:57:01 | |
Flowers knock some of the rough edges off life | 0:57:02 | 0:57:05 | |
and make it a whole lot more enjoyable for many, many people. | 0:57:05 | 0:57:08 | |
But, also, they sustain a lot of people. | 0:57:08 | 0:57:11 | |
In a 34-hour run, Robert has managed to sell everything in his lorry. | 0:57:13 | 0:57:18 | |
In two days' time, he'll be back at the auctions, | 0:57:18 | 0:57:21 | |
buying his next load of flowers. | 0:57:21 | 0:57:23 | |
There's just two hours to go before the charity dinner begins... | 0:57:26 | 0:57:29 | |
-I hate it when they do that. -What's wrong? | 0:57:29 | 0:57:32 | |
I hate it when they do that! | 0:57:32 | 0:57:34 | |
..and Simon's flower arrangements have arrived at Christie's. | 0:57:34 | 0:57:38 | |
Very happy, it's wonderful. I like to see a job coming in. | 0:57:40 | 0:57:43 | |
This is the last part of the chain, the flower chain, | 0:57:44 | 0:57:48 | |
the journey that these flowers have taken. | 0:57:48 | 0:57:50 | |
Next time you've got a bunch of flowers at home, | 0:57:51 | 0:57:53 | |
you can look at it and just think | 0:57:53 | 0:57:55 | |
how much effort has gone into producing | 0:57:55 | 0:57:57 | |
every single petal, leaf, stem and stamen. | 0:57:57 | 0:58:00 | |
It is extraordinary. | 0:58:00 | 0:58:02 | |
I've always loved flowers and all my life I've given them | 0:58:04 | 0:58:08 | |
to the people I love the most. | 0:58:08 | 0:58:10 | |
But now I realise that I had no idea | 0:58:10 | 0:58:12 | |
of the ingenuity and effort it takes to get them here. | 0:58:12 | 0:58:17 | |
There's only one person in the world that loves flowers more than I do - | 0:58:18 | 0:58:21 | |
my mum - and now I can tell her just how special these flowers are. | 0:58:21 | 0:58:26 |