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I'm Judi Dench.. | 0:00:03 | 0:00:05 | |
..and I've been an actor for 60 years. | 0:00:07 | 0:00:09 | |
But I have another passion, which may come as quite a surprise. | 0:00:10 | 0:00:14 | |
Ever since I've been a little girl, I've adored trees. | 0:00:16 | 0:00:19 | |
SOARING ORCHESTRAL MUSIC PLAYS | 0:00:23 | 0:00:25 | |
Oh, it's lovely! | 0:00:31 | 0:00:32 | |
I've even turned my six-acre garden into a secret woodland... | 0:00:34 | 0:00:38 | |
..and I think of my trees as part of my extended family. | 0:00:39 | 0:00:43 | |
But I've always suspected that there is much more to these beautiful, | 0:00:46 | 0:00:50 | |
magical giants. | 0:00:50 | 0:00:51 | |
'Now, over the course of a year, I'm going to find out how much they | 0:00:55 | 0:01:01 | |
'live, breathe, and even communicate. | 0:01:01 | 0:01:04 | |
'I'll discover how they survive the harshest winter.' | 0:01:08 | 0:01:12 | |
Isn't that just beautiful? | 0:01:12 | 0:01:14 | |
'I'll hear what's going on beneath the bark when they burst back into | 0:01:16 | 0:01:20 | |
-life in spring...' -And now we're going to place it back on the tree. | 0:01:20 | 0:01:24 | |
'How they fight back against invading hordes.' | 0:01:27 | 0:01:31 | |
My tree, doing all that work. | 0:01:31 | 0:01:34 | |
'I'll see into the heart of my beloved oak tree.' | 0:01:34 | 0:01:38 | |
SHE GASPS It's riveting! | 0:01:38 | 0:01:42 | |
'I'll discover how our woodlands shaped our history.' | 0:01:44 | 0:01:48 | |
-Oh! You're joking! -A cannonball? -A cannonball? -Yeah. -SHE GASPS | 0:01:48 | 0:01:51 | |
'I'll even find out if trees live in communities, just like us.' | 0:01:53 | 0:01:59 | |
A forest like this is a very, very social place. | 0:01:59 | 0:02:03 | |
'Do you know, there are more trees on the planet than there are stars in | 0:02:04 | 0:02:09 | |
'our galaxy? There's so much for me to discover.' | 0:02:09 | 0:02:14 | |
My life now is just trees. | 0:02:14 | 0:02:16 | |
Trees and...and champagne. | 0:02:16 | 0:02:21 | |
SHE CHUCKLES | 0:02:21 | 0:02:23 | |
Come on. | 0:02:31 | 0:02:33 | |
Whenever I can, whatever the season, this is where I escape to. | 0:02:33 | 0:02:37 | |
SHE HUMS A MELODY | 0:02:37 | 0:02:39 | |
These are the trees I've nurtured for over 30 years. | 0:02:40 | 0:02:44 | |
I started planting trees here with my actor husband Michael Williams. | 0:02:45 | 0:02:50 | |
Michael died in 2001, but even before that, | 0:02:51 | 0:02:56 | |
every time a relative or a friend died, we would plant a tree. | 0:02:56 | 0:03:01 | |
This is Jeff. This is one of my brothers. | 0:03:01 | 0:03:04 | |
This is Stephen Hanley. He was a lovely, lovely | 0:03:07 | 0:03:11 | |
actor and singer in A Little Night Music at the National, | 0:03:11 | 0:03:15 | |
and he died, and we put this in, and it's just like him. | 0:03:15 | 0:03:19 | |
He was very, very tall and kind of pale. | 0:03:19 | 0:03:21 | |
And it's lovely. | 0:03:23 | 0:03:24 | |
We've got Ian Richardson | 0:03:25 | 0:03:28 | |
and we've got Natasha Richardson. No relation. | 0:03:28 | 0:03:31 | |
Ian and I were at Stratford together, and Natasha, | 0:03:31 | 0:03:34 | |
I was at Central with Vanessa. | 0:03:34 | 0:03:36 | |
And this is Michael. | 0:03:37 | 0:03:39 | |
But this was already here | 0:03:39 | 0:03:43 | |
when Michael died, and that was 16 years ago. | 0:03:43 | 0:03:47 | |
So this is not a 16-year-old tree, | 0:03:47 | 0:03:49 | |
but it was a young tree at the time. | 0:03:49 | 0:03:51 | |
It is about remembering and it's something, for me, | 0:03:53 | 0:03:55 | |
it's something that's living, that goes on. | 0:03:55 | 0:03:58 | |
So that...it's not, you know, you don't remember them and stop. | 0:03:58 | 0:04:01 | |
You remember them and, and the | 0:04:01 | 0:04:04 | |
memory goes on and gets more wonderful. | 0:04:04 | 0:04:08 | |
SHE HUMS A MELODY | 0:04:11 | 0:04:13 | |
Now it's time for me to learn more about my beloved trees at the bottom | 0:04:13 | 0:04:18 | |
of my garden in the heart of Surrey, | 0:04:18 | 0:04:21 | |
and there's no better time to start than in the winter. | 0:04:21 | 0:04:24 | |
CROW CAWS | 0:04:31 | 0:04:33 | |
I think my trees are at their most magical at this time of the year. | 0:04:35 | 0:04:38 | |
Sleeping giants, waiting for spring to arrive. | 0:04:40 | 0:04:44 | |
Their icy beauty takes my breath away. | 0:04:45 | 0:04:48 | |
"How like a winter hath my absence been from thee, | 0:04:55 | 0:04:59 | |
"the pleasure of the fleeting year! | 0:04:59 | 0:05:01 | |
"What freezings have I felt... | 0:05:04 | 0:05:06 | |
"What dark days seen! | 0:05:08 | 0:05:10 | |
"What old December's bareness everywhere!" | 0:05:12 | 0:05:15 | |
When it's freezing outside, | 0:05:29 | 0:05:31 | |
there's nothing I like more than sitting in the | 0:05:31 | 0:05:33 | |
warmth with David. | 0:05:33 | 0:05:35 | |
David has devoted his life to nature and conservation, | 0:05:37 | 0:05:42 | |
and he shares my passion for trees. | 0:05:42 | 0:05:45 | |
So I'm going to find some quotes for you now. | 0:05:45 | 0:05:48 | |
-Right, and I'll try and spot what plays they're from. -OK. -SHE CHUCKLES | 0:05:48 | 0:05:52 | |
"Be you in the park about midnight?" | 0:05:52 | 0:05:54 | |
-This is the Merry Wives. -Well done. | 0:05:54 | 0:05:57 | |
LAUGHTER | 0:05:57 | 0:05:59 | |
We've been together now for seven years, | 0:05:59 | 0:06:01 | |
and she's just great fun to be with. | 0:06:01 | 0:06:04 | |
We've both got good senses of humour, | 0:06:04 | 0:06:06 | |
and the silliest of things gives us fits of giggles. | 0:06:06 | 0:06:09 | |
Yes. Oh, yes. | 0:06:10 | 0:06:12 | |
-"Creep into acorn cups and hide them there." -Well done. -Is that it? -Yeah. | 0:06:12 | 0:06:15 | |
LAUGHTER | 0:06:15 | 0:06:17 | |
It seems that Shakespeare knew a thing or two about trees, | 0:06:19 | 0:06:23 | |
and now it's my turn to learn more, | 0:06:23 | 0:06:26 | |
and I'm going to need some help. | 0:06:26 | 0:06:28 | |
Tony Kirkham is the head of the tree collection at Kew Gardens, | 0:06:31 | 0:06:36 | |
one of the largest in the world. | 0:06:36 | 0:06:38 | |
He's going to help me uncover the secret lives of my trees. | 0:06:39 | 0:06:42 | |
-So you want to learn more about trees, Judi? -Always, I do. | 0:06:44 | 0:06:48 | |
I'd love to know more about them. | 0:06:48 | 0:06:50 | |
You know, you...I don't know that much about them. | 0:06:50 | 0:06:53 | |
I just know I love them so much, | 0:06:53 | 0:06:54 | |
and I know you know everything that I don't know. | 0:06:54 | 0:06:57 | |
Well, I'd love to do that with you, Judi, and you | 0:06:57 | 0:07:00 | |
live in an amazing part of the world, | 0:07:00 | 0:07:02 | |
because Surrey is the most wooded county in England. | 0:07:02 | 0:07:05 | |
And so wooded, in fact, | 0:07:05 | 0:07:07 | |
that there are more deer in Surrey today than there were in Queen | 0:07:07 | 0:07:11 | |
-Elizabeth I's reign. -Good gracious! | 0:07:11 | 0:07:13 | |
And here we are in winter. I love this time of the year, | 0:07:13 | 0:07:17 | |
and it's a time when all the trees are shutting down. | 0:07:17 | 0:07:19 | |
They need to prepare themselves for winter. | 0:07:19 | 0:07:22 | |
-This is their rest period. -Get rid of the leaves and have a rest. | 0:07:22 | 0:07:25 | |
Get rid of the leaves, they know that it's going to get frosty, | 0:07:25 | 0:07:29 | |
so they have bark that acts like an insulation jacket, like a coat. | 0:07:29 | 0:07:33 | |
But some trees, like the conifers, | 0:07:35 | 0:07:38 | |
keep most of their leaves in winter. | 0:07:38 | 0:07:40 | |
There is a tree that's one of my favourite trees. | 0:07:42 | 0:07:46 | |
The yew tree. It's one of only three British native conifers in the | 0:07:46 | 0:07:50 | |
British Isles, and I love it because it's still very active in winter, | 0:07:50 | 0:07:55 | |
and it has this amazing sap | 0:07:55 | 0:07:57 | |
that will tolerate temperatures down to -35 degrees. | 0:07:57 | 0:08:01 | |
Because it has almost a built-in antifreeze in the leaves that | 0:08:01 | 0:08:06 | |
stop the leaves from freezing and allow it to keep growing. | 0:08:06 | 0:08:10 | |
What a pity I haven't got one here. | 0:08:10 | 0:08:12 | |
Well, I know a really, really good | 0:08:13 | 0:08:16 | |
yew tree, not far from here, | 0:08:16 | 0:08:19 | |
that's very old, full of character. It's a beautiful tree. | 0:08:19 | 0:08:23 | |
Oh, I'd love to see it. | 0:08:23 | 0:08:25 | |
Apparently, the yew is 140 million years old. | 0:08:29 | 0:08:34 | |
So it's Europe's most ancient tree. | 0:08:34 | 0:08:36 | |
Walking through a yew forest always feels mysterious. | 0:08:39 | 0:08:43 | |
And Tony tells me there's a good reason. | 0:08:47 | 0:08:49 | |
Their leaves are poisonous to humans, | 0:08:52 | 0:08:56 | |
and some people say they've experienced hallucinations | 0:08:56 | 0:09:00 | |
amongst these magical trees. | 0:09:00 | 0:09:02 | |
To show me one of these wonderful yews, | 0:09:13 | 0:09:15 | |
Tony's brought me to a local churchyard. | 0:09:15 | 0:09:18 | |
So...it's a lovely church, isn't it? | 0:09:19 | 0:09:23 | |
Yews are often found beside old churches. | 0:09:26 | 0:09:29 | |
So, Judi, I've brought you here to see this, this tree, | 0:09:31 | 0:09:34 | |
-which is a favourite of mine in Surrey. -Oh, my word! | 0:09:34 | 0:09:38 | |
-How ever old is it?! -It's probably 1,500 years old. | 0:09:41 | 0:09:45 | |
It's so ancient, it only grows at a 100th of an inch a year, | 0:09:46 | 0:09:51 | |
but it has a girth of more than 30 feet. | 0:09:51 | 0:09:54 | |
So it's seen quite a lot of activities. | 0:09:57 | 0:10:00 | |
-With a little door to the side. -Incredible! -You've got to touch it. | 0:10:00 | 0:10:03 | |
Oh! | 0:10:03 | 0:10:06 | |
-Look at this little gate! -And it's hollow inside. | 0:10:06 | 0:10:08 | |
-If you go around the side, you can see in, and... -How beautiful! | 0:10:08 | 0:10:11 | |
-Shall we go round this side? -Yeah, yeah. -Oh, how fantastic! | 0:10:11 | 0:10:16 | |
And it still shows the form of yew, of the old yew, you know. | 0:10:16 | 0:10:21 | |
Look at the old bark there. This is all living. | 0:10:21 | 0:10:24 | |
SHE GASPS | 0:10:24 | 0:10:26 | |
Around 1820, I think it was hollowed out by the landlord of the | 0:10:28 | 0:10:32 | |
local pub, so he could get some chairs in here, and a table. | 0:10:32 | 0:10:36 | |
When they hollowed it out, this is what they found in it. | 0:10:36 | 0:10:39 | |
-Oh! You're joking. A cannonball? -It's a cannonball. -Oh, my goodness! | 0:10:39 | 0:10:44 | |
Probably from the Civil War. | 0:10:44 | 0:10:47 | |
-It must be. -Lodged, lodged in, you know, in one of these holes. | 0:10:47 | 0:10:50 | |
-Isn't that amazing? -Good gracious! That's so heavy. | 0:10:50 | 0:10:53 | |
SHE GASPS | 0:10:53 | 0:10:55 | |
Most people assume that the yew was planted by the church. | 0:10:55 | 0:10:59 | |
-Yes, I did. -Well, actually, the church was built by the yew. | 0:10:59 | 0:11:03 | |
-Oh, right. -So the old yew's like this, so this predates the church, | 0:11:03 | 0:11:07 | |
and this was a revered tree by the Druids and the pagans. | 0:11:07 | 0:11:11 | |
So they would come and worship this tree, because it was a sign of | 0:11:11 | 0:11:14 | |
-longevity, prosperity. -Well, you can see, can't you? -Yeah. | 0:11:14 | 0:11:17 | |
Already, I've learned so much. | 0:11:22 | 0:11:24 | |
Trees live on a completely different timescale to us. | 0:11:26 | 0:11:29 | |
I'm told the oldest tree in the world is over 5,000 years old. | 0:11:31 | 0:11:36 | |
Now, having met Tony, | 0:11:39 | 0:11:41 | |
there's somebody who knows about trees, absolutely. | 0:11:41 | 0:11:44 | |
So all those things that you kind of suppose you know, and you think, | 0:11:44 | 0:11:47 | |
you know, I'm going to get them all answered, properly, now, | 0:11:47 | 0:11:50 | |
and told about it. And I shall give up acting and lecture on trees, | 0:11:50 | 0:11:55 | |
I expect. Quite soon...probably. SHE CHUCKLES | 0:11:55 | 0:11:59 | |
I love that moment when you realise that winter is coming to an end and | 0:12:13 | 0:12:18 | |
spring is bursting through. | 0:12:18 | 0:12:20 | |
LIVELY ORCHESTRAL MUSIC PLAYS | 0:12:22 | 0:12:26 | |
Dormice sense the leaves around them are warming up, | 0:12:30 | 0:12:34 | |
and open their eyes for the first time in months. | 0:12:34 | 0:12:39 | |
Along with bats and hedgehogs, | 0:12:39 | 0:12:41 | |
these little creatures are the only British animals that hibernate. | 0:12:41 | 0:12:45 | |
And, for me, a sure sign of spring | 0:12:49 | 0:12:51 | |
is when I see thousands of wood ants | 0:12:51 | 0:12:54 | |
building their huge nests. | 0:12:54 | 0:12:56 | |
But I want to know what's happening | 0:12:59 | 0:13:02 | |
to my trees in the spring. | 0:13:02 | 0:13:04 | |
How are they preparing for the longer, warmer days? | 0:13:04 | 0:13:07 | |
I'm meeting Alex Metcalf, in Nower Wood in Surrey. | 0:13:10 | 0:13:15 | |
He wants to show me what's going on under a tree's skin in spring. | 0:13:15 | 0:13:20 | |
When you're thinking about spring, | 0:13:23 | 0:13:25 | |
this is the kind of day you imagine. | 0:13:25 | 0:13:28 | |
Look at that. Isn't that wonderful? | 0:13:29 | 0:13:32 | |
Alex has brought an ingenious invention of his. | 0:13:34 | 0:13:37 | |
So we're going to have a look at this sweet chest up here. | 0:13:38 | 0:13:41 | |
-Let's step very carefully round the bluebells. -Yep. | 0:13:41 | 0:13:44 | |
Oh! Oh. | 0:13:44 | 0:13:47 | |
-Oh. -Fantastic, beautiful old tree. -Beautiful. | 0:13:47 | 0:13:51 | |
So what I wanted to show you is this device here, | 0:13:54 | 0:13:58 | |
that allows us to explore a bit more | 0:13:58 | 0:14:01 | |
-about what's going on just behind the bark here. -What is that? | 0:14:01 | 0:14:05 | |
-So, this is... -A microphone, called a tree microphone? SHE CHUCKLES | 0:14:05 | 0:14:10 | |
This is a tree-listening device, | 0:14:10 | 0:14:11 | |
and it allows us to hear what's going on just behind the bark. | 0:14:11 | 0:14:15 | |
-OK. -So, can you hear anything? | 0:14:17 | 0:14:20 | |
FAINT RUMBLING | 0:14:20 | 0:14:22 | |
-Can you hear anything? -I can hear very faintly. -So, there's a... | 0:14:22 | 0:14:25 | |
-There's a deep rumble there. -Like a... Yes, I can hear... | 0:14:25 | 0:14:28 | |
Yeah. So that's the, that's the inner workings of the tree, | 0:14:28 | 0:14:31 | |
-so that's the tree vibrating. -Oh, I say! | 0:14:31 | 0:14:35 | |
But Alex has another magic trick in his box, | 0:14:36 | 0:14:39 | |
-to help me hear even more. -All right. | 0:14:39 | 0:14:43 | |
-So now I'm going to plug it into here. -Mm-hmm. | 0:14:43 | 0:14:45 | |
So I can give you those headphones. | 0:14:49 | 0:14:51 | |
And now we're going to place it back on the tree... | 0:14:53 | 0:14:56 | |
RUMBLING | 0:14:56 | 0:14:58 | |
So now we can hear more clearly, | 0:15:01 | 0:15:05 | |
there's just the rumbling sound. | 0:15:05 | 0:15:07 | |
Oh, yes, very, very clearly! | 0:15:07 | 0:15:08 | |
Can you hear anything else in the background to the rumble? | 0:15:08 | 0:15:12 | |
Every now and again, a little blip. | 0:15:17 | 0:15:21 | |
-Like a little popping sound? -Yes. -Yes. | 0:15:21 | 0:15:24 | |
-So that little popping sound is... -SHE GASPS | 0:15:24 | 0:15:26 | |
..that little popping sound is the sound of the water travelling up | 0:15:26 | 0:15:31 | |
from the roots, all the way through | 0:15:31 | 0:15:34 | |
the thousands of tiny little tubes, called xylem tubes, | 0:15:34 | 0:15:38 | |
just behind the bark, as the water goes up to the leaves. | 0:15:38 | 0:15:41 | |
The tree, like this, will drink | 0:15:44 | 0:15:47 | |
around 200 litres of water a day. | 0:15:47 | 0:15:51 | |
So that's equivalent of, say, two full baths full of water. | 0:15:51 | 0:15:55 | |
So there's a huge amount of water travelling up inside this tree. | 0:15:55 | 0:16:01 | |
Well! | 0:16:01 | 0:16:02 | |
Oh, it's riveting! It's wonderful! | 0:16:06 | 0:16:09 | |
So, trees get thirsty, just like us. | 0:16:12 | 0:16:15 | |
And when we know how to listen to trees, | 0:16:17 | 0:16:20 | |
we can hear them quenching their thirst. | 0:16:20 | 0:16:23 | |
RUMBLING | 0:16:23 | 0:16:26 | |
"From you I have been absent in the spring, | 0:16:31 | 0:16:34 | |
"when proud-pied April, dressed in all his trim, | 0:16:34 | 0:16:38 | |
"hath put a spirit of youth in everything." | 0:16:38 | 0:16:41 | |
Now I've heard the rush of water surging up under the bark, | 0:16:45 | 0:16:49 | |
I know they're fully awake and ready for action. | 0:16:49 | 0:16:52 | |
But I've also noticed that spring is when they start attracting the wrong | 0:16:55 | 0:17:00 | |
sort of attention. | 0:17:00 | 0:17:02 | |
I'm taking Tony to look at one of my favourite trees - | 0:17:04 | 0:17:07 | |
a young oak that Michael and I, and our daughter Finty, | 0:17:07 | 0:17:11 | |
planted for my grandson, Sammy. | 0:17:11 | 0:17:13 | |
But, unfortunately, it's looking a bit frayed at the edges. | 0:17:15 | 0:17:19 | |
-Is it all right? -There's some feeding damage here. | 0:17:21 | 0:17:23 | |
-Somebody munching away. -This is just a caterpillar munching away on them, | 0:17:23 | 0:17:27 | |
-by the looks of things. -Just the end of it? | 0:17:27 | 0:17:28 | |
Yeah, and can you see how they've gone between... | 0:17:28 | 0:17:31 | |
They've left the midrib, which is like, if you imagine a cabbage, | 0:17:31 | 0:17:34 | |
and you eat, you prefer the bit in between the... | 0:17:34 | 0:17:36 | |
-So you eat round it? -..the thick bits, they... -Choosy. -They're choosy, very choosy, yeah. | 0:17:36 | 0:17:41 | |
-They go for the softer pieces... -Yes, look at that. -..which are probably more tasty. | 0:17:41 | 0:17:46 | |
I wonder if my tree can feel anything when there's a | 0:17:46 | 0:17:49 | |
caterpillar invasion, and also, | 0:17:49 | 0:17:51 | |
can it do anything about it? | 0:17:51 | 0:17:53 | |
There's so much more going on in trees than I'd ever imagined, | 0:18:01 | 0:18:05 | |
so I suspect my tree might be able | 0:18:05 | 0:18:07 | |
to sense when it's under attack. | 0:18:07 | 0:18:09 | |
Tony thinks Oxford University scientist Kristiina Visakorpi | 0:18:12 | 0:18:17 | |
can help to solve the mystery. | 0:18:17 | 0:18:19 | |
-So this is your office? -Yeah. -What an incredible structure. | 0:18:19 | 0:18:24 | |
-Yeah. -In the middle of the woods, in the middle of nowhere. | 0:18:24 | 0:18:27 | |
Right, then. | 0:18:27 | 0:18:28 | |
Right, Kristiina. Is it one on the, the one on the ladder at a time? | 0:18:30 | 0:18:33 | |
Yeah, one at a time, so if you go first, then I'll... | 0:18:33 | 0:18:36 | |
You'd never believe this beautiful treetop office | 0:18:36 | 0:18:39 | |
-is just outside Oxford, in Wytham Woods. -Wow! | 0:18:39 | 0:18:42 | |
This is absolutely amazing! | 0:18:43 | 0:18:45 | |
It's like an elfin forest, but we're in the top of the canopy. | 0:18:53 | 0:18:59 | |
It's...Tolkein-like. | 0:19:02 | 0:19:05 | |
This 40-foot-high walkway is where Kristiina is exploring | 0:19:10 | 0:19:16 | |
whether a tree can sense when it's under attack. | 0:19:16 | 0:19:18 | |
So we're looking for a leaf with damage on, Kristiina. | 0:19:20 | 0:19:23 | |
-Oh, there you go. There, there, look. -Oh, yeah! | 0:19:24 | 0:19:27 | |
Kristiina's machine works by measuring photosynthesis - | 0:19:27 | 0:19:31 | |
the amount of carbon dioxide that the leaf is breathing in. | 0:19:31 | 0:19:36 | |
And if the damaged leaf slows down its breathing, | 0:19:38 | 0:19:41 | |
Kristiina's machine will pick it up. | 0:19:41 | 0:19:43 | |
We can have a look of the, of the actual rate from this monitor here. | 0:19:46 | 0:19:51 | |
Not sure if you can see, | 0:19:53 | 0:19:56 | |
but right here it's recording how much the leaf is taking. | 0:19:56 | 0:20:00 | |
-And how much is that? -How much... That's quite a low number. | 0:20:00 | 0:20:04 | |
Leaves that are eaten by these caterpillars, | 0:20:04 | 0:20:06 | |
they drop their photosynthetic rate, and what I find really | 0:20:06 | 0:20:09 | |
interesting is that this effect also spreads to the surrounding leaves, | 0:20:09 | 0:20:13 | |
so even if the caterpillar is just eating one leaf, | 0:20:13 | 0:20:17 | |
I can see the same effect in those leaves surrounding that one leaf. | 0:20:17 | 0:20:21 | |
So the tree is talking to itself... | 0:20:21 | 0:20:24 | |
-Yes. -..and sending signals from the damaged leaf to the other leaves, | 0:20:24 | 0:20:28 | |
to beware, insects about. | 0:20:28 | 0:20:30 | |
So, Sammy's oak does sense an insect attack, | 0:20:34 | 0:20:39 | |
and Tony says some trees can take | 0:20:39 | 0:20:41 | |
defending themselves a step further. | 0:20:41 | 0:20:44 | |
They fight back. | 0:20:44 | 0:20:46 | |
So there is some tree species, like the common beech, | 0:20:47 | 0:20:50 | |
and she can sense when roe deer are grazing on her, | 0:20:50 | 0:20:55 | |
from the saliva from the roe deer... | 0:20:55 | 0:20:57 | |
-Really? -..and very quickly can increase the tannin levels in the | 0:20:57 | 0:21:02 | |
leaves, so the leaf tastes very bitter and sour to the taste, | 0:21:02 | 0:21:07 | |
which means the roe deer stops grazing on them. | 0:21:07 | 0:21:10 | |
What's more, Tony tells me that when some trees are overwhelmed by an | 0:21:10 | 0:21:14 | |
attack, they can call in outside help. | 0:21:14 | 0:21:17 | |
This is a pine forest, and pines | 0:21:20 | 0:21:22 | |
often come under attack from aphids... | 0:21:22 | 0:21:25 | |
-Oh! -Hmm. | 0:21:25 | 0:21:27 | |
..that can multiply at an incredible rate. | 0:21:27 | 0:21:31 | |
So a single aphid, in a year, could | 0:21:31 | 0:21:34 | |
give rise to around 600 billion aphids. | 0:21:34 | 0:21:39 | |
-600 billion? -600 billion. | 0:21:39 | 0:21:41 | |
-You know they're up to no good, don't you? -You do. | 0:21:41 | 0:21:44 | |
Tony has had a graphic made, | 0:21:46 | 0:21:48 | |
to show how trees fight back against the aphids. | 0:21:48 | 0:21:51 | |
The trees are under attack from aphids, so what the tree can do... | 0:21:52 | 0:21:56 | |
It needs help, it needs to bring in the cavalry, | 0:21:56 | 0:21:59 | |
and this is an invisible cloud that the trees are sending out. | 0:21:59 | 0:22:03 | |
Apparently, the cloud is a strong perfume. | 0:22:03 | 0:22:07 | |
The tree releases it when it's under attack, | 0:22:07 | 0:22:10 | |
and it attracts a mini superhero. | 0:22:10 | 0:22:13 | |
And the ladybird can smell this cloud. | 0:22:13 | 0:22:17 | |
It can sense this cloud and it knows that there is food there. | 0:22:17 | 0:22:21 | |
You know, they are launching off. | 0:22:21 | 0:22:23 | |
Flying away to the pine, to feed on the aphids. | 0:22:24 | 0:22:28 | |
So, ladybirds are as sensitive to that cloud emitted by the pine | 0:22:28 | 0:22:33 | |
as that to a shark to the smell of blood in the sea. | 0:22:33 | 0:22:38 | |
-It's wonderful that nature's got an answer to all the problems, isn't it? -It's quite reassuring. | 0:22:40 | 0:22:45 | |
It's very reassuring, yes. | 0:22:45 | 0:22:47 | |
It's only when we come along, as man, and mess it all up. | 0:22:47 | 0:22:50 | |
-Mess the system up, yes. -Yeah. -True. -So we've got to protect... | 0:22:50 | 0:22:54 | |
-Indeed, definitely. -..our fauna. | 0:22:54 | 0:22:56 | |
So, not all insects are harmful to trees. | 0:23:13 | 0:23:17 | |
For some trees, it's quite the opposite. | 0:23:17 | 0:23:20 | |
This is the orchard close to my house. | 0:23:22 | 0:23:24 | |
It's just gorgeous at this time of year, | 0:23:26 | 0:23:28 | |
when the blossom is out and it's buzzing with insects. | 0:23:28 | 0:23:31 | |
-Well, they all look very healthy, don't they? -They certainly do. -They're wonderful. | 0:23:33 | 0:23:37 | |
-That's wonderful. That's beautiful. -It's beautiful, isn't it? | 0:23:37 | 0:23:40 | |
-Actually, if you smell it... -I thought I could smell something, I thought I could. | 0:23:41 | 0:23:46 | |
I'm told that bees will travel | 0:23:46 | 0:23:49 | |
six miles to get to flowers like these. | 0:23:49 | 0:23:52 | |
They're after the nectar, but as they drink, | 0:23:52 | 0:23:56 | |
pollen brushes onto their backs. | 0:23:56 | 0:23:58 | |
And when the bee visits another tree, | 0:24:01 | 0:24:04 | |
the pollen drops off and the flower is fertilised. | 0:24:04 | 0:24:08 | |
-Here we are. -Oh, look, how wonderful! | 0:24:08 | 0:24:12 | |
How wonderful is that? | 0:24:12 | 0:24:13 | |
But if you look underneath, you see you've got little, tiny | 0:24:13 | 0:24:17 | |
-pears just developing. -Well, I look forward to the pears. | 0:24:17 | 0:24:20 | |
But all pollinated by insects. | 0:24:20 | 0:24:23 | |
Yes. The bees, the bees. | 0:24:23 | 0:24:25 | |
But trees are so clever, some have | 0:24:30 | 0:24:33 | |
evolved other ways to pollinate. | 0:24:33 | 0:24:36 | |
Since they can't move, they use something that can. | 0:24:36 | 0:24:40 | |
The wind. | 0:24:40 | 0:24:41 | |
One of them is the Scots pine. | 0:24:43 | 0:24:46 | |
In spring, it releases thousands of tiny pollen grains into the air. | 0:24:46 | 0:24:51 | |
The grains can travel 100 miles on | 0:25:02 | 0:25:05 | |
the wind, until some of them land on | 0:25:05 | 0:25:08 | |
these little flowers. | 0:25:08 | 0:25:10 | |
Sometimes they even form vast pollen clouds, | 0:25:16 | 0:25:20 | |
like this one above a yew forest. | 0:25:20 | 0:25:23 | |
These clouds can be so dense they've been mistaken for forest fires. | 0:25:25 | 0:25:30 | |
And, a few months later, | 0:25:34 | 0:25:36 | |
these fertilised flowers will become pine cones, containing tiny seeds | 0:25:36 | 0:25:42 | |
which float off in the breeze. | 0:25:42 | 0:25:44 | |
But the fruit of many trees is too heavy to be carried on the wind. | 0:25:47 | 0:25:52 | |
They need a friendly courier to find them the perfect spot to germinate. | 0:25:52 | 0:25:57 | |
David has brought me to his wildlife centre, | 0:26:01 | 0:26:04 | |
to show me the ideal messenger. | 0:26:04 | 0:26:06 | |
It's one of his favourite animals. | 0:26:06 | 0:26:08 | |
HE CLICKS HIS FINGERS | 0:26:08 | 0:26:10 | |
-He'll come. -He's passionate about saving these endangered creatures. | 0:26:10 | 0:26:15 | |
-Here he comes. -There you are. | 0:26:15 | 0:26:17 | |
These little bits, then he'll sit and eat it. | 0:26:20 | 0:26:22 | |
If you give him a whole nut, he'll just take it away. | 0:26:23 | 0:26:26 | |
Look at those ears. Look at how lovely he is. | 0:26:26 | 0:26:29 | |
Very, very good manners. | 0:26:29 | 0:26:32 | |
The red squirrel population has shrunk by 90% since grey squirrels | 0:26:32 | 0:26:38 | |
were introduced nearly 150 years ago. | 0:26:38 | 0:26:41 | |
So David is helping to reintroduce them around Britain. | 0:26:42 | 0:26:45 | |
All squirrels are important to how trees spread their seeds. | 0:26:47 | 0:26:51 | |
Very, very pretty to look at. | 0:26:52 | 0:26:54 | |
And those wonderful tufts at the end of their ears, | 0:26:54 | 0:26:57 | |
and the way they keep their balance with the tail. | 0:26:57 | 0:27:00 | |
Like grey squirrels, they gather the nuts and bury them for the winter, | 0:27:00 | 0:27:06 | |
but they don't have the best memory. | 0:27:06 | 0:27:08 | |
They get food, they bury it, | 0:27:09 | 0:27:12 | |
and then they forget where it is. | 0:27:12 | 0:27:14 | |
So you get a plant, you get a tree. | 0:27:14 | 0:27:16 | |
What could be better than that? | 0:27:17 | 0:27:19 | |
It's been a wonderful spring, | 0:27:33 | 0:27:36 | |
but now the days are getting longer and warmer, | 0:27:36 | 0:27:40 | |
and I can't wait to find out what happens next with my trees. | 0:27:40 | 0:27:43 | |
GENTLE PIANO MUSIC PLAYS | 0:27:50 | 0:27:53 | |
BEE BUZZES | 0:27:58 | 0:28:02 | |
This is the time of year I love most. | 0:28:02 | 0:28:04 | |
I just adore it. | 0:28:04 | 0:28:07 | |
At the heart of my garden, stands this incredible oak. | 0:28:09 | 0:28:13 | |
It towers over everything else, and it's one of my favourite trees. | 0:28:17 | 0:28:21 | |
I've asked Tony if we can uncover some of its secrets, | 0:28:24 | 0:28:28 | |
and we're going to start by working out its age. | 0:28:28 | 0:28:31 | |
So, Judi, shall we measure your tree and see roughly how old it is? | 0:28:33 | 0:28:37 | |
-Look at it! -Isn't it magnificent? | 0:28:37 | 0:28:40 | |
Oh, it's lovely! | 0:28:40 | 0:28:42 | |
-It's.. -Got to give them a pat. Let them know you're here. | 0:28:42 | 0:28:45 | |
-I quite agree. -Yeah. A rough guide is, if we measure the circumference | 0:28:45 | 0:28:50 | |
-at breast height... -Yeah. | 0:28:50 | 0:28:53 | |
..and a good guide is, for every inch, is a year. | 0:28:53 | 0:28:56 | |
-Well, we have to do that! -Well, I've got some string. -Oh, that's convenient! | 0:28:58 | 0:29:02 | |
-AndI hope it's going to be long enough, because it's a big tree. And we'll, we'll measure it. -OK. | 0:29:02 | 0:29:06 | |
-So, if I give you that... -How are you going to get round? | 0:29:06 | 0:29:09 | |
-I'm going to, I'm going to go this way... -Are you? SHE CHUCKLES | 0:29:09 | 0:29:12 | |
..and if you can hold it in one spot... | 0:29:12 | 0:29:15 | |
-Yeah. -..and then, and I'll thread this through. I'll be back... | 0:29:15 | 0:29:18 | |
I'll be back in about a week. THEY LAUGH | 0:29:18 | 0:29:21 | |
OK. | 0:29:24 | 0:29:25 | |
If you hand me that, I can take it. | 0:29:27 | 0:29:29 | |
-Yeah. -Are you all right? -Yeah. -OK. Here we are. | 0:29:31 | 0:29:37 | |
-Here we are. -OK. Good. So, now... | 0:29:39 | 0:29:43 | |
we need to measure... | 0:29:43 | 0:29:45 | |
-That. -..this piece of string. | 0:29:45 | 0:29:47 | |
One yard. | 0:29:53 | 0:29:54 | |
Two yards. | 0:29:55 | 0:29:57 | |
Three yards. | 0:29:58 | 0:29:59 | |
Four yards. | 0:30:01 | 0:30:02 | |
Where's the...? | 0:30:03 | 0:30:06 | |
Five yards and... | 0:30:06 | 0:30:08 | |
18 inches? | 0:30:08 | 0:30:10 | |
I should think. | 0:30:10 | 0:30:12 | |
So, five times 36... | 0:30:12 | 0:30:16 | |
-SHE CHUCKLES -Get the calculator out. | 0:30:16 | 0:30:20 | |
Obviously, maths isn't Tony's strong point, | 0:30:20 | 0:30:24 | |
-or mine. -Right. Five times 36... | 0:30:24 | 0:30:28 | |
-15... -..plus 18.. | 0:30:28 | 0:30:31 | |
is 198. So it's 200 years old. | 0:30:33 | 0:30:36 | |
Oh. Good for him. | 0:30:39 | 0:30:42 | |
What a lovely thing to find out. | 0:30:42 | 0:30:44 | |
My oak might just have started growing when Wellington won the | 0:30:46 | 0:30:51 | |
Battle of Waterloo in 1815. | 0:30:51 | 0:30:53 | |
But finding out its age is just the beginning. | 0:30:56 | 0:31:00 | |
I want to know what other secrets my oak holds at this time of year. | 0:31:00 | 0:31:04 | |
Tony has invited Doctor Matt Disney to my garden, to reveal some of my | 0:31:08 | 0:31:13 | |
oak's summer secrets. | 0:31:13 | 0:31:15 | |
He scans trees all over the world to explore exactly how they help the | 0:31:17 | 0:31:23 | |
planet, and he's made me a | 0:31:23 | 0:31:26 | |
three-dimensional model of my garden. | 0:31:26 | 0:31:28 | |
SHE GASPS | 0:31:28 | 0:31:30 | |
So we come through the gate and come into the clearing. | 0:31:34 | 0:31:37 | |
Oh, look! The pavilion. | 0:31:37 | 0:31:39 | |
So we have the summer house here | 0:31:39 | 0:31:41 | |
and all the other trees around the outside... | 0:31:41 | 0:31:44 | |
And the oak... | 0:31:44 | 0:31:45 | |
..and you can see your oak through the clearing there. | 0:31:45 | 0:31:48 | |
So we've stripped away all the other trees | 0:31:48 | 0:31:51 | |
from our three-dimensional picture... | 0:31:51 | 0:31:53 | |
..and we're left with your splendid oak here. | 0:31:55 | 0:31:58 | |
Oh! | 0:31:58 | 0:32:00 | |
So, one of the things that we can do is we can estimate how many leaves | 0:32:00 | 0:32:04 | |
there are on your tree. Would you like to have a guess? | 0:32:04 | 0:32:07 | |
I couldn't begin to guess. | 0:32:07 | 0:32:09 | |
So we reckon there are about | 0:32:09 | 0:32:11 | |
260,000 leaves on your tree, | 0:32:11 | 0:32:15 | |
so that's about three tennis courts' worth of leaf area. | 0:32:15 | 0:32:18 | |
I'm told that all those leaves are helping the tree to breathe in more | 0:32:19 | 0:32:23 | |
carbon dioxide, which it will then use to grow more branches. | 0:32:23 | 0:32:28 | |
So, the other thing we can do, | 0:32:30 | 0:32:32 | |
we can measure how long the branches are on your tree. | 0:32:32 | 0:32:35 | |
So, over the course of our work, over the last few years, we've been | 0:32:38 | 0:32:42 | |
all across the tropics, and we've scanned somewhere between | 0:32:42 | 0:32:45 | |
10,000 and 15,000 trees in total, | 0:32:45 | 0:32:47 | |
and so far we've found trees that are a lot taller. | 0:32:47 | 0:32:49 | |
One of the biggest trees we found was in Ghana, | 0:32:49 | 0:32:52 | |
and that tree had nearly 9km of branches, | 0:32:52 | 0:32:55 | |
and when we saw that, we thought, "Wow, that's amazing! | 0:32:55 | 0:32:58 | |
"9km of branches!" | 0:32:58 | 0:33:00 | |
Your tree's bigger than that. | 0:33:02 | 0:33:04 | |
-Of course it is. -Your tree has 12km of branches in it. | 0:33:04 | 0:33:09 | |
A prize tree. | 0:33:16 | 0:33:18 | |
-Indeed. So far, that's our longest-branched tree. -Really? | 0:33:18 | 0:33:22 | |
Is it? SHE GASPS | 0:33:22 | 0:33:25 | |
I'm very, very proud of it. | 0:33:27 | 0:33:29 | |
All those branches! | 0:33:33 | 0:33:35 | |
My oak must be a very healthy tree. | 0:33:35 | 0:33:37 | |
And, in 200 years, my tree must have breathed in a lot of carbon dioxide. | 0:33:39 | 0:33:44 | |
Just the wood alone weighs about 25 tonnes, | 0:33:45 | 0:33:48 | |
so that's how much carbon is stored in your tree there. | 0:33:48 | 0:33:51 | |
So, by hoovering up all that harmful carbon dioxide in the summer, | 0:33:53 | 0:33:58 | |
my oak must be helping the planet. | 0:33:58 | 0:34:00 | |
Matt wants to show me this map of the world. | 0:34:02 | 0:34:05 | |
We're looking at how the levels of carbon dioxide, seen in red, | 0:34:07 | 0:34:11 | |
change over the seasons. | 0:34:11 | 0:34:12 | |
So, in winter, the photosynthesis slows down, | 0:34:14 | 0:34:17 | |
and the levels of CO2 in the atmosphere go up. | 0:34:17 | 0:34:19 | |
So here we are, coming towards summer, and you'll see the levels of | 0:34:20 | 0:34:24 | |
CO2 in the atmosphere, in the northern hemisphere, start going | 0:34:24 | 0:34:27 | |
down as the trees start drawing down that CO2 from the atmosphere. | 0:34:27 | 0:34:31 | |
So, Matt, you can tell me absolutely, finally, | 0:34:33 | 0:34:37 | |
that my tree is helping the planet. | 0:34:37 | 0:34:40 | |
-Absolutely. -It's riveting! | 0:34:40 | 0:34:43 | |
It's riveting, isn't it? SHE GASPS | 0:34:46 | 0:34:49 | |
I would like that there forever, just that picture of it. | 0:34:50 | 0:34:54 | |
Very, very proud of my tree, doing all that work, and here am I, going | 0:35:03 | 0:35:08 | |
about, thinking I'm so hard worked and everything. | 0:35:08 | 0:35:11 | |
Look what it's doing, my oak in the garden. | 0:35:11 | 0:35:14 | |
And all the others, actually. Don't want them to feel left out. | 0:35:14 | 0:35:18 | |
"Shall I compare thee to a summer's day? | 0:35:32 | 0:35:36 | |
"Thou art more lovely and more temperate. | 0:35:36 | 0:35:38 | |
"Rough winds do shake the darling buds of May, | 0:35:40 | 0:35:43 | |
"and summer's lease hath all too short a date. | 0:35:43 | 0:35:46 | |
"Sometime, too hot the eye of heaven shines... | 0:35:49 | 0:35:52 | |
"..and often is his gold complexion dimmed... | 0:35:54 | 0:35:57 | |
"..and every fair from fair sometime declines, | 0:35:58 | 0:36:03 | |
"by chance or nature's changing course, untrimm'd." | 0:36:03 | 0:36:07 | |
My other passion is Shakespeare. | 0:36:12 | 0:36:15 | |
In 60 years, I've been in over 30 of his plays, | 0:36:15 | 0:36:19 | |
many of which involve woodland and nature. | 0:36:19 | 0:36:22 | |
Tony's heading off to explore how | 0:36:27 | 0:36:30 | |
trees like mine shaped Shakespeare's | 0:36:30 | 0:36:32 | |
world, and I want to examine how | 0:36:32 | 0:36:35 | |
they feature in his plays. | 0:36:35 | 0:36:37 | |
Since I was really a little, little girl, | 0:36:38 | 0:36:41 | |
and was taken just to see my brothers in Shakespeare, | 0:36:41 | 0:36:44 | |
at St Peter's School in York, | 0:36:44 | 0:36:46 | |
that's all I ever wanted to do, was to be in those plays, | 0:36:46 | 0:36:49 | |
and learn as much as I could about them and about him. | 0:36:49 | 0:36:53 | |
I am on Box Hill in Surrey, brushing up on my knowledge, | 0:36:54 | 0:36:59 | |
with Shakespeare expert Dr Charlotte Scott. | 0:36:59 | 0:37:02 | |
One of the things I think that's unique about Shakespeare is that he | 0:37:04 | 0:37:08 | |
was brought up in a rural environment, | 0:37:08 | 0:37:10 | |
but actually made his living in an urban environment. | 0:37:10 | 0:37:13 | |
So he's one of the few playwrights, I think, of his generation who | 0:37:13 | 0:37:17 | |
actually could bring that kind of local rural knowledge... | 0:37:17 | 0:37:20 | |
-Exactly, yes, yes. -..to the kind of city landscape. | 0:37:20 | 0:37:23 | |
So, tell me, what was the first Shakespeare part | 0:37:23 | 0:37:26 | |
that you ever played? | 0:37:26 | 0:37:27 | |
-Ophelia. -Ophelia. -Not many trees in Hamlet. | 0:37:27 | 0:37:30 | |
-No, not enough trees. -Not enough trees in Hamlet. THEY LAUGH | 0:37:30 | 0:37:33 | |
We did a production of As You Like It at the Vic in about 1958, | 0:37:33 | 0:37:37 | |
and Alec McCann played Touchstone, simply wonderfully. | 0:37:37 | 0:37:41 | |
And, you know, that line, "So this is the Forest of Arden," | 0:37:41 | 0:37:45 | |
and I remember he came in and said, | 0:37:45 | 0:37:47 | |
"So THIS...is the Forest of Arden." | 0:37:47 | 0:37:50 | |
It used to get the most marvellous laugh. | 0:37:50 | 0:37:52 | |
-LAUGHTER -Massive disappointment. | 0:37:52 | 0:37:55 | |
Often, Shakespeare's woods are full of menace and magic. | 0:37:56 | 0:37:59 | |
But Charlotte reminds me that they're also full of romance. | 0:38:01 | 0:38:05 | |
Cos, of course you'll remember in As You Like It, | 0:38:06 | 0:38:08 | |
the trees were so central, not only to the entire action of the play, | 0:38:08 | 0:38:12 | |
but also to the way in which Orlando | 0:38:12 | 0:38:15 | |
communicates his love for Rosalind. | 0:38:15 | 0:38:19 | |
-I think he pinned them up on the trees, doesn't he? -He does, he does. | 0:38:19 | 0:38:23 | |
-Exactly. He pins up love letters. -Writes them up and pins up love letters. | 0:38:23 | 0:38:26 | |
And it turns out that these love messages | 0:38:27 | 0:38:30 | |
are still to be found today. | 0:38:30 | 0:38:32 | |
So these are called arborglyphs, and they have an ancient and very, very | 0:38:33 | 0:38:37 | |
long history of tree-carving as forms of communication, but also, | 0:38:37 | 0:38:41 | |
-I think, as pictorial symbols, as... -What did you say it was called? | 0:38:41 | 0:38:45 | |
-Arborglyphs. -Arborglyphs. -Mmm. | 0:38:45 | 0:38:48 | |
Oh, that's wonderful! | 0:38:48 | 0:38:50 | |
It is, yeah. And an ancient, ancient art that was practised, | 0:38:50 | 0:38:53 | |
I think, for thousands of years in terms of, not only, as we said, | 0:38:53 | 0:38:57 | |
messages, but also artworks, | 0:38:57 | 0:39:00 | |
you know, notes, sort of forms of reminders. | 0:39:00 | 0:39:04 | |
Much nicer than just signing your name on a, you know, | 0:39:04 | 0:39:08 | |
on a bit of the Tower of London. | 0:39:08 | 0:39:10 | |
That's it. Sort of an early tattoo, isn't it? | 0:39:10 | 0:39:12 | |
-Yes, I suppose it is. -And you wonder if these tell stories of people | 0:39:12 | 0:39:16 | |
who were married or, you know, proposals, | 0:39:16 | 0:39:20 | |
that somehow this moment in this woodland marked something they | 0:39:20 | 0:39:23 | |
wanted to remember forever. | 0:39:23 | 0:39:25 | |
-And they come back and see it, maybe. -Yeah. -Well, it's lovely when | 0:39:25 | 0:39:28 | |
-it's like that and doesn't actually harm the tree. -..spoil the tree. | 0:39:28 | 0:39:32 | |
-Yes. -No, exactly. | 0:39:32 | 0:39:34 | |
And it will go, eventually, too. | 0:39:34 | 0:39:36 | |
-It will disappear and the story will end. -Yes. | 0:39:36 | 0:39:41 | |
-We could go on for hours. -I know. Should we go to the pub and keep going? | 0:39:41 | 0:39:45 | |
-INDISTINCT DIALOGUE -Cymbeline, yes, exactly. | 0:39:45 | 0:39:49 | |
I've talked to Charlotte about the magic of Shakespeare... | 0:39:49 | 0:39:52 | |
..now Tony is discovering how trees like mine, | 0:39:54 | 0:39:57 | |
and especially my magnificent oak, | 0:39:57 | 0:40:00 | |
were so important to the Tudors. | 0:40:00 | 0:40:03 | |
-Hiya, Chris. -Really good to see. -Yeah, good to see you, too. | 0:40:03 | 0:40:06 | |
He's meeting archaeologist Chris Dobbs | 0:40:06 | 0:40:09 | |
to explore the greatest wooden treasure | 0:40:09 | 0:40:12 | |
that survives from the Tudor age. | 0:40:12 | 0:40:14 | |
So here we are coming into the Mary Rose ship hall. | 0:40:15 | 0:40:18 | |
Oh, my goodness! | 0:40:18 | 0:40:21 | |
That is absolutely incredible. | 0:40:23 | 0:40:27 | |
It's Henry VIII's warship, the Mary Rose. | 0:40:40 | 0:40:43 | |
So half of it was eroded on the sea bed, | 0:40:43 | 0:40:45 | |
but this is the ship that Henry VIII ordered | 0:40:45 | 0:40:48 | |
the building of in 1509. | 0:40:48 | 0:40:50 | |
The sheer amount of timber that's in it. | 0:40:50 | 0:40:53 | |
There's quite a few trees there. | 0:40:53 | 0:40:55 | |
It is beautiful, isn't it? | 0:40:57 | 0:40:59 | |
And it's beautiful because of those curves. | 0:40:59 | 0:41:01 | |
It was supposed to be very fast. | 0:41:01 | 0:41:05 | |
This beautiful ship was about 130 feet long. | 0:41:05 | 0:41:10 | |
It was the first specially commissioned warship | 0:41:10 | 0:41:13 | |
built by Henry VIII. | 0:41:13 | 0:41:16 | |
It marks the birth of the Royal Navy, | 0:41:16 | 0:41:20 | |
which helped forge the largest empire the world has ever known. | 0:41:20 | 0:41:25 | |
And what actually happened to her? | 0:41:26 | 0:41:28 | |
Well, she fought for Henry VIII in three wars against the French, | 0:41:28 | 0:41:33 | |
but sadly, in 1545, capsized and sank in front of the king's eyes. | 0:41:33 | 0:41:38 | |
There were 35 survivors but probably over 500 men on board, | 0:41:38 | 0:41:41 | |
so, I mean, a great tragedy of the time. | 0:41:41 | 0:41:45 | |
Parts of it are elm, but the frame is made from 600 oak trees. | 0:41:45 | 0:41:52 | |
That's about 40 acres of woodland. | 0:41:52 | 0:41:56 | |
And I suppose when they built this they had to get as much timber | 0:41:56 | 0:42:01 | |
the shape of the ship that they could | 0:42:01 | 0:42:03 | |
because they couldn't work it. | 0:42:03 | 0:42:05 | |
In the 16th century they could easily find these wonderful curved | 0:42:05 | 0:42:08 | |
-timbers to build the ship from. -It's amazing, really, isn't it? | 0:42:08 | 0:42:11 | |
Because although they've shaped them, | 0:42:11 | 0:42:13 | |
all they've done is squared off those branches | 0:42:13 | 0:42:15 | |
but retained that... | 0:42:15 | 0:42:16 | |
-That joint is the tree. -Exactly. | 0:42:16 | 0:42:18 | |
It's not been changed in any way apart from flattened down, really. | 0:42:18 | 0:42:21 | |
And I love that you see they've retained the shape. | 0:42:21 | 0:42:23 | |
That's absolutely what this ship is. | 0:42:23 | 0:42:25 | |
It's built out of the curves of the tree, | 0:42:25 | 0:42:28 | |
the natural curves of the trees. | 0:42:28 | 0:42:30 | |
Basically, the oak built the ship. | 0:42:30 | 0:42:33 | |
On the Mary Rose, almost everything was made of wood - | 0:42:33 | 0:42:37 | |
from the simplest object to the most advanced technology. | 0:42:37 | 0:42:41 | |
And what I really want to show you is this tiny thing here. | 0:42:43 | 0:42:47 | |
Can you guess what that is? I mean, it's absolutely wonderful. | 0:42:47 | 0:42:50 | |
No idea. It looks like a chess piece or a draught. | 0:42:50 | 0:42:53 | |
-Yeah, it looks like a draught piece, doesn't it? -Yeah. | 0:42:53 | 0:42:56 | |
But that is actually a pocket sundial. | 0:42:56 | 0:42:57 | |
And I've got a replica of one in my pocket. | 0:42:57 | 0:43:00 | |
So what you'd have to do is you'd have to get it out, | 0:43:00 | 0:43:02 | |
orient it for north, south. | 0:43:02 | 0:43:04 | |
Then you'd have to see where the shadow is cast on the dial. | 0:43:04 | 0:43:09 | |
I mean, this just shows it was very much a wooden society. | 0:43:09 | 0:43:12 | |
Even their pocket sundials were made of wood. | 0:43:12 | 0:43:16 | |
Do you know, I'm absolutely blown away. | 0:43:16 | 0:43:19 | |
This is a floating forest. | 0:43:19 | 0:43:21 | |
Tony has brought some things from the great Tudor warship to show me. | 0:43:28 | 0:43:33 | |
Accompanying him is conservator Simon Ware. | 0:43:33 | 0:43:37 | |
-Judi, how are you? -Oh, great to see you. | 0:43:39 | 0:43:41 | |
-Great to see you. -Yeah, it's been quite a while, hasn't it? | 0:43:41 | 0:43:43 | |
-It's been a long time. -Yeah. | 0:43:43 | 0:43:45 | |
Nice to see you. | 0:43:45 | 0:43:47 | |
Wow, look at this. | 0:43:49 | 0:43:51 | |
So, this is a yew longbow that was brought up from the Mary Rose. | 0:43:51 | 0:43:57 | |
Isn't that amazing? | 0:43:57 | 0:44:00 | |
Of course, one of your great friends... | 0:44:00 | 0:44:02 | |
-Robert Hardy. -Robert would have handled this. | 0:44:02 | 0:44:05 | |
-He would have looked at this. -And he's only just died. -Yeah. | 0:44:05 | 0:44:07 | |
Isn't that incredible? | 0:44:10 | 0:44:11 | |
Robert Hardy was a very dear actor friend of mine. | 0:44:14 | 0:44:18 | |
In 1960, I played Catherine to his wonderful Henry V. | 0:44:18 | 0:44:23 | |
He was also the greatest expert on the English longbow, | 0:44:24 | 0:44:29 | |
and conserved all the longbows found on the Mary Rose. | 0:44:29 | 0:44:32 | |
-I remember him telling me that this was the machine gun... -It was. | 0:44:34 | 0:44:38 | |
-..of medieval times. -It was, of course. | 0:44:38 | 0:44:41 | |
But the bow isn't the only thing Tony's brought with him. | 0:44:41 | 0:44:45 | |
-What is this? -This is a nit comb. | 0:44:45 | 0:44:47 | |
What is that? | 0:44:47 | 0:44:48 | |
-Oh, a nit comb! -Yeah. | 0:44:48 | 0:44:51 | |
Isn't that amazing? | 0:44:51 | 0:44:53 | |
This belonged to a member of the crew, | 0:44:53 | 0:44:55 | |
so they would have had their own comb for removing head lice. | 0:44:55 | 0:44:57 | |
And I think if we look in the light, you may actually be able to see some | 0:44:57 | 0:45:00 | |
of the little remains of the nits and the head lice | 0:45:00 | 0:45:03 | |
still in there in those fine teeth. | 0:45:03 | 0:45:05 | |
-Along there? -Yes. | 0:45:05 | 0:45:06 | |
JUDI GASPS | 0:45:06 | 0:45:08 | |
That's absolutely incredible. | 0:45:08 | 0:45:12 | |
It's amazing that wood was once so crucial to an entire society. | 0:45:16 | 0:45:21 | |
I've learned so much about what my trees do in summer. | 0:45:28 | 0:45:32 | |
They're such sophisticated individuals. | 0:45:32 | 0:45:35 | |
But just how social are they? | 0:45:37 | 0:45:39 | |
Do they communicate? | 0:45:39 | 0:45:41 | |
I hope autumn will give me the chance to find out. | 0:45:43 | 0:45:47 | |
The changing colours of the leaves show my trees are hard at work | 0:46:03 | 0:46:07 | |
preparing for winter. | 0:46:07 | 0:46:10 | |
Their green pigment is sucked back and stored safely under the bark | 0:46:10 | 0:46:16 | |
for next year. | 0:46:16 | 0:46:17 | |
The tree transfers unwanted toxins into the leaves, | 0:46:17 | 0:46:22 | |
which it jettisons to keep it healthy. | 0:46:22 | 0:46:26 | |
But the impression that everything is shutting down is deceptive. | 0:46:26 | 0:46:30 | |
This is when the janitors that keep the woodland clean set to work. | 0:46:33 | 0:46:37 | |
This secretive scary slime mould roams the forest floor, | 0:46:39 | 0:46:44 | |
hunting down microscopic debris to eat. | 0:46:44 | 0:46:47 | |
And then there's another astonishing woodland caretaker. | 0:46:50 | 0:46:54 | |
It's probably the single most important part of a woodland, | 0:46:55 | 0:46:59 | |
but you'd never know it. | 0:46:59 | 0:47:01 | |
There's a lot of life and action still going on | 0:47:02 | 0:47:05 | |
underground in a woodland. | 0:47:05 | 0:47:08 | |
So, if you look here, you see all this fungi, | 0:47:08 | 0:47:12 | |
these are the fungi that breakdown that woody matter | 0:47:12 | 0:47:15 | |
that many other creatures are incapable of breaking down. | 0:47:15 | 0:47:19 | |
-Almost in a circle. -Almost. -Have you noticed? | 0:47:19 | 0:47:21 | |
We're almost in the centre. | 0:47:21 | 0:47:23 | |
We're almost in centre of it, yes. | 0:47:23 | 0:47:25 | |
This type of fungi is called a decomposer | 0:47:25 | 0:47:28 | |
because it breaks down woody matter | 0:47:28 | 0:47:30 | |
and turns it into nutrients in the soil. | 0:47:30 | 0:47:34 | |
Just the tip of the iceberg, | 0:47:34 | 0:47:37 | |
so there's so much more action going on underground here. | 0:47:37 | 0:47:41 | |
Apparently, all these fungi have long threads | 0:47:41 | 0:47:45 | |
like roots running through the earth sometimes for miles. | 0:47:45 | 0:47:50 | |
We've got some amazing footage here. | 0:47:51 | 0:47:55 | |
And these are the threads here of fungi. | 0:47:56 | 0:47:59 | |
And they've come in, they're looking for dead wood | 0:47:59 | 0:48:02 | |
and they've found this branch, this dead branch. | 0:48:02 | 0:48:04 | |
Good gracious! | 0:48:04 | 0:48:06 | |
And that's sending a signal back to start the breakdown. | 0:48:06 | 0:48:08 | |
So this is quickened up? | 0:48:08 | 0:48:10 | |
-This is quickened up. -Yes. -Yeah, I don't know how many times. | 0:48:10 | 0:48:13 | |
It's saying, "I've found dead wood. | 0:48:13 | 0:48:16 | |
"Come and get it." | 0:48:16 | 0:48:18 | |
And all these other threads are coming | 0:48:18 | 0:48:20 | |
and enveloping this dead wood. | 0:48:20 | 0:48:24 | |
Good heavens. | 0:48:24 | 0:48:25 | |
By breaking that wood down, it then makes it available | 0:48:25 | 0:48:28 | |
as organic matter for the tree to feed on, | 0:48:28 | 0:48:31 | |
so it's recycling. | 0:48:31 | 0:48:33 | |
The fungi are the best recyclers. | 0:48:33 | 0:48:35 | |
It's amazing, isn't it? | 0:48:35 | 0:48:38 | |
-It's absolutely... -But I've got something even better to show you. | 0:48:38 | 0:48:41 | |
This has never been filmed for television before. | 0:48:41 | 0:48:44 | |
This is called hair ice. | 0:48:44 | 0:48:47 | |
And as the fungi starts to decompose, this is a waste product, | 0:48:47 | 0:48:51 | |
it pushes the water out | 0:48:51 | 0:48:53 | |
from the wood as it breaks it down. | 0:48:53 | 0:48:56 | |
And because we're in autumn, as the first frosts appear, | 0:48:56 | 0:48:59 | |
it freezes and crystallises | 0:48:59 | 0:49:03 | |
this water that comes out. | 0:49:03 | 0:49:04 | |
So this is ice. Isn't that incredible? | 0:49:04 | 0:49:07 | |
-So beautiful. -It is beautiful. | 0:49:09 | 0:49:11 | |
I never knew autumn was such an important time of year for my trees, | 0:49:17 | 0:49:23 | |
and Tony tells me that there's another type of fungi | 0:49:23 | 0:49:26 | |
that doesn't decompose dead wood. | 0:49:26 | 0:49:29 | |
Instead, it may do something even more astonishing. | 0:49:29 | 0:49:34 | |
It might just allow the entire forest to interact. | 0:49:34 | 0:49:39 | |
In this beautiful beech forest I'm meeting fungi expert | 0:49:43 | 0:49:47 | |
Professor Lynne Boddy. | 0:49:47 | 0:49:49 | |
She's going to tell me what's going on beneath our feet. | 0:49:49 | 0:49:53 | |
This is pretty, this forest. | 0:49:54 | 0:49:55 | |
It's very pretty. | 0:49:55 | 0:49:57 | |
It's lovely. | 0:49:58 | 0:50:01 | |
Apparently, in forests like these, a special type of fungus | 0:50:01 | 0:50:06 | |
attaches itself to the very tips of the tree's roots. | 0:50:06 | 0:50:10 | |
Now, this happens on an incredibly tiny scale. | 0:50:10 | 0:50:15 | |
So we're going to have a look at magnified images on the computer. | 0:50:15 | 0:50:19 | |
Let's have a look, let's have a look. Oh, I say. | 0:50:19 | 0:50:22 | |
So what we can see here is one of the fine roots of the tree. | 0:50:22 | 0:50:26 | |
-This is underground? -This is all underground. | 0:50:26 | 0:50:29 | |
And you can see these very fine | 0:50:29 | 0:50:32 | |
threads extending into the soil. | 0:50:32 | 0:50:35 | |
This is the fungus. | 0:50:35 | 0:50:37 | |
These threads build up and up until they cover the tip | 0:50:37 | 0:50:41 | |
of the root completely, like a sock. | 0:50:41 | 0:50:44 | |
And from there, they spread out under the forest floor. | 0:50:44 | 0:50:48 | |
These below ground fungi are not just attached to one tree. | 0:50:49 | 0:50:53 | |
They can be attached to several, so communication can occur. | 0:50:53 | 0:50:56 | |
-Like an underground system. -Yes. | 0:50:56 | 0:50:58 | |
The threads, are they attached to different types of tree? | 0:50:58 | 0:51:02 | |
They don't just stick to one type of tree? | 0:51:02 | 0:51:04 | |
No, that's right. Some fungi are only found on one species of tree, | 0:51:04 | 0:51:08 | |
one type of tree, | 0:51:08 | 0:51:10 | |
but other fungi can join up lots of different trees. | 0:51:10 | 0:51:13 | |
-Really? -And if, for example, this tree here | 0:51:15 | 0:51:19 | |
was being attacked by a swarm of insects, | 0:51:19 | 0:51:21 | |
not only does it send the messages within itself, | 0:51:21 | 0:51:24 | |
it can send those same messages through the underground network | 0:51:24 | 0:51:29 | |
to adjacent trees. | 0:51:29 | 0:51:32 | |
-That's... -It's amazing. | 0:51:32 | 0:51:34 | |
-That blows your... -I know. -It completely blows your mind. | 0:51:34 | 0:51:36 | |
It does, it does. So beneath our feet there is a huge network. | 0:51:36 | 0:51:39 | |
JUDI GASPS | 0:51:39 | 0:51:41 | |
Gosh, there's... | 0:51:41 | 0:51:42 | |
-There's such a lot going on, isn't there? -There is, there is. | 0:51:42 | 0:51:45 | |
That is staggering. | 0:51:45 | 0:51:47 | |
And not only do they send messages, | 0:51:47 | 0:51:49 | |
but they can also share food and water | 0:51:49 | 0:51:53 | |
to another tree somewhere else. | 0:51:53 | 0:51:56 | |
-What a brilliant system. -It is. | 0:51:56 | 0:51:58 | |
-It's evolved over millions... -Yes, of course. | 0:51:58 | 0:52:00 | |
Hundreds of millions of years. | 0:52:00 | 0:52:02 | |
Lynne tells me that these fungal threads | 0:52:02 | 0:52:05 | |
for both the communicators and the decomposers | 0:52:05 | 0:52:09 | |
are so numerous that she can easily find some. | 0:52:09 | 0:52:12 | |
Oh, my goodness me. | 0:52:13 | 0:52:15 | |
Can you see this one? | 0:52:15 | 0:52:16 | |
Look at the size of this! | 0:52:16 | 0:52:18 | |
-So there are lots and lots of fine... -Oh, my goodness. | 0:52:18 | 0:52:21 | |
..threads joined together here. | 0:52:21 | 0:52:22 | |
This is going to be a huge network. Look at this. | 0:52:22 | 0:52:25 | |
In fact, I wouldn't be surprised if the whole woodland | 0:52:25 | 0:52:28 | |
isn't connected up by this network. Look at it. | 0:52:28 | 0:52:31 | |
JUDI GASPS Good gracious. | 0:52:31 | 0:52:35 | |
-It's like a power line. -Isn't it? | 0:52:35 | 0:52:37 | |
-Look how strong that is. -They are. | 0:52:37 | 0:52:40 | |
Knowing that all these trees are using fungi | 0:52:40 | 0:52:43 | |
to communicate with each other, | 0:52:43 | 0:52:45 | |
I'll never think of trees as individuals again. | 0:52:45 | 0:52:48 | |
A forest like this is a very, very social place. | 0:52:49 | 0:52:54 | |
Everybody is sharing and passing everything to everybody else. | 0:52:54 | 0:52:59 | |
-Yeah. -And sustaining everybody. -Yes. | 0:52:59 | 0:53:02 | |
That was just mind-blowing. | 0:53:02 | 0:53:04 | |
Yeah, they're remarkable organisms, aren't they? | 0:53:04 | 0:53:07 | |
Aren't they just? | 0:53:07 | 0:53:09 | |
"That time of year thou mayst in me behold | 0:53:18 | 0:53:23 | |
"When yellow leaves, or none, or few, do hang | 0:53:23 | 0:53:27 | |
"Upon those boughs which shake against the cold, | 0:53:27 | 0:53:31 | |
"Bare ruin'd choirs, where late the sweet birds sang." | 0:53:31 | 0:53:36 | |
It's been wonderful to discover that my trees aren't just amazing | 0:53:46 | 0:53:51 | |
individuals, but that they're part of an extended family. | 0:53:51 | 0:53:55 | |
When I plant trees in memory of my friends, | 0:53:57 | 0:54:01 | |
I always hoped that they would feel part of a community, | 0:54:01 | 0:54:04 | |
that they would be communicating with each other. | 0:54:04 | 0:54:07 | |
And now, it's so reassuring to find out that it's true. | 0:54:08 | 0:54:13 | |
I think it might be time to add another member to the family. | 0:54:15 | 0:54:18 | |
Tony has arranged to meet David and me in my garden. | 0:54:25 | 0:54:29 | |
There's a famous Chinese proverb - | 0:54:29 | 0:54:33 | |
the best time to plant a tree was 50 years ago, | 0:54:33 | 0:54:35 | |
but the next best time is today. | 0:54:35 | 0:54:38 | |
So what better time than today to plant a tree. | 0:54:38 | 0:54:43 | |
The two trees that I've brought you are English natives, | 0:54:43 | 0:54:46 | |
British natives. | 0:54:46 | 0:54:48 | |
So one's a yew tree and one's an oak tree... | 0:54:48 | 0:54:52 | |
JUDI GASPS | 0:54:52 | 0:54:53 | |
..which are going to be around for a long time. | 0:54:53 | 0:54:56 | |
What a great present. | 0:54:56 | 0:54:59 | |
I'm going to do this one, as it's a yew tree, Robert Hardy. | 0:54:59 | 0:55:02 | |
I thought you'd choose that. | 0:55:02 | 0:55:04 | |
That would be so good. | 0:55:04 | 0:55:06 | |
-He would love that. -How lovely. | 0:55:06 | 0:55:08 | |
-And maybe in another 300 or 400 years' time... -Yep. | 0:55:08 | 0:55:10 | |
..someone might be making a longbow from one of its branches. | 0:55:10 | 0:55:14 | |
-You just never know. -You never know. | 0:55:14 | 0:55:16 | |
-Shall we take them? -Yeah. -Oh, you are going to take them? | 0:55:16 | 0:55:19 | |
-Yeah. We're going to plant them. -Gosh, that might be quite heavy. | 0:55:19 | 0:55:22 | |
-They're OK. -I hope... I shall make my mind up quickly! | 0:55:22 | 0:55:24 | |
THEY LAUGH | 0:55:24 | 0:55:26 | |
David, the nearer the better! | 0:55:26 | 0:55:28 | |
-THEY LAUGH -Yes! | 0:55:28 | 0:55:30 | |
-Maybe here. -Yeah. | 0:55:30 | 0:55:33 | |
Just in here? | 0:55:33 | 0:55:35 | |
-Whoops! -With that as the background? | 0:55:35 | 0:55:36 | |
-Yes. I think... -It's a lovely spot. | 0:55:36 | 0:55:38 | |
-Wouldn't that be a good place? -Yeah. | 0:55:38 | 0:55:41 | |
The soil in my garden is a mixture of sand and clay, | 0:55:41 | 0:55:47 | |
and Tony says my yew will be very happy here. | 0:55:47 | 0:55:50 | |
That's going to be just right. | 0:55:51 | 0:55:53 | |
How fantastic. | 0:55:57 | 0:55:58 | |
Gosh! Wonderful. | 0:56:00 | 0:56:02 | |
Oh, that is so nice. | 0:56:08 | 0:56:10 | |
Oh, I'm so pleased. | 0:56:10 | 0:56:12 | |
How appropriate, isn't it? | 0:56:12 | 0:56:14 | |
It's perfect. | 0:56:14 | 0:56:16 | |
It's absolutely perfect. | 0:56:16 | 0:56:18 | |
I've loved trees all my life, but after this year, | 0:56:26 | 0:56:30 | |
I'll never be able to look at them in the same way again. | 0:56:30 | 0:56:33 | |
I shall never be able quite to walk so nonchalantly | 0:56:35 | 0:56:41 | |
through a woodland again | 0:56:41 | 0:56:44 | |
without thinking of all that incredible work | 0:56:44 | 0:56:47 | |
that is going on under here. | 0:56:47 | 0:56:49 | |
I mean, we think we live in a society. | 0:56:49 | 0:56:52 | |
No comparison to what goes on round here, | 0:56:54 | 0:56:58 | |
how these chaps live. | 0:56:58 | 0:57:01 | |
I mean, it's mind-blowing. | 0:57:01 | 0:57:04 | |
It's wonderful. | 0:57:04 | 0:57:06 | |
And very, very exciting. | 0:57:07 | 0:57:10 | |
I don't know how I've lived so long without knowing, | 0:57:10 | 0:57:13 | |
but I know now. | 0:57:13 | 0:57:15 | |
JUDI LAUGHS | 0:57:20 | 0:57:22 |