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Stonehenge, | 0:00:02 | 0:00:04 | |
on the plains of Southern England. | 0:00:04 | 0:00:07 | |
Britain's most famous ancient monument. | 0:00:07 | 0:00:11 | |
But over 500 miles north, | 0:00:11 | 0:00:14 | |
new discoveries are being unearthed that challenge its supremacy... | 0:00:14 | 0:00:19 | |
How extraordinary. | 0:00:19 | 0:00:21 | |
..and they're turning the Stone Age map of Britain on its head. | 0:00:21 | 0:00:26 | |
Could the centre of our ancient world | 0:00:26 | 0:00:28 | |
really have been the remote islands of Orkney? | 0:00:28 | 0:00:31 | |
A place cut off by the fastest flowing stretch of water in Europe. | 0:00:33 | 0:00:37 | |
We're investigating how these far-flung islands | 0:00:38 | 0:00:41 | |
may have forged Britain's first common culture. | 0:00:41 | 0:00:45 | |
-Andy, look at this! -This is so impressive. | 0:00:45 | 0:00:49 | |
So far, we've discovered their society was much older | 0:00:49 | 0:00:51 | |
than previously thought... | 0:00:51 | 0:00:54 | |
So there we go. | 0:00:54 | 0:00:56 | |
The earliest possible date is 3512 years BC. | 0:00:56 | 0:01:00 | |
That is early. | 0:01:00 | 0:01:01 | |
..that people and their animals were drawn here from Europe... | 0:01:01 | 0:01:04 | |
Look at that. Orkney vole. | 0:01:04 | 0:01:07 | |
..and that the stone circles here inspired Stonehenge. | 0:01:08 | 0:01:11 | |
It boggles the mind, it beggars belief. | 0:01:13 | 0:01:15 | |
Now our team has a new mission. | 0:01:17 | 0:01:19 | |
If Orkney was the cultural capital of Britain, how did they do it? | 0:01:21 | 0:01:25 | |
Engineer Shini Somara | 0:01:25 | 0:01:27 | |
and archaeological adventurer Andy Torbet | 0:01:27 | 0:01:29 | |
investigate how they could have navigated the treacherous seas. | 0:01:29 | 0:01:33 | |
The wind's picked up and the sea's picked up, it's much, much choppier. | 0:01:34 | 0:01:37 | |
Naturalist Chris Packham and cameraman Doug Allen | 0:01:37 | 0:01:40 | |
will explore how they could have survived and thrived | 0:01:40 | 0:01:43 | |
on these remote islands. | 0:01:43 | 0:01:45 | |
Look at the size of that! | 0:01:45 | 0:01:47 | |
We discover a mass deposit of bones... | 0:01:47 | 0:01:49 | |
Oh, that's pretty special. | 0:01:49 | 0:01:51 | |
..and ask how their beliefs might have bound their society together. | 0:01:51 | 0:01:55 | |
This isn't human sacrifice? | 0:01:55 | 0:01:58 | |
We're joining hundreds of archaeologists, | 0:01:58 | 0:02:00 | |
volunteers and locals to discover how this ancient society | 0:02:00 | 0:02:06 | |
in far-flung Orkney could have dominated Britain | 0:02:06 | 0:02:10 | |
for a thousand years. | 0:02:10 | 0:02:11 | |
Orkney. | 0:02:22 | 0:02:24 | |
An archipelago of over 70 islands off the north coast of Scotland. | 0:02:24 | 0:02:28 | |
At their heart is an archaeological dig | 0:02:28 | 0:02:31 | |
which is rewriting history. | 0:02:31 | 0:02:33 | |
The Ness of Brodgar. | 0:02:33 | 0:02:36 | |
Poised on a narrow spit of land between two stone circles. | 0:02:36 | 0:02:40 | |
We're getting closer to understanding the significance | 0:02:42 | 0:02:44 | |
of this place, | 0:02:44 | 0:02:46 | |
and its influence on the rest of Britain. | 0:02:46 | 0:02:49 | |
They started building here around 5,500 years ago. | 0:02:52 | 0:02:56 | |
That part of the Stone Age called the Neolithic, | 0:02:56 | 0:02:59 | |
when people began to farm. | 0:02:59 | 0:03:01 | |
The archaeologists and volunteers have been digging here | 0:03:06 | 0:03:09 | |
every summer for over a decade. | 0:03:09 | 0:03:11 | |
So far, they've uncovered 14 monumental buildings. | 0:03:14 | 0:03:18 | |
Surrounded by a massive perimeter wall, | 0:03:20 | 0:03:22 | |
everything about this complex reveals ambition. | 0:03:22 | 0:03:26 | |
Now the team are poised to reveal the secrets of the building | 0:03:27 | 0:03:30 | |
at its heart, the structure which they think | 0:03:30 | 0:03:33 | |
may have been some kind of a temple. | 0:03:33 | 0:03:38 | |
This is structure ten, the most famous building | 0:03:38 | 0:03:41 | |
on the Ness of Brodgar. | 0:03:41 | 0:03:43 | |
It's been called the Cathedral of Orkney. | 0:03:43 | 0:03:45 | |
I'm on the outside of the wall. | 0:03:45 | 0:03:49 | |
I'm standing on a pavement that runs right round all four sides of the | 0:03:49 | 0:03:53 | |
building, and it's truly vast. | 0:03:53 | 0:03:55 | |
It would have been the most grandiose structure | 0:03:55 | 0:03:58 | |
that was ever here. | 0:03:58 | 0:04:00 | |
The archaeologists have reached a crucial stage of their excavation. | 0:04:04 | 0:04:08 | |
They're right down at the foundation stones, | 0:04:08 | 0:04:11 | |
which can often conceal the most significant finds. | 0:04:11 | 0:04:14 | |
Some stones here that we can lift this season, | 0:04:14 | 0:04:17 | |
but we don't want to be removing this too quickly, | 0:04:17 | 0:04:21 | |
we want to take a lot of care about it. | 0:04:21 | 0:04:23 | |
It's somewhat frustrating, as you can imagine, | 0:04:23 | 0:04:26 | |
because there could be anything underneath there. | 0:04:26 | 0:04:28 | |
But we're just going to have to wait and see in time. | 0:04:28 | 0:04:31 | |
Whatever's buried beneath here | 0:04:35 | 0:04:37 | |
might give vital clues about the philosophy, | 0:04:37 | 0:04:40 | |
rituals and beliefs of this culture - | 0:04:40 | 0:04:42 | |
beliefs which may have spread throughout Neolithic Britain. | 0:04:42 | 0:04:47 | |
But it'll be a few days before they're ready to lift the slabs. | 0:04:47 | 0:04:51 | |
In the meantime, we've set up our camp | 0:04:54 | 0:04:55 | |
on a hill above the site to work out how on earth the people | 0:04:55 | 0:04:58 | |
of this remote place could have spread their | 0:04:58 | 0:05:02 | |
influence so widely. | 0:05:02 | 0:05:04 | |
Orkney really was a central hub of knowledge in terms of ingenuity, | 0:05:07 | 0:05:11 | |
engineering, technology. | 0:05:11 | 0:05:14 | |
But it was the sharing of ideas which was probably most important. | 0:05:14 | 0:05:18 | |
And they did share that knowledge. | 0:05:18 | 0:05:21 | |
We know that these ideas were exported to the mainland Britain. | 0:05:21 | 0:05:26 | |
So there's been a process by which people could quite happily come | 0:05:26 | 0:05:29 | |
and go between all of the islands. | 0:05:29 | 0:05:31 | |
You know, they're moving back and forth from mainland Britain | 0:05:31 | 0:05:33 | |
and they're going back and forth to all of the islands. | 0:05:33 | 0:05:36 | |
The question now, of course, is how were they exported? | 0:05:36 | 0:05:39 | |
How did they get from here, across this piece of sea, | 0:05:39 | 0:05:43 | |
famed for its horrible currents? | 0:05:43 | 0:05:46 | |
What method did they use? | 0:05:46 | 0:05:48 | |
To discover how the ancient Orcadians thrived | 0:05:50 | 0:05:53 | |
and travelled in this tough environment, | 0:05:53 | 0:05:55 | |
we're going to explore across the archipelago. | 0:05:55 | 0:05:58 | |
While Shini heads back to the ness, | 0:05:58 | 0:06:00 | |
I'm on my way to the island of Westray. | 0:06:00 | 0:06:03 | |
Chris and Doug are heading to the sandy beaches of Stronsay. | 0:06:05 | 0:06:09 | |
And Andy's mission is to work out the most intriguing problem of all - | 0:06:09 | 0:06:14 | |
how did they navigate the length and breadth of the seaways | 0:06:14 | 0:06:16 | |
of Britain, beginning with the treacherous Pentland Firth? | 0:06:16 | 0:06:21 | |
What I'd like to do is speak to the archaeologists, | 0:06:22 | 0:06:25 | |
speak to the boat-building experts, | 0:06:25 | 0:06:27 | |
see if we could figure out the sort of boat they could've used. | 0:06:27 | 0:06:30 | |
And then, build that boat. | 0:06:30 | 0:06:32 | |
And then take that boat and see if we could paddle | 0:06:32 | 0:06:35 | |
it across the Pentland Firth. | 0:06:35 | 0:06:39 | |
And that is not going to be easy. | 0:06:39 | 0:06:42 | |
The Pentland Firth is Britain's most dangerous stretch of water. | 0:06:48 | 0:06:53 | |
When the powerful tide race fights the wind, | 0:06:53 | 0:06:56 | |
extreme seas can quickly build up. | 0:06:56 | 0:06:59 | |
It's claimed ten lives in the last ten years alone. | 0:06:59 | 0:07:03 | |
The ship that was last seen some 48 hours ago | 0:07:03 | 0:07:06 | |
steaming through the Pentland Firth | 0:07:06 | 0:07:08 | |
has mysteriously been found upturned | 0:07:08 | 0:07:10 | |
not far away from where she was last seen. | 0:07:10 | 0:07:14 | |
Andy needs to find out what kind of seagoing boats the ancient Orcadians | 0:07:16 | 0:07:21 | |
could have used. But that's no easy task. | 0:07:21 | 0:07:24 | |
There's no archaeological evidence at all for the boats | 0:07:24 | 0:07:27 | |
being used here at that time. | 0:07:27 | 0:07:30 | |
He's meeting up with marine expert Sandra Hendry. | 0:07:30 | 0:07:34 | |
So by the Neolithic, the period we're interested in... | 0:07:35 | 0:07:38 | |
Yeah. | 0:07:38 | 0:07:39 | |
..what sort of boats are we seeing in the archaeological record? | 0:07:39 | 0:07:42 | |
The only sort of maritime craft we're getting in Europe | 0:07:42 | 0:07:46 | |
is the log boat. | 0:07:46 | 0:07:48 | |
So, we're finding log boats in the maritime context. | 0:07:48 | 0:07:51 | |
You know, that's not the sort of thing I would see myself | 0:07:51 | 0:07:54 | |
trying to cross the Pentland Firth in. | 0:07:54 | 0:07:56 | |
No, you're probably looking at the use of log boats | 0:07:56 | 0:07:58 | |
for maybe coastal movements and smaller distances. | 0:07:58 | 0:08:02 | |
For the Pentland Firth, the most likely is hide boats, | 0:08:02 | 0:08:06 | |
where you're looking at them using animal skins | 0:08:06 | 0:08:09 | |
to create the hull of the vessel | 0:08:09 | 0:08:10 | |
-and then kind of a wickerwork framework. -OK. | 0:08:10 | 0:08:14 | |
The oldest surviving boat in Britain is the Dover boat | 0:08:16 | 0:08:19 | |
from around 1500 BC and nearly 600 miles to the south. | 0:08:19 | 0:08:23 | |
It's made of timber - a material in short supply in Orkney. | 0:08:23 | 0:08:29 | |
Scandinavian rock carvings from around the same time appear to show | 0:08:29 | 0:08:33 | |
vessels made of wicker and animal hide. | 0:08:33 | 0:08:36 | |
This offers a more likely model for Andy and his team to follow. | 0:08:36 | 0:08:40 | |
I think it's going to be really interesting to see | 0:08:43 | 0:08:45 | |
the navigational methods you use, | 0:08:45 | 0:08:47 | |
how you work with the tidal movements in the Pentland Firth | 0:08:47 | 0:08:50 | |
and how the boat reacts. | 0:08:50 | 0:08:53 | |
Do you know of anyone who's tried an experiment like this, | 0:08:53 | 0:08:56 | |
to try and recreate and prove the type of vessel | 0:08:56 | 0:08:59 | |
that they would have used in the Neolithic? | 0:08:59 | 0:09:01 | |
Not here across the Pentland Firth, no, this will be a first. | 0:09:01 | 0:09:05 | |
Yeah. So, do you think we stand a chance? | 0:09:05 | 0:09:08 | |
I wouldn't fancy your chances! | 0:09:08 | 0:09:11 | |
It's uncharted territory as far as how the guys have got back and | 0:09:13 | 0:09:15 | |
forth from Orkney to the mainland. | 0:09:15 | 0:09:18 | |
If we can pull this off, | 0:09:18 | 0:09:20 | |
then there's genuine knowledge to be gained here | 0:09:20 | 0:09:22 | |
That will fill that gap in the archaeological record, | 0:09:22 | 0:09:25 | |
the bit that no-one knows anything about. | 0:09:25 | 0:09:27 | |
The sea was the highway for the ancient Orcadians. | 0:09:32 | 0:09:35 | |
Not only did they travel to the mainland, | 0:09:35 | 0:09:38 | |
they also had to go back and forth between the many islands of Orkney. | 0:09:38 | 0:09:42 | |
I'm on my way to Westray, | 0:09:42 | 0:09:44 | |
where they're uncovering evidence of a Stone Age suburbia. | 0:09:44 | 0:09:48 | |
What it will give us is an insight into the day-to-day lives | 0:09:50 | 0:09:54 | |
of the people, the community, | 0:09:54 | 0:09:56 | |
that was responsible for designing and then building | 0:09:56 | 0:10:01 | |
the Ness of Brodgar. | 0:10:01 | 0:10:03 | |
This site here will give us that look at how they lived | 0:10:03 | 0:10:07 | |
the other part of their lives. | 0:10:07 | 0:10:09 | |
Unlike the ness, with its grand buildings, | 0:10:13 | 0:10:16 | |
this was a domestic site where people farmed, fished | 0:10:16 | 0:10:21 | |
'and lived. | 0:10:21 | 0:10:23 | |
'Hazel Moore is the dig director.' | 0:10:23 | 0:10:25 | |
The people here must have obviously | 0:10:25 | 0:10:28 | |
been strongly connected to the Ness of Brodgar. | 0:10:28 | 0:10:31 | |
I mean, such a place, it's like the Vatican City or something. | 0:10:31 | 0:10:34 | |
Communities like this all over Orkney were coming together | 0:10:34 | 0:10:37 | |
to create a shared sense of identity at somewhere like the ness. | 0:10:37 | 0:10:40 | |
What kind of life was being lived by the people here? | 0:10:41 | 0:10:44 | |
Well, I think you had a good life here. | 0:10:44 | 0:10:47 | |
They were living on a diet of mostly beef and oyster, | 0:10:47 | 0:10:49 | |
which sounds quite good to me! | 0:10:49 | 0:10:51 | |
-Really? -Yes. -That's surf and turf! -Yes. | 0:10:51 | 0:10:53 | |
They had big herds of animals that, you know, | 0:10:53 | 0:10:56 | |
I think was more than just for subsistence. | 0:10:56 | 0:10:59 | |
It was for show as well. | 0:10:59 | 0:11:01 | |
And this is a collection of some of our finest things. | 0:11:03 | 0:11:07 | |
You do have treasures. | 0:11:07 | 0:11:08 | |
We've had a lot of whalebone from the site | 0:11:08 | 0:11:10 | |
and this is just a very small amount of the kinds of things | 0:11:10 | 0:11:13 | |
that we're finding. | 0:11:13 | 0:11:14 | |
You can see it's a whale vertebrae that's been hollowed out | 0:11:14 | 0:11:17 | |
in the centre to make a little vessel. | 0:11:17 | 0:11:20 | |
It's fairly rough, isn't it? | 0:11:20 | 0:11:21 | |
It is, it's lost some of its outer surface. | 0:11:21 | 0:11:24 | |
-Now, that's more recognisable. -Uh-huh. | 0:11:26 | 0:11:28 | |
So that's some sort of, what is it, an agricultural tool or something? | 0:11:28 | 0:11:32 | |
It is, I think it's like a mattock, yeah. | 0:11:32 | 0:11:33 | |
So, there'd be a shaft through there. | 0:11:33 | 0:11:35 | |
Yes. And I think, really, whalebone is great, | 0:11:35 | 0:11:37 | |
because it's being used instead of wood, | 0:11:37 | 0:11:39 | |
because there isn't a lot of wood here. | 0:11:39 | 0:11:41 | |
And yet can be carved easily into the same kinds of objects. | 0:11:41 | 0:11:44 | |
The waters around Orkney are still a whale paradise, | 0:11:50 | 0:11:52 | |
thanks to abundant plankton and krill. | 0:11:52 | 0:11:55 | |
Regular visitors include orca, minke and the vast fin, | 0:12:03 | 0:12:07 | |
the second-biggest animal on the planet. | 0:12:07 | 0:12:10 | |
In northern waters, the fin whale reaches 22 metres long | 0:12:10 | 0:12:14 | |
and weighs in at 60 tonnes. | 0:12:14 | 0:12:17 | |
Quite a challenge for Stone Age hunters to capture and kill. | 0:12:17 | 0:12:22 | |
That's why Chris and Doug want to discover | 0:12:24 | 0:12:26 | |
how the ancient Orcadians got hold of whalebone. | 0:12:26 | 0:12:30 | |
Recent events on the island of Stronsay may offer an answer. | 0:12:33 | 0:12:37 | |
They've had word from locals of a possible whale washed up on a beach. | 0:12:37 | 0:12:41 | |
-What's the name of this beach? -This is Housby. -Ah-ha. | 0:12:47 | 0:12:50 | |
No, no, it is, it's there! | 0:12:50 | 0:12:53 | |
-Oh, there it is, yeah. -Yeah. | 0:12:53 | 0:12:55 | |
-Looks like a vertebrae. -That's definitely it, isn't it? | 0:12:55 | 0:12:59 | |
Go and have a look. | 0:12:59 | 0:13:00 | |
Yeah, that's definitely its backbone. | 0:13:00 | 0:13:02 | |
Look at the size of that! Look here, ribs. | 0:13:02 | 0:13:06 | |
Oh, aye. Yeah. | 0:13:06 | 0:13:08 | |
Yeah. Couple of ribs stuck there. | 0:13:08 | 0:13:12 | |
-Still with lots of flesh on them. -And this one. | 0:13:12 | 0:13:14 | |
-Yeah. -From a Neolithic perspective, | 0:13:15 | 0:13:17 | |
this is a valuable piece of fabric, isn't it? | 0:13:17 | 0:13:20 | |
That could be the bottom of a boat, for example, | 0:13:20 | 0:13:23 | |
or it could be the roof on a house. | 0:13:23 | 0:13:25 | |
Or you could carve things from this, knives, needles. | 0:13:25 | 0:13:29 | |
I love this, it's like a whale anatomy lesson. | 0:13:29 | 0:13:32 | |
-Look, here. -Oh! It's baleen. -It's baleen. | 0:13:32 | 0:13:36 | |
Yes, look, the place is littered with it. | 0:13:36 | 0:13:38 | |
-Yeah. -This is fantastic, Doug. | 0:13:38 | 0:13:40 | |
Now this is how the whale feeds, isn't it? | 0:13:40 | 0:13:42 | |
Used to get used for women's corsets, you know. | 0:13:42 | 0:13:45 | |
-Yes. -Back in the sort of 1800s or so. | 0:13:45 | 0:13:47 | |
-Yeah. -And they also used it for springs in buggies, | 0:13:47 | 0:13:50 | |
things like that. Because, as I say, it's flexible, | 0:13:50 | 0:13:52 | |
yet also very strong. | 0:13:52 | 0:13:54 | |
-Yeah. -This was the sort of Neolithic plastic of its day. | 0:13:54 | 0:13:58 | |
I love that, Neolithic plastic! Superb! | 0:13:58 | 0:14:02 | |
The thing is, which species? | 0:14:02 | 0:14:05 | |
Size might give us a clue. I reckon 15 metres. | 0:14:05 | 0:14:09 | |
Yeah, 15 metres, that would be a medium-sized fin whale or similar. | 0:14:09 | 0:14:14 | |
Fin whale. | 0:14:14 | 0:14:15 | |
It must've been a real bonanza when these things came ashore. | 0:14:15 | 0:14:19 | |
I don't think they actually would hunt them, | 0:14:19 | 0:14:21 | |
they certainly wouldn't hunt these, they're way, way too fast. | 0:14:21 | 0:14:25 | |
Whale strandings could have provided the ancient Orcadians | 0:14:26 | 0:14:29 | |
with an invaluable resource. | 0:14:29 | 0:14:32 | |
But sometimes a harder material was needed. | 0:14:32 | 0:14:36 | |
This summer at the ness, the archaeologists | 0:14:36 | 0:14:38 | |
have already discovered several significant stone artefacts. | 0:14:38 | 0:14:43 | |
Including a broken mace head, a sort of ceremonial axe. | 0:14:46 | 0:14:50 | |
Shini is keen to find out how they created objects like this. | 0:14:50 | 0:14:54 | |
Archaeologist Chris Gee specialises in stone working. | 0:14:54 | 0:14:59 | |
-OK, shall I have a go? -Yeah. | 0:14:59 | 0:15:00 | |
So you can do some of these bits | 0:15:00 | 0:15:03 | |
and sometimes the best way is to... | 0:15:03 | 0:15:06 | |
-So it's just like sandpaper? -Yes. | 0:15:06 | 0:15:10 | |
And the good thing about sandstone in Orkney | 0:15:10 | 0:15:12 | |
is that you get different grades. | 0:15:12 | 0:15:14 | |
And you can move onto this and then you can go on to even finer sands. | 0:15:14 | 0:15:19 | |
Gosh, I can really see how they were able to achieve those fine finishes. | 0:15:20 | 0:15:25 | |
Yeah, that's right. And you see that on the stone tools, | 0:15:25 | 0:15:28 | |
obviously, at the Ness of Brodgar. | 0:15:28 | 0:15:30 | |
That's a mace head that I made earlier. | 0:15:30 | 0:15:33 | |
And we're still working on it. | 0:15:33 | 0:15:35 | |
How on earth did you get this perfect circle? | 0:15:35 | 0:15:38 | |
What I've used to do that hole is a bow drill. | 0:15:38 | 0:15:41 | |
-So wood is used to create these circles in a stone? -Yeah. | 0:15:41 | 0:15:45 | |
I have experimented in the past with | 0:15:45 | 0:15:48 | |
breaking up some quartz or some flint. | 0:15:48 | 0:15:52 | |
And then if you press the flint into the end of the drillbit, | 0:15:52 | 0:15:56 | |
it sets in it and then it'll cut through it quite fast. | 0:15:56 | 0:16:01 | |
Gosh. | 0:16:03 | 0:16:05 | |
'We, basically, in a short space of time, managed to' | 0:16:05 | 0:16:08 | |
transform a lump of unworkable material | 0:16:08 | 0:16:11 | |
into something that had smooth edges and an artistic feel to it. | 0:16:11 | 0:16:16 | |
Just by using really simple techniques | 0:16:16 | 0:16:19 | |
and sticks and stones, essentially. | 0:16:19 | 0:16:21 | |
It's an experiment that shows what these people could achieve | 0:16:25 | 0:16:28 | |
with simple technology. | 0:16:28 | 0:16:30 | |
Andy's mission is to work out how Neolithic materials | 0:16:30 | 0:16:33 | |
and techniques could be used to create a much more complex object, | 0:16:33 | 0:16:37 | |
like a boat. | 0:16:37 | 0:16:39 | |
Patrick McGlinchey is an expert in prehistoric craft. | 0:16:41 | 0:16:44 | |
-Patrick. -Andrew, how are you? Nice to meet you. | 0:16:44 | 0:16:48 | |
Also joining the team are some local seafaring volunteers. | 0:16:48 | 0:16:51 | |
Gentlemen, thank you very much for coming. | 0:16:51 | 0:16:53 | |
So the idea is that you guys build this boat, | 0:16:53 | 0:16:55 | |
partly under your direction, using the knowledge you've got | 0:16:55 | 0:16:58 | |
from ancient boat-building techniques. | 0:16:58 | 0:17:00 | |
Once we've built this boat, try and paddle it across the Pentland Firth. | 0:17:00 | 0:17:06 | |
I think you should see a psychiatrist! | 0:17:06 | 0:17:08 | |
Well, I like the word "trying"! | 0:17:10 | 0:17:12 | |
This is going to be a big build. | 0:17:12 | 0:17:14 | |
So what sort of good boat-building materials | 0:17:14 | 0:17:16 | |
would they have had to hand? | 0:17:16 | 0:17:19 | |
Essentially anything that was flexible, | 0:17:19 | 0:17:21 | |
that we could put a bend in. | 0:17:21 | 0:17:23 | |
That essentially is going to give you the shape. | 0:17:23 | 0:17:25 | |
And of course the strength comes from weaving. | 0:17:25 | 0:17:28 | |
And this is willow. But everybody would have built a boat differently. | 0:17:28 | 0:17:31 | |
There was no set way, and every one that floated was the right way, | 0:17:31 | 0:17:34 | |
if you like. | 0:17:34 | 0:17:36 | |
What other sort of resource would they have used to build it? | 0:17:36 | 0:17:39 | |
We're getting a large skin. | 0:17:39 | 0:17:40 | |
We're also getting fat for sealing the skin. | 0:17:40 | 0:17:43 | |
We're getting the bones to make the tools, | 0:17:43 | 0:17:45 | |
we're getting the sinew to make the bindings and so on. | 0:17:45 | 0:17:47 | |
So the cow itself contains a lot of natural resources. | 0:17:47 | 0:17:51 | |
So, essentially we're going to build a seaworthy boat | 0:17:51 | 0:17:54 | |
out of trees and cows? | 0:17:54 | 0:17:56 | |
We're going to pull out from the middle | 0:18:01 | 0:18:04 | |
-and see what kind of shape we're getting. -OK. | 0:18:04 | 0:18:06 | |
-Punch one in there, Andy. -There? | 0:18:07 | 0:18:09 | |
Out a bit, Andy, that way a bit, please. | 0:18:09 | 0:18:11 | |
-More? -I would say that's not bad. | 0:18:11 | 0:18:14 | |
Now, that's the voice of experience! | 0:18:14 | 0:18:16 | |
How many of these have you built, Davey? | 0:18:18 | 0:18:21 | |
DAVEY CLEARS THROAT | 0:18:21 | 0:18:23 | |
What we've got here at the moment, the boat is actually upside down. | 0:18:27 | 0:18:30 | |
-Of course. -So this, the gunwale, is that wall at the top. | 0:18:30 | 0:18:34 | |
-The sides. -Yeah. -Just the sides. -The two sides. -Yeah. | 0:18:34 | 0:18:37 | |
So, it's what's holding the top of the boat together | 0:18:37 | 0:18:40 | |
and then, eventually, we'll bend these over and that... | 0:18:40 | 0:18:43 | |
they tie them together and that's what creates the bottom of the boat. | 0:18:43 | 0:18:46 | |
Yeah, these are partners. | 0:18:46 | 0:18:47 | |
These will be bent over together as a shape, we'll call them the ribs, | 0:18:47 | 0:18:50 | |
if you like. When they're bent to the right shape, | 0:18:50 | 0:18:52 | |
they'll slot down into the weave and these will lock together. | 0:18:52 | 0:18:55 | |
I can see how the boat's going to come together and be built, | 0:18:55 | 0:18:59 | |
but I just... You know, to deal with the power | 0:18:59 | 0:19:01 | |
of the Pentland Firth is another matter. | 0:19:01 | 0:19:04 | |
Well, what you need, Andy, is faith. | 0:19:04 | 0:19:07 | |
Back at the Ness of Brodgar, | 0:19:10 | 0:19:12 | |
work is concentrating on the excavation of structure ten. | 0:19:12 | 0:19:16 | |
Archaeologist Dr Mike Copper is just preparing | 0:19:18 | 0:19:21 | |
to lift the first of the floor slabs. | 0:19:21 | 0:19:23 | |
He's hoping there might be something intriguing hidden beneath it. | 0:19:25 | 0:19:29 | |
Oh, I'm always excited about the prospects of lifting slabs, | 0:19:31 | 0:19:33 | |
we've had interesting things come out | 0:19:33 | 0:19:36 | |
from underneath them before, yeah. Yeah. Absolutely. | 0:19:36 | 0:19:39 | |
OK. OK, with care. | 0:19:41 | 0:19:45 | |
Oh-ho-ho! Oh, my goodness! | 0:19:46 | 0:19:50 | |
That is cattle bone. | 0:19:50 | 0:19:52 | |
There are more slabs to lift. | 0:19:54 | 0:19:56 | |
-Wow! -HE LAUGHS | 0:20:02 | 0:20:05 | |
Yeah, I need a cup of tea now, definitely. | 0:20:09 | 0:20:13 | |
That...oh...that's pretty special. Wow. Hm. | 0:20:13 | 0:20:17 | |
Jasper, would you mind telling Nick | 0:20:18 | 0:20:21 | |
-we've got a load more bone down here. -Certainly. | 0:20:21 | 0:20:24 | |
Very, very intriguing. | 0:20:24 | 0:20:26 | |
These cattle bones are unlikely to be here by accident. | 0:20:28 | 0:20:32 | |
Around 5,000 years ago, someone carefully placed them | 0:20:32 | 0:20:36 | |
underneath one of the four cornered buttresses, | 0:20:36 | 0:20:39 | |
inside structure ten. | 0:20:39 | 0:20:40 | |
Even to this day, cattle are central to the way of life here. | 0:20:42 | 0:20:46 | |
We know this all began with the people of ancient Orkney | 0:20:46 | 0:20:49 | |
who used them for food and clothes. | 0:20:49 | 0:20:51 | |
Perhaps they also revered them. | 0:20:52 | 0:20:55 | |
It's possible these cattle bones were ritual offerings | 0:20:56 | 0:20:59 | |
made to imbue the structure with some mystical power. | 0:20:59 | 0:21:04 | |
Dig director Nick Card has come to take a look. | 0:21:04 | 0:21:07 | |
-So what have we got, Mike? -OK. We have... | 0:21:09 | 0:21:13 | |
Oh, my goodness! | 0:21:13 | 0:21:16 | |
It's, yeah.... It's quite spectacular. | 0:21:16 | 0:21:19 | |
I think from now on, this area is basically, as you've been doing, | 0:21:19 | 0:21:23 | |
almost out of bounds, so we'll have to just work in from the edges. | 0:21:23 | 0:21:27 | |
Just in case there's yet more underneath these other flags. | 0:21:27 | 0:21:33 | |
I'd be very surprised if there wasn't more bone | 0:21:35 | 0:21:37 | |
down there, absolutely. The deposit looks very extensive, so, yes, | 0:21:37 | 0:21:41 | |
I think there's probably more to come. | 0:21:41 | 0:21:43 | |
Back on Stronsay, Chris is on the hunt for information | 0:21:47 | 0:21:51 | |
about how the ancient Orcadians got hold of whalebone. | 0:21:51 | 0:21:55 | |
He wants to find out the number and scale | 0:21:55 | 0:21:58 | |
of whale strandings in recent times, | 0:21:58 | 0:22:01 | |
Which might shed light on how often | 0:22:01 | 0:22:03 | |
this could have happened in the past. | 0:22:03 | 0:22:05 | |
-Hello. -Hello, Jean. -Hello. | 0:22:05 | 0:22:07 | |
In 1950, Jean Stevenson | 0:22:09 | 0:22:11 | |
witnessed a whole pod of pilot whales washed up on the beach. | 0:22:11 | 0:22:15 | |
Well, that's a photograph. That gives you an idea... | 0:22:17 | 0:22:21 | |
-Look, yeah. -..just how many there were. -96, yeah. | 0:22:21 | 0:22:25 | |
They were groaning and blowing and they were obviously in distress. | 0:22:25 | 0:22:31 | |
Some of the smaller ones, the men tried to put them out | 0:22:31 | 0:22:35 | |
into the sea again and they stayed for about 20 minutes, maybe. | 0:22:35 | 0:22:39 | |
And then they just came back in again. | 0:22:39 | 0:22:42 | |
So there was really nothing they could do to help them. | 0:22:42 | 0:22:45 | |
These animals, they rely on their echolocation | 0:22:51 | 0:22:54 | |
for close-to-shore navigation | 0:22:54 | 0:22:56 | |
and this shallow, sloping sandy beach is just the sort of place | 0:22:56 | 0:23:00 | |
where you don't get a good bounce... | 0:23:00 | 0:23:02 | |
-Aye. -..off rocks or cliffs or things like that. -Yeah. | 0:23:02 | 0:23:05 | |
And so it's quite possible that they just got a bit confused coming into | 0:23:05 | 0:23:08 | |
this bay, and ended up coming onto the beach. | 0:23:08 | 0:23:11 | |
These pods are very strongly based on the mother, | 0:23:11 | 0:23:15 | |
and if she gets it wrong, all the others will simply follow her. | 0:23:15 | 0:23:19 | |
So, if she's old or sick or debilitated or confused, | 0:23:19 | 0:23:23 | |
it's that herd mentality. | 0:23:23 | 0:23:27 | |
Exactly. | 0:23:27 | 0:23:28 | |
On average, ten whales or dolphins end up stranded | 0:23:31 | 0:23:34 | |
on the shores of Orkney every year. | 0:23:34 | 0:23:37 | |
But long before commercial hunting, | 0:23:38 | 0:23:40 | |
the picture would have been even more dramatic. | 0:23:40 | 0:23:43 | |
In those days, there would have been an enormously larger number | 0:23:45 | 0:23:49 | |
of whales, so there could have been | 0:23:49 | 0:23:51 | |
a chance that there would have been a lot more stranded. | 0:23:51 | 0:23:54 | |
And all of a sudden you've got tonnes of meat lying on the beach. | 0:23:54 | 0:23:58 | |
So there's going to be a big barbecue bonanza. | 0:23:58 | 0:24:01 | |
But then it's not just the meat, I mean, all of the bones. | 0:24:01 | 0:24:04 | |
-Exactly. I've got a small specimen here. -You've been making some soup. | 0:24:04 | 0:24:08 | |
It's like a propeller. | 0:24:08 | 0:24:09 | |
I mean, imagine how many needles you could make from that. | 0:24:09 | 0:24:13 | |
And then, of course, you've got the shoreline itself, | 0:24:13 | 0:24:15 | |
full of crustaceans and shellfish, seaweed, | 0:24:15 | 0:24:18 | |
which would have been rich beyond our imagination. | 0:24:18 | 0:24:21 | |
People in Neolithic times had such an extensive knowledge | 0:24:21 | 0:24:24 | |
of everything they did. | 0:24:24 | 0:24:26 | |
I tried to make a mace this morning. | 0:24:26 | 0:24:29 | |
That's a thing of wonder. I love that. | 0:24:29 | 0:24:30 | |
I love how you can already see the finished object | 0:24:30 | 0:24:33 | |
emerging from that piece. | 0:24:33 | 0:24:37 | |
It seems that they reached a point where their understanding | 0:24:37 | 0:24:39 | |
of their environment and their understanding of the resources | 0:24:39 | 0:24:43 | |
that were available to them | 0:24:43 | 0:24:46 | |
enabled them to bring together a civilisation that worked | 0:24:46 | 0:24:51 | |
on every level. | 0:24:51 | 0:24:52 | |
The ancient Orcadians were people of plenty. | 0:24:55 | 0:24:58 | |
They had the natural resources and the technological know-how | 0:24:58 | 0:25:01 | |
to help their culture thrive. | 0:25:01 | 0:25:04 | |
But there is still much to find out. | 0:25:05 | 0:25:07 | |
How did they cross the raging seas? | 0:25:07 | 0:25:10 | |
Argh, this weighs a tonne! | 0:25:10 | 0:25:12 | |
And what might they have believed? | 0:25:12 | 0:25:14 | |
At the ness, all eyes are on structure ten - | 0:25:19 | 0:25:23 | |
Mike is about to lift another slab. | 0:25:23 | 0:25:25 | |
Well, we're looking at the second part of a fractured slab | 0:25:28 | 0:25:32 | |
that was overlying the large cattle bones | 0:25:32 | 0:25:35 | |
that we can see just down here. | 0:25:35 | 0:25:37 | |
If there's any bone adhering to the base of it we'll have two flip it | 0:25:37 | 0:25:40 | |
over, move it that way, and put it down. | 0:25:40 | 0:25:43 | |
OK? Right. Are we ready? | 0:25:43 | 0:25:47 | |
OK. Let's have a look. | 0:25:47 | 0:25:48 | |
I'll pull it up that way. Careful, careful. | 0:25:48 | 0:25:51 | |
Oh! | 0:25:53 | 0:25:55 | |
This is... That looks remarkably like bone. | 0:25:55 | 0:25:59 | |
That could just be the tip of the iceberg, | 0:25:59 | 0:26:03 | |
poking above the surface of the ocean. | 0:26:03 | 0:26:05 | |
A spray of water reveals it is another bone, | 0:26:07 | 0:26:10 | |
but this one isn't from a cow. | 0:26:10 | 0:26:13 | |
Has that helped? | 0:26:13 | 0:26:14 | |
I have to admit, it does actually look human. | 0:26:16 | 0:26:19 | |
But I wouldn't want to commit myself at this stage, really, | 0:26:19 | 0:26:24 | |
but if it were to be human, that would be fascinating, | 0:26:24 | 0:26:27 | |
particularly as it's in with so much cattle bone. | 0:26:27 | 0:26:29 | |
But before Mike can investigate the remarkable find further... | 0:26:31 | 0:26:35 | |
..the fickle Orkney weather intervenes. | 0:26:37 | 0:26:40 | |
It looks like the weather's closing in, | 0:26:43 | 0:26:45 | |
so we're just getting the site ready, | 0:26:45 | 0:26:48 | |
because I think it is going to start heaving down with rain. | 0:26:48 | 0:26:54 | |
Bye-bye, site, for the afternoon. | 0:26:58 | 0:27:00 | |
We'll be back tomorrow morning when it will be bright and sunny | 0:27:00 | 0:27:03 | |
and subtropical temperatures. | 0:27:03 | 0:27:06 | |
So we hope. | 0:27:06 | 0:27:07 | |
Every cloud has a silver lining. | 0:27:16 | 0:27:18 | |
The storm reveals something surprising | 0:27:18 | 0:27:22 | |
to art expert Antonia Thomas. | 0:27:22 | 0:27:25 | |
It was all muddy, and I just saw the top of it there | 0:27:27 | 0:27:31 | |
and realised it went across the grain, | 0:27:31 | 0:27:33 | |
but these were full of mud. | 0:27:33 | 0:27:35 | |
Some of this stonework had become washed by the recent rains, | 0:27:36 | 0:27:40 | |
and there it was, this new piece of Neolithic art. | 0:27:40 | 0:27:44 | |
Yeah, fantastic. | 0:27:44 | 0:27:47 | |
To have this sort of arcing carved in parallel lines, | 0:27:47 | 0:27:52 | |
surrounding, essentially, | 0:27:52 | 0:27:55 | |
a kind of rosette pattern with little drilled cupolae | 0:27:55 | 0:27:59 | |
is really unusual. | 0:27:59 | 0:28:01 | |
We've not got anything like that on site. | 0:28:01 | 0:28:03 | |
Shini is catching up with Antonia to find out more | 0:28:06 | 0:28:08 | |
about the art found at the ness | 0:28:08 | 0:28:11 | |
and, especially, the astonishing objects | 0:28:11 | 0:28:14 | |
recovered from structure ten. | 0:28:14 | 0:28:16 | |
Oh, are these special finds? | 0:28:16 | 0:28:18 | |
-There is. -What I've got here are some of the more | 0:28:18 | 0:28:20 | |
interesting objects - specifically, ones with decoration. | 0:28:20 | 0:28:23 | |
This is quite a large stone, | 0:28:23 | 0:28:26 | |
it actually weighs about 35, 40 kilos, so it's quite a beast. | 0:28:26 | 0:28:30 | |
Do these shapes symbolise anything? | 0:28:30 | 0:28:33 | |
Well, the kind of carvings we get, | 0:28:33 | 0:28:36 | |
the decoration we get in Orkney | 0:28:36 | 0:28:38 | |
is almost entirely these sort of geometric, linear abstract forms. | 0:28:38 | 0:28:42 | |
We don't get any figurative carvings of people or animals, for example, | 0:28:42 | 0:28:47 | |
like you do in other places. | 0:28:47 | 0:28:48 | |
They've found over 700 examples of decorated stone | 0:28:51 | 0:28:54 | |
at the Ness of Brodgar. | 0:28:54 | 0:28:57 | |
One of the rarest is this carved stone ball, | 0:28:57 | 0:28:59 | |
discovered a few years ago beneath structure ten. | 0:28:59 | 0:29:02 | |
Some archaeologists go their whole life kind of dreaming of finding | 0:29:02 | 0:29:05 | |
a carved stone ball - it's one of those sort of finds. | 0:29:05 | 0:29:09 | |
-Was it you that found it? -Nope. It wasn't me, I've never found one. | 0:29:09 | 0:29:12 | |
I'd quite like to. | 0:29:12 | 0:29:14 | |
I don't know, maybe as an engineer, I feel like it can't just be art. | 0:29:14 | 0:29:17 | |
There must have been a function to this. | 0:29:17 | 0:29:20 | |
It seems likely that they were kind of a special | 0:29:20 | 0:29:22 | |
kind of ritual artefact that was | 0:29:22 | 0:29:24 | |
kind of used, perhaps, in ceremonies. | 0:29:24 | 0:29:26 | |
They certainly show a very keen interest in geometry. | 0:29:26 | 0:29:28 | |
If you look at the skill and how they're made, | 0:29:28 | 0:29:31 | |
that sort of carving around is quite sophisticated. | 0:29:31 | 0:29:35 | |
Carved stone balls like this have been found across Scotland | 0:29:38 | 0:29:41 | |
and the north of England and may be part of the stone circle culture | 0:29:41 | 0:29:46 | |
which swept down Britain around 3000 BC. | 0:29:46 | 0:29:49 | |
Including, of course, the most famous stone circle | 0:29:49 | 0:29:52 | |
of them all, Stonehenge. | 0:29:52 | 0:29:54 | |
This culture seems to have emanated from Orkney, | 0:29:56 | 0:29:59 | |
with the ness at its heart. | 0:29:59 | 0:30:02 | |
A culture transmitted by people travelling the seaways of Britain. | 0:30:02 | 0:30:06 | |
-Ready? -Yes. | 0:30:14 | 0:30:15 | |
After a week of hard graft, Patrick and the volunteers | 0:30:17 | 0:30:20 | |
have completed the willow frame of their Neolithic boat. | 0:30:20 | 0:30:24 | |
I'll tell you what, that looks so much stronger | 0:30:24 | 0:30:29 | |
than I thought it would. | 0:30:29 | 0:30:30 | |
It should be like a tight drum, but it should have some flex in it. | 0:30:30 | 0:30:34 | |
What I would prefer not to happen is, when I'm halfway across | 0:30:34 | 0:30:37 | |
the Pentland Firth, it starts shaking apart. | 0:30:37 | 0:30:40 | |
It's not going to shake apart. It's going to flex. | 0:30:40 | 0:30:43 | |
You're going to feel the motion of the water underneath you, | 0:30:43 | 0:30:46 | |
but it's not going to break. | 0:30:46 | 0:30:48 | |
It's clear that the ancient Orcadians | 0:30:50 | 0:30:53 | |
would have had a plentiful supply of cowhide. | 0:30:53 | 0:30:58 | |
So that's what the team used to cover the frame. | 0:30:58 | 0:31:02 | |
-These are damp. -Yeah, they stretch better if they're damp. | 0:31:02 | 0:31:06 | |
OK. | 0:31:06 | 0:31:07 | |
Good old-fashioned beef dripping. | 0:31:09 | 0:31:12 | |
It's a good smell. | 0:31:12 | 0:31:15 | |
The cattle fat is used to waterproof the hide and the seams. | 0:31:15 | 0:31:19 | |
If that's not watertight, nothing will be. | 0:31:19 | 0:31:21 | |
For apprentice Jeff Mackie, building the boat is his way | 0:31:24 | 0:31:27 | |
of finding out more about his Orcadian roots. | 0:31:27 | 0:31:31 | |
This is telling the story of how our ancestors travelled | 0:31:31 | 0:31:35 | |
from Orkney to the mainland. | 0:31:35 | 0:31:38 | |
It's our history. It's an important part | 0:31:38 | 0:31:41 | |
of how we became what we are today. | 0:31:41 | 0:31:43 | |
Making the boat isn't enough by itself, though, | 0:31:47 | 0:31:50 | |
we also need to understand the tides and sea routes | 0:31:50 | 0:31:53 | |
the ancient Orcadians had to tackle. | 0:31:53 | 0:31:57 | |
No-one knows this stretch of sea better than the lifeboat crew | 0:31:57 | 0:31:59 | |
who patrol it. | 0:31:59 | 0:32:01 | |
Coxswain Angus Budge takes Shini out to the middle of the Pentland Firth. | 0:32:03 | 0:32:07 | |
So, if I shut the engines down right now, | 0:32:12 | 0:32:14 | |
could we measure how much we drift? | 0:32:14 | 0:32:16 | |
So, what on this screen tells us that we are drifting, | 0:32:18 | 0:32:22 | |
-and at what speed? -Speed overground tells us that. | 0:32:22 | 0:32:26 | |
Speed overground, SOG. 4.9 knots, 5.2 knots. | 0:32:26 | 0:32:30 | |
So is that how fast the tide is pushing us, then? | 0:32:30 | 0:32:33 | |
That's correct, yes. | 0:32:33 | 0:32:35 | |
One knot is slightly over a mile an hour, | 0:32:36 | 0:32:40 | |
currents this fast will push a boat about a mile off course | 0:32:40 | 0:32:43 | |
every ten minutes. | 0:32:43 | 0:32:46 | |
At times, the tidal flow can hit over ten knots. | 0:32:46 | 0:32:49 | |
The strongest tides anywhere in Britain. | 0:32:49 | 0:32:53 | |
So what we're drifting in now is what we're likely to encounter | 0:32:53 | 0:32:56 | |
-in our Neolithic boat. -Yeah. | 0:32:56 | 0:32:59 | |
But they could encounter something even worse. | 0:33:01 | 0:33:05 | |
In parts of the firth, the tide race creates violent turbulence. | 0:33:05 | 0:33:10 | |
-That is amazing. -There's a whirlpool there. | 0:33:10 | 0:33:14 | |
So what exactly is happening here? | 0:33:14 | 0:33:16 | |
Cos there seems to be a real sort of conflict of water flow. | 0:33:16 | 0:33:20 | |
What's happening is the Atlantic Ocean is trying to make its way | 0:33:20 | 0:33:23 | |
towards the North Sea. So on one side we have tide | 0:33:23 | 0:33:26 | |
that is moving east, and on the opposite side, | 0:33:26 | 0:33:30 | |
on the inside of this turbulence, the tide is actually moving west. | 0:33:30 | 0:33:33 | |
So a huge volume of water is being squeezed into a tiny space, | 0:33:33 | 0:33:38 | |
and that tiny space is caused by islands on each side, kind of, | 0:33:38 | 0:33:42 | |
-constricting the flow, essentially. -Yeah. | 0:33:42 | 0:33:46 | |
As the tidal race surges through the firth, | 0:33:46 | 0:33:50 | |
the island of Stroma disrupts the flow. | 0:33:50 | 0:33:53 | |
Areas of chaotic, deadly turbulence form at the island's tip. | 0:33:53 | 0:33:57 | |
Sailors have long called it the Swelkie. | 0:33:57 | 0:34:01 | |
-So is this Swelkie? -Yeah, we're in the Swelkie. | 0:34:05 | 0:34:08 | |
I believe that the Norse translation of the name means swallower. | 0:34:08 | 0:34:13 | |
Gosh, that doesn't sound too promising! | 0:34:13 | 0:34:15 | |
There are something like five shipwrecks | 0:34:15 | 0:34:19 | |
within 200 metres of where we are. | 0:34:19 | 0:34:22 | |
That's how bad it is. | 0:34:22 | 0:34:25 | |
The Swelkie varies in violence depending on the phase of the tides. | 0:34:25 | 0:34:29 | |
Every two weeks the tides swing between the gentle, neap tides, | 0:34:29 | 0:34:33 | |
and the more powerful spring tides. | 0:34:33 | 0:34:36 | |
This change is determined by the waxing and waning of the moon, | 0:34:36 | 0:34:39 | |
and it's this that the ancient Orcadians | 0:34:39 | 0:34:42 | |
are likely to have used to predict when it was safe to cross. | 0:34:42 | 0:34:47 | |
Back at the ness, the archaeologists are now ready, carefully, | 0:34:55 | 0:34:58 | |
to remove the mystery bone from the clay beneath structure ten. | 0:34:58 | 0:35:04 | |
My thoughts are that it is human. | 0:35:04 | 0:35:07 | |
There is little doubt in my mind, having excavated various skeletons | 0:35:07 | 0:35:11 | |
before in the past, that it is a human humerus. | 0:35:11 | 0:35:15 | |
Only a few human bones have ever been discovered at the ness. | 0:35:18 | 0:35:23 | |
And none of them in such a significant location. | 0:35:23 | 0:35:26 | |
The bone, from an arm, is around 5,000 years old, | 0:35:29 | 0:35:33 | |
and extremely fragile. | 0:35:33 | 0:35:35 | |
It's sitting on clay and that means that if we try and lift it, | 0:35:35 | 0:35:39 | |
the clay may actually stick to the bone | 0:35:39 | 0:35:41 | |
and the bone will just break in half. | 0:35:41 | 0:35:43 | |
So what we've got to do is we've got to ensure there's absolutely nothing | 0:35:43 | 0:35:46 | |
holding it down and then when we lift it, | 0:35:46 | 0:35:49 | |
it should lift in one piece. | 0:35:49 | 0:35:51 | |
Oh, careful, careful. | 0:35:51 | 0:35:53 | |
Yeah, wait a minute, though, it's not free yet. | 0:35:53 | 0:35:56 | |
This end needs dealing with. | 0:35:56 | 0:36:00 | |
-Let's try and get hands underneath. -Hold it underneath, the middle part. | 0:36:00 | 0:36:03 | |
There we go, right, gently, gently. | 0:36:03 | 0:36:05 | |
Lovely. OK then. | 0:36:08 | 0:36:10 | |
Once cleaned and dried, the bone can be examined in detail, | 0:36:13 | 0:36:17 | |
along with the cattle bones discovered earlier. | 0:36:17 | 0:36:22 | |
So, this was found as a kind of foundation deposit, | 0:36:22 | 0:36:24 | |
right underneath this buttress. | 0:36:24 | 0:36:27 | |
-A bone. -Cattle. Very large cattle. | 0:36:27 | 0:36:31 | |
And in this particular area there was three articulated leg bones. | 0:36:31 | 0:36:36 | |
So articulated, so they went in with meat still on them? | 0:36:36 | 0:36:41 | |
Yes, at least the sinews holding them together, | 0:36:41 | 0:36:44 | |
but I would expect that these were still enfleshed. | 0:36:44 | 0:36:47 | |
So that was buried beside, at the same time as this? | 0:36:47 | 0:36:49 | |
Right in the midst of all these cattle bone, but very odd, | 0:36:49 | 0:36:52 | |
just a single human bone. | 0:36:52 | 0:36:54 | |
This isn't human sacrifice, this isn't... | 0:36:54 | 0:36:58 | |
hasn't been butchered like the cattle bones? | 0:36:58 | 0:37:01 | |
No, there's no evidence that this has been butchered. | 0:37:01 | 0:37:04 | |
This seems to have been somebody who was dead already, | 0:37:04 | 0:37:07 | |
and the bones were... | 0:37:07 | 0:37:09 | |
became disarticulated | 0:37:09 | 0:37:11 | |
and then this particular bone selected to be placed | 0:37:11 | 0:37:13 | |
-next to the cattle bone. -It's great, isn't it? | 0:37:13 | 0:37:16 | |
I mean, it's unintentional on the part of the people | 0:37:16 | 0:37:18 | |
that put it on the ground, but they are sending us, you know, a message, | 0:37:18 | 0:37:22 | |
they're sending us information from their present to our present. | 0:37:22 | 0:37:26 | |
Indeed. This is one of the kind of gifts of archaeology. | 0:37:26 | 0:37:30 | |
These kind of unexpected deposits can sometimes shed a whole lot more | 0:37:30 | 0:37:34 | |
light on various aspects of life 5,000 years ago. | 0:37:34 | 0:37:38 | |
Similar discoveries of human and animal bones together | 0:37:43 | 0:37:46 | |
have been made elsewhere in Orkney. | 0:37:46 | 0:37:49 | |
The more examples we can find, the more situations | 0:37:51 | 0:37:54 | |
in which we come across human remains and animal remains | 0:37:54 | 0:37:57 | |
being put deliberately together, | 0:37:57 | 0:37:59 | |
then the better the chance we have of working out what's going on. | 0:37:59 | 0:38:04 | |
But it's complicated. | 0:38:04 | 0:38:06 | |
It is fundamentally about trying to get inside the mind | 0:38:06 | 0:38:09 | |
of the Neolithic human being. | 0:38:09 | 0:38:12 | |
The most spectacular discovery in Orkney of human and animal bones | 0:38:15 | 0:38:19 | |
combined was made on the island of South Ronaldsay 50 years ago. | 0:38:19 | 0:38:24 | |
Farmer Ronnie Simison stumbled across a Neolithic tomb containing | 0:38:24 | 0:38:29 | |
thousands of human bones and alongside the bones of the people, | 0:38:29 | 0:38:33 | |
he discovered the remains of scores of sea eagles. | 0:38:33 | 0:38:37 | |
The sea eagle is the largest bird of prey in Britain | 0:38:40 | 0:38:44 | |
and can still be seen around the cliffs of Orkney today. | 0:38:44 | 0:38:48 | |
Perhaps the Tomb of the Eagles can help shed light on the mysterious | 0:38:48 | 0:38:52 | |
practices of the ancient Orcadians. | 0:38:52 | 0:38:56 | |
You can see why they chose it for a burial place. | 0:38:56 | 0:38:59 | |
-Aha. -Magnificent... | 0:38:59 | 0:39:00 | |
'Ronnie's daughter, Kathleen, is now the keeper of the tomb.' | 0:39:00 | 0:39:03 | |
Right, I'm guessing I lie on my back, cos I can see a rope. | 0:39:03 | 0:39:06 | |
You've got a choice, some people do it on their front, | 0:39:06 | 0:39:09 | |
you can do it on your back, if you like. | 0:39:09 | 0:39:10 | |
-OK. -Watch your head, that's it. | 0:39:10 | 0:39:13 | |
-Oh, yes. -Pull on the rope, there you go. | 0:39:13 | 0:39:16 | |
Oh, yes. Oh, I love it. | 0:39:18 | 0:39:22 | |
That's amazing. | 0:39:22 | 0:39:24 | |
What exactly did your dad see? | 0:39:30 | 0:39:33 | |
There was just a dark space inside, so he got a cigarette lighter | 0:39:33 | 0:39:38 | |
and put that in and lit it, | 0:39:38 | 0:39:40 | |
-and there were between 20 and 30 skulls smiling back at him. -Wow. | 0:39:40 | 0:39:43 | |
He was the first person to put light in there for thousands of years. | 0:39:43 | 0:39:47 | |
-Yeah. -How many human bones did he find in here? | 0:39:47 | 0:39:51 | |
There were 16,000 human bones. | 0:39:51 | 0:39:54 | |
-16,000 human bones?! -Yeah. | 0:39:54 | 0:39:57 | |
So how many individuals does that represent? | 0:39:57 | 0:40:00 | |
Well, there are about 85 skulls, | 0:40:00 | 0:40:02 | |
but I believe there's about 114 jawbones, | 0:40:02 | 0:40:06 | |
and there'll be a few more than that. | 0:40:06 | 0:40:08 | |
-So a lot of the bones were broken up? -A lot of people. | 0:40:08 | 0:40:10 | |
-Yes. -Tell me the story of the eagle bones, then. | 0:40:10 | 0:40:14 | |
There were 70 talons found in the tomb, | 0:40:14 | 0:40:17 | |
one man had five buried with him, another person had seven. | 0:40:17 | 0:40:21 | |
Another had 15. | 0:40:21 | 0:40:23 | |
You get a real sense, that really gives you the sea eagle, | 0:40:23 | 0:40:26 | |
doesn't it, when you see that? | 0:40:26 | 0:40:28 | |
It's possibly a status symbol. | 0:40:28 | 0:40:30 | |
Are all the bones and all the talons from sea eagles... | 0:40:30 | 0:40:34 | |
-Yes. -..all one species? -Yes. | 0:40:34 | 0:40:36 | |
But different tombs in Orkney, | 0:40:36 | 0:40:39 | |
some of them appear to have more than one bird or animal | 0:40:39 | 0:40:41 | |
than any other. | 0:40:41 | 0:40:43 | |
So it's possibly a totem, an emblem, as well. | 0:40:43 | 0:40:47 | |
'There is debate about when and how the sea eagle bones | 0:40:49 | 0:40:52 | |
'entered the tomb. | 0:40:52 | 0:40:54 | |
'But it could be that they were carefully placed | 0:40:54 | 0:40:57 | |
'alongside the human skeletons.' | 0:40:57 | 0:40:59 | |
It is fascinating having the opportunity to speculate | 0:41:01 | 0:41:03 | |
about what the sea eagles meant to the people | 0:41:03 | 0:41:05 | |
who took the trouble to incorporate their bones | 0:41:05 | 0:41:08 | |
in amongst the human remains at the tomb. | 0:41:08 | 0:41:11 | |
As they flew in the sky, they were guardians | 0:41:11 | 0:41:13 | |
for what the ancestors had been and who they had represented. | 0:41:13 | 0:41:17 | |
Now, was something similar happening at the ness? | 0:41:17 | 0:41:19 | |
Was it the case there that there was also a belief | 0:41:19 | 0:41:22 | |
or an understanding of a symbiotic relationship | 0:41:22 | 0:41:26 | |
between the human beings and the cattle that they took care of? | 0:41:26 | 0:41:31 | |
Was it some kind of coming together of everything | 0:41:31 | 0:41:33 | |
that was important about life? | 0:41:33 | 0:41:35 | |
The Neolithic boat is nearly finished. | 0:41:45 | 0:41:48 | |
As far as possible, the team have used materials and techniques | 0:41:48 | 0:41:52 | |
the ancient Orcadians were known to have. | 0:41:52 | 0:41:55 | |
Marine archaeologist Sandra Hendry has come to inspect it. | 0:41:55 | 0:42:00 | |
-In you go. -Oh, wow! | 0:42:00 | 0:42:04 | |
This is the boat, which will hopefully take us across | 0:42:04 | 0:42:06 | |
-the Pentland Firth. -That is amazing! | 0:42:06 | 0:42:10 | |
And what did you use for the skin of the vessel? | 0:42:10 | 0:42:12 | |
-It's cow. Cowhide. -Wow. | 0:42:12 | 0:42:14 | |
And then covered in lard, basically. | 0:42:14 | 0:42:18 | |
Animal fat...to waterproof it. | 0:42:18 | 0:42:21 | |
Really small paddles as well. | 0:42:21 | 0:42:23 | |
Massive blades will give you more power per stroke, | 0:42:23 | 0:42:27 | |
but it's a huge amount of effort to use them, | 0:42:27 | 0:42:29 | |
so it's a balance between the power, | 0:42:29 | 0:42:31 | |
but not completely knackering yourself in the first two minutes. | 0:42:31 | 0:42:34 | |
-But, yeah... -This is really impressive. | 0:42:34 | 0:42:37 | |
So, is this the sort of thing they would have had | 0:42:37 | 0:42:39 | |
in the Neolithic? | 0:42:39 | 0:42:41 | |
Yeah, this is the kind of craft we're probably looking at them using | 0:42:41 | 0:42:44 | |
to cross the Pentland Firth. | 0:42:44 | 0:42:46 | |
You know, the kind of internal wickerwork frame | 0:42:46 | 0:42:51 | |
and the hides. | 0:42:51 | 0:42:53 | |
You've a nice double-ended vessel. | 0:42:53 | 0:42:55 | |
You have a rudder in place. | 0:42:55 | 0:43:00 | |
I think that you're doing pretty well with what you've built here. | 0:43:00 | 0:43:03 | |
-OK. -Yeah. I still don't particularly fancy your chances, | 0:43:03 | 0:43:06 | |
just cos it's such a dangerous body of water. | 0:43:06 | 0:43:09 | |
But...best of luck. | 0:43:09 | 0:43:12 | |
All the boat needs now is a crew. | 0:43:15 | 0:43:18 | |
Five members of the Orkney Rowing Club | 0:43:18 | 0:43:20 | |
and apprentice boat builder Jeff have volunteered | 0:43:20 | 0:43:23 | |
to make the crossing along with Andy. | 0:43:23 | 0:43:27 | |
-This is it. This is it. -Another boat for you to inspect. | 0:43:27 | 0:43:32 | |
I've never seen a canoe made out of cow before, so... | 0:43:32 | 0:43:35 | |
But it's... Yeah, the work on the inside here is amazing. | 0:43:35 | 0:43:40 | |
Davey is the club's skipper. | 0:43:40 | 0:43:42 | |
Yeah, it's impressive. Yeah. | 0:43:42 | 0:43:44 | |
Looking forward to get her in the water and give it a shot. | 0:43:44 | 0:43:48 | |
Audrey is the cox who will steer. | 0:43:48 | 0:43:51 | |
I think she looks quite sturdy. | 0:43:51 | 0:43:55 | |
But, yeah, I'm just intrigued if she's going to be too light. | 0:43:56 | 0:44:00 | |
Andy's got a boat and a crew. | 0:44:00 | 0:44:04 | |
But Shini's research is now also crucial. | 0:44:04 | 0:44:08 | |
The precise route, tides, weather and timing | 0:44:08 | 0:44:13 | |
will all play an important role. | 0:44:13 | 0:44:15 | |
Get any one factor wrong and the voyage could founder. | 0:44:15 | 0:44:19 | |
So what did the lifeboat guys say? | 0:44:19 | 0:44:22 | |
Well, first of all, the lifeboatmen really suggested | 0:44:22 | 0:44:25 | |
that we shouldn't do this, cos it's so dangerous. Very treacherous. | 0:44:25 | 0:44:28 | |
-OK. -But they said if we were going to attempt it, | 0:44:28 | 0:44:31 | |
we should start leaving the bay at 8am. | 0:44:31 | 0:44:36 | |
So, ideally what you want to do is just sail directly down south | 0:44:36 | 0:44:39 | |
to the mainland. | 0:44:39 | 0:44:41 | |
But it's obviously not going to work out that way, | 0:44:41 | 0:44:44 | |
because you've got tides going from west to east. | 0:44:44 | 0:44:47 | |
So you're going to have to do a journey | 0:44:47 | 0:44:50 | |
that is pointing in the opposite direction, | 0:44:50 | 0:44:52 | |
so that you're drifting south that way. | 0:44:52 | 0:44:55 | |
The lifeboatmen really suggested that we stay away from this area, | 0:44:55 | 0:44:59 | |
it's notoriously dangerous, and having been out on the lifeboat, | 0:44:59 | 0:45:04 | |
I saw whirlpools being formed out of nothing and then dissipating. | 0:45:04 | 0:45:07 | |
I mean, it's just really kind of unpredictable out there. | 0:45:07 | 0:45:11 | |
Andy and the crew plan their journey for just after the less powerful | 0:45:14 | 0:45:17 | |
neap tide that only occurs twice every month. | 0:45:17 | 0:45:21 | |
But even this tide creates powerful currents, | 0:45:21 | 0:45:24 | |
and once they leave the bay, | 0:45:24 | 0:45:25 | |
they'll have to fight hard to avoid being pushed east | 0:45:25 | 0:45:29 | |
into the treacherous Swelkie. | 0:45:29 | 0:45:32 | |
Knowledge of tides was just one consideration | 0:45:32 | 0:45:35 | |
ancient Orcadians would have to make every time they set out to sea. | 0:45:35 | 0:45:39 | |
Now, this doesn't take into account weather. | 0:45:39 | 0:45:43 | |
No. Back in Neolithic times, you know, | 0:45:43 | 0:45:45 | |
they would never risk this crossing in anything but ideal conditions. | 0:45:45 | 0:45:48 | |
It's going to be affected by the wind a huge amount. | 0:45:48 | 0:45:50 | |
So, what I'm hoping for is very, | 0:45:50 | 0:45:52 | |
very light winds - or no wind at all would be nice. | 0:45:52 | 0:45:55 | |
Crew and boat are heading to the launch point, | 0:46:00 | 0:46:03 | |
a sheltered bay on the island of Hoy. | 0:46:03 | 0:46:08 | |
Are we good? | 0:46:08 | 0:46:09 | |
Tomorrow morning, it's key that we get out of this bay | 0:46:12 | 0:46:14 | |
at exactly the right time to get the tide and the right conditions. | 0:46:14 | 0:46:18 | |
So what we don't want to be, is tomorrow morning, at that moment, | 0:46:18 | 0:46:21 | |
messing around trying to sort the boat out. | 0:46:21 | 0:46:23 | |
So everything's got to be perfect tonight, | 0:46:23 | 0:46:25 | |
before we go to bed. | 0:46:25 | 0:46:27 | |
The 16,000 human bones discovered in the Tomb of the Eagles | 0:46:30 | 0:46:35 | |
are now kept at The Orkney Museum in Kirkwall. | 0:46:35 | 0:46:40 | |
It's a treasure trove of evidence that might help shed light | 0:46:40 | 0:46:43 | |
on the human bone found at the ness. | 0:46:43 | 0:46:48 | |
Forensic archaeologist Dave Lawrence has examined all of the bones, | 0:46:48 | 0:46:52 | |
and has come to some startling conclusions | 0:46:52 | 0:46:55 | |
about life in Neolithic Orkney. | 0:46:55 | 0:46:57 | |
It was not in any way peaceful. | 0:47:00 | 0:47:02 | |
Certainly the individuals at the Tomb of the Eagles | 0:47:02 | 0:47:05 | |
suffered violence, some of them fatally. | 0:47:05 | 0:47:07 | |
Possibly up to 40% or 50% of them did, | 0:47:07 | 0:47:10 | |
which is higher than has been estimated anywhere else. | 0:47:10 | 0:47:13 | |
This is a prime example. | 0:47:13 | 0:47:15 | |
This is a young female individual, | 0:47:15 | 0:47:18 | |
this poor woman was hit on the side of the head, just here, | 0:47:18 | 0:47:24 | |
this indentation is a healed depressed fracture. | 0:47:24 | 0:47:27 | |
-Goodness. -Quite long. | 0:47:27 | 0:47:29 | |
This is another healed depressed fracture. | 0:47:29 | 0:47:32 | |
So during the course of her life, she has been attacked or beaten... | 0:47:32 | 0:47:36 | |
Either on several occasions or on one occasion, quite severely. | 0:47:36 | 0:47:41 | |
But she survived? She didn't die of these wounds? | 0:47:41 | 0:47:44 | |
She survived that and she's probably lived on to a decent age. | 0:47:44 | 0:47:47 | |
And you say getting on for half of the people in that tomb | 0:47:47 | 0:47:51 | |
had suffered some kind of violence? | 0:47:51 | 0:47:54 | |
This is almost certainly interpersonal violence, | 0:47:54 | 0:47:56 | |
on quite a large scale. | 0:47:56 | 0:47:59 | |
As well as violence, what else is featuring on the skeletons, | 0:47:59 | 0:48:04 | |
on the bones that you're getting out of the tomb? | 0:48:04 | 0:48:07 | |
We see quite a lot of osteoarthritis, | 0:48:07 | 0:48:09 | |
and that's very widespread in the Neolithic. It's a hard life. | 0:48:09 | 0:48:12 | |
They do a lot of physical labour. | 0:48:12 | 0:48:14 | |
So the Tomb of the Eagles is a collection of people | 0:48:14 | 0:48:16 | |
damaged by violence or damaged by disease, | 0:48:16 | 0:48:20 | |
and when they died, there was a decision made to keep them, | 0:48:20 | 0:48:23 | |
because they had been oddities in life? | 0:48:23 | 0:48:26 | |
I think so. I think it's actually a little bit more than that. | 0:48:26 | 0:48:30 | |
If you don't understand what is causing someone's disease, | 0:48:30 | 0:48:32 | |
you might think they've been touched by something supernatural. | 0:48:32 | 0:48:36 | |
And one of the things we see in some societies worldwide is that people | 0:48:36 | 0:48:40 | |
who are touched by the supernatural might be in contact with the | 0:48:40 | 0:48:43 | |
supernatural and might even be able to control the supernatural. | 0:48:43 | 0:48:47 | |
And it might explain why they were selected to go into the tombs. | 0:48:47 | 0:48:50 | |
The Tomb of the Eagles on the Ness of Brodgar would have had very | 0:48:53 | 0:48:57 | |
different roles in the life of Neolithic Orkney. | 0:48:57 | 0:49:01 | |
But both sites have a fascinating combination | 0:49:01 | 0:49:04 | |
of animal and human remains. | 0:49:04 | 0:49:06 | |
It seems likely that the animal bones | 0:49:06 | 0:49:09 | |
were of creatures they revered and that the human bones | 0:49:09 | 0:49:12 | |
were almost certainly also of some spiritual significance. | 0:49:12 | 0:49:17 | |
Perhaps, that helps us to understand the human bone incorporated | 0:49:17 | 0:49:22 | |
into that enigmatic temple structure at the ness. | 0:49:22 | 0:49:26 | |
No doubt, surely, that human bone came from an individual | 0:49:26 | 0:49:31 | |
who was revered by the people who built the temple at the ness. | 0:49:31 | 0:49:36 | |
No doubt it wasn't just some random piece of human anatomy. | 0:49:36 | 0:49:41 | |
It was a bone from someone that they remembered, perhaps somebody | 0:49:41 | 0:49:44 | |
whose life, whose existence, had actually made that whole site, | 0:49:44 | 0:49:48 | |
the Ness of Brodgar significant and memorable in the first place. | 0:49:48 | 0:49:52 | |
We are inching closer to an understanding of the practice | 0:49:55 | 0:49:58 | |
and beliefs of the ancient Orcadians. | 0:49:58 | 0:50:02 | |
But it seems certain that the ness was at the centre of an intricate | 0:50:02 | 0:50:06 | |
belief system that bound their culture together, | 0:50:06 | 0:50:09 | |
a culture they took with them across the seas to the mainland. | 0:50:09 | 0:50:14 | |
The morning of the voyage, unusually for Orkney, | 0:50:20 | 0:50:23 | |
all looks calm. | 0:50:23 | 0:50:26 | |
But crossing six-and-a-half miles of the Pentland Firth | 0:50:26 | 0:50:29 | |
is unlikely to be so tranquil. | 0:50:29 | 0:50:32 | |
There's not much wind. | 0:50:33 | 0:50:35 | |
-Confident? -Um... | 0:50:36 | 0:50:40 | |
We'll definitely make some progress. | 0:50:40 | 0:50:42 | |
Whether we can actually make landfall or not, I don't know. | 0:50:42 | 0:50:47 | |
The whole thing's experimental, so, you know, | 0:50:47 | 0:50:50 | |
success or failure, we'll learn something. | 0:50:50 | 0:50:53 | |
We all know, you know, what the water here can do | 0:50:55 | 0:50:58 | |
and the dangers that it has there. | 0:50:58 | 0:51:00 | |
You know, it looks beautiful and pretty on a morning like this, | 0:51:00 | 0:51:03 | |
but, yeah, you know, you don't mess about on it, at all. | 0:51:03 | 0:51:06 | |
You have to respect the sea, because the sea takes no prisoners. | 0:51:07 | 0:51:12 | |
OK, five minutes. Guys, do your last-minute checks. | 0:51:16 | 0:51:20 | |
Make sure everything's in the boat. | 0:51:20 | 0:51:22 | |
It's very deceptive right now, because it's so calm | 0:51:23 | 0:51:25 | |
and so beautiful, but as soon as they make a right-hand turn | 0:51:25 | 0:51:29 | |
they're straight into the Pentland Firth. | 0:51:29 | 0:51:32 | |
And that's when the trial begins, | 0:51:32 | 0:51:35 | |
because those tides are going to be really strong out there. | 0:51:35 | 0:51:39 | |
It just goes to show what people in Neolithic times had to deal with. | 0:51:39 | 0:51:44 | |
OK, guys, let's head off and see what this does. | 0:51:44 | 0:51:49 | |
-Come on. -Good luck, guys. | 0:51:49 | 0:51:51 | |
We're off! | 0:51:55 | 0:51:57 | |
So, best-case scenario, they make it to land in however long it takes, | 0:51:58 | 0:52:03 | |
you know, it could be eight hours, could be less, could be more. | 0:52:03 | 0:52:06 | |
Worst-case scenario, I don't even want to think about it. | 0:52:06 | 0:52:09 | |
HORN BLARES | 0:52:15 | 0:52:18 | |
I don't know if that means good luck or turn back. | 0:52:21 | 0:52:24 | |
"Turn back now, you fools!" | 0:52:24 | 0:52:26 | |
If I look down, I can see the water line through the bottom of the boat | 0:52:39 | 0:52:43 | |
and it's...it's a funny thing that the only thing between us | 0:52:43 | 0:52:49 | |
and the meeting place of the Atlantic and the North Sea | 0:52:49 | 0:52:52 | |
is a bit of cow skin. | 0:52:52 | 0:52:54 | |
It's proved to be absolutely watertight. | 0:52:54 | 0:52:57 | |
So far, the boat is holding its own, | 0:53:00 | 0:53:03 | |
but the powerful tide race is now at its peak. | 0:53:03 | 0:53:07 | |
Running at over 8mph, it's driving the boat east all | 0:53:07 | 0:53:11 | |
-the time. -So they need to aim for that headland over there, | 0:53:11 | 0:53:15 | |
cos that will keep them in a south-westerly direction. | 0:53:15 | 0:53:17 | |
So it's crucial that they do that, | 0:53:17 | 0:53:20 | |
cos otherwise the flood tide is just going to keep them moving east, | 0:53:20 | 0:53:24 | |
and that is not a good thing. | 0:53:24 | 0:53:27 | |
It's not a good thing, because to the east | 0:53:27 | 0:53:30 | |
are the whirlpools of the Swelkie. | 0:53:30 | 0:53:32 | |
And despite their best efforts, the tide is pushing the boat | 0:53:32 | 0:53:36 | |
inexorably towards it. | 0:53:36 | 0:53:38 | |
Audrey, on the rudder, must keep them on a safe course, | 0:53:40 | 0:53:43 | |
until the tide turns in a couple of hours. | 0:53:43 | 0:53:48 | |
You can imagine the work that Audrey's doing just to keep the boat | 0:53:48 | 0:53:51 | |
straight, she's having to use her whole body weight | 0:53:51 | 0:53:54 | |
to counteract the thick tide. | 0:53:54 | 0:53:56 | |
Pushing the paddles and everything. | 0:53:56 | 0:53:58 | |
So, good on her, it's hard work for her too. | 0:53:58 | 0:54:01 | |
If nothing else, we've learnt that having a tiller, | 0:54:01 | 0:54:03 | |
being able to steer this boat, is essential | 0:54:03 | 0:54:05 | |
if you want to get across the Pentland Firth. | 0:54:05 | 0:54:07 | |
The Neolithic seafarers must have had boats with tillers. | 0:54:07 | 0:54:10 | |
The wind's picked up and the sea's picked up, it's much, much choppier. | 0:54:15 | 0:54:18 | |
And that just makes it much, much harder. | 0:54:18 | 0:54:21 | |
Out in the open sea, it's far more challenging. | 0:54:21 | 0:54:25 | |
For two hours they've been paddling a relentless 60 strokes a minute. | 0:54:25 | 0:54:30 | |
But they're still less than halfway. | 0:54:30 | 0:54:34 | |
-What's that, Bruce? -MUMBLING | 0:54:34 | 0:54:38 | |
There's a few shipwrecks around here. | 0:54:38 | 0:54:41 | |
Probably plenty of guys went down trying to do it in one of these. | 0:54:41 | 0:54:43 | |
Come on, guys. Dig it in. | 0:54:43 | 0:54:46 | |
Long and strong. Go on. | 0:54:46 | 0:54:49 | |
Their heroic efforts keep them clear of the Swelkie, | 0:54:49 | 0:54:53 | |
and now the current that fights them is weakening | 0:54:53 | 0:54:56 | |
as the tide begins to turn. | 0:54:56 | 0:54:58 | |
Slack water will allow them to head straight for mainland Britain. | 0:54:58 | 0:55:03 | |
Andy, you're perfectly on course. Good job. | 0:55:03 | 0:55:07 | |
Oh! | 0:55:21 | 0:55:23 | |
Dry land. British mainland. | 0:55:25 | 0:55:29 | |
-We made it. -Yes, we did it! | 0:55:29 | 0:55:32 | |
-CHEERING -Well done, guys. Well done, Andy. | 0:55:32 | 0:55:35 | |
That was cracking. Good effort. | 0:55:35 | 0:55:38 | |
I feel sore, tired, relieved. | 0:55:38 | 0:55:43 | |
The last time that someone did this in that sort of boat, | 0:55:43 | 0:55:46 | |
was probably, I don't know, 2000, 3000 BC. | 0:55:46 | 0:55:49 | |
We did it in, what did we do it in? Just under five hours. | 0:55:49 | 0:55:53 | |
This unique archaeological experiment | 0:56:00 | 0:56:02 | |
has shown the extraordinary feats | 0:56:02 | 0:56:05 | |
which these ancient people were capable of. | 0:56:05 | 0:56:08 | |
Their fragile skin boats carry people, | 0:56:08 | 0:56:11 | |
animals and goods across the most treacherous waters | 0:56:11 | 0:56:14 | |
in the British Isles. | 0:56:14 | 0:56:16 | |
They also carried something less tangible, but equally important. | 0:56:16 | 0:56:20 | |
Culture. | 0:56:20 | 0:56:22 | |
This was how ideas, beliefs and expertise spread out | 0:56:22 | 0:56:27 | |
to the rest of Britain. | 0:56:27 | 0:56:29 | |
Look at him. | 0:56:35 | 0:56:36 | |
He's radiating smug. | 0:56:36 | 0:56:39 | |
O, ye of little faith! | 0:56:39 | 0:56:42 | |
I was forewarding an understanding of Neolithic man. | 0:56:42 | 0:56:46 | |
You don't think it's anything to do with the fact that it was a day that | 0:56:46 | 0:56:49 | |
Pentland Firth has never seen before and will probably never see again? | 0:56:49 | 0:56:52 | |
I think that's probably the biggest factor, to be fair. | 0:56:52 | 0:56:55 | |
But, yeah, if the wind had been even 5mph more, we probably | 0:56:55 | 0:56:58 | |
-wouldn't have made it. -Did it feel seaworthy? | 0:56:58 | 0:57:02 | |
-You know, were you confident in the craft? -Yeah, absolutely. | 0:57:02 | 0:57:05 | |
I think their boat technology was far more advanced than | 0:57:05 | 0:57:08 | |
what we had. If you're making multiple crossings | 0:57:08 | 0:57:10 | |
throughout the year, year after year, generation after generation, | 0:57:10 | 0:57:13 | |
you're going to hone those boats to be fantastic crafts. | 0:57:13 | 0:57:17 | |
People in Neolithic times must have had a massively extensive | 0:57:17 | 0:57:22 | |
knowledge of tides and currents. | 0:57:22 | 0:57:24 | |
And that could have only really come from just patience and observation | 0:57:24 | 0:57:28 | |
over generations. Just passing this information down. | 0:57:28 | 0:57:31 | |
It seems to me that during the Neolithic in Orkney, | 0:57:31 | 0:57:35 | |
there was almost a golden era, they understood their place | 0:57:35 | 0:57:37 | |
in the universe, they understood the relationship | 0:57:37 | 0:57:40 | |
to the world around them. | 0:57:40 | 0:57:42 | |
And it worked for a long, long time. | 0:57:42 | 0:57:44 | |
You know, we are talking at the Ness of Brodgar, about 1,000 years. | 0:57:44 | 0:57:50 | |
I mean, just stop and think about that. | 0:57:50 | 0:57:52 | |
1,000 years of continuity there. | 0:57:52 | 0:57:55 | |
And it obviously begs the question, | 0:57:55 | 0:57:58 | |
why did it come to an end? | 0:57:58 | 0:58:00 | |
Next time, we investigate the dramatic collapse of the ness. | 0:58:04 | 0:58:10 | |
There was a gathering, and as many | 0:58:10 | 0:58:12 | |
as 400 head of cattle were slaughtered. | 0:58:12 | 0:58:15 | |
We ask why people abandoned a whole way of life. | 0:58:15 | 0:58:18 | |
Maybe the people that left here felt good about going to the mainland. | 0:58:18 | 0:58:21 | |
I'm going to put a third this side. | 0:58:21 | 0:58:23 | |
And Shini puts her engineering skills to the test. | 0:58:23 | 0:58:27 | |
-I'm impressed. -Yeah? -Yeah. It's really good. | 0:58:27 | 0:58:29 |