Browse content similar to The Bustling South. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The waters around the UK | 0:00:05 | 0:00:07 | |
hide treasures and surprises we rarely get to see. | 0:00:07 | 0:00:11 | |
Powered by Arctic currents to the north | 0:00:13 | 0:00:16 | |
and the Gulf Stream from the south, | 0:00:16 | 0:00:18 | |
our island occupies a unique position | 0:00:18 | 0:00:21 | |
in the Atlantic ocean. | 0:00:21 | 0:00:22 | |
'I'm explorer Paul Rose. | 0:00:25 | 0:00:27 | |
'I was Base Commander of the British Antarctic survey for ten years | 0:00:27 | 0:00:31 | |
'and I've scuba-dived all around the world.' | 0:00:31 | 0:00:35 | |
I've got to be careful doing this! Oop! | 0:00:35 | 0:00:39 | |
But now I've come home | 0:00:41 | 0:00:43 | |
to lead a team of specialists | 0:00:43 | 0:00:45 | |
to uncover the secrets beneath our seas. | 0:00:45 | 0:00:48 | |
Divers up! | 0:00:50 | 0:00:51 | |
Joining me is marine biologist Tooni Mahto. | 0:00:51 | 0:00:55 | |
Her underwater expertise | 0:00:55 | 0:00:57 | |
will reveal the unexpected riches | 0:00:57 | 0:00:59 | |
of British marine life. | 0:00:59 | 0:01:01 | |
This is a colony of loads of individual animals. | 0:01:01 | 0:01:05 | |
Journalist and underwater archaeologist Frank Pope | 0:01:05 | 0:01:08 | |
will examine the bigger picture of our relationship with the sea | 0:01:08 | 0:01:13 | |
and explore our maritime history. | 0:01:13 | 0:01:15 | |
The remains of the 60-odd crew men are still inside. | 0:01:15 | 0:01:20 | |
This series will take us on a journey right around the British coastline, | 0:01:25 | 0:01:30 | |
to uncover the most startling underwater wonders. | 0:01:30 | 0:01:34 | |
This time, we're exploring Britain's south coast. | 0:01:35 | 0:01:40 | |
It's our busiest coastline, | 0:01:40 | 0:01:41 | |
packed with ferries, | 0:01:41 | 0:01:43 | |
fun-seekers and pleasure boats. | 0:01:43 | 0:01:45 | |
But below it all, | 0:01:45 | 0:01:46 | |
there are mysterious wrecks and magical creatures. | 0:01:46 | 0:01:50 | |
This time we're investigating our bustling southern shores. | 0:01:50 | 0:01:54 | |
Beneath our waves is a world of secrets. | 0:01:54 | 0:01:59 | |
Our expedition begins in Poole, | 0:02:13 | 0:02:17 | |
bang in the middle of Britain's south coast. | 0:02:17 | 0:02:19 | |
This busy seaport | 0:02:22 | 0:02:23 | |
has been a hub of maritime activity | 0:02:23 | 0:02:26 | |
since the 12th century. | 0:02:26 | 0:02:28 | |
But just metres below the waves lies a secret, | 0:02:28 | 0:02:31 | |
which has lain untouched for centuries. | 0:02:31 | 0:02:35 | |
Out there in the Swash Channel, archaeologists have uncovered a mysterious wooden shipwreck. | 0:02:35 | 0:02:39 | |
It's a spectacular wreck, we know that much, but not much more. | 0:02:42 | 0:02:45 | |
-It's full of secrets and mystery. -Look at that! | 0:02:45 | 0:02:48 | |
-Have you ever seen anything like that? -Certainly not. | 0:02:48 | 0:02:51 | |
That's a very intricate carving. | 0:02:51 | 0:02:54 | |
No-one knows when it sailed, no-one knows exactly who built it, | 0:02:54 | 0:02:57 | |
where it was going, or even how it sank. | 0:02:57 | 0:02:59 | |
-There's no records of this thing at all. -I'm really looking forward to this. | 0:02:59 | 0:03:02 | |
I've used all kinds of tools underwater, | 0:03:02 | 0:03:05 | |
but not on something as delicate and as precise and as important | 0:03:05 | 0:03:08 | |
as maritime archaeology. | 0:03:08 | 0:03:10 | |
So I'm super-keen on this one. | 0:03:10 | 0:03:12 | |
-You will be careful won't you, Paul? -Yes, I'll do me best! | 0:03:12 | 0:03:15 | |
Frank and I are joining a team of archaeologists from Bournemouth University | 0:03:19 | 0:03:22 | |
who have been working on the site night and day. | 0:03:22 | 0:03:26 | |
We want to find out all we can about this puzzling wreck. | 0:03:32 | 0:03:37 | |
'I didn't realise how close we would be to passing ships.' | 0:03:39 | 0:03:44 | |
Here comes the Cherbourg ferry | 0:03:44 | 0:03:47 | |
in the main shipping lane called the Swash Channel. | 0:03:47 | 0:03:50 | |
It's defined by... You can see these buoys - | 0:03:50 | 0:03:52 | |
there's the green one there and the red one right there. | 0:03:52 | 0:03:55 | |
And our wreck, the Swash Channel wreck, | 0:03:55 | 0:03:57 | |
is right underneath us, on the very edge of the channel. | 0:03:57 | 0:04:00 | |
The wreck would have laid there undiscovered, | 0:04:01 | 0:04:04 | |
seven metres below the surface, | 0:04:04 | 0:04:06 | |
were it not for a dredging boat | 0:04:06 | 0:04:08 | |
clearing a channel for the ferries. | 0:04:08 | 0:04:10 | |
'Head archaeologist Dave Parham | 0:04:10 | 0:04:12 | |
'has drawn a sketch map of the site.' | 0:04:12 | 0:04:15 | |
And this was actually part of the bow castle. | 0:04:15 | 0:04:18 | |
We've also got the gudgeons for the rudder. | 0:04:18 | 0:04:20 | |
-But the rudder is in front of... -The rudder has come off, | 0:04:20 | 0:04:23 | |
it's become displaced and swept underneath the wreck and then covered in sediment. | 0:04:23 | 0:04:27 | |
-If it hadn't been covered in sediment it wouldn't have survived. -So lucky! -Unusual to find a rudder. | 0:04:27 | 0:04:32 | |
'The archaeologists believe the wreck dates from the 17th century. | 0:04:33 | 0:04:39 | |
'With no historical records, | 0:04:39 | 0:04:41 | |
'her true identity remains unknown.' | 0:04:41 | 0:04:44 | |
As an archaeologist, your job is to try and put together the different clues | 0:04:47 | 0:04:51 | |
that might give you a picture of what the wreck was | 0:04:51 | 0:04:55 | |
and the sort of people that lived in her. | 0:04:55 | 0:04:57 | |
The thing is, when you first get down to it, | 0:04:57 | 0:04:59 | |
it's going to be enormously confusing, | 0:04:59 | 0:05:01 | |
its going to be a very distorted picture, and often incomplete. | 0:05:01 | 0:05:04 | |
What you're going to do, boys, | 0:05:04 | 0:05:07 | |
is go down to this part of the wreck here. | 0:05:07 | 0:05:09 | |
What we want you to do is dig along here to try and define this edge. | 0:05:09 | 0:05:13 | |
Be aware there are fairly delicate things lying around. | 0:05:13 | 0:05:16 | |
If you're going to sit down, look at what you're sitting on first. | 0:05:16 | 0:05:20 | |
LAUGHTER | 0:05:20 | 0:05:22 | |
Are we ready to go? | 0:05:22 | 0:05:23 | |
Have a good one. | 0:05:23 | 0:05:25 | |
'Lying at only seven metres, | 0:05:33 | 0:05:36 | |
'it takes just moments to reach the wreck.' | 0:05:36 | 0:05:39 | |
Oh, look at this! | 0:05:43 | 0:05:45 | |
Oh, wow. | 0:05:45 | 0:05:47 | |
Look at that! | 0:05:47 | 0:05:51 | |
Now, this is interesting. | 0:05:58 | 0:06:00 | |
-These large pieces of wood look like ribs of some kind, don't they? -Yep. | 0:06:00 | 0:06:05 | |
It's beautiful condition, you see here where the wood has been freshly exposed. | 0:06:05 | 0:06:10 | |
It's absolutely beautiful, it's mint condition. | 0:06:10 | 0:06:13 | |
That's fabulous. | 0:06:13 | 0:06:14 | |
'As an archaeologist himself, | 0:06:15 | 0:06:17 | |
'Frank starts to recognise parts of the ship we're swimming over.' | 0:06:17 | 0:06:21 | |
You can see the big frames of the ship. | 0:06:21 | 0:06:24 | |
Gosh, she was really quite a heavy ship. | 0:06:24 | 0:06:26 | |
And these amorphous lumps... | 0:06:26 | 0:06:30 | |
These are actually the heads of iron bolts | 0:06:30 | 0:06:32 | |
that would have helped held the ship together. | 0:06:32 | 0:06:34 | |
They've kind of erupted in this reaction with the seawater. | 0:06:34 | 0:06:38 | |
'While Frank looks for more clues, | 0:06:42 | 0:06:44 | |
'I join one of the team excavating new parts of the wreck.' | 0:06:44 | 0:06:49 | |
This here's the dredge | 0:06:49 | 0:06:50 | |
and it's like an industrial underwater vacuum cleaner. | 0:06:50 | 0:06:55 | |
You know, I've used these water dredges | 0:06:55 | 0:06:59 | |
as part of salvage work before, | 0:06:59 | 0:07:01 | |
but I must say I've never used them to try and reveal an ancient ship. | 0:07:01 | 0:07:05 | |
You can see I can quite carefully expose these ancient timbers, | 0:07:07 | 0:07:12 | |
just a centimetre at a time. | 0:07:12 | 0:07:15 | |
The sediment, sucked up here, | 0:07:16 | 0:07:18 | |
gets pumped out again fifteen metres away, | 0:07:18 | 0:07:21 | |
so it doesn't settle back over the wreck. | 0:07:21 | 0:07:24 | |
Blimey, I nearly sucked a fish up then! Look at that. | 0:07:27 | 0:07:30 | |
He must be a strong swimmer. | 0:07:30 | 0:07:32 | |
'Every tree has a unique pattern of growth rings, | 0:07:35 | 0:07:39 | |
'which can be matched against a global database to identify it. | 0:07:39 | 0:07:43 | |
'By analysing the timbers, | 0:07:43 | 0:07:45 | |
'the archaeologists have discovered | 0:07:45 | 0:07:47 | |
'that the ship was built from wood felled in 1629. | 0:07:47 | 0:07:51 | |
'They can even tell that this wood | 0:07:51 | 0:07:54 | |
'came from close to the border between Germany and Holland.' | 0:07:54 | 0:07:57 | |
When you see what I'm doing here | 0:08:01 | 0:08:03 | |
and then look at the amount of wood that's been exposed, | 0:08:03 | 0:08:07 | |
you get a pretty good idea of how hard work it is. This is a big job. | 0:08:07 | 0:08:11 | |
'From her size and design, | 0:08:13 | 0:08:15 | |
'the archaeologists know this was a merchant vessel, | 0:08:15 | 0:08:19 | |
'and the discovery of a layer of pine over the hull | 0:08:19 | 0:08:22 | |
'gives them a clue as to where she was headed.' | 0:08:22 | 0:08:26 | |
This is beautiful. So what you can really see here is the two types of wood. | 0:08:26 | 0:08:31 | |
This is the actual hull of the ship here. | 0:08:31 | 0:08:34 | |
This is the hard wood and then the sacrificial layer on top which is made of pine. | 0:08:34 | 0:08:39 | |
'This protective cladding | 0:08:39 | 0:08:42 | |
'was only found on ships heading for the warm waters of the tropics.' | 0:08:42 | 0:08:47 | |
It's fascinating to see. | 0:08:47 | 0:08:48 | |
I've never seen this on a site before | 0:08:48 | 0:08:50 | |
and you can only see it on a couple of other sites around the world. | 0:08:50 | 0:08:54 | |
'This ship was part of the very beginnings of trade with the East, | 0:08:54 | 0:08:58 | |
'but it was carrying more than just cargo.' | 0:08:58 | 0:09:01 | |
Oh, holy smokes! | 0:09:01 | 0:09:02 | |
I've just figured out what this is. | 0:09:02 | 0:09:04 | |
This is a cannon. | 0:09:04 | 0:09:06 | |
I could have just swum over this and think it was a white rock. | 0:09:06 | 0:09:10 | |
'This is just one of six cannon the team have discovered, | 0:09:10 | 0:09:14 | |
'making her a heavily-armed merchant ship.' | 0:09:14 | 0:09:18 | |
This is a big old gun, | 0:09:18 | 0:09:19 | |
probably a 24-pounder. | 0:09:19 | 0:09:22 | |
'The excavation work has revealed much about this important ship, | 0:09:23 | 0:09:27 | |
'but Dave Parham has taken Frank to see one discovery | 0:09:27 | 0:09:31 | |
'which marks this wreck as something quite extraordinary - | 0:09:31 | 0:09:34 | |
'the ship's rudder.' | 0:09:34 | 0:09:36 | |
Up here, we have the carving of a human head. | 0:09:36 | 0:09:40 | |
Wow! Look at that. | 0:09:40 | 0:09:43 | |
You've got the hair, his face, | 0:09:43 | 0:09:45 | |
an eye socket with an eye in it, | 0:09:45 | 0:09:48 | |
his nose and a moustache on his mouth. | 0:09:48 | 0:09:54 | |
I have never seen anything like it. | 0:09:54 | 0:09:59 | |
It's absolutely beautiful. | 0:09:59 | 0:10:03 | |
Wow, what a thing! | 0:10:03 | 0:10:05 | |
This is like finding a pharaoh's tomb. | 0:10:05 | 0:10:08 | |
'This intricate carving is one of three they've found so far. | 0:10:08 | 0:10:12 | |
'It covers just the top part of the rudder, | 0:10:12 | 0:10:16 | |
'which is over eight-metres long and weighs almost two tonnes.' | 0:10:16 | 0:10:19 | |
This isn't just any old wreck, this was a really high-profile ship | 0:10:19 | 0:10:23 | |
and you can tell that by the carving. | 0:10:23 | 0:10:25 | |
'Piecing together the clues, | 0:10:30 | 0:10:32 | |
'we can now start to build a picture | 0:10:32 | 0:10:35 | |
'of what this ship may have looked like. | 0:10:35 | 0:10:37 | |
'This was a large wooden trading ship, | 0:10:38 | 0:10:41 | |
'built at a time when Charles I was on our throne | 0:10:41 | 0:10:45 | |
'and Europe was engaged in the very beginnings of empire building. | 0:10:45 | 0:10:50 | |
'From the timber, | 0:10:50 | 0:10:52 | |
'we know she sailed from Holland or Germany | 0:10:52 | 0:10:54 | |
'and was headed to the tropics. | 0:10:54 | 0:10:57 | |
'But the heavy cannon and ornate carvings | 0:10:57 | 0:11:00 | |
'suggest this was far more than just a standard merchant ship. | 0:11:00 | 0:11:04 | |
A beautiful wreck, my God. | 0:11:11 | 0:11:15 | |
You know what's so poignant is | 0:11:15 | 0:11:18 | |
you've got this wonderfully-carved wood that's just been exposed | 0:11:18 | 0:11:22 | |
and you can almost see the chisel marks of the guys who made this. This was hundreds of years ago - | 0:11:22 | 0:11:27 | |
probably 1630 that this stuff was made - | 0:11:27 | 0:11:29 | |
and it's right there. And by touching it, you really feel | 0:11:29 | 0:11:33 | |
like you're connecting with the guys who built that and who sailed in it. | 0:11:33 | 0:11:37 | |
'After months of excavation, | 0:11:38 | 0:11:40 | |
'the fate of this important wreck | 0:11:40 | 0:11:42 | |
'now hangs in the balance. | 0:11:42 | 0:11:45 | |
'Saving a ship like this | 0:11:45 | 0:11:46 | |
'is a complex and expensive process. | 0:11:46 | 0:11:51 | |
'But the archaeologists are running out of time, | 0:11:51 | 0:11:53 | |
'as the wreck is being destroyed before their eyes. | 0:11:53 | 0:11:56 | |
'Later on, we'll be back to find out why.' | 0:11:56 | 0:11:59 | |
The English Channel is the world's busiest shipping lane, | 0:12:03 | 0:12:07 | |
so it's no surprise that our southern waters are full of wrecks. | 0:12:07 | 0:12:11 | |
But the shipwrecks of the Channel don't just give us a glimpse back in time... | 0:12:12 | 0:12:16 | |
they're also home to some surprising sea creatures. | 0:12:18 | 0:12:22 | |
There's one animal which is renowned for hiding out in wrecks. | 0:12:23 | 0:12:27 | |
Rumoured to be big, vicious, | 0:12:27 | 0:12:30 | |
and no friend to divers. | 0:12:30 | 0:12:32 | |
The beast in question is the conger eel | 0:12:36 | 0:12:38 | |
and despite being one of the most common animals in our waters, | 0:12:38 | 0:12:41 | |
it's also one of the most secretive. | 0:12:41 | 0:12:43 | |
We really don't know much about them. | 0:12:43 | 0:12:45 | |
I want to find out if this giant beast | 0:12:45 | 0:12:48 | |
really does deserve its fearsome reputation. | 0:12:48 | 0:12:50 | |
'Here in Plymouth, | 0:12:52 | 0:12:54 | |
'I've found some conger experts. | 0:12:54 | 0:12:57 | |
'But they're not biologists, they're expert anglers.' | 0:12:57 | 0:13:01 | |
So what is it about the conger eel | 0:13:01 | 0:13:04 | |
that evokes such a passion for it? | 0:13:04 | 0:13:06 | |
I'll tell you what it is. | 0:13:06 | 0:13:07 | |
It's mean, moody | 0:13:07 | 0:13:10 | |
and magnificent. | 0:13:10 | 0:13:13 | |
And I think that sums up the conger eel. | 0:13:13 | 0:13:16 | |
'Bryn Lavis and Mike Millman | 0:13:17 | 0:13:20 | |
'run the British Conger Club | 0:13:20 | 0:13:22 | |
'and are devoted to all things conger.' | 0:13:22 | 0:13:25 | |
Now then, what's the biggest one that's ever been caught in British waters? | 0:13:26 | 0:13:30 | |
133-and-a-quarter pounds, by Vic Evans out of Brixham. | 0:13:30 | 0:13:34 | |
I mean, it's a mighty eel. | 0:13:34 | 0:13:36 | |
-Boy, that is a whopper. -Yeah. | 0:13:36 | 0:13:38 | |
133 pounds and the width of this one? | 0:13:38 | 0:13:41 | |
It's about 42 inches at its widest point. | 0:13:41 | 0:13:45 | |
42 inches - hang on... Bigger than my chest, and how long? | 0:13:45 | 0:13:48 | |
Nine feet...plus. | 0:13:48 | 0:13:51 | |
-Nine feet, two inches, I think it was. -Holy smokes! | 0:13:51 | 0:13:54 | |
So when you catch them | 0:13:54 | 0:13:56 | |
and all of a sudden you've got this huge great thing on board, | 0:13:56 | 0:13:59 | |
what happens then? | 0:13:59 | 0:14:00 | |
-Well, it's not finished. -No, I can imagine! | 0:14:00 | 0:14:03 | |
Cos there must be teeth going and there's a lot of activity. | 0:14:03 | 0:14:06 | |
It's not so much the teeth that are the problem, | 0:14:06 | 0:14:09 | |
they've got very small teeth. | 0:14:09 | 0:14:12 | |
But they've got a terrific clamp pressure. | 0:14:12 | 0:14:14 | |
Think of a crocodile, an alligator. | 0:14:14 | 0:14:16 | |
If they've got hold of something and try to get away, | 0:14:16 | 0:14:19 | |
-they start revolving... -So here's your finger? | 0:14:19 | 0:14:21 | |
-Oh gone, just twisted off. -It is ripping off? | 0:14:21 | 0:14:25 | |
Yes, it's rip. It's not a bite off, it's rip off. | 0:14:25 | 0:14:28 | |
Ow! | 0:14:28 | 0:14:30 | |
'The Conger Club are sport fishermen | 0:14:31 | 0:14:33 | |
'and they throw the congers back in once they've landed them, | 0:14:33 | 0:14:37 | |
'but I don't want to catch one. | 0:14:37 | 0:14:39 | |
'I want to dive into conger territory | 0:14:39 | 0:14:42 | |
'to see just how close I can get | 0:14:42 | 0:14:45 | |
'to one of these ferocious beasts. | 0:14:45 | 0:14:48 | |
'Although congers are found all along our southwest coast, | 0:14:48 | 0:14:51 | |
'the deep waters of Plymouth Harbour are famous for congers. | 0:14:51 | 0:14:56 | |
'Massive eels have been caught just metres from these shores.' | 0:14:56 | 0:15:00 | |
Conger eels are really opportunistic hunters - they'll eat anything, even each other! | 0:15:09 | 0:15:13 | |
I'm going to take some mackerel with me to entice them out of their lair. | 0:15:13 | 0:15:16 | |
And I'm going to take no chances whatsoever, | 0:15:16 | 0:15:19 | |
so I've got these special Kevlar gloves just in case. | 0:15:19 | 0:15:22 | |
Away you go, Paul. | 0:15:27 | 0:15:29 | |
'Can you hear me?' | 0:15:35 | 0:15:36 | |
Yeah, I can hear you loud and clear. | 0:15:36 | 0:15:39 | |
Have a good dive, fellas. | 0:15:39 | 0:15:41 | |
Good luck with the congers. | 0:15:41 | 0:15:42 | |
'30 metres down is a wreck, | 0:15:46 | 0:15:48 | |
'one of almost 5,000 in the English Channel. | 0:15:48 | 0:15:52 | |
'It should be the perfect conger hideout.' | 0:15:55 | 0:15:57 | |
There's a fair bit of nice life down here. | 0:16:07 | 0:16:09 | |
That's a good sign, look at that. | 0:16:09 | 0:16:11 | |
'It won't be easy to get close to a conger. | 0:16:13 | 0:16:17 | |
'They're ambush predators | 0:16:18 | 0:16:20 | |
'and tend to hide away in nooks and crannies | 0:16:20 | 0:16:23 | |
'so they can lash out at passing prey. | 0:16:23 | 0:16:25 | |
'That's not the kind of close encounter I'm after!' | 0:16:26 | 0:16:29 | |
It stands to reason we should find them in some of these holes. | 0:16:31 | 0:16:35 | |
Oh, there she is! | 0:16:58 | 0:17:00 | |
Look at this. | 0:17:03 | 0:17:04 | |
Now, with any luck, | 0:17:07 | 0:17:10 | |
with some of this squid bait, | 0:17:10 | 0:17:12 | |
I just might get her out. | 0:17:12 | 0:17:14 | |
I've got to be careful doing this | 0:17:17 | 0:17:19 | |
because she's got very sharp teeth. | 0:17:19 | 0:17:22 | |
Come on then, girl, out you come. | 0:17:27 | 0:17:30 | |
Ooh! | 0:17:37 | 0:17:39 | |
Ha! | 0:17:39 | 0:17:41 | |
You notice I'm saying "her" and not "it" or "him", | 0:17:45 | 0:17:49 | |
and that's because I'm absolutely certain that she is a female. | 0:17:49 | 0:17:54 | |
Cos we never see males in our waters. Never, not one. | 0:17:54 | 0:17:59 | |
'Female congers spend up to 15 years in our waters | 0:17:59 | 0:18:03 | |
'before heading to deep Atlantic seas to breed. | 0:18:03 | 0:18:07 | |
'Scientists think they may be drawn to our rich waters | 0:18:07 | 0:18:11 | |
'so they can fatten up before spawning. | 0:18:11 | 0:18:13 | |
'But they've still no idea where the males go.' | 0:18:13 | 0:18:17 | |
Here she comes. | 0:18:19 | 0:18:20 | |
Here she comes. | 0:18:22 | 0:18:24 | |
'She seems pretty fearless. | 0:18:25 | 0:18:27 | |
'I'm amazed how close she's letting me get to her.' | 0:18:27 | 0:18:30 | |
Ooh! | 0:18:32 | 0:18:33 | |
Ha-ha! | 0:18:33 | 0:18:34 | |
I don't think we're going to get this one out, you know. | 0:18:37 | 0:18:40 | |
She's too smart for me, | 0:18:40 | 0:18:42 | |
no surprise there. | 0:18:42 | 0:18:46 | |
See you. | 0:18:46 | 0:18:47 | |
'That conger was less than a metre long, | 0:18:51 | 0:18:54 | |
'certainly not one of the giants the anglers were talking about. | 0:18:54 | 0:18:59 | |
'So I'm going to keep on looking.' | 0:18:59 | 0:19:01 | |
These are the boilers. | 0:19:12 | 0:19:15 | |
And you can imagine all these great holes are perfect places for conger. | 0:19:15 | 0:19:19 | |
I've found one! | 0:19:25 | 0:19:27 | |
She's just a beauty! | 0:19:27 | 0:19:29 | |
She is a beauty. | 0:19:38 | 0:19:40 | |
Look at her! | 0:19:43 | 0:19:44 | |
I don't even have to feed this one, | 0:19:48 | 0:19:50 | |
she's just curious as to what's going on. | 0:19:50 | 0:19:53 | |
I know the anglers said they were mean, moody and magnificent, | 0:20:20 | 0:20:24 | |
At the moment, I'm just going to stick with the last one - | 0:20:24 | 0:20:27 | |
magnificent. She is beautiful. | 0:20:27 | 0:20:30 | |
Hello! How are you? | 0:20:44 | 0:20:47 | |
HE LAUGHS | 0:20:47 | 0:20:49 | |
Hello! | 0:20:51 | 0:20:53 | |
Well, this is a tremendous experience. | 0:20:56 | 0:20:59 | |
I'm not going to stick my fingers in there so she can get it, | 0:20:59 | 0:21:02 | |
that's for sure. | 0:21:02 | 0:21:03 | |
'She's certainly not the fearsome monster I was led to expect. | 0:21:05 | 0:21:09 | |
'In its own environment, | 0:21:09 | 0:21:11 | |
'the beautiful conger eel is a secretive and magnificent creature.' | 0:21:11 | 0:21:15 | |
'And in all my years of diving, | 0:21:18 | 0:21:20 | |
'I can honestly say I've never been kissed by a fish before!' | 0:21:20 | 0:21:24 | |
I think that was the perfect conger eel encounter. | 0:21:24 | 0:21:28 | |
I don't think you could possibly get any better. | 0:21:28 | 0:21:31 | |
You could get a sense of the beauty and grace of this fabulous animal, | 0:21:31 | 0:21:35 | |
even though she was one side of the boiler and I was on the other. | 0:21:35 | 0:21:38 | |
I'm in love! | 0:21:38 | 0:21:40 | |
The calm seas and warm climate of the south | 0:21:48 | 0:21:51 | |
bring a huge variety of marine animals to these shores. | 0:21:51 | 0:21:55 | |
But they're not the only ones who flock here. | 0:21:55 | 0:21:57 | |
The wildlife has to share these seas. | 0:22:00 | 0:22:03 | |
In Dorset's Studland Bay, there's a conflict of interest | 0:22:06 | 0:22:10 | |
between our actions and the needs of some very special marine creatures. | 0:22:10 | 0:22:15 | |
Tooni went to investigate. | 0:22:15 | 0:22:19 | |
This bay is home to one of Britain's most unexpected inhabitants. | 0:22:19 | 0:22:22 | |
Small in size, but large in character, | 0:22:22 | 0:22:24 | |
you might think you'd only see them in tropical waters. | 0:22:24 | 0:22:28 | |
But Studland Bay is famous for its seahorses. | 0:22:28 | 0:22:31 | |
Six years ago, local conservationist Steve Trewhella | 0:22:33 | 0:22:37 | |
discovered a pregnant seahorse here, | 0:22:37 | 0:22:39 | |
suggesting that Studland Bay is home to a breeding colony. | 0:22:39 | 0:22:43 | |
I know it sounds silly, but when we're looking for seahorses | 0:22:43 | 0:22:46 | |
you have to go into seahorse mode. | 0:22:46 | 0:22:48 | |
You have to think like a seahorse. Where would you be if you were a seahorse? | 0:22:48 | 0:22:52 | |
They are very, very hard to find. | 0:22:52 | 0:22:55 | |
Studland Bay is now recognised as one of the most important seahorse sites in Europe, | 0:22:58 | 0:23:02 | |
and there's a good reason they're here. | 0:23:02 | 0:23:05 | |
'Just a few metres deep, lies this bed of thick eel grass, | 0:23:07 | 0:23:11 | |
'a perfect seahorse habitat, | 0:23:11 | 0:23:13 | |
'but one that makes them difficult to find.' | 0:23:13 | 0:23:16 | |
So, Steve, what's the best method to try to find seahorses in the eel grass? | 0:23:18 | 0:23:23 | |
A combination of extreme patience and good eyesight! | 0:23:23 | 0:23:27 | |
You have to just really take your time | 0:23:27 | 0:23:29 | |
-and just sort of sweep through carefully. -OK. | 0:23:29 | 0:23:32 | |
Eel grass needs shallow, protected waters to flourish, | 0:23:34 | 0:23:37 | |
so the sheltered bays of the south coast are ideal. | 0:23:37 | 0:23:41 | |
Eel grass beds are incredibly important for a whole range of species, | 0:23:41 | 0:23:48 | |
because it provides this fantastic wealth of places to hide, | 0:23:48 | 0:23:54 | |
it would be incredibly difficult | 0:23:54 | 0:23:56 | |
for a predator to come in here and find anything, | 0:23:56 | 0:23:58 | |
as it's proving for us to find a seahorse. | 0:23:58 | 0:24:02 | |
Ha-ha! | 0:24:13 | 0:24:16 | |
Look! I have found a spiny seahorse. | 0:24:16 | 0:24:20 | |
I know you're not meant to get sentimental about creatures, | 0:24:24 | 0:24:27 | |
but she's so beautiful. | 0:24:27 | 0:24:31 | |
Astonishing! | 0:24:31 | 0:24:32 | |
'Seahorses may not look like it, | 0:24:33 | 0:24:35 | |
'but they are in fact fish. | 0:24:35 | 0:24:37 | |
'They blend into the weeds, | 0:24:37 | 0:24:39 | |
'and prey upon passing tiny animals.' | 0:24:39 | 0:24:41 | |
And these little spines that are coming off her head, | 0:24:43 | 0:24:46 | |
they help her camouflage herself | 0:24:46 | 0:24:49 | |
to basically disappear into the eel grass. | 0:24:49 | 0:24:51 | |
'We've only just discovered that seahorses are breeding here, | 0:25:10 | 0:25:14 | |
'and yet we could be about to lose them. | 0:25:14 | 0:25:16 | |
'The rich eel grass essential for their survival is incredibly fragile | 0:25:16 | 0:25:21 | |
'and is being destroyed...by us.' | 0:25:21 | 0:25:25 | |
'While I'm with the seahorses, | 0:25:28 | 0:25:30 | |
'Frank is finding out how this precious habitat is being damaged.' | 0:25:30 | 0:25:34 | |
These mooring buoys look pretty harmless, | 0:25:39 | 0:25:42 | |
but underneath this float and the rope | 0:25:42 | 0:25:44 | |
there's about a ten-metre length of chain sitting on the sea bed. | 0:25:44 | 0:25:48 | |
And every time the tide changes, | 0:25:48 | 0:25:51 | |
that chain scythes round in a circle and before long, | 0:25:51 | 0:25:55 | |
you've got a 20-metre wide bald patch on the sea bed. | 0:25:55 | 0:25:58 | |
These chains are the big problem. | 0:26:01 | 0:26:04 | |
Just adjacent to it, it's just bare sand | 0:26:04 | 0:26:08 | |
and I literally can't see any eel grass growing around me. | 0:26:08 | 0:26:13 | |
I mean, it's cleared as far as I can see. | 0:26:13 | 0:26:18 | |
And it's not just the buoys. | 0:26:31 | 0:26:33 | |
At the height of the summer, | 0:26:33 | 0:26:34 | |
there are up to 300 boats dropping anchor in this bay. | 0:26:34 | 0:26:38 | |
It's difficult to persuade people that doing something like chucking an anchor into what looks like weeds, | 0:26:41 | 0:26:47 | |
is actually destroying a very vulnerable and critical habitat. | 0:26:47 | 0:26:51 | |
'To study the impact on the seahorse population, | 0:26:54 | 0:26:57 | |
'Steve has been closely monitoring them. | 0:26:57 | 0:27:00 | |
'He has a special licence to tag these tiny creatures | 0:27:01 | 0:27:05 | |
'and track their movements.' | 0:27:05 | 0:27:07 | |
Bearing in mind they're not radio tags, they're purely visual - | 0:27:08 | 0:27:12 | |
you have re-find the animal - | 0:27:12 | 0:27:14 | |
it proves that they're highly territorial. | 0:27:14 | 0:27:16 | |
We're going back to the same location every week | 0:27:16 | 0:27:19 | |
and re-finding many of these tagged seahorses. | 0:27:19 | 0:27:23 | |
Well, I sincerely hope that you see her again later in the year | 0:27:23 | 0:27:26 | |
and that you manage to see her a few times. | 0:27:26 | 0:27:28 | |
Well, hopefully we will, | 0:27:28 | 0:27:30 | |
and next time we see her she may well be with a mate, | 0:27:30 | 0:27:32 | |
so, hopefully breeding successfully - that's what she's come here to do. | 0:27:32 | 0:27:36 | |
Bye-bye, beautiful. | 0:27:39 | 0:27:41 | |
When you look out on Studland Bay, | 0:27:54 | 0:27:57 | |
it's easy to see how the destruction of this precious seahorse habitat | 0:27:57 | 0:28:01 | |
is going unnoticed. | 0:28:01 | 0:28:02 | |
By highlighting the plight of the seahorses | 0:28:04 | 0:28:07 | |
and the importance of the eel grass they live in, | 0:28:07 | 0:28:10 | |
perhaps the conservationists can now raise public awareness | 0:28:10 | 0:28:14 | |
and keep these magical creatures safe. | 0:28:14 | 0:28:17 | |
'Just north of Studland Bay, Frank and I are back with the team | 0:28:23 | 0:28:27 | |
'investigating the Swash Channel wreck, | 0:28:27 | 0:28:30 | |
'one of the archaeological finds of the century. | 0:28:30 | 0:28:33 | |
'But time is running out...' | 0:28:33 | 0:28:35 | |
The archaeologists are working every hour they can | 0:28:41 | 0:28:44 | |
to document and excavate the mysterious Swash Channel wreck. | 0:28:44 | 0:28:47 | |
Frank is underwater with them now | 0:28:47 | 0:28:50 | |
to investigate why the archaeologists have to work so fast | 0:28:50 | 0:28:54 | |
in order to save this wreck. | 0:28:54 | 0:28:55 | |
All of what you see here is only here | 0:28:56 | 0:28:59 | |
because it was once covered by sediment. | 0:28:59 | 0:29:01 | |
That sediment's now gone. | 0:29:01 | 0:29:03 | |
'The natural erosion of the sea bed, | 0:29:03 | 0:29:06 | |
'which has exposed the wreck from beneath the sand | 0:29:06 | 0:29:08 | |
'has also exposed her to danger.' | 0:29:08 | 0:29:11 | |
First of all, you get the scouring from the sand as the currents swish past | 0:29:11 | 0:29:16 | |
and then you also expose it to oxygen | 0:29:16 | 0:29:18 | |
and therefore bacterial decay starts eating the wood. | 0:29:18 | 0:29:21 | |
But there is one further, much more sinister threat | 0:29:21 | 0:29:25 | |
that this wreck faces. | 0:29:25 | 0:29:27 | |
'She's now under attack from some small but brutal sea creatures.' | 0:29:27 | 0:29:31 | |
At Bournemouth University, marine archaeologist Paola Palma | 0:29:38 | 0:29:42 | |
is trying to find out how fast the ship is being destroyed. | 0:29:42 | 0:29:46 | |
The surface of the wreck is being eaten away | 0:29:46 | 0:29:49 | |
by a small crustacean called a gribble. | 0:29:49 | 0:29:53 | |
-Hi. -Hi. | 0:29:53 | 0:29:55 | |
'Tooni's gone to her lab | 0:29:55 | 0:29:56 | |
'to see these shipwreck wreckers for herself.' | 0:29:56 | 0:30:00 | |
So these are obviously very tiny | 0:30:00 | 0:30:03 | |
and they don't go inside the core of the wood, | 0:30:03 | 0:30:07 | |
but they stay on the surface. | 0:30:07 | 0:30:09 | |
And what they do, they cause all this superficial degradation. | 0:30:09 | 0:30:13 | |
-Bits flaking... -Yes, bits falling off everywhere. -Absolutely. | 0:30:13 | 0:30:16 | |
The damage that these organisms cause is fast | 0:30:16 | 0:30:20 | |
and is quite ferocious. | 0:30:20 | 0:30:23 | |
But as damaging as the gribble is, | 0:30:23 | 0:30:26 | |
there's an even more destructive animal at large on the wreck. | 0:30:26 | 0:30:30 | |
So the gribbles are causing this roughing of the surface, | 0:30:30 | 0:30:34 | |
but it's something different that's causing this actual real structural damage. | 0:30:34 | 0:30:38 | |
It is indeed. This is the shipworm. | 0:30:38 | 0:30:40 | |
And you can see it even better here. | 0:30:40 | 0:30:43 | |
You see a perfect example | 0:30:43 | 0:30:46 | |
of the kind of tunnels that are left by the shipworm. | 0:30:46 | 0:30:50 | |
You can also smell it, probably! | 0:30:50 | 0:30:52 | |
-I can! -It smells quite badly, doesn't it? | 0:30:52 | 0:30:54 | |
And it's something that... | 0:30:54 | 0:30:56 | |
looks like this... | 0:30:56 | 0:31:00 | |
It turns out shipworm is not a worm at all, but a mollusc, | 0:31:01 | 0:31:06 | |
like a mussel or a cockle. | 0:31:06 | 0:31:08 | |
They burrow into the wood, | 0:31:08 | 0:31:09 | |
leaving behind them these chalk-lined tunnels. | 0:31:09 | 0:31:13 | |
But to see the full extent of the damage, | 0:31:15 | 0:31:17 | |
we need to take a look inside. | 0:31:17 | 0:31:21 | |
A bit of archaeological baking. | 0:31:21 | 0:31:24 | |
Back in a minute. | 0:31:24 | 0:31:25 | |
As you can see, they are quite impressive. | 0:31:29 | 0:31:32 | |
You can even see, very clearly, | 0:31:32 | 0:31:35 | |
the shell of the organism. | 0:31:35 | 0:31:38 | |
I guess the main thing about the shipworm is that it's not actually biting into the wood, | 0:31:38 | 0:31:43 | |
it's literally boring into the wood with these incredibly impressive bivalve shells. | 0:31:43 | 0:31:48 | |
And it's only when you see them on the close-up on the microscope, | 0:31:48 | 0:31:52 | |
that you see every single serrated edge. | 0:31:52 | 0:31:55 | |
And it's actually this rotation of this shell | 0:31:55 | 0:31:58 | |
that's literally diving and digging down | 0:31:58 | 0:32:01 | |
into the timbers of the shipwreck. | 0:32:01 | 0:32:02 | |
Parts of this wreck could be entirely destroyed by these creatures | 0:32:04 | 0:32:07 | |
in just a few short years. | 0:32:07 | 0:32:11 | |
It's an absolute disaster. | 0:32:11 | 0:32:12 | |
We're not just talking about one single organism, | 0:32:12 | 0:32:15 | |
but we're talking about millions of organisms. | 0:32:15 | 0:32:18 | |
So the damage that they cause is absolutely, you know, horrendous. | 0:32:18 | 0:32:23 | |
We're seeing that already, in one year, | 0:32:23 | 0:32:26 | |
the damage is irreversible. | 0:32:26 | 0:32:28 | |
'Back on the Swash Channel wreck, | 0:32:32 | 0:32:34 | |
'lead archaeologist Dave Parham | 0:32:34 | 0:32:37 | |
'is all too aware of the damage these creatures cause.' | 0:32:37 | 0:32:41 | |
This is what the timber surface would've been like when it was first uncovered. | 0:32:41 | 0:32:45 | |
Outside of that you can see shipworm and gribble tunnels. | 0:32:45 | 0:32:50 | |
This is really a case study in how well sediment can preserve wood. | 0:32:50 | 0:32:54 | |
Cos when this is covered, this is protected. | 0:32:54 | 0:32:57 | |
But give it a few years and it'll be gone completely. | 0:32:57 | 0:33:00 | |
And that same degradation you can see all the way along the line. | 0:33:02 | 0:33:07 | |
This wood is rotting away before our eyes. | 0:33:07 | 0:33:10 | |
So there's a real sense of urgency here. | 0:33:10 | 0:33:12 | |
With the site under attack and the clock ticking, | 0:33:14 | 0:33:18 | |
Dave and his team must do everything they can | 0:33:18 | 0:33:20 | |
to preserve this precious ship. | 0:33:20 | 0:33:23 | |
Frank and I will be looking into this later. | 0:33:23 | 0:33:26 | |
Our southern shores host some of Britain's favourite holiday destinations, | 0:33:29 | 0:33:34 | |
with seaside attractions and beaches drawing millions of people. | 0:33:34 | 0:33:38 | |
But sometimes the real treasures are just beneath our feet. | 0:33:38 | 0:33:42 | |
Tooni's gone to Brighton to see what's beside us, | 0:33:42 | 0:33:45 | |
when we're beside the sea. | 0:33:45 | 0:33:47 | |
Brighton, in East Sussex, | 0:33:51 | 0:33:53 | |
was one of the UK's first seaside resorts | 0:33:53 | 0:33:55 | |
and still throngs with visitors today, | 0:33:55 | 0:33:58 | |
attracting over eight million people a year. | 0:33:58 | 0:34:01 | |
And many of them will visit Brighton's famous palace pier. | 0:34:01 | 0:34:06 | |
It was built in 1899, | 0:34:10 | 0:34:12 | |
at a time when the well-to-do liked to stride out into the ocean, | 0:34:12 | 0:34:15 | |
gaze across the sea, decide which small nation to conquer next, | 0:34:15 | 0:34:19 | |
all without getting their feet wet. | 0:34:19 | 0:34:21 | |
But I'm not here for the fairground rides and candy floss, | 0:34:28 | 0:34:31 | |
I've come to see the attractions below the pier. | 0:34:31 | 0:34:35 | |
It may have been built for pleasure, | 0:34:35 | 0:34:38 | |
but this pier has created a huge artificial reef. | 0:34:38 | 0:34:41 | |
And we've been given special permission to go underneath it. | 0:34:43 | 0:34:46 | |
This 500-metre long intricate lattice of steel beams | 0:34:50 | 0:34:53 | |
creates the habitat that allows marine life to flourish. | 0:34:53 | 0:34:58 | |
That looks good. Does it feel OK? | 0:34:58 | 0:35:01 | |
-MUFFLED -That feels good. | 0:35:01 | 0:35:03 | |
It's very eerie being down here underneath the pier. | 0:35:21 | 0:35:25 | |
Funny to think of everybody playing the slot machines and eating doughnuts above. | 0:35:25 | 0:35:29 | |
'The first arrivals to colonise this space | 0:35:32 | 0:35:34 | |
'would have been the "clingers" | 0:35:34 | 0:35:36 | |
'- barnacles and mussels. | 0:35:36 | 0:35:38 | |
'Without rocks to latch on to, | 0:35:38 | 0:35:40 | |
'these creatures would not be here. | 0:35:40 | 0:35:42 | |
'But the steel beams of the pier | 0:35:42 | 0:35:44 | |
'effectively create a 12-metre skyscraper for them to live on.' | 0:35:44 | 0:35:49 | |
This is just absolutely jam-packed full of mussels, | 0:35:49 | 0:35:53 | |
all filter feeding and open. | 0:35:53 | 0:35:56 | |
And where one thing comes, many others will too | 0:35:56 | 0:35:59 | |
and you get an entire eco-system, | 0:35:59 | 0:36:02 | |
so predator and prey. | 0:36:02 | 0:36:04 | |
But it's the mussels and the starfish | 0:36:04 | 0:36:06 | |
that are right at the basis of that food chain here. | 0:36:06 | 0:36:09 | |
These starfish are the mussels' worst enemy. | 0:36:12 | 0:36:15 | |
They're actually voracious predators, | 0:36:15 | 0:36:17 | |
but they feed on mussels in quite an interesting way. | 0:36:17 | 0:36:20 | |
The starfish yank the shell apart | 0:36:20 | 0:36:23 | |
and then evert their stomachs. | 0:36:23 | 0:36:25 | |
So they literally pull their stomach out through their mouth, | 0:36:25 | 0:36:30 | |
sink it into the mussel | 0:36:30 | 0:36:32 | |
and digest the mussel in its own shell. | 0:36:32 | 0:36:35 | |
Everywhere you look, it's just mussel, after mussel, after mussel, | 0:36:39 | 0:36:43 | |
being eaten by starfish, after starfish, after starfish. | 0:36:43 | 0:36:47 | |
'And mussels aren't their only prey. | 0:36:52 | 0:36:55 | |
'This whelk will soon succumb to the starfish's deadly embrace.' | 0:36:55 | 0:37:01 | |
Look at this amazing fish. | 0:37:07 | 0:37:09 | |
It's a gurnard. | 0:37:09 | 0:37:11 | |
They live completely on the sea floor, don't really swim that much. | 0:37:11 | 0:37:14 | |
Camouflage is their main defence against predators. | 0:37:14 | 0:37:19 | |
What we're swimming over at the moment | 0:37:23 | 0:37:25 | |
is pretty much what the sea floor would have been like | 0:37:25 | 0:37:29 | |
had the Victorians not built this pier above. | 0:37:29 | 0:37:32 | |
Flat, barren with not much for life to cling on to. | 0:37:32 | 0:37:36 | |
Here, on the other hand, | 0:37:38 | 0:37:40 | |
marine life has completely encrusted the surfaces of these metal structures. | 0:37:40 | 0:37:45 | |
SHE LAUGHS | 0:37:49 | 0:37:50 | |
Little tompot blenny | 0:37:50 | 0:37:53 | |
just hiding in this pipe here. | 0:37:53 | 0:37:57 | |
They're really beautiful fish. | 0:37:57 | 0:37:59 | |
Just goes to show that every single nook and cranny | 0:37:59 | 0:38:03 | |
is utilised by one animal or another. | 0:38:03 | 0:38:06 | |
'It may have started as a Victorian playground, | 0:38:09 | 0:38:12 | |
'but this pier is now a thriving eco-system, | 0:38:12 | 0:38:15 | |
'home to millions of sea creatures.' | 0:38:15 | 0:38:18 | |
-SHE LAUGHS -Now you see him, now you don't! | 0:38:18 | 0:38:21 | |
It's remarkable. | 0:38:24 | 0:38:25 | |
'It's good to know that sometimes our actions help marine life to prosper... | 0:38:25 | 0:38:30 | |
'even if it's entirely accidental.' | 0:38:30 | 0:38:33 | |
Good down there? | 0:38:42 | 0:38:44 | |
Yep, it's very, very murky. | 0:38:44 | 0:38:48 | |
It's crazy and gloomy down there. | 0:38:48 | 0:38:51 | |
And it's hilarious just coming out | 0:38:51 | 0:38:53 | |
and watching people walking along on the pier above you | 0:38:53 | 0:38:56 | |
and hearing this thumping music, | 0:38:56 | 0:38:58 | |
when you've just been down amongst the peace and quiet | 0:38:58 | 0:39:01 | |
and the gloom of the mussel beds. | 0:39:01 | 0:39:03 | |
Fantastic. | 0:39:03 | 0:39:05 | |
Nearly 200 kilometres away from the bustle of Brighton is Lyme Bay, | 0:39:14 | 0:39:19 | |
part of Dorset's sweeping Jurassic coast. | 0:39:19 | 0:39:22 | |
This huge sheltered cove, warmed by the gulf stream, | 0:39:22 | 0:39:27 | |
is one of the country's richest areas of marine life | 0:39:27 | 0:39:30 | |
and home to beautiful British corals. | 0:39:30 | 0:39:33 | |
But it's also an area vital to our fishing industry. | 0:39:33 | 0:39:36 | |
Scallops are one of my favourite foods | 0:39:38 | 0:39:40 | |
and the ones here in Lyme Bay are just legendary. | 0:39:40 | 0:39:45 | |
But while we might all enjoy a tasty fish supper, | 0:39:45 | 0:39:47 | |
how much do we really know about the journey our seafood takes | 0:39:47 | 0:39:51 | |
from the sea floor to our dinner plate? | 0:39:51 | 0:39:55 | |
Increasing numbers of us choose to buy free-range chickens | 0:39:56 | 0:40:00 | |
or organic beef. | 0:40:00 | 0:40:02 | |
But how many of us ask how our seafood is sourced? | 0:40:02 | 0:40:05 | |
Most scallops are caught by dredging. | 0:40:07 | 0:40:09 | |
Dredgers are great heavy metal rakes that get dragged along the sea bed, | 0:40:09 | 0:40:14 | |
a bit like my fingers in the sand. | 0:40:14 | 0:40:16 | |
And they're very, very efficient, | 0:40:16 | 0:40:18 | |
collecting thousands upon thousands of scallops. | 0:40:18 | 0:40:21 | |
But the problem is they collect everything on the sea floor, | 0:40:21 | 0:40:24 | |
not just the scallops. | 0:40:24 | 0:40:27 | |
'To see first-hand the impact dredging may have on our seabed, | 0:40:28 | 0:40:33 | |
'Tooni has gone out into Lyme Bay.' | 0:40:33 | 0:40:36 | |
There's a lot of debate about the pros and cons of dredging. | 0:40:36 | 0:40:40 | |
Is our love of seafood putting the marine environment at risk, | 0:40:40 | 0:40:43 | |
or can we find a way for the two to peacefully co-exist? | 0:40:43 | 0:40:46 | |
'I'm going in, | 0:40:48 | 0:40:50 | |
'to explore the scallop beds which get regularly dredged.' | 0:40:50 | 0:40:54 | |
'The only scallops left here are the ones too small for the dredge nets.' | 0:40:56 | 0:41:00 | |
SHE GIGGLES | 0:41:09 | 0:41:11 | |
Such funny animals! | 0:41:16 | 0:41:18 | |
They are total comedy molluscs. | 0:41:19 | 0:41:23 | |
Love them. | 0:41:23 | 0:41:25 | |
It's as though they're puppets being pulled by strings. | 0:41:25 | 0:41:28 | |
Off you go. | 0:41:28 | 0:41:30 | |
SHE LAUGHS | 0:41:30 | 0:41:33 | |
That movement is actually the adductor muscle inside them | 0:41:34 | 0:41:37 | |
which opens and shuts the shell. | 0:41:37 | 0:41:41 | |
But unfortunately, it's that that we're so keen on eating. | 0:41:41 | 0:41:45 | |
'Although the dredgers are designed | 0:41:45 | 0:41:48 | |
'to leave the smaller scallops behind, | 0:41:48 | 0:41:50 | |
'as they trawl a path across the sea bed | 0:41:50 | 0:41:53 | |
'there's little else left in their wake.' | 0:41:53 | 0:41:55 | |
Eugh. Such a muddy, horrible bit of seabed. | 0:41:56 | 0:42:03 | |
It just feels really desolate, | 0:42:04 | 0:42:06 | |
like a desert, essentially. | 0:42:06 | 0:42:09 | |
I don't know. It really does feel like some huge destructive force | 0:42:09 | 0:42:14 | |
has really gone through the whole place | 0:42:14 | 0:42:16 | |
and just left it a real wasteland. | 0:42:16 | 0:42:20 | |
'But left alone, | 0:42:24 | 0:42:25 | |
'the sea bed can look very different. | 0:42:25 | 0:42:29 | |
'I've come to another part of the bay | 0:42:29 | 0:42:32 | |
'where the sea floor is scattered with large boulders. | 0:42:32 | 0:42:35 | |
'These can damage the towing gear, | 0:42:35 | 0:42:37 | |
'so this area has never been dredged.' | 0:42:37 | 0:42:39 | |
'This reef is home to some extraordinary creatures. | 0:42:43 | 0:42:47 | |
'These pink sea fans are actually slow-growing, cold-water corals.' | 0:42:47 | 0:42:53 | |
This is a colony of loads of individual animals, | 0:43:03 | 0:43:06 | |
growing in this wonderful fan-shaped structure. | 0:43:06 | 0:43:11 | |
Now, they're all aligned, perpendicular to the current, | 0:43:11 | 0:43:14 | |
which flows directly through them. | 0:43:14 | 0:43:16 | |
That's so they get the maximum amount of food. | 0:43:16 | 0:43:20 | |
Now the thing about pink sea fans is | 0:43:23 | 0:43:25 | |
they're exceptionally slow-growing. | 0:43:25 | 0:43:28 | |
This colony here would be about 10 to 15 years old. | 0:43:28 | 0:43:33 | |
What a beautiful perch of reef. | 0:43:35 | 0:43:37 | |
Not something you'd expect off the south coast of Britain. | 0:43:39 | 0:43:43 | |
To protect this fragile marine environment, | 0:43:46 | 0:43:49 | |
the government has now made part of Lyme Bay an exclusion zone. | 0:43:49 | 0:43:54 | |
Within these 155 square kilometres, | 0:43:54 | 0:43:57 | |
no scallop dredging is allowed. | 0:43:57 | 0:44:00 | |
But not everyone is a fan of the protection scheme. | 0:44:02 | 0:44:05 | |
The fishermen here feel that the exclusion zone is too big | 0:44:05 | 0:44:10 | |
and that they are paying the price. | 0:44:10 | 0:44:13 | |
Nick Prust has been fishing this area since he was 15. | 0:44:14 | 0:44:18 | |
A lot of our most lucrative grounds are now taken. | 0:44:18 | 0:44:22 | |
What we're saying is, within the Lyme Bay closure area, | 0:44:22 | 0:44:26 | |
there are areas that are not reef, | 0:44:26 | 0:44:28 | |
that hold considerable stocks of scallops | 0:44:28 | 0:44:30 | |
-that could still be fished. -Right. | 0:44:30 | 0:44:33 | |
The worrying part is the speed that it's all happening. | 0:44:33 | 0:44:35 | |
To us, it's too much, too quick. | 0:44:35 | 0:44:39 | |
What do you think are the solutions for Lyme Bay? | 0:44:39 | 0:44:41 | |
Areas should be opened up, away from the reefs, | 0:44:41 | 0:44:44 | |
we know where they are, | 0:44:44 | 0:44:45 | |
and let the fishing industry continue to fish, | 0:44:45 | 0:44:48 | |
because it'll work. | 0:44:48 | 0:44:51 | |
This is a complex issue | 0:44:56 | 0:44:57 | |
and tensions are understandably high. | 0:44:57 | 0:45:02 | |
Is there a way to protect the livelihoods of our fishermen, | 0:45:02 | 0:45:06 | |
without destroying our slow-growing corals? | 0:45:06 | 0:45:10 | |
We're a nation of fish-eaters | 0:45:16 | 0:45:18 | |
and it's our demand that drives the dredging industry, | 0:45:18 | 0:45:21 | |
so it doesn't help to point the finger at fishermen | 0:45:21 | 0:45:24 | |
whose livelihood depends on that dredging. | 0:45:24 | 0:45:26 | |
There are no easy answers, but ultimately we all have a choice. | 0:45:28 | 0:45:33 | |
So the next time you buy fish, | 0:45:33 | 0:45:35 | |
it's worth asking where it comes from and how it's been caught. | 0:45:35 | 0:45:39 | |
'Delicate corals aren't the only secrets hidden in Lyme Bay.' | 0:45:45 | 0:45:49 | |
Its strategic position and calm waters | 0:45:49 | 0:45:52 | |
led to it becoming the site of a key naval base | 0:45:52 | 0:45:55 | |
which played a crucial role in both world wars. | 0:45:55 | 0:45:59 | |
'Frank is delving into the fascinating story | 0:46:01 | 0:46:04 | |
'of a truly incredible naval invention.' | 0:46:04 | 0:46:07 | |
She was a British submarine called the M2 | 0:46:09 | 0:46:12 | |
and she's got a unique place in Royal Naval history. | 0:46:12 | 0:46:16 | |
The HMS M2 was built in 1920 | 0:46:16 | 0:46:21 | |
and was originally fitted with a single 12-inch gun. | 0:46:21 | 0:46:25 | |
But after four years, | 0:46:27 | 0:46:29 | |
she was withdrawn from service | 0:46:29 | 0:46:31 | |
and reassigned for experimental use. | 0:46:31 | 0:46:35 | |
The navy had a cunning idea. | 0:46:35 | 0:46:37 | |
They took the huge gun off the M2 | 0:46:37 | 0:46:39 | |
and replaced it with a watertight aircraft hangar. | 0:46:39 | 0:46:42 | |
Then they commissioned a miniature two-seat biplane | 0:46:42 | 0:46:46 | |
that fitted inside it, | 0:46:46 | 0:46:47 | |
and could be catapulted off the front. | 0:46:47 | 0:46:50 | |
Suddenly, the navy had an incredible new weapon. | 0:46:50 | 0:46:54 | |
They had the range and stealth of a submarine, | 0:46:54 | 0:46:57 | |
but they also had an eye in the sky. | 0:46:57 | 0:47:00 | |
The ingenious plan was to send her ahead of the battle fleet | 0:47:02 | 0:47:06 | |
as a reconnaissance scout. | 0:47:06 | 0:47:07 | |
The sub would surface, | 0:47:07 | 0:47:10 | |
its tiny plane unfolded and launched, | 0:47:10 | 0:47:13 | |
all within a matter of minutes. | 0:47:13 | 0:47:15 | |
'As a marine archaeologist, | 0:47:21 | 0:47:22 | |
'I've always been fascinated by the history of the M2 | 0:47:22 | 0:47:26 | |
'and the dive support team are keen to hear her story.' | 0:47:26 | 0:47:29 | |
That's obviously them launching the plane out the hangar, | 0:47:29 | 0:47:32 | |
but look at how low in the water she is. | 0:47:32 | 0:47:35 | |
-That looks hairy to me. -No freeboard there at all. | 0:47:35 | 0:47:38 | |
The pilot would sit there with the engine going... | 0:47:38 | 0:47:40 | |
HE IMITATES ENGINE | 0:47:40 | 0:47:41 | |
..screaming, and then go... | 0:47:41 | 0:47:44 | |
and give the thumbs up, | 0:47:44 | 0:47:45 | |
and then on the deck beside him is the stoker. | 0:47:45 | 0:47:48 | |
The stoker is the guy that can launch the catapult, | 0:47:48 | 0:47:51 | |
but he can't actually do it himself, | 0:47:51 | 0:47:53 | |
because you have to wait for the captain's word. | 0:47:53 | 0:47:56 | |
So he signals up to the seaman on the conning tower, | 0:47:56 | 0:47:58 | |
who turns to the captain and goes, "Ready to launch, Sir?" | 0:47:58 | 0:48:01 | |
Meanwhile the guy is still... And then the captain goes, "Launch", | 0:48:01 | 0:48:06 | |
and the seaman goes "OK, launch" and goes like this to the stoker | 0:48:06 | 0:48:09 | |
who finally goes "Boof", and releases the catapult | 0:48:09 | 0:48:12 | |
and they hit 60 knots in - how far is that? About 40 foot. | 0:48:12 | 0:48:17 | |
It was an ambitious design. | 0:48:20 | 0:48:22 | |
But perhaps it's no surprise | 0:48:22 | 0:48:24 | |
that this eccentric vessel wasn't without its problems. | 0:48:24 | 0:48:28 | |
On the 26th January 1932 during routine exercises, | 0:48:30 | 0:48:34 | |
the M2 disappeared. | 0:48:34 | 0:48:36 | |
Eight days later, she was found at the bottom of the ocean. | 0:48:38 | 0:48:41 | |
One of the main things that they had to do in training, | 0:48:42 | 0:48:45 | |
was to cut the amount of time that it would take them to get to the surface, | 0:48:45 | 0:48:49 | |
and get that plane off, so they could hide that submarine again. | 0:48:49 | 0:48:52 | |
'All attempts to lift the submarine failed, | 0:48:55 | 0:48:58 | |
'so no-one's absolutely sure why the M2 sank. | 0:48:58 | 0:49:02 | |
'She's still lying 30 metres below the surface, | 0:49:02 | 0:49:06 | |
'just as she was almost 80 years ago.' | 0:49:06 | 0:49:08 | |
'As we descend the line, it soon becomes obvious we've got a problem.' | 0:49:16 | 0:49:20 | |
'We've dived into a thick bloom of plankton.' | 0:49:25 | 0:49:28 | |
So where is the ship? | 0:49:32 | 0:49:34 | |
Here we are and we've made the M2, | 0:49:44 | 0:49:46 | |
but, my God, we could be anywhere. | 0:49:46 | 0:49:49 | |
But anyway, there in the murk you can see... | 0:49:49 | 0:49:52 | |
Oh, I've lost it. | 0:49:54 | 0:49:55 | |
Frank to surface, Frank to surface. | 0:49:59 | 0:50:02 | |
We cannot see a thing down here. | 0:50:02 | 0:50:05 | |
I'm afraid we're going to have to call this off. Over. | 0:50:05 | 0:50:08 | |
'OK. Got that, loud and clear. Thank you.' | 0:50:08 | 0:50:12 | |
'It's a huge disappointment, | 0:50:12 | 0:50:16 | |
'but the M2 has intrigued me for too long to give up now. | 0:50:16 | 0:50:20 | |
'I'll be back when the water has cleared.' | 0:50:20 | 0:50:23 | |
We were here three weeks ago and the visibility was just terrible. | 0:50:32 | 0:50:36 | |
We could hardly see our hands in front of our faces. | 0:50:36 | 0:50:39 | |
But the word is that the plankton bloom has died off | 0:50:39 | 0:50:42 | |
and the visibility has cleared right up. | 0:50:42 | 0:50:44 | |
Hopefully this time we can see something and have a look around. | 0:50:44 | 0:50:47 | |
OK, I've got a lot more vis now. | 0:50:57 | 0:51:02 | |
Wow, here she is, looming out of the murk. | 0:51:04 | 0:51:08 | |
Absolutely wonderful. | 0:51:11 | 0:51:14 | |
The scale of the thing takes your breath away. | 0:51:19 | 0:51:22 | |
Magnificent. | 0:51:22 | 0:51:24 | |
So, this here is the periscope. | 0:51:34 | 0:51:39 | |
And here is the conning tower | 0:51:45 | 0:51:47 | |
where the officers would have stood when the submarine was at the surface | 0:51:47 | 0:51:52 | |
and they'd be scanning the sea. | 0:51:52 | 0:51:54 | |
And then when the time came, | 0:51:58 | 0:52:00 | |
they would give the order to launch the airplane up in the sky. | 0:52:00 | 0:52:05 | |
'The amazing thing about the wreck of the M2 | 0:52:09 | 0:52:12 | |
'is that 80 years after she sank, | 0:52:12 | 0:52:15 | |
'she's almost completely intact. | 0:52:15 | 0:52:18 | |
'Which means the clues as to why she sank are still here.' | 0:52:18 | 0:52:22 | |
Here is the aircraft hangar. | 0:52:25 | 0:52:28 | |
This is where the miniature biplane was stored. | 0:52:28 | 0:52:34 | |
Look at this, it's incredible. | 0:52:37 | 0:52:39 | |
You can see that these doors are still wide open, | 0:52:42 | 0:52:46 | |
this is the prime suspect here for what caused the end of the M2. | 0:52:46 | 0:52:52 | |
These crews were trying very, very hard to make this concept work. | 0:52:58 | 0:53:03 | |
The question is, were they trying too hard? | 0:53:03 | 0:53:06 | |
Perhaps this was opened too fast | 0:53:08 | 0:53:11 | |
when the submarine came to the surface. | 0:53:11 | 0:53:13 | |
As the aircraft was being pushed out, | 0:53:13 | 0:53:15 | |
the sea rushed in, | 0:53:15 | 0:53:17 | |
flooded the interior of the submarine | 0:53:17 | 0:53:20 | |
and sent it down to the bottom where we see it today. | 0:53:20 | 0:53:23 | |
'Many believe the sinking of the M2 was down to human error, | 0:53:26 | 0:53:31 | |
'but it could have been a technical malfunction. | 0:53:31 | 0:53:35 | |
'She sank so fast | 0:53:35 | 0:53:37 | |
'that no-one lived to tell the tale.' | 0:53:37 | 0:53:40 | |
During the attempts to salvage the M2, | 0:53:43 | 0:53:46 | |
all of the access hatches were sealed with concrete. | 0:53:46 | 0:53:49 | |
They only ever recovered two bodies. | 0:53:49 | 0:53:53 | |
So the remains of the 60-odd crew men are still inside. | 0:53:53 | 0:54:00 | |
The M2 is a designated military grave, | 0:54:00 | 0:54:04 | |
it's a steel coffin on the sea bed. | 0:54:04 | 0:54:07 | |
'This unique wreck is a poignant reminder | 0:54:11 | 0:54:14 | |
'of what an unforgiving place the ocean can be.' | 0:54:14 | 0:54:17 | |
Back outside Poole harbour, | 0:54:23 | 0:54:26 | |
the archaeologists excavating the mysterious Swash Channel wreck | 0:54:26 | 0:54:29 | |
are fighting to save her. | 0:54:29 | 0:54:33 | |
They may not know her full story, | 0:54:33 | 0:54:36 | |
but they do know what an important discovery they have on their hands. | 0:54:36 | 0:54:40 | |
It's interesting and important because we've got bits of ship that don't exist anywhere else. | 0:54:44 | 0:54:48 | |
If you were to summarise what you've learnt so far? | 0:54:48 | 0:54:50 | |
We've learnt, since the beginning of this really... | 0:54:50 | 0:54:53 | |
Initially this was quite a small wreck of unknown character, | 0:54:53 | 0:54:56 | |
now we know it's a large wreck, it's high-status, it's in these carvings. | 0:54:56 | 0:55:00 | |
It's built and constructed to trade out to the tropics | 0:55:00 | 0:55:03 | |
in a period when this was something new. | 0:55:03 | 0:55:06 | |
What this ship was engaged in, and other ships like it were engaged in, | 0:55:06 | 0:55:10 | |
is the reason why we have Japanese cars and Chinese videos. | 0:55:10 | 0:55:14 | |
So actually, in world-history terms, this is an important object. | 0:55:14 | 0:55:18 | |
But you are now engaged in this race, | 0:55:18 | 0:55:21 | |
because this thing is deteriorating fast, right? | 0:55:21 | 0:55:24 | |
So you're in a big, big race. | 0:55:24 | 0:55:26 | |
We've watched it fall apart in front of our eyes for five years. | 0:55:26 | 0:55:29 | |
But you can only do one thing at a time. | 0:55:29 | 0:55:32 | |
'With such rapid deterioration, | 0:55:32 | 0:55:35 | |
'there's pressure on the team to preserve the ship. | 0:55:35 | 0:55:38 | |
'And the basics of preservation are a lot simpler than you might think. | 0:55:40 | 0:55:44 | |
'Some of the wreck can be covered up | 0:55:44 | 0:55:47 | |
'and protected for the future.' | 0:55:47 | 0:55:49 | |
What happens is all the sediment finds its way into the nooks and the crannies between these sandbags | 0:55:49 | 0:55:55 | |
and that actually forms a seal. | 0:55:55 | 0:55:57 | |
It might sound a bit rudimentary, but it actually really works. | 0:55:57 | 0:56:00 | |
'And what can't be covered, can at least be recorded.' | 0:56:00 | 0:56:05 | |
What you can do is take pictures of exactly what the sea bed looks like | 0:56:05 | 0:56:11 | |
and build that up into a sort of photomosaic. | 0:56:11 | 0:56:14 | |
And I do row after row after row, | 0:56:14 | 0:56:18 | |
so that all is not lost - | 0:56:18 | 0:56:21 | |
when this wreck is physically gone, | 0:56:21 | 0:56:23 | |
the information isn't. | 0:56:23 | 0:56:25 | |
'Ultimately, the best way to preserve a shipwreck | 0:56:31 | 0:56:34 | |
'is to lift it from the water altogether. | 0:56:34 | 0:56:36 | |
'But the expense and logistics involved | 0:56:36 | 0:56:39 | |
'make that almost impossible.' | 0:56:39 | 0:56:41 | |
'But remarkably, that's just what's going to happen | 0:56:43 | 0:56:47 | |
'to large parts of the Swash Channel wreck.' | 0:56:47 | 0:56:50 | |
We're going to raise the first 12 metres of the bow, | 0:56:51 | 0:56:54 | |
the rest of it, we're going to bury in situ and leave it there. | 0:56:54 | 0:56:57 | |
But to you archaeologists, it seems quite routine. | 0:56:57 | 0:57:00 | |
Let's chop it right off and bring it up. In archaeological terms, that's probably quite normal. | 0:57:00 | 0:57:05 | |
No, it's not normal at all! | 0:57:05 | 0:57:06 | |
-It's completely extraordinary, no-one's done it for 30 years. -Wow! | 0:57:06 | 0:57:10 | |
Last time in Britain it was in the Mary Rose. | 0:57:10 | 0:57:12 | |
It's as extraordinary as I thought then! | 0:57:12 | 0:57:15 | |
Raising the Swash Channel wreck will be an arduous task | 0:57:17 | 0:57:21 | |
which Dave and his team will attempt later this year. | 0:57:21 | 0:57:24 | |
There's still a long way to go | 0:57:26 | 0:57:28 | |
before we discover all of the secrets of the Swash Channel wreck, | 0:57:28 | 0:57:31 | |
but due to the painstaking work of the archaeologists, | 0:57:31 | 0:57:34 | |
she has now been revealed as one of the most important wrecks in our waters. | 0:57:34 | 0:57:39 | |
This series has revealed the secret world | 0:57:43 | 0:57:45 | |
that lies beneath Britain's seas. | 0:57:45 | 0:57:47 | |
I've never seen anything like this, | 0:57:47 | 0:57:50 | |
I'm just being surrounded by dorsal fins. | 0:57:50 | 0:57:52 | |
Uncovering our magical marine life, mysterious wrecks, | 0:57:52 | 0:57:57 | |
and our ever-changing relationship with the sea. | 0:57:57 | 0:58:00 | |
These are what we're after. | 0:58:00 | 0:58:02 | |
Look what else has come up as well! | 0:58:02 | 0:58:04 | |
Our native waters are every bit as dramatic, | 0:58:04 | 0:58:08 | |
colourful, and surprising | 0:58:08 | 0:58:12 | |
as any of the oceans of the world. | 0:58:12 | 0:58:14 | |
You can really get a sense of how fast they hit the water | 0:58:14 | 0:58:17 | |
and stun those fish! | 0:58:17 | 0:58:19 | |
Subtitles by Red Bee Media Ltd | 0:58:22 | 0:58:25 | |
E-mail [email protected] | 0:58:25 | 0:58:28 |