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This is Coast! | 0:00:17 | 0:00:19 | |
One small sea | 0:00:23 | 0:00:25 | |
lies at the heart of our islands... | 0:00:25 | 0:00:27 | |
..and touches us all. | 0:00:28 | 0:00:30 | |
We've been crisscrossing it for centuries | 0:00:33 | 0:00:36 | |
to connect with coastal neighbours. | 0:00:36 | 0:00:38 | |
Bounded by Scotland in the north, | 0:00:41 | 0:00:44 | |
England in the east, | 0:00:44 | 0:00:46 | |
Wales in the south | 0:00:46 | 0:00:48 | |
and Ireland in the west, | 0:00:48 | 0:00:50 | |
I'm on the Irish Sea. | 0:00:50 | 0:00:52 | |
And this is no solo venture. | 0:00:54 | 0:00:57 | |
As I head across the sea to Ireland, | 0:00:57 | 0:00:59 | |
we're also exploring other shores around the Irish Sea. | 0:00:59 | 0:01:04 | |
Mark's digging up shared Celtic connections in Cumbria... | 0:01:04 | 0:01:08 | |
I'm on a quest to discover | 0:01:08 | 0:01:10 | |
why this outpost of the Roman Empire | 0:01:10 | 0:01:13 | |
was so important as a religious centre. | 0:01:13 | 0:01:16 | |
..Cassie and Miranda are diving into a shipwreck mystery... | 0:01:17 | 0:01:22 | |
There are just eerie bits of wreckage lying around. | 0:01:24 | 0:01:27 | |
..and Tessa's investigating how one small yacht | 0:01:29 | 0:01:32 | |
determined the future of Ireland... | 0:01:32 | 0:01:35 | |
On-board is an illegal cargo. | 0:01:35 | 0:01:38 | |
900 of these... | 0:01:38 | 0:01:39 | |
..Mauser single shot rifles. | 0:01:40 | 0:01:43 | |
..all aboard the Irish Sea. | 0:01:43 | 0:01:45 | |
SEAGULLS CALL | 0:02:12 | 0:02:13 | |
40,000 square miles of water | 0:02:20 | 0:02:24 | |
touching the shores of all four nations | 0:02:24 | 0:02:27 | |
that make up the British Isles. | 0:02:27 | 0:02:29 | |
For thousands of years people have traversed the Irish Sea | 0:02:40 | 0:02:44 | |
from coast to coast, | 0:02:44 | 0:02:46 | |
creating a special shared culture. | 0:02:46 | 0:02:49 | |
I want to find the many ways | 0:02:51 | 0:02:53 | |
this swirling sea touches our isles | 0:02:53 | 0:02:56 | |
and connects our coast. | 0:02:56 | 0:02:58 | |
This passage of water is awash with stories | 0:02:58 | 0:03:01 | |
I'm itching to explore. | 0:03:01 | 0:03:03 | |
I'm starting my journey | 0:03:03 | 0:03:05 | |
on a crossing that has long linked our islands. | 0:03:05 | 0:03:08 | |
Holyhead in Wales to Dublin. | 0:03:08 | 0:03:11 | |
From there, | 0:03:11 | 0:03:13 | |
I'll head north for Belfast | 0:03:13 | 0:03:14 | |
and then Larne, | 0:03:14 | 0:03:16 | |
where I'll hop on another ferry | 0:03:16 | 0:03:18 | |
to Cairnryan in Scotland. | 0:03:18 | 0:03:20 | |
Over five million people cross the Irish Sea each year, | 0:03:22 | 0:03:26 | |
but how many know where it starts and ends? | 0:03:26 | 0:03:30 | |
I asked some fellow passengers before we set sail. | 0:03:31 | 0:03:34 | |
I think, actually, it goes right, right up. | 0:03:35 | 0:03:38 | |
-Right up to top of Ireland? -Yeah. | 0:03:38 | 0:03:41 | |
I would say it stops round about here. | 0:03:41 | 0:03:43 | |
-Across there? -Yup. -In the north, yeah? | 0:03:43 | 0:03:46 | |
And how far down do you think it goes? | 0:03:46 | 0:03:48 | |
-Probably down...down about here, I suppose. -So all the sea... | 0:03:51 | 0:03:54 | |
It joins the Channel down there. | 0:03:54 | 0:03:56 | |
All the sea that's between mainland Britain and Ireland, | 0:03:56 | 0:03:58 | |
-you think is the Irish Sea? -I think so, yeah. | 0:03:58 | 0:04:01 | |
On sea charts, | 0:04:02 | 0:04:04 | |
the Irish Sea is demarcated in the south | 0:04:04 | 0:04:07 | |
by a line from Nose of Howth here | 0:04:07 | 0:04:10 | |
across to Carmel Head here, | 0:04:10 | 0:04:13 | |
and to the north by a line from Ballyquintin Point here | 0:04:13 | 0:04:17 | |
across the Mull of Galloway here. | 0:04:17 | 0:04:19 | |
But these waters don't recognise boundaries. | 0:04:22 | 0:04:25 | |
Most people count the channels at its top and tail | 0:04:25 | 0:04:29 | |
as part and parcel of it. | 0:04:29 | 0:04:32 | |
This is a small sea, bursting to break out. | 0:04:32 | 0:04:35 | |
I've washed into Dublin on its tumultuous tides, | 0:04:42 | 0:04:46 | |
caused by the very formation of the Irish Sea. | 0:04:46 | 0:04:50 | |
Over 250 million years, | 0:04:52 | 0:04:55 | |
tectonic plates have caused subsidence of the seabed | 0:04:55 | 0:04:59 | |
between Ireland and mainland Britain. | 0:04:59 | 0:05:01 | |
The sea as we know it today | 0:05:04 | 0:05:06 | |
was formed by rising sea levels | 0:05:06 | 0:05:08 | |
as major ice sheets melted | 0:05:08 | 0:05:10 | |
over 10,000 years ago. | 0:05:10 | 0:05:12 | |
If we look at my chart again, | 0:05:15 | 0:05:18 | |
we can see the effects | 0:05:18 | 0:05:20 | |
of the Irish Sea's glacial history. | 0:05:20 | 0:05:23 | |
Its waters are trapped in a deep basin...here. | 0:05:23 | 0:05:27 | |
Twice daily tides flood in from the south, | 0:05:29 | 0:05:32 | |
pulled by the drag of the moon, | 0:05:32 | 0:05:35 | |
but the narrow passage of the north channel prevents the waters from escaping. | 0:05:35 | 0:05:39 | |
So they do a circuit of the Irish Sea, | 0:05:39 | 0:05:42 | |
before trying to escape southwards again, | 0:05:42 | 0:05:44 | |
where they collide head-on with the next incoming tide. | 0:05:44 | 0:05:49 | |
The result is a complex tidal swirl. | 0:05:49 | 0:05:53 | |
And, there's another side-effect, | 0:05:55 | 0:05:58 | |
a unique seasonal phenomenon. | 0:05:58 | 0:06:01 | |
It's called the Irish Sea gyre, | 0:06:04 | 0:06:07 | |
and it's the lifeblood of these waters. | 0:06:07 | 0:06:10 | |
I want to find out what this phenomenon is and how it works. | 0:06:12 | 0:06:16 | |
'I'm meeting Dr Martin White and Dr Glenn Nolan | 0:06:18 | 0:06:21 | |
'from the University of Galway and Marine Institute.' | 0:06:21 | 0:06:24 | |
I think that's about 15 rpm. | 0:06:25 | 0:06:27 | |
That's about what we want. | 0:06:27 | 0:06:29 | |
'They've promised to demonstrate an oceanic gyre | 0:06:29 | 0:06:32 | |
'on dry land...' | 0:06:32 | 0:06:34 | |
-Hi. -Hello, Nick. -Very good to meet you. -Nice to meet you. | 0:06:34 | 0:06:37 | |
This is one of the strangest contraptions | 0:06:37 | 0:06:39 | |
I've ever seen set up on a beach. | 0:06:39 | 0:06:42 | |
What exactly is a gyre? | 0:06:42 | 0:06:44 | |
OK, Nick. | 0:06:44 | 0:06:45 | |
A gyre is a term, a common term, we use | 0:06:45 | 0:06:49 | |
to describe an enclosed circulation pattern of ocean currents. | 0:06:49 | 0:06:53 | |
In the case of the western Irish Sea, | 0:06:53 | 0:06:55 | |
this is a circulation pattern which goes around a dome of dense cold water | 0:06:55 | 0:07:00 | |
sat in the deep part of the western Irish Sea here, | 0:07:00 | 0:07:03 | |
between us and the Isle of Man. | 0:07:03 | 0:07:04 | |
The idea to have this spinning is, | 0:07:04 | 0:07:07 | |
if you think about the earth, | 0:07:07 | 0:07:09 | |
everything is spinning around at the same rate, | 0:07:09 | 0:07:12 | |
so we need to set that up first. | 0:07:12 | 0:07:14 | |
As the earth turns, | 0:07:17 | 0:07:18 | |
so does everything on it - | 0:07:18 | 0:07:21 | |
including our oceans. | 0:07:21 | 0:07:23 | |
We see this effect when water drains down a plughole. | 0:07:23 | 0:07:27 | |
This circular flow is known as the Coriolis effect. | 0:07:27 | 0:07:31 | |
How is your contraption going to demonstrate how the gyre works? | 0:07:32 | 0:07:36 | |
The green dye contained in the cylinder is dense water | 0:07:36 | 0:07:39 | |
and swimming around in the main bowl we have fresh water. | 0:07:39 | 0:07:43 | |
So when we release this, | 0:07:43 | 0:07:45 | |
we'll create that dense dome in the middle | 0:07:45 | 0:07:48 | |
and a cyclonic circulation around that. | 0:07:48 | 0:07:50 | |
-Can we try it? -I think we can try it now. | 0:07:50 | 0:07:52 | |
The green dye is the cold dome of water, | 0:07:57 | 0:08:01 | |
warmer clear water is swirling around it. | 0:08:01 | 0:08:05 | |
At the boundary where the two meet, | 0:08:05 | 0:08:07 | |
a current is generated, | 0:08:07 | 0:08:10 | |
creating an invisible barrier. | 0:08:10 | 0:08:12 | |
That is the gyre. | 0:08:14 | 0:08:15 | |
Martin adds red dye so we can see the gyre current. | 0:08:17 | 0:08:20 | |
The red dye's hanging like a curtain wrapping itself around the dome. | 0:08:24 | 0:08:28 | |
This is small scale. | 0:08:29 | 0:08:32 | |
Out in the deepest basin of the Irish Sea, | 0:08:32 | 0:08:35 | |
the gyre spans 3,600 square miles. | 0:08:35 | 0:08:39 | |
This invisible current creates a unique eco-system... | 0:08:41 | 0:08:45 | |
..an enclosed feeding ground, | 0:08:46 | 0:08:49 | |
where fish and shellfish thrive. | 0:08:49 | 0:08:51 | |
This sea's gyre creates rich pickings, | 0:08:54 | 0:08:58 | |
and not just fish. | 0:08:58 | 0:09:00 | |
Swirling currents can also bring tides of change. | 0:09:04 | 0:09:08 | |
Religions, | 0:09:09 | 0:09:11 | |
beliefs, | 0:09:11 | 0:09:12 | |
cultures, | 0:09:12 | 0:09:14 | |
carried around the Irish Sea... | 0:09:14 | 0:09:16 | |
..transforming our isles over thousands of years. | 0:09:17 | 0:09:21 | |
The Romans were no strangers to these waters, | 0:09:24 | 0:09:28 | |
for them a conduit to coastal conquest. | 0:09:28 | 0:09:31 | |
In the first century, they reached Maryport, Cumbria | 0:09:32 | 0:09:36 | |
and named it Alauna. | 0:09:36 | 0:09:39 | |
It became a key garrison of the Roman Empire. | 0:09:39 | 0:09:42 | |
Mark first came here ten years ago, | 0:09:47 | 0:09:50 | |
when archaeologists discovered a huge military fort and settlement. | 0:09:50 | 0:09:55 | |
Now he's back | 0:09:57 | 0:09:58 | |
because an astonishing addition to the story | 0:09:58 | 0:10:01 | |
has been unearthed - | 0:10:01 | 0:10:03 | |
Roman temples. | 0:10:03 | 0:10:05 | |
Maryport wasn't just a military fortress. | 0:10:07 | 0:10:11 | |
It had a spiritual side, as well. | 0:10:11 | 0:10:13 | |
I'm on a quest to discover why | 0:10:13 | 0:10:15 | |
this outpost of the Roman empire | 0:10:15 | 0:10:18 | |
was so important as a religious centre. | 0:10:18 | 0:10:21 | |
Archaeologists here | 0:10:26 | 0:10:28 | |
have uncovered two spectacularly rare temples, | 0:10:28 | 0:10:32 | |
one round, probably a mausoleum | 0:10:32 | 0:10:35 | |
and another intriguing rectangular structure. | 0:10:35 | 0:10:38 | |
Tony Wilmott of Historic England | 0:10:40 | 0:10:42 | |
is co-director of the project. | 0:10:42 | 0:10:45 | |
This is the so-called rectangular temple. | 0:10:45 | 0:10:47 | |
We've just got this end exposed. | 0:10:47 | 0:10:49 | |
You've just got this side wall running there, | 0:10:49 | 0:10:51 | |
then it comes out into this little square projection, | 0:10:51 | 0:10:53 | |
then the facade was just about under the edge of grass area over there. | 0:10:53 | 0:10:57 | |
-Facing the same way as the other one? -They're both facing the same way. | 0:10:57 | 0:11:00 | |
We found, on excavating it properly, | 0:11:00 | 0:11:02 | |
that there were four column bases. | 0:11:02 | 0:11:04 | |
Gosh, that's smart. Would it have had a pediment? | 0:11:04 | 0:11:06 | |
It would have had the lot - columns, pediment, the whole business. | 0:11:06 | 0:11:09 | |
-That's really unusual. You don't get classical temples. -Not very often. | 0:11:09 | 0:11:12 | |
Actually this is the furthest northwest classical temple in the Roman Empire so far. | 0:11:12 | 0:11:15 | |
It's a staggering discovery. | 0:11:17 | 0:11:20 | |
This was no everyday temple. | 0:11:20 | 0:11:23 | |
It's size and quality | 0:11:23 | 0:11:25 | |
suggests Maryport was a cult centre, | 0:11:25 | 0:11:29 | |
drawing people from far and wide to worship. | 0:11:29 | 0:11:33 | |
And there's stunning evidence to back this up | 0:11:35 | 0:11:38 | |
in the local museum. | 0:11:38 | 0:11:39 | |
In this museum | 0:11:45 | 0:11:47 | |
is the largest collection of Roman altars in Britain, | 0:11:47 | 0:11:50 | |
18 in total | 0:11:50 | 0:11:52 | |
and all found here at Maryport. | 0:11:52 | 0:11:55 | |
As pagans, the Romans worshipped many gods and spirits. | 0:11:58 | 0:12:02 | |
These exquisite altars were dedicated | 0:12:04 | 0:12:06 | |
to Jupiter Optimus Maximus, | 0:12:06 | 0:12:09 | |
I-O-M, | 0:12:09 | 0:12:11 | |
the king of the gods. | 0:12:11 | 0:12:14 | |
They probably would have stood in front of the temples. | 0:12:14 | 0:12:17 | |
But these altars were dug up 100 metres away from the temples. | 0:12:21 | 0:12:25 | |
At some point, | 0:12:25 | 0:12:27 | |
they had been moved to an area | 0:12:27 | 0:12:29 | |
where the team discovered a series of mysterious pits. | 0:12:29 | 0:12:34 | |
Professor Ian Haynes of Newcastle University | 0:12:34 | 0:12:37 | |
is the dig's co-director. | 0:12:37 | 0:12:39 | |
These pits were actually dug | 0:12:39 | 0:12:42 | |
to allow for a large timber structure | 0:12:42 | 0:12:45 | |
to be built on this spot. | 0:12:45 | 0:12:47 | |
Timber posts set up to 1.3 metres into the ground | 0:12:47 | 0:12:50 | |
and packed around with stone, | 0:12:50 | 0:12:52 | |
including sometimes altars. | 0:12:52 | 0:12:55 | |
So they reused the altars as packing. | 0:12:55 | 0:12:58 | |
Absolutely. So if we look at this one, | 0:12:58 | 0:13:01 | |
you can actually see the packing stone | 0:13:01 | 0:13:03 | |
that's gone into one of these pits. | 0:13:03 | 0:13:06 | |
And at the bottom of it, there, you can see the top of another altar. | 0:13:06 | 0:13:09 | |
Once that's been taken away, | 0:13:09 | 0:13:12 | |
yet again there it is - | 0:13:12 | 0:13:13 | |
Jupiter Optimus Maximus. | 0:13:13 | 0:13:15 | |
'What was this extraordinary structure | 0:13:16 | 0:13:19 | |
'that used Roman altars as building material? | 0:13:19 | 0:13:22 | |
'Clues were revealed by the excavations.' | 0:13:23 | 0:13:26 | |
What's that at one end? | 0:13:26 | 0:13:28 | |
Well, absolutely, this is key here, as you rightly point out. | 0:13:28 | 0:13:31 | |
We've got an apse here, there's no doubt about it. | 0:13:31 | 0:13:34 | |
There is a very clear semi-circular feature | 0:13:34 | 0:13:37 | |
as one would find on the end of certain types of basilicum buildings. | 0:13:37 | 0:13:40 | |
Well, basilicums can be churches. | 0:13:40 | 0:13:42 | |
They can be, indeed. | 0:13:42 | 0:13:44 | |
'This is another astounding discovery. | 0:13:46 | 0:13:49 | |
'It seems the Roman altars | 0:13:49 | 0:13:52 | |
'had become the foundations | 0:13:52 | 0:13:54 | |
'for a colossal Christian church. | 0:13:54 | 0:13:57 | |
'In the 1st century, | 0:13:59 | 0:14:01 | |
'the Romans invaded Britain as emphatic pagans. | 0:14:01 | 0:14:05 | |
'Yet, within 300 years, | 0:14:05 | 0:14:08 | |
'they would destroy the symbols of that belief | 0:14:08 | 0:14:10 | |
'and embracing a brand-new faith.' | 0:14:10 | 0:14:13 | |
Christianity spread throughout the Empire | 0:14:15 | 0:14:18 | |
and by the beginning of the 3rd century AD | 0:14:18 | 0:14:21 | |
it may well have reached Roman Britain. | 0:14:21 | 0:14:23 | |
Not that the Roman authorities approved. | 0:14:25 | 0:14:28 | |
The faith of the first English martyr, | 0:14:28 | 0:14:31 | |
St Alban, | 0:14:31 | 0:14:32 | |
sealed his fate in the late 3rd century. | 0:14:32 | 0:14:35 | |
In 314 AD, | 0:14:38 | 0:14:40 | |
the Emperor Constantine adopted Christianity | 0:14:40 | 0:14:44 | |
as the official religion of the Roman Empire | 0:14:44 | 0:14:47 | |
and the first public churches were built. | 0:14:47 | 0:14:50 | |
This extraordinary building unearthed at Maryport | 0:14:56 | 0:15:00 | |
dates to the late 4th or early 5th century, | 0:15:00 | 0:15:04 | |
one of the earliest churches ever discovered in Britain. | 0:15:04 | 0:15:07 | |
We now realise that Maryport sits in the centre of a whole cluster | 0:15:11 | 0:15:15 | |
of early Christian sites. | 0:15:15 | 0:15:18 | |
Across the Solway was Whithorn, | 0:15:18 | 0:15:21 | |
just behind the wind farm over there. | 0:15:21 | 0:15:23 | |
Across the Irish Sea, we have the Isle of Man. | 0:15:23 | 0:15:26 | |
Then beyond that, Nendrum in Northern Ireland | 0:15:26 | 0:15:29 | |
and Iona in the Scottish islands. | 0:15:29 | 0:15:31 | |
The emergence of Maryport | 0:15:33 | 0:15:36 | |
as a Christian powerhouse | 0:15:36 | 0:15:38 | |
in the north of England | 0:15:38 | 0:15:40 | |
adds serious weight to a theory | 0:15:40 | 0:15:42 | |
that's intrigued me for years. | 0:15:42 | 0:15:45 | |
Because just 30 miles from here, | 0:15:45 | 0:15:47 | |
a famous saint was born. | 0:15:47 | 0:15:49 | |
This man - Saint Patrick, | 0:15:53 | 0:15:55 | |
the apostle to the Irish. | 0:15:55 | 0:15:57 | |
According to his own life, | 0:16:02 | 0:16:04 | |
a document known as the Confession, | 0:16:04 | 0:16:07 | |
Patrick says that he was born in a town called Bannaventa, | 0:16:07 | 0:16:12 | |
which I think is this place, | 0:16:12 | 0:16:14 | |
which the Romans called Glannaventa. | 0:16:14 | 0:16:16 | |
Glannaventa is so close to Maryport | 0:16:18 | 0:16:22 | |
it raises the possibility | 0:16:22 | 0:16:24 | |
that St Patrick had a physical connection | 0:16:24 | 0:16:27 | |
with this spiritual stretch of the Cumbrian coast. | 0:16:27 | 0:16:30 | |
If St Patrick was indeed from this place, | 0:16:32 | 0:16:35 | |
it may well be from this very spot that he set off | 0:16:35 | 0:16:39 | |
and took Christianity across the Irish Sea to the Irish. | 0:16:39 | 0:16:43 | |
Romans established a pagan centre of worship | 0:16:46 | 0:16:49 | |
here at Maryport | 0:16:49 | 0:16:52 | |
on the edge of the Irish Sea. | 0:16:52 | 0:16:54 | |
With the arrival of Christianity and St Patrick, | 0:16:55 | 0:16:59 | |
there came a new sea of faith, | 0:16:59 | 0:17:02 | |
creating fresh sites of pilgrimage | 0:17:02 | 0:17:05 | |
on our isles. | 0:17:05 | 0:17:06 | |
The Irish Sea. | 0:17:18 | 0:17:19 | |
Awash with opportunities | 0:17:21 | 0:17:24 | |
that connect our coasts | 0:17:24 | 0:17:26 | |
and our fishing ports. | 0:17:26 | 0:17:28 | |
New Quay in Wales... | 0:17:31 | 0:17:33 | |
..Whitehaven in England... | 0:17:34 | 0:17:36 | |
..Portpatrick in Scotland... | 0:17:38 | 0:17:40 | |
This small sea binds together a big industry. | 0:17:42 | 0:17:47 | |
Dublin Bay is famous for one particular catch... | 0:17:49 | 0:17:52 | |
..the Dublin Bay Prawn. | 0:17:53 | 0:17:55 | |
A product of the swirling gyre current. | 0:17:56 | 0:18:00 | |
Over 16,000 tonnes are landed in Ireland each year... | 0:18:00 | 0:18:03 | |
..but this crunchy crustacean knows no boundaries. | 0:18:05 | 0:18:10 | |
Stocks are spreading throughout the Irish Sea... | 0:18:10 | 0:18:13 | |
and have reached Belfast Lough. | 0:18:13 | 0:18:15 | |
It's where I've come to find out more about this delicacy, | 0:18:17 | 0:18:21 | |
exported and eaten on our shores. | 0:18:21 | 0:18:23 | |
But the name's a bit of a red herring. | 0:18:25 | 0:18:27 | |
Because these prawns are also known as scampi and langoustine... | 0:18:30 | 0:18:33 | |
..which is less of a mouthful than their scientific name, | 0:18:36 | 0:18:39 | |
Nephrops norvegicus. | 0:18:39 | 0:18:41 | |
I'm heading out with the Agri-Food and Biosciences Institute, | 0:18:43 | 0:18:48 | |
whose experts monitor Nephrops stocks for the Government. | 0:18:48 | 0:18:52 | |
Principal scientist Richard Gowen | 0:18:52 | 0:18:55 | |
has plotted on a chart how far the gyre spreads them. | 0:18:55 | 0:18:59 | |
The main population is retained here | 0:18:59 | 0:19:01 | |
because of the physical environment, | 0:19:01 | 0:19:03 | |
but, as these arrows show, | 0:19:03 | 0:19:05 | |
when the Nephrops larvae are in the surface waters | 0:19:05 | 0:19:07 | |
they will be dispersed elsewhere. | 0:19:07 | 0:19:10 | |
There's a population here in the eastern Irish Sea, | 0:19:10 | 0:19:12 | |
there's a population in the Clyde, | 0:19:12 | 0:19:14 | |
and the general flow through the Irish Sea is from the south, through, | 0:19:14 | 0:19:19 | |
so the small populations like the one here in Belfast Loch are spin-offs | 0:19:19 | 0:19:24 | |
from the main population centres. | 0:19:24 | 0:19:26 | |
Cousins of the gyre population. | 0:19:26 | 0:19:28 | |
Yes. | 0:19:28 | 0:19:30 | |
'The gyre is the optimum environment | 0:19:31 | 0:19:34 | |
'to nurture newly hatched Nephrops. | 0:19:34 | 0:19:36 | |
'It retains most of the larvae and the plankton they feed on. | 0:19:37 | 0:19:41 | |
'When larvae reach a certain size, | 0:19:43 | 0:19:45 | |
'they drop back to seabed burrows | 0:19:45 | 0:19:47 | |
'to metamorphose into adults. | 0:19:47 | 0:19:50 | |
'Until now, I've never been up close and personal with a Nephrops... | 0:19:53 | 0:19:57 | |
'..unlike senior scientist Steven Beggs.' | 0:19:58 | 0:20:01 | |
Wow, they're enormous! | 0:20:01 | 0:20:03 | |
Yes, these are big Dublin Bay prawns, Nick. | 0:20:03 | 0:20:07 | |
Dublin Bay prawns or Nephrops | 0:20:07 | 0:20:10 | |
can live up to 15 years. | 0:20:10 | 0:20:13 | |
These feisty examples are about five. | 0:20:13 | 0:20:15 | |
Ooh! | 0:20:17 | 0:20:19 | |
They're dangerous, aren't they? | 0:20:19 | 0:20:20 | |
Yeah, they can give you a nasty nip. | 0:20:20 | 0:20:22 | |
-Would you like to feel the weight of it? -Sure. | 0:20:22 | 0:20:25 | |
Oh, right. | 0:20:25 | 0:20:27 | |
Absolutely stunning. | 0:20:27 | 0:20:29 | |
Translucent pinks and oranges, | 0:20:29 | 0:20:31 | |
with these very fine, fine fronds on the back of the tail, | 0:20:31 | 0:20:35 | |
and this overlapping exoskeleton down the back here. | 0:20:35 | 0:20:39 | |
-It's like armour plating on an armadillo. -Yes, indeed. | 0:20:39 | 0:20:42 | |
And they're very muscular - I've noticed that, flicking around, | 0:20:42 | 0:20:46 | |
they've got a lot of power, very beautiful. | 0:20:46 | 0:20:48 | |
I'm going to put him back in. There you go. | 0:20:48 | 0:20:50 | |
And just take me through their very complicated bodies. | 0:20:50 | 0:20:54 | |
Yeah, they have this triple-fanned heel, | 0:20:54 | 0:20:56 | |
which they use for propulsion. | 0:20:56 | 0:20:59 | |
They are decapods - they have ten legs | 0:20:59 | 0:21:02 | |
and they have these large front claws, | 0:21:02 | 0:21:05 | |
which they use for scavenging and protecting themselves. | 0:21:05 | 0:21:09 | |
But their claws are little protection against one predator - | 0:21:12 | 0:21:16 | |
man. | 0:21:16 | 0:21:18 | |
To prevent overfishing and to set quotas, | 0:21:18 | 0:21:20 | |
it's vital the team know how many of these colourful crustaceans live | 0:21:20 | 0:21:24 | |
in the Irish Sea. | 0:21:24 | 0:21:25 | |
A camera sledge records them. | 0:21:28 | 0:21:30 | |
Towed behind the ship, | 0:21:30 | 0:21:32 | |
it's designed to slide over the soft sea floor. | 0:21:32 | 0:21:36 | |
On the bottom! | 0:21:36 | 0:21:38 | |
'Pictures are fed to the ship's computers, | 0:21:38 | 0:21:41 | |
'where principal scientist Matt Service has the unenviable task | 0:21:41 | 0:21:45 | |
'of counting each burrow.' | 0:21:45 | 0:21:47 | |
So this is a live feed from the seabed | 0:21:47 | 0:21:50 | |
and the sledge shot we've just deployed. | 0:21:50 | 0:21:52 | |
There's no way that I'd be able to spot a burrow in that! | 0:21:52 | 0:21:55 | |
It looks like green soup. | 0:21:55 | 0:21:57 | |
Can you show me a picture of a burrow close-up | 0:21:57 | 0:21:59 | |
-so I know what to look for? -Yes. If we go over here to the computer. | 0:21:59 | 0:22:02 | |
Here we are. | 0:22:02 | 0:22:03 | |
Classically it's got this crescent shape at the front | 0:22:03 | 0:22:06 | |
and then an escape entrance at the back. | 0:22:06 | 0:22:09 | |
That must be so difficult. | 0:22:09 | 0:22:10 | |
That means you can't count an escape entrance, only the front door. | 0:22:10 | 0:22:14 | |
That's easy - you've got one or two burrows, | 0:22:14 | 0:22:16 | |
but it's not all that easy. | 0:22:16 | 0:22:18 | |
So if we just click through a few slides... | 0:22:18 | 0:22:21 | |
Here's a shot from the middle of the Irish Sea, | 0:22:21 | 0:22:23 | |
and you can see it's a lot of burrows, not so easy now. | 0:22:23 | 0:22:25 | |
This is a bit like breaking open a chocolate bar | 0:22:27 | 0:22:29 | |
and seeing all the bubbles. | 0:22:29 | 0:22:31 | |
'And to make things more complicated, | 0:22:31 | 0:22:33 | |
'not every hole is a Nephrops burrow.' | 0:22:33 | 0:22:35 | |
-So can I have a go at counting, Matt? -On you go. | 0:22:38 | 0:22:40 | |
-Is that one? -Yes. | 0:22:41 | 0:22:42 | |
OK. One, two, three... | 0:22:42 | 0:22:44 | |
-four... -Yeah. | 0:22:44 | 0:22:46 | |
-Just missed one there, I think. -Oh, dear. | 0:22:46 | 0:22:49 | |
Five... | 0:22:49 | 0:22:51 | |
There you go, six, seven! That was one, wasn't it? | 0:22:51 | 0:22:53 | |
Oh, my eyeballs are getting tired already. Nine... | 0:22:53 | 0:22:56 | |
-It's really difficult. -It's really difficult. | 0:22:56 | 0:22:59 | |
We would do this for maybe five minutes on a go, | 0:22:59 | 0:23:01 | |
but you're getting the point, it can be done. | 0:23:01 | 0:23:04 | |
How many burrows have you counted in a single shift? | 0:23:04 | 0:23:06 | |
I guess probably...oh, certainly thousands. | 0:23:06 | 0:23:09 | |
But if you look at the Irish Sea as a whole, | 0:23:09 | 0:23:12 | |
we reckon that in 2013, | 0:23:12 | 0:23:14 | |
the figure was 4.3 billion Nephrops burrows. | 0:23:14 | 0:23:16 | |
-4.3 billion burrows in the Irish Sea? -Yes. | 0:23:16 | 0:23:19 | |
That's mind-boggling. | 0:23:21 | 0:23:22 | |
The burrows are complex structures offering protection from predators. | 0:23:24 | 0:23:29 | |
Each one a bio-engineering marvel | 0:23:29 | 0:23:33 | |
that oxygenates the sediment and regenerates minerals. | 0:23:33 | 0:23:36 | |
They're also a natural work of art. | 0:23:37 | 0:23:39 | |
Although it's flat boring mud on the surface, | 0:23:43 | 0:23:46 | |
when you get below it, it's a bit of a complex. | 0:23:46 | 0:23:49 | |
So although the camera is seeing lots and lots | 0:23:49 | 0:23:53 | |
of little burrow entrances, | 0:23:53 | 0:23:55 | |
beneath those entrances, | 0:23:55 | 0:23:57 | |
the entire Irish Sea is sort of excavated | 0:23:57 | 0:23:59 | |
-by these tiny little prawns. -Yeah. | 0:23:59 | 0:24:01 | |
Absolutely amazing. | 0:24:01 | 0:24:02 | |
In the depths of the Irish Sea, | 0:24:05 | 0:24:07 | |
the humble Nephrops | 0:24:07 | 0:24:09 | |
is a crucial part of a vibrant eco-system, | 0:24:09 | 0:24:12 | |
the gyre its lifeblood. | 0:24:12 | 0:24:14 | |
Thanks to the burrow counters, | 0:24:15 | 0:24:18 | |
the flourishing future for Nephrops is one we all share. | 0:24:18 | 0:24:21 | |
Life thrives in the whirling currents of the Irish Sea. | 0:24:31 | 0:24:36 | |
And so do stories. | 0:24:38 | 0:24:40 | |
As people cross from coast to coast, | 0:24:40 | 0:24:43 | |
they swap songs and traditions... | 0:24:43 | 0:24:45 | |
..tales and superstitions. | 0:24:47 | 0:24:49 | |
These wild waters create legends of their own. | 0:24:52 | 0:24:55 | |
They swirl around the sea's Celtic heart, | 0:24:58 | 0:25:00 | |
..the Isle of Man. | 0:25:03 | 0:25:05 | |
Singer and story teller Ruth Keggin | 0:25:09 | 0:25:12 | |
recalls the tale of the mythical monarch | 0:25:12 | 0:25:15 | |
of this magical place, the Sea God Manannan. | 0:25:15 | 0:25:19 | |
# Manannan Beg Mac y Leir | 0:25:19 | 0:25:23 | |
# Manannan Beg Mac y Leir | 0:25:23 | 0:25:28 | |
# Bannee orrin as nyn maateyn | 0:25:28 | 0:25:32 | |
# Manannan Beg Mac y Leir. # | 0:25:32 | 0:25:36 | |
Manannan Mac y Leir was a sea god, | 0:25:36 | 0:25:38 | |
a king, a warrior, | 0:25:38 | 0:25:41 | |
known in the Celtic nations of Ireland, Scotland and Wales. | 0:25:41 | 0:25:44 | |
And, legend has it, | 0:25:44 | 0:25:46 | |
he was the first ruler of the Isle of Man. | 0:25:46 | 0:25:49 | |
Manannan lived in a castle at the summit of South Barrule, | 0:25:49 | 0:25:53 | |
which is one of the high peaks of the Isle of Man | 0:25:53 | 0:25:56 | |
in the south of the island. | 0:25:56 | 0:25:58 | |
And, standing up at the top, | 0:25:58 | 0:25:59 | |
you really get a sense of the island, with the sea all around you. | 0:25:59 | 0:26:02 | |
Some of the people of the Isle of Man | 0:26:17 | 0:26:20 | |
would travel up to the top of South Barrule on Midsummer's eve | 0:26:20 | 0:26:24 | |
in order to pay a straw tax to Manannan of rushes. | 0:26:24 | 0:26:27 | |
Part of what really appeals to me about Manannan | 0:26:30 | 0:26:33 | |
is the idea that he was a shape-shifter, a magician, | 0:26:33 | 0:26:37 | |
he was able to protect the island, | 0:26:37 | 0:26:39 | |
not just with a sword, | 0:26:39 | 0:26:41 | |
but by making one man appear like 100 men | 0:26:41 | 0:26:44 | |
and by sending down a cloak of mist to shroud the island to defend it. | 0:26:44 | 0:26:48 | |
Manannan's very name is associated with the sea, | 0:27:01 | 0:27:05 | |
and you can think of it as his realm. | 0:27:05 | 0:27:07 | |
He was supposed to have had a great horse named Embar of the Flowing Mane, | 0:27:07 | 0:27:12 | |
who was able to ride just as well | 0:27:12 | 0:27:15 | |
over the waves as over the land. | 0:27:15 | 0:27:18 | |
I think the story of Manannan has to have travelled across the Irish Sea. | 0:27:27 | 0:27:31 | |
When you think about it, the sea was a pathway. | 0:27:31 | 0:27:35 | |
We know this because Manannan is known in other places | 0:27:35 | 0:27:38 | |
apart from the Isle of Man. | 0:27:38 | 0:27:40 | |
According to the myth, | 0:27:40 | 0:27:42 | |
Manannan no longer resides on the summit of South Barrule, | 0:27:42 | 0:27:45 | |
but instead lives on an underwater island | 0:27:45 | 0:27:48 | |
15 or 16 miles off the most southerly tip of the Isle of Man. | 0:27:48 | 0:27:53 | |
And who knows, perhaps he's there still... | 0:27:53 | 0:27:56 | |
# Manannan Beg Mac y Leir | 0:27:56 | 0:28:00 | |
# Bannee orrin as nyn maateyn | 0:28:00 | 0:28:04 | |
# Manannan Beg Mac y Leir. # | 0:28:04 | 0:28:10 | |
Coast is exploring how the Irish Sea touches us all | 0:28:19 | 0:28:24 | |
and shapes our islands' story. | 0:28:24 | 0:28:27 | |
Cargoes carried across these waters have built cities. | 0:28:36 | 0:28:40 | |
Granite from the Mountains of Mourne paved Liverpool... | 0:28:43 | 0:28:47 | |
..today a megaport. | 0:28:48 | 0:28:50 | |
30 million tonnes of freight sails in each year, | 0:28:51 | 0:28:56 | |
while leviathan cruise ships docking at Holyhead have made this place | 0:28:56 | 0:29:01 | |
an unlikely tourist trap. | 0:29:01 | 0:29:03 | |
The Irish Sea is a highway connecting our shores. | 0:29:08 | 0:29:13 | |
But sometimes what washes in | 0:29:13 | 0:29:15 | |
can change the bonds between our coasts. | 0:29:15 | 0:29:18 | |
In Ireland's capital, | 0:29:20 | 0:29:22 | |
Tess is investigating a troubled relationship... | 0:29:22 | 0:29:25 | |
Dublin, a coastal city linked to Britain by the Irish Sea. | 0:29:27 | 0:29:32 | |
But when it comes to politics, | 0:29:32 | 0:29:34 | |
things haven't always been plain sailing. | 0:29:34 | 0:29:36 | |
After generations of demands for Irish independence, | 0:29:38 | 0:29:42 | |
the pivotal event that would eventually achieve it erupted here, | 0:29:42 | 0:29:46 | |
on Easter Monday, 1916. | 0:29:46 | 0:29:49 | |
At noon, a group of Irish nationalists seize a number of official buildings. | 0:29:52 | 0:29:56 | |
They call on fellow Irishmen to resist the bonds of British control | 0:29:56 | 0:30:00 | |
and establish an independent Irish Republic. | 0:30:00 | 0:30:03 | |
After six days of fighting, | 0:30:03 | 0:30:06 | |
450 are dead and thousands injured. | 0:30:06 | 0:30:09 | |
Dublin is brought to her knees. | 0:30:09 | 0:30:11 | |
The General Post Office became the nationalist rebels' target and HQ. | 0:30:15 | 0:30:20 | |
Here they hoisted the Republican flag and proclaimed independence. | 0:30:22 | 0:30:26 | |
Riddled with bullet-holes, it's where I'm meeting | 0:30:28 | 0:30:31 | |
Dr Conor Mulvagh from University College Dublin. | 0:30:31 | 0:30:34 | |
So this is the spot, where we're standing, where it all kicked off? | 0:30:36 | 0:30:40 | |
Absolutely. The Republic, in 1916, | 0:30:40 | 0:30:42 | |
was declared right in front of us here. | 0:30:42 | 0:30:44 | |
So what we have here is a bullet hole. | 0:30:44 | 0:30:46 | |
We can see the clear entry point, and then the wide exit point. | 0:30:46 | 0:30:49 | |
This would've come from the south and travelled north, | 0:30:49 | 0:30:51 | |
so we can see a large shattering. | 0:30:51 | 0:30:53 | |
They're shooting from over there? | 0:30:53 | 0:30:54 | |
This was the British forces shooting from the south. | 0:30:54 | 0:30:57 | |
It was the British who eventually won, | 0:30:57 | 0:30:59 | |
but they executed the rebel leaders making them martyrs. | 0:30:59 | 0:31:04 | |
So this was a catalyst for independent southern Ireland. | 0:31:05 | 0:31:08 | |
Irish nationalism probably has its most transformative, | 0:31:08 | 0:31:11 | |
it's most immediate shift, | 0:31:11 | 0:31:13 | |
in the weeks after the 1916 rising. | 0:31:13 | 0:31:15 | |
The Easter Rising was a watershed moment. | 0:31:17 | 0:31:19 | |
A bloody armed battle, between rebel volunteers and British forces. | 0:31:19 | 0:31:25 | |
But how had a war of words over the so-called Irish question | 0:31:28 | 0:31:32 | |
become a war with weapons? | 0:31:32 | 0:31:34 | |
And where had the rebels got their guns? | 0:31:35 | 0:31:38 | |
To find out, I need to go back two years in time, | 0:31:41 | 0:31:44 | |
and head for Howth, just north of Dublin. | 0:31:44 | 0:31:47 | |
It's the 26th of July, 1914, | 0:31:51 | 0:31:54 | |
a 49-foot pleasure yacht named Asgard | 0:31:54 | 0:31:57 | |
sails into this harbour. | 0:31:57 | 0:31:59 | |
On board is an illegal cargo - 900 of these... | 0:31:59 | 0:32:05 | |
Mauser single-shot rifles | 0:32:05 | 0:32:08 | |
that went on to arm the rebels at the Easter Rising. | 0:32:08 | 0:32:11 | |
I want to know where the guns came from. | 0:32:12 | 0:32:15 | |
Come aboard, come aboard. | 0:32:15 | 0:32:17 | |
I'm meeting local sailor Pat Murphy. | 0:32:17 | 0:32:19 | |
He's studied the Asgard's gun-running mission, | 0:32:20 | 0:32:23 | |
codenamed Picnic. | 0:32:23 | 0:32:26 | |
So, Pat, tell me about their journey. | 0:32:26 | 0:32:29 | |
It was a 23-day journey. | 0:32:29 | 0:32:30 | |
They left from North Wales | 0:32:30 | 0:32:32 | |
on the 3rd of July, | 0:32:32 | 0:32:34 | |
and they headed down the Irish Sea | 0:32:34 | 0:32:35 | |
and then across the Bristol Channel, | 0:32:35 | 0:32:38 | |
around Land's End, | 0:32:38 | 0:32:40 | |
and they rendezvoused with the German tug the Gladiator | 0:32:40 | 0:32:42 | |
off the Belgium coast. | 0:32:42 | 0:32:44 | |
They picked up the guns off the German tug. | 0:32:46 | 0:32:48 | |
Asgard took 900. | 0:32:48 | 0:32:50 | |
I mean, that must've been a challenge - | 0:32:50 | 0:32:51 | |
getting that many guns onto a sailing boat. | 0:32:51 | 0:32:53 | |
Yes, it was. They, in fact, had to unpack them all | 0:32:53 | 0:32:56 | |
from the bales of straw. | 0:32:56 | 0:32:57 | |
They were stowed up to two-and-a-half feet high, | 0:32:57 | 0:33:00 | |
all over the boat. | 0:33:00 | 0:33:01 | |
This was just weeks before the outbreak of the First World War, | 0:33:01 | 0:33:04 | |
The sea must have been chock-a-block with naval vessels. | 0:33:04 | 0:33:07 | |
Wasn't there a fear they'd be spotted? | 0:33:07 | 0:33:09 | |
It was a big fear. | 0:33:09 | 0:33:11 | |
In fact, as they were sailing passed Devonport, | 0:33:11 | 0:33:13 | |
they sailed right through the British Navy on exercise. | 0:33:13 | 0:33:16 | |
-Well, did nobody sort of think this is a bit odd? -Nobody, nobody. | 0:33:16 | 0:33:20 | |
We have a picture taken from Asgard. | 0:33:20 | 0:33:22 | |
-Here we are. -Right. -Look at that. | 0:33:22 | 0:33:24 | |
That's very menacing, isn't it? | 0:33:24 | 0:33:26 | |
-Yes! -You've got the warships in the background, | 0:33:26 | 0:33:28 | |
and the gloom, the sense of foreboding. | 0:33:28 | 0:33:30 | |
Exactly. Yes. | 0:33:30 | 0:33:31 | |
They arrived into Howth harbour just outside Dublin, | 0:33:34 | 0:33:37 | |
in broad daylight. | 0:33:37 | 0:33:39 | |
Awaiting them, 1,000 volunteers to unload the illegal haul. | 0:33:40 | 0:33:45 | |
But it wasn't the martyrs of the Easter Rising | 0:33:45 | 0:33:48 | |
who were delivering these guns. | 0:33:48 | 0:33:51 | |
The ring leaders weren't obvious revolutionaries, | 0:33:51 | 0:33:54 | |
they were well-connected pillars of the Anglo-Irish aristocracy, | 0:33:54 | 0:33:57 | |
but they were still whole-hearted supporters of home rule for Ireland. | 0:33:57 | 0:34:01 | |
Erskine Childers, an English-born veteran of the Boer War, | 0:34:03 | 0:34:08 | |
he'd had spectacular success a decade earlier | 0:34:08 | 0:34:11 | |
as author of the first-ever spy novel Riddle of the Sands. | 0:34:11 | 0:34:16 | |
Ironically, in it, he warned of the threat to Britain | 0:34:16 | 0:34:19 | |
from an increasingly powerful Germany. | 0:34:19 | 0:34:22 | |
Now he was skippering his own yacht, | 0:34:22 | 0:34:25 | |
bringing weapons from Germany | 0:34:25 | 0:34:27 | |
to overturn British rule in Ireland. | 0:34:27 | 0:34:30 | |
His conversion was due in no small part to his wife, Molly Childers - | 0:34:33 | 0:34:38 | |
an American-born writer, | 0:34:38 | 0:34:40 | |
she was a staunch Irish nationalist | 0:34:40 | 0:34:42 | |
with a distaste for Imperialism | 0:34:42 | 0:34:45 | |
and England. | 0:34:45 | 0:34:46 | |
But the linchpin in the whole operation was Mary Spring Rice, | 0:34:48 | 0:34:52 | |
a liberal Anglo-Irish aristocrat, | 0:34:52 | 0:34:56 | |
born and bred in County Limerick, | 0:34:56 | 0:34:59 | |
and a passionate advocate of Irish culture. | 0:34:59 | 0:35:02 | |
I'm meeting Mary's nephew, | 0:35:03 | 0:35:05 | |
Charles Spring Rice, to find out | 0:35:05 | 0:35:07 | |
how a landed lady of the gentry took centre stage | 0:35:07 | 0:35:10 | |
in this revolutionary operation. | 0:35:10 | 0:35:13 | |
What part did she play in the mission itself? | 0:35:14 | 0:35:18 | |
She was partly to do with organising the money | 0:35:18 | 0:35:21 | |
to fund the guns that they were going to collect, | 0:35:21 | 0:35:23 | |
and she, also, was the person who first thought up the idea | 0:35:23 | 0:35:25 | |
of using private yachts. | 0:35:25 | 0:35:27 | |
Because she felt they're more likely to escape detection | 0:35:27 | 0:35:30 | |
if they took it in private boats - | 0:35:30 | 0:35:31 | |
particularly, in Cowes Week, as they were going to be going passed that. | 0:35:31 | 0:35:35 | |
One of her letters here talks about | 0:35:35 | 0:35:37 | |
how she worked at finding the right boat. | 0:35:37 | 0:35:39 | |
"I've heard from someone in Berlin who might be helpful. | 0:35:39 | 0:35:42 | |
"We have a bigger boat which might go under Childers' captaincy." | 0:35:42 | 0:35:45 | |
Right, so here she is sending off missives to all her contacts | 0:35:45 | 0:35:48 | |
-trying to get her... -All her contacts she's working, | 0:35:48 | 0:35:51 | |
internationally, to try and find a solution. | 0:35:51 | 0:35:54 | |
-And succeeds. -Yes. | 0:35:54 | 0:35:56 | |
Mary Spring Rice's hard work | 0:35:57 | 0:35:59 | |
drummed up £1,500 - | 0:35:59 | 0:36:02 | |
the equivalent of £150,000 today. | 0:36:02 | 0:36:05 | |
Enough to buy the guns, and fund the trip. | 0:36:06 | 0:36:09 | |
Republicans weren't the only ones arming themselves. | 0:36:10 | 0:36:14 | |
Just months earlier Loyalist volunteers in Northern Ireland | 0:36:14 | 0:36:18 | |
had also landed guns from Germany - | 0:36:18 | 0:36:21 | |
25,000 of them. | 0:36:21 | 0:36:23 | |
The clock was ticking. | 0:36:23 | 0:36:25 | |
Asgard and her cargo lit a touchpaper | 0:36:28 | 0:36:30 | |
that put the burning Irish question centre stage. | 0:36:30 | 0:36:34 | |
Two years elapsed between the arrival | 0:36:38 | 0:36:41 | |
and the firing of the guns | 0:36:41 | 0:36:42 | |
at the Easter Rising. | 0:36:42 | 0:36:44 | |
because nine days after the weapons came to this coast | 0:36:44 | 0:36:47 | |
World War One was declared. | 0:36:47 | 0:36:50 | |
And under cover of war, the rebels had time to plan their strike. | 0:36:54 | 0:36:58 | |
So what did Asgard mean to those fighting for an independent Ireland? | 0:37:01 | 0:37:07 | |
Was her role forgotten in the passage of time? | 0:37:07 | 0:37:10 | |
To answer that, | 0:37:12 | 0:37:13 | |
I've come to Kilmainham Gaol. | 0:37:13 | 0:37:15 | |
Here Easter Rising rebels | 0:37:18 | 0:37:20 | |
were held and executed. | 0:37:20 | 0:37:22 | |
Oppressive cell walls are covered | 0:37:23 | 0:37:26 | |
with political-prisoner graffiti. | 0:37:26 | 0:37:28 | |
It's just this cell here. | 0:37:28 | 0:37:30 | |
Archaeologist Dr Laura McAtackney | 0:37:30 | 0:37:33 | |
has unearthed one extraordinary scribbling. | 0:37:33 | 0:37:36 | |
It's very, very small, | 0:37:36 | 0:37:38 | |
and very faint. | 0:37:38 | 0:37:39 | |
It's a little bit of pencil under whitewash. | 0:37:39 | 0:37:41 | |
So what do you think this is? | 0:37:41 | 0:37:43 | |
If you look at this picture here... | 0:37:43 | 0:37:45 | |
We think it's probably supposed to be the Asgard. | 0:37:45 | 0:37:48 | |
Yes. And, actually, now you come to mention it, | 0:37:52 | 0:37:55 | |
it does have the sort of flamboyant double-sail sketched on the wall. | 0:37:55 | 0:37:58 | |
-Isn't it? -It's very specific looking to the Asgard, we think. | 0:37:58 | 0:38:02 | |
It could've even had a picture that it was replicating, | 0:38:02 | 0:38:04 | |
because it's very detailed. | 0:38:04 | 0:38:06 | |
And if it is the Asgard, what does that actually tell us? | 0:38:06 | 0:38:09 | |
Well, it links into the idea | 0:38:09 | 0:38:11 | |
that Kilmainham Gaol was already becoming a nationalist icon. | 0:38:11 | 0:38:14 | |
So this is tying into that with another kind of nationalist icon | 0:38:14 | 0:38:18 | |
linking to the gun-running in Howth. | 0:38:18 | 0:38:21 | |
For the people imprisoned and killed in their fight for independence, | 0:38:21 | 0:38:25 | |
Asgard had become the symbol of their struggle. | 0:38:25 | 0:38:29 | |
She's now at the National Museum of Ireland. | 0:38:30 | 0:38:33 | |
It is incredible to finally see this 28-tonne yacht, | 0:38:39 | 0:38:43 | |
named the Harbinger of Liberty by Republicans. | 0:38:43 | 0:38:46 | |
For some, Asgard started and epitomised | 0:38:55 | 0:38:59 | |
a bloody conflict | 0:38:59 | 0:39:01 | |
that rumbles on to this day. | 0:39:01 | 0:39:03 | |
For others, this vessel is the symbol of independence | 0:39:03 | 0:39:06 | |
and the struggle to achieve it. | 0:39:06 | 0:39:08 | |
Either way, | 0:39:08 | 0:39:10 | |
this is an exquisite yacht | 0:39:10 | 0:39:12 | |
clearly not built for military purposes, | 0:39:12 | 0:39:15 | |
but which facilitated a mission with revolutionary intent. | 0:39:15 | 0:39:20 | |
One voyage, one boat | 0:39:20 | 0:39:22 | |
that changed the course of Irish and British history. | 0:39:22 | 0:39:26 | |
Coast is exploring the Irish Sea... | 0:39:35 | 0:39:38 | |
..a small body of water that touches | 0:39:41 | 0:39:44 | |
and binds our nations. | 0:39:44 | 0:39:46 | |
Ferries ply a profitable trade across this sea... | 0:39:51 | 0:39:54 | |
..Dublin to Holyhead... | 0:39:56 | 0:39:57 | |
..Cairnryan to Larne... | 0:39:59 | 0:40:01 | |
..but some have found novel ways to cross from coast to coast. | 0:40:04 | 0:40:08 | |
It's nothing new. | 0:40:16 | 0:40:18 | |
This sea has long-inspired creative thinking. | 0:40:18 | 0:40:22 | |
In the 18th century, | 0:40:23 | 0:40:24 | |
plans were afoot at the tiny town of Whitehead, | 0:40:24 | 0:40:28 | |
to permanently bridge the gap. | 0:40:28 | 0:40:30 | |
Without the haze, Scotland would be clearly visible | 0:40:34 | 0:40:37 | |
across this 25-mile gulf between here and the Mull of Galloway. | 0:40:37 | 0:40:41 | |
Linking these two coasts must surely have seemed possible. | 0:40:41 | 0:40:46 | |
I'm meeting Exeter University Professor Nick Groom. | 0:40:48 | 0:40:52 | |
He's studied some of the more eccentric ideas | 0:40:52 | 0:40:55 | |
to bring our coasts together. | 0:40:55 | 0:40:57 | |
In 1722, an anonymous satirist published a pamphlet | 0:40:57 | 0:41:01 | |
called Thoughts of a Project for the Draining of the Irish Channel. | 0:41:01 | 0:41:04 | |
-Drain the Irish Sea? -Drain the Irish Sea. | 0:41:04 | 0:41:07 | |
What do you think Britain and Ireland would have gained | 0:41:07 | 0:41:09 | |
had we done away with all this water? | 0:41:09 | 0:41:11 | |
The suggestion was to recover treasure from shipwrecks, | 0:41:11 | 0:41:14 | |
also the seasoned timbers from shipwrecks | 0:41:14 | 0:41:17 | |
that could then be used to build fishing traps | 0:41:17 | 0:41:19 | |
for some of the larger sea creatures that are there. | 0:41:19 | 0:41:22 | |
And what sea creatures would we find? | 0:41:22 | 0:41:23 | |
Well, we're talking about "Sea-Goats, Kids, Apes, Baboons, | 0:41:23 | 0:41:27 | |
"Sea-Bitches Babies, Foxes and their Cubs." | 0:41:27 | 0:41:30 | |
So you'd lose the sea and gain a land of opportunity. | 0:41:30 | 0:41:33 | |
That's one of the implications of this pamphlet. | 0:41:33 | 0:41:35 | |
It's to get its readers thinking about the definition of Britain, | 0:41:35 | 0:41:39 | |
its relationship with Ireland. | 0:41:39 | 0:41:40 | |
So the Irish Sea isn't necessarily something that separates, | 0:41:40 | 0:41:44 | |
it's something which actually brings the isles together. | 0:41:44 | 0:41:47 | |
The notion was tongue-in-cheek, | 0:41:51 | 0:41:54 | |
but the desire to connect was deep-rooted. | 0:41:54 | 0:41:58 | |
It emerged again during the 1890s | 0:41:58 | 0:42:01 | |
in another idea to link Britain and Ireland. | 0:42:01 | 0:42:04 | |
It would've made little Whitehead the mighty gateway to the Irish Sea. | 0:42:04 | 0:42:09 | |
If I'd been sitting here in the early 1900s, | 0:42:11 | 0:42:14 | |
I might have been right beside the railway tunnel entrance | 0:42:14 | 0:42:17 | |
of a steam railway line | 0:42:17 | 0:42:19 | |
emerging from beneath the Irish Sea. | 0:42:19 | 0:42:22 | |
This is the front cover for a proposal for four railway tunnels. | 0:42:22 | 0:42:25 | |
They hadn't yet decided which one they wanted to build. | 0:42:25 | 0:42:27 | |
One of them went from Donaghadee to Portpatrick, | 0:42:27 | 0:42:30 | |
the second one from Whitehead - where I'm sitting now - | 0:42:30 | 0:42:32 | |
across to Portpatrick. | 0:42:32 | 0:42:34 | |
A third one, from Whitehead across to Stranraer, | 0:42:34 | 0:42:37 | |
and a fourth one further north from Cushendun | 0:42:37 | 0:42:40 | |
across the Mull of Kintyre. | 0:42:40 | 0:42:42 | |
The tunnels were the brainchild of civil engineer | 0:42:45 | 0:42:48 | |
Luke Livingston Macassey. | 0:42:48 | 0:42:50 | |
Recognising the Irish Sea's importance to trade, | 0:42:51 | 0:42:54 | |
he wanted to tap into the ever-expanding railways. | 0:42:54 | 0:42:59 | |
This proposed line was linking places that were further afield, | 0:42:59 | 0:43:03 | |
through trains between Edinburgh, Glasgow, Manchester, | 0:43:03 | 0:43:06 | |
Belfast and Londonderry. | 0:43:06 | 0:43:08 | |
Pros and cons were debated in Parliament. | 0:43:11 | 0:43:13 | |
Unfortunately, the grand plans came with a hefty price tag - | 0:43:13 | 0:43:18 | |
up to £200 million. | 0:43:18 | 0:43:22 | |
The scheme was reluctantly shelved, | 0:43:22 | 0:43:25 | |
so no tunnel. | 0:43:25 | 0:43:27 | |
But generations have still made the crossing. | 0:43:27 | 0:43:30 | |
The Irish Sea is not so much a gulf, | 0:43:36 | 0:43:40 | |
more a bridge connecting neighbours. | 0:43:40 | 0:43:44 | |
It's long been a route to new shores, | 0:43:46 | 0:43:49 | |
from those fleeing famine in 19th century Ireland, | 0:43:49 | 0:43:54 | |
to those escaping further afield. | 0:43:54 | 0:43:56 | |
But these waters are tinged with tragedy. | 0:43:59 | 0:44:02 | |
Lambay, off the coast of Dublin. | 0:44:04 | 0:44:07 | |
A sleeping giant whose Gaelic name is Island of the Shipwrecks. | 0:44:08 | 0:44:12 | |
It's lured Miranda and Cassie | 0:44:14 | 0:44:17 | |
to investigate a coastal calamity | 0:44:17 | 0:44:19 | |
that shocked Victorian society. | 0:44:19 | 0:44:21 | |
Behind me, looming out of the water, | 0:44:24 | 0:44:26 | |
are the sheer and jagged cliffs of Lambay Island. | 0:44:26 | 0:44:30 | |
A 150 years ago, these rocks claimed an unsuspecting prey - | 0:44:30 | 0:44:34 | |
a ship that was heralded as a symbol of the modern era, | 0:44:34 | 0:44:38 | |
a ship that was on her maiden voyage, | 0:44:38 | 0:44:41 | |
and a ship were hundreds of people died. | 0:44:41 | 0:44:44 | |
This was the Royal Mail ship Tayleur, | 0:44:44 | 0:44:46 | |
the Titanic of the Victorian age. | 0:44:46 | 0:44:49 | |
And like Titanic, the RMS Tayleur was hailed as the biggest, | 0:44:53 | 0:44:57 | |
finest vessel in the world - | 0:44:57 | 0:44:59 | |
pride of the White Star Line. | 0:44:59 | 0:45:02 | |
She was one of the first iron-hulled ships. | 0:45:03 | 0:45:06 | |
On-board for her maiden voyage in the winter of 1854, | 0:45:08 | 0:45:12 | |
were 700 excited travellers - | 0:45:12 | 0:45:16 | |
entire families immigrating to a new world, Australia. | 0:45:16 | 0:45:20 | |
But eager hopes for a new life were dashed. | 0:45:23 | 0:45:26 | |
The Tayleur now rests in a watery grave 18 metres below the waves. | 0:45:27 | 0:45:32 | |
The murky details of her fateful voyage have never been | 0:45:34 | 0:45:38 | |
fully pieced together. | 0:45:38 | 0:45:40 | |
So I'm going to be heading into the water to investigate | 0:45:40 | 0:45:43 | |
this enigmatic wreck to find out how much of her is left | 0:45:43 | 0:45:46 | |
and see if I can find any clues as to why she sank. | 0:45:46 | 0:45:49 | |
Helping me by scrutinising the evidence on land | 0:45:50 | 0:45:54 | |
is Cassie Newland. | 0:45:54 | 0:45:56 | |
I want to trace the ship's maiden voyage, | 0:45:56 | 0:45:58 | |
so I'm starting where RMS Tayleur was built. | 0:45:58 | 0:46:00 | |
An unlikely spot for ship-building, Warrington, | 0:46:01 | 0:46:05 | |
19 miles up the River Mersey. | 0:46:05 | 0:46:06 | |
It's where I'm meeting historian Gill Hoffs, | 0:46:08 | 0:46:10 | |
who's spent years researching the story. | 0:46:10 | 0:46:13 | |
-Hiya, Gill. How you doing? -Hello. -I'm Cassie. -Nice to meet you. | 0:46:17 | 0:46:19 | |
So what's the Tayleur like? | 0:46:19 | 0:46:21 | |
She's glorious - look. | 0:46:21 | 0:46:24 | |
Can you imagine this beauty sailing down here? | 0:46:24 | 0:46:27 | |
She was enormous, she was luxurious, | 0:46:33 | 0:46:36 | |
and she was revolutionary. | 0:46:36 | 0:46:38 | |
She was one of the first iron clippers | 0:46:38 | 0:46:41 | |
and she was meant to be the fastest, the safest | 0:46:41 | 0:46:44 | |
and most splendid vessel afloat. | 0:46:44 | 0:46:46 | |
-She had two flush toilets. -In the 1850s? | 0:46:46 | 0:46:49 | |
-In the 1850s. -Oh, very posh! | 0:46:49 | 0:46:50 | |
The Tayleur made her way down the Mersey to Liverpool. | 0:46:52 | 0:46:55 | |
The burden of expectation on this supposedly safe ship, immense. | 0:46:55 | 0:47:00 | |
She and her eager passengers left the coast | 0:47:01 | 0:47:05 | |
amid great fanfare on the 19th of January, 1854. | 0:47:05 | 0:47:08 | |
Just 48 hours into her maiden voyage, | 0:47:11 | 0:47:12 | |
she was enveloped in thick mist | 0:47:12 | 0:47:14 | |
and veering drastically off course, | 0:47:14 | 0:47:18 | |
heading for Lambay. | 0:47:18 | 0:47:20 | |
"SAILOR": Land-ho on the lee bow! | 0:47:22 | 0:47:23 | |
Swept towards the island, | 0:47:25 | 0:47:27 | |
winter winds caught the sails. | 0:47:27 | 0:47:29 | |
Ropes jammed around the rigging and the mast. | 0:47:30 | 0:47:34 | |
The crew were unable to pull in the sails | 0:47:34 | 0:47:36 | |
against the power of the wind. | 0:47:36 | 0:47:38 | |
The rocks rose like a mountain | 0:47:38 | 0:47:40 | |
out of the middle of the sea, | 0:47:40 | 0:47:41 | |
as the tide pushed them inland. | 0:47:41 | 0:47:43 | |
The captain ordered the anchors to be dropped, | 0:47:45 | 0:47:47 | |
the chains snapped like glass. | 0:47:47 | 0:47:49 | |
The mid-section smashed into the rocks, | 0:47:51 | 0:47:53 | |
and she started sinking by the stern within minutes. | 0:47:53 | 0:47:57 | |
At this time the scene was one of the most appalling description, | 0:47:57 | 0:48:00 | |
people ran wildly to-and-fro | 0:48:00 | 0:48:03 | |
uttering the most piercing cries of distress. | 0:48:03 | 0:48:05 | |
One man convinced hope was lost, | 0:48:06 | 0:48:09 | |
wrote a message in a bottle. | 0:48:09 | 0:48:10 | |
"Many passengers and crew are now drowning before my eyes, | 0:48:12 | 0:48:15 | |
"and there's no assistance. | 0:48:15 | 0:48:17 | |
"My wife is also lost." | 0:48:17 | 0:48:19 | |
Around 380 passengers and 30 crew perished. | 0:48:19 | 0:48:23 | |
Cassie's got hold of the ship's plans and cargo list | 0:48:26 | 0:48:29 | |
to investigate the disaster. | 0:48:29 | 0:48:31 | |
I want to find out why the Tayleur sank | 0:48:31 | 0:48:34 | |
when she's supposed to be a cutting-edge ship. | 0:48:34 | 0:48:36 | |
And I'm hoping my interest in Victorian engineering | 0:48:36 | 0:48:39 | |
is going to help me do that. | 0:48:39 | 0:48:41 | |
Weaknesses are clear immediately. | 0:48:42 | 0:48:45 | |
The wide gap between the masts | 0:48:45 | 0:48:47 | |
would affect the centre of gravity and, therefore, handling. | 0:48:47 | 0:48:50 | |
The tiny rudder is built for speed not sharp manoeuvre. | 0:48:51 | 0:48:54 | |
But I think the key factor is what the boat's made of - | 0:48:54 | 0:48:58 | |
it's an iron hull, | 0:48:58 | 0:48:59 | |
and we know that that can disrupt your compass readings. | 0:48:59 | 0:49:02 | |
To work out how much, | 0:49:04 | 0:49:06 | |
I'm doing a little experiment. | 0:49:06 | 0:49:08 | |
Now this is a compass as we know it - it points north. | 0:49:08 | 0:49:11 | |
But it's a very simple system. | 0:49:11 | 0:49:13 | |
All you need is a magnetised needle like this one, | 0:49:13 | 0:49:17 | |
on a freely rotation axis | 0:49:17 | 0:49:19 | |
which we can make like this. | 0:49:19 | 0:49:21 | |
And with any luck... | 0:49:21 | 0:49:22 | |
Yeah - it's really simple - | 0:49:22 | 0:49:25 | |
it's now pointing north. | 0:49:25 | 0:49:26 | |
The iron in our magnetised needle | 0:49:26 | 0:49:28 | |
is drawn to the strongest magnetic force. | 0:49:28 | 0:49:31 | |
In this case, that is the natural magnetic force created by the Earth. | 0:49:31 | 0:49:35 | |
So, now, if we take these chains | 0:49:35 | 0:49:37 | |
and pretend that they are the iron hull of the boat | 0:49:37 | 0:49:40 | |
and wrapping it around the bowl... | 0:49:40 | 0:49:43 | |
the needle moves. It's not pointing to the north any more. | 0:49:43 | 0:49:46 | |
Instead, it's drawn to the iron that its nearest to it, | 0:49:46 | 0:49:49 | |
and if you think about the hull of the Tayleur - | 0:49:49 | 0:49:51 | |
that is 1,750 tonnes of iron, | 0:49:51 | 0:49:54 | |
the deflection can be quite substantial, | 0:49:54 | 0:49:57 | |
and that's very dangerous. | 0:49:57 | 0:49:58 | |
It was a well-known issue, | 0:49:59 | 0:50:01 | |
and iron-clad ships usually re-set their compasses to compensate. | 0:50:01 | 0:50:05 | |
But the Tayleur had an additional problem. | 0:50:07 | 0:50:10 | |
More iron was loaded into the ship in the form of cargo - | 0:50:10 | 0:50:14 | |
things like great coils of barbed wire, | 0:50:14 | 0:50:18 | |
plough shears, pots and pans... | 0:50:18 | 0:50:20 | |
And most importantly for our disaster, | 0:50:20 | 0:50:23 | |
a full-sized river ship. | 0:50:23 | 0:50:25 | |
The compass, vital on the boat, | 0:50:27 | 0:50:29 | |
is no longer pointing north. | 0:50:29 | 0:50:30 | |
It might only be a few degrees out, | 0:50:32 | 0:50:34 | |
but when you're crossing the Irish Sea | 0:50:34 | 0:50:36 | |
it's the difference between going down here, | 0:50:36 | 0:50:39 | |
or ending up on the rocks here. | 0:50:39 | 0:50:41 | |
We've got special permission to dive the wreck | 0:50:47 | 0:50:49 | |
and I'm hoping that I can find out just a little bit more about her | 0:50:49 | 0:50:52 | |
by getting a bit closer. | 0:50:52 | 0:50:54 | |
Today the wreck is a protected site, | 0:50:54 | 0:50:57 | |
so nothing can be removed or disturbed. | 0:50:57 | 0:51:00 | |
It's so eerie down here. | 0:51:05 | 0:51:07 | |
Very poor visibility. | 0:51:07 | 0:51:09 | |
Oh, I see the first bit of wreckage. | 0:51:11 | 0:51:13 | |
The ship's obviously lying on her side. | 0:51:17 | 0:51:20 | |
This is the site of one of the portholes. | 0:51:23 | 0:51:26 | |
Is this the chain here? Yes, look at this. | 0:51:31 | 0:51:34 | |
This is the anchor chain. | 0:51:34 | 0:51:37 | |
Look at the size of the links there! | 0:51:38 | 0:51:40 | |
Something that thick, actually snapped. | 0:51:42 | 0:51:46 | |
That is how powerful the winds and the waves and the tides were | 0:51:46 | 0:51:49 | |
on the day she was wrecked. | 0:51:49 | 0:51:50 | |
This ship was carrying hundreds of young families, | 0:51:55 | 0:51:57 | |
who'd eagerly packed all their worldly goods. | 0:51:57 | 0:52:01 | |
Can you see these stacked one on top of another? | 0:52:02 | 0:52:05 | |
These are roof slates, believe it or not! | 0:52:05 | 0:52:08 | |
So they were travelling with all the equipment they'd need | 0:52:08 | 0:52:10 | |
to set-up a new life. | 0:52:10 | 0:52:13 | |
Chillingly, they even took their own gravestones. | 0:52:13 | 0:52:16 | |
And it feels very spooky. | 0:52:19 | 0:52:20 | |
Oh, my God, there's a bit of pottery! | 0:52:23 | 0:52:25 | |
Look at this! | 0:52:26 | 0:52:28 | |
It's just here... | 0:52:28 | 0:52:30 | |
I can't touch it, but just here... | 0:52:30 | 0:52:32 | |
you can see the white of a piece of pottery. | 0:52:32 | 0:52:35 | |
Now, that's some sort of bowl | 0:52:37 | 0:52:38 | |
or maybe the top of a jug. | 0:52:38 | 0:52:40 | |
It's all just coming alive now. | 0:52:42 | 0:52:44 | |
Underwater I can only get tantalising glimpses of the cargo, | 0:52:49 | 0:52:52 | |
so local diver Harry Breslin | 0:52:52 | 0:52:56 | |
who was among the first ever to explore the wreck, | 0:52:56 | 0:52:59 | |
has brought some stunning artefacts to show me. | 0:52:59 | 0:53:02 | |
SHE GASPS Yeah, so this is, erm... | 0:53:04 | 0:53:06 | |
Oh, my goodness! | 0:53:06 | 0:53:07 | |
A little pepper canister. | 0:53:07 | 0:53:09 | |
Look at that...! That's absolutely beautiful. | 0:53:09 | 0:53:11 | |
-And it's perfectly intact. -Yes, indeed. | 0:53:11 | 0:53:14 | |
I like to feel it's something special, you know, and, er... | 0:53:14 | 0:53:18 | |
It's a real personal thing, isn't it? A personal item. | 0:53:18 | 0:53:21 | |
-It sat on their table, this is what they used to flavour their food with. -Indeed. | 0:53:21 | 0:53:25 | |
Oh, look at that. | 0:53:25 | 0:53:26 | |
I mean, that looks like you've just bought it from the shop, doesn't it? | 0:53:26 | 0:53:30 | |
That is absolutely beautiful. | 0:53:30 | 0:53:32 | |
There's not a chip or a scratch on it. | 0:53:32 | 0:53:34 | |
These incredible finds are a direct connection | 0:53:36 | 0:53:39 | |
with the ordinary families on board, | 0:53:39 | 0:53:42 | |
all with their own stories. | 0:53:42 | 0:53:45 | |
But one statistic baffles me. | 0:53:45 | 0:53:47 | |
Just 3% of women and children | 0:53:47 | 0:53:50 | |
survived this tragedy, | 0:53:50 | 0:53:51 | |
compared with 70% of men. | 0:53:51 | 0:53:54 | |
Why? | 0:53:54 | 0:53:55 | |
Author Gill Hoffs has a theory. | 0:53:56 | 0:53:59 | |
The clothing that women wore at that time was very heavy, | 0:53:59 | 0:54:02 | |
it was incredibly restrictive, | 0:54:02 | 0:54:04 | |
and they could wear at least 16 layers, easy. | 0:54:04 | 0:54:06 | |
-16 layers?! -16 layers. | 0:54:06 | 0:54:08 | |
And you'd be very constricted. | 0:54:08 | 0:54:11 | |
-So are these the clothes that they would've worn? -These are similar. | 0:54:11 | 0:54:14 | |
This is a very, very heavy velvet overskirt. | 0:54:14 | 0:54:20 | |
-If you feel the weight of that. -Oh! Yeah! | 0:54:20 | 0:54:22 | |
If you can imagine that drenched in water. | 0:54:22 | 0:54:24 | |
And the thing is, on board the ship you'd maybe get | 0:54:24 | 0:54:27 | |
to access your clothing maybe once a fortnight. | 0:54:27 | 0:54:30 | |
Once a week if it was excellent weather. | 0:54:30 | 0:54:32 | |
-And it's January. -Yes. -And it's freezing. | 0:54:32 | 0:54:35 | |
-Yes. -And it's damp. | 0:54:35 | 0:54:36 | |
-Yes. -I'd be wearing everything. | 0:54:36 | 0:54:38 | |
Passengers were advised to stitch valuables into their undergarments. | 0:54:39 | 0:54:44 | |
One corset had 200 sovereigns sewn into it. | 0:54:44 | 0:54:47 | |
Must weigh an absolute ton! | 0:54:49 | 0:54:50 | |
A sovereign is, what, eight grams? Something like that? | 0:54:50 | 0:54:53 | |
It's quite a hefty coin, isn't it? | 0:54:53 | 0:54:54 | |
-It is a hefty coin. Yes. -It's like wearing a diver's weight belt. | 0:54:54 | 0:54:57 | |
One woman had £3,000. | 0:54:57 | 0:55:00 | |
Yes. She perished. | 0:55:00 | 0:55:02 | |
These tragic losses appalled a Victorian society | 0:55:02 | 0:55:05 | |
which championed the notion of "women and children first". | 0:55:05 | 0:55:10 | |
But even if they had gone first, | 0:55:10 | 0:55:12 | |
did their clothing condemn them to their deaths? | 0:55:12 | 0:55:15 | |
I've volunteered to test the theory. | 0:55:17 | 0:55:20 | |
My Victorian dress is heavy | 0:55:20 | 0:55:23 | |
and layered, and I've added a weight-belt. | 0:55:23 | 0:55:27 | |
But I'm wearing a wetsuit underneath | 0:55:27 | 0:55:29 | |
and have two lifeguards on standby. | 0:55:29 | 0:55:31 | |
That said, I'm still petrified! | 0:55:32 | 0:55:34 | |
Actually, moving anywhere, | 0:55:42 | 0:55:44 | |
in a direction, is really hard | 0:55:44 | 0:55:47 | |
cos you're just a giant sail. | 0:55:47 | 0:55:49 | |
I always think of myself as a very strong swimmer, | 0:55:51 | 0:55:54 | |
but when it starts getting caught around your feet it makes you panic | 0:55:54 | 0:55:58 | |
cos you can't do what you'd normally do to save yourself. | 0:55:58 | 0:56:02 | |
It's like dragging an anchor. | 0:56:03 | 0:56:05 | |
It's really knackering. | 0:56:05 | 0:56:07 | |
As time ticks by, | 0:56:09 | 0:56:11 | |
it's ever harder to stay afloat. | 0:56:11 | 0:56:13 | |
I wouldn't be able to keep this up for more than a few minutes. | 0:56:13 | 0:56:16 | |
You really feel for them as humans and families, | 0:56:22 | 0:56:25 | |
because there is so little you could possibly do to rescue the situation, | 0:56:25 | 0:56:30 | |
and some of them are travelling with 12 kids, and there's... | 0:56:30 | 0:56:33 | |
there's no way in hell... | 0:56:33 | 0:56:34 | |
There's no way in hell you can physically do it - you're beaten. | 0:56:37 | 0:56:40 | |
It's awful. | 0:56:40 | 0:56:41 | |
Less than half the passengers | 0:56:46 | 0:56:48 | |
managed to scramble ashore. | 0:56:48 | 0:56:50 | |
Only three women survived. | 0:56:50 | 0:56:53 | |
An inquest concluded the ship was under-crewed, | 0:56:54 | 0:56:58 | |
and White Star had made fatal mistakes. | 0:56:58 | 0:57:02 | |
But it now appears there were many more reasons for this shipwreck, | 0:57:02 | 0:57:05 | |
and her tragic death toll. | 0:57:05 | 0:57:07 | |
A combination of factors sealed her fate - | 0:57:07 | 0:57:11 | |
tides, winds, engineering... | 0:57:11 | 0:57:14 | |
But whilst the wreck of the Tayleur remains on the seabed, | 0:57:14 | 0:57:17 | |
at least the story is raised from the depths. | 0:57:17 | 0:57:20 | |
I've reached the end of my journey up the western Irish Sea coast. | 0:57:28 | 0:57:34 | |
But it's not quite the end of my time on this sea. | 0:57:34 | 0:57:37 | |
I'm catching a ferry back to another coast connected by this water. | 0:57:39 | 0:57:43 | |
I've visited Wales, Ireland, Northern Ireland - | 0:57:43 | 0:57:46 | |
I'm finishing bound for Scotland. | 0:57:46 | 0:57:48 | |
The Irish Sea touches us in surprising ways, | 0:57:55 | 0:57:59 | |
and defines our island story. | 0:57:59 | 0:58:02 | |
A sea that takes | 0:58:03 | 0:58:06 | |
as it provides | 0:58:06 | 0:58:09 | |
people and ideas still carried | 0:58:09 | 0:58:13 | |
on the tides and currents of these waters. | 0:58:13 | 0:58:16 | |
Like the gyre, | 0:58:23 | 0:58:25 | |
the Irish Sea continues to swirl | 0:58:25 | 0:58:27 | |
with identities and connections | 0:58:27 | 0:58:29 | |
supporting life old and new - | 0:58:29 | 0:58:32 | |
produce, culture, tragedy and change | 0:58:32 | 0:58:36 | |
have all washed across the Irish Sea from coast to coast. | 0:58:36 | 0:58:39 | |
Perhaps we're not so much a collection of different countries | 0:58:39 | 0:58:42 | |
sharing the Irish Sea, | 0:58:42 | 0:58:44 | |
but, rather, people OF the Irish Sea. | 0:58:44 | 0:58:46 |