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Hidden crevices. | 0:00:20 | 0:00:21 | |
Secret spots. | 0:00:21 | 0:00:24 | |
Where the power of the sea | 0:00:24 | 0:00:26 | |
meets the resistance of the land. | 0:00:26 | 0:00:28 | |
Caves and coves are the fabric of our craggy coastline... | 0:00:30 | 0:00:34 | |
..one of the curviest in the world. | 0:00:35 | 0:00:37 | |
Dark caverns, portals to our past, | 0:00:38 | 0:00:42 | |
places of mystery. | 0:00:42 | 0:00:44 | |
Secluded bays offer shelter and refuge. | 0:00:47 | 0:00:51 | |
This is Coast! | 0:00:51 | 0:00:54 | |
Our caves and coves reinforce the bond between sea and shore | 0:00:56 | 0:01:01 | |
and shape our island story. | 0:01:01 | 0:01:04 | |
I'm at my happiest at the edge of our isles, | 0:01:06 | 0:01:10 | |
forging a path around the nooks and crannies of our coastline. | 0:01:10 | 0:01:15 | |
There's one place that's a Mecca for sea caves and spectacular coves. | 0:01:15 | 0:01:22 | |
Jersey. | 0:01:22 | 0:01:23 | |
Let's go! | 0:01:23 | 0:01:25 | |
I'm not travelling solo. | 0:01:28 | 0:01:31 | |
Whilst I'm in Jersey, | 0:01:31 | 0:01:32 | |
the rest of the team are embarking on their own island endeavours. | 0:01:32 | 0:01:36 | |
To discover a wartime story of survival against the odds, | 0:01:37 | 0:01:41 | |
Mark travels to a Cornish cove. | 0:01:41 | 0:01:44 | |
Entering the cove | 0:01:44 | 0:01:46 | |
meant running the gauntlet of treacherous currents and rocks. | 0:01:46 | 0:01:50 | |
For men already half dead, this was an unequal struggle. | 0:01:50 | 0:01:56 | |
Andy Torbot risks life and limb in an attempt to make caving history. | 0:01:57 | 0:02:02 | |
It's just a mass of white water, isn't it? | 0:02:03 | 0:02:06 | |
And Coast's resident storyteller, Ian McMillan, | 0:02:07 | 0:02:11 | |
delves deep into one particular cave | 0:02:11 | 0:02:13 | |
to unearth the legend of a Scottish cannibal. | 0:02:13 | 0:02:16 | |
Sawney Bean. My dad was Scottish and if ever I was naughty, he'd say, | 0:02:16 | 0:02:20 | |
"Sawney Bean's going to get you." | 0:02:20 | 0:02:22 | |
And I thought he was making him up. | 0:02:22 | 0:02:25 | |
Testing, spectacular, secret. | 0:02:26 | 0:02:29 | |
These are the caves and the coves of our coast. | 0:02:29 | 0:02:33 | |
Caves and coves are the natural wonders | 0:03:00 | 0:03:03 | |
of our curved and twisting coastline. | 0:03:03 | 0:03:06 | |
But how were they formed? | 0:03:06 | 0:03:07 | |
And why have they lured visitors for so long? | 0:03:07 | 0:03:11 | |
I'm on a journey to explore why caves and coves are so captivating. | 0:03:11 | 0:03:17 | |
And I've come to Jersey - one of the Channel Islands - | 0:03:19 | 0:03:22 | |
and a cave and cove hot spot, in search of answers. | 0:03:22 | 0:03:26 | |
I'm starting on the north-east coast near Bouley Bay. | 0:03:27 | 0:03:31 | |
From here, I'll wend my way towards an isolated cove | 0:03:31 | 0:03:35 | |
on the south-west coast, | 0:03:35 | 0:03:37 | |
before finally heading north to a cave with an ancient secret. | 0:03:37 | 0:03:41 | |
Jersey is a place where geology and nature have conspired | 0:03:45 | 0:03:49 | |
to create an extraordinary coastline. | 0:03:49 | 0:03:52 | |
Atlantic waves have carved out 48 miles of sea-scooped bays of sand | 0:03:55 | 0:04:01 | |
and more than 60 sea caves on the north coast alone. | 0:04:01 | 0:04:05 | |
These ominous black holes at the base of cliffs | 0:04:07 | 0:04:10 | |
are gateways to tunnel networks hundreds of metres long. | 0:04:10 | 0:04:14 | |
The reason Jersey's coast is so craggy, so spectacular, is these... | 0:04:17 | 0:04:23 | |
These towering cliffs of granite. | 0:04:23 | 0:04:25 | |
They're majestic! | 0:04:25 | 0:04:27 | |
This rock, made of crystallised volcanic magma, | 0:04:29 | 0:04:32 | |
is so hard it stands like a fortress against the power of waves. | 0:04:32 | 0:04:37 | |
It's these vertical joints in the rock, | 0:04:37 | 0:04:40 | |
formed deep beneath the earth's crust as the magma cooled, | 0:04:40 | 0:04:44 | |
that are the origins of Jersey's sea caves. | 0:04:44 | 0:04:48 | |
Waves pounded these lines of weakness like hydraulic drills, | 0:04:48 | 0:04:53 | |
removing the rock, boulder by boulder. | 0:04:53 | 0:04:56 | |
But the surrounding granite is so sturdy | 0:04:56 | 0:04:59 | |
that the walls and ceilings were left supported, | 0:04:59 | 0:05:02 | |
and that's what forms these long, thin sea caves. | 0:05:02 | 0:05:06 | |
These caves made Jersey otherworldly. | 0:05:09 | 0:05:13 | |
One Victorian traveller described its natural wonders as | 0:05:13 | 0:05:17 | |
"More inexhaustible than man's curiosity." | 0:05:17 | 0:05:21 | |
In the 19th century, the island became a Mecca | 0:05:22 | 0:05:25 | |
for a new breed of explorer tourist. | 0:05:25 | 0:05:28 | |
Arriving on newfangled steamships, | 0:05:32 | 0:05:34 | |
for the Victorians, Jersey offered a taste of the exotic. | 0:05:34 | 0:05:39 | |
French place names, | 0:05:39 | 0:05:40 | |
a warm climate, | 0:05:40 | 0:05:42 | |
but all just 100 miles from mainland Britain. | 0:05:42 | 0:05:46 | |
I'm following in Victorian footsteps | 0:05:47 | 0:05:49 | |
to search out some of the sites that fascinated them. | 0:05:49 | 0:05:52 | |
Historian Doug Ford is taking me to a sea cave | 0:05:59 | 0:06:03 | |
at the base of Jersey's tallest sea cliff. | 0:06:03 | 0:06:06 | |
This was a top tip in the Victorian guidebooks. | 0:06:10 | 0:06:13 | |
But it takes an expert eye to spot it. | 0:06:13 | 0:06:15 | |
Where's the cave? | 0:06:15 | 0:06:17 | |
Well, the cave is just behind that rock | 0:06:17 | 0:06:19 | |
on the right-hand side of the cove there. | 0:06:19 | 0:06:21 | |
Some guy in the late-19th century, | 0:06:21 | 0:06:23 | |
he zigzags a path all the way down | 0:06:23 | 0:06:26 | |
and any tricky bits, he puts a ladder there. | 0:06:26 | 0:06:28 | |
Now, it's quite difficult to see, | 0:06:28 | 0:06:30 | |
but if you look at these photographs from the time... | 0:06:30 | 0:06:33 | |
Oh, my, yes! | 0:06:33 | 0:06:34 | |
And you can see the zigzag nature of the path all the way down. | 0:06:34 | 0:06:38 | |
Fascinated by the emerging science of geology | 0:06:39 | 0:06:42 | |
and Darwin's theories of evolution, | 0:06:42 | 0:06:45 | |
Victorians let nothing stop them from exploring Jersey's sea caves. | 0:06:45 | 0:06:50 | |
But the clothing! They're all dressed in long dresses and blouses, | 0:06:50 | 0:06:54 | |
cloaks, hats... | 0:06:54 | 0:06:55 | |
It's not exactly kind of cliff climbing gear, is it? | 0:06:55 | 0:06:57 | |
This is their best holiday gear, | 0:06:57 | 0:06:59 | |
so they're wearing their dresses down to their ankles. | 0:06:59 | 0:07:02 | |
They would have been heavily corseted | 0:07:02 | 0:07:04 | |
-and they've got leather-soled shoes. -You're kidding me! | 0:07:04 | 0:07:07 | |
You'd never know, looking at it now, | 0:07:07 | 0:07:09 | |
that there's a Victorian highway zigzagging down that cliff. | 0:07:09 | 0:07:12 | |
Just around the headland lurks the wonderfully named Devil's Hole. | 0:07:13 | 0:07:18 | |
Victorians risked life and limb to explore it. | 0:07:19 | 0:07:22 | |
And I want to know why. | 0:07:22 | 0:07:24 | |
The original entrance has now collapsed. | 0:07:25 | 0:07:27 | |
We have to enter from the sea. | 0:07:27 | 0:07:30 | |
This is pretty, pretty amazing, isn't it? | 0:07:30 | 0:07:32 | |
We're just, like, threading the eye of a needle to get in here. | 0:07:32 | 0:07:35 | |
We're deep inside the cave | 0:07:44 | 0:07:46 | |
and, although we're still floating on the sea, | 0:07:46 | 0:07:48 | |
it's very still and quite quiet. | 0:07:48 | 0:07:50 | |
There's daylight visible at the far end of the tunnel, | 0:07:50 | 0:07:53 | |
and daylight out there, | 0:07:53 | 0:07:54 | |
and in here, a strange greenish tinge - | 0:07:54 | 0:07:57 | |
multi-coloured rocks. | 0:07:57 | 0:07:58 | |
This, for the Victorians, was THE journey to the centre of the earth. | 0:07:58 | 0:08:03 | |
By the late 1800s, Jersey's caves had created their own tour business. | 0:08:06 | 0:08:11 | |
Guides were employed to lead the way | 0:08:11 | 0:08:14 | |
and ladies could even hire a local to help keep their skirts dry. | 0:08:14 | 0:08:18 | |
After a hearty trek back up the hill, | 0:08:23 | 0:08:28 | |
returning explorers would be greeted by a very welcome sight. | 0:08:28 | 0:08:34 | |
Now, Devil's Hole had its very own pavilion - | 0:08:35 | 0:08:40 | |
quite a grand name for a pit stop with a tin roof. | 0:08:40 | 0:08:44 | |
Sadly, these days, the pavilion is no more, | 0:08:45 | 0:08:49 | |
and so modern explorers have to rely on on-board refreshment... | 0:08:49 | 0:08:54 | |
Water! | 0:08:55 | 0:08:56 | |
For straight-laced Victorians, | 0:09:02 | 0:09:04 | |
cave exploration took them into a totally different world - | 0:09:04 | 0:09:08 | |
one of adventure and mystery. | 0:09:08 | 0:09:11 | |
Our sea caves have lost none of their irresistible allure. | 0:09:20 | 0:09:24 | |
They continue to pull in punters. | 0:09:32 | 0:09:35 | |
Their power bound up in myths. | 0:09:38 | 0:09:41 | |
The perfect setting for stories. | 0:09:41 | 0:09:44 | |
Merlin's Cave in Cornwall, where an infant King Arthur washed ashore. | 0:09:45 | 0:09:50 | |
Fingal's Cave on Staffa, | 0:09:51 | 0:09:53 | |
inspiration for poets and musicians. | 0:09:53 | 0:09:57 | |
The rocky hollows of our coast generate enduring legends. | 0:10:02 | 0:10:07 | |
And at Bennane Head on the south-west coast of Scotland, | 0:10:12 | 0:10:16 | |
a gruesome 17th-century tale with a whiff of truth haunts the shores. | 0:10:16 | 0:10:21 | |
Storyteller Ian McMillan is investigating. | 0:10:23 | 0:10:26 | |
I'm taking a voyage back in time, to a dark Scottish legend. | 0:10:27 | 0:10:31 | |
I'm heading for the wild, rugged coast of Ayrshire, | 0:10:31 | 0:10:35 | |
to a vast untamed shore with a secret that I want to explore. | 0:10:35 | 0:10:39 | |
This remote coastline is home to an infamous cave | 0:10:42 | 0:10:46 | |
and a ghoulish legend | 0:10:46 | 0:10:47 | |
on which generations of Scots have been raised. | 0:10:47 | 0:10:51 | |
Sawney Bean. | 0:10:51 | 0:10:52 | |
Me Dad was Scottish and if ever I was naughty, he'd say, | 0:10:52 | 0:10:55 | |
"Sawney Bean's going to get you." | 0:10:55 | 0:10:57 | |
And I thought he was making him up! | 0:10:57 | 0:10:59 | |
If you're not Scottish, then chances are you won't have heard of him. | 0:11:01 | 0:11:05 | |
But Sawney was an infamous thief, murderer and cannibal. | 0:11:05 | 0:11:11 | |
Him and his bloodthirsty brood lived in a dark Scottish sea cave | 0:11:13 | 0:11:17 | |
at the turn of the 17th century. | 0:11:17 | 0:11:18 | |
And according to this book, it's a true story. | 0:11:18 | 0:11:21 | |
There's even a real cave to prove it. | 0:11:21 | 0:11:24 | |
"The habitation of horrid cruelty," | 0:11:24 | 0:11:27 | |
where Sawney made his lair. | 0:11:27 | 0:11:29 | |
The Sawney story has spawned songs and poetry | 0:11:33 | 0:11:37 | |
and, in doing so, has stood the test of time. | 0:11:37 | 0:11:40 | |
'There's naebody kens that he bides there, | 0:11:42 | 0:11:44 | |
'for his face is seldom seen. | 0:11:44 | 0:11:48 | |
'But to meet his eye is to meet your fate | 0:11:48 | 0:11:51 | |
'at the hands of Sawney Bean.' | 0:11:51 | 0:11:54 | |
As a storyteller, I'm fascinated by these folk tales. | 0:11:55 | 0:11:58 | |
Is this book really a true account, | 0:11:58 | 0:12:00 | |
or is it just the product of a wild, unfettered imagination? | 0:12:00 | 0:12:04 | |
I'm going to turn storytelling sleuth to find out. | 0:12:04 | 0:12:07 | |
'For Sawney he has taen a wife | 0:12:09 | 0:12:11 | |
'and he's hungry bairns tae wean. | 0:12:11 | 0:12:14 | |
'And he's raised them up on the flesh o' men | 0:12:14 | 0:12:17 | |
'in the cave of Sawney Bean.' | 0:12:17 | 0:12:20 | |
According to locals, this is Sawney Bean's actual cave. | 0:12:22 | 0:12:26 | |
Let's go and have a look. | 0:12:26 | 0:12:28 | |
Gosh, what a place! | 0:12:31 | 0:12:33 | |
Suddenly it's dark, it feels damp, | 0:12:33 | 0:12:36 | |
it's quiet and you can just hear the sea outside | 0:12:36 | 0:12:39 | |
and there's a real sense of menace in here. | 0:12:39 | 0:12:41 | |
Within this dark crevice, the story continues. | 0:12:44 | 0:12:48 | |
"Sawney and his wife took shelter in this cave | 0:12:48 | 0:12:52 | |
"to prevent the possibility of detection. | 0:12:52 | 0:12:54 | |
"They murdered every person that they robbed. | 0:12:54 | 0:12:57 | |
"Destitute also are the means of obtaining any other food, | 0:12:57 | 0:13:01 | |
"they resolve to live upon human flesh. | 0:13:01 | 0:13:04 | |
"In this manner they lived | 0:13:04 | 0:13:06 | |
"until they had eight sons, six daughters, | 0:13:06 | 0:13:09 | |
"18 grandsons and 14 granddaughters. | 0:13:09 | 0:13:12 | |
"All the offspring of incest." | 0:13:12 | 0:13:14 | |
Well, this is certainly atmospheric | 0:13:18 | 0:13:20 | |
and it's a great place to set a story. | 0:13:20 | 0:13:22 | |
But there's certain things about it that don't seem right. | 0:13:22 | 0:13:25 | |
In the book, it says that, once you get past the entrance, | 0:13:25 | 0:13:27 | |
there are many twistings and turnings. But there aren't. | 0:13:27 | 0:13:30 | |
It also says that the cave's a mile long, and it isn't - | 0:13:30 | 0:13:33 | |
because that's the end. | 0:13:33 | 0:13:35 | |
And also it says that you can get 50 members of the Bean family in here. | 0:13:35 | 0:13:38 | |
They'd never fit. It just doesn't add up. | 0:13:38 | 0:13:41 | |
With the cave a literal dead-end, | 0:13:45 | 0:13:47 | |
I want to hunt out more evidence for Sawney. | 0:13:47 | 0:13:49 | |
So I'm turning to the history of these shores. | 0:13:50 | 0:13:54 | |
In the book, it tells how the Beans lay in wait | 0:13:54 | 0:13:56 | |
to ambush passers-by travelling along the coastal road. | 0:13:56 | 0:13:59 | |
But then, one would-be victim escaped, and word reached the king. | 0:13:59 | 0:14:03 | |
That king was King James VI of Scotland - | 0:14:03 | 0:14:07 | |
King James I of England - | 0:14:07 | 0:14:08 | |
who ruled between 1567 and 1625. | 0:14:08 | 0:14:12 | |
This is the only clue we have to when Sawney Bean lived. | 0:14:13 | 0:14:17 | |
I want to know what was happening | 0:14:18 | 0:14:20 | |
at the time our cannibal was roaming this coast | 0:14:20 | 0:14:22 | |
and to find out if any written records | 0:14:22 | 0:14:24 | |
prove the existence of Sawney Bean. | 0:14:24 | 0:14:27 | |
I'm meeting Professor Ted Cowan, an expert on Scottish history. | 0:14:27 | 0:14:31 | |
We've come a few miles north of the cave to Dunure Castle - | 0:14:31 | 0:14:35 | |
a stronghold perched on the coastal cliffs. | 0:14:35 | 0:14:38 | |
What was Ayrshire like at the time we're talking about, Ted? | 0:14:39 | 0:14:42 | |
Well, this is the period of James VI, King of Scots, | 0:14:42 | 0:14:45 | |
and he ruled over a fairly rumbustious country, if you like. | 0:14:45 | 0:14:49 | |
England was the same at the time. | 0:14:49 | 0:14:51 | |
Lots of feuds, lots of fights and all the rest of it. | 0:14:51 | 0:14:53 | |
But this was regarded as a particularly wild area | 0:14:53 | 0:14:56 | |
here on the Ayrshire coast. | 0:14:56 | 0:14:58 | |
Presiding over this lawless land, | 0:14:58 | 0:15:00 | |
far away from the powerhouse of Edinburgh, were the Kennedy clan. | 0:15:00 | 0:15:05 | |
Here they were, the most powerful family in Ayrshire. | 0:15:06 | 0:15:08 | |
They were known as the Kings of Carrick. | 0:15:08 | 0:15:10 | |
This whole area, they controlled it pretty, pretty tightly | 0:15:10 | 0:15:15 | |
and made sure that they were top dog. | 0:15:15 | 0:15:17 | |
The Kennedys claimed this region as their own, | 0:15:18 | 0:15:21 | |
using intimidation and violence to stamp their authority over it. | 0:15:21 | 0:15:25 | |
So how would they have reacted | 0:15:25 | 0:15:27 | |
to having a cave-dwelling cannibal clan | 0:15:27 | 0:15:29 | |
robbing and murdering on their turf? | 0:15:29 | 0:15:32 | |
If Sawney Bean had been up to his antics | 0:15:33 | 0:15:36 | |
anywhere up and down this coastline, | 0:15:36 | 0:15:39 | |
the Kennedys would have known about it | 0:15:39 | 0:15:42 | |
and they would have put a stop to it. | 0:15:42 | 0:15:43 | |
Is there any evidence, then, that this story of Sawney Bean is true? | 0:15:43 | 0:15:47 | |
There's no evidence at all, Ian. | 0:15:47 | 0:15:49 | |
And if it had happened, it would have been recorded, | 0:15:49 | 0:15:52 | |
because it would have been a pretty spectacular incident then, as now. | 0:15:52 | 0:15:56 | |
I'd heard, though, that King James VI of Scotland came here | 0:15:56 | 0:15:59 | |
and took Sawney Bean away. | 0:15:59 | 0:16:01 | |
Yep, I've heard that story, too. | 0:16:01 | 0:16:03 | |
But there's actually... Once again, if we go to the records, | 0:16:03 | 0:16:06 | |
there's no evidence for that whatsoever. | 0:16:06 | 0:16:08 | |
So neither the cave nor the history books | 0:16:09 | 0:16:11 | |
throw up any clues to a real Sawney Bean. | 0:16:11 | 0:16:14 | |
But in both, I've started to uncover why this tale is so compelling. | 0:16:14 | 0:16:18 | |
This is classic storytelling. | 0:16:19 | 0:16:21 | |
Rooting a tale in a real place and time, | 0:16:21 | 0:16:24 | |
then claiming it's true, makes it more believable. | 0:16:24 | 0:16:26 | |
Why did a simple cave have the power to create an enduring legend | 0:16:27 | 0:16:31 | |
and who came up with the story in the first place? | 0:16:31 | 0:16:35 | |
To answer that, | 0:16:35 | 0:16:36 | |
I've enlisted some detective help to piece together the clues. | 0:16:36 | 0:16:39 | |
Fiona Black has studied Sawney's place in Scottish literature, | 0:16:41 | 0:16:44 | |
and she can reveal the origins of his unusual name. | 0:16:44 | 0:16:48 | |
Well, it first appears in the Oxford English Dictionary in 1704 | 0:16:50 | 0:16:53 | |
and it's a derogatory term for a Scotsman. | 0:16:53 | 0:16:56 | |
Blimey! It is, look! | 0:16:57 | 0:16:58 | |
"Sawney, a local variant of Sandy, short for Alexander. | 0:16:58 | 0:17:01 | |
"Colloquial, a derisive nickname for a Scotchman". | 0:17:01 | 0:17:05 | |
Apart from that - apart from the dictionary - | 0:17:05 | 0:17:07 | |
when does the character of Sawney first appear? | 0:17:07 | 0:17:09 | |
OK, so the story is set in the late-16th and early-17th century, | 0:17:09 | 0:17:12 | |
but it's over a 100 years after that, in 1734, | 0:17:12 | 0:17:15 | |
that Sawney first appears in print | 0:17:15 | 0:17:17 | |
and that's the book you've got with you there. | 0:17:17 | 0:17:19 | |
That's right, The History Of Highwaymen | 0:17:19 | 0:17:21 | |
by Captain Charles Johnson. | 0:17:21 | 0:17:23 | |
So, what do we know about Captain Charles Johnson? | 0:17:23 | 0:17:25 | |
Was he a real captain? | 0:17:25 | 0:17:26 | |
I imagine him going up and down the coastline here, | 0:17:26 | 0:17:28 | |
collecting tales in taverns. | 0:17:28 | 0:17:30 | |
Johnson's a bit of a mystery man. | 0:17:30 | 0:17:32 | |
We don't know too much about him at all. | 0:17:32 | 0:17:34 | |
Some people think that he could be a pseudonym | 0:17:34 | 0:17:36 | |
for the English novelist Daniel Defoe. | 0:17:36 | 0:17:39 | |
And it's alleged that Defoe was working in Scotland as a spy | 0:17:39 | 0:17:43 | |
around the time of the union, and writing then. | 0:17:43 | 0:17:45 | |
So there's this possibility that this story of Sawney | 0:17:45 | 0:17:48 | |
was created by this English novelist | 0:17:48 | 0:17:50 | |
as a political propaganda against the Scottish people. | 0:17:50 | 0:17:52 | |
So, is the Sawney Bean that we know today | 0:17:52 | 0:17:54 | |
due to Captain Johnson, do you think? | 0:17:54 | 0:17:56 | |
No, it's actually a Scottish novelist. | 0:17:56 | 0:17:59 | |
It's Samuel Rutherford Crockett, | 0:17:59 | 0:18:01 | |
who was writing this novel, The Gray Man, in 1896. | 0:18:01 | 0:18:04 | |
Crockett was really popular | 0:18:04 | 0:18:06 | |
and it was him that literally put Sawney Bean and his cave | 0:18:06 | 0:18:09 | |
here at Bennane Head in Ayrshire. | 0:18:09 | 0:18:12 | |
So an Englishman created the Sawney Bean legend, | 0:18:12 | 0:18:15 | |
a Scotsman popularised it | 0:18:15 | 0:18:18 | |
and, eventually, an American turned it into a horror movie, | 0:18:18 | 0:18:22 | |
The Hills Have Eyes. | 0:18:22 | 0:18:24 | |
Come on, then! Kill me! | 0:18:26 | 0:18:28 | |
Hollywood swapped the wild west coast of Scotland | 0:18:30 | 0:18:33 | |
for the wild west deserts of America, | 0:18:33 | 0:18:35 | |
but their cave-dwelling cannibal family matched Sawney's | 0:18:35 | 0:18:39 | |
for bloodshed and brutality. | 0:18:39 | 0:18:40 | |
Sawney Bean really is the perfect story. | 0:18:44 | 0:18:47 | |
A gruesome, gripping plot with a whiff of truth - | 0:18:47 | 0:18:50 | |
a dark tale born of a dark place on a wild coast. | 0:18:50 | 0:18:54 | |
In the shadowy crevices of desolate caves, | 0:18:55 | 0:18:57 | |
your imagination can run riot. | 0:18:57 | 0:18:59 | |
Mine certainly did. | 0:18:59 | 0:19:01 | |
Without a suitably sombre cave, | 0:19:01 | 0:19:04 | |
there'd be no Sawney Bean. | 0:19:04 | 0:19:06 | |
'Beware o' Sawney Bean...' | 0:19:06 | 0:19:08 | |
We're exploring the hidden recesses of our coast. | 0:19:22 | 0:19:25 | |
Mysteries concealed within rocky shorelines. | 0:19:26 | 0:19:30 | |
But it's not just our caves that offer seclusion and isolation. | 0:19:31 | 0:19:35 | |
So do our coves. | 0:19:40 | 0:19:43 | |
Sheltered from prying eyes, | 0:19:43 | 0:19:45 | |
secret hideaways, | 0:19:45 | 0:19:47 | |
natural shelters. | 0:19:47 | 0:19:49 | |
Jersey is home to some simply stunning inlets and coves. | 0:19:52 | 0:19:56 | |
Portelet Bay is one of the island's true beauties. | 0:20:03 | 0:20:07 | |
What a view! | 0:20:13 | 0:20:15 | |
Two perfect arcs of sand facing a small island. | 0:20:19 | 0:20:24 | |
It's almost two coves within a cove. | 0:20:24 | 0:20:27 | |
But they hide an intriguing story. | 0:20:29 | 0:20:32 | |
The tiny Ile au Guerdain is joined to the beach only at low tide. | 0:20:32 | 0:20:37 | |
Picture postcards call this isolated place Janvrin's Tomb, | 0:20:37 | 0:20:41 | |
after a local sailor who was trapped at sea within sight of home. | 0:20:41 | 0:20:46 | |
I want to discover why he was buried in this cove. | 0:20:46 | 0:20:49 | |
Philippe Janvrin was captain of the Esther, | 0:20:50 | 0:20:53 | |
a cod trading ship sailing regularly between | 0:20:53 | 0:20:56 | |
Canada, South America, France and Jersey. | 0:20:56 | 0:20:59 | |
But in September 1721, sailing home to Jersey, he wasn't allowed to land. | 0:20:59 | 0:21:05 | |
I'm meeting local historian Sue Hardy to find out what happened. | 0:21:07 | 0:21:12 | |
-This is a picture, isn't it? -And it's being made even more perfect. | 0:21:12 | 0:21:15 | |
-We have passing shipping. -Oh, yes! | 0:21:15 | 0:21:17 | |
So what happened to Janvrin? | 0:21:18 | 0:21:20 | |
He'd been taken ill on the homeward part of the journey. | 0:21:20 | 0:21:23 | |
He was thought to be on a plague-ridden vessel | 0:21:23 | 0:21:26 | |
and until the ship had been declared free of any contagion, | 0:21:26 | 0:21:30 | |
they had to stay out at anchor. | 0:21:30 | 0:21:32 | |
Bubonic plague swept through Europe in the 18th century, | 0:21:33 | 0:21:38 | |
killing 100,000 people. | 0:21:38 | 0:21:40 | |
Jersey didn't want it coming ashore. | 0:21:41 | 0:21:44 | |
So, in sight of home, this cove became Janvrin's quarantine. | 0:21:44 | 0:21:49 | |
Poor Janvrin, after two days, died. | 0:21:50 | 0:21:52 | |
How incredibly tragic to be dying on a ship out in the bay, | 0:21:52 | 0:21:56 | |
while your family in sight on shore and you are unable to communicate. | 0:21:56 | 0:21:59 | |
The authorities, believing Janvrin had plague, | 0:22:04 | 0:22:07 | |
decreed that he should be buried in isolation. | 0:22:07 | 0:22:10 | |
They had a proper funeral service for him on the top of the cliff. | 0:22:12 | 0:22:16 | |
So the burial service occurred on land... | 0:22:16 | 0:22:19 | |
-Up on the cliffs. -..up on Jersey... -Yes. | 0:22:19 | 0:22:21 | |
..while the body is being lowered into a grave on the island. | 0:22:21 | 0:22:24 | |
On this little island. | 0:22:24 | 0:22:25 | |
The two being kept apart, so the mourners would not be infected. | 0:22:25 | 0:22:28 | |
That's right. But, of course, in fact, | 0:22:28 | 0:22:30 | |
it turned out he didn't have the plague. | 0:22:30 | 0:22:32 | |
Janvrin died of a common fever. | 0:22:35 | 0:22:38 | |
Medical treatment might have saved him. | 0:22:38 | 0:22:41 | |
His wife erected a tombstone on the island in memory of her husband, | 0:22:45 | 0:22:50 | |
now built over by this Napoleonic tower. | 0:22:50 | 0:22:53 | |
Janvrin is gone. No tomb, no grave, no conventional memorial. | 0:22:58 | 0:23:04 | |
Gone, but not forgotten. | 0:23:04 | 0:23:05 | |
This is his memorial, an islet set in a beautiful cove. | 0:23:05 | 0:23:11 | |
For many, coves offer the refuge and solitude they crave. | 0:23:14 | 0:23:19 | |
For Janvrin, it offered enforced isolation, | 0:23:19 | 0:23:23 | |
a curious no-man's land. | 0:23:23 | 0:23:26 | |
Almost home. | 0:23:26 | 0:23:27 | |
Across our entire isles, this coastal frontline is ever changing, | 0:23:35 | 0:23:40 | |
thanks to the awesome power of nature. | 0:23:40 | 0:23:44 | |
Pounding seas turn caves into blow holes and arches... | 0:23:48 | 0:23:53 | |
..sea stacks... | 0:23:55 | 0:23:56 | |
..and, finally, coves. | 0:23:59 | 0:24:01 | |
But it's our sea caves that present the ultimate challenge. | 0:24:04 | 0:24:09 | |
The more nature conspires to keep people out, | 0:24:09 | 0:24:13 | |
the more we are drawn to explore. | 0:24:13 | 0:24:15 | |
At Britain's sea cave capital, Papa Stour in the Shetland Islands, | 0:24:17 | 0:24:22 | |
Andy Torbet's on a mission to push the boundaries of science, | 0:24:22 | 0:24:25 | |
using the latest technology to make caving history. | 0:24:25 | 0:24:29 | |
I've come to the most formidable environment in Britain, | 0:24:32 | 0:24:35 | |
to attempt something never done before. | 0:24:35 | 0:24:39 | |
To do a full survey of a sea cave, using completely new technology. | 0:24:39 | 0:24:43 | |
And not just any cave. | 0:24:46 | 0:24:48 | |
Hol o Bordie - Britain's longest sea cave. | 0:24:49 | 0:24:51 | |
The Hol o Bordie runs all the way through here | 0:24:53 | 0:24:56 | |
and it's only 130 feet, or 40 meters, beneath me now. | 0:24:56 | 0:25:00 | |
And I'm itching to get in there. | 0:25:00 | 0:25:02 | |
Believe it or not, in our high-tech world of maps and satellites and GPS, | 0:25:05 | 0:25:10 | |
this cave has never officially been measured. | 0:25:10 | 0:25:12 | |
It's like most of the caves on Papa Stour - | 0:25:12 | 0:25:16 | |
treacherous and dangerous. | 0:25:16 | 0:25:18 | |
There are only small weather windows when you can try and get in. | 0:25:18 | 0:25:21 | |
Mapping caves began as far back as the 16th century. | 0:25:22 | 0:25:26 | |
Then, it was done with a compass and measuring tape. | 0:25:26 | 0:25:28 | |
It's part of a science known as speleology. | 0:25:28 | 0:25:31 | |
To understand what I'm letting myself in for, | 0:25:32 | 0:25:35 | |
I'm going to swim through one of the island's less turbulent caves. | 0:25:35 | 0:25:38 | |
Natural obstacles are clear to see - | 0:25:54 | 0:25:56 | |
sheer walls, precarious ledges, a collapsed roof. | 0:25:56 | 0:26:01 | |
This geology is breathtaking. | 0:26:01 | 0:26:03 | |
Believe it or not, this waterfall is all that remains of a lake. | 0:26:12 | 0:26:16 | |
It used to be up there, but when the roof of the cave collapsed, | 0:26:16 | 0:26:20 | |
the lake that sat on that roof drained completely into the sea. | 0:26:20 | 0:26:23 | |
This cave represents what Hol o Bordie will one day become. | 0:26:23 | 0:26:27 | |
Caves like this are an ideal home for a myriad of sea life, | 0:26:29 | 0:26:33 | |
including dahlia anemones, | 0:26:33 | 0:26:35 | |
dead man's fingers | 0:26:35 | 0:26:37 | |
and star fish. | 0:26:37 | 0:26:39 | |
But whilst this cave is relatively calm, | 0:26:41 | 0:26:44 | |
Papa Stour's main attraction is notoriously difficult to access. | 0:26:44 | 0:26:48 | |
So I've signed up a team of crack specialists. | 0:26:48 | 0:26:51 | |
Surveyor and laser expert extraordinaire Kevin Dixon. | 0:26:55 | 0:26:59 | |
To get us in and out in one piece, ace boatman Ryan Leith. | 0:27:00 | 0:27:04 | |
And the final member of our team... | 0:27:05 | 0:27:07 | |
Zebedee! | 0:27:07 | 0:27:09 | |
There's a new piece of technology, that's out there now which is this - | 0:27:12 | 0:27:16 | |
a 3D laser scanner. | 0:27:16 | 0:27:17 | |
Obviously, I'm not laughing at your shiny piece of new kit. | 0:27:18 | 0:27:21 | |
Well, I am actually laughing at your shiny new kit. | 0:27:21 | 0:27:23 | |
I mean, it does look a little bit comic, mate, I've got to say. | 0:27:23 | 0:27:26 | |
Yeah, yeah. I mean, the inventors, they call this Zebedee. | 0:27:26 | 0:27:29 | |
-I can see why. -You can see why, yeah. Yeah. | 0:27:29 | 0:27:32 | |
Zebedee is a new surveyor's assistant, | 0:27:32 | 0:27:36 | |
designed to swing in all directions. | 0:27:36 | 0:27:38 | |
In expert hands, he captures data | 0:27:39 | 0:27:41 | |
from the walls, roof and floor | 0:27:41 | 0:27:44 | |
to create a 3D model of his surroundings. | 0:27:44 | 0:27:46 | |
But he's never been tested in this way before, | 0:27:47 | 0:27:50 | |
so we're making history. | 0:27:50 | 0:27:52 | |
It's never been done in a sea cave... | 0:27:52 | 0:27:55 | |
-Never? -..from a boat. | 0:27:55 | 0:27:57 | |
-OK. -Yeah? So this is going to be a first. | 0:27:57 | 0:27:59 | |
We have just a tiny window of opportunity | 0:28:02 | 0:28:04 | |
when we can enter Hol o Bordie. | 0:28:04 | 0:28:06 | |
Zebedee may look like something from The Magic Roundabout, | 0:28:06 | 0:28:09 | |
but he's actually a masterpiece of robotic technology. | 0:28:09 | 0:28:12 | |
He normally surveys buildings or mines. | 0:28:12 | 0:28:15 | |
He's not used to being tossed around on the Atlantic Ocean. | 0:28:15 | 0:28:19 | |
-It's just a mass of white water, isn't it? -Yeah, it is. | 0:28:19 | 0:28:22 | |
This cave is in a danger league of its own. | 0:28:22 | 0:28:25 | |
-Whoa...! -It's a bit like being inside a washing machine! | 0:28:28 | 0:28:31 | |
Zebedee might be able to handle the treacherous conditions... | 0:28:38 | 0:28:41 | |
..but it's too risky for us. | 0:28:43 | 0:28:45 | |
There's every chance of the swell upending our boat | 0:28:45 | 0:28:48 | |
or smashing us against the ceiling. | 0:28:48 | 0:28:50 | |
There's a narrower section around the dogleg | 0:28:53 | 0:28:55 | |
and it would be really, really dangerous | 0:28:55 | 0:28:58 | |
once you got back there. | 0:28:58 | 0:28:59 | |
So I think this is about as far as we're going to get today, unfortunately. | 0:28:59 | 0:29:02 | |
But you can understand why there isn't an accurate survey. | 0:29:02 | 0:29:06 | |
You've got to have just the right condition | 0:29:06 | 0:29:09 | |
to get in here with the equipment and measure this. | 0:29:09 | 0:29:12 | |
Yeah. | 0:29:12 | 0:29:13 | |
As you probably guess, | 0:29:14 | 0:29:16 | |
we're not going to get all the way through today. | 0:29:16 | 0:29:19 | |
The further in we go, the worst it gets. | 0:29:19 | 0:29:20 | |
The conditions, even at the entrance, are pretty dangerous, | 0:29:20 | 0:29:23 | |
so, unfortunately, we're not going to be able to do the survey today. | 0:29:23 | 0:29:28 | |
I'm gutted. | 0:29:30 | 0:29:31 | |
The very forces that created this cave are now forcing us out. | 0:29:31 | 0:29:36 | |
But we're not giving up yet. | 0:29:41 | 0:29:43 | |
We're determined to make cave mapping history. | 0:29:43 | 0:29:47 | |
It's time to see what Zebedee can do. | 0:29:47 | 0:29:49 | |
Papa Stour holds another secret cave | 0:29:51 | 0:29:54 | |
that lies on a less exposed shore - Brei Holm. | 0:29:54 | 0:29:57 | |
But it's no picnic. | 0:29:57 | 0:29:59 | |
It twists and turns down numerous passageways. | 0:29:59 | 0:30:02 | |
Its roof is partially collapsed. | 0:30:02 | 0:30:05 | |
This assignment will test Zebedee to his limits. | 0:30:05 | 0:30:07 | |
-Got it! -OK. | 0:30:07 | 0:30:09 | |
We've just 30 minutes to get in and out. | 0:30:15 | 0:30:18 | |
-Got it? -Yep. | 0:30:18 | 0:30:19 | |
Zebedee takes over 40,000 accurate laser-point readings per second. | 0:30:20 | 0:30:25 | |
The detail he can record could be crucial to science. | 0:30:35 | 0:30:39 | |
Oh! A massive hole in the roof! | 0:30:42 | 0:30:44 | |
If it works, surveys like this | 0:30:45 | 0:30:48 | |
could be used to predict cave and tunnel collapse... | 0:30:48 | 0:30:50 | |
.saving lives and transforming coastal management. | 0:30:56 | 0:30:59 | |
-Here you are. -Got it. | 0:31:02 | 0:31:05 | |
Excellent. | 0:31:05 | 0:31:06 | |
Right, congratulations. It's a world first, I think. | 0:31:06 | 0:31:09 | |
But have we been successful? | 0:31:09 | 0:31:11 | |
We have a six-hour wait | 0:31:12 | 0:31:14 | |
to automatically process Zebedee's data. | 0:31:14 | 0:31:16 | |
When the results come through, they're fantastic. | 0:31:17 | 0:31:21 | |
That is what we went through. | 0:31:21 | 0:31:24 | |
OK, so this was where we came in originally? | 0:31:25 | 0:31:27 | |
Yep, that's the main entrance. | 0:31:27 | 0:31:29 | |
So is that the... That's the hole in the middle? | 0:31:29 | 0:31:32 | |
-That's the hole in the middle, yeah. -Where the roof collapsed? -Yeah. | 0:31:32 | 0:31:35 | |
-This is actually a lot more detailed than I expected it to be. -Yeah. | 0:31:35 | 0:31:38 | |
You can even work out, almost, the height of the walls, can't you? | 0:31:38 | 0:31:41 | |
Yeah, and you can start to see the geology in there, as well. | 0:31:41 | 0:31:44 | |
You know, the different layers of rocks. | 0:31:44 | 0:31:46 | |
Our experiment is a breakthrough in cave exploration. | 0:31:52 | 0:31:56 | |
In accomplishing our mission, we've achieved a world first. | 0:31:56 | 0:32:00 | |
Cometh the hour, cometh the Zebedee. | 0:32:02 | 0:32:04 | |
A superhero on the boundaries of science. | 0:32:04 | 0:32:08 | |
Nature will always find a way to test us, | 0:32:22 | 0:32:26 | |
put us back in our place. | 0:32:26 | 0:32:28 | |
It's this challenge we find appealing. | 0:32:28 | 0:32:31 | |
Our inquisitive nature means we always want to know | 0:32:31 | 0:32:35 | |
what is round the next headland. | 0:32:35 | 0:32:37 | |
We want to investigate every nook and cranny, | 0:32:41 | 0:32:44 | |
every cave and cove. | 0:32:44 | 0:32:46 | |
But as well as challenge us, nature can sometimes offer shelter. | 0:32:47 | 0:32:52 | |
I'm on Jersey. | 0:32:57 | 0:32:59 | |
It's a coast famed for its caves and coves. | 0:32:59 | 0:33:03 | |
I'm exploring why these natural wonders hold such allure. | 0:33:04 | 0:33:08 | |
As the sea tears away the rock, clues are revealed, | 0:33:09 | 0:33:12 | |
showing how, thousands of years ago, | 0:33:12 | 0:33:16 | |
these rugged walls became man's first basic home. | 0:33:16 | 0:33:21 | |
At St Helier, some of the earliest cave dwellings in Europe | 0:33:21 | 0:33:24 | |
have been found. | 0:33:24 | 0:33:27 | |
They were revealed by chance in 1917, | 0:33:27 | 0:33:30 | |
when a geologist's hat blew off his head | 0:33:30 | 0:33:33 | |
and landed in a fissure at the base of a cliff. | 0:33:33 | 0:33:35 | |
When he went to retrieve it, he discovered a cave | 0:33:37 | 0:33:40 | |
that became one of the most important archaeological sites in Europe. | 0:33:40 | 0:33:44 | |
Nearly 100 years on, | 0:33:44 | 0:33:47 | |
Jersey's caves are still turning up ancient secrets. | 0:33:47 | 0:33:50 | |
Including thousands of prehistoric artefacts. | 0:33:52 | 0:33:55 | |
Finds which are transforming our understanding | 0:33:57 | 0:33:59 | |
of our oldest ancestors. | 0:33:59 | 0:34:02 | |
I'm headed for Goat Cave or, as it's known here, La Cotte a la Chevre. | 0:34:02 | 0:34:08 | |
It's a cave that connects us to another world - | 0:34:10 | 0:34:13 | |
one of ice ages, mammoths and Neanderthals. | 0:34:13 | 0:34:18 | |
This is one of the earliest inhabited sites in Europe. | 0:34:18 | 0:34:23 | |
Taking me on a journey back into the mists of time | 0:34:25 | 0:34:28 | |
is an archaeologist on Jersey's Ice Age Project - Beccy Scott. | 0:34:28 | 0:34:33 | |
Even though this cave is well above the high-water mark | 0:34:35 | 0:34:39 | |
and doesn't require a boat, | 0:34:39 | 0:34:41 | |
it's still a tricky place to reach. | 0:34:41 | 0:34:43 | |
-Have we arrived? -Yes! | 0:34:44 | 0:34:46 | |
-Wow! -There you go. | 0:34:46 | 0:34:48 | |
How amazing! | 0:34:48 | 0:34:49 | |
-Isn't it? -Gosh... | 0:34:51 | 0:34:53 | |
It's much bigger than I thought. | 0:34:53 | 0:34:55 | |
Unlike caves made of porous limestone | 0:34:56 | 0:34:58 | |
that have streams and running water seeping through them, | 0:34:58 | 0:35:01 | |
this cave, made of granite, is bone dry. | 0:35:01 | 0:35:04 | |
This must have been really cosy | 0:35:06 | 0:35:09 | |
when it's chucking down with rain and blowing a blizzard outside | 0:35:09 | 0:35:13 | |
and you're in here with a fire. | 0:35:13 | 0:35:14 | |
And the thing that strikes me is that it's actually | 0:35:14 | 0:35:16 | |
the scale of a house, isn't it? | 0:35:16 | 0:35:18 | |
What 18, 20 feet high, but it's the width of a room. | 0:35:18 | 0:35:22 | |
It's got a couple of pebbles on the floor. | 0:35:22 | 0:35:24 | |
I think it's more than cosy. There's a kind of strange aura in here | 0:35:24 | 0:35:28 | |
It's kind of rather a magical spot, isn't it? | 0:35:28 | 0:35:30 | |
So who was it, Beccy, who lived in this luxury abode? | 0:35:36 | 0:35:39 | |
We think it was occupied by Neanderthals | 0:35:39 | 0:35:42 | |
from about 240,000 years ago. | 0:35:42 | 0:35:46 | |
Neanderthals were our closest extinct human relatives | 0:35:46 | 0:35:50 | |
and the genetic makeup of most Europeans today | 0:35:50 | 0:35:53 | |
still contains 2% of their DNA. | 0:35:53 | 0:35:57 | |
What did they look like, these Neanderthals? Is this one here? | 0:35:57 | 0:36:00 | |
Yeah, I've got a reconstruction here, | 0:36:00 | 0:36:02 | |
which might give you some idea. | 0:36:02 | 0:36:03 | |
In particular are these big brow ridges here. | 0:36:03 | 0:36:06 | |
-So not so very different. -Not so different, no. | 0:36:06 | 0:36:09 | |
It's these broad brows and weak chin that mark out the Neanderthal skull | 0:36:10 | 0:36:15 | |
as being distinct from that of Homo sapiens. | 0:36:15 | 0:36:18 | |
Neanderthals lived in Europe for over 200,000 years. | 0:36:22 | 0:36:26 | |
Hunter gatherers, | 0:36:26 | 0:36:28 | |
they moved from place to place in small family groups. | 0:36:28 | 0:36:31 | |
Archaeologists believe they may have used language, | 0:36:32 | 0:36:35 | |
buried their dead and cared for their sick and elderly. | 0:36:35 | 0:36:40 | |
Behaviours we would easily recognise. | 0:36:40 | 0:36:43 | |
This is a special place | 0:36:43 | 0:36:45 | |
because of where it's situated in the landscape, | 0:36:45 | 0:36:48 | |
because, not only does it offer you shelter, | 0:36:48 | 0:36:50 | |
but also these amazing views out over what is now the sea, | 0:36:50 | 0:36:56 | |
but would then have been an open landscape. | 0:36:56 | 0:36:59 | |
You'd expect to see large herd animals - | 0:37:05 | 0:37:08 | |
horse, maybe, herds of mammoth. | 0:37:08 | 0:37:10 | |
And sat up here, you'd have the perfect strategic position | 0:37:13 | 0:37:17 | |
to actually monitor what's going on | 0:37:17 | 0:37:20 | |
and maybe move out and intercept them. | 0:37:20 | 0:37:23 | |
This is a perfect hunting camp. | 0:37:23 | 0:37:24 | |
Archaeologists have found the bones of hyena, wolf, horse, | 0:37:26 | 0:37:30 | |
woolly mammoth and rhino in this area. | 0:37:30 | 0:37:33 | |
If you think of Neanderthals | 0:37:35 | 0:37:37 | |
as hunters acquiring carcasses down there, | 0:37:37 | 0:37:40 | |
that's something hyenas are immediately going to track in on | 0:37:40 | 0:37:43 | |
and you're going to have trouble defending a kill down there. | 0:37:43 | 0:37:47 | |
If you can start bringing portions up here, | 0:37:47 | 0:37:49 | |
where you're safe with a cave at your back and a fire at the front, | 0:37:49 | 0:37:53 | |
then that whole relationship | 0:37:53 | 0:37:55 | |
with the other carnivores totally changes. | 0:37:55 | 0:37:57 | |
This cave served several purposes - | 0:37:59 | 0:38:01 | |
shelter, vantage point and haven. | 0:38:01 | 0:38:05 | |
But what else can it tell us | 0:38:05 | 0:38:07 | |
about the lives of the Neanderthals who used it? | 0:38:07 | 0:38:10 | |
Flint have been collected and excavated from the cave. | 0:38:10 | 0:38:13 | |
And you know the big rounded boulders in the cave? | 0:38:13 | 0:38:16 | |
There's flint flakes scattered, | 0:38:16 | 0:38:18 | |
particularly around the base of some of those, | 0:38:18 | 0:38:21 | |
which might even suggest that these were being used as furniture. | 0:38:21 | 0:38:25 | |
People are sitting on these and working flints, | 0:38:25 | 0:38:28 | |
as you and I might plonk ourselves down on them today. | 0:38:28 | 0:38:32 | |
Flint was essential to the survival of the people who lived in the cave. | 0:38:32 | 0:38:36 | |
I want to find out whether I can cut it as a prehistoric flintknapper, | 0:38:36 | 0:38:41 | |
so I'm taking a lesson from Beccy's team-mate James Dilly. | 0:38:41 | 0:38:45 | |
What we'll need to start off with is something like this... | 0:38:45 | 0:38:48 | |
It's just a flake of flint. | 0:38:50 | 0:38:52 | |
You'd generally start with a much larger nodule, | 0:38:52 | 0:38:54 | |
but something like this would be highly useful and valuable, | 0:38:54 | 0:38:56 | |
especially somewhere here like Jersey. | 0:38:56 | 0:38:58 | |
Flint was the power tool of prehistory. | 0:39:01 | 0:39:04 | |
Weapons to catch food, | 0:39:05 | 0:39:07 | |
blades to cut wood, | 0:39:07 | 0:39:09 | |
knives to carve meat. | 0:39:09 | 0:39:12 | |
And archaeologists suggest | 0:39:12 | 0:39:13 | |
Neanderthals found this essential rock over 12 miles away | 0:39:13 | 0:39:18 | |
and brought it back to their caves. | 0:39:18 | 0:39:20 | |
Yeah, good. | 0:39:20 | 0:39:22 | |
Let's look underneath. Look at that. | 0:39:22 | 0:39:24 | |
So you've already... You're on the way to making this symmetrical. | 0:39:24 | 0:39:29 | |
You can see where this flaking appearance is starting to appear | 0:39:29 | 0:39:33 | |
from that really blank, almost clean surface that we started with. | 0:39:33 | 0:39:37 | |
It really won't take too much work. | 0:39:37 | 0:39:39 | |
-We've got that serrated edge appearing. -Yeah, I can see. Yeah. | 0:39:39 | 0:39:42 | |
-OK, can I have a go? -Mm-hm. | 0:39:42 | 0:39:44 | |
We've lost a skill that would have been second nature to Neanderthals. | 0:39:48 | 0:39:52 | |
God, you're just making it look stupidly simple. | 0:39:53 | 0:39:56 | |
And all of these flakes | 0:39:56 | 0:39:57 | |
are really, really useful cutting tools straightaway. | 0:39:57 | 0:40:00 | |
Yeah. I mean, gosh, that's like a razor blade - really sharp. | 0:40:00 | 0:40:04 | |
This is the sound that would have been so common | 0:40:04 | 0:40:08 | |
200,000 years ago, isn't it? | 0:40:08 | 0:40:09 | |
The sound of a flintknapper working. | 0:40:09 | 0:40:12 | |
The tap, tap. The tap and the tinkle, tap and the tinkle. | 0:40:12 | 0:40:15 | |
Right, we've got the hind quarters of a deer here. | 0:40:15 | 0:40:18 | |
So let's see how James's axe head works. | 0:40:18 | 0:40:23 | |
-I'll tell you what, it's quite instinctive, isn't it? -Yeah. | 0:40:23 | 0:40:26 | |
A skilled butcher with one of these could dismantle these hind quarters | 0:40:26 | 0:40:29 | |
-in ten minutes, probably. -Easily, yeah. -Yeah, yeah. | 0:40:29 | 0:40:31 | |
Well, I've got my homemade axe, my flint-sliced venison | 0:40:32 | 0:40:36 | |
and, in the spirit of Coast, | 0:40:36 | 0:40:38 | |
I'm going to bed down for the night in La Cotte de la Chevre, | 0:40:38 | 0:40:41 | |
reconnect with our Neanderthal ancestors by sleeping out in a cave. | 0:40:41 | 0:40:45 | |
Tonight, I'll be laying my head on ground | 0:40:51 | 0:40:54 | |
used by some of our earliest ancestors over 200,000 years ago. | 0:40:54 | 0:41:00 | |
For me, as for them, this cave is home - | 0:41:03 | 0:41:06 | |
for one night, at least. | 0:41:06 | 0:41:08 | |
Well, this is pretty comfortable. | 0:41:10 | 0:41:13 | |
And no hyenas to worry about, either. | 0:41:13 | 0:41:16 | |
Good night, mate! | 0:41:17 | 0:41:18 | |
Along our rugged coast, concealed in our caves and coves, | 0:41:31 | 0:41:37 | |
we find glimpses of the past... | 0:41:37 | 0:41:39 | |
..and the future. | 0:41:44 | 0:41:45 | |
Man-made bays, | 0:41:46 | 0:41:48 | |
caverns drilled through cliffs. | 0:41:48 | 0:41:51 | |
But some caves go the extra mile. | 0:41:51 | 0:41:54 | |
Near Saltburn-by-the-Sea, | 0:41:56 | 0:41:58 | |
a man-made cave stretches deep into the earth's crust. | 0:41:58 | 0:42:03 | |
An imposing potash mine, | 0:42:03 | 0:42:06 | |
that holds more than valuable minerals. | 0:42:06 | 0:42:09 | |
Physicist Helen Arney is finding out if it could hold the secret | 0:42:09 | 0:42:14 | |
to solving a cosmic mystery. | 0:42:14 | 0:42:16 | |
She's going in search of the holy grail of physics - | 0:42:16 | 0:42:20 | |
dark matter. | 0:42:20 | 0:42:21 | |
The question of how invisible forces shape our universe, | 0:42:21 | 0:42:26 | |
the world around us, has always fascinated me. | 0:42:26 | 0:42:30 | |
But a coastal cave in Yorkshire is the last place | 0:42:30 | 0:42:33 | |
I expected to come in search of answers. | 0:42:33 | 0:42:36 | |
But this is no ordinary cave. | 0:42:41 | 0:42:44 | |
Over half a mile deep and extending more than six miles out to sea, | 0:42:44 | 0:42:48 | |
this is Britain's deepest mine. | 0:42:48 | 0:42:51 | |
It's also the home of one of the world's leading laboratories. | 0:42:51 | 0:42:55 | |
Down there, dozens of scientists | 0:42:55 | 0:42:57 | |
are trying to solve one of the biggest problems of the universe - | 0:42:57 | 0:43:01 | |
what holds everything together? | 0:43:01 | 0:43:03 | |
Gravity! | 0:43:05 | 0:43:06 | |
Created by matter. | 0:43:06 | 0:43:08 | |
And there are two types. | 0:43:08 | 0:43:10 | |
Normal matter, things you can see and touch. | 0:43:10 | 0:43:13 | |
But that makes up just 15% of the universe. | 0:43:13 | 0:43:17 | |
So what makes up the remaining 85%? | 0:43:17 | 0:43:21 | |
Dark matter. | 0:43:21 | 0:43:22 | |
It's what binds galaxies together, like some sort of cosmic glue. | 0:43:23 | 0:43:28 | |
Assuming the laws of physics are correct, | 0:43:28 | 0:43:30 | |
there has to be an invisible force at work | 0:43:30 | 0:43:34 | |
because, without it, galaxies would fly apart. | 0:43:34 | 0:43:38 | |
There are just two catches - | 0:43:38 | 0:43:41 | |
you can't see it, | 0:43:41 | 0:43:42 | |
and, as yet, nobody's found it. | 0:43:42 | 0:43:44 | |
But they are looking. | 0:43:44 | 0:43:47 | |
Scientists have gone beyond our coast, | 0:43:47 | 0:43:49 | |
building laboratories below the sea. | 0:43:49 | 0:43:51 | |
That's where Dr Sean Paling spends most of his time. | 0:43:52 | 0:43:55 | |
But today, he's come up for air. | 0:43:55 | 0:43:58 | |
Why is a mine, a man-made cave, the place to look for dark matter? | 0:43:58 | 0:44:03 | |
So we think dark matter is particles, | 0:44:03 | 0:44:06 | |
subatomic particles all around us in space, | 0:44:06 | 0:44:08 | |
up there, here, everywhere. | 0:44:08 | 0:44:10 | |
But these particles, we think, are very, very hard to detect, | 0:44:10 | 0:44:12 | |
so we need to go deep underground | 0:44:12 | 0:44:15 | |
to get away from interference you get on the surface. | 0:44:15 | 0:44:17 | |
Sean is taking me through the mine | 0:44:20 | 0:44:23 | |
to the Boulby underground laboratory, | 0:44:23 | 0:44:25 | |
which is at the forefront of the global race to find dark matter. | 0:44:25 | 0:44:30 | |
I want to discover if the scientists there | 0:44:30 | 0:44:32 | |
are any closer to finding the mysterious cosmic glue. | 0:44:32 | 0:44:36 | |
The half-mile of rock above the laboratory acts as a filter, | 0:44:38 | 0:44:43 | |
reducing the amount of interference from other particles | 0:44:43 | 0:44:46 | |
and allowing the scientists to see the presence of dark matter more easily. | 0:44:46 | 0:44:51 | |
The journey down is quite unnerving. | 0:44:55 | 0:44:58 | |
Ten metres per second in a giant metal box. | 0:44:58 | 0:45:02 | |
I do feel like I'm in the centre of the Earth! | 0:45:04 | 0:45:06 | |
Finally, we reach the bottom. | 0:45:08 | 0:45:10 | |
Eight minutes later, we're over a kilometre under the coast | 0:45:12 | 0:45:16 | |
in this incredible cave. | 0:45:16 | 0:45:19 | |
Nearly 1,000 people work in this city under the sea. | 0:45:22 | 0:45:26 | |
But, despite all this activity, | 0:45:26 | 0:45:28 | |
the dark matter lab is considered | 0:45:28 | 0:45:30 | |
one the quietest places in the universe. | 0:45:30 | 0:45:33 | |
Subatomically, that is! | 0:45:33 | 0:45:35 | |
But it's not quite Star Trek. | 0:45:37 | 0:45:39 | |
So this is one of the things you're using to find dark matter. | 0:45:39 | 0:45:43 | |
So it's a dark matter detector. | 0:45:43 | 0:45:45 | |
It's a machine that goes "Ping!" when a particle hits it. | 0:45:45 | 0:45:48 | |
But what's different about it is, | 0:45:48 | 0:45:50 | |
unlike other detectors around the world, | 0:45:50 | 0:45:53 | |
this detector doesn't just go "Ping!", | 0:45:53 | 0:45:55 | |
it can tell you the direction of the particle that hits it. | 0:45:55 | 0:45:58 | |
Dark matter is tricky stuff to find, | 0:45:58 | 0:46:01 | |
even in the depths of this man-made cave. | 0:46:01 | 0:46:03 | |
20 years into the project, | 0:46:04 | 0:46:06 | |
they are still waiting for the first dark-matter ping. | 0:46:06 | 0:46:09 | |
The question still remains, have you found dark matter yet? | 0:46:10 | 0:46:13 | |
So... Well, definitively, no, we haven't found any yet. | 0:46:13 | 0:46:17 | |
But it doesn't mean it doesn't exist. | 0:46:17 | 0:46:18 | |
It's like if you've lost your keys in your house somewhere | 0:46:18 | 0:46:21 | |
and you're trying to find them. | 0:46:21 | 0:46:22 | |
If you look in the kitchen, | 0:46:22 | 0:46:23 | |
the lounge, and you haven't found it, it doesn't mean it's not there. | 0:46:23 | 0:46:26 | |
You've still got the rest of the house to look. | 0:46:26 | 0:46:28 | |
And the same is true with the search for dark matter. | 0:46:28 | 0:46:30 | |
We haven't found it yet. | 0:46:30 | 0:46:32 | |
It could be this year, it could be five years' time. | 0:46:32 | 0:46:34 | |
It could be a long wait. | 0:46:37 | 0:46:40 | |
But the scientists refuse to give up their search. | 0:46:44 | 0:46:48 | |
The scientists working out there in that man-made cave | 0:46:53 | 0:46:56 | |
are working at the cutting edge of physics. | 0:46:56 | 0:46:59 | |
It's ironic that, to discover the secrets of the world up here | 0:46:59 | 0:47:03 | |
and the universe up there, | 0:47:03 | 0:47:05 | |
you have to delve into the darkest recesses of our coast. | 0:47:05 | 0:47:09 | |
We're on a cave and cove adventure. | 0:47:31 | 0:47:34 | |
Our playground is our coast. | 0:47:34 | 0:47:37 | |
Home to thousands of sea caves | 0:47:37 | 0:47:40 | |
and countless coves. | 0:47:40 | 0:47:42 | |
Shelter for both man and beast. | 0:47:43 | 0:47:47 | |
Where the sea has eaten away the coast's soft rock, | 0:47:49 | 0:47:53 | |
horseshoe havens are formed. | 0:47:53 | 0:47:55 | |
Coves - a refuge from the open sea. | 0:47:55 | 0:47:58 | |
Mark Horton is on Cornwall's Lizard Peninsula - | 0:48:00 | 0:48:04 | |
a coast famed for its breathtaking coves. | 0:48:04 | 0:48:07 | |
A welcome sight for those in need. | 0:48:07 | 0:48:10 | |
Never more so during times of war. | 0:48:10 | 0:48:13 | |
It's Saturday March 1st, 1941. | 0:48:14 | 0:48:19 | |
The Second World War is underway, | 0:48:19 | 0:48:21 | |
and out on the deep ocean, | 0:48:21 | 0:48:24 | |
the U-boat menace is taking its toll on ships | 0:48:24 | 0:48:27 | |
carrying vital cargo to war-torn Britain. | 0:48:27 | 0:48:30 | |
Many lives are lost, | 0:48:31 | 0:48:32 | |
and those who survive face a desperate struggle to shore. | 0:48:32 | 0:48:37 | |
A solitary lifeboat edges its way towards Caerthillian Cove, | 0:48:37 | 0:48:42 | |
just over there. | 0:48:42 | 0:48:43 | |
13 days adrift on the open seas, | 0:48:45 | 0:48:48 | |
just seven men are left. | 0:48:48 | 0:48:51 | |
Entering the cove meant running the gauntlet | 0:48:51 | 0:48:54 | |
of treacherous currents and rocks | 0:48:54 | 0:48:57 | |
for the men already half dead. | 0:48:57 | 0:49:00 | |
Within reach of safety... | 0:49:01 | 0:49:03 | |
disaster. | 0:49:03 | 0:49:04 | |
A colossal wave plunges them into the raging seas... | 0:49:06 | 0:49:10 | |
..condemning six of them to a watery grave. | 0:49:11 | 0:49:15 | |
Just one man remains alive. | 0:49:16 | 0:49:19 | |
His struggle for survival is being watched by a group of onlookers | 0:49:19 | 0:49:24 | |
on the cliffs above. | 0:49:24 | 0:49:26 | |
Amongst those watching this struggle for life | 0:49:31 | 0:49:33 | |
were child evacuees Betty and Denis Driver, | 0:49:33 | 0:49:37 | |
sent to Cornwall to escape the Blitz. | 0:49:37 | 0:49:40 | |
I just remember looking down here and seeing this lifeboat | 0:49:40 | 0:49:43 | |
being crushed up against the rocks, | 0:49:43 | 0:49:46 | |
and then back again and then back and forth | 0:49:46 | 0:49:48 | |
and the waves were horrific. | 0:49:48 | 0:49:50 | |
The alarm was raised. | 0:49:52 | 0:49:54 | |
Local villagers hauled the sole survivor to the shore. | 0:49:54 | 0:49:58 | |
-He was absolutely freezing, wasn't he? -Yes, he was. | 0:49:59 | 0:50:02 | |
And were you able to help? | 0:50:02 | 0:50:04 | |
I took my pixie hood off and put it around his feet. | 0:50:04 | 0:50:08 | |
Whether that did any good, I don't know. | 0:50:08 | 0:50:10 | |
Who was this man? | 0:50:11 | 0:50:13 | |
Why was he washed up in a Cornish cove? | 0:50:13 | 0:50:17 | |
He was a sailor on the SS Gairsoppa. | 0:50:17 | 0:50:21 | |
Here she is, one of thousands of merchant vessels | 0:50:21 | 0:50:26 | |
pressed into service during the Second World War. | 0:50:26 | 0:50:29 | |
Carrying essential war supplies and targeted by German U-boats, | 0:50:31 | 0:50:36 | |
the Gairsoppa had been part of a convoy bound for Liverpool. | 0:50:36 | 0:50:41 | |
Setting sail from Calcutta, | 0:50:41 | 0:50:43 | |
she was largely manned by an Indian crew and British officers. | 0:50:43 | 0:50:48 | |
Falling behind the convoy, the Gairsoppa became separated. | 0:50:49 | 0:50:54 | |
Stalked by German U-boat, one deadly torpedo struck her bow. | 0:50:54 | 0:51:00 | |
In the chaos, the crew scrambled into lifeboats. | 0:51:03 | 0:51:06 | |
But only one sailor - the ship's second officer, | 0:51:06 | 0:51:10 | |
Richard Ayres - survived. | 0:51:10 | 0:51:13 | |
I'm meeting his granddaughter, Carolyn, | 0:51:14 | 0:51:17 | |
in the cove where the rescue occurred. | 0:51:17 | 0:51:19 | |
Hello, Mark. Nice to meet you. | 0:51:19 | 0:51:21 | |
Did your grandfather say much about his experiences? | 0:51:21 | 0:51:23 | |
He didn't, no. He didn't talk about it very much at all. | 0:51:23 | 0:51:27 | |
We have got some written accounts, though, that he left. | 0:51:27 | 0:51:30 | |
"The vessel was torpedoed in number two hold on the starboard side. | 0:51:30 | 0:51:33 | |
"The captain gave the order to abandon the ship, | 0:51:33 | 0:51:36 | |
"but they were under fire from the submarine, which had surfaced." | 0:51:36 | 0:51:39 | |
Within minutes, the Gairsoppa slipped beneath the icy waters. | 0:51:41 | 0:51:46 | |
33 men made it into a lifeboat, with Richard in charge. | 0:51:46 | 0:51:51 | |
So, does he say anything about the conditions on board the lifeboat? | 0:51:51 | 0:51:55 | |
He says here that, after the fourth day, deaths occurred from frostbite | 0:51:55 | 0:51:58 | |
and also the effects of drinking saltwater. | 0:51:58 | 0:52:01 | |
They rowed 380 miles in search of shore. | 0:52:03 | 0:52:08 | |
The fate of those who didn't make it | 0:52:09 | 0:52:12 | |
can be found in a nearby churchyard. | 0:52:12 | 0:52:15 | |
Robert Hampshire. | 0:52:23 | 0:52:24 | |
He was just 18 when he died. | 0:52:24 | 0:52:27 | |
"A sailor of the Second World War, SS Gairsoppa." | 0:52:32 | 0:52:36 | |
I wonder whether that's one of the lascars, | 0:52:36 | 0:52:39 | |
one of the Indian sailors who drowned. | 0:52:39 | 0:52:42 | |
Nameless, and buried so far from home. | 0:52:44 | 0:52:47 | |
The Gairsoppa wasn't carrying munitions. | 0:52:51 | 0:52:54 | |
So what was her precious cargo? | 0:52:54 | 0:52:57 | |
Silver bullion. 110 tonnes of it. | 0:52:58 | 0:53:01 | |
Worth, in today's money, £60 million. | 0:53:01 | 0:53:06 | |
But why was silver so vital to the British war effort? | 0:53:06 | 0:53:10 | |
I'm hoping that Dr Kevin Clancy from the Royal Mint can tell me. | 0:53:10 | 0:53:15 | |
So, Kevin, this is an actual ingot from the Gairsoppa? | 0:53:15 | 0:53:19 | |
That's right. | 0:53:19 | 0:53:20 | |
Why were they bringing silver all the way to Britain from India? | 0:53:20 | 0:53:24 | |
The silver coinage of Britain | 0:53:24 | 0:53:25 | |
had had silver in it for a thousand years. | 0:53:25 | 0:53:27 | |
And so needing to maintain supplies of bullion - | 0:53:27 | 0:53:30 | |
however that was done from across the world - that was very important. | 0:53:30 | 0:53:33 | |
There are symbols of the nation that you trust, | 0:53:33 | 0:53:35 | |
like the flag and the national anthem. | 0:53:35 | 0:53:37 | |
And the coinage is one of those building blocks | 0:53:37 | 0:53:39 | |
of national identity and trust. | 0:53:39 | 0:53:41 | |
Britain's wartime economy was in desperate straits | 0:53:41 | 0:53:45 | |
and people needed some sense of security. | 0:53:45 | 0:53:48 | |
The silver coins in their pocket represented hard cash. | 0:53:48 | 0:53:52 | |
But they also offered reassurance and continuity. | 0:53:52 | 0:53:56 | |
For 70 years, the Gairsoppa's precious cargo | 0:53:56 | 0:54:00 | |
lay in a watery grave. | 0:54:00 | 0:54:03 | |
Three miles beneath the ocean - | 0:54:03 | 0:54:06 | |
that's a mile deeper than the Titanic - | 0:54:06 | 0:54:09 | |
the wreck of the Gairsoppa was found. | 0:54:09 | 0:54:12 | |
Having found the Gairsoppa, | 0:54:14 | 0:54:17 | |
Odyssey Marine Exploration launched the deepest precious metal recovery | 0:54:17 | 0:54:22 | |
in maritime history to salvage the silver. | 0:54:22 | 0:54:25 | |
Marine archaeologist Neil Dobson | 0:54:27 | 0:54:29 | |
was part of the team that tracked the Gairsoppa | 0:54:29 | 0:54:32 | |
to her final resting place in the Irish Sea. | 0:54:32 | 0:54:35 | |
Good shipwrecks always start with good historical research, | 0:54:37 | 0:54:40 | |
and we were able to find it. | 0:54:40 | 0:54:41 | |
Gosh, you can see the ship so clearly, can't you? | 0:54:41 | 0:54:43 | |
It looks like a photograph. | 0:54:43 | 0:54:45 | |
The next part is to go down there and have a look. | 0:54:45 | 0:54:47 | |
Well, what we do, we bring in another vessel | 0:54:47 | 0:54:49 | |
and have a specialist ROV system - | 0:54:49 | 0:54:51 | |
remotely operated vehicle - | 0:54:51 | 0:54:52 | |
and it has specialist cameras on it. | 0:54:52 | 0:54:55 | |
And we're starting on the bow here and we're moving aft down the side. | 0:55:01 | 0:55:04 | |
You can see the railings. | 0:55:04 | 0:55:06 | |
It's just, like, frozen in time and you can see this ship appear. | 0:55:10 | 0:55:14 | |
It's just spooky. | 0:55:14 | 0:55:16 | |
This ship was home to 84 men, | 0:55:17 | 0:55:21 | |
who gave their lives | 0:55:21 | 0:55:22 | |
attempting to bring the much-needed silver to Britain. | 0:55:22 | 0:55:26 | |
And, of course, from all the features, all put together - | 0:55:27 | 0:55:30 | |
and like a good detective story - it was the Gairsoppa. | 0:55:30 | 0:55:33 | |
A specialist ship was brought in to recover the silver. | 0:55:35 | 0:55:38 | |
2,792 ingots were brought to the surface. | 0:55:42 | 0:55:47 | |
Over 70 years after that fateful voyage, | 0:55:49 | 0:55:53 | |
the Royal Mint have issued a series of silver coins | 0:55:53 | 0:55:57 | |
to commemorate the Gairsoppa's loss. | 0:55:57 | 0:56:00 | |
Now, I'm on a journey back to Caerthillian Cove | 0:56:00 | 0:56:05 | |
to tell the final chapter in this tale of wartime sacrifice. | 0:56:05 | 0:56:10 | |
In the very cove where Carolyn's grandfather nearly perished | 0:56:11 | 0:56:15 | |
all those years ago, | 0:56:15 | 0:56:17 | |
I've brought her to meet Betty and Denis for the first time. | 0:56:17 | 0:56:21 | |
I've brought along some photographs of his, as well, of the time, | 0:56:21 | 0:56:24 | |
just shortly afterwards, | 0:56:24 | 0:56:25 | |
when he was better and he had a tea party with you all. | 0:56:25 | 0:56:29 | |
Yes. | 0:56:29 | 0:56:30 | |
Look at that one! | 0:56:30 | 0:56:31 | |
-So, which is you? -This one. | 0:56:32 | 0:56:34 | |
There you are. | 0:56:34 | 0:56:36 | |
You haven't changed. | 0:56:36 | 0:56:37 | |
I've got another surprise for you, | 0:56:38 | 0:56:40 | |
because Kevin is here from the Royal Mint | 0:56:40 | 0:56:43 | |
to give you something really special. | 0:56:43 | 0:56:45 | |
The purpose of the journey the Gairsoppa took all those years ago | 0:56:45 | 0:56:48 | |
was to transport silver from India to make British coins. | 0:56:48 | 0:56:52 | |
And, finally, we've been able to complete that journey. | 0:56:52 | 0:56:54 | |
I couldn't be more honoured than to... | 0:56:54 | 0:56:56 | |
-Oh, lovely. Thank you very much. -..give you each... | 0:56:56 | 0:56:59 | |
-Oh, that's lovely, yes. Very nice. -..a specimen of the coin. | 0:56:59 | 0:57:01 | |
And was this made from the silver | 0:57:01 | 0:57:03 | |
that was actually from the Gairsoppa? | 0:57:03 | 0:57:05 | |
It's the very silver from the ship | 0:57:05 | 0:57:07 | |
and it's eventually been turned into coinage, | 0:57:07 | 0:57:09 | |
as it was originally intended. | 0:57:09 | 0:57:10 | |
BOTH: Thank you very much. | 0:57:10 | 0:57:12 | |
Yes, lovely. | 0:57:18 | 0:57:19 | |
The grave of the SS Gairsoppa may lie out there somewhere | 0:57:26 | 0:57:30 | |
three miles beneath the ocean. | 0:57:30 | 0:57:32 | |
But it's in this cove | 0:57:32 | 0:57:35 | |
that the human story of wartime struggle and endeavour can be told. | 0:57:35 | 0:57:40 | |
For Richard Ayres, the sole survivor of the Gairsoppa disaster, | 0:57:41 | 0:57:46 | |
this cove offered refuge from the ravages of war. | 0:57:46 | 0:57:51 | |
Caves and coves, | 0:57:58 | 0:58:00 | |
sculpted by the sea, | 0:58:00 | 0:58:02 | |
hold hidden secrets of the past. | 0:58:02 | 0:58:06 | |
These natural wonders intrigue and entice us, | 0:58:11 | 0:58:16 | |
offering seclusion... | 0:58:16 | 0:58:18 | |
..shelter... | 0:58:20 | 0:58:21 | |
..and stories that tell us who we are. | 0:58:23 | 0:58:26 | |
The sea's calm, the sun's shining | 0:58:33 | 0:58:35 | |
mine are the only footprints. | 0:58:35 | 0:58:37 | |
One of those moments when the coast becomes your very own haven. | 0:58:37 | 0:58:41 |