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This massive horn of rock and cut granite | 0:00:17 | 0:00:20 | |
thrusts more than a mile into the Irish Sea. | 0:00:20 | 0:00:23 | |
We're on the very edge of Ireland | 0:00:24 | 0:00:26 | |
at the gateway to Dublin, one of the world's great coastal cities. | 0:00:26 | 0:00:30 | |
And Dublin's just the start. | 0:00:32 | 0:00:35 | |
Not one but three great cities will be our stepping stones | 0:00:35 | 0:00:38 | |
on this journey, as we get a uniquely Irish perspective on the coast. | 0:00:38 | 0:00:43 | |
Miranda Krestovnikoff has a day at the races, | 0:00:46 | 0:00:49 | |
and gambles on the tide. | 0:00:49 | 0:00:51 | |
Alice Roberts unearths the source of the salt we put on our winter roads. | 0:00:51 | 0:00:58 | |
Mark Horton investigates a lost year in the life of the SS Great Britain. | 0:00:58 | 0:01:04 | |
Absolutely ginormous! | 0:01:04 | 0:01:07 | |
While I'll discover how the sea has shaped the island of Ireland, | 0:01:09 | 0:01:13 | |
North and South. | 0:01:13 | 0:01:16 | |
Welcome to the capital coast of Ireland. | 0:01:16 | 0:01:20 | |
This journey takes us 300 miles through Ireland's two capitals, | 0:01:44 | 0:01:49 | |
Dublin and Belfast, | 0:01:49 | 0:01:50 | |
and on to Londonderry, the most ancient city of them all. | 0:01:50 | 0:01:55 | |
Sprawling out from the River Liffey, | 0:01:58 | 0:02:00 | |
Dublin is home to more than a million people. | 0:02:00 | 0:02:04 | |
That's over a quarter of the Republic's total population. | 0:02:04 | 0:02:08 | |
It was the Liffey and its link to the open sea that brought Dublin its prosperity. | 0:02:08 | 0:02:14 | |
This is Dublin's Great South Wall, | 0:02:16 | 0:02:19 | |
built nearly 300 years ago | 0:02:19 | 0:02:21 | |
to protect ships sailing into the River Liffey. | 0:02:21 | 0:02:24 | |
On the far side of the estuary is the Bull Wall, added a century later | 0:02:24 | 0:02:29 | |
and designed to stop the sands of Dublin Bay choking the river. | 0:02:29 | 0:02:32 | |
Almost two-thirds of the Republic of Ireland's sea trade moves through Dublin. | 0:02:34 | 0:02:40 | |
These two massive walls are still vital in keeping the seaway open. | 0:02:40 | 0:02:45 | |
Between them, the deep shipping channel remains open at all tides, | 0:02:45 | 0:02:50 | |
while the beaches on either side are dried out twice a day. | 0:02:50 | 0:02:55 | |
The sands stretch the full sweep of Dublin Bay. | 0:02:55 | 0:03:00 | |
I'd never been here before, | 0:03:09 | 0:03:12 | |
but Dublin writer Fionn Davenport revels in his city's secret riviera. | 0:03:12 | 0:03:17 | |
I never pictured Dublin like this, with a great huge beach. | 0:03:19 | 0:03:23 | |
15 miles of beaches stretching from the north, down to the very south. | 0:03:23 | 0:03:27 | |
It's great, isn't it? | 0:03:27 | 0:03:29 | |
I'm ashamed to say that when I hear the word "Dublin", I just think, you know, pubs and pints and Guinness. | 0:03:29 | 0:03:34 | |
It's exactly how we sell ourselves. This is the great secret of Dublin - our beaches. | 0:03:34 | 0:03:39 | |
We don't talk about them, we don't tell anybody about them, | 0:03:39 | 0:03:42 | |
and we keep them exactly the way we want them - empty. | 0:03:42 | 0:03:47 | |
The Irish are known for their hospitality, whether their visitors are invited or not. | 0:03:47 | 0:03:53 | |
Nowhere more so than Dublin. | 0:03:55 | 0:03:58 | |
In fact, historically, this city has scarcely been Irish at all. | 0:03:58 | 0:04:03 | |
The history of Dublin is the history of invaders. | 0:04:03 | 0:04:08 | |
I mean, right from the very, very start, it was created by invaders, | 0:04:08 | 0:04:12 | |
-populated by invaders, so in a sense, Dublin is an invader city. -Who were the first people to settle here? | 0:04:12 | 0:04:18 | |
Oh, the Vikings, in the 9th century. | 0:04:18 | 0:04:21 | |
They came here on their raping, pillaging, warring ways, | 0:04:21 | 0:04:24 | |
and they settled, and built this trading port. | 0:04:24 | 0:04:27 | |
The name Dublin comes from the Irish "Dubh Linn", | 0:04:29 | 0:04:32 | |
and the original Viking settlement was built around this black pool. | 0:04:32 | 0:04:36 | |
-That's where the word comes from - "dubh" meaning black, "linn", the pool. -Blackpool? -Yes. | 0:04:36 | 0:04:40 | |
-I was hoping for something Gaelic and lyrical like "shining city by the sea." -I know. | 0:04:40 | 0:04:45 | |
A Viking Blackpool - that's a scary thought. | 0:04:45 | 0:04:48 | |
Then, in the 1100s, | 0:04:53 | 0:04:55 | |
another wave of invaders flooded up the Liffey - the Normans. | 0:04:55 | 0:05:01 | |
They and their English successors would stick around for 800 years, | 0:05:01 | 0:05:04 | |
long enough to make a mark. | 0:05:04 | 0:05:07 | |
Dublin's best-known brewery, | 0:05:10 | 0:05:13 | |
Guinness, was founded by an Anglo-Norman family, | 0:05:13 | 0:05:16 | |
and Dublin architecture still reflects the longstanding link across the water. | 0:05:16 | 0:05:23 | |
-In Ireland's capital city, though, what is Britannia doing on top of that building? -Ah, Neil, | 0:05:23 | 0:05:27 | |
because secretly, Dublin is still a little bit British. It's a very English city. | 0:05:27 | 0:05:32 | |
800-odd years of English rule - | 0:05:32 | 0:05:35 | |
Dublin was created, conceived of, developed and built by the English, | 0:05:35 | 0:05:39 | |
and this building behind us is the Custom House, which was built during the time | 0:05:39 | 0:05:44 | |
-when this was the second city of the Empire. -I would have to dispute that as a Scot. | 0:05:44 | 0:05:48 | |
-We were always told that Glasgow was the second city of the Empire. -But the Scots, you see, | 0:05:48 | 0:05:51 | |
the tragedy of the Scots is they were lied to for so long, | 0:05:51 | 0:05:54 | |
because in fact it was Dublin that was the second city of the Empire. | 0:05:54 | 0:05:59 | |
Today, Dublin takes second place to no-one. | 0:06:02 | 0:06:07 | |
Glass and steel has transformed the old waterfront. | 0:06:07 | 0:06:11 | |
It's Dubliners who are flooding to the Liffey now. | 0:06:11 | 0:06:14 | |
The quickest way out of Dublin isn't by boat | 0:06:20 | 0:06:23 | |
but by DART, the fast rail corridor that hugs the shoreline of Dublin Bay. | 0:06:23 | 0:06:28 | |
The DART has made these once sleepy coastal suburbs much more accessible | 0:06:36 | 0:06:42 | |
to commuters, but ironically, | 0:06:42 | 0:06:43 | |
locals will tell you that today owning a seafront property | 0:06:43 | 0:06:47 | |
is beyond the reach of most Dubliners. | 0:06:47 | 0:06:49 | |
Unlike Britain, Ireland gives artists and entertainers generous tax breaks. | 0:06:57 | 0:07:03 | |
For these glitterati, Howth Head has become an exclusive address, | 0:07:03 | 0:07:08 | |
with properties changing hands for over £5m. | 0:07:08 | 0:07:12 | |
I'm Dave Kelly, and I sell spectacular seaside homes to the rich and famous. | 0:07:15 | 0:07:19 | |
Welcome to one of Ireland's most exclusive residential addresses - Sutton Castle. | 0:07:19 | 0:07:24 | |
This house was commissioned in the 1890s by the grandson of John Jameson | 0:07:24 | 0:07:30 | |
of the famous Irish whiskey brand, | 0:07:30 | 0:07:32 | |
and it's recently been converted into luxury apartments. | 0:07:32 | 0:07:36 | |
It's as close to the sea as you can get without getting your feet wet. | 0:07:36 | 0:07:40 | |
A sea view can easily add tens of thousands of Euros to the value of a property. | 0:07:42 | 0:07:47 | |
And for an apartment in this particular complex, it can set you back | 0:07:47 | 0:07:52 | |
anything up to 3m euros, or £2m. | 0:07:52 | 0:07:54 | |
And like the froth from a Celtic Jacuzzi, new-build ventures | 0:08:00 | 0:08:06 | |
are spilling out well beyond Dublin Bay. | 0:08:06 | 0:08:09 | |
Security gates, a private yacht and a slice of the seashore. | 0:08:09 | 0:08:15 | |
Everything for the wannabe beach bum with deep pockets. | 0:08:15 | 0:08:19 | |
But no matter how secluded the setting, how idyllic the beaches, | 0:08:34 | 0:08:39 | |
there's one thing you can't buy for love nor money on this coast - warm water. | 0:08:39 | 0:08:45 | |
Oh! | 0:08:49 | 0:08:50 | |
In the name of the wee man! | 0:08:50 | 0:08:52 | |
The Gulf Stream today never gets this far into the Irish Sea, | 0:08:52 | 0:08:57 | |
believe me, making this water | 0:08:57 | 0:08:59 | |
some of the coldest anywhere around the British coast. | 0:08:59 | 0:09:02 | |
And if you'll excuse me, I have to go and cry. | 0:09:02 | 0:09:06 | |
No wonder these huge beaches seem so empty. | 0:09:10 | 0:09:13 | |
And yet once a year this coast witnesses an event that brings thousands flocking to Laytown. | 0:09:13 | 0:09:20 | |
Miranda Krestovnikoff has come prepared. | 0:09:20 | 0:09:24 | |
No diving gear, just a pair of binoculars. | 0:09:24 | 0:09:28 | |
Racing horses on the beach is a tradition that goes back centuries in Ireland, | 0:09:30 | 0:09:35 | |
but today, Laytown hosts the last remaining race on the seashore | 0:09:35 | 0:09:40 | |
that's held under Jockey Club rules. | 0:09:40 | 0:09:43 | |
Laytown is the only beach race in the whole of Europe. | 0:09:43 | 0:09:47 | |
The jockeys are here training in preparation for the big day, | 0:09:47 | 0:09:50 | |
and I'm here to find out exactly what it takes for a horse to win on the sand. | 0:09:50 | 0:09:56 | |
Marcus Callaghan is a local trainer and regular racer at Laytown. | 0:09:56 | 0:10:01 | |
Last year his six-year-old, Paris Sue, was a winner. | 0:10:01 | 0:10:05 | |
For him, the secret of winning starts with training on the beach. | 0:10:05 | 0:10:10 | |
I generally walk all me horses here. | 0:10:10 | 0:10:13 | |
During the summer, the ground's too hard to walk them on grass at home. | 0:10:13 | 0:10:16 | |
And it's just to walk them in a straight line, | 0:10:16 | 0:10:19 | |
it takes the pressure off their legs. | 0:10:19 | 0:10:22 | |
So that's why we come up to the beach, plus they enjoy it. | 0:10:23 | 0:10:27 | |
-What's Paris Sue like? Does she like it? -Oh, she loves it. -Yeah? | 0:10:27 | 0:10:31 | |
You won last year. Do you reckon you're gonna do it again this year? | 0:10:31 | 0:10:34 | |
Well, she'd have a very good chance if she gets in, so my main concern | 0:10:34 | 0:10:37 | |
is if she gets in, then I'd be happy, and then she'll take all the beating. | 0:10:37 | 0:10:41 | |
The Laytown Races happen just once a year when the tides are lowest. | 0:10:45 | 0:10:50 | |
Each time, the course is built from scratch, | 0:10:50 | 0:10:52 | |
and each time the organisers have their own race to get through the programme before the tide turns. | 0:10:52 | 0:10:59 | |
There's been racing here since 1867, and there's nothing else like it. | 0:10:59 | 0:11:05 | |
It's the only strand racecourse left. | 0:11:05 | 0:11:09 | |
There used to be quite a number of them here from Dundalk, | 0:11:09 | 0:11:13 | |
Laytown, down to Skerries, | 0:11:13 | 0:11:14 | |
and one by one, they fell by the wayside. | 0:11:14 | 0:11:17 | |
Erosion played a part - you know, if stones come on the track, you can't race. | 0:11:17 | 0:11:22 | |
This is the only one that's left, and it's a unique spectacle, | 0:11:22 | 0:11:28 | |
and it attracts huge numbers of people. | 0:11:28 | 0:11:30 | |
Racing here is so popular the organisers have to hold a ballot | 0:11:33 | 0:11:37 | |
to select which horses will run. | 0:11:37 | 0:11:39 | |
-Paris Sue has been drawn in the first race. -I'd just like to have it over and done with. | 0:11:39 | 0:11:44 | |
Hopefully she'll win - I mean, there's no certainties, but she'll be the one to beat. | 0:11:44 | 0:11:48 | |
-Is she in pretty good condition? -She's jumping out of her skin. -She looked frisky earlier, actually. | 0:11:48 | 0:11:53 | |
It's keeping her fresh. Yeah, she's jumping out of her skin. All you can do is keep your fingers crossed. | 0:11:53 | 0:12:00 | |
Things are really hotting up here. The tension's building, people are placing their bets. | 0:12:06 | 0:12:11 | |
People have travelled hundreds of miles for this annual spectacle. | 0:12:11 | 0:12:15 | |
But the fact that the race is on sand makes the odds hard to calculate. | 0:12:15 | 0:12:20 | |
These horses have form on turf, | 0:12:20 | 0:12:22 | |
and now they're performing on sand, | 0:12:22 | 0:12:24 | |
so you have to take it on trust that the horse will run on sand. | 0:12:24 | 0:12:29 | |
They always used to say that training a horse on sand shortens its stride, | 0:12:29 | 0:12:33 | |
and they also said that a horse couldn't quicken on sand, so a front-runner had an advantage. | 0:12:33 | 0:12:38 | |
-So it is quite unpredictable, so you could get a real outsider that would come and win. -Oh, yes, indeed. | 0:12:38 | 0:12:43 | |
-Fantastic. -Which is part of the fun, because they're a holiday crowd, and they back outsiders. | 0:12:43 | 0:12:47 | |
Well, we're very interested in Paris Sue. | 0:12:47 | 0:12:49 | |
-She's at 7/2 at the moment - can I put a bet of 10 euros on Paris Sue? -10? -We want her to come in. | 0:12:49 | 0:12:54 | |
It's a six-furlong race and the going is...well, as good as it gets | 0:12:54 | 0:12:59 | |
when the tide's just gone out. | 0:12:59 | 0:13:01 | |
Just come forward - now just wait until everybody's ready, just wait! Come on! | 0:13:03 | 0:13:09 | |
With just two furlongs to go, | 0:13:27 | 0:13:30 | |
Paris Sue is struggling to quicken her stride. | 0:13:30 | 0:13:34 | |
My 10 euros could be running into the sand. | 0:13:34 | 0:13:38 | |
Come on, Paris Sue! | 0:13:38 | 0:13:41 | |
Come on, Paris Sue! | 0:13:41 | 0:13:43 | |
Close but not close enough. Paris Sue came in second. | 0:13:47 | 0:13:51 | |
Blocked in behind the front runner, she never found her true pace. | 0:13:51 | 0:13:56 | |
-So how was it? -Yeah, everything went according to plan, except... | 0:13:56 | 0:13:59 | |
we didn't get the front run because they all know her by now and... | 0:13:59 | 0:14:04 | |
Was that at the beginning of the race? Because you say she likes being ahead. | 0:14:04 | 0:14:07 | |
Yeah, but they were all going that fast to keep her, though. No excuses, | 0:14:07 | 0:14:11 | |
we were beaten fair and square by a better horse on the day. | 0:14:11 | 0:14:14 | |
Oh, well, no winnings for me. | 0:14:16 | 0:14:19 | |
The organisers did win their race against the run of the tide, | 0:14:19 | 0:14:23 | |
but not for long, as every year at Laytown it's the sea that has the last word. | 0:14:23 | 0:14:29 | |
And there's always next year. | 0:14:29 | 0:14:31 | |
We've reached the River Boyne - | 0:14:45 | 0:14:49 | |
not just a waterway, more an artery leading to the ancient heart of Ireland. | 0:14:49 | 0:14:54 | |
It's so peaceful here today. | 0:15:01 | 0:15:03 | |
There's just me and some day-trippers, and the only sounds are from the sea. | 0:15:03 | 0:15:09 | |
It's hard to believe that so much of Ireland's history has happened around this one river. | 0:15:09 | 0:15:15 | |
For 5,000 years, since the first Neolithic farmers, | 0:15:15 | 0:15:19 | |
the mouth of the Boyne has been the gateway to Ireland's fertile heartland. | 0:15:19 | 0:15:25 | |
It's been navigated by Celtic traders, Viking raiders and Norman invaders. | 0:15:25 | 0:15:31 | |
Striding north, the flat coastal plains of the Irish midlands | 0:15:37 | 0:15:42 | |
give way to the mountains of Northern Ireland. | 0:15:42 | 0:15:45 | |
But in this border country, | 0:15:50 | 0:15:53 | |
a landscape much older than any national frontier divides Ireland. | 0:15:53 | 0:15:58 | |
60 million years ago, as the dinosaurs were dying out, | 0:15:59 | 0:16:03 | |
the Earth's crust stretched and fractured here. | 0:16:03 | 0:16:08 | |
Explosive volcanoes erupted, and mountains were thrown skywards. | 0:16:08 | 0:16:12 | |
Its legacy is the rugged shoreline around Carlingford Lough. | 0:16:12 | 0:16:17 | |
On the far side of the lough is Northern Ireland, | 0:16:22 | 0:16:25 | |
but I'm still in the south, and it's a Euro zone. | 0:16:25 | 0:16:28 | |
But this close to the border, the Euro and sterling co-exist, | 0:16:28 | 0:16:32 | |
and for a few, that presents a lucrative opportunity | 0:16:32 | 0:16:35 | |
to exploit the difference. | 0:16:35 | 0:16:37 | |
Why's it so busy? | 0:16:40 | 0:16:42 | |
-Well, I suppose because it's cheaper. -How much cheaper? | 0:16:42 | 0:16:46 | |
Er... Approximately 20% cheaper on both petrol and diesel. | 0:16:46 | 0:16:52 | |
So if you were filling up a typical car, what's the saving? | 0:16:52 | 0:16:54 | |
Approximately £12 sterling. | 0:16:54 | 0:16:57 | |
-That's a brilliant saving. -Yep. | 0:16:57 | 0:16:59 | |
Where exactly is the border? | 0:16:59 | 0:17:01 | |
-I challenge you to find it. -You're on! | 0:17:01 | 0:17:05 | |
And he was right - despite having different capitals, different laws and different currencies, | 0:17:05 | 0:17:11 | |
the border between North and South has vanished altogether. | 0:17:11 | 0:17:15 | |
The first sign that you're in the North is the one in miles per hour. | 0:17:15 | 0:17:19 | |
Nature makes a better fist of a frontier. | 0:17:24 | 0:17:28 | |
The massive granite buttress of the Mourne Mountains is a formidable obstacle. | 0:17:28 | 0:17:32 | |
The mountains seem to push the coastline further and further to the east. | 0:17:37 | 0:17:41 | |
Wherever the landscape does soften, | 0:17:41 | 0:17:43 | |
like Dundrum Bay, it seems that all the sand in the Irish Sea | 0:17:43 | 0:17:48 | |
has suddenly washed ashore. | 0:17:48 | 0:17:51 | |
Few vessels survive an encounter with these treacherous sands, | 0:17:51 | 0:17:55 | |
but one ship that did manage an astonishing escape was the SS Great Britain. | 0:17:55 | 0:18:00 | |
Mark Horton investigates how Isambard Kingdom Brunel | 0:18:03 | 0:18:06 | |
turned a potential disaster into a marketing triumph. | 0:18:06 | 0:18:11 | |
I adore the SS Great Britain. | 0:18:11 | 0:18:14 | |
She's a great survivor, and now rests proudly in Bristol, | 0:18:14 | 0:18:19 | |
where she was built, 160 years ago. | 0:18:19 | 0:18:22 | |
She was the world's first propeller-driven steam ship, has an iron hull | 0:18:22 | 0:18:27 | |
and was the brainchild of the great engineer, Isambard Kingdom Brunel. | 0:18:27 | 0:18:32 | |
But in 1846, Brunel's reputation | 0:18:34 | 0:18:36 | |
was threatened when the Great Britain ran aground in Dundrum Bay. | 0:18:36 | 0:18:42 | |
I've come to find out how the Great Britain | 0:18:47 | 0:18:50 | |
was stranded on this beautiful bay, and to work out how she was rescued. | 0:18:50 | 0:18:55 | |
Under the command of Captain Hoskins, the Great Britain left Liverpool bound for New York. | 0:19:00 | 0:19:06 | |
She was to sail past the Chicken Rock lighthouse on the Isle of Man, | 0:19:06 | 0:19:12 | |
then turn north. In fact, she sailed straight on | 0:19:12 | 0:19:15 | |
towards St John's Point on the Irish coast. | 0:19:15 | 0:19:18 | |
A very dangerous part of the coast indeed. There was probably an average of one ship a year wrecked | 0:19:20 | 0:19:25 | |
-before the famous wreck of the Great Britain. -What, coming onto these jagged rocks? | 0:19:25 | 0:19:30 | |
And onto the sand - a treacherous place. The ship would break up in the breakers very, very quickly. | 0:19:30 | 0:19:35 | |
And presumably that's why the lighthouse was built here. | 0:19:35 | 0:19:38 | |
It was indeed. There was a lot of pressure on the government | 0:19:38 | 0:19:41 | |
-over many years to make Dundrum Bay safer for sailing ships. -But what I can't understand | 0:19:41 | 0:19:47 | |
is how somebody could confuse that lighthouse for one 50 miles away | 0:19:47 | 0:19:50 | |
on the south end of the Isle of Man. | 0:19:50 | 0:19:53 | |
-But surely this lighthouse was also shown on the charts. -Captain Hoskins maintained it wasn't. | 0:19:53 | 0:19:58 | |
That lighthouse was built in 1844, | 0:19:58 | 0:20:01 | |
and the incident was September, 1846. | 0:20:01 | 0:20:05 | |
He said his chart was out of date. | 0:20:05 | 0:20:07 | |
So he had this chart - there was one lighthouse - | 0:20:07 | 0:20:09 | |
it must be the Isle of Man, therefore he had to sail round it. | 0:20:09 | 0:20:13 | |
That's what he thought he was doing, and sailed straight up on the beach. | 0:20:13 | 0:20:17 | |
When daylight came, the SS Great Britain was stuck fast, | 0:20:27 | 0:20:32 | |
and resisted all attempts to refloat her. | 0:20:32 | 0:20:36 | |
For Brunel of all men, this would not do. | 0:20:36 | 0:20:39 | |
He came to Dundrum himself to work out a solution. | 0:20:39 | 0:20:45 | |
If we're really going to understand how difficult it was to rescue the Great Britain from this beach, | 0:20:45 | 0:20:51 | |
we're first going to have to work out exactly where she lay. | 0:20:51 | 0:20:55 | |
Hi, Shane. | 0:20:55 | 0:20:57 | |
Maritime archaeologist Shane Casey has been researching the official report into the grounding. | 0:20:57 | 0:21:04 | |
Today the sands are empty. | 0:21:04 | 0:21:07 | |
Our only reference point is the watch house from where local coastguards | 0:21:07 | 0:21:12 | |
made their observations of the stranded ship. | 0:21:12 | 0:21:15 | |
The Tyrella coastguard watch house is north-easterly 527 yards | 0:21:15 | 0:21:20 | |
from the ship. That's about 480 metres. | 0:21:20 | 0:21:24 | |
And northeast is 45 degrees, so we need the back bearing of of 45 degrees, that's what? | 0:21:24 | 0:21:28 | |
225, which is in that direction, | 0:21:28 | 0:21:32 | |
-towards those mountains over there. -OK. | 0:21:32 | 0:21:35 | |
And 480 metres, we're already 200 metres from the watch house. | 0:21:35 | 0:21:39 | |
-Right, that leaves 280. -280 to go. | 0:21:39 | 0:21:42 | |
475... | 0:21:42 | 0:21:44 | |
476... 477... | 0:21:44 | 0:21:47 | |
478... 479... | 0:21:47 | 0:21:51 | |
-480! -Right. | 0:21:51 | 0:21:53 | |
X marks the spot. | 0:21:53 | 0:21:55 | |
And how did the ship lie? | 0:21:55 | 0:21:58 | |
"The ship's head lies northwest by west." | 0:21:58 | 0:22:00 | |
Which is in...that direction there. | 0:22:00 | 0:22:04 | |
While we don't know the Great Britain's exact position, | 0:22:06 | 0:22:10 | |
we can be sure of her dimensions. | 0:22:10 | 0:22:13 | |
Go slightly to the left, can you? | 0:22:13 | 0:22:14 | |
That's about right! | 0:22:14 | 0:22:16 | |
The ship was 322 feet long by 50 feet broad. | 0:22:16 | 0:22:22 | |
That's almost 100 metres by 16. | 0:22:22 | 0:22:24 | |
Are you not there yet?! | 0:22:24 | 0:22:27 | |
97 metres! | 0:22:27 | 0:22:29 | |
Gosh! | 0:22:29 | 0:22:31 | |
Absolutely ginormous! | 0:22:31 | 0:22:34 | |
Seven metres in this direction, so the stern is about here. | 0:22:38 | 0:22:43 | |
So we now walk round the curve of this great ship. | 0:22:43 | 0:22:48 | |
Brunel's Great Britain weighed more than 3,000 tons, | 0:22:48 | 0:22:52 | |
and her keel was buried six feet into the sand. | 0:22:52 | 0:22:58 | |
The extraordinary thing is how anyone could even have conceived | 0:22:58 | 0:23:02 | |
-of getting it off here. -Yes, yes. | 0:23:02 | 0:23:04 | |
-Most engineers would have left her here, abandoned. -Yeah, yeah. | 0:23:04 | 0:23:08 | |
That wasn't Brunel's style. | 0:23:10 | 0:23:13 | |
With the winter gales upon him, he had to find a way to protect the Great Britain | 0:23:13 | 0:23:18 | |
from the pounding seas that were threatening to break her up. | 0:23:18 | 0:23:23 | |
This is Brunel's original letter, where he sent instructions. | 0:23:23 | 0:23:26 | |
That's right, and Brunel conceived a plan for protecting the ship | 0:23:26 | 0:23:31 | |
with an immense latticework framework. | 0:23:31 | 0:23:33 | |
-We've got a latticework there. -It's very bendy and feeble, isn't it? | 0:23:33 | 0:23:36 | |
-I mean, how can this protect a ship? -He wanted to create a barrier that would stop the waves. | 0:23:36 | 0:23:41 | |
-Acting like a bit of a breakwater. -Right. | 0:23:41 | 0:23:44 | |
Much of the power of the waves would pass through the latticework, | 0:23:44 | 0:23:48 | |
-dissipating itself on the framework. -The whole thing is held with flexible poles. | 0:23:48 | 0:23:52 | |
That's right. These were beech trees that were unseasoned | 0:23:52 | 0:23:57 | |
-so that they had sufficient spring in them to bounce back. -It all looks a bit makeshift - | 0:23:57 | 0:24:03 | |
-more Heath Robinson than Brunel. -What do you reckon? -Fantastic - there's the latticework there. | 0:24:03 | 0:24:08 | |
Yeah, I think our model pretty closely resembles it. Will it work? | 0:24:08 | 0:24:13 | |
Well, it really does work, doesn't it? Because the water comes up | 0:24:20 | 0:24:24 | |
and smashes against the side here - it's like a pond inside. | 0:24:24 | 0:24:27 | |
-And the ship's perfectly protected, isn't it? -What about the other one? | 0:24:27 | 0:24:31 | |
-There it goes! -Wow, oh, dear. | 0:24:31 | 0:24:35 | |
Smashed to pieces in a few minutes! | 0:24:35 | 0:24:38 | |
Brunel's ingenious latticework bought him precious time. | 0:24:39 | 0:24:45 | |
For nine months, he oversaw repairs to make her seaworthy. | 0:24:45 | 0:24:50 | |
Finally, at the end of August, 1847, | 0:24:50 | 0:24:53 | |
on the highest tide of the year, she was re-floated. | 0:24:53 | 0:24:58 | |
Brunel was vindicated, | 0:24:58 | 0:25:00 | |
his design for the SS Great Britain | 0:25:00 | 0:25:03 | |
fully proven. | 0:25:03 | 0:25:05 | |
If you know where to look, there's actually quite a lot left from the grounding of the Great Britain here, | 0:25:16 | 0:25:23 | |
bits of wine bottle and coal that were jettisoned | 0:25:23 | 0:25:26 | |
when they had to lighten the ship. | 0:25:26 | 0:25:29 | |
But actually, the real legacy of the incident is that it convinced | 0:25:29 | 0:25:34 | |
a sceptical Victorian public | 0:25:34 | 0:25:36 | |
that iron ships were practically indestructible, | 0:25:36 | 0:25:39 | |
and that opened up the way | 0:25:39 | 0:25:43 | |
for reliable long-distance passenger travel. | 0:25:43 | 0:25:46 | |
Strangford Lough is the largest tidal lough in the British Isles. | 0:25:55 | 0:26:00 | |
It has 150 miles of its own twisting shoreline and more than 120 islands. | 0:26:00 | 0:26:05 | |
The coast near here draws many visitors, but, | 0:26:08 | 0:26:12 | |
as Miranda Krestovnikoff has found, some are more vulnerable than others. | 0:26:12 | 0:26:17 | |
You can tell a harbour seal by his short, round head. | 0:26:22 | 0:26:27 | |
They're also known as common seals, which isn't really fair, because | 0:26:29 | 0:26:32 | |
these endearing mammals aren't at all common around the Irish coast. | 0:26:32 | 0:26:37 | |
Every year, the harbour seals | 0:26:37 | 0:26:39 | |
come back to the same rocks to give birth. | 0:26:39 | 0:26:43 | |
It's really great to see them just behind me | 0:26:43 | 0:26:46 | |
in this sort of family setting - the mothers there, with their pups. | 0:26:46 | 0:26:49 | |
But out of the water, their natural environment, they're really vulnerable. | 0:26:49 | 0:26:55 | |
And that's the problem. | 0:26:56 | 0:26:59 | |
With Belfast only 30 minutes' drive away, humans are encroaching | 0:26:59 | 0:27:03 | |
on the seals' traditional habitat more and more. | 0:27:03 | 0:27:06 | |
For seals, any disturbance by boats or jet skis at pupping time can result | 0:27:15 | 0:27:20 | |
in mothers panicking and leaving their new-born alone on the rocks. | 0:27:20 | 0:27:25 | |
More and more pups are being abandoned like this. | 0:27:26 | 0:27:31 | |
There's a good chap... | 0:27:31 | 0:27:33 | |
But though they don't know it, these seals are rather lucky, | 0:27:34 | 0:27:39 | |
because one of the world's leading seal experts, Sue Wilson, | 0:27:39 | 0:27:42 | |
-has also chosen to make her home here. -You'll be taking over this in a few minutes. | 0:27:42 | 0:27:47 | |
She's determined to make sure as many new-borns as possible survive. | 0:27:47 | 0:27:53 | |
I sometimes see a pup that's on its own that isn't attended by a mother, | 0:27:53 | 0:27:58 | |
and if I don't take it, it will die. | 0:27:58 | 0:28:02 | |
And because I know I can take it and save it, | 0:28:02 | 0:28:06 | |
it will survive, so we can't... | 0:28:06 | 0:28:09 | |
I don't think we can stand back, especially if it means seeing a young animal suffer. | 0:28:09 | 0:28:14 | |
For Sue Wilson, taking a pup like this one home | 0:28:16 | 0:28:20 | |
is the least worst option. | 0:28:20 | 0:28:23 | |
Each season, she's faced with rescuing two or three pups. | 0:28:23 | 0:28:28 | |
She has to care for them till they can feed themselves. | 0:28:28 | 0:28:31 | |
The rescued seal pup's now just ten days old, and Sue's looking after it at home. | 0:28:37 | 0:28:42 | |
Last year, I completed a sea mammal rescue course, | 0:28:42 | 0:28:45 | |
so I'm really interested to find out how she's getting on | 0:28:45 | 0:28:48 | |
and how Sue's coping with looking after such a small pup. | 0:28:48 | 0:28:52 | |
The pup has been given the name Laura, | 0:28:54 | 0:28:57 | |
but Sue has no intention of getting too fond of her while they're together. | 0:28:57 | 0:29:01 | |
'The point is to get Laura back as quickly as possible.' | 0:29:01 | 0:29:06 | |
I wish she'd suckle on a bottle, but she won't. | 0:29:06 | 0:29:09 | |
'It usually takes more than three months to get a pup back to the wild, | 0:29:09 | 0:29:12 | |
'but Sue believes that's just too long away from their natural habitat.' | 0:29:12 | 0:29:17 | |
-She's not going to bite me, is she? -Probably not. | 0:29:17 | 0:29:21 | |
'She's developed a fast-track approach to nurturing them, using a special substitute seal milk.' | 0:29:21 | 0:29:28 | |
Now, what you have to do is, when the tube goes down, | 0:29:28 | 0:29:31 | |
-watch it here to make sure it's not going down into the run. -Oh, right, here. -Yeah. | 0:29:31 | 0:29:37 | |
So we will see it in just a moment. There it goes. | 0:29:37 | 0:29:40 | |
So now we know it's in the right tube, and then we just make sure she's breathing. | 0:29:40 | 0:29:45 | |
-Yeah. -And then we put the funnel on and then put a tiny... | 0:29:45 | 0:29:52 | |
just to make absolutely sure, just a tiny wee bit first of all. | 0:29:52 | 0:29:56 | |
I'm very aware that if she's been brought up by you and fed by you, | 0:29:56 | 0:29:59 | |
she's not seeing other seals, she's not learning about fishing or anything like that. | 0:29:59 | 0:30:04 | |
How is that going to affect her in the future? | 0:30:04 | 0:30:07 | |
Well, in the wild, they don't seem to learn anything about fishing from their mother. | 0:30:07 | 0:30:14 | |
And a mother feeds them milk, and she'll swim round the shallows | 0:30:14 | 0:30:18 | |
with them and explore, but so far as we know, they take no... | 0:30:18 | 0:30:21 | |
Beg your pardon! | 0:30:21 | 0:30:24 | |
-LAUGHTER -Was that a burp?! | 0:30:24 | 0:30:27 | |
As I was just saying, she doesn't, in the wild, learn to feed with her mother, | 0:30:27 | 0:30:32 | |
and she doesn't take any solid food until after she's weaned, | 0:30:32 | 0:30:36 | |
at about three to four weeks of age, so I try to simulate that. | 0:30:36 | 0:30:39 | |
'It's just five weeks since Laura was removed from this beach. | 0:30:51 | 0:30:56 | |
'For Sue, it's time to get her back to the environment where she belongs.' | 0:30:56 | 0:31:03 | |
She will go in and start, we hope, to feed | 0:31:03 | 0:31:07 | |
on little tiny fish with other pups, just like all the others do. | 0:31:07 | 0:31:12 | |
It's like a mum letting her child go away to university. | 0:31:12 | 0:31:15 | |
Well, the great hope is that she wants to go. | 0:31:15 | 0:31:18 | |
'In the short time that she's been looking after Laura, | 0:31:18 | 0:31:21 | |
'Sue has learned that six harbour seal pups have been found dead on this coast.' | 0:31:21 | 0:31:26 | |
There she goes! | 0:31:28 | 0:31:30 | |
'Sue knows that she may never see Laura again, | 0:31:30 | 0:31:33 | |
'but she's convinced the pup now has a fighting chance of surviving in the wild.' | 0:31:33 | 0:31:39 | |
If Strangford Lough is for the seals, there's no dispute about its neighbour to the north. | 0:31:47 | 0:31:53 | |
Belfast Lough has been claimed by people. | 0:31:53 | 0:31:56 | |
A 12-mile long natural inlet, it was re-fashioned into | 0:32:00 | 0:32:04 | |
a commanding thoroughfare for Belfast's shipping industry. | 0:32:04 | 0:32:08 | |
This is the perfect view of Belfast. | 0:32:13 | 0:32:16 | |
And you know, it's amazing how small she looks just nestled so naturally between the shores of the lough. | 0:32:16 | 0:32:22 | |
Those two yellow cranes are towering over Harland & Wolff shipyard. | 0:32:22 | 0:32:26 | |
They're still the most dominant structures in the city. | 0:32:26 | 0:32:29 | |
Last time, we came here to discover how Belfast built Titanic. | 0:32:29 | 0:32:34 | |
This time, we're on a mission to uncover who built Belfast. | 0:32:34 | 0:32:38 | |
Belfast is the most industrial city in Ireland. | 0:32:43 | 0:32:47 | |
It defies nature that it's here at all. | 0:32:47 | 0:32:50 | |
Like Dublin, Belfast grew up around a tidal river - | 0:32:55 | 0:32:59 | |
the Lagan. | 0:32:59 | 0:33:01 | |
The original site was a ford, just where the river is spanned by these bridges. | 0:33:01 | 0:33:06 | |
Close by, they're building a 29-storey skyscraper. | 0:33:08 | 0:33:11 | |
Drilling for the foundations reveals just how much of Belfast | 0:33:13 | 0:33:18 | |
is built on mud and salt water. | 0:33:18 | 0:33:20 | |
That's the stuff they call sleetch! | 0:33:22 | 0:33:24 | |
I think you and I would call it filthy stinking muck. | 0:33:24 | 0:33:27 | |
In a funny way, it smells a bit like the sea. | 0:33:27 | 0:33:30 | |
It's got that pungent smell about it, like seaweed, | 0:33:30 | 0:33:33 | |
but seaweed that's been trapped underground for a long, long time. | 0:33:33 | 0:33:37 | |
But the point is, all of Belfast is built on top of that. | 0:33:37 | 0:33:42 | |
Kerry Greeves, the project engineer, is tackling the same problems as Belfast's original builders. | 0:33:42 | 0:33:48 | |
-The bedrock, which is sandstone, is about 50 metres down. -50? -Yes. | 0:33:49 | 0:33:54 | |
We have to use piles, which are going down on this side | 0:33:54 | 0:33:56 | |
approximately 28 metres, and that's what will hold up the building. | 0:33:56 | 0:34:00 | |
So the piles don't reach the rock? | 0:34:00 | 0:34:03 | |
-No. -So the building is just floating on...mud? | 0:34:03 | 0:34:07 | |
Well, you could say that. | 0:34:07 | 0:34:09 | |
As an engineer, it's slightly more technical than that, but effectively yes. | 0:34:09 | 0:34:13 | |
Belfast's founding fathers floated their dream here on the shoreline. | 0:34:13 | 0:34:18 | |
Local author Glenn Patterson has summed up their achievement with these lines. | 0:34:18 | 0:34:25 | |
"Belfast is a triumph over mud and water, | 0:34:26 | 0:34:29 | |
"the dream of successive generations of merchants, engineers and entrepreneurs, | 0:34:29 | 0:34:35 | |
"their names driven like screw piles into the city's sense of itself. | 0:34:35 | 0:34:40 | |
"Dargan, Dunbar, Workman, Harland..." | 0:34:40 | 0:34:44 | |
The thing is, they're all Scottish or English names, Protestant merchants attracted here | 0:34:48 | 0:34:53 | |
from the beginning of the 17th century by the promise of land at the water's edge. | 0:34:53 | 0:34:58 | |
I wanted to hear more from the man who celebrated these entrepreneurs. | 0:34:58 | 0:35:02 | |
A lot of people came here with ideas about settling this place, developing this place. | 0:35:04 | 0:35:10 | |
Some bloody-minded people, you would have to say. | 0:35:10 | 0:35:12 | |
This isn't a promising place to make a city. | 0:35:12 | 0:35:15 | |
Belfast has no business being here at all. | 0:35:15 | 0:35:17 | |
So what was behind the stubbornness? | 0:35:17 | 0:35:19 | |
Something must have attracted them and made them stay. | 0:35:19 | 0:35:22 | |
Belfast, although it's very unpromising, it's got all that muck, that sleetch, | 0:35:22 | 0:35:27 | |
you had to dig right down and sink your foundations if you wanted to build here, | 0:35:27 | 0:35:31 | |
you could actually make bricks out of the clay of the city, | 0:35:31 | 0:35:34 | |
so, in a sense, Belfast is a city that's made of itself. | 0:35:34 | 0:35:38 | |
Every inch of Belfast's industrial heartland is man-made, | 0:35:44 | 0:35:48 | |
dredged and reclaimed from the salt-water shore in the 19th century to underpin its expansion. | 0:35:48 | 0:35:55 | |
But to build on that growth, Belfast had to look seawards again - to trade. | 0:35:55 | 0:36:00 | |
When you look at this vast port, it's almost as though this water matters more than the land. | 0:36:03 | 0:36:10 | |
Well, certainly without this, without the trade - I mean we're sailing past these container ships here - | 0:36:10 | 0:36:16 | |
without that, Belfast wouldn't have developed in the way that it did, | 0:36:16 | 0:36:20 | |
and without the port, there wouldn't have been any of those great industries of the 19th century. | 0:36:20 | 0:36:25 | |
So this city really is defined by this water. | 0:36:25 | 0:36:28 | |
Belfast, the floating city, two thirds of our way from Dublin to Derry. | 0:36:30 | 0:36:37 | |
We're travelling in style again. | 0:36:37 | 0:36:40 | |
Spare a thought for anyone stuck in their car. | 0:36:40 | 0:36:42 | |
But we're about to pass a well-kept secret that keeps traffic moving whatever the weather. | 0:36:42 | 0:36:49 | |
It's still the middle of summer, but just beyond Carrickfergus | 0:36:49 | 0:36:52 | |
a year-round industry is busy stockpiling for the winter. | 0:36:52 | 0:36:56 | |
Alice Roberts is about to venture into an underground world that's never been filmed before. | 0:36:58 | 0:37:05 | |
If you're driving along on an icy winter's night | 0:37:05 | 0:37:07 | |
and your car's not skidding, it's probably because | 0:37:07 | 0:37:11 | |
the gritter lorries have been out, | 0:37:11 | 0:37:12 | |
and the rock salt could have come from here, on the coast of Northern Ireland. | 0:37:12 | 0:37:17 | |
Half a million tons of rock salt are shipped from this little jetty every year. | 0:37:17 | 0:37:22 | |
This corner of Ireland sits on top of huge deposits of subterranean salt | 0:37:22 | 0:37:26 | |
that stretch all the way across Europe to Russia's infamous salt mines. | 0:37:26 | 0:37:31 | |
These strata were laid down over 250 million years ago | 0:37:31 | 0:37:35 | |
by successive seas advancing and retreating across the continent. | 0:37:35 | 0:37:40 | |
'I don't know quite what I expected from a salt mine, | 0:37:50 | 0:37:54 | |
'but what I never imagined was being able to drive all the way underground. | 0:37:54 | 0:37:58 | |
'Our guide is Jason Hopps, the mine surveyor and, yes, salt of the earth.' | 0:38:00 | 0:38:05 | |
-So how deep does this go down? -The maximum depth in the mine | 0:38:05 | 0:38:10 | |
is 1,150 feet. This is us just entering the salt now. | 0:38:10 | 0:38:13 | |
Here's all the salt crystals. | 0:38:13 | 0:38:15 | |
Yeah. | 0:38:15 | 0:38:17 | |
-We're coming into quite a big cavern. -Yes, this is where the main workings first started. | 0:38:19 | 0:38:25 | |
So this has all been excavated out? | 0:38:25 | 0:38:28 | |
Yes. It's all blasted. | 0:38:28 | 0:38:30 | |
Yeah. It's a real labyrinth of tunnels down here, isn't it? | 0:38:30 | 0:38:36 | |
'There's over 30 miles of tunnels, yet only 40% of the rock salt in any area is extracted. | 0:38:36 | 0:38:42 | |
'The rest is left as pillars to shore up the workings. | 0:38:42 | 0:38:46 | |
'The scale of these man-made caverns is amazing. | 0:38:48 | 0:38:51 | |
'Even the largest of the excavation vehicles seem dwarfed. | 0:38:51 | 0:38:55 | |
'Some of the trucks are up to 40 years old, | 0:38:55 | 0:38:58 | |
'but although the atmosphere is salty, it's also extremely dry, so they hardly rust at all.' | 0:38:58 | 0:39:05 | |
It's really strange, it's like walking onto the set of a James Bond movie, isn't it? | 0:39:05 | 0:39:11 | |
It's bizarre. How is rock salt actually formed to begin with? | 0:39:11 | 0:39:15 | |
Why is there this seam of salt 800 feet under the surface? | 0:39:15 | 0:39:20 | |
It's basically an old landlocked sea that has evaporated and left the salt behind. | 0:39:20 | 0:39:26 | |
It's happened in total five times in this particular area. | 0:39:26 | 0:39:29 | |
We've got a full succession of five salt beds. | 0:39:29 | 0:39:32 | |
At the minute, we're in the fourth deepest, so there's three above us. | 0:39:32 | 0:39:36 | |
-So there have been several sort of evaporated sea beds laid down one on top of another. -Yeah. | 0:39:36 | 0:39:41 | |
Although we call it rock salt, it is sea salt, it's just sea salt that's got trapped in rock? | 0:39:41 | 0:39:46 | |
It's sea salt with certain other trace elements. | 0:39:46 | 0:39:49 | |
Yeah. It's weird cos there's quite a lot of dust in the air | 0:39:49 | 0:39:52 | |
-and you just taste the air, you can taste the saltiness. -Oh, it is salt. | 0:39:52 | 0:39:56 | |
-It's sodium chloride. -Yeah. | 0:39:56 | 0:39:58 | |
'We still have to drive down another 300 feet to reach the faces that are | 0:40:02 | 0:40:07 | |
'currently being worked - a full 1,150 feet below ground. | 0:40:07 | 0:40:11 | |
'I've been wondering where everyone is! | 0:40:11 | 0:40:14 | |
'The rock salt is attacked from two directions. | 0:40:16 | 0:40:20 | |
'First, it's undermined with a gigantic cutting blade that takes a ten foot deep slice from underneath. | 0:40:22 | 0:40:28 | |
'Then holes are drilled above, ready for explosive charges to be inserted deep inside the rock.' | 0:40:31 | 0:40:38 | |
-Can we go a bit closer? -Yes, we can go down and see. | 0:40:39 | 0:40:41 | |
-So this is an undercut. -Right. | 0:40:45 | 0:40:47 | |
That advances in ten feet, which is the same length as your drill hole. | 0:40:47 | 0:40:52 | |
So this is one of the drill holes? | 0:40:52 | 0:40:54 | |
-Where you put the explosives in? -Yes. We pack the explosives in there. | 0:40:54 | 0:40:58 | |
That drill hole's ten feet deep by 50 feet wide by 20 feet high | 0:40:58 | 0:41:03 | |
gives us a full face of 600 tons. | 0:41:03 | 0:41:06 | |
-Really? -Yeah. -So when the explosives are stuck in here and they go off, | 0:41:06 | 0:41:10 | |
-we've got 600 tons of rock salt fall to the ground. -600 tons, yes. | 0:41:10 | 0:41:14 | |
ALARM BLARES | 0:41:14 | 0:41:17 | |
'Time to withdraw to a safe distance, I think.' | 0:41:17 | 0:41:20 | |
EXPLOSION | 0:41:23 | 0:41:26 | |
So this is the last stage of the process? | 0:41:34 | 0:41:37 | |
That's been blasted off, hasn't it, that rock? | 0:41:37 | 0:41:40 | |
-Yeah. That will have been blasted last night. -Right. | 0:41:40 | 0:41:43 | |
And then, it'll be taken up to the crusher or an underground stockpile. | 0:41:43 | 0:41:47 | |
Right. | 0:41:47 | 0:41:49 | |
And where does most of the rock salt from this mine end up? | 0:41:49 | 0:41:52 | |
20% of it or so will end up on the Northern Ireland and Ireland roads. | 0:41:52 | 0:41:57 | |
-Right. -50 or 60 then would go to either England or Scotland | 0:41:57 | 0:42:01 | |
-and then maybe 20% to the East Coast of the United States. -Oh, really? -Yeah. | 0:42:01 | 0:42:06 | |
'A little salt can go a long way. | 0:42:10 | 0:42:12 | |
'Next time you're snowed in, take a good look at that gritter up ahead. | 0:42:12 | 0:42:16 | |
'Chances are that's not any old salt. | 0:42:16 | 0:42:19 | |
'It's actually 250 million years old and comes from 1,000 feet under the Northern Irish coast.' | 0:42:19 | 0:42:26 | |
The coastline of Antrim is a switch-back journey through space and time. | 0:42:51 | 0:42:56 | |
Black basalt from ancient volcanoes is spewed over white limestone. | 0:42:56 | 0:43:00 | |
The layers twisted by earthquakes and worn down by wind and ice. | 0:43:00 | 0:43:06 | |
It's taken almost 2 billion years to create this undulating landscape | 0:43:06 | 0:43:11 | |
and its glens roll down to the sea in great, green waves. | 0:43:11 | 0:43:15 | |
Until the 19th century, the peoples of these glens were all but cut off by land. | 0:43:20 | 0:43:25 | |
The easiest way to travel was by the small boats known as gigs. | 0:43:25 | 0:43:29 | |
The traditional rivalry between these villages re-emerges | 0:43:30 | 0:43:34 | |
with a vengeance during the annual gig racing season. | 0:43:34 | 0:43:37 | |
Break, fly by. Break, fly. That's it. | 0:43:37 | 0:43:41 | |
I'm Arnold Stewart, secretary of Carnlough Rowing Club. | 0:43:41 | 0:43:45 | |
'You get like a real buzz and it's a lot of excitement and the adrenalin starts to run. | 0:43:52 | 0:43:58 | |
'You're listening to the oars as you're rowing along, there's a clunk every time. | 0:44:02 | 0:44:08 | |
'Everybody's really pulling together. | 0:44:08 | 0:44:10 | |
'Its origins maybe started about the 1800s | 0:44:16 | 0:44:20 | |
'and it really was quite along the whole of the Antrim coast. | 0:44:20 | 0:44:24 | |
'All the villages along the shoreline had a crew or crews. | 0:44:24 | 0:44:29 | |
'Inter-club rivalry and inter-village rivalry is very much a key part of the rowing. | 0:44:31 | 0:44:36 | |
'We've been doing this for so long and everybody' | 0:44:36 | 0:44:39 | |
is out to win, and that's where you get the the competitive edge. | 0:44:39 | 0:44:43 | |
Go on, boy. Go on. Go on. | 0:44:44 | 0:44:47 | |
'Because the Black Rock sits out to the end of the bay, | 0:45:02 | 0:45:04 | |
'it was decided at one time that they would create a race out of this, | 0:45:04 | 0:45:08 | |
'so it was a challenge from rowing from the harbour, out round to the Black Rock and back in again. | 0:45:08 | 0:45:13 | |
'A distance of 1.2 nautical miles. | 0:45:13 | 0:45:16 | |
'Every year, we have this challenge to see how well we can do | 0:45:19 | 0:45:23 | |
'and if anyone can get close to the time of 15.45 seconds, | 0:45:23 | 0:45:27 | |
'which no-one else has beat since 1926.' | 0:45:27 | 0:45:31 | |
Keep it going. Come on. | 0:45:35 | 0:45:38 | |
Go on. | 0:45:38 | 0:45:40 | |
And relax. | 0:45:43 | 0:45:45 | |
'Today, the best time in the gig is in 17 minutes plus, | 0:45:47 | 0:45:51 | |
'so it's a bit off the record.' | 0:45:51 | 0:45:54 | |
Fair Head frames the north-east corner of Ireland. | 0:46:18 | 0:46:21 | |
Stretching for three miles, with vertical columns of basalt rising 600 feet above the sea. | 0:46:21 | 0:46:27 | |
Here, the hexagonal stones of the Giant's Causeway stretch out into the North Atlantic. | 0:46:39 | 0:46:44 | |
And there's one little challenge I can't resist - to take my chance on a bridge over the Atlantic. | 0:46:49 | 0:46:55 | |
I wasn't too keen to do this, but there's lots of little old ladies | 0:46:59 | 0:47:03 | |
on the other side, so I thought I'd better crack on. | 0:47:03 | 0:47:06 | |
It's 96 feet to the water below me. | 0:47:13 | 0:47:16 | |
The rope bridge is thrown across to the island of Carrick-a-Rede every summer | 0:47:16 | 0:47:22 | |
and it's not just a tourist trap. | 0:47:22 | 0:47:25 | |
For the last 500 years, local fishermen have used it to reach their salmon nets. | 0:47:25 | 0:47:31 | |
The further west you go, the wilder this coast gets. | 0:47:37 | 0:47:42 | |
This is a landscape that encourages mavericks. | 0:47:43 | 0:47:47 | |
But it's not an Irishman who stands out from the pack, it's a Cornishman - | 0:47:47 | 0:47:51 | |
an eccentric artist who built his fantasy home out of what he found all around him. | 0:47:51 | 0:47:56 | |
Alice Roberts is on his trail. | 0:47:56 | 0:47:59 | |
Well, this is what I've come to see - Bendhu House. | 0:48:02 | 0:48:05 | |
And perched on the cliff top, it looks like a Second World War fort, but it is somebody's house. | 0:48:05 | 0:48:12 | |
'It was in 1936 that Newton Penprase, a Cornish artist, | 0:48:16 | 0:48:20 | |
'first had his dream to build a house to match his vision of this coastline. | 0:48:20 | 0:48:26 | |
'For the next 40 years, he worked almost single-handedly to achieve it. | 0:48:26 | 0:48:31 | |
'Michael and Lorna Ferguson live here now, | 0:48:31 | 0:48:34 | |
'but their first impressions were rather like mine.' | 0:48:34 | 0:48:38 | |
-It's a very strange house. -Yes, this is how I remember it whenever I would pass as a child. | 0:48:38 | 0:48:44 | |
Coming down, fascinated by, "What's going on? | 0:48:44 | 0:48:47 | |
"What is this man building?" | 0:48:47 | 0:48:49 | |
So you'd seen this house as a child and you ended up living in it? | 0:48:49 | 0:48:53 | |
Well, I didn't dream I would ever be living in it. | 0:48:53 | 0:48:55 | |
Nor, I must say, at a time had any wish to live in it. | 0:48:55 | 0:48:58 | |
Many people loathed Penprase's unconventional design, not least the planning authorities. | 0:49:01 | 0:49:07 | |
But he persevered using whatever materials came to hand, all picked from the seashore. | 0:49:07 | 0:49:12 | |
-In the drawings he got approved, it says, "all in concrete". -Right. | 0:49:13 | 0:49:17 | |
So everything was from the beach initially. He washed the sand | 0:49:17 | 0:49:21 | |
from the water that came down the cliff | 0:49:21 | 0:49:23 | |
and most of the cement was carried down on his shoulder from the harbour road. | 0:49:23 | 0:49:28 | |
The bricks were made out of gravel and sand | 0:49:28 | 0:49:31 | |
and I think he put a lot of extra windows probably in the process as well. | 0:49:31 | 0:49:35 | |
'In all, Penprase put in no fewer than 50 windows, | 0:49:35 | 0:49:39 | |
'making the most of Bendhu's panoramic views | 0:49:39 | 0:49:42 | |
'from Scotland in the East to Donegal in the West. | 0:49:42 | 0:49:45 | |
'When the artist died in 1978, the house was still unfinished, | 0:49:45 | 0:49:49 | |
'but Michael and Lorna have completed his dream.' | 0:49:49 | 0:49:52 | |
That really is a fantastic view, isn't it? | 0:49:52 | 0:49:55 | |
Well, Alice, this is the room that we added on. | 0:49:55 | 0:49:58 | |
The rest is Penprase, but this is what we interpreted | 0:49:58 | 0:50:01 | |
he would have liked us to do with this part of the house. | 0:50:01 | 0:50:04 | |
So if you want to come on through with us. | 0:50:04 | 0:50:07 | |
Right, let's head down below. | 0:50:07 | 0:50:08 | |
Alice, this is the Zodiac room and you'll see why when you look up at the ceiling. | 0:50:13 | 0:50:17 | |
That's amazing. | 0:50:17 | 0:50:19 | |
These are canvases that Penprase painted and he always invited the ladies to lie down in the bed, | 0:50:19 | 0:50:25 | |
to look up and he would explain all the Zodiac signs. | 0:50:25 | 0:50:28 | |
Really, right, I see! | 0:50:28 | 0:50:29 | |
It's almost like you're living in an art installation. | 0:50:29 | 0:50:33 | |
Yes, I think that it is. Hopefully, whatever we've added, Penprase would approve of. | 0:50:33 | 0:50:39 | |
-Would you ever sell it on? -Oh, no, it's become part of our life. | 0:50:39 | 0:50:44 | |
-What do you think, Michael? -I'd have to finish it, but I don't think we'd ever move. | 0:50:44 | 0:50:49 | |
Bendhu House is now a listed building. | 0:50:54 | 0:50:56 | |
Proof that true individuals like Newton Penprase can still have the last laugh. | 0:50:56 | 0:51:02 | |
If artists and fishermen can do their own thing on this coast, why not clergymen? | 0:51:16 | 0:51:21 | |
These are the remains of an 18th-century palace no less. | 0:51:24 | 0:51:27 | |
Home to Frederick Hervey, Bishop of Londonderry and Earl of Bristol. | 0:51:27 | 0:51:32 | |
An unassuming man(!) | 0:51:32 | 0:51:34 | |
A little pile perched on the cliff edge | 0:51:34 | 0:51:36 | |
was the Earl-Bishop's personal library. | 0:51:36 | 0:51:38 | |
And our last great coastal city was his seat - | 0:51:41 | 0:51:46 | |
Londonderry. | 0:51:46 | 0:51:48 | |
Of the three cities, Derry has the longest recorded history, | 0:51:51 | 0:51:56 | |
but we're going to revisit events that unfolded at the end of World War II. | 0:51:56 | 0:52:00 | |
It's a story that's intrigued me for years. | 0:52:00 | 0:52:02 | |
Like Dublin and Belfast, Derry sits where a river meets the sea - the River Foyle. | 0:52:04 | 0:52:10 | |
Until recently, Derry was a key naval base. | 0:52:12 | 0:52:16 | |
The most westerly deep-water port in Europe. | 0:52:16 | 0:52:20 | |
But Derry's history goes way back - more than 4,000 years. | 0:52:22 | 0:52:28 | |
ANNOUNCEMENT: The next station is Londonderry. | 0:52:28 | 0:52:31 | |
Time enough, you'd think, to settle on a name. | 0:52:31 | 0:52:35 | |
Some folk call this place Derry. | 0:52:35 | 0:52:38 | |
Others call it Londonderry. | 0:52:38 | 0:52:41 | |
It's even been called Derry/Londonderry. | 0:52:41 | 0:52:44 | |
But simplest of all is Stroke City. | 0:52:44 | 0:52:48 | |
Stroke City - Irish humour trying to soothe a centuries-old Irish headache. | 0:52:48 | 0:52:54 | |
And it's Stroke City's strategic position on the coast that's behind it. | 0:52:56 | 0:53:01 | |
Easily defended, and with access to the sea, Derry was - like Dublin - | 0:53:01 | 0:53:06 | |
a key prize for the English settlers of Ireland. | 0:53:06 | 0:53:10 | |
It became the personal fiefdom of London merchants who fortified the city and renamed it. | 0:53:10 | 0:53:16 | |
Derry became Londonderry at a stroke. | 0:53:16 | 0:53:20 | |
Unlike Dublin, Derry has never assimilated its differing traditions. | 0:53:23 | 0:53:28 | |
The bitterness is plain for all to see. | 0:53:28 | 0:53:31 | |
Yet within living memory, Derry's position on the coast | 0:53:32 | 0:53:35 | |
pitted its people against a common enemy. | 0:53:35 | 0:53:38 | |
During World War Two, Derry's docks were packed with warships. | 0:53:40 | 0:53:44 | |
As the key base for the North Atlantic, it played a vital role in defending Allied convoys. | 0:53:44 | 0:53:50 | |
'These were unprecedented times. | 0:53:53 | 0:53:55 | |
'No matter what their background, many Derry people joined the war effort.' | 0:53:55 | 0:53:59 | |
-It's quite a haunting scene to me. -It surely is, and to me. -'Maeve Kelly was among them.' | 0:53:59 | 0:54:04 | |
When I think of all those years. | 0:54:04 | 0:54:07 | |
-This is me on the first day in the Wrens. -A good looking lassie. | 0:54:07 | 0:54:12 | |
Now, was I not? | 0:54:12 | 0:54:14 | |
"Maeve Boyle, who served with the Wrens in her native Derry, | 0:54:14 | 0:54:18 | |
"photographed on her first day in the service." | 0:54:18 | 0:54:21 | |
And why did you join up? | 0:54:21 | 0:54:24 | |
Because everybody else was doing it and it was a job. | 0:54:24 | 0:54:28 | |
'German submarines surrendered in satisfactory numbers...' | 0:54:31 | 0:54:34 | |
In May 1945, German U-Boat commanders finally accepted the war was over. | 0:54:34 | 0:54:39 | |
And it was to Londonderry that the North Atlantic fleet came to surrender. | 0:54:39 | 0:54:45 | |
Almost by chance, Maeve found herself witnessing history. | 0:54:49 | 0:54:54 | |
My boss at the time said, "There's submarines coming up the Foyle. | 0:54:54 | 0:54:59 | |
"Would anybody like to go down and see them coming in and surrendering?" | 0:54:59 | 0:55:03 | |
And anything for a couple of hours out of the office, I said, "I'll go." | 0:55:03 | 0:55:07 | |
And there I stood and watched this long line of about 13 submarines. | 0:55:07 | 0:55:14 | |
I've got photographs of the event. | 0:55:14 | 0:55:17 | |
See this has only ever been about photographs for me until today. | 0:55:17 | 0:55:22 | |
That's the captain there, and that's Sir Max Horton, | 0:55:22 | 0:55:26 | |
representing the British Navy, taking the surrender - is that what you do? | 0:55:26 | 0:55:31 | |
-Take surrenders. -Did you see that happen? | 0:55:31 | 0:55:33 | |
Yes, yes. This man came forward, took his cap off | 0:55:33 | 0:55:38 | |
and walked forward with his hand outstretched to shake this man's hand. | 0:55:38 | 0:55:44 | |
He completely ignored it. | 0:55:44 | 0:55:46 | |
-He wouldn't shake his hand? -He wouldn't. | 0:55:46 | 0:55:48 | |
Admiral Horton, who was one of our submarine aces in the last war, | 0:55:48 | 0:55:52 | |
went on board as soon as the U-boats tied up. | 0:55:52 | 0:55:55 | |
The war in the Atlantic had been bitter. | 0:55:55 | 0:55:57 | |
German U-boats had sunk over 2,000 Allied merchant ships | 0:55:57 | 0:56:02 | |
and killed over 30,000 of their seamen. | 0:56:02 | 0:56:06 | |
As a former submariner himself, Horton found it hard | 0:56:06 | 0:56:09 | |
to shake his enemy's hand, even in the moment of victory. | 0:56:09 | 0:56:14 | |
At the time, did you realise the significance of what you were seeing? | 0:56:14 | 0:56:18 | |
Oh, not at all, not at all. | 0:56:18 | 0:56:19 | |
No, no, I mean I was only out for the afternoon. | 0:56:19 | 0:56:22 | |
I was just glad to get a couple of hours off from the office. | 0:56:22 | 0:56:27 | |
No, I hadn't the wit to know that I was looking at history. | 0:56:27 | 0:56:31 | |
What Maeve had witnessed was the final act of World War Two in Europe. | 0:56:33 | 0:56:39 | |
From Lough Foyle, the surrendered U-boats were towed into deep water and sunk. | 0:56:39 | 0:56:45 | |
They still lie off the coast of Londonderry. | 0:56:45 | 0:56:49 | |
We're at the end of a remarkable Irish journey | 0:56:58 | 0:57:02 | |
through Dublin, Belfast and Londonderry. | 0:57:02 | 0:57:06 | |
Three great cities shaped over centuries by the sea. | 0:57:06 | 0:57:11 | |
Each one different. | 0:57:11 | 0:57:13 | |
Each reflecting a distinctive facet of this often fractured island. | 0:57:13 | 0:57:17 | |
What connects them all is the coastline itself, | 0:57:19 | 0:57:22 | |
that fragile margin where the sea meets the land. | 0:57:22 | 0:57:25 | |
Endlessly captivating, occasionally turbulent, | 0:57:25 | 0:57:29 | |
constantly open to change. | 0:57:29 | 0:57:32 | |
Subtitles by Red Bee Media Ltd | 0:57:38 | 0:57:41 | |
E-mail [email protected] | 0:57:41 | 0:57:44 |