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The Isle of Man isn't part of the United Kingdom, | 0:00:26 | 0:00:29 | |
but it's got a special place in its heart, looking out to all our shores. | 0:00:29 | 0:00:34 | |
Like the hub of a wheel, it's almost equidistant from Northern Ireland, | 0:00:35 | 0:00:39 | |
Scotland, England and Wales. | 0:00:39 | 0:00:43 | |
For a small island, it can boast some big ideas. | 0:00:54 | 0:00:58 | |
How about the Laxey Wheel? | 0:00:58 | 0:01:00 | |
Now that's what you call a water feature. | 0:01:03 | 0:01:06 | |
And I've turned up in time to turn it on. | 0:01:08 | 0:01:11 | |
Keeper of the wheel Roger Clare is showing me how it's done. | 0:01:11 | 0:01:15 | |
Now all you need to do is turn the wheel clockwise. | 0:01:18 | 0:01:24 | |
-Does it start first time? -We'll see. | 0:01:24 | 0:01:27 | |
MECHANISM CREAKS | 0:01:27 | 0:01:29 | |
That's a good noise. | 0:01:29 | 0:01:31 | |
Opening this valve releases a flow of water which is forced | 0:01:31 | 0:01:34 | |
up the tower to cascade on the wheel, setting it in motion. | 0:01:34 | 0:01:38 | |
There it goes. | 0:01:38 | 0:01:40 | |
Oh, that's great. | 0:01:40 | 0:01:43 | |
You might get wet now. | 0:01:43 | 0:01:45 | |
Oh, yeah! | 0:01:45 | 0:01:46 | |
When it started to whirl in 1854, it wowed the locals | 0:01:48 | 0:01:53 | |
and its sheer scale is still staggering. | 0:01:53 | 0:01:57 | |
So why is the world's largest working waterwheel here, | 0:02:02 | 0:02:06 | |
spinning around at the centre of the Irish Sea? | 0:02:06 | 0:02:10 | |
There are clues to its construction nearby, | 0:02:10 | 0:02:12 | |
the abandoned lead mines and the port at the bottom of the valley. | 0:02:12 | 0:02:17 | |
It might be hard to believe today, but 120 years ago this place hummed with activity | 0:02:19 | 0:02:24 | |
as countless tonnes of zinc and lead ore were shipped out of the harbour here. | 0:02:24 | 0:02:28 | |
Sea trade kept business buoyant at Laxey, but underground, water was threatening to sink it. | 0:02:30 | 0:02:38 | |
Mine expert Pete Geddis is going to show me the damp, dingy hell-hole below. | 0:02:42 | 0:02:48 | |
OK, Neil, well, this is the sea entrance, access tunnel to the well shaft. | 0:02:48 | 0:02:52 | |
-This little door? -This little door. | 0:02:52 | 0:02:54 | |
Oh, yes, I hate it already. | 0:02:56 | 0:03:00 | |
It probably would have been wetter than this in the mining days | 0:03:00 | 0:03:03 | |
because the discharged water would have run along here. | 0:03:03 | 0:03:06 | |
Teams of miners toiled around the clock, chasing richer seams of ore. | 0:03:06 | 0:03:11 | |
As they dug deeper, the water problem got worse. | 0:03:11 | 0:03:16 | |
-The miner's nightmare was the water ingressing into the shaft and then getting into the levels below. -Yeah. | 0:03:16 | 0:03:21 | |
Where is the water coming from, if that's not a stupid question? | 0:03:21 | 0:03:24 | |
This is just ground drainage water, it's running off the land, it's running down the bedrock, | 0:03:24 | 0:03:29 | |
and then it finds its way onto the edge of the shaft, so it's a perpetual sea of rain down here. | 0:03:29 | 0:03:33 | |
All mines flood. | 0:03:35 | 0:03:37 | |
Often water was pumped out with steam engines, | 0:03:37 | 0:03:40 | |
but with no coal on the Isle of Man, steam wasn't an option. | 0:03:40 | 0:03:44 | |
So what about putting the water to work? | 0:03:44 | 0:03:48 | |
That's what the Laxey Wheel does, Victorian style. | 0:03:50 | 0:03:56 | |
Streams piped down the valley drove the wheel. | 0:03:56 | 0:03:59 | |
Its rotation-powered machine is capable of pumping out 250 gallons of water per minute. | 0:03:59 | 0:04:06 | |
Baling out the mine shafts wasn't the wheel's only job. | 0:04:09 | 0:04:13 | |
They could have boxed the machinery in, hidden it away. | 0:04:13 | 0:04:18 | |
Instead it's deliberately sited at the head of the valley, | 0:04:18 | 0:04:22 | |
and emblazoned with the Three Legs of Man. | 0:04:22 | 0:04:26 | |
A wheel of fortune inviting investors to buy shares in the mine. | 0:04:28 | 0:04:34 | |
The mountain railway started its slow, steady climb in 1895. | 0:04:51 | 0:04:56 | |
It takes about half an hour to haul its way up to the top of Snaefell, | 0:04:56 | 0:05:01 | |
the snow mountain, at over 2,000 feet, the highest peak on the Isle of Man. | 0:05:01 | 0:05:07 | |
This is all very well, but when's the buffet coming round? That's what I want to know. | 0:05:08 | 0:05:13 | |
The big attraction is sightseeing, nice enough on the way up, | 0:05:13 | 0:05:19 | |
but I'm told on top there's a unique view of the British Isles. | 0:05:19 | 0:05:22 | |
Now, I know the summit's dead ahead, can't see a thing. | 0:05:22 | 0:05:25 | |
OK, then, here we are on the summit, | 0:05:29 | 0:05:32 | |
but I can see nothing, and I might as well be in a car park in Croydon. | 0:05:32 | 0:05:37 | |
When the mist does lift, the view is spectacular. | 0:05:39 | 0:05:44 | |
This is the only summit from which you can see every kingdom of the British Isles. | 0:05:47 | 0:05:52 | |
30 miles north, Scotland's southern shore is on the horizon. | 0:05:54 | 0:05:59 | |
Spin around and England is out to the east, | 0:05:59 | 0:06:04 | |
but my coastal companions continue their wheel around the edge of the Irish Sea out to the west. | 0:06:04 | 0:06:11 | |
Across the water, Dick Strawbridge is picking up the journey in Ireland. | 0:06:11 | 0:06:16 | |
Dublin, a great trading city on the sea. | 0:06:20 | 0:06:24 | |
Two mighty walls protect Dublin's port from silting up. | 0:06:27 | 0:06:31 | |
But shifting sands also produce beautiful beaches along Ireland's eastern shore. | 0:06:35 | 0:06:40 | |
This is a green coast, the lush landscape put to good use by the farmers. | 0:06:43 | 0:06:48 | |
Further north, fields give way to peaks. | 0:06:50 | 0:06:54 | |
The mountains of Mourne welcome us to Northern Ireland. | 0:06:56 | 0:07:01 | |
I'm here to celebrate a local hero whose fame first took off at Newcastle. | 0:07:01 | 0:07:07 | |
As an Ulsterman, I'm passionate about Northern Ireland's engineering excellence. | 0:07:07 | 0:07:12 | |
Look at this! An original 1948 tractor, conceived and designed in Northern Ireland, | 0:07:12 | 0:07:19 | |
the little grey Fergie's a brainchild of local man | 0:07:19 | 0:07:22 | |
Harry Ferguson, but Ferguson's idea was more than just a tractor. | 0:07:22 | 0:07:28 | |
Born in County Down in 1884, farmer's son Harry Ferguson grew into a great engineer. | 0:07:28 | 0:07:35 | |
In the 1920s, he was the first to combine a tractor and a plough together into a single unit. | 0:07:35 | 0:07:41 | |
Ferguson's new mechanism of links and springs | 0:07:41 | 0:07:45 | |
meant the driver could raise and lower the plough on his own. | 0:07:45 | 0:07:49 | |
It revolutionised agriculture worldwide. | 0:07:49 | 0:07:52 | |
But before breaking new ground with his tractors, the young Harry Ferguson's eyes were on the skies. | 0:07:59 | 0:08:05 | |
In 1910, only seven years after the Wright brothers had mastered powered flight on the sand dunes | 0:08:07 | 0:08:15 | |
of America's east coast, a dashing 26-year-old Harry Ferguson planned to put Ireland on the aviation map. | 0:08:15 | 0:08:23 | |
He came here to Newcastle, County Down. | 0:08:23 | 0:08:27 | |
The town had offered a £100 prize to the first person to fly three miles across the bay. | 0:08:27 | 0:08:32 | |
Aviation enthusiast Ernie Cromie has a 3rd scale model of Harry's flying machine. | 0:08:35 | 0:08:41 | |
So where did he come to the design, how did he come up with this? | 0:08:41 | 0:08:44 | |
Basically by looking at other aircraft which some of the early pioneers had made, | 0:08:44 | 0:08:49 | |
people like Bleriot and so on, at air shows in Rheims and Blackpool, | 0:08:49 | 0:08:54 | |
and then deciding, right, that looks reasonably good, and I'll have a little bit of that. | 0:08:54 | 0:08:59 | |
The controls were pretty basic, really, a throttle lever, mechanism to control the elevators | 0:08:59 | 0:09:06 | |
at the rear of the aircraft, and also a rudder, | 0:09:06 | 0:09:10 | |
and then to turn the aircraft in the air, it was basically by a system of wing warping, | 0:09:10 | 0:09:16 | |
to alter the degree of lift on either wing. | 0:09:16 | 0:09:18 | |
-Wing warping, bending the wings. -Exactly. | 0:09:18 | 0:09:21 | |
We're talking about wood and... what was the material he used? | 0:09:21 | 0:09:23 | |
Well, it would have been Irish linen, what else? | 0:09:23 | 0:09:26 | |
-He left the ground in something made out of wood and linen. -That's right. | 0:09:26 | 0:09:30 | |
On the 8th August 1910, Harry's Ferguson's ambition reached for the skies. | 0:09:32 | 0:09:38 | |
For three long miles, he battled against winds whipping across the Irish Sea. | 0:09:38 | 0:09:43 | |
Harry held his nerve. The first person to see this stretch | 0:09:43 | 0:09:47 | |
of Ireland's coast from the air. He pocketed the £100 prize. | 0:09:47 | 0:09:53 | |
But a much bigger prize was at stake for Irish aviation 30 years later in 1940. | 0:09:56 | 0:10:03 | |
During the Second World War, a battle was being fought | 0:10:10 | 0:10:13 | |
off Ireland's west coast for the control of the Atlantic. | 0:10:13 | 0:10:17 | |
The convoys supplying Britain were at the mercy of the U-boats. | 0:10:17 | 0:10:22 | |
The Allies fought back from sea and air. | 0:10:22 | 0:10:25 | |
The depth charges of the Sunderland flying boats sank many a Nazi sub. | 0:10:28 | 0:10:35 | |
English plane makers Shorts collaborated with Belfast shipbuilders Harland and Wolff | 0:10:36 | 0:10:41 | |
to build the Sunderland flying boats. | 0:10:41 | 0:10:44 | |
Ted Jones is in his 80s now, but as a young pilot, | 0:10:47 | 0:10:50 | |
he learnt to handle sky-going ships at Pensacola on the Florida coast. | 0:10:50 | 0:10:56 | |
Obviously, it was tough in the RAF, Pensacola Beach, you getting a suntan, is that what it was then? | 0:10:56 | 0:11:02 | |
-Of course, well we had to relax, of course. -And that's where you learnt to fly flying boats. | 0:11:02 | 0:11:06 | |
-So how successful was the Sunderland as a weapons system? -Very good. It was a colossal air... | 0:11:06 | 0:11:12 | |
It weighed about 25 tonne when it was fully loaded. | 0:11:12 | 0:11:15 | |
It was built like a tank, it kind of wrapped itself around you and... | 0:11:15 | 0:11:18 | |
I felt at home. When I got in and sat on my seat, I was at home, you know. | 0:11:18 | 0:11:22 | |
But to fly, they were beautiful to fly. | 0:11:22 | 0:11:26 | |
No matter how bad the weather may be, they're always on the job, | 0:11:26 | 0:11:29 | |
bringing in the convoys, looking out for U-boats and enemy raiders. | 0:11:29 | 0:11:32 | |
-The operational flights were very long, weren't they? -About 12, 13 hours. | 0:11:32 | 0:11:36 | |
What about eating and sort of surviving? | 0:11:36 | 0:11:39 | |
Oh, well, we cooked onboard. The Sunderland has two decks, so you had | 0:11:39 | 0:11:43 | |
the bottom deck with the kitchen, the flush toilet and the wardrobe. | 0:11:43 | 0:11:48 | |
And then you went back to the bomb room. | 0:11:48 | 0:11:51 | |
There's a submarine, let's descend and have a closer look. | 0:11:51 | 0:11:54 | |
It seems British but we'd better make sure. | 0:11:54 | 0:11:56 | |
It was really important to have the whole of the north Atlantic open, it kept Britain alive. | 0:11:56 | 0:12:00 | |
-Oh, it did, yes, of course it did. -We don't see flying boats, why don't we have them any more? | 0:12:00 | 0:12:05 | |
Well, they're difficult to handle on the water, you see. You can't just say, | 0:12:05 | 0:12:09 | |
"The wind's blowing that way but you want to park it here," you can't do that. | 0:12:09 | 0:12:13 | |
They don't build flying boats in Belfast any more, but they are still in the aircraft business, | 0:12:13 | 0:12:20 | |
a tradition of aviation excellence that goes back 100 years to Harry Ferguson, | 0:12:20 | 0:12:26 | |
and his most excellent adventure here over the sands of County Down. | 0:12:26 | 0:12:30 | |
We continue our wheel around the Irish Sea, in England with Alice. | 0:12:37 | 0:12:42 | |
The Solway Firth separates the Scots from the English. | 0:12:46 | 0:12:49 | |
England begins in the mud with the promise of mountains to come. | 0:12:49 | 0:12:56 | |
These beautiful beaches don't attract the crowds | 0:12:56 | 0:12:59 | |
like Blackpool further south, but you can still get a cornet. | 0:12:59 | 0:13:04 | |
You won't sell many ice creams at that speed! | 0:13:04 | 0:13:08 | |
Only a short drive away, the peaks of the Lake District are tantalisingly close. | 0:13:08 | 0:13:14 | |
Wastwater is the deepest lake in England, | 0:13:14 | 0:13:18 | |
and just behind is Scafell Pike, the highest mountain in England, | 0:13:18 | 0:13:24 | |
but the big story of this shore is sand. | 0:13:24 | 0:13:28 | |
Morecambe Bay, the largest expanse of inter-tidal mudflats in Britain, | 0:13:28 | 0:13:33 | |
fun for some, | 0:13:33 | 0:13:36 | |
an obstacle to others. | 0:13:37 | 0:13:39 | |
Morecambe Bay covers 120 square miles. | 0:13:39 | 0:13:43 | |
A long detour unless you brave the perilous path over the sand. | 0:13:43 | 0:13:49 | |
Before the railway arrived, horse-drawn carriages sometimes | 0:13:51 | 0:13:55 | |
got stuck, with tragic results, as they tried to race across the mud. | 0:13:55 | 0:14:00 | |
These sandbanks feel so solid, I can see why people might think about | 0:14:05 | 0:14:09 | |
taking a short cut across them, but they're also incredibly treacherous. | 0:14:09 | 0:14:13 | |
SIREN WAILS The siren warns the unwary that the tide's turning. | 0:14:13 | 0:14:18 | |
It rushes in at about nine miles an hour, twice the speed | 0:14:18 | 0:14:22 | |
of a brisk walk, flooding the bay in up to 30 foot of water. | 0:14:22 | 0:14:28 | |
And a hidden danger lurks to hold you fast as the sea surges in - | 0:14:28 | 0:14:33 | |
quicksand. | 0:14:33 | 0:14:35 | |
What turns soft sand, so nice between the toes, into a sticky sludge | 0:14:38 | 0:14:44 | |
that can cement you to the spot, unable to escape its grip? | 0:14:44 | 0:14:49 | |
Shortly, I'll shun the safety of the path and get stuck in the mud myself. | 0:14:49 | 0:14:54 | |
To see exactly what I'll be getting myself into, we're making some DIY quicksand. | 0:14:54 | 0:15:02 | |
Sedimentologist Jeff Peakall and his team from Leeds University are building up layers of sand | 0:15:02 | 0:15:08 | |
which can be saturated with water, flowing in from underneath. | 0:15:08 | 0:15:13 | |
Now you've got a tube of experimental quicksand here, but what is it when it occurs naturally? | 0:15:13 | 0:15:19 | |
Quicksand is really where you change from a solid state | 0:15:19 | 0:15:22 | |
into a liquid state, really rapidly, almost instantaneously. | 0:15:22 | 0:15:26 | |
And can it be any type of sand with water flowing through it? | 0:15:26 | 0:15:29 | |
No, it needs one with lots of holes in so it needs to be nice | 0:15:29 | 0:15:33 | |
round grains, ideally all grains of the same size. | 0:15:33 | 0:15:36 | |
What we're going to do here is run a quick experiment | 0:15:36 | 0:15:40 | |
and I'm going to put a model digger truck in here. | 0:15:40 | 0:15:43 | |
So the sand seems to be supporting the weight of that very well at the moment. | 0:15:43 | 0:15:46 | |
We're going to add a little bit of water, from underneath. | 0:15:46 | 0:15:49 | |
We've got some water flowing in through here, but it remains solid | 0:15:49 | 0:15:53 | |
for a period of time, and then suddenly it turns into a liquid, and our digger | 0:15:53 | 0:15:57 | |
is disappearing into the sand, just as the sand has gone from a solid into a liquid. | 0:15:57 | 0:16:03 | |
Yes, it's not just going underwater, it's actually sinking into the sand. | 0:16:03 | 0:16:08 | |
If you, as you walk on it, you just add that extra shaking | 0:16:08 | 0:16:11 | |
vibration, that's just enough to break the grains apart. | 0:16:11 | 0:16:15 | |
So one of the factors producing the sinking effect in quicksand is actually the movement of the person. | 0:16:15 | 0:16:20 | |
Yes, and then if you begin to sink in and you start to wriggle, | 0:16:20 | 0:16:24 | |
then you increase the effect and you'll actually sink further. | 0:16:24 | 0:16:27 | |
One of the difficult things for the person falling into quicksand is to try and remain relatively still. | 0:16:27 | 0:16:32 | |
This will be me in a minute, sinking in. | 0:16:34 | 0:16:37 | |
The secret for survival is to spread your weight over the surface, so instead of tyres, | 0:16:37 | 0:16:42 | |
the truck that's taking me out is on tracks. | 0:16:42 | 0:16:47 | |
It's one of the few vehicles you could actually take out onto the sands with confidence and knowing | 0:16:47 | 0:16:52 | |
that you would get back safely, and that's all because of its huge wide tracks underneath. | 0:16:52 | 0:16:57 | |
We've actually gone out of this vehicle before and | 0:16:57 | 0:17:00 | |
stepped onto the sand and sunk and the vehicle's been sat on the top. | 0:17:00 | 0:17:03 | |
Volunteer Garry Parsons set up Bay Search & Rescue | 0:17:03 | 0:17:08 | |
after witnessing the galloping tide almost kill a man stuck in the mud. | 0:17:08 | 0:17:12 | |
The sand was so hard you couldn't drive your fingers into it down by the side of his legs. | 0:17:12 | 0:17:16 | |
We thought we were going to watch this guy drown right in front of us. | 0:17:16 | 0:17:19 | |
Now these versatile vehicles provide rapid response, | 0:17:19 | 0:17:24 | |
taking the most direct route to strugglers on the sand. | 0:17:24 | 0:17:28 | |
Down we go. | 0:17:28 | 0:17:29 | |
That is incredibly steep. | 0:17:29 | 0:17:32 | |
Bay Search & Rescue and the on-site coastguard are preparing | 0:17:41 | 0:17:44 | |
for a spot of quicksand training, and I'm going to be the guinea pig. | 0:17:44 | 0:17:49 | |
Starting to have second thoughts about this. | 0:17:52 | 0:17:54 | |
Lovely bit of quicksand we stumbled across this morning for you. | 0:17:54 | 0:17:58 | |
-Right. -Off you go, jump in. | 0:17:58 | 0:18:00 | |
OK. | 0:18:00 | 0:18:01 | |
If I'm going to get myself in here, you better get me out before the tide comes in. | 0:18:01 | 0:18:05 | |
No worries. | 0:18:05 | 0:18:07 | |
That feels quite firm... at the moment. | 0:18:09 | 0:18:12 | |
I'm just moving my ankles, I reckon, and there's some water there. | 0:18:12 | 0:18:16 | |
The mud is just there, can I get my foot out? | 0:18:16 | 0:18:19 | |
What's really horrible and produces this rising sense of panic, | 0:18:26 | 0:18:31 | |
you're trying to move and you're trying to work yourself free, and every time you're moving your foot | 0:18:31 | 0:18:36 | |
and agitating the silt around you, you can just feel yourself sinking in further. | 0:18:36 | 0:18:42 | |
It really is solid, I reckon I can lean right back | 0:18:42 | 0:18:46 | |
and just stay in the silt. | 0:18:46 | 0:18:49 | |
It's got me good and proper, that really is quite scary. | 0:18:50 | 0:18:55 | |
It's very scary, | 0:18:55 | 0:18:58 | |
you can just imagine being here and the tide coming in, | 0:18:58 | 0:19:01 | |
nobody around for miles, I just can't move. | 0:19:01 | 0:19:05 | |
'The sand roots you to the spot, and then the sea rises over your head. | 0:19:09 | 0:19:16 | |
'That's why these guys race against the tide.' | 0:19:20 | 0:19:23 | |
OK, Alice, we'll soon have you out. | 0:19:23 | 0:19:27 | |
The only way to release me is to liquefy the sand. | 0:19:27 | 0:19:31 | |
First they loosen it up and then turn it into a liquid by adding more water. | 0:19:31 | 0:19:35 | |
I'm a bit worried about sinking further in. | 0:19:35 | 0:19:37 | |
You won't go any further. | 0:19:37 | 0:19:39 | |
Is that coming out? It's coming. | 0:19:46 | 0:19:49 | |
That's one. | 0:19:51 | 0:19:53 | |
-OK? -Yeah. | 0:19:54 | 0:19:56 | |
-Thank you very much. -You're welcome. | 0:20:04 | 0:20:06 | |
It's great to be free. | 0:20:10 | 0:20:14 | |
Despite the dangers, if you stick within safe limits, | 0:20:14 | 0:20:18 | |
this is a paradise for playing around. | 0:20:18 | 0:20:22 | |
We love the seaside so much, we'll pay for its pleasures. | 0:20:25 | 0:20:29 | |
Sand and scares can be a winning combination. | 0:20:33 | 0:20:38 | |
Further south at Sefton Sands, they have their own thrill rides. | 0:20:47 | 0:20:52 | |
Then big, long beaches give way to a big, bold city... | 0:20:54 | 0:21:01 | |
Liverpool. | 0:21:02 | 0:21:05 | |
The Mersey might be muddy, but where there's muck, there's brass, or maybe iron. | 0:21:07 | 0:21:13 | |
An iron ship, as Mark's about to find out. | 0:21:13 | 0:21:17 | |
In 1888, the world's largest ship was making her way up the Mersey, | 0:21:17 | 0:21:24 | |
the SS Great Eastern. | 0:21:24 | 0:21:27 | |
It was the final engineering triumph of Isambard Kingdom Brunel. | 0:21:27 | 0:21:32 | |
But this wasn't her maiden voyage, it was her last. | 0:21:34 | 0:21:39 | |
The Great Eastern had been launched 30 years earlier in 1858. | 0:21:40 | 0:21:46 | |
Built for non-stop travel to Australia, | 0:21:48 | 0:21:52 | |
she was nearly twice the length of any other ship, | 0:21:52 | 0:21:56 | |
the largest moveable thing men had ever made. | 0:21:56 | 0:22:00 | |
And Brunel was the man that designed her. | 0:22:01 | 0:22:05 | |
This is the most famous of all the images of Brunel. | 0:22:07 | 0:22:10 | |
Look, he has his stovepipe hat, his cigar, behind him the drag chains of the Great Eastern. | 0:22:10 | 0:22:18 | |
But he's actually a real engineer, because, look, he's got mud on his trousers. | 0:22:18 | 0:22:22 | |
His plan for the Great Eastern specified a revolutionary double skin iron hull, | 0:22:22 | 0:22:30 | |
but her massive size also made her massively over-budget. | 0:22:30 | 0:22:36 | |
Building his masterpiece took a terrible toll on Brunel. | 0:22:36 | 0:22:42 | |
A week after the Great Eastern's trial voyage, he died, following a stroke. | 0:22:42 | 0:22:48 | |
His great liner fared little better. | 0:22:49 | 0:22:52 | |
Smaller, faster ships captured the passenger trade she was built for. | 0:22:52 | 0:22:58 | |
Her last journey was down the Mersey | 0:22:58 | 0:23:01 | |
to become a floating billboard advertising a local department store. | 0:23:01 | 0:23:08 | |
If Brunel had seen it thus, he would have cried. | 0:23:08 | 0:23:12 | |
Finally, the ship that had broken Brunel's heart | 0:23:14 | 0:23:17 | |
was herself to be broken up for scrap. | 0:23:17 | 0:23:21 | |
Too big for the breaker's yard, she was beached on the banks of the Mersey. | 0:23:21 | 0:23:27 | |
Marine archaeologist Mike Stammers is showing me her last resting place. | 0:23:29 | 0:23:35 | |
So this is a contemporary photograph? | 0:23:35 | 0:23:38 | |
Yes, of the Great Eastern on New Ferry Beach. | 0:23:38 | 0:23:40 | |
She's looking at an angle, isn't she? | 0:23:40 | 0:23:42 | |
-Yes, and we're standing right near the bow. -What, just there? | 0:23:42 | 0:23:47 | |
Yeah, two tiny little people looking up at this towering bow. | 0:23:47 | 0:23:51 | |
-It would have been right up there. -Yeah, right up into the sky blocking out the skyline behind. | 0:23:51 | 0:23:57 | |
This mountain of wrought iron was a valuable prize for the scrap metal men, | 0:23:57 | 0:24:02 | |
but the old girl wasn't going to go down without a struggle. | 0:24:02 | 0:24:07 | |
What they hadn't bargained for was the workmanship of Brunel. | 0:24:07 | 0:24:11 | |
She was so well built it took them nearly two years to break it up. | 0:24:11 | 0:24:14 | |
So rather than making a big profit they made a loss. | 0:24:14 | 0:24:17 | |
They made a thumping great loss. | 0:24:17 | 0:24:19 | |
And, of course, the actual process of breaking her up must have been terribly hard work. | 0:24:19 | 0:24:25 | |
Oh, yes, because they had no oxyacetylene in those days, | 0:24:25 | 0:24:28 | |
it was a case of sledgehammers and coal chisels, | 0:24:28 | 0:24:30 | |
and a great big iron wrecking ball that they dropped onto the plates, and hoped to smash them apart. | 0:24:30 | 0:24:36 | |
200 men, sometimes working day and night, | 0:24:36 | 0:24:40 | |
needed two years to smash the ship to bits. | 0:24:40 | 0:24:45 | |
Surely some scrap must have sunk down into the silt. | 0:24:47 | 0:24:53 | |
Mike is off to try and find pieces of Brunel's liner buried in the mud, | 0:24:53 | 0:24:58 | |
but I'm going down river | 0:24:58 | 0:25:02 | |
to where they're still breaking up ships. | 0:25:02 | 0:25:05 | |
I want to see how things have moved on in the 120 years | 0:25:07 | 0:25:13 | |
since the Great Eastern was battered to death near here. | 0:25:13 | 0:25:17 | |
Former Falklands warship HMS Intrepid arrived six months ago to be broken up. | 0:25:20 | 0:25:28 | |
-Where's the ship? -Well, HMS Intrepid came in here in January, and this is all you've got left. | 0:25:28 | 0:25:35 | |
It looks like chaos, but presumably it's all terribly organised. | 0:25:35 | 0:25:38 | |
Everybody knows what they're doing, we've most probably got about 12 guys down here. | 0:25:38 | 0:25:42 | |
We've got six machines working, we're processing copper, brass, cable, aluminium. | 0:25:42 | 0:25:49 | |
Another eight weeks, this will be completely cleared, | 0:25:49 | 0:25:52 | |
the lock gates will be opened, water will come in here, and hopefully two more vessels. | 0:25:52 | 0:25:58 | |
Just like for the Victorian ship breakers, time is still money, | 0:25:58 | 0:26:03 | |
speed is the difference between profit and loss. | 0:26:03 | 0:26:07 | |
But Brunel couldn't have imagined how his machine age would evolve to eat itself. | 0:26:07 | 0:26:13 | |
You can't crack up a ship without leaving some traces behind. | 0:26:17 | 0:26:22 | |
Back out in the mud, Mike thinks he's found a bit of Brunel's Great Eastern. | 0:26:27 | 0:26:32 | |
This is what I spotted before, I think you'll be rather impressed | 0:26:32 | 0:26:36 | |
-with this. -Isn't that extraordinary? -It's a great big chunk of iron plate. | 0:26:36 | 0:26:40 | |
-Hang on, there's a trowel for you. -Thank you. | 0:26:40 | 0:26:43 | |
-There, look, look. -Solid as anything. | 0:26:43 | 0:26:45 | |
How do you actually know this is the Great Eastern? | 0:26:45 | 0:26:48 | |
Well, the Great Eastern was built of very thick plate, either | 0:26:48 | 0:26:53 | |
three quarters of an inch or an inch thick, so if we get the callipers... | 0:26:53 | 0:26:59 | |
That looks pretty good. | 0:26:59 | 0:27:01 | |
-Look at that. -That's nearly an inch. -Nearly an inch. | 0:27:01 | 0:27:07 | |
-15/16. -So that's a good indicator. | 0:27:07 | 0:27:10 | |
It looks like it's running through to there, so if I try the other end, | 0:27:10 | 0:27:14 | |
looks like bits of rivet here as well. Look at those. | 0:27:14 | 0:27:20 | |
Look, I can just lift it out. | 0:27:22 | 0:27:24 | |
I've got my own row of rivets here as well. | 0:27:24 | 0:27:27 | |
Yeah, Great Eastern revealed. | 0:27:27 | 0:27:29 | |
There we are. Good Lord, bright metal. | 0:27:38 | 0:27:42 | |
Isn't that wonderful?! There it is, as fresh as it comes. | 0:27:44 | 0:27:50 | |
Some three million rivets held the Great Eastern together. | 0:27:50 | 0:27:55 | |
It seems a precious few are still holding fast 150 years later. | 0:27:55 | 0:28:02 | |
The struggle of building this iron leviathan broke Brunel, | 0:28:02 | 0:28:07 | |
but she's left him a fitting memorial, | 0:28:07 | 0:28:11 | |
ironwork of his masterpiece scattered in the mud of the Mersey. | 0:28:11 | 0:28:16 | |
In 1850, the metal merchants of the Mersey cast iron parts for a mighty machine. | 0:28:22 | 0:28:29 | |
And at the centre of the Irish Sea, out on the Isle of Man, it's still spinning. | 0:28:32 | 0:28:38 | |
We've come full circle, back to the Laxey Wheel. | 0:28:38 | 0:28:43 | |
Subtitles by Red Bee Media Ltd | 0:28:48 | 0:28:52 | |
E-mail [email protected] | 0:28:52 | 0:28:55 |