
Browse content similar to Gower to Anglesey (20min). Check below for episodes and series from the same categories and more!
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|---|---|---|---|
The coast of South West Wales. | 0:00:10 | 0:00:13 | |
Our earliest ancestors came to the edge of our islands | 0:00:13 | 0:00:18 | |
for sustenance from land, sea and sky. | 0:00:18 | 0:00:21 | |
But this cathedral of the elements didn't only nourish their bodies, | 0:00:22 | 0:00:27 | |
they also found succour for the soul. | 0:00:27 | 0:00:29 | |
Far on the horizon lies the vanishing point | 0:00:32 | 0:00:35 | |
between the sea and sky. | 0:00:35 | 0:00:36 | |
Out there, it seems as if the heavens and the earth meet. | 0:00:36 | 0:00:40 | |
No wonder then that natural "walkways to eternity", | 0:00:40 | 0:00:43 | |
like this one, where the land snakes out into the sea, | 0:00:43 | 0:00:46 | |
are special places with spiritual power for pilgrims and pagans alike. | 0:00:46 | 0:00:51 | |
Our journey continues, heading for Anglesey, | 0:01:21 | 0:01:24 | |
starting at Worm's Head in Gower. | 0:01:24 | 0:01:27 | |
These long fingers of land on the western edge of Britain | 0:01:31 | 0:01:35 | |
reach out to caress the Irish Sea. | 0:01:35 | 0:01:37 | |
Gower was the UK's first designated Area of Outstanding Natural Beauty, and at the very tip | 0:01:41 | 0:01:47 | |
of the Gower Peninsula lies this remarkable headland - Worm's Head. | 0:01:47 | 0:01:53 | |
Viking's coined its name "ormr" from the Old Norse for serpent. | 0:01:53 | 0:01:58 | |
I can see why that green spine of land reminded the Vikings | 0:01:58 | 0:02:01 | |
of a serpent reaching out to sea. | 0:02:01 | 0:02:04 | |
Those same Norsemen buried their dead in tombs they built | 0:02:04 | 0:02:08 | |
over there on Rhossili Down. | 0:02:08 | 0:02:10 | |
Who would dare disturb the spirits of their departed | 0:02:10 | 0:02:14 | |
with such a fierce beast guarding the shore? | 0:02:14 | 0:02:16 | |
Even today, you've got to be brave to take on the Worm's Head. | 0:02:18 | 0:02:22 | |
The scramble across the jagged causeway | 0:02:22 | 0:02:24 | |
that connects it to the mainland isn't for the faint-hearted. | 0:02:24 | 0:02:28 | |
I've got to read the tides right - the currents that come swirling in | 0:02:28 | 0:02:31 | |
across the rocks can easily cut you off, or wash you away. | 0:02:31 | 0:02:36 | |
You can't afford to hang around. | 0:02:40 | 0:02:43 | |
One adventurer who got himself marooned out here | 0:02:43 | 0:02:46 | |
was the poet Dylan Thomas. | 0:02:46 | 0:02:48 | |
He told tales of being trapped on the rocks by the rising tide as darkness fell. | 0:02:48 | 0:02:53 | |
Now it gets really tough. | 0:02:56 | 0:02:58 | |
Just as I need to get a move on, the landscape and the elements are against me. | 0:02:58 | 0:03:02 | |
Once you've scrambled along the rocks of the low neck, | 0:03:05 | 0:03:08 | |
you reach a jagged arch, cut by the sea clean through the body of the beast. | 0:03:08 | 0:03:12 | |
It takes you to the outer head - the loneliest tip of Gower. | 0:03:12 | 0:03:16 | |
They call this the Devil's Bridge, and I'd love to cross over and carry on, | 0:03:17 | 0:03:21 | |
but I'm going to leave that little slice of heaven to the birds. | 0:03:21 | 0:03:25 | |
I'm here in May, and at this time of year, | 0:03:25 | 0:03:28 | |
the tip of Worm's Head is out of bounds | 0:03:28 | 0:03:30 | |
because the seabirds are busy nesting. | 0:03:30 | 0:03:33 | |
I'm glad to get a head start on the tide. | 0:03:35 | 0:03:37 | |
It's scary how fast the sea rushes in to make this an island once more. | 0:03:37 | 0:03:42 | |
But there'll be other great walkways into the sea to explore | 0:03:47 | 0:03:51 | |
as I venture westward along the Welsh shore. | 0:03:51 | 0:03:54 | |
Worm's Head is just a tiny little snake of land poking its head | 0:03:56 | 0:04:00 | |
out of the Gower Peninsula, which itself | 0:04:00 | 0:04:03 | |
pokes out like a pimple on the face of the South Wales coast. | 0:04:03 | 0:04:08 | |
But this is no unsightly blemish, | 0:04:08 | 0:04:10 | |
more a site of serene beauty scraped clean by the last ice age. | 0:04:10 | 0:04:16 | |
We continue our journey westward along Carmarthen Bay. | 0:04:25 | 0:04:29 | |
Crossing the water into Pembrokeshire, Tenby's sweeping golden beaches | 0:04:31 | 0:04:36 | |
are just a taste of the majestic shoreline that awaits us. | 0:04:36 | 0:04:40 | |
Some of the best surfers in the world are drawn to open, wind-blown bays like Freshwater West. | 0:04:40 | 0:04:47 | |
Hi, I'm Kirsty Jones, I'm a professional kitesurfer. | 0:04:54 | 0:04:58 | |
I'm Kitesurf World Wave Champion and I've come to Freshwater West | 0:04:58 | 0:05:01 | |
to train for my next World Cup competition. | 0:05:01 | 0:05:05 | |
It's my favourite beach to come surfing. | 0:05:06 | 0:05:09 | |
It's a world-class surfing break and it's also really great for kitesurfing. | 0:05:09 | 0:05:14 | |
It's a really special place for me because that's where my roots are from | 0:05:15 | 0:05:19 | |
and it's always nice to come back, even though I travel all over the world. | 0:05:19 | 0:05:23 | |
OK, here we go. | 0:05:26 | 0:05:28 | |
I'm going to hit the wave on this one! | 0:05:29 | 0:05:33 | |
Kitesurfing is using a big power kite to pull you along on the water, | 0:05:33 | 0:05:40 | |
and you can do tricks, you can do jumps. | 0:05:40 | 0:05:42 | |
I'm going to do a little grab now. | 0:05:42 | 0:05:44 | |
You can just cruise along on the water. It's just an amazing sport. | 0:05:44 | 0:05:49 | |
I'm going to go for a forward loop now. | 0:05:57 | 0:05:59 | |
Freshwater West is just amazing when it's like this. | 0:06:06 | 0:06:09 | |
There's something really special about | 0:06:16 | 0:06:19 | |
the feeling of the sea air and the sea coming back to Wales. | 0:06:19 | 0:06:25 | |
I just love it. | 0:06:25 | 0:06:26 | |
Across St Bride's Bay is the tiny harbour of Solva. | 0:06:32 | 0:06:36 | |
We're nearing the western edge of Wales. | 0:06:36 | 0:06:39 | |
St Davids is Britain's smallest city with Wales's biggest cathedral. | 0:06:39 | 0:06:44 | |
The nation's patron saint established a monastery here in the 6th century, | 0:06:44 | 0:06:48 | |
when the sea was a religious highway spreading the word around early Christian Britain and Ireland. | 0:06:48 | 0:06:54 | |
Pembrokeshire has Britain's most coastal national park, | 0:07:01 | 0:07:05 | |
a glorious shoreline that you can walk from beginning to end | 0:07:05 | 0:07:10 | |
enjoying a coast path 186 miles long. | 0:07:10 | 0:07:14 | |
It helps to get your walking boots on to find the surprises tucked away along this shore. | 0:07:14 | 0:07:19 | |
Like here, at Abereiddi. | 0:07:21 | 0:07:24 | |
The locals call this place the Blue Lagoon, | 0:07:26 | 0:07:29 | |
and its aquamarine colour | 0:07:29 | 0:07:31 | |
gives it the look of a tropical pool, but it's far from natural. | 0:07:31 | 0:07:34 | |
Now it's a playground for divers and coasteers, but this place is a clue | 0:07:36 | 0:07:42 | |
to an industrial boom that happened here more than 100 years ago. | 0:07:42 | 0:07:47 | |
It's not just the sea that's been eating away at this coast. | 0:07:47 | 0:07:50 | |
The locals have done their share of nibbling too. | 0:07:50 | 0:07:54 | |
This was a slate quarry that once employed around 100 workers. | 0:07:54 | 0:07:58 | |
And just along the coastal path, another giant hole in the ground. | 0:08:00 | 0:08:05 | |
An exceptionally hard stone - dolerite - was blasted out | 0:08:05 | 0:08:09 | |
of the cliffs here, an ideal material for buildings and roads. | 0:08:09 | 0:08:13 | |
The rock was hauled a short distance by rail | 0:08:18 | 0:08:20 | |
to the tiny harbour at Porthgain. | 0:08:20 | 0:08:23 | |
The village is still dominated by enormous brick hulks. | 0:08:25 | 0:08:29 | |
Here the stone was crushed and graded in five separate bunkers, | 0:08:29 | 0:08:34 | |
then it cascaded down a loading chute into boats | 0:08:34 | 0:08:37 | |
waiting at the quayside. | 0:08:37 | 0:08:39 | |
Today, you see just the odd boat going in and out of the harbour, fishing for crabs and lobsters. | 0:08:40 | 0:08:46 | |
But when the quarry was going full tilt, the company had six steam coasters and at one time there were | 0:08:46 | 0:08:51 | |
100 other vessels, all registered at the port, and they're not entirely forgotten either. | 0:08:51 | 0:08:57 | |
The nameplates of many of them are inside the pub, nailed to the walls and above the tables. | 0:08:57 | 0:09:01 | |
A remarkable industrial operation dominated the surrounding area | 0:09:03 | 0:09:08 | |
right up until the 1930s. | 0:09:08 | 0:09:10 | |
Unearthing this lost world of endeavour | 0:09:10 | 0:09:12 | |
is a bit of archaeology anyone can do, so much still remains. | 0:09:12 | 0:09:18 | |
The Welsh coast is a fertile shore for the making of myths. | 0:09:28 | 0:09:33 | |
Here, legend tells of a city lost to the sea - | 0:09:33 | 0:09:37 | |
Cantre'r Gwaelod, the Welsh Atlantis. | 0:09:37 | 0:09:40 | |
And then you come to Porth Oer. | 0:09:44 | 0:09:47 | |
Here, there's more than a grain of truth in a local claim to fame. | 0:09:47 | 0:09:51 | |
Alice is on a mission to solve the riddle of the Singing Sands. | 0:09:51 | 0:09:56 | |
If you believe its name, this beach isn't just heavenly to look at, | 0:09:56 | 0:10:00 | |
it's also rather wonderful to listen to. | 0:10:00 | 0:10:03 | |
It's called the Whistling Sands. | 0:10:03 | 0:10:06 | |
It's not the wind that's whistling, supposedly it's the sand itself that squeaks. | 0:10:07 | 0:10:14 | |
To get to bottom of it, I'm joined by our acoustics expert David Sharp | 0:10:14 | 0:10:18 | |
from the Open University, | 0:10:18 | 0:10:19 | |
who'll be listening for the special music of this place. | 0:10:19 | 0:10:23 | |
And coastal scientist Rod Jones, | 0:10:23 | 0:10:25 | |
who'll be looking for the squeak in the sand. | 0:10:25 | 0:10:29 | |
Listening to the sound of the beach can be a bit hit and miss. | 0:10:29 | 0:10:33 | |
If it's been a very high tide or it's rained, you'd be out of luck. | 0:10:33 | 0:10:36 | |
But on a dry, sunny day like this, we should hear the squeak underfoot. | 0:10:36 | 0:10:41 | |
-Hi David, how are you? -Hello, I'm fine, thank you. | 0:10:42 | 0:10:45 | |
Now squeaking sand, I'm getting a tiny squeak as I'm walking along but it's very quiet. | 0:10:45 | 0:10:50 | |
OK, well, just try scuffing your foot through quite hard and see what happens. | 0:10:50 | 0:10:54 | |
Why don't we walk along a little bit and see if we can get that... | 0:10:54 | 0:10:58 | |
-SQUEAKING -Oh, there we go. -Oh, that was a good one. | 0:10:58 | 0:11:01 | |
-This looks quite mad. -That's it. | 0:11:01 | 0:11:04 | |
Brilliant, I'm getting it really nicely on the screen. | 0:11:07 | 0:11:10 | |
That's really squeaking! | 0:11:10 | 0:11:12 | |
I've never heard that before on a beach. | 0:11:15 | 0:11:17 | |
But we need more feet for the full effect. | 0:11:19 | 0:11:22 | |
Quiet please, we are recording the Squeaky Beach. | 0:11:22 | 0:11:28 | |
Yes, come on. | 0:11:28 | 0:11:29 | |
We'll make a line, I think. | 0:11:29 | 0:11:31 | |
What we probably need to try to do is to get in step. | 0:11:31 | 0:11:35 | |
-How did that sound, David? -Oh, it sounded excellent. We've got a really good recording. | 0:11:45 | 0:11:50 | |
And is this beach unique in making this sound? | 0:11:50 | 0:11:53 | |
Well, it's not unique. | 0:11:53 | 0:11:55 | |
There are around 30 beaches in the UK that will have these properties, | 0:11:55 | 0:12:00 | |
but this is one of the better ones. | 0:12:00 | 0:12:02 | |
There's a good chance you're close to a whistling beach, | 0:12:02 | 0:12:06 | |
particularly on the west coast. | 0:12:06 | 0:12:09 | |
But why aren't there more? | 0:12:09 | 0:12:11 | |
What makes these beaches special? | 0:12:11 | 0:12:14 | |
I'm with coastal scientist Rod Jones | 0:12:14 | 0:12:18 | |
to find out what makes some sand sing. | 0:12:18 | 0:12:21 | |
What is it that makes the sound at a particular beach special? | 0:12:23 | 0:12:27 | |
Why isn't all sand the same? | 0:12:27 | 0:12:28 | |
Well, sound is affected by the energy of the environment where it sits. | 0:12:28 | 0:12:33 | |
So you've got your waves coming in and that's sorting the sand, | 0:12:33 | 0:12:37 | |
and it's taking some grains and pulling them offshore, | 0:12:37 | 0:12:40 | |
and others it's pushing to the top end of the beach. | 0:12:40 | 0:12:43 | |
And you've also got the process of wind, so when the tide's out, | 0:12:43 | 0:12:47 | |
these sands will dry and the wind will blow across them | 0:12:47 | 0:12:50 | |
-and blow the finer particles up to the top of the shore. -Right. | 0:12:50 | 0:12:54 | |
And the balance of the wave energy, wind energy, | 0:12:54 | 0:12:57 | |
and the supply and grain size of the sediments that you've got | 0:12:57 | 0:13:01 | |
at the back there, will define what the particle size | 0:13:01 | 0:13:04 | |
and characteristics are of the beach sediment. | 0:13:04 | 0:13:07 | |
How the wind and waves sort the sand depends on the shape of a bay. | 0:13:08 | 0:13:12 | |
We compared samples from two different beaches, | 0:13:12 | 0:13:14 | |
from here at Whistling Sands and from Criccieth nearby. | 0:13:14 | 0:13:20 | |
Right, shall we try this sand first? Which is from Criccieth. | 0:13:20 | 0:13:24 | |
If I just zoom in on it... | 0:13:24 | 0:13:26 | |
So, large grains and also a variety of different grain sizes as well. | 0:13:27 | 0:13:31 | |
-And shapes as well. -Yeah. | 0:13:31 | 0:13:33 | |
You can actually see little particles of slate there, | 0:13:33 | 0:13:37 | |
as well as quartz and a lot of other things. | 0:13:37 | 0:13:39 | |
It's a very varied sort of sand. | 0:13:39 | 0:13:41 | |
OK, shall we have a look at the sand from Whistling Sands now? | 0:13:41 | 0:13:45 | |
Let's just compare it with the last one and see just how different it is. | 0:13:45 | 0:13:49 | |
Now that looks very different. | 0:13:50 | 0:13:52 | |
It is, isn't it? | 0:13:52 | 0:13:53 | |
The other one was much more varied in terms of grain size, | 0:13:53 | 0:13:57 | |
whereas this one seems to be much more dominantly composed of quartz. | 0:13:57 | 0:14:01 | |
-And it's much more uniform. -Yes. -In terms of size of grains. | 0:14:01 | 0:14:05 | |
They're quite well rounded, which means they will stack well together. | 0:14:05 | 0:14:09 | |
They've been sorted down, | 0:14:09 | 0:14:11 | |
a lot of the coarser and the finer fraction have been lost. | 0:14:11 | 0:14:15 | |
So wind and waves here have sifted the sand | 0:14:15 | 0:14:18 | |
into amazingly uniform, well-rounded particles. | 0:14:18 | 0:14:23 | |
But how does that produce a squeak? | 0:14:23 | 0:14:26 | |
David's come up with a super-size model of the sand grains. | 0:14:26 | 0:14:30 | |
David, what are you doing? | 0:14:30 | 0:14:32 | |
OK, well, what we've got here is | 0:14:32 | 0:14:35 | |
normal sand found on most beaches, not regular at all. | 0:14:35 | 0:14:38 | |
And what we've got here is our singing sand, with lots of | 0:14:38 | 0:14:42 | |
grains of the same size and all very well rounded. | 0:14:42 | 0:14:46 | |
When you kick your foot through the sand, you cause it to shear. | 0:14:46 | 0:14:50 | |
-That means, you cause layers to rub across each other. -Right. | 0:14:50 | 0:14:54 | |
Now let's have a look what happens with the normal sand, | 0:14:54 | 0:14:57 | |
and you can see that the grains just move up and down, | 0:14:57 | 0:15:01 | |
all at different times, at different rates. | 0:15:01 | 0:15:04 | |
With the singing sand, if you kick your foot through that, | 0:15:04 | 0:15:08 | |
what happens is that the grains all move up and down at the same time. | 0:15:08 | 0:15:13 | |
-They all move together. -Yeah. | 0:15:13 | 0:15:15 | |
So why does that produce a squeak? | 0:15:15 | 0:15:17 | |
Well, it's actually the whole layer moving up and down | 0:15:17 | 0:15:21 | |
and the whole surface then acts a bit like a loudspeaker, | 0:15:21 | 0:15:24 | |
vibrating and causing pressure changes in the air above, | 0:15:24 | 0:15:28 | |
which we hear as sound. | 0:15:28 | 0:15:29 | |
SQUEAKING | 0:15:29 | 0:15:33 | |
And not just any sound. | 0:15:33 | 0:15:35 | |
David's had time to analyse the squeaks he recorded to see if | 0:15:35 | 0:15:39 | |
the beach is as musical as its nickname, Whistling Sands, suggests. | 0:15:39 | 0:15:44 | |
The interesting thing is the regularity in which we get these pressure changes, | 0:15:44 | 0:15:49 | |
so we get these increases in pressure happening at very regular intervals, | 0:15:49 | 0:15:54 | |
and that's all caused by the sand vibrating up and down, | 0:15:54 | 0:15:57 | |
just like we saw with the balls, | 0:15:57 | 0:15:59 | |
And that gives us this pitched sound, like a musical note, almost. | 0:15:59 | 0:16:02 | |
We can actually demonstrate that, if you want to just try | 0:16:02 | 0:16:06 | |
-singing some notes into the microphone, we'll record that. -OK. | 0:16:06 | 0:16:09 | |
-OK, here we go. Right, off you go. -# Ahhhh... # | 0:16:09 | 0:16:13 | |
SHE SINGS REGULAR NOTES | 0:16:13 | 0:16:16 | |
OK, that's brilliant. | 0:16:19 | 0:16:20 | |
If we zoom in on one of those... | 0:16:20 | 0:16:23 | |
And again, yes, you can see the regular pattern, | 0:16:23 | 0:16:26 | |
you've got this regular repetition | 0:16:26 | 0:16:28 | |
of these increases and decreases in air pressure. | 0:16:28 | 0:16:31 | |
And it's this regular change that gives us the sense of pitch. | 0:16:31 | 0:16:35 | |
Unlike most sand, this sand actually sings. | 0:16:35 | 0:16:39 | |
It really does sing, yeah. | 0:16:39 | 0:16:40 | |
Scientists are starting to explain the sound of the sands, | 0:16:42 | 0:16:45 | |
but there remains a magical quality to this place that's hard to define. | 0:16:45 | 0:16:51 | |
I love the fact the Singing Sands are still something of a mystery, | 0:16:51 | 0:16:55 | |
and it's a puzzle that's played out along the beaches of our coast, | 0:16:55 | 0:17:00 | |
in the sand under our feet. | 0:17:00 | 0:17:02 | |
The golden sands and clear waters of Llyn have a majestic backdrop - | 0:17:11 | 0:17:16 | |
the imposing mountains of Snowdonia. | 0:17:16 | 0:17:18 | |
And facing them across the water, Anglesey, | 0:17:18 | 0:17:22 | |
the island known as Mon Mam Cymru - the mother of Wales. | 0:17:22 | 0:17:26 | |
On its western edge is Llanddwyn Island, home of Saint Dwynwen, | 0:17:27 | 0:17:32 | |
the patron saint of Welsh lovers. | 0:17:32 | 0:17:35 | |
Which brings me to my final destination - Llangwyfan. | 0:17:36 | 0:17:39 | |
I'm on the causeway leading out to the Church in the Sea. | 0:17:43 | 0:17:47 | |
This is Llangwyfan, the church of Saint Cwyfan. | 0:17:52 | 0:17:56 | |
The Irish knew him as Saint Kevin, | 0:17:56 | 0:17:59 | |
and he was from Glendalough, not far from the stretch of Irish coast | 0:17:59 | 0:18:03 | |
directly across the water from here. | 0:18:03 | 0:18:05 | |
There's been a church on this site since at least as early as 1254. | 0:18:10 | 0:18:14 | |
It was extended in 14th and 15th centuries | 0:18:14 | 0:18:17 | |
so it wasn't always the humble building that's here now, | 0:18:17 | 0:18:20 | |
because back in the day, there was a lot more land out here than there is now. | 0:18:20 | 0:18:24 | |
Over the centuries, the sea eroded this site | 0:18:27 | 0:18:31 | |
until the graves started to fall into the water. | 0:18:31 | 0:18:34 | |
So now the church sits here on a tiny promontory, | 0:18:34 | 0:18:37 | |
that, just like Worm's Head where my journey started, | 0:18:37 | 0:18:41 | |
becomes an island at high tide. | 0:18:41 | 0:18:44 | |
Subtitles by Red Bee Media Ltd | 0:18:54 | 0:18:58 |