Browse content similar to Gower to Anglesey (25min). Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The coast of south-west Wales. | 0:00:10 | 0:00:13 | |
Our earliest ancestors came to the edge of our islands for sustenance | 0:00:13 | 0:00:19 | |
from land, sea and sky. | 0:00:19 | 0:00:21 | |
But this cathedral of the elements didn't only nourish their bodies, | 0:00:22 | 0:00:27 | |
they also found succour for the soul. | 0:00:27 | 0:00:29 | |
Far on the horizon lies the vanishing point | 0:00:32 | 0:00:35 | |
between the sea and sky. | 0:00:35 | 0:00:36 | |
Out there, it seems as if the heavens and the earth meet. | 0:00:36 | 0:00:40 | |
No wonder then that natural "walkways to eternity", | 0:00:40 | 0:00:43 | |
like this one, where the land snakes out into the sea, | 0:00:43 | 0:00:46 | |
are special places with spiritual power for pilgrims and pagans alike. | 0:00:46 | 0:00:51 | |
We're on a journey from one great finger of land, at Worm's Head, | 0:00:55 | 0:00:59 | |
to another on the Llyn Peninsula. | 0:00:59 | 0:01:02 | |
Travelling up the heavenly west coast of Wales to explore divine | 0:01:02 | 0:01:06 | |
and devilish goings-on along this stunning shore. | 0:01:06 | 0:01:11 | |
Having crossed from Brittany, | 0:01:37 | 0:01:39 | |
we're still in the land of the Celts, but back on home turf. | 0:01:39 | 0:01:43 | |
Our journey continues, heading for Anglesey, | 0:01:43 | 0:01:47 | |
starting at Worm's Head in Gower. | 0:01:47 | 0:01:49 | |
These long fingers of land on the western edge of Britain | 0:01:53 | 0:01:57 | |
reach out to caress the Irish Sea. | 0:01:57 | 0:01:59 | |
Gower was the UK's first designated Area of Outstanding Natural Beauty, and at the very tip | 0:02:03 | 0:02:09 | |
of the Gower Peninsula lies this remarkable headland - Worm's Head. | 0:02:09 | 0:02:15 | |
Vikings coined its name "ormr" from the Old Norse for serpent. | 0:02:15 | 0:02:20 | |
I can see why that green spine of land reminded the Vikings | 0:02:20 | 0:02:23 | |
of a serpent reaching out to sea. | 0:02:23 | 0:02:26 | |
Those same Norsemen buried their dead in tombs they built | 0:02:26 | 0:02:30 | |
over there on Rhossili Down. | 0:02:30 | 0:02:32 | |
Who would dare disturb the spirits of their departed | 0:02:32 | 0:02:36 | |
with such a fierce beast guarding the shore? | 0:02:36 | 0:02:39 | |
Worm's Head is just a tiny little snake of land poking its head | 0:02:39 | 0:02:43 | |
out of the Gower Peninsula, which itself | 0:02:43 | 0:02:46 | |
pokes out like a pimple on the face of the South Wales coast. | 0:02:46 | 0:02:50 | |
But this is no unsightly blemish, | 0:02:50 | 0:02:52 | |
more a site of serene beauty scraped clean by the last ice age. | 0:02:52 | 0:02:58 | |
Its pretty make-up conceals dark dealings, though. | 0:02:58 | 0:03:01 | |
Nick Crane's looking for trouble in paradise. | 0:03:04 | 0:03:07 | |
He's on the trail of Gower's secret history. | 0:03:07 | 0:03:10 | |
On November 1, 1887, this ship, the Helvetia, | 0:03:16 | 0:03:21 | |
was struck by a terrible storm which swept along the coast of South Wales. | 0:03:21 | 0:03:26 | |
Now, the skeletal ribs rise from their watery grave every low tide, | 0:03:31 | 0:03:36 | |
to reveal the remains of a hull once laden with a cargo of wood. | 0:03:36 | 0:03:41 | |
The Helvetia was an honest trader that fell foul of the weather. | 0:03:41 | 0:03:45 | |
The same wild shores which wrecked Helvetia were used by other vessels | 0:03:45 | 0:03:51 | |
for a much more sinister and profitable purpose. | 0:03:51 | 0:03:55 | |
Smuggling. | 0:03:55 | 0:03:56 | |
I'm searching for the smugglers who once stalked this coast. | 0:03:58 | 0:04:03 | |
Surely they couldn't cover their tracks completely. | 0:04:03 | 0:04:06 | |
Contraband travelled by sea, and so am I, | 0:04:08 | 0:04:12 | |
with the crew of the Olga. | 0:04:12 | 0:04:14 | |
Boats like this were built for speed. | 0:04:15 | 0:04:18 | |
She's a Bristol Channel pilot cutter, | 0:04:18 | 0:04:21 | |
whose legal trade was to guide bigger ships safely to port. | 0:04:21 | 0:04:24 | |
See if you can make that off there, Mike. | 0:04:24 | 0:04:26 | |
But such sleek lines and yards of sail | 0:04:26 | 0:04:29 | |
also made boats like this ideal for a profitable sideline. | 0:04:29 | 0:04:34 | |
How suitable would a pilot cutter like this have been to smugglers? | 0:04:36 | 0:04:40 | |
Very good. | 0:04:40 | 0:04:41 | |
Lots of space down below, | 0:04:41 | 0:04:43 | |
lot of contact with all the trade ships coming in, and the boat would | 0:04:43 | 0:04:46 | |
have beached quite nicely, because it has got a nice flat bottom. | 0:04:46 | 0:04:50 | |
And the boat actually has legs which she uses to stand on the beach. | 0:04:50 | 0:04:54 | |
This is actually the Olga. | 0:04:55 | 0:04:56 | |
-So this is the legs stopping the ship from falling over? -Yeah. | 0:04:56 | 0:04:59 | |
But that means... | 0:04:59 | 0:05:00 | |
That pilot cutters could use any part of the coast they wanted? | 0:05:00 | 0:05:02 | |
Any part of the coast they wanted to, yeah. | 0:05:02 | 0:05:05 | |
Flat bottomed vessels like this were perfectly suited to the bays | 0:05:05 | 0:05:09 | |
and curves of Gower, | 0:05:09 | 0:05:10 | |
which has plenty of spots to beach a boat with an illegal haul. | 0:05:10 | 0:05:14 | |
The peak years for smuggling were around 1800. | 0:05:15 | 0:05:18 | |
To fund the Napoleonic Wars, | 0:05:18 | 0:05:20 | |
communities were heavily taxed on everyday goods. | 0:05:20 | 0:05:23 | |
Smugglers' boats bulged with basics like salt, soap and tea, | 0:05:25 | 0:05:29 | |
as well as alcohol and tobacco. | 0:05:29 | 0:05:31 | |
In lawless areas like Gower, violent criminal gangs roamed, | 0:05:34 | 0:05:37 | |
and the Customs men were heavily armed too. | 0:05:37 | 0:05:40 | |
Museum curator Steve Butler | 0:05:40 | 0:05:42 | |
has brought some of the tools of the trade. | 0:05:42 | 0:05:45 | |
-My goodness. -This is a blunderbuss. | 0:05:46 | 0:05:48 | |
This is a very vicious looking weapon, isn't it? | 0:05:48 | 0:05:50 | |
A blunderbuss was designed to fire shot over a short distance | 0:05:50 | 0:05:55 | |
-in a broad spread. -You wouldn't want to be hit by anything coming | 0:05:55 | 0:05:57 | |
-out of the mouth of this, would you? -Absolutely not. | 0:05:57 | 0:06:00 | |
Armed to the teeth in fast boats, | 0:06:02 | 0:06:04 | |
you can see how the smugglers kept one step ahead of Customs. | 0:06:04 | 0:06:07 | |
But they couldn't stay at sea for ever. | 0:06:07 | 0:06:10 | |
They had to land their contraband somewhere. | 0:06:10 | 0:06:13 | |
Surely the smugglers had to have hidey-holes | 0:06:13 | 0:06:16 | |
tucked away along this coast? | 0:06:16 | 0:06:18 | |
Perhaps one of the store rooms is in a secluded cliff near Port Eynon. | 0:06:18 | 0:06:23 | |
Below me is one of the most mysterious structures on the coast of Wales. | 0:06:26 | 0:06:31 | |
This is Culver Hole. | 0:06:33 | 0:06:35 | |
It's so tightly-packed into the rock, it almost looks natural. | 0:06:35 | 0:06:40 | |
As front doors go, this is fairly inaccessible. | 0:06:46 | 0:06:49 | |
I've never seen anything quite like it. | 0:06:49 | 0:06:51 | |
It's built like a castle. We've got these very strange-shaped windows above. | 0:06:51 | 0:06:55 | |
There are no floors in it. | 0:06:55 | 0:06:58 | |
Look at these stone niches, lots of them. | 0:06:58 | 0:07:01 | |
I'm hoping to find out more from National Trust warden Sian Musgrave. | 0:07:03 | 0:07:07 | |
-Hi, Sian, very good to meet you. -Hi, Nick, and you. | 0:07:07 | 0:07:10 | |
Now, can you tell me, what is this peculiar building? | 0:07:10 | 0:07:14 | |
It's very inaccessible, so it's a great hiding place. | 0:07:14 | 0:07:17 | |
Would it have been used by smugglers, do you think? | 0:07:17 | 0:07:20 | |
I think there's a high degree of probability that it was used by smugglers. | 0:07:20 | 0:07:24 | |
When the tide comes in, you can get a boat right in. | 0:07:24 | 0:07:26 | |
And inside, there's what appears to be a tunnel leading out from the back wall. | 0:07:26 | 0:07:31 | |
Yeah, there's a small tunnel and a little chamber, | 0:07:31 | 0:07:35 | |
which again leads us to think that it could have been used to keep things | 0:07:35 | 0:07:39 | |
out of the customs men's reach. | 0:07:39 | 0:07:41 | |
The highpoint of smuggling was about 200 years ago. | 0:07:41 | 0:07:44 | |
But this structure looks much older, medieval even. | 0:07:44 | 0:07:50 | |
And the old English name Culver Hole suggests an earlier use. | 0:07:50 | 0:07:56 | |
Culver is an old word which means pigeon. It's a pigeon house. | 0:07:56 | 0:07:59 | |
It's actually a medieval dovecote. | 0:07:59 | 0:08:03 | |
So that's what those rectangular niches are? | 0:08:03 | 0:08:06 | |
Yeah, they were built as an integrated part of the structure | 0:08:06 | 0:08:09 | |
so that the pigeons could go in and nest, so they'd encourage the populations to multiply | 0:08:09 | 0:08:14 | |
and then it would serve as food, | 0:08:14 | 0:08:16 | |
and they'd take the eggs as well as the meat. | 0:08:16 | 0:08:18 | |
So Culver Hole was originally a coastal larder many centuries ago, | 0:08:18 | 0:08:23 | |
when pigeon meat was a prized foodstuff. | 0:08:23 | 0:08:25 | |
But there's layer upon layer of history here. | 0:08:25 | 0:08:29 | |
I can easily believe that much later on, | 0:08:29 | 0:08:31 | |
it was converted to a hidey-hole for contraband. | 0:08:31 | 0:08:36 | |
Many Welsh islands owe their names to travellers. | 0:08:41 | 0:08:44 | |
Often Vikings can take the credit, | 0:08:44 | 0:08:47 | |
and Skomer is no exception. | 0:08:47 | 0:08:50 | |
Skomer derives from the Old Norse word "skolm", meaning short sword. | 0:08:50 | 0:08:55 | |
Vikings aren't the only adventurers that have been attracted to these islands. | 0:08:57 | 0:09:02 | |
This is a seabird paradise that welcomes some of the greatest airborne travellers on the planet. | 0:09:02 | 0:09:08 | |
I've visited Skomer quite a few times | 0:09:10 | 0:09:12 | |
and it's lovely to be back, | 0:09:12 | 0:09:14 | |
but every time I come here it's like I've got to get to know the island | 0:09:14 | 0:09:17 | |
all over again, it's ever-changing. It's a place of so many different facets. | 0:09:17 | 0:09:23 | |
One of the most precarious habitats is the Wick, | 0:09:23 | 0:09:26 | |
a sheer cliff with ledges ideally suited to nesting birds - | 0:09:26 | 0:09:31 | |
razorbills, guillemots, kittiwakes and fulmars. | 0:09:31 | 0:09:35 | |
I'm going to explore this fantastic abundance of birdlife, not just by day, but at night too. | 0:09:35 | 0:09:42 | |
In daylight, it's puffins that rule the roost. | 0:09:43 | 0:09:46 | |
And it's not rocky sea cliffs but rabbit burrows | 0:09:46 | 0:09:50 | |
that's their idea of a perfect des res. | 0:09:50 | 0:09:52 | |
This is one of the most important puffin colonies in north-western Europe. | 0:09:52 | 0:09:58 | |
The best way to appreciate the puffin's lifestyle is to get in the water with them. | 0:09:58 | 0:10:03 | |
Island warden Jo Milborrow is going to help me snorkel right up close. | 0:10:03 | 0:10:07 | |
I'm absolutely dying to get in. It's been a warm day and the water | 0:10:07 | 0:10:11 | |
looks so inviting and there are loads of puffins behind us. | 0:10:11 | 0:10:14 | |
-Yeah, they're great, aren't they? -Yeah, hope we can get close! | 0:10:14 | 0:10:17 | |
-Hopefully, if we go in they'll come and have a look at us. -Brilliant. | 0:10:17 | 0:10:21 | |
Oh, it's cool! It's very cool. | 0:10:22 | 0:10:25 | |
-That's chilly! -It's very chilly. | 0:10:27 | 0:10:30 | |
Puffins are easily spooked, so we have to be patient and move slowly. | 0:10:31 | 0:10:36 | |
But we're soon rewarded with a rare chance | 0:10:36 | 0:10:39 | |
of swimming within just a few feet of them. | 0:10:39 | 0:10:42 | |
Puffins certainly steal the limelight during the daytime. | 0:10:50 | 0:10:54 | |
But Skomer attracts vast numbers of globe trotters | 0:10:56 | 0:11:00 | |
who are much harder to spot until night falls. | 0:11:00 | 0:11:04 | |
Every summer, Skomer welcomes back a flock of old friends, | 0:11:04 | 0:11:07 | |
birds from the island who've travelled way out | 0:11:07 | 0:11:10 | |
to the coast of South America, a round trip of 18,000 miles, | 0:11:10 | 0:11:13 | |
and they come back here to the island, often to within just a few feet | 0:11:13 | 0:11:18 | |
of where they were born, to mate and breed. | 0:11:18 | 0:11:20 | |
I'm in search of one of the greatest adventurers of the animal kingdom - | 0:11:20 | 0:11:24 | |
the Manx shearwater. | 0:11:24 | 0:11:26 | |
This tiny island off Wales | 0:11:28 | 0:11:30 | |
becomes an extraordinary landing strip for Manx shearwaters, | 0:11:30 | 0:11:33 | |
returning after winter from fisheries far down in the South Atlantic. | 0:11:33 | 0:11:39 | |
Because they're shy, nocturnal birds, you'd be hard pushed to see them in daylight. | 0:11:42 | 0:11:47 | |
But, as the sun sets, the atmosphere really changes. | 0:11:47 | 0:11:51 | |
SQUAWKING | 0:11:51 | 0:11:53 | |
That cacophony means the Manx shearwaters are arriving | 0:11:53 | 0:11:57 | |
in their thousands, and I can just glimpse them in the darkness. | 0:11:57 | 0:12:00 | |
Professor Tim Guildford is going to help me get a closer look. | 0:12:04 | 0:12:08 | |
-They're everywhere. -They are, the place is absolutely littered with them. | 0:12:08 | 0:12:12 | |
And this guy has probably just landed. | 0:12:12 | 0:12:15 | |
I'm guessing this is a non-breeder. | 0:12:15 | 0:12:17 | |
Fabulous! | 0:12:19 | 0:12:21 | |
So this one's probably just a recent prospector | 0:12:21 | 0:12:26 | |
-who's looking to mate. -He's beautiful. | 0:12:26 | 0:12:28 | |
I don't know if you can see on the top of the beak there, there's two little holes. | 0:12:28 | 0:12:32 | |
These nostrils are actually salt-excreting glands. | 0:12:32 | 0:12:36 | |
-Yes, like a storm petrel. -Yeah, absolutely. | 0:12:36 | 0:12:39 | |
That allows this whole family of birds to live in the open ocean | 0:12:39 | 0:12:43 | |
without ever having to drink, so they can essentially either create | 0:12:43 | 0:12:47 | |
their own water metabolically, | 0:12:47 | 0:12:49 | |
or they can excrete salt sufficiently not to need fresh water. | 0:12:49 | 0:12:52 | |
'There are more than 100,000 breeding pairs on Skomer, | 0:12:54 | 0:12:59 | |
'and nest cameras provide new insights into how they rear their young. | 0:12:59 | 0:13:03 | |
'Researchers like Tim have also been tagging the birds with electronic geo-locators.' | 0:13:03 | 0:13:09 | |
-OK, that's great. -OK. | 0:13:09 | 0:13:11 | |
Here they come. | 0:13:11 | 0:13:13 | |
-Brilliant, so this is one of the tagged birds? -And on this leg... | 0:13:13 | 0:13:18 | |
That's the geolocator? It's so small. | 0:13:18 | 0:13:21 | |
Yeah, on this leg is the geolocating device... | 0:13:21 | 0:13:24 | |
The electronic log of this bird's position is downloaded to produce detailed maps. | 0:13:24 | 0:13:29 | |
This tells us, for every day and night of the year, where the bird has been. | 0:13:29 | 0:13:35 | |
So at last, now, we can reconstruct its entire migratory journey. | 0:13:35 | 0:13:40 | |
The male is the black one and the female is the purple one. | 0:13:40 | 0:13:43 | |
We see this outward migration down the west coast of Africa, | 0:13:43 | 0:13:48 | |
across to Brazil and then down to Argentina to over-winter. | 0:13:48 | 0:13:54 | |
They head back then in the early spring, | 0:13:54 | 0:13:57 | |
they take slightly different routes, but what you do see | 0:13:57 | 0:14:00 | |
is this extraordinary curve through the Caribbean. | 0:14:00 | 0:14:03 | |
They don't come back the way they went out. | 0:14:03 | 0:14:05 | |
-Isn't that incredible, they're not doing the same journey there and back? -It is. -I wonder why. | 0:14:05 | 0:14:10 | |
We think they're exploiting the North Atlantic currents, | 0:14:10 | 0:14:14 | |
this circular current. | 0:14:14 | 0:14:16 | |
So the currents and the weather systems move like this | 0:14:16 | 0:14:19 | |
so they're basically following weather systems, | 0:14:19 | 0:14:22 | |
making it efficient, using the winds. | 0:14:22 | 0:14:24 | |
And soon they're off, back out to sea. | 0:14:27 | 0:14:30 | |
By daybreak, the shearwaters have vanished, | 0:14:32 | 0:14:34 | |
perhaps the most remarkable secret of this magical seabird sanctuary on the Pembrokeshire coast. | 0:14:34 | 0:14:41 | |
This coast doesn't only promise a paradise of freedom, | 0:14:49 | 0:14:53 | |
it's also been transformed for terror, here at Harlech. | 0:14:53 | 0:14:58 | |
At the end of the 13th century, an English King invaded Wales, | 0:15:02 | 0:15:07 | |
determined the locals would submit to his divine right to rule. | 0:15:07 | 0:15:13 | |
On this spiritual shore, Edward I of England hatched a devilish plan | 0:15:13 | 0:15:19 | |
to enshrine his authority over the Welsh - in stone! | 0:15:19 | 0:15:24 | |
What a piece of work and truly awe-inspiring. | 0:15:24 | 0:15:29 | |
It looks terrifying now, | 0:15:29 | 0:15:30 | |
but can you imagine what it would have looked like 800 years ago? | 0:15:30 | 0:15:35 | |
I want to bring this building back to its former glory | 0:15:37 | 0:15:40 | |
and discover what made this one of Britain's most formidable fortresses. | 0:15:40 | 0:15:46 | |
Although the stone walls are largely intact, | 0:15:51 | 0:15:55 | |
Harlech Castle has been stripped of its strongest defence - | 0:15:55 | 0:16:00 | |
the sea. | 0:16:00 | 0:16:02 | |
Rhian Parry knows what's happened to the coast | 0:16:02 | 0:16:06 | |
since the castle was constructed. | 0:16:06 | 0:16:08 | |
We do know from this map of 1610 by Speed | 0:16:09 | 0:16:13 | |
that it was quite a different picture. | 0:16:13 | 0:16:16 | |
You can see, here's the castle. | 0:16:16 | 0:16:19 | |
We're presumably somewhere by that mermaid. | 0:16:19 | 0:16:21 | |
And look at the ships going in and out of the estuary. | 0:16:21 | 0:16:24 | |
The tradition is, and there's some documentary evidence, of course, | 0:16:24 | 0:16:28 | |
that there was a port for Harlech at Ynys at Ty Gwyn y Gamlas, | 0:16:28 | 0:16:33 | |
which literally means the white house of the canal, | 0:16:33 | 0:16:36 | |
and it's likely that this was all marsh | 0:16:36 | 0:16:39 | |
and at high tide was under water completely. | 0:16:39 | 0:16:42 | |
Restoring the sea to lap against the walls of Harlech castle | 0:16:42 | 0:16:47 | |
is step one of my medieval make-over. | 0:16:47 | 0:16:51 | |
This is how it looked | 0:16:51 | 0:16:53 | |
when Edward I of England built it to conquer the Welsh. | 0:16:53 | 0:16:58 | |
But the sea was more than a barrier. It was also a gateway. | 0:16:58 | 0:17:03 | |
Andrew, why have you brought me to this lump of masonry? | 0:17:03 | 0:17:07 | |
The name is explanatory in itself - this was the water gate, | 0:17:07 | 0:17:11 | |
and the implication is that the water was adjacent to it. | 0:17:11 | 0:17:14 | |
The sea actually lapped up onto the side of these rocks? | 0:17:14 | 0:17:19 | |
It did. So you've got to imagine water down here. | 0:17:19 | 0:17:22 | |
-With jetties and ships and everything? -Certainly a bustling harbour, | 0:17:22 | 0:17:26 | |
because they had an enormous amount of material to get up there. | 0:17:26 | 0:17:29 | |
All the stone and iron they were bringing in, food. | 0:17:29 | 0:17:31 | |
-They were feeding 900 men at one point. -So how do you get up there? | 0:17:31 | 0:17:35 | |
There's a path that goes up and I'll show you where that is. | 0:17:35 | 0:17:39 | |
The site of the castle starts to make sense. | 0:17:39 | 0:17:43 | |
With water guarding one side and steep slopes on the other, | 0:17:43 | 0:17:48 | |
there was only one way in - a landward gate | 0:17:48 | 0:17:52 | |
which was heavily fortified. | 0:17:52 | 0:17:54 | |
Just look at them, those towers! | 0:17:55 | 0:17:58 | |
One, two, three, four towers! | 0:17:58 | 0:18:00 | |
Yeah. They give an enormous aspect, don't they? | 0:18:00 | 0:18:03 | |
Any attacker who got this far would have to breach the gatehouse, | 0:18:03 | 0:18:08 | |
a massive defensive obstacle that dominates the castle. | 0:18:08 | 0:18:12 | |
You're making a huge statement, that this is the strongest bit. | 0:18:12 | 0:18:16 | |
Yeah, very definitely. | 0:18:16 | 0:18:19 | |
And this is sort of the chamber where... | 0:18:19 | 0:18:21 | |
This is the chamber where you didn't want to be. | 0:18:21 | 0:18:23 | |
-Two arrow slits. -Two arrow slits either side. | 0:18:23 | 0:18:26 | |
So, crossbows would have come through there. | 0:18:26 | 0:18:28 | |
You've got iron gate there, iron gate there... | 0:18:28 | 0:18:30 | |
-And attack from above as well. -Murder holes. | 0:18:30 | 0:18:33 | |
-Murder holes pouring down onto you. -Boiling oil... | 0:18:33 | 0:18:36 | |
Yeah, that sort of thing. | 0:18:36 | 0:18:38 | |
This concentric design, walls within walls, | 0:18:40 | 0:18:43 | |
held back the hostile Welsh nearby. | 0:18:43 | 0:18:46 | |
That's the Snowdonia range of mountains over there, and there's Snowdon. | 0:18:49 | 0:18:53 | |
And this was of course the Welsh stronghold | 0:18:53 | 0:18:55 | |
of the Princes of Gwynedd. | 0:18:55 | 0:18:57 | |
This was the real point that Edward had to get to, the bit he had to crack. | 0:18:57 | 0:19:02 | |
So what was his big idea? | 0:19:02 | 0:19:04 | |
He was going to encircle it with castles. | 0:19:04 | 0:19:06 | |
So Harlech is one, Caernarvon is the other on the north | 0:19:06 | 0:19:09 | |
and then you've got Conwy, and then slightly later, | 0:19:09 | 0:19:12 | |
Biwmares was built as well. | 0:19:12 | 0:19:13 | |
And this really represented, finally, the conquest of the Welsh. | 0:19:13 | 0:19:18 | |
It did, yes, yes, very definitely. | 0:19:18 | 0:19:20 | |
It's likely the grey stone walls of Harlech Castle | 0:19:21 | 0:19:26 | |
looked very different in its heyday. | 0:19:26 | 0:19:28 | |
Edward had the structure plastered with a white render of lime mortar. | 0:19:28 | 0:19:33 | |
Modern weapons are all about stealth, but in an earlier age, | 0:19:34 | 0:19:38 | |
this fortress was very much about broadcasting a message. | 0:19:38 | 0:19:43 | |
The building wasn't hiding, it was standing out, | 0:19:43 | 0:19:46 | |
a brutish display of English power. | 0:19:46 | 0:19:49 | |
This was the castle in full glory, | 0:19:49 | 0:19:52 | |
the shock and awe of the 13th century. | 0:19:52 | 0:19:56 | |
Can you imagine what that castle would have looked like painted all white? | 0:19:56 | 0:20:01 | |
A symbol of the conquest of Wales, but also a provocation. | 0:20:01 | 0:20:06 | |
The golden sands and clear waters of Llyn have a majestic backdrop - | 0:20:13 | 0:20:17 | |
the imposing mountains of Snowdonia. | 0:20:17 | 0:20:20 | |
And facing them across the water, Anglesey, | 0:20:20 | 0:20:24 | |
the island known as Mon Mam Cymru - the mother of Wales. | 0:20:24 | 0:20:28 | |
On its western edge is Llanddwyn Island, home of Saint Dwynwen, | 0:20:29 | 0:20:34 | |
the patron saint of Welsh lovers. | 0:20:34 | 0:20:35 | |
Which brings me to my final destination - Llangwyfan. | 0:20:37 | 0:20:41 | |
I'm on the causeway leading out to the Church in the Sea. | 0:20:45 | 0:20:49 | |
This is Llangwyfan, the church of Saint Cwyfan. | 0:20:54 | 0:20:58 | |
The Irish knew him as Saint Kevin, | 0:20:58 | 0:21:01 | |
and he was from Glendalough, not far from the stretch of Irish coast | 0:21:01 | 0:21:05 | |
directly across the water from here. | 0:21:05 | 0:21:07 | |
There's been a church on this site since at least as early as 1254. | 0:21:11 | 0:21:15 | |
It was extended in the 14th and 15th centuries | 0:21:15 | 0:21:18 | |
so it wasn't always the humble building that's here now, | 0:21:18 | 0:21:22 | |
because back in the day, there was a lot more land out here than there is now. | 0:21:22 | 0:21:26 | |
Over the centuries, the sea eroded this site | 0:21:29 | 0:21:32 | |
until the graves started to fall into the water. | 0:21:32 | 0:21:36 | |
So now the church sits here on a tiny promontory, | 0:21:36 | 0:21:39 | |
that, just like Worm's Head where my journey started, | 0:21:39 | 0:21:42 | |
becomes an island at high tide. | 0:21:42 | 0:21:45 | |
Places like this, sometimes part of the land, but sometimes part of the sea, | 0:21:47 | 0:21:52 | |
are reminders that everything is temporary. | 0:21:52 | 0:21:55 | |
No matter how hard we hold onto things, | 0:21:55 | 0:21:58 | |
our grasp of them is momentary. | 0:21:58 | 0:22:00 | |
And just like the tides around this promontory, we're just passing through. | 0:22:00 | 0:22:04 |