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|---|---|---|---|
The northwest coast of France, | 0:00:06 | 0:00:09 | |
and a fortified city that repelled the British for centuries. | 0:00:09 | 0:00:13 | |
But the city walls represent a mere bad-tempered blip | 0:00:14 | 0:00:19 | |
in a cosy cross-Channel relationship that spanned millennia. | 0:00:19 | 0:00:23 | |
After all, settlers from the British Isles gave this land its name. | 0:00:23 | 0:00:28 | |
In French, Great Britain is "Grande Bretagne", | 0:00:29 | 0:00:34 | |
but they call this place just "Bretagne". | 0:00:34 | 0:00:36 | |
You could say that, to the French, this is Little Britain. | 0:00:36 | 0:00:40 | |
We've crossed the Channel | 0:00:40 | 0:00:42 | |
to Brittany, like so many Britons before us. | 0:00:42 | 0:00:46 | |
A continual migration that shaped the landscape and language. | 0:00:49 | 0:00:53 | |
This is a coast of wild winds, | 0:00:57 | 0:00:59 | |
a home to free-spirited, seafaring folk. | 0:00:59 | 0:01:02 | |
Nick is peeling back the layers of the French onion men. | 0:01:08 | 0:01:11 | |
-You wear the berets. -Of course. -And have the bike. | 0:01:11 | 0:01:13 | |
But all the English people ask me where is my striped T-shirt? | 0:01:13 | 0:01:17 | |
While Miranda gets to grips with a rare local seafood. | 0:01:19 | 0:01:23 | |
-It's an abalone back flip. -At the standing stones of Carnac, | 0:01:23 | 0:01:28 | |
Mark discovers their irresistible pull. | 0:01:28 | 0:01:30 | |
This is a stupid way of moving a stone, you know! | 0:01:31 | 0:01:35 | |
And I'm off to the end of the Earth. | 0:01:35 | 0:01:38 | |
In Europe's darkest hour it gave us a shining light, | 0:01:38 | 0:01:42 | |
an island of unassuming heroes. | 0:01:42 | 0:01:45 | |
There's no heroes, we don't want that title. | 0:01:47 | 0:01:51 | |
We only did our duties. | 0:01:51 | 0:01:54 | |
This is Coast and beyond. | 0:01:58 | 0:02:00 | |
Look closely at this shoreline | 0:02:27 | 0:02:30 | |
and the name Brittany really begins to make sense. | 0:02:30 | 0:02:33 | |
The Celts of Cornwall and Wales | 0:02:35 | 0:02:38 | |
felt at home on these rugged rocks. | 0:02:38 | 0:02:41 | |
It's even got its own version of Lands End. | 0:02:42 | 0:02:46 | |
We followed age-old connections across the Channel. | 0:02:47 | 0:02:51 | |
We're heading for southern Brittany and the salt marshes of Guerande. | 0:02:54 | 0:03:00 | |
But we begin our Breton adventure 400 miles up the coast at St Malo. | 0:03:00 | 0:03:04 | |
Even this grand fortress, once a thorn in Britain's side, | 0:03:07 | 0:03:11 | |
has Celtic origins. | 0:03:11 | 0:03:13 | |
This city is named after a Welsh saint, Malo, or Maclou, | 0:03:17 | 0:03:21 | |
who washed up here sometime in the sixth century | 0:03:21 | 0:03:24 | |
in search of a fresh start. | 0:03:24 | 0:03:25 | |
He was escaping the chaos in Britain after the Romans left. | 0:03:27 | 0:03:31 | |
But Malo wasn't alone in seeking safe haven in Brittany. | 0:03:34 | 0:03:37 | |
Migrants had been making the short hop across the Channel | 0:03:39 | 0:03:42 | |
for centuries, | 0:03:42 | 0:03:45 | |
and the stories of those Britons are written along this coast. | 0:03:45 | 0:03:48 | |
Just offshore, the island of d'Aval. | 0:03:51 | 0:03:54 | |
Local legend say it's the site of Avalon, | 0:03:55 | 0:03:59 | |
where Excalibur was forged, the last resting place of King Arthur. | 0:03:59 | 0:04:04 | |
On this coast of Celtic myth, ancient tales submerged by the sea | 0:04:06 | 0:04:12 | |
are revealed at low tide. | 0:04:12 | 0:04:14 | |
A memorial to another saint, this time from Ireland, | 0:04:18 | 0:04:23 | |
Saint Efflam. | 0:04:23 | 0:04:24 | |
It's said he was guided to this spot by the hand of God. | 0:04:24 | 0:04:28 | |
It's a leap of faith many cross-Channel mariners have made. | 0:04:30 | 0:04:34 | |
Celtic cousins bonded by the sea. | 0:04:34 | 0:04:38 | |
Brittany may be mainland France but the Bretons have, | 0:04:46 | 0:04:50 | |
at times, felt more at home with us. | 0:04:50 | 0:04:54 | |
On the road to Roscoff, Nick is following a cultural crossover | 0:05:01 | 0:05:05 | |
which left a lasting impression. | 0:05:05 | 0:05:07 | |
It's an enduring image of the French - | 0:05:12 | 0:05:15 | |
bicycle-riding, stripy-topped. | 0:05:15 | 0:05:18 | |
All I need now is a string of onions! | 0:05:18 | 0:05:21 | |
Like a lot of people, I assumed this image was a myth. | 0:05:23 | 0:05:26 | |
But there may be something in it, just look at this photograph. | 0:05:27 | 0:05:32 | |
It was taken in the 1950s and it shows onion-sellers | 0:05:32 | 0:05:35 | |
from this part of Brittany. They look every inch, | 0:05:35 | 0:05:38 | |
or rather centimetre, the Frenchman, | 0:05:38 | 0:05:40 | |
I'm in search of what are known as the "onion Johnnies". | 0:05:40 | 0:05:44 | |
I'm told there's a new generation of Johnnies and I'm going to meet one. | 0:05:44 | 0:05:48 | |
If I'm looking for the classic image of a Frenchman, | 0:05:48 | 0:05:52 | |
Emmanuel Le Noac'h doesn't disappoint. | 0:05:52 | 0:05:54 | |
Hello, Emmanuel. | 0:05:54 | 0:05:55 | |
-Hello. -A great pleasure to meet you. | 0:05:55 | 0:05:57 | |
-Good afternoon. -You're already stringing onions. -Yeah, yeah, I'm starting my season. | 0:05:57 | 0:06:02 | |
Can you tell me what an onion Johnnie is? | 0:06:02 | 0:06:06 | |
It's only a onion seller who goes to England, | 0:06:06 | 0:06:10 | |
and me particularly I'm going to London, but we really started | 0:06:10 | 0:06:14 | |
in Wales because of the language, because the Breton language | 0:06:14 | 0:06:19 | |
is nearly the same as the Welsh one. | 0:06:19 | 0:06:22 | |
-Celtic language. -Celtic. -You're putting these onto the string | 0:06:22 | 0:06:26 | |
because this is how you have to show your... | 0:06:26 | 0:06:29 | |
It's not only to show, it's to keep it all the winter. | 0:06:29 | 0:06:32 | |
So you take your raffia, | 0:06:32 | 0:06:34 | |
you tie there with the neck, the air can't go through. | 0:06:34 | 0:06:39 | |
You can keep it 10-12 months. | 0:06:39 | 0:06:41 | |
So this is organic preservation? | 0:06:41 | 0:06:43 | |
It's organic preservation, exactly, yeah. | 0:06:43 | 0:06:46 | |
Now do tell me because some of these onion-sellers | 0:06:46 | 0:06:48 | |
in the 1950s photograph are wearing berets. | 0:06:48 | 0:06:52 | |
How important is it to have an onion-seller's costume to look French? | 0:06:52 | 0:06:56 | |
Yeah, it's like a costume, it's a bit like a business thing, | 0:06:56 | 0:06:59 | |
so with the beret against the rain is very good. | 0:06:59 | 0:07:02 | |
During the winter, I know they used to put newspaper in it. | 0:07:02 | 0:07:06 | |
-Keep your head warm. -Yes, but normally | 0:07:06 | 0:07:09 | |
you wear it like that, on one side. | 0:07:09 | 0:07:12 | |
Have you ever worn a stripy...? | 0:07:12 | 0:07:14 | |
I haven't got, but all the English people ask me where is my striped T-shirt! | 0:07:14 | 0:07:18 | |
Onion Johnnies have been coming to Britain for nearly 200 years, | 0:07:20 | 0:07:25 | |
sort of informal ambassadors, | 0:07:25 | 0:07:28 | |
toting a taste of France door-to-door. | 0:07:28 | 0:07:31 | |
It began in the 1820s as a bit of market research. | 0:07:33 | 0:07:38 | |
Local farmers crossed the Channel to see if the British | 0:07:38 | 0:07:41 | |
had an appetite for Roscoff onions. | 0:07:41 | 0:07:43 | |
We liked them so much, they've been coming back ever since. | 0:07:44 | 0:07:48 | |
In their heyday, around 1,500 onion Johnnies left their loved ones | 0:07:53 | 0:07:57 | |
behind at the end of each summer to spend up to six months in Britain. | 0:07:57 | 0:08:01 | |
Straight from Brittany, madam, feel the weight. | 0:08:03 | 0:08:06 | |
Roscoff is proud of its cross-Channel connections | 0:08:07 | 0:08:10 | |
and its onion-growing tradition. | 0:08:10 | 0:08:12 | |
At the local museum, the Maison des Johnnies, | 0:08:13 | 0:08:17 | |
they organise regular tastings, | 0:08:17 | 0:08:20 | |
with lashings of local cider, of course. | 0:08:20 | 0:08:23 | |
I'm surprised to find that the guests here are all French, | 0:08:24 | 0:08:29 | |
as curious as I am about the onion Johnnies. | 0:08:29 | 0:08:32 | |
If you go to Rennes, it's not far, it's only 200km from here, | 0:08:32 | 0:08:37 | |
people don't know the onion men, none at all. | 0:08:37 | 0:08:40 | |
We're more well-known in Birmingham than in Rennes! | 0:08:41 | 0:08:44 | |
The guest of honour tonight is former onion-seller Pierre. | 0:08:46 | 0:08:49 | |
-So this is you here? -That's me. | 0:08:50 | 0:08:53 | |
Was it necessary to wear an onion-seller's uniform? | 0:08:53 | 0:08:56 | |
You should wear a beret, you always have a beret to do | 0:08:56 | 0:09:00 | |
door-to-door Frenchie. | 0:09:00 | 0:09:02 | |
It seems that from one small place in Brittany, we created our stereotype | 0:09:14 | 0:09:19 | |
of the French nation. | 0:09:19 | 0:09:20 | |
From Exeter to Glasgow, from Swansea to Newcastle, | 0:09:20 | 0:09:24 | |
they zigzag across Great Britain | 0:09:24 | 0:09:27 | |
with a little piece of France on a string. | 0:09:27 | 0:09:30 | |
It's certainly a romantic image, but what about the realities of life | 0:09:30 | 0:09:34 | |
on the road, away from your family for a large part of the year? | 0:09:34 | 0:09:38 | |
Sans glace, ni rien... | 0:09:38 | 0:09:40 | |
Olivier Seite and his wife Anne must have seen more tears than most. | 0:09:40 | 0:09:44 | |
Hello, very nice to meet you. | 0:09:44 | 0:09:47 | |
'They were in the onion business for more than 40 years. | 0:09:47 | 0:09:51 | |
'Olivier started selling at 14 with his dad, | 0:09:51 | 0:09:55 | |
'and here he is in the 1960s.' | 0:09:55 | 0:09:58 | |
-Want some onions? -Yes, we'll buy some please, how much are they? | 0:09:58 | 0:10:01 | |
-Same price, four and six a bunch. -How do you manage the English language? | 0:10:01 | 0:10:05 | |
Well, I know enough to sell my onions. | 0:10:05 | 0:10:08 | |
You don't find the Geordie accent baffling? | 0:10:08 | 0:10:10 | |
Oh, a little, but I'm used to it. | 0:10:10 | 0:10:13 | |
We travelled by boat, but after we were in England | 0:10:13 | 0:10:18 | |
we stayed six months and we find a place to storage the onions. | 0:10:18 | 0:10:22 | |
I mean, Olivier had a very hard life before, | 0:10:22 | 0:10:24 | |
they used to sleep on the onions with a sale cloth on over them. | 0:10:24 | 0:10:27 | |
Now, Anne, you're not speaking with a very French accent, | 0:10:27 | 0:10:31 | |
-you sound as if you come from the north of England. -Ah, yes, well... | 0:10:31 | 0:10:34 | |
raised in Newcastle upon Tyne. | 0:10:34 | 0:10:37 | |
Two bunches, please. | 0:10:37 | 0:10:38 | |
'For most onion Johnnies, their job took them away | 0:10:38 | 0:10:42 | |
'from their nearest and dearest, but for Olivier it led him to his. | 0:10:42 | 0:10:45 | |
'He met and fell in love with Anne while on a night out in Newcastle.' | 0:10:45 | 0:10:49 | |
You fell for a blond-haired, blue-eyed boy to dance. | 0:10:49 | 0:10:53 | |
-Oh, I did, I did! -Did you know that your dancer was an onion-seller? | 0:10:53 | 0:10:57 | |
I did not. I thought it was a myth - French onion men. | 0:10:57 | 0:11:00 | |
To my friends in the office, I said, "I've just met this French onion man | 0:11:00 | 0:11:04 | |
"and I think this is the one," and they said, "A French onion man! | 0:11:04 | 0:11:08 | |
"Oh, trust you!" Cos I've always been different. | 0:11:08 | 0:11:12 | |
What's the most important quality an onion-seller needs? | 0:11:12 | 0:11:16 | |
Persistence. | 0:11:18 | 0:11:20 | |
Just what is it about those onions that made it worth the Johnnies | 0:11:22 | 0:11:26 | |
travelling such eye-watering distances, some as far as Shetland? | 0:11:26 | 0:11:31 | |
And why would Brits prefer them to homegrown varieties? | 0:11:31 | 0:11:35 | |
On his farm overlooking Roscoff harbour, | 0:11:36 | 0:11:38 | |
I'm hoping veteran onion Johnnie Andre Quemener can tell me. | 0:11:38 | 0:11:42 | |
'Or better still, show me.' | 0:11:43 | 0:11:45 | |
See? | 0:11:47 | 0:11:48 | |
Are they good raw? | 0:11:48 | 0:11:50 | |
Yes, see? | 0:11:50 | 0:11:51 | |
-Very sweet. -Yes, it's sweet. | 0:11:54 | 0:11:57 | |
They are, delicious. They're not bitter or sharp. | 0:11:57 | 0:12:00 | |
No, no. | 0:12:00 | 0:12:01 | |
-You can eat them like an apple. -Yes. | 0:12:01 | 0:12:04 | |
What is special about the soil? I mean, it's very fine and rich. | 0:12:04 | 0:12:09 | |
Oh, yes, a lot of seaweed on it. | 0:12:09 | 0:12:11 | |
-You put seaweed on it? -Yes, every year. | 0:12:11 | 0:12:13 | |
-And does the seaweed fertilise the soil? -Yes, yes. | 0:12:13 | 0:12:16 | |
That's why they're so nice, you see. | 0:12:16 | 0:12:19 | |
Is there a future for onion Johnnies selling onions in Britain? | 0:12:19 | 0:12:23 | |
Oh, yes, oh, yes, it'll be a few years yet to go. | 0:12:23 | 0:12:26 | |
-What about you, though? -Ah, well, it depends on my health now. | 0:12:26 | 0:12:30 | |
-You look pretty fit. -Oh, yes, but I'm 73 now! -Yeah? | 0:12:30 | 0:12:34 | |
-Do you still enjoy it? -Yes, oh, yes. | 0:12:34 | 0:12:36 | |
-What do you call it? Like a drug. -You're addicted to onions?! | 0:12:36 | 0:12:40 | |
Yes, yes! | 0:12:40 | 0:12:41 | |
All right, so we go for our cup of tea now? | 0:12:43 | 0:12:45 | |
Good, suits me just fine, Andre! | 0:12:45 | 0:12:47 | |
'Andre's farmed and sold his own crops since 1951, | 0:12:47 | 0:12:51 | |
'but when he hangs up his onion knife, | 0:12:51 | 0:12:54 | |
'there'll only be 20 or so onion Johnnies left. | 0:12:54 | 0:12:56 | |
'While it seems the beret-wearing image is mostly | 0:12:58 | 0:13:01 | |
'for the benefit of customers across the Channel, | 0:13:01 | 0:13:04 | |
'it's that relationship with the British | 0:13:04 | 0:13:07 | |
'that keeps the tradition alive.' | 0:13:07 | 0:13:10 | |
Last string of onions on the handlebars. | 0:13:10 | 0:13:12 | |
I'm told by the Johnnies that, with all this weight | 0:13:12 | 0:13:15 | |
on the handlebars, you can't take the bike around corners. | 0:13:15 | 0:13:20 | |
And it's so heavy, it's like trying to pedal a Sherman tank! | 0:13:20 | 0:13:23 | |
Merci. Would you like some onions? | 0:13:28 | 0:13:31 | |
The French gave us the idea that you are what you eat, | 0:13:35 | 0:13:39 | |
or at least what you grow. | 0:13:39 | 0:13:41 | |
They created "Appellation Controlle", a certificate of authenticity | 0:13:43 | 0:13:47 | |
to protect regional foods from cut-price imitators. | 0:13:47 | 0:13:50 | |
So whether it's Brittany onions or even Jersey potatoes, | 0:13:52 | 0:13:56 | |
we know our food is rooted in a sense of place. | 0:13:56 | 0:14:00 | |
In Plouguerneau, Miranda's looking for a local delicacy. | 0:14:04 | 0:14:08 | |
Brittany is famed for its produce | 0:14:16 | 0:14:18 | |
and a weekly market at Plouguerneau is packed with fresh fruit, | 0:14:18 | 0:14:22 | |
vegetables, and my particular favourite, cheese. | 0:14:22 | 0:14:26 | |
But I'm looking for one rather rare local foodstuff | 0:14:31 | 0:14:35 | |
which Sylvain Huchette has promised to show me, only we won't find it here. | 0:14:35 | 0:14:40 | |
We're looking for Abalone, a shellfish that would set you back | 0:14:43 | 0:14:47 | |
about £70 a plate in some of the world's top restaurants. | 0:14:47 | 0:14:50 | |
Brittany is one of the few places in the world | 0:14:54 | 0:14:58 | |
where you'll find Abalone in the wild. | 0:14:58 | 0:15:00 | |
Sylvain tells me it's the cool water that make the conditions ideal. | 0:15:05 | 0:15:09 | |
The seaweed provides an abundant source of food for the Abalone, | 0:15:09 | 0:15:13 | |
but it also makes it rather hard to spot them. | 0:15:13 | 0:15:16 | |
It's like swimming through a rainforest, lovely. | 0:15:17 | 0:15:20 | |
Abalone are in fact a form of mollusc | 0:15:23 | 0:15:26 | |
and I've been told to look for something that's a cross between | 0:15:26 | 0:15:31 | |
a large snail and a limpet, clinging to the underside of a rock. | 0:15:31 | 0:15:34 | |
Wow, look at that! | 0:15:43 | 0:15:45 | |
Oh, beautiful! | 0:15:45 | 0:15:47 | |
Well done. | 0:15:47 | 0:15:48 | |
There you have a juvenile Abalone there, and a big, big Abalone adult. | 0:15:50 | 0:15:55 | |
This is a really speedy little one, isn't it? | 0:15:56 | 0:15:59 | |
It's just not what I really expected. | 0:15:59 | 0:16:02 | |
I think I suppose something that didn't move around very much. | 0:16:02 | 0:16:06 | |
This is about two years old. | 0:16:07 | 0:16:10 | |
Look at that one go! I can't believe it, it's moving really fast. | 0:16:11 | 0:16:15 | |
This is a much bigger one. | 0:16:17 | 0:16:19 | |
It's an Abalone zoo down here. | 0:16:21 | 0:16:23 | |
Yeah, look at that muscular foot | 0:16:23 | 0:16:27 | |
curling it's way around, getting a purchase on my hand. Look at that! | 0:16:27 | 0:16:32 | |
Superb, that's an Abalone back flip. | 0:16:32 | 0:16:35 | |
I'd say now it's time to put them back where we found them. | 0:16:35 | 0:16:38 | |
Abalone are also found in South Africa, New Zealand and Australia, | 0:16:42 | 0:16:47 | |
but they're rare in European waters. | 0:16:47 | 0:16:50 | |
so the French government has placed strict limits | 0:16:50 | 0:16:54 | |
on fishing them out of the wild. | 0:16:54 | 0:16:56 | |
That's why Sylvain has set up | 0:16:57 | 0:17:00 | |
Europe's first advanced Abalone hatchery and farm. | 0:17:00 | 0:17:04 | |
It all starts, you know, | 0:17:05 | 0:17:07 | |
with the larger animals like the one we saw in our diving. | 0:17:07 | 0:17:11 | |
We get them to spawn in the hatchery and produce small | 0:17:11 | 0:17:16 | |
spats and it takes about a year to bring a spat to your small juvenile. | 0:17:16 | 0:17:21 | |
Once they're big enough they come in this cage and these ones are | 0:17:21 | 0:17:24 | |
already three years old, and we basically try to replicate their | 0:17:24 | 0:17:28 | |
natural habitat. We keep the density quite low because abalone | 0:17:28 | 0:17:32 | |
are not happy at high density. | 0:17:32 | 0:17:35 | |
And they have to be happy for up to five years | 0:17:35 | 0:17:38 | |
to grow to sufficient size to be served in a restaurant. | 0:17:38 | 0:17:41 | |
I'm told they taste somewhere | 0:17:45 | 0:17:47 | |
between fine steak and wild mushrooms. | 0:17:47 | 0:17:50 | |
So let's see if it's been worth that wait. | 0:17:53 | 0:17:56 | |
-Bon appetit. -Merci beaucoup. | 0:17:59 | 0:18:01 | |
It's precious, what you're eating. | 0:18:01 | 0:18:03 | |
It's very, very mild, it's almost not seafoody. | 0:18:06 | 0:18:09 | |
How would you describe the taste? | 0:18:11 | 0:18:13 | |
Maybe a bit mushroomy, but only a hint of mushroom. | 0:18:13 | 0:18:17 | |
-That's difficult to describe. -Yeah. | 0:18:17 | 0:18:20 | |
Absolutely gorgeous, though. | 0:18:20 | 0:18:22 | |
As Cornwall is to England so Brittany is to France. | 0:18:31 | 0:18:35 | |
The people have their own coastal culture, | 0:18:38 | 0:18:41 | |
a fiercely independent lot, | 0:18:41 | 0:18:43 | |
and this stretch of shore does suddenly become awfully fearsome. | 0:18:43 | 0:18:48 | |
At the very tip of Brittany, | 0:18:50 | 0:18:52 | |
like a defiant finger pointing out at the Atlantic, | 0:18:52 | 0:18:55 | |
this is the district of Finistere. | 0:18:55 | 0:18:58 | |
With a smattering of schoolboy French, | 0:19:03 | 0:19:05 | |
you understand the meaning of the name. | 0:19:05 | 0:19:07 | |
"Finis" is the French word for the end, | 0:19:07 | 0:19:11 | |
and "terre" is earth, so Finistere - | 0:19:11 | 0:19:14 | |
the end of the Earth. | 0:19:14 | 0:19:16 | |
The full fury of the Bay of Biscay unleashes itself here, | 0:19:21 | 0:19:26 | |
whipped up by the Atlantic airstream. | 0:19:26 | 0:19:28 | |
These aren't freak storms. | 0:19:30 | 0:19:32 | |
Often in the winter months, these waters boil. | 0:19:33 | 0:19:36 | |
Here, the mouth of the English Channel has swallowed many ships. | 0:19:38 | 0:19:42 | |
1967, the Torrey Canyon wrecked off the coast of Cornwall, | 0:19:44 | 0:19:49 | |
the world's first oil tanker disaster. | 0:19:49 | 0:19:51 | |
11 years later, the Amoco Cadiz lost control during a violent storm, | 0:19:55 | 0:19:59 | |
ran aground and was ripped in two all within sight of the Brittany coast. | 0:19:59 | 0:20:04 | |
And the whole world watched the aftermath on television. | 0:20:07 | 0:20:10 | |
Guillaume Le Ru lived 12 miles away, | 0:20:12 | 0:20:16 | |
but it wasn't the TV that alerted him to the disaster. | 0:20:16 | 0:20:19 | |
zAt the time, it was the worst oil spill in history. | 0:20:36 | 0:20:39 | |
220,000 tonnes of crude | 0:20:39 | 0:20:42 | |
spread over 200 miles of coast, covering beaches in a thick emulsion. | 0:20:42 | 0:20:48 | |
Its impact on the local environment lasted years. | 0:20:48 | 0:20:52 | |
This devilish sea has spawned an awful lot of lighthouses. | 0:21:05 | 0:21:09 | |
There was a time when I wanted to be a lighthouse keeper and people | 0:21:19 | 0:21:23 | |
used to say, "What a boring job," but I beg to differ. | 0:21:23 | 0:21:27 | |
Look at that lighthouse keeper, what can possibly be boring | 0:21:27 | 0:21:30 | |
about a life like that? | 0:21:30 | 0:21:32 | |
This photograph of La Jument lighthouse was taken in 1989. | 0:21:32 | 0:21:37 | |
It became one of the world's most reproduced images | 0:21:37 | 0:21:41 | |
and made a reluctant star out of the man at the eye of the storm. | 0:21:41 | 0:21:45 | |
A lot of people thought that he must have died just a few seconds after the photograph, | 0:21:47 | 0:21:52 | |
swamped by that wave, but he survived and I'm going to find out how. | 0:21:52 | 0:21:57 | |
Apparently, that lighthouse man has always wanted a signed copy | 0:21:57 | 0:22:01 | |
of the photo, so we're taking him one. | 0:22:01 | 0:22:04 | |
I'm hitching a lift with the man who made him famous, | 0:22:04 | 0:22:07 | |
photographer Jean Guichard. | 0:22:07 | 0:22:09 | |
-How are you? -Very well. | 0:22:09 | 0:22:11 | |
In 1989, Jean set out to capture the end of an era. | 0:22:15 | 0:22:20 | |
La Jument was about to be automated, | 0:22:22 | 0:22:24 | |
as were all the lighthouses on both sides of the Channel. | 0:22:24 | 0:22:27 | |
This was a tough posting, so it was particularly poignant | 0:22:31 | 0:22:35 | |
to capture an image of its keeper for posterity. | 0:22:35 | 0:22:38 | |
On duty that day was Theadore Malgorn. | 0:22:45 | 0:22:50 | |
He now lives on a nearby island, having never really cashed in | 0:22:50 | 0:22:53 | |
on his fame. | 0:22:53 | 0:22:55 | |
I don't think you sign up to be a lighthouse keeper | 0:22:57 | 0:23:00 | |
so you can be famous. | 0:23:00 | 0:23:02 | |
But we've got a photo to deliver - | 0:23:03 | 0:23:06 | |
it's only taken 20 years! | 0:23:06 | 0:23:08 | |
I'm told Bretons are not known for great displays of emotion. | 0:23:11 | 0:23:15 | |
But I think he likes it. Time to try out that schoolboy French. | 0:23:20 | 0:23:23 | |
Signed and delivered. | 0:24:00 | 0:24:02 | |
Tres bien. Ca va suffire, tres bien. | 0:24:03 | 0:24:06 | |
But I'm curious to know what it feels like | 0:24:06 | 0:24:08 | |
to be possibly the most famous lighthouse keeper in the world. | 0:24:08 | 0:24:11 | |
How does it feel for you, Jean, to have created that image? | 0:24:19 | 0:24:22 | |
You know I feel to have the lucky photographer | 0:24:22 | 0:24:26 | |
who did a great picture and after that, | 0:24:26 | 0:24:29 | |
this is something which is not really my picture, | 0:24:29 | 0:24:32 | |
it's a picture of the lighthouse keeper and the lighthouse story in the world. | 0:24:32 | 0:24:36 | |
Now that way of life is gone. | 0:24:36 | 0:24:38 | |
And now all the keepers have gone from the lighthouse | 0:24:38 | 0:24:42 | |
and that's the end of a... of a story, you know. | 0:24:42 | 0:24:46 | |
Like the southwest of England, this is a coast out on a limb. | 0:24:55 | 0:24:59 | |
The name for this area of Brittany, | 0:24:59 | 0:25:03 | |
Cornouaille, translates as Cornwall. | 0:25:03 | 0:25:06 | |
Out here, it would be easy to turn a blind eye | 0:25:07 | 0:25:10 | |
to the problems of the mainland, | 0:25:10 | 0:25:13 | |
but the Bretons pride themselves in helping those in distress, | 0:25:13 | 0:25:17 | |
answering a rescue call, | 0:25:17 | 0:25:19 | |
even if it comes from the other side of the Channel. | 0:25:19 | 0:25:23 | |
It's a heroic streak that runs deep | 0:25:24 | 0:25:26 | |
on the smallest of Brittany's outposts. | 0:25:26 | 0:25:29 | |
Five miles off the Pointe du Raz is the tiny Ile de Sein. | 0:25:29 | 0:25:34 | |
I'm on my way to a reunion | 0:25:37 | 0:25:39 | |
with two islanders who share a remarkable bond. | 0:25:39 | 0:25:42 | |
Both in their 80s, Louis Fuquet lives on mainland France, | 0:25:44 | 0:25:48 | |
while Francois Tanguy has travelled here from his home in Cardiff. | 0:25:48 | 0:25:52 | |
As teenagers, they took part | 0:25:53 | 0:25:56 | |
in an incredible act of self-sacrifice, one made by the entire island. | 0:25:56 | 0:26:02 | |
There it is, just clinging on | 0:26:03 | 0:26:04 | |
to the edge of the world, thin line on the horizon. | 0:26:04 | 0:26:07 | |
Apparently, there's not one part of the island | 0:26:07 | 0:26:10 | |
that's more than six metres above sea level. | 0:26:10 | 0:26:12 | |
In June 1940, this sliver of an island stood alone. | 0:26:14 | 0:26:20 | |
Hitler had launched his lightning war against western Europe. | 0:26:20 | 0:26:23 | |
In little over six weeks, his troops overwhelmed the Lowlands and France. | 0:26:25 | 0:26:30 | |
The French government surrendered, | 0:26:30 | 0:26:32 | |
German forces lined the coast of Brittany. | 0:26:32 | 0:26:34 | |
The inhabitants of the tiny Ile de Sein could only look on, | 0:26:37 | 0:26:40 | |
wondering when the Nazis would come. | 0:26:40 | 0:26:44 | |
-So can we go up this one here? -Yes, I think it's the best way to go. | 0:26:45 | 0:26:48 | |
'Francois was just 17, | 0:26:48 | 0:26:51 | |
'he'd just returned to the island after exams on the mainland.' | 0:26:51 | 0:26:54 | |
'Everybody was looking forward for a good summer. | 0:26:55 | 0:27:01 | |
'The news from the Front was very, very good.' | 0:27:01 | 0:27:06 | |
And then, suddenly, there was Dunkirk, | 0:27:06 | 0:27:12 | |
who came along absolutely like a bombshell. | 0:27:12 | 0:27:17 | |
Charles de Gaulle had been a minister in the French government. | 0:27:17 | 0:27:21 | |
Just before the surrender, he'd flown to London. | 0:27:21 | 0:27:25 | |
He went on the BBC to rally his countrymen to join him in England | 0:27:25 | 0:27:30 | |
to fight in a free French force, but almost no-one heard de Gaulle. | 0:27:30 | 0:27:36 | |
There had been no trail of his broadcast. | 0:27:36 | 0:27:39 | |
A few days later, he tried again, | 0:27:39 | 0:27:43 | |
but this time the people of Isle de Sein had got wind of it. | 0:27:43 | 0:27:46 | |
The entire population gathered here, | 0:27:46 | 0:27:48 | |
on the quayside, to listen to the radio. | 0:27:48 | 0:27:52 | |
'On the very spot that de Gaulle's call to action was heard, | 0:27:54 | 0:27:57 | |
'Francois and Louis meet another veteran, Noel Meneux, | 0:27:57 | 0:28:01 | |
'who still lives on the island. | 0:28:01 | 0:28:03 | |
'It's been almost 70 years since de Gaulle's rallying call | 0:28:05 | 0:28:08 | |
'first rang out on this quayside. | 0:28:08 | 0:28:09 | |
It became known as L'Appel - | 0:28:52 | 0:28:55 | |
The Call. It was a defining moment for everyone. | 0:28:55 | 0:28:58 | |
Their message was heard, | 0:29:00 | 0:29:05 | |
what to do. | 0:29:05 | 0:29:07 | |
And the first person to speak... | 0:29:09 | 0:29:11 | |
Yes, he said, was the curate, | 0:29:17 | 0:29:21 | |
and it said that we must follow, but he said... | 0:29:21 | 0:29:26 | |
..and it was necessary to take measure locally immediately, | 0:29:30 | 0:29:35 | |
because the Germans were crossing the Channel. | 0:29:35 | 0:29:39 | |
Over three nights, almost every man | 0:29:39 | 0:29:42 | |
on the island between 16 and 55 boarded fishing boats | 0:29:42 | 0:29:45 | |
and small ferries to join de Gaulle's Free French in England. | 0:29:45 | 0:29:49 | |
Leaving here about nine o'clock at night, | 0:29:51 | 0:29:56 | |
and we all arrived in UK, near Penzance, I think. | 0:29:56 | 0:30:01 | |
At just 14 years old, Louis was too young to go, | 0:30:01 | 0:30:06 | |
but he persuaded his dad to smuggle him off the island. | 0:30:06 | 0:30:09 | |
Our first place was the Olympia Hall in London. Yes, there. | 0:30:27 | 0:30:32 | |
And started our training practically within the week. | 0:30:32 | 0:30:38 | |
I joined the Navy, so I was sent to... | 0:30:38 | 0:30:42 | |
on board a French ship that had come from Cherbourg | 0:30:42 | 0:30:48 | |
in France to Portsmouth. | 0:30:48 | 0:30:51 | |
This tiny island sent 128 men, a quarter of all those who made | 0:30:53 | 0:30:59 | |
it to England in response to de Gaulle's initial call to action. | 0:30:59 | 0:31:03 | |
Francois was photographed with shipmates from the Free French Navy | 0:31:06 | 0:31:11 | |
out on the town in London, but serving on a warship | 0:31:11 | 0:31:14 | |
in the Atlantic was far removed from this breezy image. | 0:31:14 | 0:31:17 | |
Life in the Navy was inhuman, | 0:31:19 | 0:31:23 | |
the ship was looked after by the crew | 0:31:23 | 0:31:26 | |
and you had to be on there practically 24 hours a day awake. | 0:31:26 | 0:31:31 | |
And after two or three years, most of the people | 0:31:31 | 0:31:35 | |
couldn't do it any more. | 0:31:35 | 0:31:37 | |
'He was invalided out in 1942,' | 0:31:39 | 0:31:43 | |
and finally returned to Ile de Sein in 1945. | 0:31:43 | 0:31:45 | |
So, you three are heroes. | 0:31:47 | 0:31:48 | |
Er, only... It's not heroes, we don't want that title. | 0:31:49 | 0:31:55 | |
We only did our duties. | 0:31:55 | 0:31:58 | |
Of the 128 islanders, 18 where never to return, killed in action. | 0:32:02 | 0:32:07 | |
After the war, President de Gaulle | 0:32:07 | 0:32:09 | |
awarded the entire island The Cross of the Liberation, one of | 0:32:09 | 0:32:14 | |
just five districts in France to receive this high military honour. | 0:32:14 | 0:32:18 | |
Francois' career in the French diplomatic service | 0:32:20 | 0:32:23 | |
took him around the world. | 0:32:23 | 0:32:24 | |
But he returns to remember fallen friends | 0:32:26 | 0:32:29 | |
and reflect on their struggle. | 0:32:29 | 0:32:32 | |
It is difficult to analyse into words what it all means. | 0:32:34 | 0:32:37 | |
One feels satisfied to be on the right side. | 0:32:37 | 0:32:41 | |
Because one cannot contemplate the other side. | 0:32:41 | 0:32:47 | |
We use concrete for our monumental building projects, | 0:33:02 | 0:33:05 | |
and the early people who colonised this coast | 0:33:05 | 0:33:08 | |
used the most resilient resource they could find... | 0:33:08 | 0:33:11 | |
..granite. | 0:33:14 | 0:33:16 | |
These enigmatic lines of stones were positioned around 2,000 years | 0:33:16 | 0:33:22 | |
before Stonehenge was even assembled. | 0:33:22 | 0:33:24 | |
They point to a link between Brittany and Britain. | 0:33:26 | 0:33:30 | |
At Carnac, Mark Horton is following an ancient thread. | 0:33:36 | 0:33:40 | |
They have an almost magnetic pull - standing stones | 0:33:46 | 0:33:51 | |
that mark a presence of a mysterious people. | 0:33:51 | 0:33:55 | |
We may not understand why the monuments are here | 0:33:57 | 0:34:00 | |
but they keep drawing us back for another look. | 0:34:00 | 0:34:04 | |
It's amazing to think that these stones | 0:34:07 | 0:34:11 | |
were being erected some 2,500 years | 0:34:11 | 0:34:15 | |
before the great pyramids of Egypt. | 0:34:15 | 0:34:16 | |
That makes this site around 7,000 years old. | 0:34:17 | 0:34:22 | |
Curious regimented lines | 0:34:24 | 0:34:27 | |
that attract visitors from around the world. | 0:34:27 | 0:34:30 | |
Today, it's like a megalithic theme park, | 0:34:33 | 0:34:37 | |
but at its heart, the big attraction - | 0:34:39 | 0:34:43 | |
a man-made hill, the Tumulus. | 0:34:43 | 0:34:45 | |
Howard Crowhurst has spent 20 years building up a picture of Carnac. | 0:34:47 | 0:34:53 | |
He believes the landscape here was once completely covered | 0:34:53 | 0:34:58 | |
with stone monuments. | 0:34:58 | 0:35:00 | |
And this used to be the vantage point on the site. | 0:35:00 | 0:35:04 | |
-So, here we are. -Ah, what a view! | 0:35:05 | 0:35:09 | |
Was it, was it like this 7,000 years ago? | 0:35:09 | 0:35:12 | |
No, it was very different. The sea was much lower, seven metres lower, | 0:35:12 | 0:35:16 | |
the trees were much further inland. | 0:35:16 | 0:35:19 | |
So, in fact, you had a perfect view here of the landscape and all | 0:35:19 | 0:35:24 | |
-the stones going right along it. -And how many stones are there in total? | 0:35:24 | 0:35:28 | |
In the Carnac alignments, there are 3,000, over 3,000, 3,100 stones. | 0:35:28 | 0:35:33 | |
Megalith means very big stone, and what we can see today | 0:35:35 | 0:35:40 | |
represents around a tenth of what was originally erected. | 0:35:40 | 0:35:45 | |
But why here, pointing out at the coast? | 0:35:45 | 0:35:48 | |
I don't think it's a coincidence that these monuments are right by the sea. | 0:35:52 | 0:35:56 | |
I mean, to build these monuments would have needed a lot of people | 0:35:56 | 0:35:59 | |
and travelling was much easier along the coastline than through the land. | 0:35:59 | 0:36:05 | |
And the sea is a massive larder where people could eat, you know. | 0:36:05 | 0:36:11 | |
It's full of food, so it's a perfect spot | 0:36:11 | 0:36:14 | |
for grouping large amounts of people, really. | 0:36:14 | 0:36:16 | |
In fact, the coast seems to have been crucial | 0:36:18 | 0:36:21 | |
to the location of these monuments. | 0:36:21 | 0:36:23 | |
Similar sites of Stone Age structures are dotted all the way up | 0:36:24 | 0:36:30 | |
Europe's Atlantic shores, | 0:36:30 | 0:36:31 | |
from Portugal to France, | 0:36:33 | 0:36:36 | |
Ireland to Wales, | 0:36:37 | 0:36:39 | |
up to northern Scotland. | 0:36:39 | 0:36:41 | |
But hundreds of years, and as many miles, separate the Carnac monuments | 0:36:43 | 0:36:48 | |
from the sites on the British Isles, such as this one on Orkney. | 0:36:48 | 0:36:54 | |
So were the builders communicating ideas along the Atlantic coast? | 0:36:56 | 0:37:02 | |
I'm hoping French archaeologist Guillaume Robin | 0:37:04 | 0:37:07 | |
can show me clues carved into stone. | 0:37:07 | 0:37:10 | |
On the island of Gavrinis, there is an ancient tomb | 0:37:13 | 0:37:19 | |
with artistic connections to North Wales. | 0:37:19 | 0:37:21 | |
Here we go. Wow! There's circles, spirals | 0:37:21 | 0:37:28 | |
and then these semi-circular arcs coming up. | 0:37:28 | 0:37:30 | |
-Yes, that's mostly nested arcs. -Right. | 0:37:30 | 0:37:34 | |
-It's a technique to make the carving is called the pecking... -Right. | 0:37:34 | 0:37:40 | |
..and it was probably done with a quartz chisel, with a hammer, | 0:37:40 | 0:37:43 | |
-tac-tac-tac, like this. -All the way down? -Yes. | 0:37:43 | 0:37:46 | |
And look, I've brought you some | 0:37:46 | 0:37:48 | |
illustrations of megalithic art from Wales, they're both from Anglesey. | 0:37:48 | 0:37:53 | |
Look, you see, we've got the chevrons. | 0:37:53 | 0:37:55 | |
-Yes. -We've seen chevrons. | 0:37:55 | 0:37:57 | |
And here, look, we've got the sort of serpenty things. | 0:37:57 | 0:38:01 | |
Yes, that's amazing, because here in Gavrinis, you have a lot of symbols | 0:38:01 | 0:38:05 | |
-that also exist in Wales or in Ireland. -Right. | 0:38:05 | 0:38:09 | |
What's even more amazing is that | 0:38:11 | 0:38:13 | |
Gavrinis was built hundreds of years before the Welsh monuments and yet | 0:38:13 | 0:38:19 | |
the art they contain could have been chipped away by the very same hand. | 0:38:19 | 0:38:24 | |
Unfortunately, we don't have a clear picture of what the stones were for. | 0:38:29 | 0:38:35 | |
As to how they were moved here, | 0:38:37 | 0:38:40 | |
well, French archaeologists | 0:38:40 | 0:38:42 | |
have turned it into a fun puzzle for all the family to work out. | 0:38:42 | 0:38:47 | |
Using the tools of the time and a bit of public grunt... | 0:38:49 | 0:38:53 | |
Un, deux, trois! | 0:38:53 | 0:38:57 | |
..they've taken a very | 0:38:57 | 0:38:59 | |
Breton approach to history - getting their hands dirty. | 0:38:59 | 0:39:02 | |
After all, there must have been a great gathering here | 0:39:05 | 0:39:09 | |
some 7,000 years ago, to create these remarkable monuments. | 0:39:09 | 0:39:15 | |
It is a stupid way of moving a stone, you know! | 0:39:16 | 0:39:19 | |
Since the stones of Carnac were aligned, empires have come and gone, | 0:39:33 | 0:39:37 | |
and the fabric of the coast has been re-fashioned. | 0:39:37 | 0:39:41 | |
Here, they channel seawater into shallow pools so that evaporation | 0:39:45 | 0:39:51 | |
by sun and wind leaves the smallest of commodities, once so precious | 0:39:51 | 0:39:56 | |
it was used as currency. | 0:39:56 | 0:39:57 | |
As we near the end of our Breton adventure at Guerande, | 0:40:02 | 0:40:06 | |
they marshal the forces of nature to farm salt. | 0:40:06 | 0:40:10 | |
Sophie and fellow salt farmer Emmanuel represent a new generation, | 0:40:14 | 0:40:20 | |
but the techniques they use are age-old. | 0:40:20 | 0:40:22 | |
This is quite a bizarre landscape to my eye. | 0:40:26 | 0:40:29 | |
Is this natural in any way, or is this all tampered with? | 0:40:29 | 0:40:33 | |
It's not a natural landscape, all those pans were made by, | 0:40:33 | 0:40:37 | |
by hand centuries ago. | 0:40:37 | 0:40:39 | |
So, the water comes in from the sea and human beings trap it. | 0:40:39 | 0:40:43 | |
Yes, that's right, we can say that. | 0:40:43 | 0:40:45 | |
But don't be deceived, the elements are definitely in charge here. | 0:40:47 | 0:40:51 | |
-There's the harvest. -There you see at last the salt. | 0:40:54 | 0:40:59 | |
-So this is the stuff. -Yeah. This one is produced in those pans. | 0:40:59 | 0:41:03 | |
-So the ones out in the middle. -On the bottom, so it | 0:41:03 | 0:41:07 | |
touches clay, so that's why it's a little bit grey. | 0:41:07 | 0:41:10 | |
-And will we be able to collect some of this now? -No, not today. | 0:41:10 | 0:41:15 | |
Unfortunately, it has rained three days ago, and we have to wait | 0:41:15 | 0:41:19 | |
that the water evaporates again, that the salt concentrates again, | 0:41:19 | 0:41:23 | |
to crystallise, so it's quite frustrating that we have to wait, | 0:41:23 | 0:41:27 | |
but it's part of the job. | 0:41:27 | 0:41:28 | |
Just as it was for the monks who first created these salt pans | 0:41:30 | 0:41:33 | |
in the tenth century, it's a waiting game. | 0:41:33 | 0:41:37 | |
I'm all muddy, nobody else is muddy. | 0:41:45 | 0:41:48 | |
But patience brings its rewards. | 0:41:48 | 0:41:51 | |
Before the day is out, the sun breaks through, | 0:41:51 | 0:41:53 | |
evaporating away enough water to produce the cream of the crop. | 0:41:53 | 0:41:59 | |
So it's that simple? You just scoop it off the top? | 0:42:01 | 0:42:04 | |
Yeah, exactly. | 0:42:04 | 0:42:06 | |
-It's like snow. -Yeah. | 0:42:06 | 0:42:09 | |
So white compared to the grey salt. | 0:42:09 | 0:42:11 | |
So that one is a Fleur de Sel. | 0:42:11 | 0:42:15 | |
It is an incredibly strong flavour. | 0:42:15 | 0:42:18 | |
A thousand years of change, | 0:42:23 | 0:42:25 | |
and yet a way of working that has remained the same. | 0:42:25 | 0:42:29 | |
This coast, on the edge of Europe, feels timeless. It's steeped | 0:42:32 | 0:42:37 | |
in the spirits of the ancestors that we in Britain share with the Bretons. | 0:42:37 | 0:42:41 | |
Myth and reality merge, until it's difficult | 0:42:41 | 0:42:44 | |
to tell Brittany from Britain. | 0:42:44 | 0:42:46 | |
Next time, we're following | 0:42:50 | 0:42:52 | |
those ancient Celtic connections back across the water to Wales. | 0:42:52 | 0:42:56 | |
For a free copy, or to find out more about Open University programmes on the BBC, phone: | 0:43:12 | 0:43:16 | |
Subtitles by Red Bee Media Ltd | 0:43:18 | 0:43:21 | |
E-mail [email protected] | 0:43:21 | 0:43:25 |