London to Antwerp 2 Coast


London to Antwerp 2

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LineFromTo

All aboard!

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Coast is embarking on a new quest...

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connecting the capital to Cornwall,

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linking Scottish Isles to Welsh Valleys

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and taking us far beyond home waters

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to the Baltic Sea and to the shores of Sweden.

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A new journey with familiar faces.

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For this, our first adventure, we're bound for Belgium, but setting out from London's commercial heart.

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Alice is in search of the British seaside landlady.

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So did you all have loads of rules?

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-Only if people were late.

-Late for what?

-Meals.

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In beautiful Bruges, a seaport stranded by time and tide,

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Mark is hunting down the bricks that built Britain.

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Perfect!

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This is Coast and Beyond.

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We're heading for one of Europe's most prosperous ports,

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crossing the Channel to Antwerp. But our journey starts in our own trading capital - London.

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Tidal rivers bring the coast into the heart of many of our big cities

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and with the water comes wealth.

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For as long as we've been a trading nation, the sea's been our commercial highway

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and the winding Thames links London directly with that global thoroughfare.

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# Dirty old river Must you keep rolling... #

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It was sea trade that made the Capital rich.

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The Thames shaped the city and its influence still runs deep.

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Now, in the Docklands of London, ships have been replaced by skyscrapers.

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It's a story of spectacular rise and fall that may yet have a twist in its tale.

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The world once unloaded its goods in London.

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Now, could that trade be re-invented by a new generation?

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The 19th-century businessmen who carved out these huge enclosures were bold entrepreneurs.

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Sometimes they built before they had customers.

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London's docks helped make Britain a superpower.

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They were the engine room of an Empire.

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Sugar and hardwood from the Caribbean.

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Tea from China.

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Even, in the days before refrigeration, ice from Norway.

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It all landed here.

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"Being in the docks," said one worker in the 1960s, "was like geography come to life."

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And London's geography also changed.

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Around the docks grew the East End.

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But as fast as the docks grew...

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..the ships would outgrow them.

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Once there were ocean liners berthed at the end of the road.

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Now there's London City Airport.

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It was container ships, those great seagoing warehouses, that changed everything.

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In the '60s, when containers first appeared on the commercial seaways,

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many of London's docks simply couldn't cope.

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Eventually the cargo ships stopped coming.

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But there's a new bid to bring the big ships back to the Capital, 20 miles downstream.

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MUSIC: "London Calling" by The Clash

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# London calling Through the far away towns... #

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This is Mariake, a dredger laying the foundations for a brand new port.

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The first of its kind for 20 years.

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This ship is sucking up 12,000 cubic metres of sand and gravel from the estuary every day.

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The Mariake is a giant vacuum cleaner, clearing a channel in the bed of the Thames,

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a passage deep enough to accommodate supersized container ships.

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This dredged material is being pumped onto an ever-growing artificial island.

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Eventually it's going to be a wharf some two miles long for loading and unloading ships.

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A colossal project, at least a decade in the making - London Gateway.

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Its builders are taking their cue from those early 19th century entrepreneurs.

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Confident that if they build the dock, the ships will eventually come.

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London's aiming to catch up with huge European ports like Antwerp, where I'm heading on my journey.

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It'll reconnect the capital with the mighty estuary

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that brought wealth and power into the heart of Britain.

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Crossing The Thames Estuary, we find the Kent Coast.

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This is home to some of Britain's first seaside resorts

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and the jewel in its crown - the golden sands of Margate.

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Most see the beach as a place to relax, but others see a business opportunity.

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Alice is seeking out the story of some seaside entrepreneurs

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who sparked a sexual revolution around British shores.

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I'm in search of the mysterious, almost mythical seaside landlady.

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In the late 19th century, the seaside landlady was a pioneer,

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breaking down the social barriers that prevented women from owning businesses,

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decades before the women's rights movement.

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In 1938, the Holiday With Pay Act changed workers' lives.

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By the 1950s, 17 million people a year came to the coast.

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From Bridlington to Brighton, working-class families were able to afford their week on the beach,

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thanks largely to the seaside boarding houses and their tireless landladies.

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I've been running this boarding house now for 13 years.

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I do all the cooking, washing and ironing.

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As for the food, I get sick of the sight of the food.

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But there's no getting away from it,

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landladies had a bit of an image problem.

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They were characterised as rule-making,

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clock-watching tyrants, the butt of seaside humour.

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So do they deserve this dragon image?

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Time to meet the ladies.

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Between them, these ladies have more than 100 years' experience of running guest houses.

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-Hello.

-Lovely to meet you, you must be Patsy, hello.

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So, first things first, were they the kind of landladies that laid down the law to their guests?

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Only if people were late.

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-Late for what?

-Meals.

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Because we had it on a set time, it was dead-on one o'clock, five o'clock.

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'Tough love maybe, but their guests couldn't get enough of it.'

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That's Maude and Hubert, they came year after year.

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-Maude and Hubert.

-Yes.

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Maude and Hubert said to my mum, "We love coming here,

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"we're very fond of Brenda and Steve, they look after us so well"

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My mother said, "Well, I wouldn't go to the same place every year."

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We went everywhere with some of the people,

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they just treated us like holidaymakers.

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They took us on day trips to France, any entertainment.

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We were one of THEIR family, you know.

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I've got some photographs here, what I really like about them

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is that the guests are all lined up on the steps of the guest houses.

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So was there great camaraderie amongst the guests?

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-Oh, yes, of course there was.

-They'd be very shy Saturday night, but by Sunday afternoon, they...

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you couldn't get in the dining room for the noise.

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It wasn't just Mum and Dad in one room, it was Mum, Dad,

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two children or three children in one room,

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because it was desperate after the war.

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People would say, "Can't you just put a bed up in the bathroom?"

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-Really?

-Which we have done.

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We did have a dead body once, and it was a bit like Fawlty Towers.

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Get it out of the way, quick, you know.

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Actually it was a relation,

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a distant relation had come to stay, and we'd given him bacon and eggs

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in our quarters, and he suddenly fell forward into my bacon and eggs.

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No! Were they that bad, your bacon and eggs?

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He was dead. Yeah, there you are!

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-Look at the size of our kitchen.

-Tiny!

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But we used to cater for 25 meals in that.

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Really? Do you miss it, Hazel?

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No, the day we sold up, I didn't miss a thing.

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I didn't realise until I took an office job

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and I'd finished that I'd worked so hard.

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The seaside dreams of millions were built on that hard work.

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But the delights of the B&B couldn't compete with cheap breaks abroad,

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and increased regulations brought the golden era of the seaside landladies to a close.

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Yet for so many, our holiday memories are inseparable

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from the redoubtable women who made them possible.

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They gave us all a home from home by the sea.

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The Channel has always been our great natural border.

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A barrier in times of war, but also our link

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to the trading ports of Northern Europe.

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I've crossed the Channel to Dunkirk.

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The most northerly French port, its name evokes British fighting spirit.

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Its beaches still bear the scars of conflict.

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In the aftermath of two World Wars, a new trade alliance

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grew up along these shores, dedicated to breaking down borders.

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It would become the European Union.

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The founding principle of the original union was to make war

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not only unthinkable but materially impossible.

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It's made it rather difficult to find any borders.

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This is the border marker, there's an F on this side for France...

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A broken N, that must be the Netherlands, and here, a date, 1819.

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Well, that is not the Netherlands any more.

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190 years ago when this marker was put in the sand,

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the country you're about to enter didn't even exist.

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If that seems a bit confusing, the change in the landscape at least

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leaves you in no doubt you've entered a new country,

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as wild open spaces transform into something a little more concrete.

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Welcome to Belgium.

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Looks like they've had the builders in.

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MUSIC: "Ca Plane Pour Moi" by Plastic Bertrand

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One of Europe's most densely populated coastal countries,

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it also has one of its shortest coastlines,

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less than 50 miles.

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But boy, do the Belgians make the most of it!

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# Ca plane pour moi Ca plane pour moi

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# Ca plane pour moi, moi, moi, moi... #

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There are no fewer than 16 major holiday resorts

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packed in along this tiny coast.

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And what links it all is the Kusttram - the coast tram.

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Starting near the border town of De Panne,

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the track runs more or less the length of the Belgian coast,

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loops around and comes back down again.

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85 miles, all told, making it the longest single-track tram in the world.

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No need for walking boots when you're taking the tram.

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I think a change of outfit is in order.

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I'm curious to know how the tramline helps the Belgians

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cram so much into their coast,

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so at a station in a rare break between high-rises,

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I'm meeting tram man Dirk Schockaert.

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-You must be Nick.

-I am Nick.

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This is one of the most extraordinary rail stations

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I've ever been to in the world. It's on a beach!

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Yes, it's a tram stop in the middle of nowhere.

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Yeah. Why was the tramline built, and when?

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The tramline was created in 1885. In the beginning,

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we had three train stations at the coast, so all the rich tourists came

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from the inside of the country to do their holiday here at the coast,

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and they were stuck at their place.

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So, they were thinking, "Well, we will create a tramline,

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"so that we can transport people," mostly rich tourists.

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And for example, I have here an old poster, touristic poster.

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That's wonderful! The image in the picture

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is very much of a seaside paradise waiting to be opened up.

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Yes, at that time our coast was like that.

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And now, there are everywhere buildings.

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I'd better give you that.

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Oh...it shot past.

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We missed that one!

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We're on the Belgian coast.

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Now the city of Bruges is connected to the port of Zeebrugge by a mighty canal.

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But 700 years ago, it was a different story.

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Mark is exploring how mediaeval Bruges once had a much closer connection to the coast, and to us.

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For me, this is a very emotional journey.

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I first came here to Bruges aged 13.

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I was obsessed with medieval history.

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Now I'm back to rekindle my old passion for the place,

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but also to explore an intriguing connection to England I discovered all those years ago.

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The city's canals give us a clue to its rich maritime past.

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Sea trade made the burghers of Bruges very rich in the 13th and 14th centuries.

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Believe it or not, this was once the main canal

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into the heart of Bruges, where ships from all round the world

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came and unloaded their cargos in the water hall

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in the middle of the town square.

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700 years ago, a bird's-eye view of Bruges

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would have been radically different.

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A sea inlet reached the outskirts of the city,

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linking is directly to the North Sea

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and historic ports like Ipswich and King's Lynn.

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Those links between East Anglia and Bruges I discovered for myself as a 13-year-old

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armed only with a roll of paper and a wax crayon.

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Sint-Salvator Cathedral is a wonderful place for a spot of brass rubbing.

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Unfortunately, it's now discouraged in Belgium.

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But I did a few earlier - 40 years earlier.

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The thing about these brasses is they show the sheer wealth and

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prosperity of Bruges. This is a brass of one of these merchants.

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There he is with his wife and his daughter,

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and you can see down at the bottom there

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is an image of a ship.

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But these brasses also tell us about trade between England

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and Bruges, because in Ipswich there's an almost identical brass.

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It shows Thomas Pownder,

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a cloth merchant, a very wealthy man. There's his merchant's mark.

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He was not satisfied with inferior English brasses,

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but went all the way here to Bruges to get his memorial, and this is it.

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The link between Bruges and Eastern England I'd stumbled upon as a boy was centuries old,

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part of a trade alliance known as the Hanseatic League.

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This enormous medieval room

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would have been a warehouse stacked high with East Anglian wool.

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On their return the empty ships were so unstable,

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they had to be filled with Flemish bricks.

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Bricks were in big demand 700 years ago in England,

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because back then we weren't making any of our own.

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I'm hoping historian David Andrews can tell me why.

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Well, the Romans of course, had made bricks,

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but with the collapse that came after the fall of the Roman Empire

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the technology was lost throughout much of Northern Europe,

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maybe parts of the Mediterranean as well.

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So when is brick-making rediscovered?

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In the 12th century, the Cistercians are making bricks,

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and the Cistercians built this wonderful barn here.

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-It's like a cathedral, isn't it, with a sort of east window in brick?!

-With tracery in brick, yes.

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Cistercian monks may have revived the art of brick-making,

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but in England we were a bit slow on the uptake.

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Rather than make our own, we bought them from the Low Countries.

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We had ceramic technologies, we could make pottery, we could make roof tile

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but we don't seem to have bothered with brick.

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And what do these Flemish bricks actually look like?

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Well, I've got one from Essex here.

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So these are really grotty, I mean, you can see how soft they are.

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You could put the powder everywhere.

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Yes, they aren't marvellous bricks, but they work

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and they're quite long-lasting and durable.

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'After 700 years, this Essex brick has come home'

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to where it was made from the polder clay, the layer of mud

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left behind when the sea retreated from the land.

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'Art Vandendorpe is going to show me how to turn clay into bricks.'

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He's restored some of Bruges' most ancient buildings

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using the oldest instruction book there is.

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So this is the original description of how bricks were made in those days.

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They take the clay and they mixed them with sand,

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they put it on the table and they make the brick.

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And then they put them here in the clamp.

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-One million.

-In one clamp? So that's from the polders.

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-Yes, from here.

-Just from underneath the riverbank.

-Yes, yes, yes.

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# Bricks, lay 'em down in a straight line

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# Bricks, build them into a wall

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# Bricks, very useful objects and they're not expensive at all. #

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Perfect! Bits of old brick, the odd shell -

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that's what makes the brick strong.

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'After several hundred years of the Flemish showing the way,

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'English brick-makers had just about got the hang of it.'

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Oh, this is an English brick!

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'Unlike me!'

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But it was the clay, the very stuff the bricks of Bruges

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were made of, that finally cut the city off from the sea.

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When the inlet silted up, gone went that trading route to Europe.

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Leaving Bruges high and dry,

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but preserved in all this medieval splendour!

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The end of Belgium's coastal tramline delivers me to Knokke.

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It looks pretty conventional on the outside, the seafront dominated by this grand 1930s casino.

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I'm told all is not what it seems here -

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apparently there's something surreal to see.

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And it's tucked away in a back room.

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-Hello.

-Hello.

-I'm Nick.

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-Delphine. Nice to meet you.

-Very nice to meet you.

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In the 1950s, Belgian surrealist Rene Magritte came to stay in Knokke.

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And this is what he left behind.

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LAUGHS

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My goodness! My goodness!

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It's quite a thing if you see it for the first time.

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Erm, yeah, it certainly is, isn't it?

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If you don't know Magritte's name, you might well recognise his images.

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This 360-degree mural displays some of his best-known work.

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It's a dreamscape, isn't it?

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Not necessarily a very healthy dream - we've got a woman with

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a fish's head, and the Leaning Tower of Pisa resting on a feather.

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How did the citizens of Knokke react?

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They rather like it, I think.

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In 1953,

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the casino owner here persuaded the surrealist and former wallpaper designer

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to make a rare visit to the coast and decorate the walls of this establishment.

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Magritte called the end result the enchanted domain.

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Enchanting maybe, odd certainly, but look closer.

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Magritte's vision seems strangely in tune with the Belgium we've experienced.

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The surrealist re-imagined the world in the name of art.

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But another local visionary who reimagined the world for

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practical reasons is waiting at the end of my journey.

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Because it was along this coast that a 16th-century map-maker

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of huge significance spent his formative years.

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He also happens to be a hero of mine. His name - Gerard Mercator.

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Ships like this navigate safely today because of a method of

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map-making devised by Mercator.

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Even in here, surrounded by all this hi-tech equipment, this modern map

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carries the name of a man born 500 years ago.

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Mercator cracked a complex puzzle.

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Paper maps are flat, but as you step back from the world,

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it's clear the planet isn't flat at all.

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He worked out the maths

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to project the 3D world onto a two-dimensional sheet.

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Mercator's projection meant seafarers could for the first time

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navigate precisely around the three-dimensional globe.

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In Antwerp, you can see the original chart that changed the world.

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This is it, this is the map that turned Mercator

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into the first modern map-maker, it was completely revolutionary.

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It's really a navigational device.

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What he did was to keep all the lines of longitude parallel.

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Of course, normally on the globe they all converge at the two poles,

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but what he did was prise them apart and straighten them.

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What you end up with is quite a distorted map, but the sheer

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brilliance of this map is in what it does with the use of compasses.

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If you lie a compass on this map for example between Bristol and Cuba,

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and want to get the bearing, you take your bearing off the map,

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and then you can stand on the deck of your ship and the identical

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bearing will take you straight from Bristol to Cuba.

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No other map projection will do that.

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It was a work of sheer brilliance.

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Mercator called it the squaring of the circle.

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Mercator's genius vision, his projection of the earth onto

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accurate navigation charts, opened up the globe to Europeans.

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Trade blossomed and mighty estuaries became gateways to the world.

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People, goods and ideas flow between nations connected by their coastlines.

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It gives us a common bond with our neighbours, stories we continue to explore around our coast and beyond!

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