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Coast is home. | 0:00:07 | 0:00:10 | |
We're back to explore the most endlessly fascinating shoreline | 0:00:12 | 0:00:17 | |
in the world - our own! | 0:00:17 | 0:00:19 | |
The quest to discover surprising, secret stories | 0:00:21 | 0:00:26 | |
from around the British Isles continues. | 0:00:26 | 0:00:28 | |
This is Coast. | 0:00:33 | 0:00:36 | |
For as long as we've gazed | 0:01:07 | 0:01:08 | |
from our island shores over the seas, | 0:01:08 | 0:01:10 | |
we've struggled to solve | 0:01:10 | 0:01:13 | |
the mystery of our tides. | 0:01:13 | 0:01:15 | |
Twice a day, like the chest of a sleeping giant, | 0:01:15 | 0:01:20 | |
the sea heaves up and down, | 0:01:20 | 0:01:22 | |
re-drawing the shape of our island home. | 0:01:22 | 0:01:24 | |
The effect of the two tides varies around the coast. | 0:01:24 | 0:01:29 | |
In the Bristol Channel, | 0:01:29 | 0:01:30 | |
we have one of the greatest surges of water in the world. | 0:01:30 | 0:01:35 | |
It creates the remarkable Severn Bore. | 0:01:35 | 0:01:39 | |
Over in East Anglia in the south-east corner of England, | 0:01:39 | 0:01:42 | |
the tides are relatively weak. | 0:01:42 | 0:01:45 | |
Down here on the south coast, the opposite is true, | 0:01:45 | 0:01:48 | |
because the tides get forced up and down the English Channel | 0:01:48 | 0:01:51 | |
around a promontory called Portland Bill. | 0:01:51 | 0:01:56 | |
You get huge standing waves there. It's really scary. | 0:01:56 | 0:01:59 | |
Why does the sea behave so differently around our coast? | 0:02:02 | 0:02:05 | |
We're here to explore The Riddle Of The Tides. | 0:02:05 | 0:02:10 | |
My tidal odyssey takes me to the North West, | 0:02:12 | 0:02:17 | |
and a city that sits by the sea. | 0:02:17 | 0:02:19 | |
In Liverpool, I'm on the trail of a forgotten genius, | 0:02:19 | 0:02:23 | |
who made a machine to calculate the tides anywhere, anytime. | 0:02:23 | 0:02:26 | |
Look at that, lots of brass, cast iron, steel axles, | 0:02:29 | 0:02:34 | |
absolutely stunning, isn't it? | 0:02:34 | 0:02:36 | |
In the balmy south, there's an island that puts on a spectacular | 0:02:36 | 0:02:41 | |
tidal show. | 0:02:41 | 0:02:43 | |
At a fortress that floods twice a day, | 0:02:43 | 0:02:45 | |
Miranda is mega-rockpooling in Jersey. | 0:02:45 | 0:02:49 | |
This has to be the weirdest thing I've ever done in a rock pool. | 0:02:49 | 0:02:53 | |
And there's actually a little brown shrimp just sitting on my hand, | 0:02:53 | 0:02:56 | |
feeding off little bits of skin. | 0:02:56 | 0:02:58 | |
On the east coast, | 0:02:58 | 0:02:59 | |
we explore the ebb and flow | 0:02:59 | 0:03:03 | |
that drove beach fashion at Britain's first resort. | 0:03:03 | 0:03:06 | |
Scarborough is where we hide at low tide, | 0:03:06 | 0:03:10 | |
and the Victorian bathing hut rides again, for Lady Tessa. | 0:03:10 | 0:03:15 | |
-Has the horse had enough? -Yeah. | 0:03:16 | 0:03:17 | |
-I don't blame her. Do you? -No. | 0:03:17 | 0:03:20 | |
But my journey begins on tidal rapids. The Menai Strait... | 0:03:21 | 0:03:26 | |
..a narrow ribbon of wild water. | 0:03:29 | 0:03:32 | |
Mariners have always been at the mercy of the tides. | 0:03:38 | 0:03:43 | |
Trying to master those turbulent waters | 0:03:43 | 0:03:47 | |
was a great voyage of discovery. | 0:03:47 | 0:03:50 | |
I'm setting sail on this 19th-century-style schooner... | 0:03:52 | 0:03:58 | |
Shall we put it up, Scott? | 0:03:58 | 0:04:00 | |
Yes, go for it. | 0:04:00 | 0:04:01 | |
..to see how salty seadogs began to tackle the riddle of the tides. | 0:04:01 | 0:04:07 | |
Good work out, isn't it? Earning a living. | 0:04:07 | 0:04:09 | |
It's all hands on deck as we rush to set sail | 0:04:09 | 0:04:12 | |
before the tide turns against us. | 0:04:12 | 0:04:15 | |
Proper old ropes that takes the skin off your hands. | 0:04:15 | 0:04:18 | |
A tricky passage awaits along some of Britain's most treacherous water. | 0:04:24 | 0:04:29 | |
Navigating the Menai Strait isn't for the fainthearted. | 0:04:29 | 0:04:32 | |
We're racing to make it through The Swellies - | 0:04:32 | 0:04:36 | |
the tidal surge around the island of Anglesey. | 0:04:36 | 0:04:40 | |
Any misjudgement of the tides here could wreck the boat on jagged rocks. | 0:04:40 | 0:04:44 | |
It's a real worry for the skipper, Scott Metcalfe. | 0:04:44 | 0:04:48 | |
Quite a few people have come to grief. | 0:04:48 | 0:04:51 | |
There's a lot of rocks around here, there's rocks on this side, | 0:04:51 | 0:04:54 | |
and certainly there's rocks on the other side, | 0:04:54 | 0:04:57 | |
the Cribbin Rock, which is quite a nasty one. | 0:04:57 | 0:04:59 | |
If you get the timing wrong | 0:04:59 | 0:05:00 | |
you can get swept onto | 0:05:00 | 0:05:01 | |
one of the rocks, basically. | 0:05:01 | 0:05:03 | |
And this is a, you know, a historic vessel. | 0:05:03 | 0:05:06 | |
How important were tides back in the days before motors? | 0:05:06 | 0:05:10 | |
Very, very important. | 0:05:10 | 0:05:12 | |
I don't know if you can see those two white posts, | 0:05:12 | 0:05:14 | |
we should have those basically in line. | 0:05:14 | 0:05:17 | |
So, you line the two white posts up, | 0:05:17 | 0:05:19 | |
steer for the posts, and that gets you through the deeper channel. | 0:05:19 | 0:05:23 | |
People talk about The Swellies | 0:05:23 | 0:05:25 | |
as if it's some kind of white-knuckle fairground ride. | 0:05:25 | 0:05:27 | |
What are The Swellies? | 0:05:27 | 0:05:28 | |
That's just this stretch of water between the two bridges, basically. | 0:05:28 | 0:05:32 | |
It is the fastest flowing part. This is the most treacherous part. | 0:05:32 | 0:05:37 | |
Scott makes sure to navigate The Swellies at slack water - | 0:05:37 | 0:05:43 | |
the brief period when the tidal flow is weakest. | 0:05:43 | 0:05:47 | |
For sailors, reading the mood of the sea is a matter of life and death. | 0:05:47 | 0:05:52 | |
Since the earliest times, | 0:05:53 | 0:05:55 | |
mariners have known that the moon drives the tides, | 0:05:55 | 0:05:58 | |
but how, exactly? | 0:05:58 | 0:06:01 | |
And why are there two tides a day? | 0:06:01 | 0:06:04 | |
Sailing with me is Tom Rippeth from Bangor University. | 0:06:04 | 0:06:10 | |
Tom, can you explain to me | 0:06:10 | 0:06:11 | |
why it is that we get two tides every 24 hours. | 0:06:11 | 0:06:14 | |
We've got a simple model, here, Nick. | 0:06:14 | 0:06:16 | |
If you'd just like to hold that. | 0:06:16 | 0:06:18 | |
Yes. | 0:06:18 | 0:06:19 | |
This is obviously the earth, and then here we have the moon | 0:06:19 | 0:06:22 | |
and, erm, the earth and moon, | 0:06:22 | 0:06:24 | |
basically, orbit around each other in space, | 0:06:24 | 0:06:27 | |
and erm there's two forces acting, really. | 0:06:27 | 0:06:29 | |
There's one force which is the moon's gravitational pull, | 0:06:29 | 0:06:33 | |
and another force which is the centrifugal force, | 0:06:33 | 0:06:35 | |
which is pulling the water away from the planet. | 0:06:35 | 0:06:39 | |
The earth's motion and the moon's gravity make the tides. | 0:06:39 | 0:06:44 | |
To see how, imagine our planet completely covered in water. | 0:06:44 | 0:06:48 | |
One bulge in the sea is caused by the moon's pull. | 0:06:48 | 0:06:52 | |
There's an opposite bulge because water gets pushed out | 0:06:52 | 0:06:57 | |
by centrifugal force, as the earth whizzes through space. | 0:06:57 | 0:07:01 | |
The earth also rotates, once every 24 hours. | 0:07:02 | 0:07:08 | |
Measure the sea level at a single point | 0:07:10 | 0:07:13 | |
and it rises as the earth spins, and then falls again, | 0:07:13 | 0:07:18 | |
and sea level rises again 12 hours later, so two high tides a day. | 0:07:18 | 0:07:26 | |
But our world isn't completely submerged, | 0:07:26 | 0:07:29 | |
the shape of the coastline and cliffs on the seabed, | 0:07:29 | 0:07:33 | |
like the continental shelf, | 0:07:33 | 0:07:35 | |
disrupt the flow of water, changing the height of our tides. | 0:07:35 | 0:07:40 | |
Our tides go up and down at the edge of the continental shelf, | 0:07:40 | 0:07:42 | |
and that generates tidal waves. | 0:07:42 | 0:07:45 | |
So, we're not talking about a gradual rising | 0:07:45 | 0:07:48 | |
and falling of water every, what, six hours, roughly? | 0:07:48 | 0:07:50 | |
Absolutely not. We're talking about waves | 0:07:50 | 0:07:52 | |
which will travel down one coastline and travel up another coastline, | 0:07:52 | 0:07:56 | |
so, for instance, down the east coast of England, | 0:07:56 | 0:07:59 | |
we'll see big changes in the height of the tide, | 0:07:59 | 0:08:01 | |
but also in the timing of the tide, | 0:08:01 | 0:08:04 | |
so you might have low water in the north, | 0:08:04 | 0:08:06 | |
and you might have high water in the south. | 0:08:06 | 0:08:08 | |
So, our tides aren't simple. | 0:08:08 | 0:08:10 | |
They travel in massive waves, | 0:08:10 | 0:08:13 | |
which makes it hard to predict the sea-level. | 0:08:13 | 0:08:18 | |
Tom's wave tank shows how the tide behaves differently, | 0:08:18 | 0:08:22 | |
depending where you are. | 0:08:22 | 0:08:24 | |
Here we've just put three examples on the Irish Sea. | 0:08:24 | 0:08:27 | |
We've got Liverpool, here, which has very large tides, | 0:08:27 | 0:08:30 | |
and if you move elsewhere in the Irish sea, we actually see | 0:08:30 | 0:08:33 | |
places where it's high water at Liverpool | 0:08:33 | 0:08:35 | |
and it can be low water elsewhere. | 0:08:35 | 0:08:36 | |
So, you can have high water at different times | 0:08:36 | 0:08:39 | |
-in different parts of the coast? -That's right. | 0:08:39 | 0:08:41 | |
-It's a very complex system, isn't it? -Absolutely, very complex. | 0:08:41 | 0:08:44 | |
Tides are further complicated by our craggy shoreline, | 0:08:44 | 0:08:50 | |
which makes predicting them very tricky. | 0:08:50 | 0:08:53 | |
But later I'll discover a remarkable machine, | 0:08:53 | 0:08:57 | |
created to crack the puzzle. | 0:08:57 | 0:09:00 | |
But while some probe the mystery of the tides, others work with them. | 0:09:03 | 0:09:07 | |
Along the southern shore of England, | 0:09:07 | 0:09:10 | |
the Atlantic surge is funnelled between Britain and France. | 0:09:10 | 0:09:15 | |
The sea's ebb and flow is the clock for these coastal folk. | 0:09:15 | 0:09:20 | |
At Hastings, the high tide is the fishermen's friend, | 0:09:20 | 0:09:24 | |
allowing them to float their boats off the beach. | 0:09:24 | 0:09:27 | |
But it can mean an early start. | 0:09:27 | 0:09:30 | |
Further west, the way the water sloshes around the Isle of Wight | 0:09:38 | 0:09:42 | |
into the Solent | 0:09:42 | 0:09:44 | |
creates four high tides each day, | 0:09:44 | 0:09:47 | |
double the normal number, | 0:09:47 | 0:09:49 | |
a challenge if you're messing around in boats. | 0:09:49 | 0:09:53 | |
All around the shore, tidal life runs on local knowledge, | 0:09:53 | 0:09:57 | |
like here at Bantham. | 0:09:57 | 0:09:59 | |
The town is home to marine biologist and mum Maya Plass. | 0:10:04 | 0:10:10 | |
Maya makes the sea work for her. | 0:10:10 | 0:10:14 | |
This morning I've got to get my daughter Niamh to school. | 0:10:14 | 0:10:17 | |
Did you brush your teeth yet this morning? | 0:10:17 | 0:10:19 | |
Most parents have to check traffic reports in the morning, | 0:10:19 | 0:10:22 | |
but for me, I check the tide tables. | 0:10:22 | 0:10:23 | |
The tide controls my life here. | 0:10:23 | 0:10:26 | |
Unfortunately, this morning, I've got to take Niamh by van, | 0:10:28 | 0:10:31 | |
but this evening, hopefully, I'll be able to pick her up by kayak | 0:10:31 | 0:10:34 | |
on the high tide. | 0:10:34 | 0:10:36 | |
For Maya, as for most parents, the school run is a frantic rush. | 0:10:38 | 0:10:43 | |
-Sorry, we're a bit late. -No, you're fine, not a problem. | 0:10:43 | 0:10:45 | |
But she's also rushing for another reason - | 0:10:45 | 0:10:47 | |
she's racing against the tide. | 0:10:47 | 0:10:50 | |
I've got to catch that tidal road. | 0:10:50 | 0:10:53 | |
On the high tide this road is completely covered, | 0:10:53 | 0:10:55 | |
and there will be stretches that will be completely submerged. | 0:10:55 | 0:10:58 | |
You often find people stranded on this bit of road. | 0:10:58 | 0:11:02 | |
Maya's got to get a move on - | 0:11:02 | 0:11:04 | |
while it's still low tide, | 0:11:04 | 0:11:06 | |
this marine biologist mum can free-dive to get her family dinner. | 0:11:06 | 0:11:12 | |
I'm going to hop in and hopefully find a spider crab. | 0:11:12 | 0:11:16 | |
Shallow water means Maya can reach the bottom with one gulp of air. | 0:11:19 | 0:11:24 | |
I've got two females here. | 0:11:32 | 0:11:36 | |
You can tell they're females | 0:11:36 | 0:11:38 | |
because they've got really small claws here. | 0:11:38 | 0:11:41 | |
They've got this big rounded area that's under there | 0:11:41 | 0:11:44 | |
that she'll keep all her eggs, | 0:11:44 | 0:11:46 | |
but we don't want the females. | 0:11:46 | 0:11:47 | |
We want the males - the ones with the nice big juicy claws. | 0:11:47 | 0:11:50 | |
Look at this, he's amazing. | 0:12:03 | 0:12:06 | |
It's a lovely big male. | 0:12:06 | 0:12:08 | |
Look at the amazing size of his claws! | 0:12:08 | 0:12:11 | |
Loads of meat in there. | 0:12:11 | 0:12:13 | |
This one's definitely going to be for supper. | 0:12:13 | 0:12:16 | |
It's time to go and collect Niamh now. | 0:12:17 | 0:12:21 | |
If she times it right, Maya can kayak in with the tide... | 0:12:21 | 0:12:24 | |
The tide time changes every day... | 0:12:24 | 0:12:27 | |
..collect Niamh from school | 0:12:27 | 0:12:29 | |
..so, the teachers are really flexible to the fact that sometimes | 0:12:29 | 0:12:32 | |
I am a little bit late. | 0:12:32 | 0:12:35 | |
And, as the tide turns, get a free ride back. | 0:12:35 | 0:12:38 | |
-Look down here, can you see those cars down there? -Yeah. | 0:12:45 | 0:12:49 | |
They can't actually get across on this road cos the water's too deep. | 0:12:49 | 0:12:54 | |
But we can. How cool is that? | 0:12:54 | 0:12:57 | |
This morning, she drove along this road. Now, it's become a boat trip. | 0:12:57 | 0:13:03 | |
And soon the tide will turn again, right around our shores. | 0:13:03 | 0:13:08 | |
The routine of coastal folk revolves around the ebb and flow of the sea. | 0:13:15 | 0:13:22 | |
It reshapes their world and opens up new possibilities. | 0:13:22 | 0:13:29 | |
Like on this beach in Cardigan Bay, | 0:13:29 | 0:13:32 | |
on the west coast of Wales at Poppit Sands. | 0:13:32 | 0:13:36 | |
Mark's on the trail of some long dead monks | 0:13:40 | 0:13:44 | |
and the cunning trap they left behind. | 0:13:44 | 0:13:47 | |
Even in the drizzle, Poppit Sands in Wales is a popular beach. | 0:13:49 | 0:13:55 | |
A great place to sit back and take in the view. | 0:13:55 | 0:13:58 | |
But sometimes we can't see what's under our noses. | 0:13:58 | 0:14:03 | |
We all like to look out to see, | 0:14:05 | 0:14:07 | |
and we know the history of the sea, | 0:14:07 | 0:14:09 | |
but there's often hidden histories | 0:14:09 | 0:14:11 | |
underneath the sea. | 0:14:11 | 0:14:13 | |
For hundreds of years, | 0:14:16 | 0:14:18 | |
these waters were hiding an Atlantis-like structure, | 0:14:18 | 0:14:22 | |
best seen from up high when the tide is low. | 0:14:22 | 0:14:26 | |
A few years ago this remarkable picture was taken. | 0:14:29 | 0:14:32 | |
We're standing just there, but here is this extraordinary | 0:14:32 | 0:14:37 | |
v-shaped feature, | 0:14:37 | 0:14:38 | |
which the archaeologists interpreted as a medieval fish trap, | 0:14:38 | 0:14:42 | |
capable of bagging literally thousands of fish. | 0:14:42 | 0:14:46 | |
The aerial view revealed a submerged stone structure - | 0:14:48 | 0:14:53 | |
a man-made pen to trap fish at low tide. | 0:14:53 | 0:14:59 | |
It's around 900 years old. | 0:14:59 | 0:15:03 | |
How did something so big become forgotten? | 0:15:03 | 0:15:08 | |
I'm here with local diver Ziggy Otto. | 0:15:08 | 0:15:12 | |
-Hi. -Hello. | 0:15:12 | 0:15:13 | |
Why did it take so long for us archaeologists to find this? | 0:15:17 | 0:15:20 | |
I mean, it's so enormous. | 0:15:20 | 0:15:23 | |
Because it's covered, even at low tide, | 0:15:23 | 0:15:25 | |
because sea-level has risen, and I believe by, | 0:15:25 | 0:15:28 | |
and this is an estimate of, | 0:15:28 | 0:15:30 | |
a metre over the past thousand years, | 0:15:30 | 0:15:33 | |
so, once upon a time | 0:15:33 | 0:15:34 | |
this fish trap was inter tidal, | 0:15:34 | 0:15:36 | |
exposed at low tide. | 0:15:36 | 0:15:38 | |
How did it actually work? | 0:15:38 | 0:15:39 | |
You have a wide opening that was possibly even extended by nets | 0:15:39 | 0:15:44 | |
even further to corral the fish into the trap, | 0:15:44 | 0:15:48 | |
possible close the trap and let the tide go out and pick up your fish. | 0:15:48 | 0:15:51 | |
A very, very efficient system. | 0:15:51 | 0:15:53 | |
You'd come and pick up the fish who were thrashing around in the sand. | 0:15:53 | 0:15:56 | |
Absolutely. | 0:15:56 | 0:15:57 | |
This man-made rock pool is over 800 feet long, | 0:15:59 | 0:16:04 | |
painstakingly built from stones piled up by hand. | 0:16:04 | 0:16:09 | |
An extraordinary achievement | 0:16:09 | 0:16:13 | |
for the men who constructed it in the 12th century. | 0:16:13 | 0:16:16 | |
In its heyday, this trap would be capable | 0:16:18 | 0:16:22 | |
of catching thousands of fish, | 0:16:22 | 0:16:24 | |
but who was mad enough to spend the money | 0:16:24 | 0:16:28 | |
to build and maintain such a contraption? | 0:16:28 | 0:16:32 | |
A bird's eye view, once again, gives us a clue. | 0:16:35 | 0:16:40 | |
The long gardens, here at St Dogmaels, | 0:16:40 | 0:16:44 | |
are unusually narrow - | 0:16:44 | 0:16:46 | |
typical of the sort of plots farmed by medieval tenants, | 0:16:46 | 0:16:51 | |
whose landlords lived just next-door. | 0:16:51 | 0:16:55 | |
Those landlords were the original inhabitants of this, | 0:16:59 | 0:17:03 | |
St Dogmaels Abbey, founded from France around 1120, | 0:17:03 | 0:17:07 | |
and whose monks had to live on a diet of fish. | 0:17:07 | 0:17:11 | |
The abbey's original community consisted of 13 monks, | 0:17:11 | 0:17:17 | |
brought over from France by the Norman baron Robert fitz Martin. | 0:17:17 | 0:17:24 | |
As historian Glen Johnson knows, being members of a Benedictine order | 0:17:26 | 0:17:32 | |
their monastic rule banned red meat | 0:17:32 | 0:17:33 | |
meaning they needed a large amount of fish. | 0:17:33 | 0:17:37 | |
So, it was the only meat they could have as part of the diet. | 0:17:37 | 0:17:41 | |
How often they ate meat, we don't know, | 0:17:41 | 0:17:43 | |
but all of it would have been fish and the trap, then, | 0:17:43 | 0:17:47 | |
obviously, would have been very valuable | 0:17:47 | 0:17:49 | |
to making sure that they had a constant supply. | 0:17:49 | 0:17:51 | |
The industrious monks in their monastery | 0:17:53 | 0:17:56 | |
would have once dominated the landscape. | 0:17:56 | 0:17:59 | |
But the tides of time were turning against them. | 0:17:59 | 0:18:04 | |
It began with the black death, in 1349. | 0:18:04 | 0:18:07 | |
What had been a full house of honest and obedient monks were decimated | 0:18:07 | 0:18:13 | |
by the arrival of this disease, and the abbey, to be honest, | 0:18:13 | 0:18:17 | |
never really recovered. | 0:18:17 | 0:18:18 | |
In the end, it went the way of all flesh | 0:18:18 | 0:18:20 | |
with Henry VIII, a man who liked to chop and change. | 0:18:20 | 0:18:23 | |
In 1536, Henry VIII had ordered the dissolution of the monasteries. | 0:18:25 | 0:18:30 | |
When Henry's men had finished at St Dogmaels, | 0:18:32 | 0:18:35 | |
the abbey was ruined. | 0:18:35 | 0:18:37 | |
Then the monk's fish trap was lost | 0:18:40 | 0:18:43 | |
as the sea-level rose over the centuries. | 0:18:43 | 0:18:46 | |
But one ecclesiastical influence did survive the passage of time. | 0:18:46 | 0:18:51 | |
Seine fishing is now a Welsh tradition, | 0:18:54 | 0:18:58 | |
but historians believe it was first brought over | 0:18:58 | 0:19:02 | |
by the French monks from the River Seine. | 0:19:02 | 0:19:05 | |
So, Cyril, you've been fishing on this river for how long? | 0:19:07 | 0:19:11 | |
30 years. | 0:19:11 | 0:19:13 | |
And you've presumably caught | 0:19:13 | 0:19:14 | |
a fair few fish in those times. | 0:19:14 | 0:19:16 | |
Oh, yes, I've caught a few in my time, yes. | 0:19:16 | 0:19:18 | |
So, how does this process actually work? | 0:19:18 | 0:19:20 | |
Well, there's a boat and a crew of four - | 0:19:20 | 0:19:23 | |
the Captain and the three nets men. | 0:19:23 | 0:19:26 | |
As you pull the net in, you pull in slowly. | 0:19:26 | 0:19:29 | |
You can see it's like a little horseshoe | 0:19:29 | 0:19:31 | |
So, the whole thing runs like a bag? | 0:19:31 | 0:19:33 | |
Like a bag, yes. That's what it is. | 0:19:33 | 0:19:35 | |
That's what a Seine net is. | 0:19:35 | 0:19:36 | |
And you have to come in at low tide? | 0:19:36 | 0:19:38 | |
Yes, well if you're fishing, you're on high water, the tide is in, | 0:19:38 | 0:19:43 | |
you haven't got any beach to land the net, you know? | 0:19:43 | 0:19:46 | |
This will be ten ft of water around here. | 0:19:46 | 0:19:48 | |
You've got no room to stand. | 0:19:48 | 0:19:49 | |
So, now they're pulling the bottom of the net in, | 0:19:49 | 0:19:53 | |
and, yes, there's a fish in it. | 0:19:53 | 0:19:55 | |
Where? | 0:19:55 | 0:19:56 | |
There's a fish in the net. | 0:19:56 | 0:19:58 | |
Going through the net a mullet it is... | 0:19:58 | 0:19:59 | |
look it's still in the net | 0:19:59 | 0:20:01 | |
I can see it, yes there it is | 0:20:01 | 0:20:03 | |
That's a Sewin. | 0:20:03 | 0:20:05 | |
Only a few miles from our medieval trap, | 0:20:07 | 0:20:11 | |
but a thousand years later, tidal fishing lives on. | 0:20:11 | 0:20:16 | |
The times have changed but our reliance on our tides has not. | 0:20:16 | 0:20:22 | |
We're on a journey to work out the riddle of the tides, | 0:20:28 | 0:20:31 | |
the mysterious endless ebb and flow around our coast, | 0:20:31 | 0:20:36 | |
and the curious ways we've put it to use. | 0:20:36 | 0:20:39 | |
Canny Yorkshire folk saw a money making opportunity at Scarborough. | 0:20:40 | 0:20:46 | |
Some 300 years ago, the nation fell in love with sea-bathing, | 0:20:48 | 0:20:54 | |
a craze that began here. | 0:20:54 | 0:20:56 | |
But the town had to find a way of tempting refined gentlefolk | 0:20:56 | 0:21:01 | |
down to the water, even at low tide. | 0:21:01 | 0:21:04 | |
Tessa is here to discover | 0:21:04 | 0:21:06 | |
how Scarborough made sea-bathing fashionable | 0:21:06 | 0:21:10 | |
In the mid 1800s, the population here was booming. | 0:21:12 | 0:21:15 | |
Visitors flooded in, | 0:21:15 | 0:21:18 | |
and grand hotels were built to accommodate the crowds. | 0:21:18 | 0:21:22 | |
By the time Victoria was on the throne, we'd gone bathing-mad. | 0:21:24 | 0:21:29 | |
But for a town | 0:21:31 | 0:21:32 | |
that was selling itself | 0:21:32 | 0:21:33 | |
on a swim in the sea, | 0:21:33 | 0:21:35 | |
sometimes there was a bit of a problem. | 0:21:35 | 0:21:38 | |
Where is the sea? | 0:21:38 | 0:21:40 | |
Low tide reveals a huge expanse of beach | 0:21:40 | 0:21:45 | |
and takes the sea a long way out. | 0:21:45 | 0:21:48 | |
For a prim and proper Victorian lady, frolicking across the sand | 0:21:48 | 0:21:52 | |
in her undies to meet the sea was out of the question, | 0:21:52 | 0:21:55 | |
so, in Scarborough, they came up with this - | 0:21:55 | 0:21:58 | |
a modesty cabinet, a bathing machine | 0:21:58 | 0:22:02 | |
in which a woman could shelter | 0:22:02 | 0:22:04 | |
as she was wheeled out to meet the tide. | 0:22:04 | 0:22:07 | |
The very first evidence of a bathing machine in Britain | 0:22:11 | 0:22:15 | |
is this image from 1736, set right here in Scarborough. | 0:22:15 | 0:22:20 | |
And to get a glimpse of one of these contraptions | 0:22:21 | 0:22:24 | |
I'm meeting Karen Snowden from the Scarborough museum. | 0:22:24 | 0:22:28 | |
Hidden at the back of her storeroom, | 0:22:29 | 0:22:31 | |
there's a bathing machine that's survived, | 0:22:31 | 0:22:34 | |
but only just. | 0:22:34 | 0:22:36 | |
Here we are. | 0:22:36 | 0:22:38 | |
It's seen better days, hasn't it? | 0:22:38 | 0:22:40 | |
Yes, it has. | 0:22:40 | 0:22:42 | |
It spent many decades as a garden shed in Scarborough. | 0:22:42 | 0:22:46 | |
When does it date from, do you know? | 0:22:46 | 0:22:48 | |
Probably about 1870. | 0:22:48 | 0:22:49 | |
I think it's fair to say that this bathing machine is out of service. | 0:22:51 | 0:22:56 | |
So, just to see just how the bathing belles would have used them, | 0:22:56 | 0:22:59 | |
we're going to have to get a bit creative. | 0:22:59 | 0:23:01 | |
A bathing machine probably hasn't been built in Britain | 0:23:01 | 0:23:05 | |
for about 100 years, | 0:23:05 | 0:23:07 | |
but perhaps that's because nobody's tried, until now. | 0:23:07 | 0:23:11 | |
And here it is! | 0:23:23 | 0:23:25 | |
Basically, a DIY shed on wheels. | 0:23:25 | 0:23:28 | |
And, of course, we need an unflappable horse, | 0:23:28 | 0:23:30 | |
so, there's Brooklyn with her very own stable boy. | 0:23:30 | 0:23:35 | |
We also need a dipper, | 0:23:35 | 0:23:37 | |
a woman to help our lady dip into the sea. | 0:23:37 | 0:23:41 | |
Cue Karen from the museum. | 0:23:41 | 0:23:44 | |
And now all we need is the Victorian lady to take a dip. | 0:23:44 | 0:23:49 | |
That'll be me. | 0:23:49 | 0:23:50 | |
-Well, Carol, we've got this picture here of how it once was. -Yeah. | 0:23:58 | 0:24:04 | |
How do you reckon we're looking? | 0:24:04 | 0:24:06 | |
Well, not bad. Quite a close match. | 0:24:06 | 0:24:08 | |
-It is, isn't it? -Yeah. | 0:24:08 | 0:24:10 | |
Why did people want to dip in icy waters? | 0:24:10 | 0:24:14 | |
They thought it was good for their health, and the colder the better. | 0:24:14 | 0:24:18 | |
The idea isn't exactly filling me with joy but it's time to beach test | 0:24:18 | 0:24:24 | |
our 21st-century bathing machine. | 0:24:24 | 0:24:26 | |
C'mon. Walk on! | 0:24:26 | 0:24:28 | |
The ladies could get changed on the way to the sea | 0:24:33 | 0:24:38 | |
so that they were never seen in their indecent bathing costume. | 0:24:38 | 0:24:43 | |
As my dipper, what would you be doing, what's your main role? | 0:24:43 | 0:24:47 | |
I'd help you change and then I'd help you into the sea, | 0:24:47 | 0:24:49 | |
and if you were a little bit reluctant to go all the way under, | 0:24:49 | 0:24:53 | |
-I'd shove you under. -Thanks for that, Karen. | 0:24:53 | 0:24:55 | |
I feel like I should be going to a cocktail party in this outfit, | 0:24:57 | 0:25:00 | |
not for a swim. | 0:25:00 | 0:25:01 | |
-Has the horse had enough? -Yeah. | 0:25:04 | 0:25:06 | |
-I don't blame her. Do you? -No. | 0:25:06 | 0:25:09 | |
So I'm not to swim, am I, cos I don't know how to swim? | 0:25:10 | 0:25:13 | |
No, you don't know how to swim. You just dunk. | 0:25:13 | 0:25:15 | |
Are we going to wait for a big wave? | 0:25:15 | 0:25:17 | |
Yeah, there's a couple of big ones coming up soon, let's go for them. | 0:25:17 | 0:25:20 | |
OK, push me. | 0:25:20 | 0:25:21 | |
SHE SCREAMS | 0:25:21 | 0:25:24 | |
-Oh, a nice big one coming. -OK. | 0:25:25 | 0:25:27 | |
In their modesty, Victorian ladies bathed out of sight, | 0:25:30 | 0:25:34 | |
but by the early 20th century, the horses were pensioned off | 0:25:34 | 0:25:38 | |
as women became bolder about showing themselves. | 0:25:38 | 0:25:41 | |
At low tide, suddenly the beach was the place to be seen. | 0:25:43 | 0:25:48 | |
As sunbathing took hold, women no longer hid away. | 0:25:48 | 0:25:52 | |
Instead, they wanted costumes to show off their curves. | 0:25:52 | 0:25:55 | |
By the early 20th century, costumes started to look more familiar. | 0:25:59 | 0:26:03 | |
They were often hand-knitted with wool. | 0:26:03 | 0:26:05 | |
Stylish on the beach, but wool is soggy and shapeless when wet. | 0:26:05 | 0:26:11 | |
So a swimwear revolution was set to explode in the 1950s. | 0:26:11 | 0:26:16 | |
We'd fallen in love with the flimsy, figure-hugging nylon costume | 0:26:16 | 0:26:20 | |
like this. | 0:26:20 | 0:26:23 | |
-Nylon was the wonder of the new age. -Beachwear has certainly changed | 0:26:23 | 0:26:29 | |
since the days when Victorian maidens tiptoed gingerly | 0:26:29 | 0:26:32 | |
down to the water's edge shrouded in thick wool. | 0:26:32 | 0:26:35 | |
Scientists could engineer swimwear that could withstand | 0:26:37 | 0:26:40 | |
the worst of the tide and still retain its shape. | 0:26:40 | 0:26:44 | |
Man-made fibres seemed like a miracle fit for both sunbathing | 0:26:44 | 0:26:48 | |
and swimming. | 0:26:48 | 0:26:51 | |
I want to understand exactly what nylon is. | 0:26:51 | 0:26:54 | |
How do you make a man-made fibre? | 0:26:54 | 0:26:56 | |
Chemist David Smith from the University of York | 0:26:58 | 0:27:01 | |
is going to show me how two unremarkable-looking chemicals | 0:27:01 | 0:27:05 | |
revolutionised the swimming costume. | 0:27:05 | 0:27:08 | |
Let's make nylon. What is it, first of all? | 0:27:08 | 0:27:10 | |
So, nylon is a giant molecule, really long molecules. | 0:27:10 | 0:27:13 | |
And what are these molecules made from? | 0:27:13 | 0:27:15 | |
Well, they're made from two reagents that we have here, | 0:27:15 | 0:27:18 | |
and they each have reactive groups, so they're going to react | 0:27:18 | 0:27:21 | |
and form long chains, a bit like if I held hands with somebody else | 0:27:21 | 0:27:24 | |
and somebody else and we built a long chain along the beach. | 0:27:24 | 0:27:27 | |
We're going to pour the one reagent on top of the other | 0:27:27 | 0:27:30 | |
and you've got to float it in down the side. | 0:27:30 | 0:27:32 | |
Right, a bit like pouring cream on coffee. | 0:27:32 | 0:27:34 | |
Exactly like that, yeah. | 0:27:34 | 0:27:36 | |
In between the layers, you should see a film forming between the two. | 0:27:36 | 0:27:40 | |
Yeah, yeah, I do, actually. | 0:27:40 | 0:27:41 | |
So do I just penetrate the film, David? | 0:27:41 | 0:27:44 | |
That's right, just to where the film is, and then agitate slightly, | 0:27:44 | 0:27:48 | |
and you'll be able to then pull the film out. | 0:27:48 | 0:27:50 | |
Oh, wow. Is that a bit of nylon? | 0:27:50 | 0:27:51 | |
That's a bit of nylon that we've got there. | 0:27:51 | 0:27:53 | |
So, what it shows, really, is that you can take two chemicals, | 0:27:53 | 0:27:56 | |
mix them together and make a fabric. | 0:27:56 | 0:27:58 | |
You don't have to wait for the sheep or for the cotton to grow. | 0:27:58 | 0:28:01 | |
You can do it with chemicals. | 0:28:01 | 0:28:02 | |
And is nylon itself waterproof? | 0:28:02 | 0:28:05 | |
It dries very fast and the water doesn't penetrate very well, | 0:28:05 | 0:28:08 | |
so certainly compared to what was around before nylon, | 0:28:08 | 0:28:10 | |
it was a big step forward, especially for swimwear. | 0:28:10 | 0:28:12 | |
By reinventing swimwear over the ages, | 0:28:15 | 0:28:18 | |
we have coped with the changing tides of beach fashion. | 0:28:18 | 0:28:22 | |
We wanted it all, a cossie for the sand and the surf. | 0:28:22 | 0:28:27 | |
Nylon certainly made a splash on the beach, but what's it like wet? | 0:28:27 | 0:28:32 | |
Looks like I can't escape one last dip. | 0:28:32 | 0:28:35 | |
I'm off to buy a wetsuit. | 0:28:46 | 0:28:50 | |
Timing the tide right for a dip makes life more convenient. | 0:28:57 | 0:29:02 | |
But for commerce, it's vital. | 0:29:02 | 0:29:05 | |
All around our coast, businesses run to the rhythm of the sea, | 0:29:08 | 0:29:12 | |
especially the Port of Liverpool. | 0:29:12 | 0:29:16 | |
The mouth of the Mersey yawns wide open into the Irish Sea. | 0:29:19 | 0:29:23 | |
As the tide rushes in, the estuary swallows a vast deluge of water. | 0:29:23 | 0:29:30 | |
The flood brings in seafood for the wildlife of the marshes. | 0:29:30 | 0:29:35 | |
The tide also carries in cargo ships - big ones. | 0:29:35 | 0:29:42 | |
They do a dangerous dance over sandbanks | 0:29:42 | 0:29:46 | |
that can only be cleared at high water. | 0:29:46 | 0:29:48 | |
It's a race against the tide twice a day. | 0:29:50 | 0:29:55 | |
No wonder Liverpool has always kept a close eye on the tides. | 0:30:00 | 0:30:05 | |
They've been measuring the rise and the fall of the sea here | 0:30:05 | 0:30:09 | |
for over 250 years. It's the longest tidal record in the UK. | 0:30:09 | 0:30:14 | |
Sailors watched the water so closely | 0:30:14 | 0:30:17 | |
to try and work out what it's going to do next. | 0:30:17 | 0:30:22 | |
Ray, as a Mersey skipper, do you carry tide tables on your boat? | 0:30:22 | 0:30:25 | |
I do, yes, it's here right now, it's like a Bible. | 0:30:25 | 0:30:27 | |
We have one of them all the time. | 0:30:27 | 0:30:30 | |
-This is your Bible? -It certainly is. | 0:30:30 | 0:30:31 | |
Time and tide wait for no man. | 0:30:31 | 0:30:33 | |
But mariners did have to wait an awfully long time | 0:30:33 | 0:30:37 | |
to get truly accurate tide tables. | 0:30:37 | 0:30:40 | |
The riddle of the tides turns out to be | 0:30:45 | 0:30:47 | |
much, much harder to crack than you'd think. | 0:30:47 | 0:30:50 | |
There's more to predicting tides than the pull of the moon. | 0:30:50 | 0:30:55 | |
You've got to add in the gravity of the sun, | 0:30:55 | 0:30:57 | |
account for multiple elliptical orbits, | 0:30:57 | 0:31:00 | |
the tilt of the earth. The complexity goes on. | 0:31:00 | 0:31:04 | |
What about the depth of the sea, the shape of the coast? | 0:31:04 | 0:31:07 | |
Over centuries, the best brains solved pieces of the puzzle, | 0:31:07 | 0:31:12 | |
but before computers, tidal maths was too complex | 0:31:12 | 0:31:15 | |
to be worked out in your head. | 0:31:15 | 0:31:17 | |
So, calculating machines had to be invented. | 0:31:17 | 0:31:21 | |
In the 1940s, all that effort to solve the riddle of the tides | 0:31:21 | 0:31:26 | |
finally reached its high water mark here in Liverpool | 0:31:26 | 0:31:30 | |
with the construction of a mechanical brain. | 0:31:30 | 0:31:33 | |
The cogs and wheels of tide-predicting machines | 0:31:33 | 0:31:36 | |
used to whirr away inside Bidston Observatory, | 0:31:36 | 0:31:41 | |
on a hill overlooking the mighty Mersey. | 0:31:41 | 0:31:44 | |
This site was once the nerve centre for global tide tables. | 0:31:45 | 0:31:49 | |
Most of the British Empire ports | 0:31:49 | 0:31:52 | |
relied on the calculations done at Bidston. | 0:31:52 | 0:31:56 | |
But now the machines that crunched the numbers | 0:31:56 | 0:31:59 | |
are a bit crunched themselves. | 0:31:59 | 0:32:02 | |
Deep in storage at National Museums Liverpool, | 0:32:03 | 0:32:07 | |
the tidal prediction machines are in bits. | 0:32:07 | 0:32:11 | |
Now, for the first time in years, one of the mechanical brains | 0:32:13 | 0:32:17 | |
is about to be re-assembled. | 0:32:17 | 0:32:19 | |
Wow, look at that. | 0:32:21 | 0:32:23 | |
Lots of brass, cast iron, steel axles, | 0:32:24 | 0:32:29 | |
absolutely stunning, isn't it? | 0:32:29 | 0:32:32 | |
-At the time, this was state of the art. -It was indeed, yes. | 0:32:32 | 0:32:36 | |
When these wheels rotated, they could forecast the future, | 0:32:36 | 0:32:40 | |
the future of the sea. | 0:32:40 | 0:32:43 | |
But how? | 0:32:43 | 0:32:46 | |
While the original machine is carefully pieced back together, | 0:32:46 | 0:32:51 | |
I'm heading to the museum on Liverpool's quayside, | 0:32:51 | 0:32:53 | |
where Alan Bowden has something to show me. | 0:32:53 | 0:32:56 | |
So this is a model of a tide prediction machine. | 0:32:59 | 0:33:01 | |
It's absolutely beautiful, but what are the main principles | 0:33:01 | 0:33:04 | |
driving the computations, the predictions that it's making? | 0:33:04 | 0:33:08 | |
It's actually quite a complex set of mathematical equations | 0:33:08 | 0:33:11 | |
which depend on a number of variables, | 0:33:11 | 0:33:14 | |
and on this little model we've only selected four variables. | 0:33:14 | 0:33:16 | |
For instance, we've got the impact of the moon, | 0:33:16 | 0:33:20 | |
which is the principal component on the earth's tides, | 0:33:20 | 0:33:24 | |
we've got the impact of the sun, | 0:33:24 | 0:33:26 | |
and then we have two other variables here, for instance, | 0:33:26 | 0:33:29 | |
we have the eccentricity of the moon's orbit, | 0:33:29 | 0:33:32 | |
and then on this one here we have the effect of the sun - | 0:33:32 | 0:33:36 | |
it's higher in summer, lower in winter. | 0:33:36 | 0:33:38 | |
Adjustments must also be made to take account of local variations | 0:33:38 | 0:33:44 | |
like the shape of the coast. | 0:33:44 | 0:33:47 | |
So this wire is the processor, this is the thing that amalgamates | 0:33:47 | 0:33:51 | |
the readings from different variables and converts them to a line... | 0:33:51 | 0:33:55 | |
And converts them to a line which gives us high tide | 0:33:55 | 0:33:59 | |
and the low tide and the points in between. | 0:33:59 | 0:34:02 | |
The full-scale machine had 42 variables | 0:34:02 | 0:34:07 | |
and took one and a half days | 0:34:07 | 0:34:08 | |
to run a year of tide predictions for one port. | 0:34:08 | 0:34:13 | |
Liverpool became the world centre for tidal prediction | 0:34:13 | 0:34:17 | |
thanks to one man - Arthur Doodson. | 0:34:17 | 0:34:21 | |
He devoted his life to improving | 0:34:21 | 0:34:23 | |
and perfecting tidal prediction machines at Bidston Observatory. | 0:34:23 | 0:34:27 | |
But Arthur also needed workers to operate them - | 0:34:29 | 0:34:31 | |
people he called computers. | 0:34:31 | 0:34:34 | |
So you worked in the basement? | 0:34:35 | 0:34:37 | |
We did. One of the machines was down here. | 0:34:37 | 0:34:40 | |
Arthur Doodson's daughter-in-law | 0:34:40 | 0:34:43 | |
worked on the wheels of tidal fortune here for 44 years. | 0:34:43 | 0:34:48 | |
Valerie Doodson retired from Bidston, but now she's back. | 0:34:48 | 0:34:52 | |
-Wow. Is this it? -This is where it all happened for the years | 0:34:53 | 0:34:58 | |
that we operated the Doodson-Lege tide predicting machine. | 0:34:58 | 0:35:02 | |
It was situated in this room facing this wall, | 0:35:02 | 0:35:06 | |
but with a space behind it, | 0:35:06 | 0:35:07 | |
cos we needed to get at the back to set it up. | 0:35:07 | 0:35:10 | |
Well, that's an example of setting up the machine. | 0:35:10 | 0:35:13 | |
One person set it up and another person checked the information. | 0:35:13 | 0:35:18 | |
And who are these people? | 0:35:18 | 0:35:20 | |
These are the tidal computers | 0:35:20 | 0:35:22 | |
in the early part of the 1960s, and that's me, but don't tell anyone. | 0:35:22 | 0:35:28 | |
Oh, wow! Wonderful. | 0:35:28 | 0:35:32 | |
These girls probably are 16. 16 or 17. | 0:35:32 | 0:35:37 | |
It has been said that he likes to surround himself | 0:35:37 | 0:35:40 | |
with attractive young women. | 0:35:40 | 0:35:42 | |
Well, I didn't like to say anything, but... | 0:35:42 | 0:35:45 | |
So there we go. | 0:35:45 | 0:35:47 | |
Very young to be doing such a difficult, responsible job. | 0:35:47 | 0:35:50 | |
So what's this card here, Valerie? | 0:35:50 | 0:35:52 | |
This is the setting card for Penang. | 0:35:52 | 0:35:55 | |
But that's in Malaya? | 0:35:55 | 0:35:56 | |
That's correct, yes. For 1965, | 0:35:56 | 0:36:01 | |
and it's predicting the high and low water. | 0:36:01 | 0:36:04 | |
The cards are very neatly filled in, aren't they? | 0:36:04 | 0:36:06 | |
Very important. | 0:36:06 | 0:36:07 | |
One test we had when we came for interview was a handwriting test. | 0:36:07 | 0:36:11 | |
If your handwriting didn't meet the requirement, | 0:36:11 | 0:36:13 | |
you didn't get the job. | 0:36:13 | 0:36:14 | |
I have subsequently been called a perfectionist, | 0:36:14 | 0:36:18 | |
because mistakes were not tolerated. | 0:36:18 | 0:36:20 | |
During its heyday, Bidston prepared tide tables | 0:36:21 | 0:36:25 | |
for ports across the British Empire. | 0:36:25 | 0:36:28 | |
Their work was crucial during the Second World War. | 0:36:28 | 0:36:31 | |
The Atlantic Wall has been penetrated. | 0:36:33 | 0:36:36 | |
Indeed, the computers even predicted low tide for the D-Day landings, | 0:36:36 | 0:36:40 | |
where avoiding submerged Nazi sea defences was vital to success. | 0:36:40 | 0:36:46 | |
Now we have a solid foothold on Fortress Europa, | 0:36:46 | 0:36:49 | |
men and materiel are poured onto the newly-won beachheads | 0:36:49 | 0:36:52 | |
with every favourable tide. | 0:36:52 | 0:36:53 | |
By the late 1960s, new electronic computers had taken over. | 0:36:55 | 0:36:59 | |
The role of the mechanical machines and their operators | 0:37:02 | 0:37:05 | |
has largely been forgotten. | 0:37:05 | 0:37:07 | |
But now, after years of hibernation, | 0:37:08 | 0:37:11 | |
the machine that predicted tides in the Second World War is reborn. | 0:37:11 | 0:37:17 | |
This is absolutely wonderful. | 0:37:30 | 0:37:32 | |
It's a little bit more exciting than looking at a modern circuit board. | 0:37:32 | 0:37:36 | |
Looking back from an age in which calculations are conducted | 0:37:40 | 0:37:43 | |
invisibly from within modern computer software, | 0:37:43 | 0:37:46 | |
this incredible piece of mechanical hardware is a reminder | 0:37:46 | 0:37:50 | |
that maths is beautiful, it's elegant, | 0:37:50 | 0:37:53 | |
that it decodes universal mysteries. | 0:37:53 | 0:37:55 | |
Without maths and without this very ingenious machine, | 0:37:55 | 0:37:59 | |
we couldn't have solved the riddle of the tides. | 0:37:59 | 0:38:04 | |
Ingenuity feeds the industry of Liverpool. | 0:38:11 | 0:38:16 | |
The docks were built to trap precious seawater behind their gates, | 0:38:16 | 0:38:19 | |
because at low tide, the water rushes away from the city. | 0:38:19 | 0:38:23 | |
Nearby, that leaves Antony Gormley's Iron Men | 0:38:25 | 0:38:29 | |
gazing wistfully after the retreating seas. | 0:38:29 | 0:38:33 | |
Twice a day, the shallow sloping beaches of the north-west coast | 0:38:42 | 0:38:47 | |
look more like a desert. | 0:38:47 | 0:38:49 | |
When the sea shrinks away from Southport Pier, | 0:38:49 | 0:38:53 | |
it becomes a walkway over the sand. | 0:38:53 | 0:38:56 | |
Just a few miles further north at the resourceful resort of Blackpool, | 0:39:01 | 0:39:06 | |
they've constructed their own ingenious contraption | 0:39:06 | 0:39:08 | |
to harness the power of the town's big tides. | 0:39:08 | 0:39:13 | |
DISCORDANT ORGAN NOTES | 0:39:13 | 0:39:16 | |
The sweet music of the sea. | 0:39:16 | 0:39:19 | |
It might not be very tuneful, but this is the tide talking | 0:39:23 | 0:39:29 | |
through the pipes of a rather remarkable organ. | 0:39:29 | 0:39:33 | |
My name's Liam Curtin, | 0:39:33 | 0:39:34 | |
and with my friend John Gooding, we built the Blackpool High Tide Organ. | 0:39:34 | 0:39:39 | |
Down on the beach, the tide is still out. It's on its way in. | 0:39:42 | 0:39:47 | |
We can have a look at what powers the organ. | 0:39:47 | 0:39:51 | |
So here is one of the ductile iron pipes attached to the sea wall. | 0:39:51 | 0:39:56 | |
That feeds the organ at high tide, sea comes in, swells and falls, | 0:39:56 | 0:40:02 | |
and as it swells, pushes air up there and into the organ. | 0:40:02 | 0:40:06 | |
There's eight of these fanned out along the promenade. | 0:40:06 | 0:40:10 | |
All organs need a source of air. In this case we're using the sea, | 0:40:11 | 0:40:15 | |
but other organs might use bellows, | 0:40:15 | 0:40:17 | |
something to push the air into the pipes, | 0:40:17 | 0:40:20 | |
and to demonstrate this, we can go and look at a very famous organ. | 0:40:20 | 0:40:24 | |
Well, here it is, the mighty Wurlitzer. | 0:40:32 | 0:40:36 | |
HE PLAYS THE WURLITZER | 0:40:36 | 0:40:42 | |
The bellows in this organ have replaced the sea in our organ, | 0:40:48 | 0:40:52 | |
pushing air into the pipes in the same sort of way. | 0:40:52 | 0:40:56 | |
That makes the bellows swell, so it makes it louder, | 0:40:56 | 0:41:01 | |
and there's doors that can close to muffle pipes | 0:41:01 | 0:41:05 | |
and a whole range of effects. | 0:41:05 | 0:41:08 | |
You can play any tune on it, unlike the Blackpool High Tide Organ, | 0:41:15 | 0:41:19 | |
which is more of an ambient thing, | 0:41:19 | 0:41:21 | |
just responding to the chaos of the weather. | 0:41:21 | 0:41:25 | |
The weather's got a bit worse, | 0:41:28 | 0:41:30 | |
but in a way that's better for the organ, | 0:41:30 | 0:41:33 | |
because there's a bit of swell and we can hear its chords now, | 0:41:33 | 0:41:37 | |
and along with it we've got James Lancaster, a musician, | 0:41:37 | 0:41:41 | |
who's come to play along with it. | 0:41:41 | 0:41:44 | |
TRUMPET AND TIDAL ORGAN PLAY | 0:41:44 | 0:41:50 | |
The tidal organ sits in screaming distance | 0:42:12 | 0:42:14 | |
of Blackpool's more energetic attractions. | 0:42:14 | 0:42:17 | |
The sea comes in and out, as the punters are shaken all about! | 0:42:35 | 0:42:40 | |
The donkeys retreat as the water rises. | 0:42:43 | 0:42:48 | |
For some, the daily ebb and flow up and down the beach | 0:42:48 | 0:42:52 | |
is bad for business. | 0:42:52 | 0:42:54 | |
But for others, it's a big draw. | 0:42:54 | 0:42:58 | |
Further south, the power of the tide alone pulls people out to Jersey. | 0:42:58 | 0:43:05 | |
The Channel Islands are one of our great natural wonders. | 0:43:07 | 0:43:11 | |
Sitting on the edge of the Atlantic Ocean, | 0:43:12 | 0:43:15 | |
they have an exceptionally high rise and fall of water. | 0:43:15 | 0:43:19 | |
The heaving of the sea reveals secret caves... | 0:43:21 | 0:43:24 | |
..before the tide closes them shut again. | 0:43:25 | 0:43:28 | |
That ebb and flow makes this a magical, shape-shifting coast. | 0:43:31 | 0:43:35 | |
At low water on Jersey, | 0:43:35 | 0:43:36 | |
a submerged undersea world is exposed just offshore. | 0:43:36 | 0:43:42 | |
Especially when there's a spring tide. | 0:43:43 | 0:43:47 | |
That's when the moon and the sun line up. | 0:43:47 | 0:43:49 | |
Their combined gravitational pull causes an extra-strong tidal effect. | 0:43:49 | 0:43:55 | |
A natural performance Miranda can't resist. | 0:44:01 | 0:44:06 | |
A spring tide is a fascinating time to explore the coast. | 0:44:08 | 0:44:12 | |
Not only does the water come up really high, | 0:44:12 | 0:44:15 | |
but more interestingly for me, it goes out really low, | 0:44:15 | 0:44:18 | |
revealing wildlife that's usually hidden beneath the waves. | 0:44:18 | 0:44:22 | |
The effect of the spring tide on Jersey is spectacular. | 0:44:27 | 0:44:32 | |
So much of the seabed here lies just below water level | 0:44:32 | 0:44:36 | |
that at low spring tide, | 0:44:36 | 0:44:38 | |
parts of the island expand over two miles outwards. | 0:44:38 | 0:44:42 | |
It leaves this old coastal fort high and dry, | 0:44:42 | 0:44:46 | |
and this is where I'm heading. | 0:44:46 | 0:44:48 | |
The Seymour Tower will be my base | 0:44:48 | 0:44:51 | |
to explore an extraordinary landscape of temporary rock pools, | 0:44:51 | 0:44:54 | |
teeming with wildlife. | 0:44:54 | 0:44:56 | |
These miniature water worlds only exist for a few short hours. | 0:44:58 | 0:45:03 | |
With the sea gone, I've got to get a move on. | 0:45:03 | 0:45:07 | |
In no time this vast lunar landscape is going to be submerged again, | 0:45:07 | 0:45:11 | |
and we've just got a very brief window | 0:45:11 | 0:45:13 | |
to get out to the Seymour Tower and set up camp. | 0:45:13 | 0:45:16 | |
And then tomorrow we can really explore the Atlantic | 0:45:16 | 0:45:19 | |
surging in and out around us. | 0:45:19 | 0:45:22 | |
-Hi! -Bob, how are you doing? -Very well! | 0:45:23 | 0:45:25 | |
Bob Tompkins is my guide. | 0:45:25 | 0:45:27 | |
He grew up on Jersey and knows every nook and cranny | 0:45:27 | 0:45:31 | |
of this short-lived landscape. | 0:45:31 | 0:45:33 | |
So what's the time window that we've got to get out there? | 0:45:37 | 0:45:39 | |
Roughly three quarters of an hour to be on the safe side. | 0:45:39 | 0:45:44 | |
I mean, the sands here are shifting all the time, all the time. | 0:45:52 | 0:45:54 | |
The tide operates in a pincer movement here. | 0:45:58 | 0:46:00 | |
It comes up through the gully on that side, | 0:46:00 | 0:46:03 | |
but it's sweeping around the curve of the reef here | 0:46:03 | 0:46:07 | |
and coming up through the beach this way as well. | 0:46:07 | 0:46:11 | |
The sea can easily surround the unwary. | 0:46:11 | 0:46:14 | |
Dashing for the slippery steps of this rescue tower | 0:46:14 | 0:46:18 | |
to sit out the tide could save your life. | 0:46:18 | 0:46:21 | |
Look at that! That is majestic, isn't it? | 0:46:25 | 0:46:28 | |
Yeah. | 0:46:28 | 0:46:29 | |
Can't believe we're finally here. | 0:46:30 | 0:46:32 | |
-It seemed such a long way back there, and here we are. -Yeah. | 0:46:32 | 0:46:36 | |
-My castle awaits. -Yep. | 0:46:38 | 0:46:40 | |
Wow! Look at this. This is really special, isn't it? | 0:46:45 | 0:46:48 | |
-Home from home. Get the fire going. -Wood-burning stove. -Yeah. | 0:46:48 | 0:46:52 | |
From this Napoleonic fortress, I can explore the marine life | 0:46:53 | 0:46:57 | |
the Atlantic is about to bring to my doorstep. | 0:46:57 | 0:47:01 | |
The jeep beats a rapid retreat, but I'm staying. | 0:47:01 | 0:47:05 | |
The ocean soon rushes in around me, | 0:47:05 | 0:47:08 | |
transforming the tower into an island. | 0:47:08 | 0:47:12 | |
Tomorrow, I'll explore the sea life stranded on the seabed around me, | 0:47:12 | 0:47:17 | |
as the Atlantic rushes out again. | 0:47:17 | 0:47:20 | |
The next morning it's me that's still stranded way offshore, | 0:47:29 | 0:47:33 | |
waiting for the tide to turn. | 0:47:33 | 0:47:35 | |
When it does, I'll be well-placed to scramble. | 0:47:35 | 0:47:39 | |
I'm hoping as the water floods away | 0:47:41 | 0:47:45 | |
that it's left some interesting wildlife | 0:47:45 | 0:47:47 | |
trapped in the pools behind me. | 0:47:47 | 0:47:49 | |
These mega rock pools won't be around for long. | 0:47:53 | 0:47:56 | |
I have a 20-minute window to swim | 0:47:56 | 0:47:58 | |
and see what the Atlantic has brought in. | 0:47:58 | 0:48:01 | |
This has to be the weirdest thing I've ever done in a rock pool. | 0:48:04 | 0:48:06 | |
I held out my hand and I felt something tickling on it, | 0:48:06 | 0:48:09 | |
and it's actually a little brown shrimp, | 0:48:09 | 0:48:11 | |
who normally hide away in little holes. | 0:48:11 | 0:48:14 | |
They're actually coming up and sitting on my hand, | 0:48:14 | 0:48:16 | |
and I think they're actually feeding off little bits of skin. | 0:48:16 | 0:48:19 | |
This is very bizarre. | 0:48:19 | 0:48:20 | |
It's amazing how quickly the water drains away. | 0:48:24 | 0:48:27 | |
The rock pools shrink with every minute, | 0:48:27 | 0:48:30 | |
leaving wildlife looking for cover. | 0:48:30 | 0:48:32 | |
Well, surely the find of the day, this is a brown crab. | 0:48:35 | 0:48:38 | |
A male brown crab. | 0:48:38 | 0:48:40 | |
They don't find females around here for some reason. | 0:48:40 | 0:48:43 | |
By the looks of things he's just shed his carapace. | 0:48:43 | 0:48:46 | |
It's not quite hard, so he's probably come in here, | 0:48:46 | 0:48:48 | |
where it's relatively protected. | 0:48:48 | 0:48:50 | |
He can shed and have a few days to recover and harden up the next shell | 0:48:50 | 0:48:55 | |
and then he'll be off out. Handsome chap. | 0:48:55 | 0:48:58 | |
The water's rushing away from me fast, | 0:49:07 | 0:49:10 | |
so now I can explore the very edge of the low spring tide on foot. | 0:49:10 | 0:49:16 | |
The tide's gone out pretty far now, | 0:49:23 | 0:49:26 | |
but it's left these little pools of water, | 0:49:26 | 0:49:28 | |
and with rock pooling, every rock tells a story. | 0:49:28 | 0:49:30 | |
You need to pick them all up and have a good look at them. | 0:49:30 | 0:49:34 | |
This one looks good, I'll just turn that one over. | 0:49:36 | 0:49:40 | |
You can see this beautiful snakelocks anemone there. | 0:49:42 | 0:49:46 | |
You only ever find those actually in the water, | 0:49:46 | 0:49:49 | |
they can't retract their tentacles like a beadlet anemone does. | 0:49:49 | 0:49:52 | |
So those need to live in water. | 0:49:52 | 0:49:54 | |
But this is interesting, there's this orange encrusting sponge, | 0:49:54 | 0:49:57 | |
and you can see that it's formed a line there. | 0:49:57 | 0:50:00 | |
That line will tell me where the low water mark is. | 0:50:00 | 0:50:03 | |
That sponge needs to grow in water, | 0:50:03 | 0:50:06 | |
and it won't grow any higher up that line. | 0:50:06 | 0:50:09 | |
Let's put that back carefully, make sure everything's under water. | 0:50:09 | 0:50:12 | |
Ordinarily, I'd have no place being here. | 0:50:15 | 0:50:19 | |
I'm walking two miles offshore on what's normally the seabed. | 0:50:19 | 0:50:23 | |
Here the sea life have to adopt strategies to survive. | 0:50:23 | 0:50:26 | |
This cloud of green is actually thousands of tiny worms, | 0:50:27 | 0:50:31 | |
known locally as mint sauce worms, | 0:50:31 | 0:50:34 | |
who shrink into the sand at the sign of a predator. | 0:50:34 | 0:50:37 | |
Over time, this spider crab shell has been camouflaged by seaweed, | 0:50:39 | 0:50:42 | |
and banded dog whelks don't go anywhere without their armour. | 0:50:42 | 0:50:47 | |
Creatures thrive in the rich soup of nutrients | 0:50:48 | 0:50:52 | |
the tide conveniently washes their way twice a day. | 0:50:52 | 0:50:55 | |
Farmers also make the most of the Atlantic's bounty | 0:50:57 | 0:51:00 | |
to fatten up millions of rock oysters. | 0:51:00 | 0:51:02 | |
Out on the edge is a really special place to be. | 0:51:07 | 0:51:10 | |
Much of this environment is under water for most of the time, | 0:51:10 | 0:51:14 | |
and it's only at these really, really low spring tides | 0:51:14 | 0:51:17 | |
that you can get out here. | 0:51:17 | 0:51:18 | |
So much more than just rocks and seaweed. | 0:51:18 | 0:51:20 | |
This place is teeming with life. | 0:51:20 | 0:51:22 | |
But with the spring tide now on the turn, | 0:51:28 | 0:51:32 | |
I have a bit of a trek to make it all the way back to dry land. | 0:51:32 | 0:51:36 | |
Where the sea has room to breathe, | 0:51:43 | 0:51:46 | |
the water can disappear well offshore. | 0:51:46 | 0:51:49 | |
But where the tide is trapped, beware. | 0:51:49 | 0:51:53 | |
The Isle of Anglesey sits snugly next to mainland Wales. | 0:51:54 | 0:51:59 | |
Between them lies the Menai Strait, | 0:51:59 | 0:52:02 | |
a straitjacket for the surging tide. | 0:52:02 | 0:52:06 | |
With nowhere else to go, | 0:52:06 | 0:52:08 | |
the water must speed up to make it through the rocky channel. | 0:52:08 | 0:52:11 | |
Fast-flowing water floods the strait with food | 0:52:13 | 0:52:17 | |
that makes this the ideal location for fattening up mussels. | 0:52:17 | 0:52:22 | |
Sea farmers collect their mussels in specially designed boats, | 0:52:22 | 0:52:27 | |
which do a merry dance to harvest their crop. | 0:52:27 | 0:52:32 | |
Whatever their craft, | 0:52:34 | 0:52:36 | |
all around the Anglesey coast, sailors respect the raging tide. | 0:52:36 | 0:52:41 | |
Even the bigger boats seek shelter. | 0:52:41 | 0:52:44 | |
They hide behind sturdy sea walls. | 0:52:44 | 0:52:47 | |
But I'm not hiding. | 0:52:49 | 0:52:51 | |
For me, the final riddle of the tides is how to tame them. | 0:52:51 | 0:52:56 | |
I'm about to take on the great surge of the Atlantic tide | 0:52:57 | 0:53:02 | |
as it squeezes around the ferocious rocks and reefs just off Anglesey. | 0:53:02 | 0:53:07 | |
And I'm going to be in a boat not much bigger than a matchstick. | 0:53:07 | 0:53:10 | |
Nigel Dennis was one of the first men to kayak right around Britain. | 0:53:12 | 0:53:18 | |
He knows the waters here are amongst the most challenging we have. | 0:53:18 | 0:53:22 | |
The tide creates powerful surges in the sea. | 0:53:22 | 0:53:26 | |
The water races on, carrying kayaks with it for fun. | 0:53:26 | 0:53:30 | |
These tidal races are a test of both skill and stomach. | 0:53:30 | 0:53:35 | |
Now it's my turn. | 0:53:35 | 0:53:38 | |
I'm a beginner, Nigel. | 0:53:38 | 0:53:40 | |
OK, this already looks moderately serious to me. | 0:53:40 | 0:53:44 | |
You're going to be stretched a little bit today. | 0:53:44 | 0:53:47 | |
So how much paddling have we done? | 0:53:47 | 0:53:49 | |
Well, I've done quite a lot of what I call canoeing | 0:53:49 | 0:53:52 | |
-on inland waters and rivers. -Kayaking, kayaking, this is. | 0:53:52 | 0:53:55 | |
This is something very different, isn't it? | 0:53:55 | 0:53:57 | |
This is kayaking, this is for the ocean. | 0:53:57 | 0:53:59 | |
And have you done anything in tides, moving water? | 0:53:59 | 0:54:02 | |
I've done a little bit, Nigel, a little bit. | 0:54:02 | 0:54:04 | |
But I can tell this is way beyond anything I've experienced before. | 0:54:04 | 0:54:07 | |
Right, OK. So the tide's going to be pushing us towards the rocks, | 0:54:07 | 0:54:12 | |
towards the race, and we're going to drop down through the water. | 0:54:12 | 0:54:17 | |
And what's the chance of me turning a kayak upside-down and capsizing? | 0:54:17 | 0:54:21 | |
Today, 50/50. | 0:54:21 | 0:54:23 | |
-That's pretty high odds! -The first bit is easy. | 0:54:23 | 0:54:26 | |
-I'll have to do some practicing! -The first bit is easy! | 0:54:26 | 0:54:29 | |
-Yes, yes! -OK, I'll give you a hand with your boat. -OK. | 0:54:29 | 0:54:32 | |
So, Nigel, in this little moment of calm, well, it's not really calm, | 0:54:42 | 0:54:46 | |
all these things are relative for me, | 0:54:46 | 0:54:48 | |
but can you just tell me what tides mean to a kayaker, a sea kayaker? | 0:54:48 | 0:54:54 | |
Well, it's really important that kayakers understand what it means. | 0:54:55 | 0:55:02 | |
You can go around the corner on a calm day and end up in a tide race, | 0:55:02 | 0:55:06 | |
and people won't have the skill, or the power, | 0:55:06 | 0:55:09 | |
to get out of the flowing water, | 0:55:09 | 0:55:12 | |
so they'll actually be sucked straight through the race. | 0:55:12 | 0:55:15 | |
So you need skills, power, but also a deep knowledge of how tides work? | 0:55:15 | 0:55:20 | |
I mean, we call it seamanship, really. | 0:55:20 | 0:55:22 | |
Some people have a natural understanding | 0:55:22 | 0:55:25 | |
and other people never learn. | 0:55:25 | 0:55:28 | |
THEY LAUGH | 0:55:28 | 0:55:29 | |
And just when I'm thinking I've got the hang of it, | 0:55:31 | 0:55:36 | |
the tide trips me up. | 0:55:36 | 0:55:38 | |
OK. Just give us your boat, just hop back in... | 0:55:49 | 0:55:54 | |
Just plonk yourself back in. | 0:55:56 | 0:55:58 | |
Good! Well done. | 0:56:00 | 0:56:01 | |
How did you did get to the flat water and then capsize? | 0:56:03 | 0:56:06 | |
HE LAUGHS | 0:56:06 | 0:56:08 | |
Lack of concentration. | 0:56:08 | 0:56:10 | |
The rocky outcrops don't just produce swirling waters. | 0:56:12 | 0:56:15 | |
They also create a curious feeling of claustrophobia, | 0:56:15 | 0:56:20 | |
which adds to my anxiety. | 0:56:20 | 0:56:23 | |
Caught between two emotions, fear and exhilaration. | 0:56:24 | 0:56:27 | |
Are we going into the tide or with it, are we going with the tide? | 0:56:28 | 0:56:33 | |
Yes, the first tiny bit of tide, you can just see it up ahead. | 0:56:33 | 0:56:36 | |
You call it a tiny bit of tide but I can see white horses... | 0:56:36 | 0:56:40 | |
The first heart in mouth moment. | 0:56:40 | 0:56:43 | |
A tide race off one of the most dangerous coasts in Britain. | 0:56:43 | 0:56:48 | |
It's kind of exciting. A real thrill. | 0:57:01 | 0:57:04 | |
But I'm sweating buckets trying not to turn upside down. | 0:57:04 | 0:57:07 | |
These waves are so big that in the troughs I can see nothing but sea. | 0:57:07 | 0:57:13 | |
We're working with the tide, not fighting against it, | 0:57:23 | 0:57:27 | |
and I can really feel its full force pushing me onwards. | 0:57:27 | 0:57:31 | |
Just keep paddling, you're doing really well. | 0:57:36 | 0:57:39 | |
Nice and relaxed, that's good! | 0:57:39 | 0:57:43 | |
My battle against the tide was a one-off. | 0:57:43 | 0:57:47 | |
I'm just happy to have made it through in one piece. | 0:57:47 | 0:57:50 | |
But all around our coast, every minute of every day, | 0:57:50 | 0:57:54 | |
the tides rule the rhythm of people's lives. | 0:57:54 | 0:57:57 | |
I've just discovered how tricky tides can be. | 0:57:59 | 0:58:03 | |
After capsizing and an awful lot of paddling, | 0:58:03 | 0:58:07 | |
I'm back on the beach taking in one of nature's great free shows, | 0:58:07 | 0:58:12 | |
the ebb and flow of this vast body of water, | 0:58:12 | 0:58:16 | |
whose restless motion is driven by the heavens. | 0:58:16 | 0:58:22 | |
It's awe-inspiring. | 0:58:22 | 0:58:24 | |
Subtitles by Red Bee Media Ltd | 0:58:52 | 0:58:55 |