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|---|---|---|---|
SHIP'S HORN BLARES | 0:00:02 | 0:00:04 | |
This is Coast. | 0:00:09 | 0:00:11 | |
In the British Isles, we're familiar with wet weather | 0:00:39 | 0:00:42 | |
blown in from the wild seas. | 0:00:42 | 0:00:45 | |
One benefit of a temperate climate is our wonderful | 0:00:48 | 0:00:51 | |
labyrinth of rivers. | 0:00:51 | 0:00:52 | |
Giant waterways powered by rain, that all run to the coast. | 0:00:53 | 0:01:00 | |
As rivers and seas collide, great estuaries emerge. | 0:01:01 | 0:01:04 | |
Making our mark on these colossal watery spaces | 0:01:12 | 0:01:15 | |
has taken centuries of struggle. | 0:01:15 | 0:01:18 | |
That's left a wealth of extraordinary stories | 0:01:18 | 0:01:21 | |
waiting to be discovered along our estuaries. | 0:01:21 | 0:01:24 | |
We're braving three of our greatest - | 0:01:26 | 0:01:28 | |
the Firth of Forth, | 0:01:28 | 0:01:30 | |
the Thames and the mighty Severn. | 0:01:30 | 0:01:33 | |
We're here to explore what becomes of the coast | 0:01:33 | 0:01:37 | |
when rivers and seas collide. | 0:01:37 | 0:01:40 | |
I'm starting MY estuary odyssey a pebble's throw | 0:01:45 | 0:01:48 | |
from Edinburgh, on the Firth of Forth. | 0:01:48 | 0:01:51 | |
The scale of this seaway is staggering, | 0:01:53 | 0:01:56 | |
it's impossible to take the whole thing in. | 0:01:56 | 0:01:59 | |
What I could really do with is something tall to climb up. | 0:02:01 | 0:02:05 | |
So I can get a bird's-eye view. | 0:02:05 | 0:02:07 | |
Only the engineering marvel of the Forth Rail Bridge | 0:02:13 | 0:02:17 | |
does justice to the sheer spectacle of the estuary. | 0:02:17 | 0:02:21 | |
As we're coming up here, | 0:02:22 | 0:02:23 | |
you can see the rivets on this bridge that hold it together. | 0:02:23 | 0:02:26 | |
6.5 million rivets, and every one of them has been painted by hand. | 0:02:26 | 0:02:30 | |
-Is this it? -This is it, Nick. Here we are on top of the Forth Bridge. | 0:02:36 | 0:02:39 | |
SHIP'S HORN BLARES | 0:02:46 | 0:02:49 | |
Up here, right in the middle of the Firth of Forth, | 0:02:52 | 0:02:55 | |
you can get a real sense of the huge scale of this estuary. | 0:02:55 | 0:03:00 | |
I can see the Pentland Hills right over there, | 0:03:00 | 0:03:03 | |
there's the dark volcanic bump of Arthur's Seat | 0:03:03 | 0:03:06 | |
rising above the white buildings of Edinburgh. | 0:03:06 | 0:03:10 | |
Looking west, I can see all the way out to the open sea - the North Sea. | 0:03:10 | 0:03:14 | |
And looking inland, in this direction, there's even more. | 0:03:16 | 0:03:20 | |
Here's the Forth Road Bridge, | 0:03:22 | 0:03:24 | |
arching over the water in front of me, | 0:03:24 | 0:03:26 | |
behind it Rosyth Naval Base... | 0:03:26 | 0:03:28 | |
In the far distance I can just make out | 0:03:30 | 0:03:33 | |
Grangemouth Power Station oozing smoke into the sky. | 0:03:33 | 0:03:36 | |
This estuary is so huge that even from this incredible vantage point, | 0:03:39 | 0:03:45 | |
inland it just fades into invisibility. | 0:03:45 | 0:03:48 | |
The only way of actually getting a true sense of its size | 0:03:48 | 0:03:51 | |
is by looking at a map. | 0:03:51 | 0:03:54 | |
This is the mouth of the estuary | 0:03:57 | 0:03:59 | |
marked by this little island, the Isle of May, here. | 0:03:59 | 0:04:02 | |
In the other direction, 60 miles inland, | 0:04:02 | 0:04:06 | |
the water gets less and less salty, gets fresher and fresher, | 0:04:06 | 0:04:10 | |
until you reach Stirling here, where this estuary is born. | 0:04:10 | 0:04:15 | |
IGNITION RATTLES, ENGINE PURRS | 0:04:16 | 0:04:18 | |
Starting at its birthplace, I'm flying the length of the waterway. | 0:04:18 | 0:04:23 | |
Will the change in wildlife help pinpoint the elusive spot where river becomes sea? | 0:04:24 | 0:04:31 | |
My guide's marine ecologist Stuart Clough. | 0:04:31 | 0:04:36 | |
And as we pass over Stirling, | 0:04:36 | 0:04:38 | |
the river's very beautiful seen from above, | 0:04:38 | 0:04:41 | |
it's like a huge coiled rope. | 0:04:41 | 0:04:43 | |
You're in classic lower river territory here, erm, | 0:04:43 | 0:04:46 | |
lower freshwater river. | 0:04:46 | 0:04:47 | |
The place where the tide just starts to have its effect. | 0:04:47 | 0:04:50 | |
And even now the mud banks are starting to appear on the side. | 0:04:50 | 0:04:54 | |
And in those you've got all kinds of worms and shellfish | 0:04:54 | 0:04:58 | |
that live within those sediments, and they become food for birds. | 0:04:58 | 0:05:01 | |
It's a fantastic environment. | 0:05:01 | 0:05:03 | |
Is it possible to identify the point at which this river, the Forth, | 0:05:03 | 0:05:08 | |
ceases to be a river and begins to be sea? | 0:05:08 | 0:05:11 | |
From a biologist's perspective, it's a continuum - | 0:05:11 | 0:05:14 | |
it changes all the time. | 0:05:14 | 0:05:15 | |
On the one hand, it's a no-man's land | 0:05:15 | 0:05:17 | |
and on the other hand, | 0:05:17 | 0:05:18 | |
it's a diverse and rich place with masses of life. | 0:05:18 | 0:05:21 | |
Life is rich where rivers and seas meet. | 0:05:25 | 0:05:29 | |
And where WE flock, so does the wildlife. | 0:05:33 | 0:05:36 | |
As we move into saltwater, the big hitters start to surface - | 0:05:38 | 0:05:43 | |
dolphins, seals, | 0:05:43 | 0:05:46 | |
and even whales have all been spotted here. | 0:05:46 | 0:05:49 | |
We're now over the sunlit seaside, aren't we, Stuart? | 0:05:52 | 0:05:55 | |
It's completely changed. | 0:05:55 | 0:05:57 | |
Absolutely, yeah. We're right out in the outer estuary now. | 0:05:57 | 0:06:01 | |
The freshwater influence is a long way behind us, | 0:06:01 | 0:06:03 | |
the beaches are sandy. | 0:06:03 | 0:06:05 | |
If we were down at sea level now, | 0:06:05 | 0:06:06 | |
what kind of birds and so on would we be looking at? | 0:06:06 | 0:06:09 | |
Auks - like razorbills and guillemots and puffins. | 0:06:09 | 0:06:12 | |
You've got fulmar, you'll have kittiwakes, you'll have gannets - | 0:06:12 | 0:06:14 | |
real marine species, that you'd never find in the freshwater parts of the estuary. | 0:06:14 | 0:06:19 | |
At the edge of the estuary, | 0:06:24 | 0:06:26 | |
we get a box-office view of the gannets of Bass Rock. | 0:06:26 | 0:06:30 | |
This swirling mass makes the most of food from the sea | 0:06:30 | 0:06:35 | |
and shelter from the land. | 0:06:35 | 0:06:38 | |
Where are we now? | 0:06:38 | 0:06:40 | |
We're just adjacent to the Isle of May - | 0:06:40 | 0:06:42 | |
very much the outer limit of the estuary. | 0:06:42 | 0:06:45 | |
We've flown the whole way from the freshwater of a river | 0:06:45 | 0:06:51 | |
to the saltwater of the open sea. | 0:06:51 | 0:06:54 | |
Over an extraordinary diversity of habitats, | 0:06:54 | 0:06:58 | |
both human and natural - estuaries are worlds of their own. | 0:06:58 | 0:07:02 | |
20 million of us, | 0:07:09 | 0:07:10 | |
one third of the UK's population, live on an estuary. | 0:07:10 | 0:07:15 | |
Their flat shorelines are perfect for building, | 0:07:18 | 0:07:22 | |
so each of these coastal highways comes with its own gatekeeper. | 0:07:22 | 0:07:27 | |
Great cities surge up | 0:07:32 | 0:07:34 | |
where mighty rivers plunge into the sea. | 0:07:34 | 0:07:38 | |
It's fitting that the country's capital crowns the most | 0:07:38 | 0:07:41 | |
hard-working waterway of all - the titanic Thames. | 0:07:41 | 0:07:46 | |
For centuries, Londoners have swallowed up the benefits | 0:07:49 | 0:07:53 | |
the estuary brings in. | 0:07:53 | 0:07:55 | |
The sea brought riches from abroad, | 0:07:55 | 0:07:58 | |
and the river supplies two-thirds of the city's drinking water. | 0:07:58 | 0:08:02 | |
But the Victorians found a new job for old Father Thames - | 0:08:04 | 0:08:10 | |
doing their dirty work. | 0:08:10 | 0:08:12 | |
Tessa's getting to grips with a grubby tale of triumph and tragedy. | 0:08:15 | 0:08:21 | |
The power of the tide gave an eminent Victorian engineer | 0:08:23 | 0:08:27 | |
an extraordinary idea - | 0:08:27 | 0:08:29 | |
turn the Thames into a giant self-flushing loo. | 0:08:29 | 0:08:34 | |
The tidal range of the river is huge - around eight metres. | 0:08:36 | 0:08:41 | |
This powerful ebb and flow, gave rise to an ingenious sewer plan. | 0:08:41 | 0:08:48 | |
Release excrement as the tide turns, | 0:08:48 | 0:08:50 | |
and let the outgoing flow flush London's waste way out to sea. | 0:08:50 | 0:08:55 | |
The city's relationship with the sea | 0:08:58 | 0:09:00 | |
spawned a sewer system that was the envy of the world. | 0:09:00 | 0:09:03 | |
Opened in 1865 by the Prince of Wales, this subterranean labyrinth | 0:09:03 | 0:09:08 | |
elevated its mastermind Joseph Bazalgette | 0:09:08 | 0:09:11 | |
to become a hero of the Victorian age. | 0:09:11 | 0:09:16 | |
Bazalgette's master plan demanded a warren of waste pipes, | 0:09:18 | 0:09:23 | |
a network over 1,000 miles long | 0:09:23 | 0:09:26 | |
to carry the capital's raw sewage out to the Thames. | 0:09:26 | 0:09:30 | |
It took six years to build. | 0:09:30 | 0:09:32 | |
Constructed so well, | 0:09:32 | 0:09:34 | |
it still forms the backbone of London's sewer complex. | 0:09:34 | 0:09:39 | |
Over 300 million bricks, placed so precisely, | 0:09:39 | 0:09:44 | |
they form water-tight tunnels. | 0:09:44 | 0:09:46 | |
You know how to treat a girl, don't you, Rob? | 0:09:49 | 0:09:51 | |
I do, I take them only to the best spots. | 0:09:51 | 0:09:54 | |
Impressive as this labyrinth is, it's only the means to a watery end. | 0:09:54 | 0:09:59 | |
The city's sewage still needed sweeping out to sea, | 0:09:59 | 0:10:02 | |
so it was piped towards the coast to pass the problem onto the tide. | 0:10:02 | 0:10:07 | |
The muck flowed downstream to arrive at the final | 0:10:07 | 0:10:11 | |
triumph of the entire system, the pumping station at Crossness. | 0:10:11 | 0:10:17 | |
This is staggering! It's like some sort of ballroom. | 0:10:25 | 0:10:31 | |
It's a real indication of the level of pride | 0:10:37 | 0:10:40 | |
they took in their work, the beauty is just breathtaking. | 0:10:40 | 0:10:44 | |
And these huge pumps are even named after members of the royal family. | 0:10:44 | 0:10:50 | |
The pumping stations were the final stage of Bazalgette's grand plan - | 0:10:53 | 0:10:58 | |
they pushed the sewage up into huge reservoirs, | 0:10:58 | 0:11:02 | |
to be stored until the tide began to turn. | 0:11:02 | 0:11:05 | |
When the tide started to ebb, they released the sewage into the Thames just there. | 0:11:10 | 0:11:15 | |
They relied on the surge of seawater to whisk Londoners' muck out of sight and out of mind. | 0:11:15 | 0:11:22 | |
This was Joseph Bazalgette's big tidal flush - | 0:11:22 | 0:11:26 | |
his plan to turn the Thames into one gigantic toilet bowl was complete. | 0:11:26 | 0:11:31 | |
Bazalgette was heralded as the city's saviour. | 0:11:33 | 0:11:36 | |
But is there a skeleton lurking in London's water closet? | 0:11:36 | 0:11:40 | |
Life may have been rosy for those in central London, | 0:11:42 | 0:11:45 | |
but it didn't smell so sweet for those living downstream. | 0:11:45 | 0:11:49 | |
Like a real-life toilet, the Thames is full of U-bends. | 0:11:53 | 0:11:57 | |
The waste wasn't clearing as fast as Bazalgette had imagined, | 0:11:57 | 0:12:02 | |
and the consequences turned out to be devastating. | 0:12:02 | 0:12:06 | |
It's the 3rd of September, 1878. | 0:12:08 | 0:12:11 | |
The pleasure steamer, The Princess Alice, | 0:12:12 | 0:12:15 | |
is on its way back to London crammed with passengers. | 0:12:15 | 0:12:18 | |
The day-trippers had been enjoying fresh air at the mouth of the estuary, | 0:12:18 | 0:12:23 | |
but returning to the city, near the sewage outlet, | 0:12:23 | 0:12:26 | |
the pleasure steamer was struck by disaster. | 0:12:26 | 0:12:29 | |
It collides with another boat. | 0:12:32 | 0:12:34 | |
Hundreds are flung into the river, many will be drowned. | 0:12:34 | 0:12:39 | |
But it's even worse than that. | 0:12:39 | 0:12:41 | |
Revealing the gruesome fate of those floundering in the estuary | 0:12:43 | 0:12:47 | |
is local historian Joz Joslin. | 0:12:47 | 0:12:50 | |
So the vessel's upended, and hundreds of people are in the water. | 0:12:51 | 0:12:55 | |
Yes. And lots of them are women and children, | 0:12:55 | 0:12:59 | |
and they're screaming, | 0:12:59 | 0:13:00 | |
and unfortunately, it's not water that they're in, | 0:13:00 | 0:13:03 | |
they're actually in sewage, so there was no oxygen. | 0:13:03 | 0:13:07 | |
A lot of them died because there was no air to breathe. | 0:13:07 | 0:13:10 | |
Uh! So they're either being suffocated or drowning. | 0:13:10 | 0:13:13 | |
Or poisoned. | 0:13:13 | 0:13:15 | |
How revolting. And the majority died? | 0:13:15 | 0:13:17 | |
Yes, the majority died. | 0:13:17 | 0:13:19 | |
They said that every street in the East End of London had lost somebody, | 0:13:19 | 0:13:23 | |
because it was their Sunday school outings that were onboard the vessel. | 0:13:23 | 0:13:27 | |
The pleasure boat sank close to the sewage works, | 0:13:28 | 0:13:31 | |
and the timing could not have been worse. | 0:13:31 | 0:13:34 | |
The Beckton sewage outlet pipe, | 0:13:35 | 0:13:37 | |
carrying all of North London's waste, | 0:13:37 | 0:13:39 | |
had just discharged its stinking load into the river. | 0:13:39 | 0:13:43 | |
Over 600 people choked to death in a toxic soup of human filth. | 0:13:46 | 0:13:51 | |
After the tragedy, | 0:13:57 | 0:13:58 | |
Bazalgette's sewage system came under the spotlight. | 0:13:58 | 0:14:02 | |
Members of the local historical society read the words of their forefathers. | 0:14:04 | 0:14:10 | |
"There had been an accumulation of black, greasy, filth along the shore. | 0:14:10 | 0:14:14 | |
"The filth settles on the steps as the tide goes down." | 0:14:14 | 0:14:18 | |
"The river in hot weather is very bad. | 0:14:18 | 0:14:20 | |
"In some places it smells so bad you cannot stand it." | 0:14:20 | 0:14:24 | |
A commission of inquiry delivered a damning indictment, | 0:14:24 | 0:14:27 | |
concluding, "It is neither necessary or justifiable | 0:14:27 | 0:14:32 | |
"to discharge sewage in its crude state into any parts of the Thames". | 0:14:32 | 0:14:38 | |
The Pall Mall Gazette took Bazalgette to task, stating, | 0:14:38 | 0:14:43 | |
"The natural man in him puts off the evil day of having to admit failure". | 0:14:43 | 0:14:48 | |
Luckily for Bazalgette, the muck didn't stick, | 0:14:49 | 0:14:53 | |
but London did pull the plug on his big tidal flush. | 0:14:53 | 0:14:58 | |
In 1887, a new system started. | 0:14:58 | 0:15:01 | |
Now the solid human waste was pumped into vessels like this. | 0:15:01 | 0:15:06 | |
The excrement was shipped out to the open sea and dumped. | 0:15:06 | 0:15:10 | |
They were known locally as Bovril boats, amongst other things. | 0:15:10 | 0:15:15 | |
We used to call them... Well, never mind what we used to call them! | 0:15:15 | 0:15:19 | |
-What did you call them? -No, I'm not saying. | 0:15:19 | 0:15:21 | |
They used to come and moor - they had moorings for them - | 0:15:21 | 0:15:24 | |
and they would take the residue of it. | 0:15:24 | 0:15:27 | |
Cos all the fluids were taken off, | 0:15:27 | 0:15:28 | |
so it was almost solid the stuff | 0:15:28 | 0:15:30 | |
that they took out - human detritus - | 0:15:30 | 0:15:33 | |
so that it wasn't into the river. | 0:15:33 | 0:15:35 | |
Sewage-carrying ships didn't just do the dirty work of London, | 0:15:37 | 0:15:41 | |
they were once a common sight on our estuaries, | 0:15:41 | 0:15:44 | |
cleaning up Glasgow, Belfast and other coastal cities. | 0:15:44 | 0:15:48 | |
London's Bovril boats were finally pensioned off in 1998. | 0:15:52 | 0:15:57 | |
Bazalgette's tunnels still bring raw sewage here to the Crossness Works, | 0:16:00 | 0:16:05 | |
but now the solid matter's burnt off to make electricity. | 0:16:05 | 0:16:09 | |
The liquid sewage is treated - | 0:16:11 | 0:16:13 | |
it goes from this... | 0:16:13 | 0:16:15 | |
to this. | 0:16:15 | 0:16:17 | |
And the cleaned-up fluid? | 0:16:17 | 0:16:19 | |
It still gets the big tidal heave-ho | 0:16:19 | 0:16:21 | |
and is discharged into the Thames, where the river and the sea collide. | 0:16:21 | 0:16:26 | |
We're on a journey to discover what becomes of the coast | 0:16:38 | 0:16:42 | |
when rivers and seas collide. | 0:16:42 | 0:16:45 | |
I'm exploring the Firth of Forth on Scotland's east coast, | 0:16:47 | 0:16:53 | |
where canny folk profited from their prime location - | 0:16:53 | 0:16:57 | |
ideal for seaborne business. | 0:16:57 | 0:17:00 | |
And with rich seams of coal for power, the population boomed. | 0:17:00 | 0:17:06 | |
With more mouths to feed, getting enough fresh food was tricky, | 0:17:06 | 0:17:10 | |
so they looked to the sea to preserve their provisions. | 0:17:10 | 0:17:13 | |
You'll find the evidence at St Monans. | 0:17:16 | 0:17:19 | |
Here, food processing created a curious landscape. | 0:17:23 | 0:17:29 | |
The shore is lined with lots and lots | 0:17:31 | 0:17:35 | |
of very strange grass-covered humps, | 0:17:35 | 0:17:38 | |
and what seems to be a ruined building over there | 0:17:38 | 0:17:41 | |
and up there, a stone windmill. | 0:17:41 | 0:17:44 | |
The ruins of industrial activity reveal themselves the more you look. | 0:17:46 | 0:17:50 | |
This land was remodelled by people | 0:17:55 | 0:17:57 | |
making the most of one bounty from the sea | 0:17:57 | 0:18:00 | |
that isn't in short supply - salt. | 0:18:00 | 0:18:04 | |
Before refrigeration, salt was a valuable commodity - | 0:18:04 | 0:18:09 | |
preserving herring, landed along the east coast. | 0:18:09 | 0:18:12 | |
Scottish salt was also exported to England, | 0:18:14 | 0:18:17 | |
turning a tasty profit for the saltworks. | 0:18:17 | 0:18:20 | |
Those strange hummocks come in sets - each set of hummocks | 0:18:23 | 0:18:27 | |
is the ruins of a pan house. | 0:18:27 | 0:18:30 | |
Inside each of those pan houses, | 0:18:30 | 0:18:32 | |
there was an iron pan about 6 metres by 3 metres, | 0:18:32 | 0:18:36 | |
with coal fires beneath it. | 0:18:36 | 0:18:38 | |
Sea water was pumped - probably using this windmill - from the sea | 0:18:38 | 0:18:42 | |
in pipes up to each pan house. | 0:18:42 | 0:18:44 | |
Once it had been boiled off in the pans, you had salt. | 0:18:44 | 0:18:48 | |
A rare film brings the enterprise back to life. | 0:18:51 | 0:18:55 | |
Saltworks once flourished along Scotland's east coast. | 0:18:57 | 0:19:02 | |
The last operation at Prestonpans didn't close its doors until 1974. | 0:19:02 | 0:19:08 | |
It was the abundance of coal along this estuary | 0:19:11 | 0:19:15 | |
that made it a good site for boiling up sea water. | 0:19:15 | 0:19:20 | |
A sample of sea water stirs up a mystery, | 0:19:21 | 0:19:24 | |
right at the heart of this forgotten industry. | 0:19:24 | 0:19:27 | |
Out there is the sea full of salt. | 0:19:29 | 0:19:32 | |
And I can certainly taste it. | 0:19:34 | 0:19:36 | |
This little brook running into the sea... | 0:19:36 | 0:19:39 | |
..doesn't taste salty at all. | 0:19:41 | 0:19:43 | |
So, why is freshwater fresh | 0:19:43 | 0:19:46 | |
and why is sea water salty? | 0:19:46 | 0:19:51 | |
It's one of those brilliantly simple infuriating questions | 0:19:54 | 0:19:59 | |
that kids ask - why is the sea salty? | 0:19:59 | 0:20:04 | |
I'm enlisting the help of a grown-up. | 0:20:04 | 0:20:06 | |
Simon Boxall's from the National Oceanography Centre - | 0:20:06 | 0:20:10 | |
he should be able to work it out. | 0:20:10 | 0:20:13 | |
We've all swum in the sea, we know it doesn't taste like freshwater, | 0:20:13 | 0:20:16 | |
Simon, but why is it salty? | 0:20:16 | 0:20:18 | |
You have to go right back to the beginning-stage of the earth, | 0:20:18 | 0:20:21 | |
back several billion years. | 0:20:21 | 0:20:23 | |
And if you go back that far, | 0:20:23 | 0:20:24 | |
the earth was a completely different place - | 0:20:24 | 0:20:26 | |
it was full of volcanic eruptions, there was lots of steam around, | 0:20:26 | 0:20:30 | |
but, also, there was a lot of sodium in the rocks, | 0:20:30 | 0:20:33 | |
and that sodium was being hit by the hydrochloric acid | 0:20:33 | 0:20:36 | |
that was given off by these volcanic vents. | 0:20:36 | 0:20:38 | |
And then we take these two very harmful chemicals... | 0:20:38 | 0:20:41 | |
On the one hand, you've got the element of sodium - very reactive - | 0:20:41 | 0:20:43 | |
and on the other hand, you've got chlorine - very dangerous and very reactive. | 0:20:43 | 0:20:47 | |
You put the two together and you create...sodium chloride. | 0:20:47 | 0:20:50 | |
Which is the sort of thing you sprinkle on your chips. | 0:20:50 | 0:20:53 | |
Certainly isn't harmful, at all. | 0:20:53 | 0:20:55 | |
So you've got this hydrochloric acid pouring out of the volcanic vents, | 0:20:55 | 0:20:59 | |
meeting the sodium hydroxide which is lying around in the rocks on the sea bed, | 0:20:59 | 0:21:03 | |
creating this stuff called sodium chloride, which is salt. | 0:21:03 | 0:21:07 | |
These ancient chemical reactions gave birth to our salty seas. | 0:21:07 | 0:21:13 | |
We can create those sort of primordial days. | 0:21:15 | 0:21:18 | |
We can actually take some hydrochloric acid - | 0:21:18 | 0:21:20 | |
the sort of stuff that came out of the vents of the volcanoes. | 0:21:20 | 0:21:23 | |
We've got some dilute sodium hydroxide - | 0:21:23 | 0:21:25 | |
which represents the stuff that was in the rocks. | 0:21:25 | 0:21:27 | |
And between us, if you want to, we can make salt. | 0:21:27 | 0:21:29 | |
We can take these two quite nasty chemicals | 0:21:29 | 0:21:32 | |
and produce something that's really more vital to life in many ways. | 0:21:32 | 0:21:35 | |
This is hydrochloric acid - it's very dilute. | 0:21:35 | 0:21:38 | |
And we're going to pop it into this vessel here. | 0:21:38 | 0:21:41 | |
OK, we're then going to add our sodium hydroxide. | 0:21:42 | 0:21:46 | |
At the moment, basically, the sodium and the chlorine are combining | 0:21:46 | 0:21:50 | |
and giving off heat - can you feel that? | 0:21:50 | 0:21:52 | |
It's warm! Really warm, wow! | 0:21:52 | 0:21:54 | |
We've effectively neutralised that acid, that sodium hydroxide, | 0:21:54 | 0:21:58 | |
and what we have in there now is basically water...and salt. | 0:21:58 | 0:22:03 | |
We've compressed billions of years of the earth's evolution | 0:22:04 | 0:22:08 | |
to make a miniature ocean. | 0:22:08 | 0:22:11 | |
Boiling off our DIY sea water leaves the prize ingredient. | 0:22:11 | 0:22:16 | |
So, here it is, our very own home-made salt. | 0:22:19 | 0:22:23 | |
White crystals that washed wealth in from the sea | 0:22:24 | 0:22:28 | |
to help feed an estuary. | 0:22:28 | 0:22:30 | |
On a journey around our estuaries, we've arrived at the mighty Severn. | 0:22:40 | 0:22:45 | |
Here, the Atlantic Ocean surges in to collide | 0:22:46 | 0:22:50 | |
with Britain's longest river. | 0:22:50 | 0:22:53 | |
The Severn Estuary has a staggering rise of tidal water, | 0:22:53 | 0:22:57 | |
some 15 metres in all. | 0:22:57 | 0:23:00 | |
The sea swirls in strange patterns here. | 0:23:04 | 0:23:07 | |
And its currents would wash the bodies of wrecked sailors | 0:23:09 | 0:23:13 | |
to the same spot again and again - | 0:23:13 | 0:23:17 | |
the village of Brean. | 0:23:17 | 0:23:20 | |
Those unknown souls delivered to the doorstep of Brean needed burial - | 0:23:27 | 0:23:34 | |
a sorrowful ritual remembered in song. | 0:23:34 | 0:23:37 | |
Folk singer and storyteller June Tabor recalls the Brean Lament. | 0:23:37 | 0:23:42 | |
The first thing that strikes you about being here, | 0:23:44 | 0:23:48 | |
it's timeless. | 0:23:48 | 0:23:49 | |
It could be any time between now and 200 years ago. | 0:23:49 | 0:23:54 | |
And the old timbers of this ship | 0:23:54 | 0:23:57 | |
going nowhere ever again. | 0:23:57 | 0:24:00 | |
The men who were on this ship - | 0:24:00 | 0:24:03 | |
did they survive? | 0:24:03 | 0:24:05 | |
# The waters they washed them ashore | 0:24:09 | 0:24:15 | |
# Ashore | 0:24:15 | 0:24:18 | |
# And they never will sail the seas no more | 0:24:18 | 0:24:25 | |
# We led them along by the churchyard wall | 0:24:25 | 0:24:31 | |
# And all in a row we buried them all. # | 0:24:31 | 0:24:38 | |
The song The Brean Lament describes | 0:24:40 | 0:24:44 | |
what happened quite commonly along this coast | 0:24:44 | 0:24:48 | |
when bodies were washed up. | 0:24:48 | 0:24:51 | |
You have to give them a burial, but not in the main churchyard - | 0:24:51 | 0:24:57 | |
in a separate sailors' graveyard. | 0:24:57 | 0:25:00 | |
It was quite strongly believed along this stretch of coast | 0:25:03 | 0:25:07 | |
that the sea might decide to reclaim their bodies as its own. | 0:25:07 | 0:25:12 | |
They didn't want the dead of the village | 0:25:12 | 0:25:16 | |
being taken at the same time. | 0:25:16 | 0:25:19 | |
And, possibly, as a way of appeasing the sea, | 0:25:19 | 0:25:25 | |
the sailors' boots were buried below the tide line, | 0:25:25 | 0:25:30 | |
so the sea would have something to take. | 0:25:30 | 0:25:33 | |
# We led them along by the churchyard wall | 0:25:35 | 0:25:42 | |
# Where all in a row we buried them all | 0:25:42 | 0:25:50 | |
# But their boots we buried below the tide | 0:25:52 | 0:26:03 | |
# On Severnside. # | 0:26:03 | 0:26:10 | |
The Severn Estuary used to pose a fearsome challenge | 0:26:21 | 0:26:24 | |
on any journey between England and Wales. | 0:26:24 | 0:26:27 | |
The two countries were divided by this massive tear in our coastline. | 0:26:29 | 0:26:34 | |
Avoiding it meant a diversion deep inland. | 0:26:35 | 0:26:39 | |
Even so, only hardy travellers would brave the deadly waters. | 0:26:39 | 0:26:45 | |
Today, a concrete solution spans this vast channel. | 0:26:52 | 0:26:56 | |
But conquering the Severn was a bold venture fraught with peril, | 0:26:58 | 0:27:02 | |
as Mark is about to discover. | 0:27:02 | 0:27:05 | |
Dashing over the estuary from Wales to England, commuters take | 0:27:07 | 0:27:11 | |
the elegant crossings their lives depend on for granted. | 0:27:11 | 0:27:16 | |
But imagine a world before this bridge was possible. | 0:27:18 | 0:27:21 | |
A world without steel cables, | 0:27:21 | 0:27:24 | |
without reinforced concrete, | 0:27:24 | 0:27:26 | |
when the sea reigned supreme. | 0:27:26 | 0:27:30 | |
That was a challenge faced by the Victorians | 0:27:30 | 0:27:34 | |
to cross the River Severn. | 0:27:34 | 0:27:36 | |
The formidable collision of river and sea facing the early engineers | 0:27:40 | 0:27:45 | |
can still be experienced. | 0:27:45 | 0:27:47 | |
It's one of the most dangerous seaways in the world, | 0:27:49 | 0:27:52 | |
but I'm just a little bit excited. | 0:27:52 | 0:27:54 | |
The Severn Area Rescue Association is going to pit me against the ebb tide. | 0:27:56 | 0:28:02 | |
Cast off! | 0:28:04 | 0:28:07 | |
The power of the tide here is just extraordinary! | 0:28:07 | 0:28:09 | |
As the tide goes out, it's like a maelstrom. | 0:28:16 | 0:28:20 | |
The waters were an immense challenge, | 0:28:20 | 0:28:24 | |
but by the 1840s, crossing the river by boat was old hat. | 0:28:24 | 0:28:29 | |
An irresistible new force was spreading across Britain - | 0:28:31 | 0:28:35 | |
the railways. | 0:28:35 | 0:28:37 | |
Come hell or high water, | 0:28:37 | 0:28:39 | |
estuaries weren't going to stand in the way of progress. | 0:28:39 | 0:28:43 | |
The great Victorian engineer Isambard Kingdom Brunel | 0:28:47 | 0:28:50 | |
is a hero of mine - he'd already managed to cross the Avon gorge | 0:28:50 | 0:28:55 | |
with a mighty suspension bridge. | 0:28:55 | 0:28:57 | |
When his railway came to Bristol, he wanted to cross into South Wales, | 0:28:57 | 0:29:01 | |
and planned an even bigger suspension bridge. | 0:29:01 | 0:29:04 | |
Here are the preliminary sketches. | 0:29:04 | 0:29:06 | |
The biggest problem was the sheer scale of the span | 0:29:07 | 0:29:11 | |
that Brunel required - over 1,000 feet. | 0:29:11 | 0:29:15 | |
He left a little note in his notebook, | 0:29:17 | 0:29:20 | |
which says, "Is 1,100ft practicable?" | 0:29:20 | 0:29:24 | |
Brunel's bridge was never built, | 0:29:27 | 0:29:30 | |
but if taking trains over the water defeated the best brain of the age, | 0:29:30 | 0:29:36 | |
how about going underneath? | 0:29:36 | 0:29:38 | |
A tunnel - was that the answer? | 0:29:39 | 0:29:43 | |
Digging deep to create a railway under the water - | 0:29:43 | 0:29:47 | |
this was very bold, big thinking. | 0:29:47 | 0:29:52 | |
This is one of the original drawings of the tunnel from around 1887, | 0:29:52 | 0:29:57 | |
and you can see how the track comes down underneath the deepest part | 0:29:57 | 0:30:02 | |
of the Bristol Channel here in The Shoots, | 0:30:02 | 0:30:04 | |
and gradually up to the Welsh side. | 0:30:04 | 0:30:07 | |
So what we've got here is around seven miles of railway track. | 0:30:07 | 0:30:11 | |
That passage under the estuary is now a vital link | 0:30:13 | 0:30:17 | |
between England and Wales, | 0:30:17 | 0:30:20 | |
carrying over 250 trains a day. | 0:30:20 | 0:30:24 | |
Passengers are oblivious to a catastrophe that nearly sank | 0:30:25 | 0:30:30 | |
the tunnel before the first train ran, | 0:30:30 | 0:30:34 | |
and it's a problem that still lurks below. | 0:30:34 | 0:30:37 | |
So here we go. | 0:30:41 | 0:30:43 | |
I've been granted access to a shadowy water world, | 0:30:44 | 0:30:48 | |
few get to see. | 0:30:48 | 0:30:49 | |
It's great - we're just coming into the cutting, | 0:30:51 | 0:30:53 | |
the portal's ahead, and we're about to go under the sea. | 0:30:53 | 0:30:58 | |
Ah! Whay! | 0:31:01 | 0:31:04 | |
Isn't that fantastic?! | 0:31:04 | 0:31:06 | |
We're heading for the deepest point in the tunnel. | 0:31:08 | 0:31:11 | |
Just 50ft above us, millions of gallons of water | 0:31:15 | 0:31:18 | |
are swirling around - the River Severn and the sea are in full flow. | 0:31:18 | 0:31:24 | |
Keeping the water out here is hard enough, | 0:31:24 | 0:31:28 | |
but can you imagine if there was a flood down here? | 0:31:28 | 0:31:31 | |
With an estuary hanging over their heads, | 0:31:33 | 0:31:36 | |
engineers knew there'd be seepage of seawater, | 0:31:36 | 0:31:40 | |
but it was freshwater that nearly drowned the project. | 0:31:40 | 0:31:45 | |
Nobody expected this - a raging torrent! | 0:31:46 | 0:31:53 | |
They'd broken through to an underground spring. | 0:31:53 | 0:31:56 | |
In October, 1879, water began to pour into the tunnel. | 0:31:57 | 0:32:02 | |
The workers fled for their lives. | 0:32:04 | 0:32:06 | |
The disaster struck when a shaft dug on the Welsh coast | 0:32:09 | 0:32:13 | |
cut into an underground river deep below the surface. | 0:32:13 | 0:32:17 | |
For four years the engineers made desperate attempts | 0:32:20 | 0:32:24 | |
to block the freshwater spring, but every effort proved futile. | 0:32:24 | 0:32:30 | |
And it's been flooding in at this alarming rate ever since. | 0:32:32 | 0:32:36 | |
If they couldn't stop the spring water, they'd have to live with it. | 0:32:38 | 0:32:42 | |
The only solution were pumps, massive ones like this | 0:32:45 | 0:32:48 | |
that pump the water out as fast as it comes in, | 0:32:48 | 0:32:52 | |
right up to the surface. | 0:32:52 | 0:32:53 | |
Leighton Jenkins helps keep the tracks dry today. | 0:32:56 | 0:33:00 | |
So what would happen if the pumps actually failed? | 0:33:00 | 0:33:03 | |
Every second counts, | 0:33:03 | 0:33:05 | |
as soon as the pumps stop, we'd have to inform the control | 0:33:05 | 0:33:08 | |
within 10 minutes just to shut the tunnel itself, | 0:33:08 | 0:33:11 | |
and within 20 minutes we've got water coming up through the tracks, | 0:33:11 | 0:33:14 | |
so every second absolutely counts. | 0:33:14 | 0:33:16 | |
But have they yet failed? | 0:33:16 | 0:33:18 | |
No, not as far as I know, no. Not while I'm on the shift anyway. | 0:33:18 | 0:33:21 | |
LAUGHTER | 0:33:21 | 0:33:24 | |
The railways had proved irresistible, | 0:33:24 | 0:33:27 | |
with rival Victorian companies vying for routes. | 0:33:27 | 0:33:31 | |
By the time it was finished, the tunnel already had a competitor. | 0:33:31 | 0:33:36 | |
In 1879, trains had started to roll over the estuary, | 0:33:41 | 0:33:46 | |
but the bridge's sturdy uprights - | 0:33:46 | 0:33:48 | |
always an obstacle to shipping - would ultimately prove its downfall. | 0:33:48 | 0:33:54 | |
Do you see? That's a tower where the railway bridge once crossed | 0:33:57 | 0:34:02 | |
the Severn Estuary. | 0:34:02 | 0:34:04 | |
I've got a photograph that shows the stanchions | 0:34:04 | 0:34:07 | |
marching across the river - now totally destroyed. | 0:34:07 | 0:34:12 | |
The raging waters where river and sea smash together | 0:34:15 | 0:34:20 | |
would deliver a fatal blow to the rail bridge. | 0:34:20 | 0:34:23 | |
In October, 1960, the Arkendale - carrying oil - | 0:34:27 | 0:34:32 | |
and the Wastdale - laden with petrol - | 0:34:32 | 0:34:35 | |
were heading for combustible collision. | 0:34:35 | 0:34:40 | |
The Arkendale was carried in by the surging tide. | 0:34:40 | 0:34:45 | |
That powerful current would drive it into the Wastdale | 0:34:45 | 0:34:49 | |
on a foggy night at Sharpness Docks, | 0:34:49 | 0:34:53 | |
as Alan Hayward knows. | 0:34:53 | 0:34:56 | |
They were coming up river intending to come into the docks here, | 0:34:56 | 0:35:00 | |
but they were accidentally swept past. | 0:35:00 | 0:35:03 | |
And then they collided and became, in effect, stuck together. | 0:35:03 | 0:35:07 | |
Disabled ships in thick fog, | 0:35:08 | 0:35:11 | |
carrying 600 tonnes of inflammable cargo | 0:35:11 | 0:35:15 | |
at the mercy of a swirling sea, propelled them to disaster. | 0:35:15 | 0:35:20 | |
They were desperate to separate from each other, | 0:35:22 | 0:35:25 | |
fighting by steering in different directions | 0:35:25 | 0:35:27 | |
but it just didn't work, | 0:35:27 | 0:35:29 | |
and they only had about four minutes before | 0:35:29 | 0:35:31 | |
they would reach the railway bridge. | 0:35:31 | 0:35:34 | |
The rail bridge across the Severn loomed out of the fog, | 0:35:35 | 0:35:39 | |
a collision with the ships carrying oil and petrol was now inevitable. | 0:35:39 | 0:35:44 | |
A lot of sparks would have been created, | 0:35:50 | 0:35:52 | |
which ignited the petrol in one of the vessels. | 0:35:52 | 0:35:55 | |
The fuel, of course, spilt out over the river, | 0:35:58 | 0:36:00 | |
so the whole river became a mass of flame. | 0:36:00 | 0:36:03 | |
First mate Percy Simmonds was aboard one of the tankers. | 0:36:06 | 0:36:10 | |
His son Chris was 13 at the time. | 0:36:10 | 0:36:13 | |
I try to imagine that night and what he was going through, | 0:36:13 | 0:36:16 | |
and it must have been just terrible with the flames and everything. | 0:36:16 | 0:36:19 | |
I'm just sure he was determined to make it across this river somehow | 0:36:19 | 0:36:23 | |
and make it back to us. | 0:36:23 | 0:36:26 | |
Daylight and a low tide revealed wrecks of the fuel tankers, | 0:36:27 | 0:36:32 | |
smouldering on a sandbank. | 0:36:32 | 0:36:35 | |
Soon the first body was found. | 0:36:35 | 0:36:38 | |
They identified the body there, | 0:36:38 | 0:36:40 | |
and they, you know, let Mum know that, yeah, it was definitely Perce. | 0:36:40 | 0:36:46 | |
Chris's father Percy died along with four others | 0:36:46 | 0:36:51 | |
on that terrible evening. | 0:36:51 | 0:36:53 | |
The damaged bridge was too expensive to repair, it was demolished. | 0:36:53 | 0:36:58 | |
But each day, when the tide recedes, scars of tragedy are revealed. | 0:36:58 | 0:37:04 | |
Out there, of course, are two hulks buried now in the sands, | 0:37:04 | 0:37:08 | |
that have been washed over by countless tides. | 0:37:08 | 0:37:11 | |
But they're still there. They're there as monuments. | 0:37:11 | 0:37:13 | |
They're here as a reminder to all of us. | 0:37:13 | 0:37:16 | |
It's immensely humbling | 0:37:19 | 0:37:21 | |
to be next to such a vast body | 0:37:21 | 0:37:24 | |
of brooding water. | 0:37:24 | 0:37:27 | |
Even on a calm day like this, | 0:37:27 | 0:37:31 | |
one can feel the power where rivers and sea collide. | 0:37:31 | 0:37:36 | |
Surging waters urge us on to fresh endeavours. | 0:37:46 | 0:37:49 | |
And we're not alone in finding creature comforts | 0:37:51 | 0:37:55 | |
around the fringes of our great seaways. | 0:37:55 | 0:37:58 | |
The tide brings in the bounty | 0:38:00 | 0:38:02 | |
that makes our estuaries brim with vitality. | 0:38:02 | 0:38:05 | |
Safe havens that offer boundless prospects. | 0:38:13 | 0:38:19 | |
Where rivers collide with the sea, our coast comes alive, | 0:38:19 | 0:38:23 | |
and opportunity awaits. | 0:38:23 | 0:38:26 |