
Browse content similar to The Secret Life of Sea Cliffs 1. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This is Coast. | 0:00:11 | 0:00:13 | |
Our stunning sea cliffs. | 0:00:43 | 0:00:45 | |
An imperious borderline, stitched with a rainbow tapestry of stone. | 0:00:45 | 0:00:51 | |
Deceptive and dramatic, yielding and treacherous. | 0:00:54 | 0:01:00 | |
Over millennia, we've learnt to negotiate this tricky terrain... | 0:01:00 | 0:01:05 | |
..and carve surprising uses from its rocky skeleton. | 0:01:07 | 0:01:11 | |
My quest has brought me to the Isle of Wight. | 0:01:13 | 0:01:16 | |
I'm on a mission to delve into the hidden world of our sea cliffs, | 0:01:18 | 0:01:22 | |
and I'm going to start with this key. | 0:01:22 | 0:01:26 | |
MUSIC: "Mission Impossible" Theme | 0:01:28 | 0:01:30 | |
Over a century ago, the locals unlocked a secret. | 0:01:35 | 0:01:40 | |
This solid sea cliff had a helpfully soft core. | 0:01:40 | 0:01:44 | |
Behind this grill is a disused lift shaft. | 0:01:49 | 0:01:52 | |
A man-made hole bored straight into the cliff. | 0:01:52 | 0:01:55 | |
I'm going to extreme lengths, investigating mysteries | 0:02:02 | 0:02:07 | |
at the heart of our sea cliffs. | 0:02:07 | 0:02:10 | |
Our island's edge, as you've never seen it before. | 0:02:10 | 0:02:14 | |
This is The Secret Life of Sea Cliffs. | 0:02:14 | 0:02:18 | |
My journey will take me | 0:02:25 | 0:02:27 | |
across the vast and varied cliffs of Yorkshire. | 0:02:27 | 0:02:31 | |
But first, I need to free myself from the depths of the Isle of Wight. | 0:02:31 | 0:02:35 | |
Here, the sea has bitten chunks out of the headland. | 0:02:39 | 0:02:42 | |
If nature could carve through the chalk, why not man? | 0:02:46 | 0:02:50 | |
I've walked across cliffs, I've climbed up cliffs, | 0:02:56 | 0:02:59 | |
but I've never abseiled through a cliff. | 0:02:59 | 0:03:02 | |
And it's completely other-worldly. | 0:03:02 | 0:03:04 | |
In the late 19th century, the Government had the cliff's centre scooped out. | 0:03:07 | 0:03:13 | |
Part of a secret defence plan. | 0:03:13 | 0:03:16 | |
This looks like a spur tunnel, this. | 0:03:17 | 0:03:20 | |
It's got a very high roof and it's full of debris. | 0:03:20 | 0:03:23 | |
This one looks like the main one. | 0:03:23 | 0:03:25 | |
These tunnels have lain untouched for decades, | 0:03:27 | 0:03:31 | |
but clues to their use still remain. | 0:03:31 | 0:03:34 | |
Old electrical cables carried in this rusty steel pipe. | 0:03:36 | 0:03:39 | |
There's a gigantic rusting engine. | 0:03:43 | 0:03:45 | |
This must have been used to power the lift. | 0:03:45 | 0:03:48 | |
A window ahead sheds some light. | 0:03:52 | 0:03:55 | |
Look at this! Unbelievable! | 0:04:00 | 0:04:03 | |
What could be more secure than a fortress built into a cliff face? | 0:04:06 | 0:04:11 | |
Beginning in 1860, the military chiselled out the chalk | 0:04:15 | 0:04:19 | |
to create a rock-solid defence. | 0:04:19 | 0:04:22 | |
A fort dug into the cliff top. | 0:04:22 | 0:04:26 | |
And near sea level, camouflaged gun positions, | 0:04:26 | 0:04:30 | |
ideal for troops facing hostile warships in the channel. | 0:04:30 | 0:04:34 | |
They had worked a way to make the most of their cliff edge. | 0:04:39 | 0:04:44 | |
And this rocky border can lead me to further surprises. | 0:04:44 | 0:04:47 | |
Imagine following this seam of chalk back inland. | 0:04:49 | 0:04:53 | |
It would be an underground journey | 0:04:54 | 0:04:56 | |
through the soft underbelly of England, | 0:04:56 | 0:04:58 | |
emerging on the east coast in God's own country. | 0:04:58 | 0:05:02 | |
The chalk rears its head again here. | 0:05:03 | 0:05:06 | |
These are the White Cliffs of Yorkshire. | 0:05:06 | 0:05:09 | |
Rising some 200 metres, | 0:05:11 | 0:05:13 | |
these white precipices are among the loftiest in England. | 0:05:13 | 0:05:18 | |
But they have a secret. | 0:05:20 | 0:05:22 | |
They stretch much further than it seems on the surface. | 0:05:22 | 0:05:25 | |
In many places, the white cliffs are actually brown. | 0:05:27 | 0:05:31 | |
The gleaming face of the chalk | 0:05:31 | 0:05:33 | |
is covered in a thick layer of sand and clay. | 0:05:33 | 0:05:36 | |
This false facade extends for miles. | 0:05:37 | 0:05:41 | |
The clay of an ancient seabed | 0:05:41 | 0:05:43 | |
that was smeared up over the chalk during the ice age. | 0:05:43 | 0:05:47 | |
Now, the sea's reclaiming her lost property. | 0:05:47 | 0:05:50 | |
Seen from a distance, this cliff might look fairly solid, | 0:05:51 | 0:05:54 | |
but up close it reveals its alarming secret. | 0:05:54 | 0:05:58 | |
This stuff is so soft, it falls apart in your hand. | 0:05:59 | 0:06:04 | |
As sea levels rise, | 0:06:06 | 0:06:08 | |
this boulder clay along our east coast is crumbling. | 0:06:08 | 0:06:11 | |
This massive structure from the Second World War | 0:06:20 | 0:06:26 | |
is just lying on its back on the beach. | 0:06:26 | 0:06:30 | |
It's made of brick, concrete, steel. | 0:06:30 | 0:06:34 | |
Once upon a time, it stood up there on top of a cliff, | 0:06:34 | 0:06:38 | |
and it was constructed to defend Britain from enemy forces. | 0:06:38 | 0:06:44 | |
But it's been brought to its knees not by war, but by the attacking sea. | 0:06:44 | 0:06:49 | |
In 2006, our cameras captured the same tower | 0:06:52 | 0:06:55 | |
sitting a few metres from the cliff edge. | 0:06:55 | 0:06:59 | |
Just three years later, the ground disappeared beneath it. | 0:06:59 | 0:07:03 | |
Here's the present cliff. | 0:07:04 | 0:07:06 | |
It's been receding over the last century-and-a-half | 0:07:06 | 0:07:10 | |
at an astonishing average of 1.27 metres for every year, | 0:07:10 | 0:07:15 | |
which means that since 1941 when that military emplacement was built, | 0:07:15 | 0:07:20 | |
this cliff has receded about 76 metres. | 0:07:20 | 0:07:25 | |
So I'm going to take a walk back through time, | 0:07:25 | 0:07:28 | |
one pace for every year. | 0:07:28 | 0:07:30 | |
One, two, three, four... | 0:07:30 | 0:07:34 | |
Thirty paces in, I'm back in the 1980s. | 0:07:38 | 0:07:42 | |
# Holiday... # | 0:07:42 | 0:07:44 | |
Ten paces more, I hit the glam rock days of the 1970s. | 0:07:44 | 0:07:48 | |
# Ch-Ch-Changes. # | 0:07:48 | 0:07:51 | |
Through to the swinging '60s. | 0:07:51 | 0:07:53 | |
# Talking about my generation | 0:07:53 | 0:07:55 | |
# I'm not trying to cause... # | 0:07:55 | 0:07:57 | |
And after 72 paces... | 0:07:57 | 0:08:00 | |
# As time goes by... # | 0:08:00 | 0:08:03 | |
This... | 0:08:03 | 0:08:05 | |
was the line of the cliff in the 1940s. Look at it now! | 0:08:05 | 0:08:11 | |
Extraordinary. | 0:08:11 | 0:08:13 | |
# As time goes by. # | 0:08:13 | 0:08:21 | |
Knowing how quickly this cliff is eroding | 0:08:24 | 0:08:27 | |
makes you feel uneasy standing on the edge. | 0:08:27 | 0:08:30 | |
So imagine living here! | 0:08:30 | 0:08:32 | |
Since Roman times, over 30 villages on the east Yorkshire coast | 0:08:35 | 0:08:40 | |
have been lost to erosion. | 0:08:40 | 0:08:42 | |
Now the community of Aldbrough is under threat. | 0:08:42 | 0:08:46 | |
While I'm at the seaside end of the village, it all looks pretty normal. | 0:08:46 | 0:08:50 | |
Pretty little houses, village pub. | 0:08:50 | 0:08:53 | |
What's not normal... | 0:08:54 | 0:08:56 | |
..is this! | 0:09:00 | 0:09:01 | |
A road to nowhere. | 0:09:02 | 0:09:04 | |
Our edge is a precarious place to be. | 0:09:06 | 0:09:09 | |
But some refuse to see this as the end of the line. | 0:09:09 | 0:09:14 | |
I'm meeting Nigel Fairclough. | 0:09:14 | 0:09:16 | |
Less than 20 years ago, he bought a seafront house here. | 0:09:16 | 0:09:21 | |
But as the cliff started to nibble at his garden, | 0:09:21 | 0:09:24 | |
it was condemned as unsafe. | 0:09:24 | 0:09:27 | |
Now only a ghost house remains. | 0:09:27 | 0:09:30 | |
We'd be walking up the front footpath here to the house? | 0:09:31 | 0:09:33 | |
That's correct, yeah. | 0:09:33 | 0:09:35 | |
So if we go in here and we turn left... | 0:09:35 | 0:09:37 | |
you're in the living room. | 0:09:37 | 0:09:39 | |
Lovely and cosy when the storms were from the sea. | 0:09:39 | 0:09:42 | |
You walk straight through the living room. | 0:09:42 | 0:09:46 | |
We had like a galley kitchen running along the back of the bungalow. | 0:09:46 | 0:09:50 | |
So this is where we'd be standing here to make a pot of tea. | 0:09:50 | 0:09:53 | |
Yeah. And you could stand here and look out. | 0:09:53 | 0:09:55 | |
Beautiful view. You can see Bridlington. | 0:09:55 | 0:09:58 | |
Could you hear the sea at night? | 0:09:58 | 0:09:59 | |
Yeah. Odd stormy nights, the house would shake. | 0:09:59 | 0:10:04 | |
Literally, we had a lot of ornaments up | 0:10:04 | 0:10:07 | |
and when the sea were banging in on the cliff, the whole house shook. | 0:10:07 | 0:10:10 | |
-You're kidding? -No, no. | 0:10:10 | 0:10:12 | |
-The ornaments would tremble? -Yeah, yeah. | 0:10:12 | 0:10:15 | |
We've had to move them back, if they were on a shelf, | 0:10:15 | 0:10:17 | |
sometimes we had to push them back | 0:10:17 | 0:10:19 | |
because they were working their way forward. | 0:10:19 | 0:10:21 | |
Didn't that tell you that you were living somewhere quite precarious? | 0:10:21 | 0:10:24 | |
Yeah, but... | 0:10:24 | 0:10:26 | |
comparing where you live, living in a town to living somewhere like this, | 0:10:26 | 0:10:30 | |
it were well worth putting up with it. | 0:10:30 | 0:10:32 | |
Do you remember the day your house was knocked down? | 0:10:32 | 0:10:37 | |
Yeah. We had to watch while they came in with their digger | 0:10:37 | 0:10:41 | |
and virtually crushed it, turned it into matchwood | 0:10:41 | 0:10:44 | |
and loaded it in a skip and took it away. | 0:10:44 | 0:10:47 | |
Today, the street is slowly being bulldozed house by house | 0:10:49 | 0:10:54 | |
as the cliff edge inches closer. | 0:10:54 | 0:10:57 | |
It just seemed so solid. | 0:10:57 | 0:10:59 | |
And you never expected this to happen to it. | 0:10:59 | 0:11:03 | |
But Nigel is undeterred. | 0:11:05 | 0:11:07 | |
He's just bought a new house 100 metres down the road. | 0:11:07 | 0:11:12 | |
They reckon that's got 50 years, so it won't worry me one little bit. | 0:11:15 | 0:11:21 | |
That one is going to be to see me out now, you know. | 0:11:21 | 0:11:24 | |
It's a lovely area, it is great. | 0:11:24 | 0:11:26 | |
It's just sad it's going. | 0:11:27 | 0:11:29 | |
All our cliffs are shifting structures, | 0:11:36 | 0:11:39 | |
slowly being reclaimed by the sea. | 0:11:39 | 0:11:42 | |
As they know in Scarborough. | 0:11:42 | 0:11:44 | |
In 1993, the Holbeck Hall Hotel was demolished | 0:11:49 | 0:11:54 | |
after its east wing was lost to coastal erosion. | 0:11:54 | 0:11:57 | |
When cracks started to show in Cornwall, | 0:12:03 | 0:12:06 | |
a local geologist was lucky enough | 0:12:06 | 0:12:08 | |
to capture a Rocky Horror Show on his phone. | 0:12:08 | 0:12:11 | |
SHRIEKING | 0:12:11 | 0:12:13 | |
Stretches of our coast do tumble into the sea. | 0:12:22 | 0:12:26 | |
A story they recognise at Lyme Regis. | 0:12:26 | 0:12:29 | |
These gentle slopes are evidence of the cliff's downfall. | 0:12:34 | 0:12:37 | |
And as the land slips, it spills the beans on its past life. | 0:12:39 | 0:12:43 | |
Cassie Newland is an archaeologist with a difference. | 0:12:46 | 0:12:50 | |
She's raking up history the town thought it had buried long ago. | 0:12:50 | 0:12:55 | |
Some archaeologists love Roman villas or Saxon hoards. | 0:12:56 | 0:13:00 | |
I like more unusual things. | 0:13:00 | 0:13:03 | |
And today, I'm trawling for trash. | 0:13:03 | 0:13:05 | |
The 1950s is the birth of our modern throwaway society. | 0:13:08 | 0:13:12 | |
But what we chuck away as rubbish, | 0:13:12 | 0:13:14 | |
we're not expecting to get confronted by again. | 0:13:14 | 0:13:18 | |
Here at Lyme Regis, we can do just that, | 0:13:18 | 0:13:20 | |
and get into all the details | 0:13:20 | 0:13:21 | |
of people's everyday lives in the past, | 0:13:21 | 0:13:24 | |
when the sea cliffs give up their secrets. | 0:13:24 | 0:13:26 | |
Remarkably, these cliffs were once used as a rubbish dump. | 0:13:35 | 0:13:39 | |
Right on the edge of town, the locals can re-live past lives, | 0:13:42 | 0:13:46 | |
revealed from the old dump. | 0:13:46 | 0:13:48 | |
As the cliff crumbles, its curious contents litter the beach below. | 0:13:52 | 0:13:57 | |
We've got an actual kitchen sink! | 0:13:58 | 0:14:00 | |
And it's enamel. How '50s is that! | 0:14:02 | 0:14:05 | |
It's fascinating to think that these domestic relics | 0:14:06 | 0:14:10 | |
have lain hidden in the cliffs for decades. | 0:14:10 | 0:14:13 | |
I'm meeting local geologists Paddy and Chris | 0:14:13 | 0:14:15 | |
to make sense of the jumble. | 0:14:15 | 0:14:17 | |
They've sifted out some prize pieces. | 0:14:17 | 0:14:19 | |
-Chris, Paddy. -Hi. -Hello. | 0:14:19 | 0:14:22 | |
This looks interesting. Is there anything you know dates of? | 0:14:22 | 0:14:25 | |
That's 1937, that's a beer bottle top from Bridport. | 0:14:25 | 0:14:29 | |
-Fantastic. -So that's got a date. | 0:14:29 | 0:14:31 | |
Oh, I like that. | 0:14:31 | 0:14:33 | |
That was actually found the day before yesterday... | 0:14:33 | 0:14:35 | |
So that's George V. | 0:14:35 | 0:14:37 | |
..by my youngest son, Leon. | 0:14:37 | 0:14:39 | |
These ones you see give you a bit of a telltale. | 0:14:41 | 0:14:43 | |
They're...they're machine-made. | 0:14:43 | 0:14:44 | |
You can see that because they've got a seam going all the way down. | 0:14:44 | 0:14:47 | |
And the reason you can tell is it also goes all the way over the top, | 0:14:47 | 0:14:50 | |
so we know that these have to be after 1909, | 0:14:50 | 0:14:52 | |
when the machine that did that was invented. | 0:14:52 | 0:14:55 | |
We've got all of this interesting stuff | 0:14:56 | 0:14:58 | |
that's just falling out of the cliff. Is that normal? | 0:14:58 | 0:15:01 | |
When it gets wet, particularly in the winter, | 0:15:01 | 0:15:03 | |
the rocks over on that side, they fail and they slide down. | 0:15:03 | 0:15:06 | |
And it so happens the rubbish dump was up at the top of the cliff | 0:15:06 | 0:15:09 | |
and all of that came with it. | 0:15:09 | 0:15:11 | |
And all of this material fell down in May 2008 | 0:15:11 | 0:15:13 | |
when there was a very big fall, | 0:15:13 | 0:15:15 | |
-about three-quarters-of-a-million tonnes. -Gosh! | 0:15:15 | 0:15:18 | |
So we've got archaeology and geology. | 0:15:18 | 0:15:20 | |
Archaeology and geology literally all muddled up and all mixed up. | 0:15:20 | 0:15:23 | |
Out of sight and out of mind. | 0:15:25 | 0:15:28 | |
No-one gave a thought to the cliff top dump. | 0:15:28 | 0:15:30 | |
But oddly, the bin men who collected | 0:15:30 | 0:15:33 | |
the town's trash became local treasures. | 0:15:33 | 0:15:36 | |
No-one knew them better than Ken Gollop. | 0:15:36 | 0:15:38 | |
So, Ken, your dad was a dustman? | 0:15:40 | 0:15:43 | |
Yes. My old man was a dustman. | 0:15:43 | 0:15:45 | |
# He wears a dustman's hat | 0:15:45 | 0:15:47 | |
# He wears cor blimey trousers | 0:15:47 | 0:15:49 | |
# And he lives in a council flat. # | 0:15:49 | 0:15:51 | |
-Which one's your dad? -There you are. The big one. | 0:15:51 | 0:15:54 | |
-Actually, it does look like you. -The big one. | 0:15:54 | 0:15:56 | |
-They're amazing! -Yeah. | 0:15:56 | 0:15:58 | |
They were on their rounds one day and a gentleman was moving house. | 0:15:58 | 0:16:01 | |
And he had loads of bowler hats, top hats, | 0:16:01 | 0:16:04 | |
dress coats, morning coats and things. | 0:16:04 | 0:16:07 | |
He said to the dustmen, | 0:16:07 | 0:16:09 | |
"Look, I got all these, do what you like with them." | 0:16:09 | 0:16:11 | |
So, of course, Father being Father, | 0:16:11 | 0:16:14 | |
he put a set straight on | 0:16:14 | 0:16:16 | |
and they went around the town emptying dustcarts in top hats. | 0:16:16 | 0:16:20 | |
-Fantastic! -They were so popular and that, | 0:16:20 | 0:16:23 | |
that people used to stop and take photographs of them. | 0:16:23 | 0:16:26 | |
The sartorial binmen were tourist favourites. | 0:16:29 | 0:16:32 | |
But Lyme Regis was no holiday for them. | 0:16:32 | 0:16:36 | |
So, this is very steep, isn't it? | 0:16:36 | 0:16:37 | |
-This is a dustman's nightmare. -It is, isn't it? | 0:16:37 | 0:16:40 | |
The cliff edge is a top spot to share some lost treasure. | 0:16:41 | 0:16:45 | |
Hidden in the BBC archives, | 0:16:45 | 0:16:48 | |
I've dug up a recording Ken's never heard. | 0:16:48 | 0:16:51 | |
Now, Ken, tell me if you recognise this at all. | 0:16:51 | 0:16:55 | |
"You sound as though you enjoy your job. You're very happy." | 0:16:57 | 0:17:00 | |
"Oh, we four are the happiest men in Lyme. | 0:17:00 | 0:17:03 | |
-"Yes, happiest men in Lyme, sir." -That's my father. | 0:17:03 | 0:17:06 | |
"Oh, yes! We've had so many as 20 or 30 around us taking our photos. | 0:17:06 | 0:17:10 | |
"We've had our photos took over a thousand times this summer." | 0:17:10 | 0:17:13 | |
"You're very interested in hats." | 0:17:13 | 0:17:15 | |
"Hats? Yes, sir. I expect I've got more hats than anybody in the land." | 0:17:15 | 0:17:19 | |
He was taking the mickey out of the interviewer, wasn't he? | 0:17:19 | 0:17:23 | |
He was, he was just...he was a clown all the time. | 0:17:23 | 0:17:27 | |
And he made the best of everything. | 0:17:27 | 0:17:30 | |
He really enjoyed his life. | 0:17:30 | 0:17:33 | |
And he made a lot of people happy, | 0:17:33 | 0:17:35 | |
and I think he realised he did that. | 0:17:35 | 0:17:38 | |
-I loved that! -Oh, that was really wonderful, that was. | 0:17:38 | 0:17:41 | |
The top-hatted dustmen of Lyme Regis are now long gone, | 0:17:43 | 0:17:48 | |
but this cliff top time capsule continues to reveal its secrets. | 0:17:48 | 0:17:52 | |
Oh, my goodness! | 0:17:52 | 0:17:54 | |
These are Crittal windows, these metal-framed windows. | 0:17:54 | 0:17:57 | |
If these were still in your house, | 0:17:57 | 0:17:59 | |
you wouldn't be allowed to take them out. | 0:17:59 | 0:18:01 | |
These may not be the jewels and relics some archaeologists crave, | 0:18:03 | 0:18:07 | |
but to me, they are priceless. | 0:18:07 | 0:18:10 | |
They tell the story of everyday people. | 0:18:10 | 0:18:13 | |
It's the archaeology of us. | 0:18:13 | 0:18:15 |