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We're taking a city break. | 0:00:07 | 0:00:10 | |
Around our isles, the coast is ringed with cities. | 0:00:11 | 0:00:16 | |
From the smallest... | 0:00:16 | 0:00:18 | |
to the grandest - | 0:00:18 | 0:00:20 | |
their lifeblood's the sea. | 0:00:20 | 0:00:23 | |
A city can thrive on its coastal connections, | 0:00:25 | 0:00:29 | |
but it's a relationship that can bring both prosperity and pain. | 0:00:29 | 0:00:35 | |
Mark's on board to see how navigation | 0:00:35 | 0:00:38 | |
put one city at the centre of the world's sea charts. | 0:00:38 | 0:00:42 | |
This is the story of how London, | 0:00:42 | 0:00:45 | |
a city 50 miles from the open sea, | 0:00:45 | 0:00:48 | |
became the capital of global navigation. | 0:00:48 | 0:00:51 | |
And Tessa's going underground | 0:00:52 | 0:00:55 | |
to investigate a secret wartime threat. | 0:00:55 | 0:00:58 | |
A forgotten but extraordinary story how, in World War II, | 0:01:02 | 0:01:06 | |
we stopped the Nazis flooding London. | 0:01:06 | 0:01:08 | |
Ruth exposes an urban epidemic spread by the sea. | 0:01:11 | 0:01:15 | |
As the sailors flood into the city, | 0:01:16 | 0:01:19 | |
a silent danger looms. | 0:01:19 | 0:01:22 | |
And I'll be immersed in a tidal wave of trade... | 0:01:23 | 0:01:27 | |
..as I uncover the unsung port all our cities rely on. | 0:01:29 | 0:01:34 | |
Join us to put the sea back into the city. | 0:01:36 | 0:01:40 | |
This is Coast! | 0:01:40 | 0:01:42 | |
For centuries, the beating hearts of our coastal cities | 0:02:13 | 0:02:17 | |
were the docklands that fed them. | 0:02:17 | 0:02:20 | |
But today these urban landscapes have transformed | 0:02:22 | 0:02:26 | |
to suit changing times. | 0:02:26 | 0:02:28 | |
In Cardiff, redundant docks have been dammed | 0:02:31 | 0:02:34 | |
to create a freshwater lake - | 0:02:34 | 0:02:37 | |
a perfect pond for pleasure. | 0:02:37 | 0:02:39 | |
Bristol's great floating harbour is now a home of heritage. | 0:02:43 | 0:02:47 | |
And in Liverpool, apartments not ships | 0:02:50 | 0:02:53 | |
stack up along the waterfront. | 0:02:53 | 0:02:56 | |
So where has the trade that once filled these docks disappeared to? | 0:02:58 | 0:03:04 | |
I'm finding out what happens when the sea moves out of the city. | 0:03:06 | 0:03:10 | |
A journey that's brought me to the Humber, | 0:03:12 | 0:03:15 | |
to explore an unsung hero of our isles - | 0:03:15 | 0:03:18 | |
the mega port at Immingham. | 0:03:18 | 0:03:21 | |
Some seaports grow up slowly over centuries, | 0:03:33 | 0:03:37 | |
but Immingham sprang up as a super port, | 0:03:37 | 0:03:40 | |
practically a city in its own right. | 0:03:40 | 0:03:43 | |
More tonnes of cargo arrive here than at any other port in the UK. | 0:03:45 | 0:03:50 | |
Its towering skyline marks a dramatic new chapter | 0:03:52 | 0:03:56 | |
in the story of the sea and our cities. | 0:03:56 | 0:03:59 | |
Pedal power suits this mini city. | 0:04:01 | 0:04:04 | |
Immingham's so big it has its own road and rail network. | 0:04:04 | 0:04:08 | |
A bevy of workers beaver away to keep our coastal trade rolling | 0:04:10 | 0:04:14 | |
day and night. | 0:04:14 | 0:04:16 | |
Every cog, ship, | 0:04:22 | 0:04:25 | |
train and crane | 0:04:25 | 0:04:27 | |
dances to the tune of our country's needs. | 0:04:27 | 0:04:30 | |
Go back a century, though, | 0:04:58 | 0:05:00 | |
and this working landscape looked very different. | 0:05:00 | 0:05:04 | |
At the turn of the 20th century, | 0:05:05 | 0:05:08 | |
Immingham was a sleepy backwater. | 0:05:08 | 0:05:11 | |
How did it spring up into this city of enterprise? | 0:05:12 | 0:05:16 | |
Immingham was transformed into an industrial powerhouse | 0:05:17 | 0:05:22 | |
by mountains of coal. | 0:05:22 | 0:05:25 | |
In the early 1900s, coal was being mined at a ferocious rate - | 0:05:31 | 0:05:37 | |
black treasure sought across the globe. | 0:05:37 | 0:05:40 | |
To convey our great export, | 0:05:42 | 0:05:44 | |
super-sized ships were called on. | 0:05:44 | 0:05:47 | |
The Humber's urban ports at Grimsby and Hull | 0:05:51 | 0:05:55 | |
couldn't expand sufficiently. | 0:05:55 | 0:05:57 | |
So, in 1912, Immingham was purpose-built, | 0:05:59 | 0:06:03 | |
opened in pomp and circumstance | 0:06:03 | 0:06:06 | |
by the King himself. | 0:06:06 | 0:06:08 | |
100 years on, coal mines have closed | 0:06:11 | 0:06:14 | |
but Immingham is still awash with the black stuff. | 0:06:14 | 0:06:18 | |
Today, though, the traffic's going in reverse. | 0:06:21 | 0:06:24 | |
Surprisingly, coal is still king here, | 0:06:28 | 0:06:31 | |
but rather than shipping it out, | 0:06:31 | 0:06:33 | |
huge boats now bring coal in. | 0:06:33 | 0:06:36 | |
They're importing tonnes of it. | 0:06:38 | 0:06:40 | |
This might look like a minnow nudging a whale, | 0:06:46 | 0:06:49 | |
but these tiny tugs are incredibly powerful, | 0:06:49 | 0:06:52 | |
and they have to be, because some of the ships sailing into Immingham | 0:06:52 | 0:06:56 | |
weigh 200,000 tonnes. | 0:06:56 | 0:06:59 | |
Overseeing this mountainous operation | 0:07:05 | 0:07:08 | |
is port director John Fitzgerald. | 0:07:08 | 0:07:11 | |
How much coal's actually passing through this port now? | 0:07:12 | 0:07:15 | |
Well, this year we're on track for about 14 million tonnes. | 0:07:15 | 0:07:18 | |
I'm quite surprised because, you know, I'm not the only one | 0:07:18 | 0:07:22 | |
who thought that Britain was decarbonising | 0:07:22 | 0:07:25 | |
and heading towards renewable fuels, | 0:07:25 | 0:07:27 | |
and yet we're surrounded by... | 0:07:27 | 0:07:29 | |
literally, mountains of the black stuff. | 0:07:29 | 0:07:31 | |
Nearly 50% of all the electricity generated in the UK | 0:07:31 | 0:07:37 | |
is generated from coal, | 0:07:37 | 0:07:39 | |
and that, effectively, means that the coal here at Immingham | 0:07:39 | 0:07:42 | |
is powering well over three million homes. | 0:07:42 | 0:07:45 | |
As we struggle to end our dependence on fossil fuels, | 0:07:49 | 0:07:53 | |
Immingham helps keep our lights on. | 0:07:53 | 0:07:55 | |
Out there in the North Sea, | 0:08:01 | 0:08:02 | |
there's always another coal ship waiting to come in, | 0:08:02 | 0:08:05 | |
then another then another, | 0:08:05 | 0:08:07 | |
vessels queuing up to disgorge their cargoes | 0:08:07 | 0:08:10 | |
into this energy capital on England's east coast. | 0:08:10 | 0:08:15 | |
I'll embark on a 24-hour exploration of this vast site, | 0:08:16 | 0:08:20 | |
to see how the port's kept on call for cargo around the clock. | 0:08:20 | 0:08:26 | |
One advantage of using the sea as a highway... | 0:08:45 | 0:08:48 | |
..this city traffic flows without the traffic jams. | 0:08:50 | 0:08:54 | |
Deep-water city docks export British cars across the world. | 0:08:57 | 0:09:01 | |
But 300 years ago, | 0:09:05 | 0:09:07 | |
a maritime mystery made global sea trade much more difficult. | 0:09:07 | 0:09:12 | |
In the 18th century, sailors had no way of knowing | 0:09:15 | 0:09:19 | |
their precise position at sea. | 0:09:19 | 0:09:21 | |
How would cracking the question of navigation | 0:09:25 | 0:09:29 | |
put our capital on every mariner's map? | 0:09:29 | 0:09:33 | |
For centuries, London's made the most | 0:09:41 | 0:09:44 | |
of its narrow link with the sea. | 0:09:44 | 0:09:47 | |
Mark's discovering how the city became | 0:09:47 | 0:09:50 | |
the centre of the maritime world. | 0:09:50 | 0:09:52 | |
The most important location for any sailor at sea | 0:09:56 | 0:10:01 | |
is marked by a single line | 0:10:01 | 0:10:04 | |
drawn through a surprisingly urban setting - | 0:10:04 | 0:10:09 | |
London. | 0:10:09 | 0:10:10 | |
Or, more precisely, Greenwich. | 0:10:10 | 0:10:12 | |
This is the home of the Prime Meridian, | 0:10:14 | 0:10:18 | |
the reference line for every ship at sea. | 0:10:18 | 0:10:23 | |
But how did it end up here? | 0:10:23 | 0:10:25 | |
This is the story of how London, | 0:10:27 | 0:10:30 | |
a city 50 miles from the open sea, | 0:10:30 | 0:10:33 | |
became the capital of global navigation. | 0:10:33 | 0:10:36 | |
Our story starts some 300 years ago, | 0:10:44 | 0:10:48 | |
with a maritime mystery that perplexed sailors around the world. | 0:10:48 | 0:10:53 | |
It may sound unbelievable today, | 0:10:55 | 0:10:58 | |
but up until the 1700s, sailors could not determine | 0:10:58 | 0:11:01 | |
their exact position at sea - | 0:11:01 | 0:11:04 | |
it was all a matter of guesswork. | 0:11:04 | 0:11:07 | |
In sight of the coast, seafarers could navigate using landmarks. | 0:11:10 | 0:11:16 | |
But in the 18th century, global trade was growing. | 0:11:17 | 0:11:21 | |
For ships to cross oceans, | 0:11:22 | 0:11:24 | |
sailors needed a new way to work out their location. | 0:11:24 | 0:11:29 | |
To understand more, I'm meeting with historian Simon Schaffer. | 0:11:29 | 0:11:34 | |
-Hi! -Hi! | 0:11:34 | 0:11:36 | |
Simon, why in the 18th century | 0:11:36 | 0:11:38 | |
was there this sudden need to know where we were? | 0:11:38 | 0:11:41 | |
Up till then, most trade routes | 0:11:41 | 0:11:44 | |
and most military enterprises that mattered | 0:11:44 | 0:11:47 | |
had been local, they'd been European, | 0:11:47 | 0:11:50 | |
and that meant you could navigate along the coasts. | 0:11:50 | 0:11:52 | |
But now, from the late 1600s, early 1700s, Britain goes global, | 0:11:52 | 0:11:58 | |
big time, and that means | 0:11:58 | 0:12:01 | |
long-range voyages across oceans | 0:12:01 | 0:12:04 | |
where you could not stick to the coasts. | 0:12:04 | 0:12:07 | |
There were two places in particular that really mattered - | 0:12:07 | 0:12:10 | |
the West Indies, where the sugar trade was based, | 0:12:10 | 0:12:14 | |
and the East Indies and India, | 0:12:14 | 0:12:16 | |
where spices were imported. | 0:12:16 | 0:12:18 | |
Why where ocean voyages so difficult? | 0:12:21 | 0:12:25 | |
300 years ago, sailors could determine | 0:12:26 | 0:12:30 | |
how far north or south they were, | 0:12:30 | 0:12:33 | |
thanks to the sun. | 0:12:33 | 0:12:35 | |
This was their latitude. | 0:12:36 | 0:12:39 | |
But no-one knew how to measure how east or west they were - | 0:12:41 | 0:12:46 | |
longitude. | 0:12:46 | 0:12:48 | |
So, if solving longitude was so important, | 0:12:49 | 0:12:53 | |
why hadn't anyone come up with a solution? | 0:12:53 | 0:12:56 | |
Even the world's top scientists were stumped. | 0:12:58 | 0:13:01 | |
In desperation, the Government took a novel step. | 0:13:04 | 0:13:09 | |
In 1714, they threw the question open to the general public. | 0:13:09 | 0:13:14 | |
Men across the country brought their solutions to London | 0:13:16 | 0:13:19 | |
to be examined by a government committee like no other - | 0:13:19 | 0:13:25 | |
the Board of Longitude... | 0:13:25 | 0:13:27 | |
..a panel of the great and good, | 0:13:29 | 0:13:31 | |
Britain's brightest brains. | 0:13:31 | 0:13:33 | |
They offered a huge cash prize to anyone clever enough | 0:13:35 | 0:13:39 | |
to crack the riddle of longitude. | 0:13:39 | 0:13:42 | |
Unsurprisingly, hundreds of submissions flew in. | 0:13:43 | 0:13:48 | |
Inventive, beautiful but sadly harebrained schemes. | 0:13:48 | 0:13:54 | |
Decades passed with no practical solution. | 0:13:56 | 0:14:00 | |
The Board of Longitude became a national joke. | 0:14:00 | 0:14:05 | |
A very good example of this is this image made by William Hogarth | 0:14:06 | 0:14:11 | |
in the 1730s, | 0:14:11 | 0:14:13 | |
which is a picture of Bedlam - | 0:14:13 | 0:14:16 | |
the vast and sprawling London madhouse - | 0:14:16 | 0:14:19 | |
and Hogarth was put right in the middle of this picture | 0:14:19 | 0:14:23 | |
of a lunatic asylum - | 0:14:23 | 0:14:25 | |
a man scribbling, and the man is drawing a longitude scheme. | 0:14:25 | 0:14:30 | |
After years of head-scratching, what had the board come up with? | 0:14:32 | 0:14:37 | |
There was one concept they all agreed on. | 0:14:37 | 0:14:41 | |
The secret to determining longitude was time. | 0:14:42 | 0:14:46 | |
BELL TOLLS | 0:14:48 | 0:14:50 | |
As long as you know the time at a fixed point like Greenwich, | 0:14:50 | 0:14:53 | |
then you can work out where you are anywhere in the world. | 0:14:53 | 0:14:57 | |
Because the Earth rotates, | 0:14:58 | 0:15:01 | |
the sun rises in the east, | 0:15:01 | 0:15:03 | |
so midday will be earlier on this side of Greenwich | 0:15:03 | 0:15:07 | |
and later on this side. | 0:15:07 | 0:15:10 | |
These lines represent lines of longitude. | 0:15:10 | 0:15:14 | |
It takes two hours for the sun to travel | 0:15:14 | 0:15:18 | |
from one line to the next. | 0:15:18 | 0:15:21 | |
So, if it's noon at Greenwich, | 0:15:21 | 0:15:25 | |
it's... | 0:15:25 | 0:15:26 | |
2pm here... | 0:15:26 | 0:15:29 | |
and 10am here. | 0:15:29 | 0:15:31 | |
That time difference between local time | 0:15:32 | 0:15:36 | |
and Greenwich time | 0:15:36 | 0:15:38 | |
could be converted to distance from Greenwich. | 0:15:38 | 0:15:41 | |
Local time was easy - | 0:15:41 | 0:15:44 | |
when the sun was highest, | 0:15:44 | 0:15:46 | |
they knew it was noon. | 0:15:46 | 0:15:48 | |
But how could they keep track of time in Greenwich? | 0:15:48 | 0:15:52 | |
300 years ago, this was the only kind of clock sailors had. | 0:15:53 | 0:15:59 | |
Pendulum clocks just don't work on board boats. | 0:16:02 | 0:16:05 | |
They needed a new method to keep Greenwich time. | 0:16:07 | 0:16:11 | |
Fundamentally, there were two approaches that seemed viable. | 0:16:11 | 0:16:16 | |
One was carrying Greenwich time with you in a box - | 0:16:16 | 0:16:20 | |
that meant building a very reliable and accurate clock. | 0:16:20 | 0:16:23 | |
The other was observing the time of events in the heavens | 0:16:23 | 0:16:27 | |
using astronomy. | 0:16:27 | 0:16:29 | |
In 1764, the two leading methods | 0:16:31 | 0:16:35 | |
were trialled on a voyage to Barbados. | 0:16:35 | 0:16:38 | |
First up, the astronomical, or lunar, method. | 0:16:40 | 0:16:43 | |
This uses the clockwork nature of the sky at night | 0:16:45 | 0:16:49 | |
as a huge celestial timekeeper. | 0:16:49 | 0:16:52 | |
All you need is a sextant to measure | 0:16:55 | 0:16:58 | |
the angles between the moon and certain stars. | 0:16:58 | 0:17:02 | |
Once you've got your angle, | 0:17:04 | 0:17:06 | |
you can work out what time it is in Greenwich - easy. | 0:17:06 | 0:17:11 | |
But the maths back then, took over four hours. | 0:17:11 | 0:17:15 | |
Fiddly calculations aside, | 0:17:17 | 0:17:19 | |
the Barbados trial showed the lunar method | 0:17:19 | 0:17:22 | |
to be accurate to within one degree of longitude. | 0:17:22 | 0:17:26 | |
But that could still mean a ship was more than 60 miles adrift. | 0:17:29 | 0:17:33 | |
Surely there was another option? | 0:17:33 | 0:17:36 | |
Next up, a sea clock, | 0:17:37 | 0:17:40 | |
submitted by an unknown carpenter from Yorkshire, John Harrison. | 0:17:40 | 0:17:45 | |
The rocking motion of ships | 0:17:47 | 0:17:49 | |
interrupted the timekeeping of pendulum clocks, | 0:17:49 | 0:17:53 | |
but Harrison had spent years perfecting a new design. | 0:17:53 | 0:17:59 | |
Harrison's clock was like none other. | 0:18:00 | 0:18:04 | |
In fact, it wasn't a clock, | 0:18:04 | 0:18:06 | |
it was modelled on a watch. | 0:18:06 | 0:18:08 | |
Using springs instead of a pendulum, | 0:18:10 | 0:18:13 | |
the watch only lost 40 seconds | 0:18:13 | 0:18:16 | |
during the seven-week Barbados voyage. | 0:18:16 | 0:18:18 | |
At last, sailors could carry Greenwich time with them. | 0:18:20 | 0:18:25 | |
This incredible clock | 0:18:26 | 0:18:28 | |
had finally solved the problem of longitude. | 0:18:28 | 0:18:31 | |
The end, surely? | 0:18:31 | 0:18:33 | |
Harrison thought he'd cracked longitude - | 0:18:34 | 0:18:38 | |
the board, however, thought otherwise. | 0:18:38 | 0:18:41 | |
Harrison was the greatest clockmaker of the age, | 0:18:44 | 0:18:47 | |
and it had taken him years and years to build his marine watch. | 0:18:47 | 0:18:52 | |
That was ONE watch. | 0:18:52 | 0:18:55 | |
That scheme would only work if every mariner had a watch. | 0:18:55 | 0:18:59 | |
The board rewarded Harrison, | 0:19:01 | 0:19:04 | |
but refused to give him recognition for cracking longitude | 0:19:04 | 0:19:09 | |
until accurate sea-going clocks could be mass produced. | 0:19:09 | 0:19:13 | |
Harrison never lived to see it. | 0:19:15 | 0:19:17 | |
It took another 40 years for clocks to become commonplace on our seas. | 0:19:20 | 0:19:26 | |
In the meantime, sailors across the world | 0:19:28 | 0:19:32 | |
persevered with the lunar method. | 0:19:32 | 0:19:35 | |
And it was astronomical data | 0:19:38 | 0:19:40 | |
compiled here in Greenwich that became their bible, | 0:19:40 | 0:19:45 | |
with far-reaching consequences for the city. | 0:19:45 | 0:19:48 | |
The astronomers here in Greenwich | 0:19:50 | 0:19:53 | |
began to make books exactly like this. | 0:19:53 | 0:19:56 | |
This is the book called The Nautical Almanac. | 0:19:56 | 0:19:59 | |
On these pages, the distance of the moon from a list of stars | 0:19:59 | 0:20:05 | |
is tabulated with exquisite precision, | 0:20:05 | 0:20:09 | |
based on the longitude of Greenwich as zero. | 0:20:09 | 0:20:14 | |
Every mariner who used these tables | 0:20:14 | 0:20:17 | |
would be assuming that Greenwich was the origin of time, | 0:20:17 | 0:20:21 | |
and therefore the origin of longitude. | 0:20:21 | 0:20:24 | |
Those British books circulated around the globe. | 0:20:26 | 0:20:30 | |
All used Greenwich | 0:20:30 | 0:20:33 | |
as their reference point. | 0:20:33 | 0:20:35 | |
Most mariners acquired the habit of looking to London | 0:20:36 | 0:20:41 | |
to work out their location. | 0:20:41 | 0:20:43 | |
In 1884, a world conference | 0:20:44 | 0:20:48 | |
confirmed our capital's connection to the sea. | 0:20:48 | 0:20:51 | |
When it came to a vote, it was official - | 0:20:53 | 0:20:56 | |
Greenwich was sanctioned | 0:20:56 | 0:20:59 | |
as the Prime Meridian, | 0:20:59 | 0:21:01 | |
the line of zero degree longitude. | 0:21:01 | 0:21:04 | |
Greenwich remains the centre of the maritime world. | 0:21:23 | 0:21:27 | |
But where is the capital's once-thriving sea trade? | 0:21:29 | 0:21:32 | |
Out towards the edge of the Thames Estuary | 0:21:35 | 0:21:38 | |
a new mega port has been taking shape, | 0:21:38 | 0:21:42 | |
London Gateway. | 0:21:42 | 0:21:44 | |
Around our isles, we've constructed large out-of-town ports. | 0:21:52 | 0:21:57 | |
When every second counts, | 0:21:59 | 0:22:01 | |
how do they get goods off the sea | 0:22:01 | 0:22:03 | |
and into our cities? | 0:22:03 | 0:22:05 | |
I'm caught up in a hive of activity at Immingham. | 0:22:09 | 0:22:12 | |
Global sea trade demands that ships keep moving. | 0:22:20 | 0:22:24 | |
Delays cost companies and, ultimately, us. | 0:22:26 | 0:22:29 | |
The volume of traffic here is relentless. | 0:22:31 | 0:22:34 | |
Connecting everything are these roll-on/roll-off trailers. | 0:22:37 | 0:22:41 | |
A 24-hour operation, overseen by Mark Reeve. | 0:22:48 | 0:22:52 | |
We bring a vast amount of cargo in. | 0:22:54 | 0:22:56 | |
It can be anything from food, timber, steels, | 0:22:56 | 0:23:00 | |
chemicals, as well - import and export. | 0:23:00 | 0:23:03 | |
So a very wide and diversified cargo. | 0:23:03 | 0:23:06 | |
How long do you have to turn a ship around? To get it out again? | 0:23:06 | 0:23:09 | |
Something like the vessel that's come in from Esbjerg in Denmark today - | 0:23:09 | 0:23:12 | |
200-plus trailers in, 200-plus trailers out - | 0:23:12 | 0:23:15 | |
-we can turn that around in six hours. -That's shifting! | 0:23:15 | 0:23:18 | |
Yeah, that's going some. That's going some. | 0:23:18 | 0:23:21 | |
The container port is just one district | 0:23:29 | 0:23:32 | |
in this city-sized enterprise. | 0:23:32 | 0:23:34 | |
More fiddly cargo is delivered by the boatload | 0:23:35 | 0:23:39 | |
and moved by the tonne. | 0:23:39 | 0:23:41 | |
Heavy lifting - which presents me | 0:23:42 | 0:23:44 | |
with the opportunity to realise a boyhood ambition. | 0:23:44 | 0:23:47 | |
After ten years on Coast, I, Nick Crane, | 0:23:49 | 0:23:53 | |
finally get to do a story on cranes! | 0:23:53 | 0:23:56 | |
Crane driver Chris Jubb is showing me his elevated office. | 0:24:03 | 0:24:07 | |
Not a lot of space in here, is there, Chris? | 0:24:09 | 0:24:12 | |
No, they're only built for one, Nick. | 0:24:12 | 0:24:14 | |
What are you unloading here? | 0:24:14 | 0:24:16 | |
Today, we've got 13,000 tonnes of salt coming from Egypt. | 0:24:16 | 0:24:18 | |
-Is that road salt? -That's road salt, yeah. | 0:24:18 | 0:24:20 | |
What are the qualities you need to be a dockside crane-driver? | 0:24:20 | 0:24:25 | |
I've heard it likened to the same as an airline pilot | 0:24:25 | 0:24:28 | |
on takeoff and landing, | 0:24:28 | 0:24:30 | |
the concentration that's needed. | 0:24:30 | 0:24:31 | |
So how much salt can you lift up in one go? | 0:24:31 | 0:24:34 | |
-It's 12 tonnes of salt in that grab. -That's a lot. | 0:24:34 | 0:24:36 | |
On top of the world up here, aren't you, looking down on the port. | 0:24:36 | 0:24:39 | |
The pinnacle of a manual-grades career. | 0:24:39 | 0:24:42 | |
NICK LAUGHS | 0:24:42 | 0:24:43 | |
Chris makes it look easy, | 0:24:47 | 0:24:49 | |
but guiding this massive grabber into the precise position | 0:24:49 | 0:24:53 | |
to dump its load into the hopper | 0:24:53 | 0:24:56 | |
takes skill and experience. | 0:24:56 | 0:24:58 | |
How long to train me to do something like this? | 0:25:01 | 0:25:03 | |
You're looking at least a year. | 0:25:03 | 0:25:05 | |
Yeah, I can believe it. | 0:25:05 | 0:25:07 | |
I might not have a year, | 0:25:07 | 0:25:09 | |
but I can't come all this way without having a go. | 0:25:09 | 0:25:12 | |
Chris has a novel challenge in store for a novice like me. | 0:25:13 | 0:25:18 | |
Have I got the spatial awareness to drive a monster crane? | 0:25:18 | 0:25:22 | |
We're about to find out. | 0:25:22 | 0:25:24 | |
Well, there's an awful lot of controls in here. | 0:25:29 | 0:25:33 | |
The only two you'll be looking at today | 0:25:33 | 0:25:35 | |
are the basic controls - | 0:25:35 | 0:25:37 | |
which is the jib lever, for slewing left to right, | 0:25:37 | 0:25:41 | |
and your right-hand lever, which is for lifting the grab, | 0:25:41 | 0:25:45 | |
lowering the grab, opening the grab and closing the grab. | 0:25:45 | 0:25:47 | |
-Shall I give it a go? -Give it a go, yeah. | 0:25:47 | 0:25:50 | |
Nice and gently. Slow...slow. Ease the lever back gently. | 0:25:50 | 0:25:54 | |
You need a light touch as a crane-driver. | 0:25:54 | 0:25:56 | |
Them small movements are the key movements. | 0:25:56 | 0:25:59 | |
If you want to try and position yourself over that traffic cone there. | 0:26:01 | 0:26:05 | |
-OK... -We'll try and grab hold of the traffic cone. | 0:26:05 | 0:26:08 | |
Once you think you're somewhere over it, | 0:26:08 | 0:26:10 | |
just gently bring her down. | 0:26:10 | 0:26:12 | |
Now start looking out the window. | 0:26:12 | 0:26:14 | |
Am I going to knock it over now? | 0:26:14 | 0:26:15 | |
If I try and do a grab now... A bit lower maybe? | 0:26:15 | 0:26:18 | |
Oh! Now I've knocked it over. I'm doomed! | 0:26:20 | 0:26:22 | |
Oh, yes! Got it! Bingo. | 0:26:24 | 0:26:27 | |
Gently lift her up. Gently lift her up. | 0:26:27 | 0:26:30 | |
Well done. NICK LAUGHS | 0:26:30 | 0:26:32 | |
You're the first person I've ever taught to grab a cone before. | 0:26:32 | 0:26:36 | |
That's so difficult! | 0:26:36 | 0:26:38 | |
-But could you do that for eight hours a day? -I'd be drained. | 0:26:38 | 0:26:41 | |
I'd be absolutely drained. | 0:26:41 | 0:26:43 | |
I think I'll leave the heavy lifting to the professionals! | 0:26:44 | 0:26:47 | |
That was great fun. I've always wanted to drive a crane. | 0:26:51 | 0:26:54 | |
It's amazing what a hands-on business our sea trade still is. | 0:26:54 | 0:26:58 | |
Our great cities weren't only built on the back of trade. | 0:27:05 | 0:27:09 | |
On the south coast, major cities owed their existence to the Navy. | 0:27:18 | 0:27:22 | |
As the Royal fleet grew up, | 0:27:27 | 0:27:29 | |
so did a vast and varied population. | 0:27:29 | 0:27:32 | |
As they know in Portsmouth. | 0:27:38 | 0:27:41 | |
This is our oldest naval base. | 0:27:56 | 0:27:58 | |
In its docks, the city proudly displays ships that brought | 0:28:03 | 0:28:06 | |
victory to our isles. | 0:28:06 | 0:28:08 | |
But there's a less-celebrated story here, too. | 0:28:10 | 0:28:13 | |
In the 19th century, | 0:28:15 | 0:28:17 | |
naval ships and their sailors carried disease from overseas. | 0:28:17 | 0:28:21 | |
Ruth is exploring how the port put the city in peril. | 0:28:23 | 0:28:27 | |
# The captain's daughter, I suppose | 0:28:28 | 0:28:31 | |
# Could be called an English rose | 0:28:31 | 0:28:33 | |
# What would you think if I propose? | 0:28:33 | 0:28:36 | |
# The pox she gave to me a dose... # | 0:28:36 | 0:28:39 | |
It's February 1856, | 0:28:39 | 0:28:40 | |
and the Crimean War has just ended. | 0:28:40 | 0:28:43 | |
The Royal Navy is heading back into Portsmouth, | 0:28:43 | 0:28:46 | |
but as the sailors flood into the city, | 0:28:46 | 0:28:49 | |
a silent danger looms. | 0:28:49 | 0:28:52 | |
The Royal Navy was plagued with a sexually transmitted disease - | 0:28:55 | 0:28:59 | |
over a third of the men admitted to hospital had syphilis. | 0:28:59 | 0:29:02 | |
The statistics were staggering. | 0:29:05 | 0:29:07 | |
In one year alone, | 0:29:07 | 0:29:09 | |
the Royal Navy lost 77,000 working days | 0:29:09 | 0:29:12 | |
to sickness from syphilis. | 0:29:12 | 0:29:15 | |
The Government saw syphilis | 0:29:18 | 0:29:20 | |
as a threat to national security. | 0:29:20 | 0:29:22 | |
Our naval cities were on the front line of a war. | 0:29:22 | 0:29:26 | |
So, what exactly is syphilis? | 0:29:30 | 0:29:32 | |
The disease scandalised Victorian Britain, | 0:29:33 | 0:29:36 | |
and it still has the power to shock. | 0:29:36 | 0:29:39 | |
Medical historian Pauline Price has some disturbing images. | 0:29:39 | 0:29:43 | |
The primary symptoms would be hard lumps called chancres, | 0:29:45 | 0:29:50 | |
and then you would end up | 0:29:50 | 0:29:53 | |
perhaps coming onto this stage, this is the secondary syphilis, | 0:29:53 | 0:29:57 | |
and you've got a lot of pustules around the chest, on the face, | 0:29:57 | 0:30:01 | |
and that would make you feel very tired, very ill. | 0:30:01 | 0:30:05 | |
That might disappear after about six weeks, | 0:30:05 | 0:30:08 | |
and then you might have | 0:30:08 | 0:30:10 | |
a period of 5 to 20 years where it was latent - | 0:30:10 | 0:30:13 | |
hadn't gone away, but you had no symptoms. | 0:30:13 | 0:30:15 | |
And then you would start developing the tertiary symptoms, | 0:30:15 | 0:30:20 | |
and these are even worse, | 0:30:20 | 0:30:21 | |
and you can imagine the results of these is usually death. | 0:30:21 | 0:30:25 | |
So, what could people do to treat it? | 0:30:25 | 0:30:27 | |
They would have various forms of mercury treatment - | 0:30:27 | 0:30:31 | |
they might make it into pills, | 0:30:31 | 0:30:33 | |
a lotion. | 0:30:33 | 0:30:34 | |
Mercury's a really poisonous substance, isn't it? | 0:30:34 | 0:30:37 | |
The effects on the body are truly vile. | 0:30:37 | 0:30:39 | |
Well, that was the Victorian idea, | 0:30:39 | 0:30:41 | |
that you were purging your system, so if you salivated, | 0:30:41 | 0:30:44 | |
if you vomited, then you're getting out of the system | 0:30:44 | 0:30:46 | |
the things that are making you ill. | 0:30:46 | 0:30:48 | |
And if you did go through with the treatment, | 0:30:48 | 0:30:50 | |
would it actually cure the syphilis? | 0:30:50 | 0:30:52 | |
No, it wouldn't. They just didn't have the science. | 0:30:52 | 0:30:55 | |
So you used this because it was the best they had. | 0:30:55 | 0:30:58 | |
With no cure in sight, | 0:31:01 | 0:31:04 | |
the silent killer spread. | 0:31:04 | 0:31:06 | |
Our cities were soon a breeding ground for the pox. | 0:31:06 | 0:31:10 | |
This is a copy of a caricature from the early 1800s | 0:31:12 | 0:31:16 | |
showing a typical Portsmouth dockside scene - | 0:31:16 | 0:31:20 | |
lewd goings-on, sailors rollicking with prostitutes, | 0:31:20 | 0:31:23 | |
an inebriated woman being carried off. | 0:31:23 | 0:31:27 | |
And it was these loose women, rather than the sailors, | 0:31:27 | 0:31:30 | |
that were to be the focus of the Government crackdown. | 0:31:30 | 0:31:33 | |
As the Government sought ways to control the epidemic, | 0:31:35 | 0:31:38 | |
a shadowy underworld came under the spotlight. | 0:31:38 | 0:31:42 | |
I'm with historian Fern Riddell. | 0:31:42 | 0:31:44 | |
We know that in Portsmouth in this period | 0:31:44 | 0:31:47 | |
there were about 2,000 prostitutes working. | 0:31:47 | 0:31:50 | |
There's a real strong link, it seems, | 0:31:50 | 0:31:52 | |
between sailors and prostitutes, isn't there? | 0:31:52 | 0:31:55 | |
They'd be somewhere the men could come and stay, | 0:31:55 | 0:31:57 | |
they'd look after their money, give them a social life. | 0:31:57 | 0:32:00 | |
And it really was very much a companionable relationship. | 0:32:00 | 0:32:03 | |
-Because there were no barracks for the sailors, at all, in town? -No. | 0:32:03 | 0:32:06 | |
When they arrived off the ships there was nowhere for them to stay? | 0:32:06 | 0:32:09 | |
None at all. You wanted somewhere you could actually lay your head, | 0:32:09 | 0:32:13 | |
and some company different from the men that you'd stayed with | 0:32:13 | 0:32:16 | |
the entire time you were at sea. | 0:32:16 | 0:32:18 | |
# Get six of me, comrade To carry my coffin...# | 0:32:18 | 0:32:24 | |
As syphilis spread, popular songs made clear who was held to blame. | 0:32:24 | 0:32:29 | |
# ..Bad luck to the girl that gived him the pox... # | 0:32:29 | 0:32:35 | |
"Bad luck to the girl that gived him the pox." | 0:32:35 | 0:32:39 | |
The sailors blamed the prostitutes for their sickness, | 0:32:39 | 0:32:42 | |
and the Government did, too. | 0:32:42 | 0:32:44 | |
In July 1864, Parliament passed the first Contagious Diseases Act - | 0:32:47 | 0:32:52 | |
this is it here. | 0:32:52 | 0:32:53 | |
Its purpose? To control prostitution and venereal disease | 0:32:53 | 0:32:58 | |
in order to increase the efficiency of the Navy. | 0:32:58 | 0:33:01 | |
The Act introduced draconian new measures | 0:33:02 | 0:33:05 | |
to control sexually transmitted disease... | 0:33:05 | 0:33:09 | |
aimed squarely at women. | 0:33:09 | 0:33:11 | |
Under the Act, any woman who was suspected of being a prostitute | 0:33:11 | 0:33:15 | |
could be examined - forcibly - | 0:33:15 | 0:33:17 | |
in the most intimate way. | 0:33:17 | 0:33:19 | |
While sailors walked free, | 0:33:21 | 0:33:23 | |
women suspected of having the disease | 0:33:23 | 0:33:26 | |
were sent to aptly named lock hospitals. | 0:33:26 | 0:33:29 | |
The shame of the city, | 0:33:31 | 0:33:33 | |
these prison-like wards have long since disappeared. | 0:33:33 | 0:33:36 | |
But Fern can paint a picture. | 0:33:36 | 0:33:39 | |
They were really stark and depressing places to go, | 0:33:39 | 0:33:43 | |
and each woman was responsible for their own treatment. | 0:33:43 | 0:33:46 | |
So they'd go from having a horrible, really horrible, internal exam | 0:33:46 | 0:33:51 | |
when they were proved to have a contagious disease, | 0:33:51 | 0:33:54 | |
to then treating themselves, | 0:33:54 | 0:33:56 | |
to then being examined by a doctor | 0:33:56 | 0:33:58 | |
to see if the treatment was working. | 0:33:58 | 0:34:00 | |
And that was for their entire time | 0:34:00 | 0:34:02 | |
that they were incarcerated in the lock hospitals, | 0:34:02 | 0:34:04 | |
which could be from three to six to even nine months. | 0:34:04 | 0:34:08 | |
One woman was especially outraged by the law. | 0:34:13 | 0:34:16 | |
Josephine Butler was a Christian from a middle-class background. | 0:34:17 | 0:34:21 | |
Heedless of potential embarrassment, | 0:34:21 | 0:34:24 | |
she attacked the Contagious Diseases Act. | 0:34:24 | 0:34:27 | |
She toured the country to argue the prostitutes' cause. | 0:34:27 | 0:34:31 | |
I'm following in Josephine Butler's footsteps. | 0:34:31 | 0:34:33 | |
Despite the odds stacked against her, | 0:34:36 | 0:34:38 | |
Josephine set up a campaign group to repeal the Act targeted at women. | 0:34:38 | 0:34:43 | |
She took to the stage to voice her dissent. | 0:34:44 | 0:34:46 | |
"Women turn to prostitution out of starvation, hunger. | 0:34:48 | 0:34:53 | |
"Two pence is the price in England of a young girl's honour." | 0:34:53 | 0:34:56 | |
What were her main arguments? | 0:34:58 | 0:35:00 | |
Well, she has three main points. | 0:35:00 | 0:35:02 | |
So, firstly, she manages to inspire compassion for a class of women | 0:35:02 | 0:35:06 | |
that most people would have ignored. | 0:35:06 | 0:35:08 | |
Secondly, she exposes this horrific double standard | 0:35:08 | 0:35:11 | |
of the fact that you would treat women, but you wouldn't treat men. | 0:35:11 | 0:35:15 | |
And that, I think, really grabbed a lot of people's attention. | 0:35:15 | 0:35:18 | |
"We must protest against the purchase | 0:35:18 | 0:35:22 | |
"of physical health of soldiers, | 0:35:22 | 0:35:24 | |
"at the cost of introducing so much darkness and immortality." | 0:35:24 | 0:35:30 | |
This is what really grabs the whole community together - | 0:35:30 | 0:35:34 | |
the fact that she exposes the Government as really being | 0:35:34 | 0:35:36 | |
incredibly immoral. | 0:35:36 | 0:35:38 | |
And they're basically legalising and regulating prostitution, | 0:35:38 | 0:35:42 | |
which to the Victorians was absolutely unthinkable. | 0:35:42 | 0:35:46 | |
# Come, my good friends and a story I'll relate | 0:35:46 | 0:35:50 | |
# I spied a brave comrade all dressed in white flannel | 0:35:50 | 0:35:54 | |
# Dressed in white flannel and cruel was his fate... # | 0:35:54 | 0:35:58 | |
It was this final argument that struck home. | 0:35:59 | 0:36:02 | |
By regulating prostitution, | 0:36:02 | 0:36:04 | |
the Government appeared to be condoning it. | 0:36:04 | 0:36:07 | |
A groundswell of popular opinion | 0:36:08 | 0:36:10 | |
backed Josephine Butler's cause, | 0:36:10 | 0:36:13 | |
but it took 19 years' hard campaigning | 0:36:13 | 0:36:17 | |
until Josephine finally received a telegram | 0:36:17 | 0:36:20 | |
with momentous news. | 0:36:20 | 0:36:23 | |
It's dated 1886, and simply read, | 0:36:23 | 0:36:26 | |
"Repeal received royal ascent." | 0:36:26 | 0:36:28 | |
No longer could a women be forcibly examined | 0:36:28 | 0:36:31 | |
or locked up in a hospital without her consent. | 0:36:31 | 0:36:35 | |
# There's a hole in his boots... | 0:36:35 | 0:36:38 | |
# Bad luck to the girl... # | 0:36:38 | 0:36:40 | |
In 1905, the real enemy to our cities was identified - not women, | 0:36:40 | 0:36:45 | |
not the sailors that visited them, but this - | 0:36:45 | 0:36:50 | |
Treponema pallidum, the spiral-shaped bacterium | 0:36:50 | 0:36:53 | |
responsible for syphilis. | 0:36:53 | 0:36:56 | |
But only after the Second World War, | 0:36:56 | 0:36:58 | |
when penicillin became widely available, | 0:36:58 | 0:37:01 | |
did the threat to our cities finally subside. | 0:37:01 | 0:37:06 | |
# I might have been cured | 0:37:06 | 0:37:08 | |
# By those pills of white mercury | 0:37:08 | 0:37:10 | |
# Now I'm a young man cut down in my prime... # | 0:37:10 | 0:37:15 | |
We're exploring the sea and the city. | 0:37:29 | 0:37:33 | |
A journey that's brought me to the Humber. | 0:37:35 | 0:37:38 | |
Just 13 miles from the port of Immingham, | 0:37:43 | 0:37:46 | |
a finger of land reaches into the sea. | 0:37:46 | 0:37:50 | |
This is Spurn Head. | 0:37:52 | 0:37:54 | |
At its tip is a control centre... | 0:37:57 | 0:37:59 | |
..directing cargo ships safely into Immingham's busy port. | 0:38:02 | 0:38:07 | |
Now, I'm following this flow of traffic, | 0:38:17 | 0:38:20 | |
and it holds some surprises. | 0:38:20 | 0:38:23 | |
This is a gateway for global commerce. | 0:38:32 | 0:38:35 | |
But it isn't only cargo that washes up here - | 0:38:35 | 0:38:38 | |
these huge ships are also homes. | 0:38:38 | 0:38:42 | |
Seafarers are forever in transit between destinations, | 0:38:47 | 0:38:52 | |
so ports like this become temporary cities for the stateless. | 0:38:52 | 0:38:56 | |
Yesterday, the Greek-owned Elena Ve, | 0:38:58 | 0:39:01 | |
with its Filipino crew arrived from Russia. | 0:39:01 | 0:39:04 | |
These globe-trotting ships spend months at sea. | 0:39:06 | 0:39:09 | |
Far from their own cities, | 0:39:10 | 0:39:12 | |
what do the crew do when they arrive on our shores? | 0:39:12 | 0:39:16 | |
I'm meeting Colum Kelly. | 0:39:17 | 0:39:19 | |
We're going on board the Elena which has come from Russia | 0:39:19 | 0:39:22 | |
bringing some coal. | 0:39:22 | 0:39:24 | |
Colum is Immingham's very own chaplain. | 0:39:25 | 0:39:28 | |
He helps throw an anchor to a restless flow of visitors. | 0:39:28 | 0:39:32 | |
As the Elena's vast hold gives up its cargo... | 0:39:35 | 0:39:38 | |
..the crew are getting a break in the mess room. | 0:39:39 | 0:39:42 | |
-Hi, guys. ALL: -Hey. | 0:39:44 | 0:39:46 | |
What's for dinner tonight? | 0:39:46 | 0:39:47 | |
-Pork. Pork. -Yes. | 0:39:47 | 0:39:50 | |
Who's been longest on this ship? Contract? | 0:39:50 | 0:39:53 | |
-These guys. -These guys? How many months? | 0:39:53 | 0:39:56 | |
About nine months. Nine months. | 0:39:56 | 0:39:58 | |
So you must miss your families dreadfully in that time? | 0:39:58 | 0:40:00 | |
Yes, that's what we do when we are in port. | 0:40:00 | 0:40:03 | |
We try to find internet access | 0:40:03 | 0:40:06 | |
just to have contact with our families. | 0:40:06 | 0:40:08 | |
Well, tonight's your lucky night | 0:40:08 | 0:40:10 | |
because I've brought you some internet access - | 0:40:10 | 0:40:12 | |
and the good news is, it's free! | 0:40:12 | 0:40:14 | |
-ALL: -Yay! | 0:40:14 | 0:40:16 | |
It's not often an internet connection gets a round of applause, | 0:40:17 | 0:40:20 | |
but this ship and its 20-strong Filipino crew | 0:40:20 | 0:40:23 | |
have been at sea for weeks. | 0:40:23 | 0:40:26 | |
Column's Wi-Fi is a long-awaited lifeline home. | 0:40:28 | 0:40:32 | |
-This is my daughter. -Your daughter? | 0:40:33 | 0:40:36 | |
Yes, sir. I miss her so much. | 0:40:36 | 0:40:38 | |
I bet. How old is she? | 0:40:38 | 0:40:40 | |
Er, eight years old, sir. | 0:40:40 | 0:40:41 | |
-Well, you're a very lucky man. -Thank you, sir. | 0:40:41 | 0:40:43 | |
Is it difficult for you to stay in touch with your family | 0:40:43 | 0:40:46 | |
-when you're on the ship? -Yes, of course, sir. | 0:40:46 | 0:40:48 | |
The longest voyage I have ever experienced in a vessel is 42 days. | 0:40:48 | 0:40:52 | |
-42 days on one voyage? -Yes. | 0:40:52 | 0:40:55 | |
-Where were you going from? -From America to China. | 0:40:55 | 0:40:57 | |
In port, they only get six hours off at a time. | 0:41:01 | 0:41:05 | |
Even so, the chaplain tries to give them a good taste of Britain. | 0:41:05 | 0:41:09 | |
You must have had some strange requests over the years? | 0:41:12 | 0:41:15 | |
There was an Indian crew, and I said, | 0:41:15 | 0:41:17 | |
"Well, do you want to go to the cinema, to a supermarket, | 0:41:17 | 0:41:19 | |
"or want to go into the city and do a big shopping?" | 0:41:19 | 0:41:22 | |
And the captain says, | 0:41:22 | 0:41:23 | |
"They'd like to be taken somewhere where they could walk on grass." | 0:41:23 | 0:41:27 | |
Oh. Heartbreaking. | 0:41:27 | 0:41:29 | |
How simple a request is that? | 0:41:29 | 0:41:31 | |
With the coal disgorged, this crew is ready to sail again. | 0:41:32 | 0:41:36 | |
But where in the world, | 0:41:39 | 0:41:41 | |
they won't know until word comes | 0:41:41 | 0:41:42 | |
from the owner in Athens. | 0:41:42 | 0:41:45 | |
For centuries, the coming and going of boats | 0:42:03 | 0:42:05 | |
has brought opportunities | 0:42:05 | 0:42:07 | |
for city folk... | 0:42:07 | 0:42:08 | |
..giving them freedom to travel the world. | 0:42:10 | 0:42:13 | |
To find a city that's been shaped | 0:42:15 | 0:42:18 | |
by that spirit of adventure, | 0:42:18 | 0:42:19 | |
there's nowhere better to look | 0:42:19 | 0:42:23 | |
than Liverpool. | 0:42:23 | 0:42:24 | |
This city not only transported goods across the sea, | 0:42:32 | 0:42:36 | |
but also people. | 0:42:36 | 0:42:38 | |
The quayside once bustled with liners, | 0:42:40 | 0:42:42 | |
offering Liverpool's youth a route to adventure. | 0:42:42 | 0:42:47 | |
Transatlantic trade has long dried up, | 0:42:49 | 0:42:52 | |
but the sea still inspires the young to run free. | 0:42:52 | 0:42:56 | |
Today, their routes are just a little bit more imaginative. | 0:43:05 | 0:43:09 | |
I'm Ryan Doyle, and this is my city - Liverpool. | 0:43:13 | 0:43:16 | |
Liverpool is just one of the coolest cities - | 0:43:21 | 0:43:24 | |
every major road runs to the coast. | 0:43:24 | 0:43:26 | |
It's like a city that's had half of it opened up to the ocean, | 0:43:26 | 0:43:30 | |
so you don't have that inner-city claustrophobia. | 0:43:30 | 0:43:34 | |
Free-running is expressing yourself through movement | 0:43:38 | 0:43:42 | |
so you can set yourself a destination | 0:43:42 | 0:43:44 | |
and try and get there as creatively as you can. | 0:43:44 | 0:43:47 | |
It's just exploring what the body's capable of. | 0:43:48 | 0:43:51 | |
The sea... It's in my blood. | 0:43:53 | 0:43:54 | |
My father was half Irish, my mother is half Irish. | 0:43:54 | 0:43:57 | |
I don't know why, just something about the Irish Sea. | 0:43:57 | 0:44:00 | |
I'm connected to it. | 0:44:00 | 0:44:01 | |
The Liverpool docks - it's a maze of architecture, | 0:44:09 | 0:44:12 | |
unexplored architecture, that we need to use to our advantage. | 0:44:12 | 0:44:16 | |
You know, you don't really get to know an environment | 0:44:16 | 0:44:19 | |
until you've jumped all over it! | 0:44:19 | 0:44:21 | |
A lot of these kids like to play Spider-Man | 0:44:40 | 0:44:42 | |
and play all the PlayStation games, | 0:44:42 | 0:44:44 | |
but I like to go out and actually physically be Spider-Man. | 0:44:44 | 0:44:47 | |
The River Mersey flowing right through Liverpool. | 0:44:53 | 0:44:56 | |
If we want, we can go on a boat and just hit the open seas | 0:44:56 | 0:45:00 | |
because a lot of free-runners | 0:45:00 | 0:45:01 | |
are always up for the adventure, | 0:45:01 | 0:45:03 | |
and there's nothing more that says | 0:45:03 | 0:45:05 | |
adventure than the open sea. | 0:45:05 | 0:45:07 | |
We're on a metropolitan maritime journey. | 0:45:19 | 0:45:22 | |
A story of profit... | 0:45:22 | 0:45:25 | |
and loss. | 0:45:25 | 0:45:27 | |
For centuries, the sea has provided for our cities. | 0:45:32 | 0:45:37 | |
But when the tide turns, | 0:45:37 | 0:45:39 | |
our greatest ally can become our worst enemy. | 0:45:39 | 0:45:42 | |
Head down our east coast, | 0:45:51 | 0:45:53 | |
and chunks of land have been eaten by ferocious waves. | 0:45:53 | 0:45:58 | |
We've witnessed the devastating impact of the sea | 0:46:03 | 0:46:06 | |
on small coastal settlements, | 0:46:06 | 0:46:08 | |
making it clear what catastrophe the water could wreak on our cities. | 0:46:08 | 0:46:14 | |
They must defend themselves from the sea in London. | 0:46:22 | 0:46:26 | |
People and property are protected by the Thames Barrier | 0:46:36 | 0:46:41 | |
and the city's stone embankments. | 0:46:41 | 0:46:44 | |
But go back 75 years, and there was a storm brewing in Europe. | 0:46:47 | 0:46:51 | |
Hitler wanted to bring the city to its knees. | 0:46:53 | 0:46:56 | |
Would the power of the tide be London's Achilles heel? | 0:46:56 | 0:46:59 | |
Tessa is uncovering a hidden chapter in the story | 0:47:03 | 0:47:07 | |
of the Second World War. | 0:47:07 | 0:47:08 | |
I've got with me a top-secret wartime document. | 0:47:14 | 0:47:17 | |
It says here, "Warning. This publication must not leave | 0:47:19 | 0:47:22 | |
"the custody of the person to whom it has been supplied, | 0:47:22 | 0:47:26 | |
"nor may it be taken or sent abroad | 0:47:26 | 0:47:29 | |
"without the authority of the Hydrographer of the Navy." | 0:47:29 | 0:47:33 | |
What's in this secret document? | 0:47:33 | 0:47:36 | |
London's tidal bible. | 0:47:36 | 0:47:39 | |
The surging tide raises the level of the Thames | 0:47:41 | 0:47:44 | |
by up to eight metres. | 0:47:44 | 0:47:46 | |
During the Second World War, | 0:47:50 | 0:47:52 | |
one man saw this twice daily deluge | 0:47:52 | 0:47:55 | |
as a threat to Britain itself. | 0:47:55 | 0:47:58 | |
The document has been written by this person, Peirson Frank, | 0:47:59 | 0:48:03 | |
and here he is, | 0:48:03 | 0:48:05 | |
London County Council's chief engineer. | 0:48:05 | 0:48:07 | |
Frank's fear of the high tide | 0:48:09 | 0:48:12 | |
sprang from bitter experience. | 0:48:12 | 0:48:15 | |
In 1928, the Thames had poured into the city, | 0:48:15 | 0:48:20 | |
a storm overwhelmed the Embankment, | 0:48:20 | 0:48:22 | |
the Underground flooded, | 0:48:22 | 0:48:24 | |
people in basement flats drowned. | 0:48:24 | 0:48:28 | |
Then Peirson Frank had been powerless. | 0:48:28 | 0:48:31 | |
12 years later, as the Blitz rained down, | 0:48:32 | 0:48:35 | |
Frank knew that if Hitler had the tidal bible, | 0:48:35 | 0:48:38 | |
accurately placed bombs | 0:48:38 | 0:48:40 | |
could demolish London's flood defences at high water, | 0:48:40 | 0:48:45 | |
unleashing the sea on the city. | 0:48:45 | 0:48:47 | |
London had nearly drowned by accident, | 0:48:53 | 0:48:56 | |
could Hitler now drown it by design? | 0:48:56 | 0:48:59 | |
If so, Peirson Frank knew where the Nazi bombers would strike. | 0:49:02 | 0:49:06 | |
The Embankment protects the heart of the city from the sea. | 0:49:08 | 0:49:12 | |
Archaeologist Gustav Milne has pieced together evidence | 0:49:14 | 0:49:18 | |
of a secret that's been kept for over 70 years. | 0:49:18 | 0:49:21 | |
This is the scar of a bomb | 0:49:23 | 0:49:25 | |
that struck here on 16th March 1941, | 0:49:25 | 0:49:29 | |
and the hole was very rapidly filled. | 0:49:29 | 0:49:32 | |
What makes you sure this is the site of a bomb? | 0:49:32 | 0:49:35 | |
Well, we know it's a bomb simply because all the granite facing | 0:49:35 | 0:49:39 | |
that was there is now spread out | 0:49:39 | 0:49:41 | |
over a great 18-metre arc, | 0:49:41 | 0:49:43 | |
right the way round here. | 0:49:43 | 0:49:45 | |
So, 70 years on, it's still lying on the riverbed? | 0:49:45 | 0:49:48 | |
Still on the riverbed. | 0:49:48 | 0:49:49 | |
A co-ordinated bomb attack on several targets at high tide | 0:49:51 | 0:49:56 | |
could have crippled the city. | 0:49:56 | 0:49:57 | |
Power and phone lines would be cut, | 0:50:01 | 0:50:03 | |
the water supply contaminated - | 0:50:03 | 0:50:06 | |
losing London might have meant losing the war. | 0:50:06 | 0:50:10 | |
Gustav has found scars from 122 bomb strikes | 0:50:11 | 0:50:15 | |
to London's flood wall. | 0:50:15 | 0:50:17 | |
Attacks that worried the Government so much | 0:50:20 | 0:50:23 | |
they took action to cover them up. | 0:50:23 | 0:50:25 | |
What I've got in here is the logbook of the snappily named | 0:50:27 | 0:50:32 | |
Thames Flood Prevention Emergency Repairs Service. | 0:50:32 | 0:50:37 | |
The team was led by Peirson Frank, | 0:50:37 | 0:50:39 | |
and it was so secret | 0:50:39 | 0:50:41 | |
no-one even knew it existed. | 0:50:41 | 0:50:44 | |
Gustav has spent years researching this covert team of workers. | 0:50:47 | 0:50:52 | |
If you look at this photograph, | 0:50:53 | 0:50:55 | |
it shows the team in action. | 0:50:55 | 0:50:57 | |
What you can see here is this great line of 5,000 sandbags, | 0:50:57 | 0:51:01 | |
and they are blocking up a gap in the riverside wall. | 0:51:01 | 0:51:06 | |
And why was this unit such a secret? | 0:51:06 | 0:51:08 | |
Because they didn't want to alert the Luftwaffe | 0:51:08 | 0:51:11 | |
to the extreme vulnerability of low-lying London, | 0:51:11 | 0:51:14 | |
and they didn't want to affect the morale of Londoners, | 0:51:14 | 0:51:17 | |
who had already been faced with being exploded to death, | 0:51:17 | 0:51:20 | |
so they didn't want to make them fear drowning, as well. | 0:51:20 | 0:51:24 | |
People's worst nightmare | 0:51:27 | 0:51:29 | |
was a flood underground, | 0:51:29 | 0:51:31 | |
below the Thames in the Tube. | 0:51:31 | 0:51:34 | |
During airstrikes, stations became makeshift bomb shelters. | 0:51:35 | 0:51:40 | |
But what if a tunnel was hit | 0:51:40 | 0:51:42 | |
and the river above poured in? | 0:51:42 | 0:51:45 | |
The horror was unimaginable, | 0:51:46 | 0:51:48 | |
but the fear very real. | 0:51:48 | 0:51:50 | |
How could those helpless underground be protected? | 0:51:52 | 0:51:56 | |
Thousands of people use this Tube every day, | 0:51:57 | 0:52:00 | |
but I wonder how many notice the remnants of a metal door. | 0:52:00 | 0:52:04 | |
When the air-raid siren sounded, | 0:52:07 | 0:52:10 | |
heavy steel floodgates slid into place... | 0:52:10 | 0:52:13 | |
..to seal off tunnels running under the Thames. | 0:52:15 | 0:52:18 | |
This is one of the actual flood-proof doors | 0:52:21 | 0:52:24 | |
fitted during the Blitz. | 0:52:24 | 0:52:26 | |
It's now out of use, | 0:52:26 | 0:52:28 | |
but during the war, every tunnel | 0:52:28 | 0:52:30 | |
that ran under the Thames had one of these. | 0:52:30 | 0:52:33 | |
If the tunnel behind was breached, | 0:52:35 | 0:52:37 | |
the Tube network SHOULD stay safe. | 0:52:37 | 0:52:40 | |
But at night, in the chaos of war, | 0:52:42 | 0:52:44 | |
it was hard to tell if bombs were falling in the river. | 0:52:44 | 0:52:48 | |
If a bomb hit the Thames and flooded one of those tunnels, | 0:52:49 | 0:52:52 | |
how would they know without literally opening the floodgates? | 0:52:52 | 0:52:57 | |
Once again, the city's engineers devised a remarkable counter measure. | 0:52:57 | 0:53:03 | |
Hydrophones. | 0:53:04 | 0:53:07 | |
Basically, underwater microphones - | 0:53:07 | 0:53:09 | |
and they were placed on the bed of the Thames, | 0:53:09 | 0:53:12 | |
close to every one of the Tube tunnels under the water. | 0:53:12 | 0:53:15 | |
LOUD EXPLOSION | 0:53:15 | 0:53:18 | |
It was an astonishing scheme. | 0:53:21 | 0:53:23 | |
Sound waves would detect where the bombs were landing. | 0:53:23 | 0:53:27 | |
So, how did it work? | 0:53:27 | 0:53:30 | |
Thames hydrographer John Dillon-Leetch can demonstrate. | 0:53:30 | 0:53:34 | |
What we have here is two hydrophones, | 0:53:34 | 0:53:37 | |
and if we take this target | 0:53:37 | 0:53:39 | |
and we say this might be a bomb during the Second World War | 0:53:39 | 0:53:42 | |
and we drop it into the water, | 0:53:42 | 0:53:44 | |
like so, the ripples there would represent sound waves. | 0:53:44 | 0:53:48 | |
And they would be timed from the time they're received here and here, | 0:53:48 | 0:53:52 | |
and by looking at the difference between the two times | 0:53:52 | 0:53:54 | |
we should be able to calculate | 0:53:54 | 0:53:56 | |
the approximate position of the bomb. | 0:53:56 | 0:53:59 | |
The wartime hydrophone signals were interpreted by skilled analysts | 0:54:00 | 0:54:04 | |
at South Kensington Tube station. | 0:54:04 | 0:54:07 | |
Test recordings show sound waves from a Thames tug boat. | 0:54:09 | 0:54:13 | |
ENGINE HUM, SPLASHING WATER | 0:54:13 | 0:54:16 | |
And even the sensitivity to a single rifle shot. | 0:54:16 | 0:54:20 | |
RIFLE SHOT | 0:54:20 | 0:54:21 | |
Then, on 9th September 1940, | 0:54:24 | 0:54:27 | |
the Luftwaffe loomed over London. | 0:54:27 | 0:54:31 | |
Sirens sounded. | 0:54:31 | 0:54:33 | |
SIRENS WAIL | 0:54:33 | 0:54:35 | |
The electronic ears under the Thames were made ready, | 0:54:35 | 0:54:38 | |
floodgates slammed shut. | 0:54:38 | 0:54:40 | |
Then analysts received the signal they'd been dreading. | 0:54:42 | 0:54:46 | |
Beneath the river, a section of the Northern Line had been hit. | 0:54:48 | 0:54:52 | |
Thanks to the hydrophones the flood gates were kept shut, | 0:54:59 | 0:55:02 | |
the water contained. | 0:55:02 | 0:55:04 | |
Families sheltering in the Tube escaped...none the wiser. | 0:55:06 | 0:55:11 | |
So, what of London's guardian angel, Peirson Frank? | 0:55:15 | 0:55:20 | |
It turns out his fear of Hitler using the tidal Thames | 0:55:20 | 0:55:24 | |
to destroy the city was well founded. | 0:55:24 | 0:55:27 | |
Just not in the way he had imagined. | 0:55:29 | 0:55:31 | |
Hitler didn't flood London, | 0:55:33 | 0:55:35 | |
but his air force did turn the tide against us. | 0:55:35 | 0:55:38 | |
Instead of hitting at high water, | 0:55:41 | 0:55:43 | |
on the night of 29th December 1940, | 0:55:43 | 0:55:47 | |
Hitler struck the city with incendiary bombs at low tide. | 0:55:47 | 0:55:51 | |
Firefighters struggled to get enough water from the Thames | 0:55:53 | 0:55:57 | |
to extinguish the blazes. | 0:55:57 | 0:56:00 | |
The city burned. | 0:56:00 | 0:56:01 | |
It was a tragic night for London, | 0:56:03 | 0:56:06 | |
but had Hitler turned the sea against the city, | 0:56:06 | 0:56:09 | |
then the story of the Blitz and even the outcome of the war | 0:56:09 | 0:56:12 | |
could have been very different. | 0:56:12 | 0:56:15 | |
We've been exploring the sea and the city. | 0:56:32 | 0:56:35 | |
An urban coastal landscape | 0:56:38 | 0:56:40 | |
continually transforming with the times. | 0:56:40 | 0:56:43 | |
Old city trade routes welcome | 0:56:46 | 0:56:49 | |
a flow of new ideas. | 0:56:49 | 0:56:51 | |
And in the mega port of Immingham, | 0:56:52 | 0:56:54 | |
a new opportunity awaits. | 0:56:54 | 0:56:57 | |
For 100 years, coal has been the kingpin of Immingham, | 0:56:58 | 0:57:01 | |
but this port is building its future on a new fuel. | 0:57:01 | 0:57:05 | |
Wow, this is absolutely enormous! | 0:57:11 | 0:57:15 | |
This soaring tower is being built to store a new generation of energy. | 0:57:17 | 0:57:22 | |
This is biomass - mainly wood pulp from sustainable forests. | 0:57:22 | 0:57:28 | |
Such biomass may provide up to a tenth of our electricity - | 0:57:29 | 0:57:34 | |
the pellets stored in these huge silos. | 0:57:34 | 0:57:37 | |
Our small isle would struggle to grow enough trees, | 0:57:40 | 0:57:44 | |
so we rely on the sea for imports. | 0:57:44 | 0:57:48 | |
Biomass could cement an exciting future for this port, | 0:57:49 | 0:57:53 | |
harnessing the coast | 0:57:53 | 0:57:55 | |
to the changing needs of our country. | 0:57:55 | 0:57:58 | |
Life around our shores continues to transform... | 0:58:05 | 0:58:09 | |
..but the precious links between sea and city endure. | 0:58:10 | 0:58:14 | |
For thousands of years, we've built settlements | 0:58:21 | 0:58:23 | |
along the edge of the sea - | 0:58:23 | 0:58:25 | |
the great provider, | 0:58:25 | 0:58:27 | |
the global highway. | 0:58:27 | 0:58:29 | |
Now, as ever before, | 0:58:29 | 0:58:30 | |
the coast lies at the centre of our national life. | 0:58:30 | 0:58:34 |