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It's still the middle of summer, but just beyond Carrickfergus | 0:00:26 | 0:00:30 | |
a year-round industry | 0:00:30 | 0:00:32 | |
is busy stockpiling for the winter. | 0:00:32 | 0:00:35 | |
Alice Roberts is about to venture into an underground world that's never been filmed before. | 0:00:37 | 0:00:43 | |
If you're driving along on an icy winter's night | 0:00:43 | 0:00:46 | |
and your car's not skidding, it's probably because | 0:00:46 | 0:00:49 | |
the gritter lorries have been out. | 0:00:49 | 0:00:51 | |
The rock salt could have come from here - on the coast of Northern Ireland. | 0:00:51 | 0:00:55 | |
'Half a million tons of rock salt are shipped from this little jetty every year. | 0:00:55 | 0:01:00 | |
'This corner of Ireland sits on top of huge deposits of subterranean salt | 0:01:00 | 0:01:04 | |
'that stretch all the way across Europe to Russia's infamous salt mines. | 0:01:04 | 0:01:09 | |
'I don't know quite what I expected from a salt mine, | 0:01:11 | 0:01:15 | |
-'but what I never imagined was being able to drive underground.' -This was driven in 1965. | 0:01:15 | 0:01:21 | |
'Our guide is Jason Hopps the mine surveyor and, yes, salt of the earth.' | 0:01:21 | 0:01:26 | |
-So how deep does this go down? -The maximum depth in the mine | 0:01:26 | 0:01:31 | |
is 1,150 feet. This is us just entering the salt now. | 0:01:31 | 0:01:34 | |
-This is all salt crystals? -Yeah. | 0:01:34 | 0:01:37 | |
We're coming into quite a big cavern. 'There's over 30 miles of tunnels, | 0:01:40 | 0:01:45 | |
'yet only 40% of the rock salt in any area is extracted. | 0:01:45 | 0:01:49 | |
'The rest is left as pillars to shore up the workings. | 0:01:49 | 0:01:53 | |
'The scale of these man-made caverns is amazing. | 0:01:54 | 0:01:57 | |
'Even the largest of the excavation vehicles seem dwarfed. | 0:01:57 | 0:02:01 | |
'Some of the trucks are up to 40 years old, | 0:02:01 | 0:02:05 | |
'but although the atmosphere is salty, it's also extremely dry, | 0:02:05 | 0:02:09 | |
'so they hardly rust at all.' | 0:02:09 | 0:02:12 | |
It's really strange. It's like walking onto the set of a James Bond movie, isn't it? | 0:02:12 | 0:02:18 | |
It's bizarre. How is rock salt actually formed to begin with? | 0:02:18 | 0:02:22 | |
Why is there this seam of salt 800 feet under the surface? | 0:02:22 | 0:02:27 | |
It's basically an old landlocked sea that has evaporated and left the salt behind. | 0:02:27 | 0:02:33 | |
It's happened, in total, five times in this particular area. | 0:02:33 | 0:02:36 | |
We've got a full succession of five salt beds. | 0:02:36 | 0:02:38 | |
At the minute, we're in the fourth deepest, so there's three above us. | 0:02:38 | 0:02:42 | |
-So several sort of evaporated sea beds have been laid down, one on top of another? -Yeah. | 0:02:42 | 0:02:48 | |
Although we call it "rock salt", it is sea salt? It's just sea salt that's got trapped in rock? | 0:02:48 | 0:02:53 | |
It's sea salt with certain other trace elements. | 0:02:53 | 0:02:56 | |
SIREN WAILS | 0:02:56 | 0:02:59 | |
'We still have to drive down another 300 feet to reach the faces that are | 0:02:59 | 0:03:03 | |
'currently being worked - a full 1,150 feet below ground. | 0:03:03 | 0:03:08 | |
'I've been wondering where everyone is! | 0:03:08 | 0:03:10 | |
'The rock salt is attacked from two directions. | 0:03:13 | 0:03:17 | |
'First, it's undermined with a gigantic cutting blade that takes a ten-foot-deep slice from underneath. | 0:03:18 | 0:03:25 | |
'Then holes are drilled above, ready for explosive charges | 0:03:28 | 0:03:32 | |
'to be inserted deep inside the rock.' | 0:03:32 | 0:03:35 | |
-Can we go a bit closer? -Yes, we can go down and see. | 0:03:35 | 0:03:38 | |
-This is an undercut. -Right. | 0:03:42 | 0:03:44 | |
That advances in ten feet, which is the same length as your drill holes. | 0:03:44 | 0:03:49 | |
So this is one of the drill holes | 0:03:49 | 0:03:51 | |
-where you put the explosives in? -Yes. We pack the explosives in there. | 0:03:51 | 0:03:55 | |
That drill hole's ten-feet-deep by 50-feet-wide by 20-feet-high. | 0:03:55 | 0:03:59 | |
It gives us a full face of 600 tons. | 0:03:59 | 0:04:03 | |
-Really? -Yeah. -So when the explosives are stuck in here and they go off, | 0:04:03 | 0:04:07 | |
-600 tons of rock salt falls to the ground? -600 tons, yes. | 0:04:07 | 0:04:11 | |
SIREN WAILS | 0:04:11 | 0:04:14 | |
'Time to withdraw to a safe distance, I think.' | 0:04:14 | 0:04:16 | |
EXPLOSION | 0:04:20 | 0:04:22 | |
So this is the last stage of the process? | 0:04:31 | 0:04:34 | |
That's been blasted off, hasn't it, that rock? | 0:04:34 | 0:04:36 | |
-Yes. That will have been blasted last night. -Right. | 0:04:36 | 0:04:40 | |
It'll be taken up to either the crusher or an underground stockpile. | 0:04:40 | 0:04:44 | |
Right. | 0:04:44 | 0:04:46 | |
And where does most of the rock salt from this mine end up? | 0:04:46 | 0:04:49 | |
20% of it or so will end up on Northern Irish and Irish roads. | 0:04:49 | 0:04:54 | |
-Right. -50 or 60 will go to either England or Scotland, | 0:04:54 | 0:04:58 | |
-and then another maybe 20% to the east coast of the United States. -Oh, really? -Yeah. | 0:04:58 | 0:05:03 | |
A little salt can go a long way. | 0:05:07 | 0:05:09 | |
Next time you're snowed in, take a good look at that gritter up ahead. | 0:05:09 | 0:05:13 | |
Chances are that's not any old salt. | 0:05:13 | 0:05:15 | |
It's actually 250 million years old | 0:05:15 | 0:05:18 | |
and comes from 1,000 feet under the Northern Irish coast. | 0:05:18 | 0:05:23 | |
-SEABIRDS SQUAWK -The further west you go, the wilder this coast gets. | 0:05:28 | 0:05:33 | |
This is a landscape that encourages mavericks. | 0:05:35 | 0:05:38 | |
But it's not an Irishman who stands out from the pack - | 0:05:38 | 0:05:41 | |
it's a Cornishman. An eccentric artist who built his fantasy home out of what he found all around him. | 0:05:41 | 0:05:48 | |
Well, this is what I've come to see - Bendhu House. | 0:05:48 | 0:05:51 | |
Perched on the cliff-top, it looks a bit like a Second World War fort, | 0:05:51 | 0:05:55 | |
but it is actually somebody's house. | 0:05:55 | 0:05:57 | |
'It was in 1936 that Newton Penprase, a Cornish artist, | 0:06:02 | 0:06:07 | |
'first had his dream to build a house to match his vision of this coastline. | 0:06:07 | 0:06:12 | |
'For the next 40 years, he worked almost single-handedly to achieve it. | 0:06:12 | 0:06:17 | |
'Michael and Lorna Ferguson live here now, | 0:06:17 | 0:06:21 | |
'but their first impressions were rather like mine.' | 0:06:21 | 0:06:25 | |
-It's a very strange house. -Yes. This is the way I remember the house when I'd pass it as a child. | 0:06:25 | 0:06:31 | |
I was fascinated - "What's going on here? | 0:06:31 | 0:06:33 | |
"What is this man building?" | 0:06:33 | 0:06:36 | |
So you'd seen this house as a child and you ended up living in it? | 0:06:36 | 0:06:39 | |
Well, I didn't dream I would ever be living in it. | 0:06:39 | 0:06:42 | |
Nor, at the time, had I any wish to live in it. | 0:06:42 | 0:06:45 | |
Many people loathed Penprase's unconventional design, not least the planning authorities. | 0:06:47 | 0:06:53 | |
But he persevered, using whatever materials came to hand, all picked from the seashore. | 0:06:53 | 0:06:58 | |
In the drawings that he got approved, it says, "all in concrete". | 0:06:59 | 0:07:03 | |
-Right. -So everything was from the beach initially. He washed the sand | 0:07:03 | 0:07:07 | |
from the water that came down the cliff, | 0:07:07 | 0:07:09 | |
and most of the cement was carried down on his shoulder, down the harbour road. | 0:07:09 | 0:07:14 | |
The bricks were made out of gravel and sand | 0:07:14 | 0:07:18 | |
and he put a lot of extra windows in during the process as well. | 0:07:18 | 0:07:22 | |
'In all, Penprase put in no fewer than 50 windows, | 0:07:22 | 0:07:25 | |
'making the most of Bendhu's panoramic views, | 0:07:25 | 0:07:29 | |
'from Scotland in the east to Donegal in the west. | 0:07:29 | 0:07:32 | |
'When the artist died in 1978, the house was still unfinished, | 0:07:32 | 0:07:36 | |
'but Michael and Lorna have completed his dream.' | 0:07:36 | 0:07:38 | |
That really is a fantastic view, isn't it? | 0:07:38 | 0:07:42 | |
Well, Alice, this is the room that we added on. | 0:07:42 | 0:07:44 | |
The rest is Penprase, but this is what we interpreted | 0:07:44 | 0:07:47 | |
he would have liked us to do with this part of the house. | 0:07:47 | 0:07:50 | |
So if you want to come on through with us... | 0:07:50 | 0:07:53 | |
Right, let's head down below. | 0:07:53 | 0:07:55 | |
Alice, this is the Zodiac room and you'll see why when you look up at the ceiling. | 0:07:59 | 0:08:04 | |
That's amazing. | 0:08:04 | 0:08:05 | |
These are canvases that Penprase painted. He always invited ladies to lie down in the bed, | 0:08:05 | 0:08:11 | |
-to look up, and he would explain all the Zodiac signs. -Really(?) Right, I see! | 0:08:11 | 0:08:16 | |
It's almost like you're living in an art installation. | 0:08:16 | 0:08:19 | |
Yes, I think that it is. Hopefully, what we've added, Penprase would approve of. | 0:08:19 | 0:08:26 | |
-Would you ever sell it on? -Oh, no, it's become part of our life. | 0:08:26 | 0:08:31 | |
-What do you think, Michael? -I'd have to finish it first, but I don't think we'll ever move. | 0:08:31 | 0:08:36 | |
Bendhu House is now a listed building. | 0:08:40 | 0:08:43 | |
Proof that true individuals, like Newton Penprase, can still have the last laugh. | 0:08:43 | 0:08:48 | |
Subtitles by Red Bee Media Ltd E-mail [email protected] | 0:08:51 | 0:08:54 |