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-Oh, my God! -Heave! 2-6! Heave! | 0:00:05 | 0:00:10 | |
We're back, at the very edge of our isles. | 0:00:12 | 0:00:15 | |
But now we're on a whole new kind of adventure. | 0:00:15 | 0:00:18 | |
An unique Great Guide to our coast. | 0:00:18 | 0:00:22 | |
But this is a guide beyond anything you'll find in your average | 0:00:25 | 0:00:29 | |
tourist brochure. | 0:00:29 | 0:00:31 | |
A guide crammed with local knowledge, | 0:00:31 | 0:00:33 | |
amazing discoveries and stunning secret spots. | 0:00:33 | 0:00:39 | |
Coast and her expert crew have spent over ten years navigating | 0:00:40 | 0:00:44 | |
this ever-changing natural wonder. | 0:00:44 | 0:00:47 | |
And now we're bringing it all together, and more, | 0:00:51 | 0:00:54 | |
to give you the ultimate guide to our coast. | 0:00:54 | 0:00:58 | |
We've selected eight stretches of British coast. | 0:00:59 | 0:01:02 | |
North, south, east, west, | 0:01:04 | 0:01:08 | |
and some of the best bits in-between. | 0:01:08 | 0:01:11 | |
Each week, we'll be taking to the sea | 0:01:14 | 0:01:16 | |
in a remarkable array of boats and ships. | 0:01:16 | 0:01:19 | |
We'll have a completely fresh perspective on the coast. | 0:01:19 | 0:01:23 | |
We'll seek out charismatic characters. | 0:01:23 | 0:01:26 | |
Andy, fancy seeing you here! | 0:01:26 | 0:01:28 | |
Momentous events. | 0:01:28 | 0:01:30 | |
This is Britain's most deadly shoreline. | 0:01:30 | 0:01:33 | |
Secret spots and surprising stories. | 0:01:33 | 0:01:37 | |
There's no denying that there's a charge to be had from | 0:01:37 | 0:01:40 | |
holding something like this. | 0:01:40 | 0:01:42 | |
A brand-new view of our coast, | 0:01:44 | 0:01:46 | |
with all the inside info you need to enjoy these shorelines like a local. | 0:01:46 | 0:01:50 | |
Ahoy, sailors! Haul away! | 0:01:52 | 0:01:53 | |
This time, I'm heading for East Anglia. | 0:01:55 | 0:01:58 | |
This is Coast. | 0:02:00 | 0:02:02 | |
The Great Guide. | 0:02:03 | 0:02:05 | |
The East Coast of England. | 0:02:37 | 0:02:38 | |
Don't be fooled by these sleepy-looking shores. | 0:02:44 | 0:02:47 | |
Expert eyes reveal a dynamic, | 0:02:47 | 0:02:51 | |
enigmatic, extraordinary coast. | 0:02:51 | 0:02:54 | |
One that pits man against nature. | 0:02:56 | 0:02:59 | |
Shifting sands, collapsing cliffs, | 0:03:04 | 0:03:07 | |
an ever-changing edge devoured by the sea. | 0:03:07 | 0:03:11 | |
Revealing some of the most stunning wildlife in the world. | 0:03:12 | 0:03:16 | |
And jaw-dropping secrets of the past. | 0:03:18 | 0:03:20 | |
Awash with stories, | 0:03:23 | 0:03:25 | |
the Coast experts have dug deep into this shoreline. | 0:03:25 | 0:03:28 | |
It was here that the island of Britain was born. | 0:03:30 | 0:03:34 | |
Seven, eight, nine thousand years ago, | 0:03:35 | 0:03:37 | |
we couldn't have done this, could we? We would have been on land. | 0:03:37 | 0:03:40 | |
And ancient kings were laid to rest with astonishing treasures. | 0:03:40 | 0:03:45 | |
This is Britain's Tutankhamen's mask. | 0:03:45 | 0:03:48 | |
A coast with a wartime record of epic proportions. | 0:03:48 | 0:03:53 | |
It's the sort of place James Bond gets brought, isn't it? | 0:03:53 | 0:03:55 | |
-That's right, that's right. -When he's been caught! | 0:03:55 | 0:03:58 | |
Where plucky people live on the brink, battling Mother Nature. | 0:03:58 | 0:04:02 | |
My God! | 0:04:04 | 0:04:06 | |
What an incredible sight! | 0:04:06 | 0:04:08 | |
Now we're back with our Great Guide to this shape-shifting coast. | 0:04:11 | 0:04:16 | |
And we're going to go further than the tourist books to reveal | 0:04:16 | 0:04:18 | |
its unique character. | 0:04:18 | 0:04:21 | |
History, geology, wildlife, momentous events. | 0:04:21 | 0:04:24 | |
This is Coast's Great Guide to East Anglia. | 0:04:24 | 0:04:28 | |
Hopping between boats, I'll be making my way down this coast, | 0:04:33 | 0:04:37 | |
revealing the very best sights and stories the shore has to offer. | 0:04:37 | 0:04:41 | |
Gathering the inside info from those in the know. | 0:04:41 | 0:04:45 | |
It's a big lump of Yarmouth history that's got to be preserved. | 0:04:45 | 0:04:50 | |
I'll be embarking from Norfolk's Blakeney Point. | 0:04:52 | 0:04:55 | |
Cruising around the coast to Happisburgh and Great Yarmouth, | 0:04:55 | 0:04:59 | |
and then sailing south to Suffolk and the mysterious Orford Ness. | 0:04:59 | 0:05:03 | |
Along the way, I'll be compiling our great East Anglian Guide from | 0:05:05 | 0:05:10 | |
a wider canvas of stories that stretches all the way from | 0:05:10 | 0:05:13 | |
The Wash in the north, to Canvey Island in the south. | 0:05:13 | 0:05:17 | |
East Anglia, a natural beauty. | 0:05:22 | 0:05:26 | |
The stage for stunning wildlife. | 0:05:26 | 0:05:30 | |
At Blakeney Point, low-lying lands merge seamlessly with the sea. | 0:05:30 | 0:05:35 | |
Creating a nature reserve of global repute. | 0:05:37 | 0:05:40 | |
It's where I'm starting my first voyage. | 0:05:42 | 0:05:44 | |
Here on England's eastern edge, | 0:05:46 | 0:05:48 | |
we have an intimate relationship with the water. | 0:05:48 | 0:05:50 | |
Little jetties dot the shores like coastal taxi ranks, | 0:05:50 | 0:05:54 | |
and I'm going to hitch a ride on one to go and visit some seals. | 0:05:54 | 0:05:57 | |
Ajay! | 0:06:00 | 0:06:02 | |
-Hello, Neil. -How are you doing? -Very well, thanks. -Good to see you. | 0:06:02 | 0:06:04 | |
-And you. -Isn't this perfect? -Perfect day. -Yeah. | 0:06:04 | 0:06:07 | |
Seal watching is a must-do in this neck of the woods. | 0:06:11 | 0:06:14 | |
And they live in a unique location. | 0:06:16 | 0:06:19 | |
Blakeney Point was Britain's first coastal nature reserve, | 0:06:23 | 0:06:27 | |
established in 1912. | 0:06:27 | 0:06:29 | |
A trailblazer in the science of ecology. | 0:06:31 | 0:06:34 | |
The grey seal colony here is England's biggest and one of | 0:06:39 | 0:06:43 | |
the few places grey and common seals live side by side. | 0:06:43 | 0:06:47 | |
A sight to behold for our Great Guide. | 0:06:48 | 0:06:50 | |
National Trust ranger Ajay Tegala | 0:06:52 | 0:06:54 | |
has a favourite place to spot the seals. | 0:06:54 | 0:06:58 | |
What kind of seals are those we can see? | 0:06:58 | 0:07:00 | |
Those are mostly common seals on the tip there. | 0:07:00 | 0:07:02 | |
For a novice like me, what is the difference between | 0:07:02 | 0:07:05 | |
a common seal and a grey seal? | 0:07:05 | 0:07:07 | |
The common seals generally are the cuter ones. | 0:07:07 | 0:07:09 | |
So these behind us, they've got nice round, smiley faces. Quite cat-like. | 0:07:09 | 0:07:12 | |
Whereas the grey seals are larger and they've got more | 0:07:12 | 0:07:15 | |
speckling on them and they've got more pointed, long noses. | 0:07:15 | 0:07:18 | |
So they've got more of a dog-like appearance. | 0:07:18 | 0:07:20 | |
-Oh, there's a grey. -Oh, yes, yeah. | 0:07:20 | 0:07:23 | |
-Yeah, I see what you mean. Big Alsatian dog face. -Yeah. | 0:07:23 | 0:07:27 | |
At Blakeney, greys outnumber the commons by 3:1. | 0:07:29 | 0:07:32 | |
Why's the colony doing so well? Why are grey seals thriving here? | 0:07:34 | 0:07:38 | |
They're top of the food chain. So they're filling a niche, really. | 0:07:38 | 0:07:42 | |
-There's nothing to predate them, there's plenty of food. -A-huh. | 0:07:42 | 0:07:45 | |
It's a safe place for them. | 0:07:45 | 0:07:46 | |
Is there anything that we have done as a population | 0:07:46 | 0:07:49 | |
-that's made life better for these mammals? -It's what we're not doing. | 0:07:49 | 0:07:52 | |
So in the past, they were shot, they were hunted, | 0:07:52 | 0:07:55 | |
they were controlled by fishermen and so they saw man as a threat. | 0:07:55 | 0:07:58 | |
But that's no longer the case. | 0:07:58 | 0:08:00 | |
And some of the old people that used to shoot them are now taking | 0:08:00 | 0:08:02 | |
people out on their seal trips to see them and enjoy them. | 0:08:02 | 0:08:06 | |
It's not just seals that gather here in huge numbers. | 0:08:10 | 0:08:14 | |
The sand and mudbanks of the East Anglian Coast | 0:08:19 | 0:08:21 | |
are a mecca for over 100,000 wading birds. | 0:08:21 | 0:08:24 | |
Why is that? | 0:08:26 | 0:08:28 | |
Bird-loving Miranda Krestovnikoff searched for answers on The Wash. | 0:08:30 | 0:08:35 | |
The seasonal home of choice for knot, oyster-catcher, | 0:08:35 | 0:08:40 | |
redshank and dunlin. | 0:08:40 | 0:08:42 | |
Out here, the horizon seems to stretch forever in every direction. | 0:08:42 | 0:08:46 | |
The sky's huge, the mudflats are vast and somewhere out there is | 0:08:46 | 0:08:50 | |
a point where the land meets the sea. | 0:08:50 | 0:08:52 | |
The mudflats are oozing with molluscs and crustaceans. | 0:08:56 | 0:08:59 | |
Just the sort of food that waders love to eat. | 0:08:59 | 0:09:01 | |
As the birds are making the most of the mud, it's my chance to get mucky | 0:09:03 | 0:09:07 | |
and see the tasty morsels which bring them here in the first place. | 0:09:07 | 0:09:11 | |
-Look at those! These are just little clams, are they? -Yeah. | 0:09:11 | 0:09:14 | |
-What's feeding on these, then, Jim? -Things like knot. | 0:09:14 | 0:09:17 | |
-Knot particularly like these because you can see they're not too far from the surface. -Brilliant. | 0:09:17 | 0:09:22 | |
-And the ragworms, they're quite big and fat! -Yeah. | 0:09:22 | 0:09:25 | |
There must be quite a few calories in one of those. | 0:09:25 | 0:09:27 | |
Things like redshank will feed on these. | 0:09:27 | 0:09:29 | |
The Wash is like a giant bed and breakfast for waders. | 0:09:32 | 0:09:35 | |
Some check in briefly en route to sunnier destinations | 0:09:35 | 0:09:38 | |
and others make themselves at home for the winter. | 0:09:38 | 0:09:41 | |
They haven't got long to stock up - the tide is already turning. | 0:09:41 | 0:09:45 | |
And as the tide races in, the birds just take off. | 0:09:45 | 0:09:50 | |
SQUAWKING | 0:09:50 | 0:09:52 | |
The reason the wildlife of East Anglia is so rich and varied | 0:09:59 | 0:10:02 | |
is down to the wealth of coast it can choose from. | 0:10:02 | 0:10:05 | |
A stunning mix of wetlands, salt marsh, sand dunes and shingle. | 0:10:11 | 0:10:17 | |
Here at Blakeney, the sea constantly shifts the stones. | 0:10:20 | 0:10:23 | |
Restless waves creating a shingle spit, snaking out into the sea. | 0:10:25 | 0:10:31 | |
Back in 2005, Nick Crane did a hands-on demo | 0:10:34 | 0:10:38 | |
of how this shingle spit grows. | 0:10:38 | 0:10:41 | |
Driven by the strong, prevailing north-easterly winds, | 0:10:42 | 0:10:45 | |
the waves hit the shore obliquely. | 0:10:45 | 0:10:48 | |
Each wave picks up a handful of shingle and moves it | 0:10:48 | 0:10:52 | |
a bit further along the coast. | 0:10:52 | 0:10:54 | |
Over time, all the shingle builds up into long ridges, or spits, | 0:10:54 | 0:10:59 | |
which run almost parallel to the land, but just offshore. | 0:10:59 | 0:11:03 | |
More than ten years on, | 0:11:08 | 0:11:10 | |
I'm here to see if the spit at Blakeney is still on the move. | 0:11:10 | 0:11:13 | |
How permanent is this landscape? | 0:11:15 | 0:11:17 | |
At the end of the day, it's just a dump of shingle, isn't it? | 0:11:17 | 0:11:20 | |
Yes, yeah. It is a very mobile habitat. | 0:11:20 | 0:11:22 | |
A lot of the shingle does get moved on a daily basis. | 0:11:22 | 0:11:25 | |
But when you get the plants colonising it, | 0:11:25 | 0:11:27 | |
their roots help to stabilise it and hold it in place. | 0:11:27 | 0:11:30 | |
So, the longer the vegetation is in place, the better the chance | 0:11:30 | 0:11:33 | |
-of this place, or at least part of it, becoming fixed? -Yes, indeed. | 0:11:33 | 0:11:37 | |
But it's still vulnerable to big storms. | 0:11:37 | 0:11:39 | |
So in the winter, we quite often get erosion with strong waves | 0:11:39 | 0:11:42 | |
bashing against the sand dunes and eroding them. | 0:11:42 | 0:11:44 | |
But, yeah, the more vegetated areas are more able to withstand | 0:11:44 | 0:11:46 | |
that sort of pressure from the sea. | 0:11:46 | 0:11:48 | |
The four-mile long sand and shingle spit at Blakeney Point | 0:11:54 | 0:11:58 | |
is the perfect home for rare, botanical treasures. | 0:11:58 | 0:12:01 | |
Grey-hair grass, sea-lavender and the yellow-horned poppy. | 0:12:03 | 0:12:08 | |
This is our Great East Anglian Guide. | 0:12:14 | 0:12:17 | |
We'll be finding fossilised footprints | 0:12:19 | 0:12:21 | |
hundreds of thousands of years old. | 0:12:21 | 0:12:23 | |
Revealing clandestine wartime secrets. | 0:12:26 | 0:12:29 | |
And unearthing an amusement arcade like no other. | 0:12:29 | 0:12:32 | |
As I continue south for the tiny town of Happisburgh, I'm travelling | 0:12:35 | 0:12:39 | |
along a coastline that's stood in the eye of storms for centuries. | 0:12:39 | 0:12:43 | |
The wind and the water have always conspired against | 0:12:46 | 0:12:49 | |
these low-lying lands. | 0:12:49 | 0:12:51 | |
Man's efforts to protect the coast litter these shores. | 0:12:55 | 0:12:59 | |
Wooden breakwaters snaking out to sea. | 0:13:00 | 0:13:03 | |
Rocky barriers, a defiant concrete curtain. | 0:13:04 | 0:13:09 | |
These are our sea defences, but why are there so many? | 0:13:09 | 0:13:14 | |
In 1953, the East Coast was hit by the worst storms in living memory. | 0:13:21 | 0:13:26 | |
A tidal surge met a strong north wind and an extra-high spring tide. | 0:13:30 | 0:13:36 | |
It created chaos. | 0:13:36 | 0:13:38 | |
A catastrophic wave of water that barrelled down the coast. | 0:13:40 | 0:13:43 | |
From north to south, the effects were devastating. | 0:13:45 | 0:13:48 | |
Over 300 lives lost. Thousands of homes swept away. | 0:13:52 | 0:13:57 | |
Disaster on an unprecedented scale. | 0:13:57 | 0:14:02 | |
And countless personal tragedies. | 0:14:02 | 0:14:05 | |
Ten years ago, Nick visited Canvey Island | 0:14:08 | 0:14:11 | |
to hear to story of survivor Graham Manser. | 0:14:11 | 0:14:15 | |
As we sort of got out of bed, | 0:14:15 | 0:14:17 | |
we were straight into water up to our knees. | 0:14:17 | 0:14:21 | |
Gradually, my father realised that things were getting worse. | 0:14:23 | 0:14:27 | |
So he sort of punched holes in the ceiling with his fists | 0:14:27 | 0:14:30 | |
and pulled the ceiling plaster down to expose the rafters. | 0:14:30 | 0:14:35 | |
The storm had swept town by town down the entire East Coast. | 0:14:37 | 0:14:41 | |
With precious few telephones, no warning could be sent ahead. | 0:14:43 | 0:14:47 | |
When the waves reached Canvey just after midnight, a deluge | 0:14:49 | 0:14:52 | |
burst through the limited banks of earth that defended the island. | 0:14:52 | 0:14:56 | |
Residents of many single-storey homes had to cling | 0:14:56 | 0:14:59 | |
desperately to the roofs outside. | 0:14:59 | 0:15:01 | |
Huddled in their loft, Graham and his brothers | 0:15:04 | 0:15:06 | |
sang hymns to raise their spirits, | 0:15:06 | 0:15:08 | |
while his mother struggled with a pram in the perishing waters below. | 0:15:08 | 0:15:13 | |
My brother Keith, who was sitting next to me, | 0:15:13 | 0:15:15 | |
he toppled into the water. | 0:15:15 | 0:15:17 | |
And so my eldest brother there, Chris, | 0:15:17 | 0:15:19 | |
he dived in after him and held him up for hours. | 0:15:19 | 0:15:23 | |
Unfortunately, he'd been dead for quite a long time. | 0:15:23 | 0:15:25 | |
My brother was just holding up a dead body. | 0:15:25 | 0:15:28 | |
My mother that was rocking the pram, | 0:15:28 | 0:15:30 | |
um...she kept sort of saying to my dad, "Are the kids all right? | 0:15:30 | 0:15:34 | |
"I can't hear any noise. Nothing's happening." | 0:15:34 | 0:15:37 | |
So he said, "It's all right, Ann. Don't worry, they're asleep." | 0:15:37 | 0:15:40 | |
But in fact, we thought about it afterwards and what had happened, | 0:15:40 | 0:15:43 | |
the water had seeped through the underneath of the pram | 0:15:43 | 0:15:46 | |
and they drowned in their pram. | 0:15:46 | 0:15:48 | |
Since then, countless miles of coastal defences have been | 0:15:56 | 0:15:59 | |
repaired or replaced. | 0:15:59 | 0:16:01 | |
Protecting locals from any similar natural disasters. | 0:16:01 | 0:16:05 | |
But the bulked-up barricades had unintended consequences, | 0:16:08 | 0:16:11 | |
creating a problem of their own. | 0:16:11 | 0:16:14 | |
They pushed an angry sea to places where it could attack the land. | 0:16:19 | 0:16:23 | |
Previously safe shores were now at risk. | 0:16:28 | 0:16:30 | |
Beaches vanished, homes were pushed to the edge. | 0:16:31 | 0:16:36 | |
But one man refused to surrender his land to the sea. | 0:16:40 | 0:16:43 | |
Peter Boggis launched a mission to fight the waves by rallying | 0:16:45 | 0:16:49 | |
a private army of local truckers. | 0:16:49 | 0:16:51 | |
This self-appointed King Canute | 0:16:54 | 0:16:56 | |
deserves a special mention in our Great Guide. | 0:16:56 | 0:16:59 | |
At the height of his battle, Nick met the persistent pensioner. | 0:17:02 | 0:17:06 | |
-So, this is the front line, where it was eating back from? -Yes. | 0:17:08 | 0:17:12 | |
-Are you working down below here? -Further along. | 0:17:14 | 0:17:18 | |
-What's going on? -Here we have a truck coming in. | 0:17:18 | 0:17:21 | |
That will turn, possibly, here. | 0:17:21 | 0:17:23 | |
My God! | 0:17:25 | 0:17:27 | |
What an incredible sight! | 0:17:27 | 0:17:29 | |
-Yes. It's, er... -I can't believe it. | 0:17:29 | 0:17:32 | |
I thought we were going to be looking down on a beach. | 0:17:32 | 0:17:34 | |
No, this is us defending Britain. | 0:17:34 | 0:17:37 | |
What an astonishing sight! There's trucks and mud and... | 0:17:37 | 0:17:40 | |
I'm absolutely stunned by the scale of it. | 0:17:40 | 0:17:44 | |
I was expecting something far, far smaller. | 0:17:44 | 0:17:46 | |
Peter's defences are far more extensive than | 0:17:49 | 0:17:51 | |
a load of home-made sandbags. | 0:17:51 | 0:17:54 | |
He's organised up to 50 trucks a day to dump soil and clay | 0:17:54 | 0:17:57 | |
at the base of the cliff. | 0:17:57 | 0:17:59 | |
It's a mutually-beneficial alliance with local contractors | 0:17:59 | 0:18:02 | |
that helps them get rid of their waste. | 0:18:02 | 0:18:05 | |
The bank has to be constantly topped up | 0:18:05 | 0:18:07 | |
as a third of it is washed away every year. | 0:18:07 | 0:18:09 | |
Now, it's 500 metres long. | 0:18:11 | 0:18:13 | |
And the retreat has been halted for the time being. | 0:18:13 | 0:18:16 | |
11 years on and now 85, | 0:18:23 | 0:18:26 | |
Peter's coastal crusade has been halted by the courts. | 0:18:26 | 0:18:29 | |
They ruled his defences were stopping sand washing | 0:18:31 | 0:18:33 | |
down shore to replenish the local beach. | 0:18:33 | 0:18:36 | |
He's reluctantly downed tools, but he's unrepentant. | 0:18:37 | 0:18:41 | |
If it were feasible for me to start again tomorrow | 0:18:43 | 0:18:48 | |
without blundering headfirst into the courts, | 0:18:48 | 0:18:51 | |
I would do it without hesitation. | 0:18:51 | 0:18:53 | |
Here, as compared with last year, | 0:18:55 | 0:18:57 | |
nearly five metres of cliff have gone | 0:18:57 | 0:19:01 | |
in the past winter and this spring. | 0:19:01 | 0:19:04 | |
I've done what I can to protect it. | 0:19:08 | 0:19:11 | |
As I continue my journey, I've swapped boats. | 0:19:21 | 0:19:26 | |
Meet Tempo, former lifeboat and veteran guardian of these waters. | 0:19:26 | 0:19:30 | |
I'm heading down the north Norfolk Coast for Happisburgh. | 0:19:33 | 0:19:37 | |
But the next story for our guide is at the very heart of this coast. | 0:19:38 | 0:19:43 | |
South Wold and Aldeburgh. | 0:19:43 | 0:19:45 | |
This unpredictable coast is also one of unprecedented beauty. | 0:19:50 | 0:19:54 | |
Here, the light changes as much as the shoreline. | 0:19:56 | 0:19:59 | |
From superb sunrises and famous big skies | 0:20:01 | 0:20:06 | |
to crashing seas and ferocious storms. | 0:20:06 | 0:20:10 | |
This is our artistic coast. | 0:20:10 | 0:20:13 | |
Over the centuries, a staggering array of artists | 0:20:15 | 0:20:18 | |
have fired creative sparks on these shores. | 0:20:18 | 0:20:21 | |
From Old Master painters to controversial sculptors, | 0:20:21 | 0:20:27 | |
musicians, writers | 0:20:27 | 0:20:30 | |
and off-the-wall creatives have made this coast their muse. | 0:20:30 | 0:20:34 | |
For our Great Guide, we salute three inspired pioneers. | 0:20:37 | 0:20:41 | |
Composer Benjamin Britten, | 0:20:43 | 0:20:45 | |
Impressionist painter Philip Steer | 0:20:45 | 0:20:48 | |
and an unsung eccentric engineer, Tim Hunkin. | 0:20:48 | 0:20:53 | |
Our epic story starts with a great British artist | 0:20:55 | 0:20:58 | |
who brought Impressionism to these shores. | 0:20:58 | 0:21:01 | |
Alice Roberts, herself a bit of a painter, followed in his wake. | 0:21:03 | 0:21:08 | |
Philip Wilson Steer came to Southwold to paint | 0:21:10 | 0:21:12 | |
for the first time in 1884. | 0:21:12 | 0:21:15 | |
One of his most famous works depicts children paddling | 0:21:17 | 0:21:20 | |
at the mouth of Southwold Harbour. | 0:21:20 | 0:21:23 | |
And to really understand the inspiration behind it, | 0:21:23 | 0:21:26 | |
I want to see the place itself. | 0:21:26 | 0:21:28 | |
Here we are, standing by the scene of the painting, | 0:21:31 | 0:21:33 | |
or as close as we can get. | 0:21:33 | 0:21:35 | |
And the boat coming in is just in front of the fishing boat we see here. | 0:21:35 | 0:21:38 | |
-So, this bank here, is that what we can see? -Yeah, it is. | 0:21:38 | 0:21:42 | |
-It's lost its hut on the end and its capston. -Hm. | 0:21:42 | 0:21:44 | |
But it is very much that arm of the harbour. | 0:21:44 | 0:21:46 | |
So, was he actually out here, on the beach, painting away? | 0:21:46 | 0:21:50 | |
Was he doing it plein air, like the French Impressionists? | 0:21:50 | 0:21:52 | |
To an extent. What he really did was | 0:21:52 | 0:21:54 | |
he went around taking lightning sketches in pencil and crayon | 0:21:54 | 0:21:59 | |
and then he would take them back to Chelsea, where he was living, | 0:21:59 | 0:22:03 | |
and over the winter, he would then build them up into paintings. | 0:22:03 | 0:22:06 | |
Southwold has also inspired creativity of | 0:22:11 | 0:22:13 | |
a less-traditional kind. | 0:22:13 | 0:22:16 | |
Not everyone comes here to create with paint and brush. | 0:22:16 | 0:22:19 | |
Going into our guide is a great British eccentric | 0:22:21 | 0:22:24 | |
with a mechanical mind. | 0:22:24 | 0:22:26 | |
Inspired by that most seaside of traditions, | 0:22:29 | 0:22:32 | |
the end-of-the-pier show. | 0:22:32 | 0:22:35 | |
I'm Tim Hunkin. I'm an engineer and I'm also a cartoonist. | 0:22:36 | 0:22:41 | |
For the last ten years, I've been making machines | 0:22:41 | 0:22:44 | |
for my amusement arcade, The Under-The-Pier Show. | 0:22:44 | 0:22:47 | |
And I love it! | 0:22:47 | 0:22:49 | |
This is my arcade. | 0:22:53 | 0:22:54 | |
It's all home-made, mostly by me. | 0:22:54 | 0:22:58 | |
You can take a dog for a walk, you can enter the mind of a fly. | 0:22:59 | 0:23:04 | |
Where is that damn fly?! | 0:23:04 | 0:23:07 | |
This is one of the most popular machines at the moment, | 0:23:07 | 0:23:10 | |
you have to hit the bankers. | 0:23:10 | 0:23:12 | |
It's really difficult to make the hammers last | 0:23:12 | 0:23:14 | |
more than a couple of weeks. | 0:23:14 | 0:23:15 | |
People just come on a pier to have fun. | 0:23:18 | 0:23:20 | |
I don't think there's anywhere else that people would be quite | 0:23:20 | 0:23:22 | |
so eager to do silly things, | 0:23:22 | 0:23:24 | |
like lie on an exercise bed while everybody's watching them. | 0:23:24 | 0:23:28 | |
Take a fibreglass dog for a walk | 0:23:28 | 0:23:30 | |
or to cross a motorway with a Zimmer frame anywhere else. | 0:23:30 | 0:23:34 | |
The fun of the fair on Southwold Pier | 0:23:35 | 0:23:38 | |
earns its place in our Great Guide. | 0:23:38 | 0:23:41 | |
But not every creative force on this coast is something you can see or do. | 0:23:43 | 0:23:47 | |
Nine years ago, on a classic East Anglian beach, | 0:23:50 | 0:23:53 | |
I searched for the sound of a genius. | 0:23:53 | 0:23:56 | |
Hailed as the greatest opera composer of the 20th century, | 0:24:00 | 0:24:03 | |
Benjamin Britten found inspiration in Aldeburgh for a modern classic, | 0:24:03 | 0:24:09 | |
Peter Grimes. | 0:24:09 | 0:24:10 | |
The vivid story of a fisherman pursued by the locals | 0:24:10 | 0:24:14 | |
after the death of two apprentices. | 0:24:14 | 0:24:16 | |
Pleas for mercy fall on deaf ears. | 0:24:20 | 0:24:22 | |
Grimes descends into madness and suicide. | 0:24:26 | 0:24:29 | |
The powerful, evocative Peter Grimes goes into our Great Guide. | 0:24:34 | 0:24:38 | |
# Peter Grimes, we are here to investigate the cause of death | 0:24:38 | 0:24:42 | |
# Of your apprentice, William Spode | 0:24:42 | 0:24:46 | |
# Whose body you brought ashore from your boat, The Boy Billy | 0:24:46 | 0:24:49 | |
# On the 26th ultimo. # | 0:24:49 | 0:24:52 | |
Based on a poem by a local author, | 0:24:54 | 0:24:56 | |
Peter Grimes is set in a small seaside town called the Borough. | 0:24:56 | 0:24:59 | |
One man who knows how much this coast influenced the writing | 0:25:08 | 0:25:10 | |
of the opera is Jonathan Reekie, director of the Aldeburgh Festival. | 0:25:10 | 0:25:14 | |
You can hear the coast. | 0:25:17 | 0:25:19 | |
You can hear the sea, the wind, the birds, | 0:25:19 | 0:25:23 | |
the scrunch of the pebbles, in that piece. | 0:25:23 | 0:25:26 | |
And the piece is structured with the Four Sea Interludes. | 0:25:26 | 0:25:29 | |
And it's so vivid. It's very hard, once you've heard Peter Grimes, | 0:25:29 | 0:25:33 | |
it's very hard to stand on this beach and not hear it. | 0:25:33 | 0:25:36 | |
OPERA MUSIC | 0:25:36 | 0:25:39 | |
How much of the world that Britten portrayed still survives today? | 0:25:44 | 0:25:49 | |
Well, I think very little. | 0:25:49 | 0:25:51 | |
I mean, literally, | 0:25:51 | 0:25:52 | |
there are specific things in Peter Grimes, | 0:25:52 | 0:25:55 | |
like the place where Peter Grimes' hut was, that have gone, | 0:25:55 | 0:25:59 | |
that have been washed away by the sea. | 0:25:59 | 0:26:01 | |
And of course, the fishing industry is hanging on by its fingertips now. | 0:26:01 | 0:26:05 | |
But if you're on this beach, you still hear the sea. | 0:26:05 | 0:26:07 | |
I mean, the sea hasn't changed. | 0:26:07 | 0:26:09 | |
WAVES CRASH | 0:26:12 | 0:26:15 | |
Our guide reveals a coastline bursting with creativity. | 0:26:29 | 0:26:33 | |
But also one with a deep connection to its past. | 0:26:33 | 0:26:37 | |
I've arrived at the one place on these shores where that | 0:26:39 | 0:26:42 | |
connection runs deepest and longest. | 0:26:42 | 0:26:45 | |
Happisburgh. | 0:26:48 | 0:26:50 | |
It sits on a small stretch of coast with the biggest of stories. | 0:26:52 | 0:26:56 | |
Happisburgh's a lovely little place. It has just 1,372 inhabitants. | 0:27:00 | 0:27:06 | |
But it's been populated off and on for thousands of years. | 0:27:06 | 0:27:11 | |
If you come down to the beach at the right time here, | 0:27:13 | 0:27:16 | |
you're in for a big surprise. | 0:27:16 | 0:27:18 | |
Once upon a time, there was a muddy river estuary here. | 0:27:21 | 0:27:24 | |
And experts have found evidence of Britain's most ancient | 0:27:24 | 0:27:28 | |
footprints 800,000 years old. | 0:27:28 | 0:27:31 | |
They belong to men, women and children | 0:27:35 | 0:27:38 | |
known as Homo antecessor, or pioneer man. | 0:27:38 | 0:27:41 | |
The oldest footprints ever discovered outside of Africa. | 0:27:43 | 0:27:47 | |
In fact, this whole stretch of coast is an archaeological paradise. | 0:27:47 | 0:27:51 | |
Flint tools, animal bones | 0:27:53 | 0:27:55 | |
and one of the most complete mammoth skeletons ever discovered. | 0:27:55 | 0:27:59 | |
And to give you an ideal of the animal's size, | 0:28:03 | 0:28:05 | |
this is a mammoth tooth. | 0:28:05 | 0:28:08 | |
Look at the wear on it. | 0:28:08 | 0:28:11 | |
That's the grinding surface. | 0:28:11 | 0:28:13 | |
This was found on a beach at West Runton, | 0:28:14 | 0:28:17 | |
about 18 miles from here. | 0:28:17 | 0:28:19 | |
And it's a wonder to behold. | 0:28:19 | 0:28:21 | |
And it's unavoidable to feel a kind of electric charge in holding it. | 0:28:21 | 0:28:27 | |
Because this is from a time thousands of years ago | 0:28:27 | 0:28:31 | |
when human beings and mammoths lived side by side. | 0:28:31 | 0:28:35 | |
Happisburgh's archaeology earns a place in our guide, | 0:28:40 | 0:28:43 | |
but the story doesn't stop there. | 0:28:43 | 0:28:46 | |
Many of these fantastic finds | 0:28:48 | 0:28:50 | |
are from a time before Britain became an island. | 0:28:50 | 0:28:53 | |
It was right here that Britain as we know it was born. | 0:28:56 | 0:28:59 | |
Where there's now water was once land. | 0:29:01 | 0:29:03 | |
This spot once connected us to Europe through | 0:29:05 | 0:29:08 | |
a lost world known as Doggerland. | 0:29:08 | 0:29:10 | |
Nick went offshore to explore Britain's very own Atlantis | 0:29:13 | 0:29:17 | |
for our Great Guide. | 0:29:17 | 0:29:19 | |
So here we are, bobbing around on a fishing boat in the North Sea, | 0:29:22 | 0:29:25 | |
but seven, eight, nine thousand years ago, | 0:29:25 | 0:29:27 | |
-we couldn't have done this, could we? We would've been on land. -That's it. | 0:29:27 | 0:29:30 | |
We would've been actually sitting on a big plain of Doggerland | 0:29:30 | 0:29:33 | |
with the rivers, the trees behind us and the little hills. | 0:29:33 | 0:29:36 | |
It would've been a diverse landscape we'd have been sitting on. | 0:29:36 | 0:29:40 | |
Just off our coast, there's a lost world. | 0:29:43 | 0:29:46 | |
Mighty rivers once ran through Doggerland, | 0:29:46 | 0:29:49 | |
a wetland paradise rich with fish and birdlife | 0:29:49 | 0:29:52 | |
to feed the early Europeans. | 0:29:52 | 0:29:54 | |
Around 10,000 years ago, as the ice started to melt, sea-level rose. | 0:29:54 | 0:29:59 | |
Doggerland was submerged. Its residents moved on. | 0:29:59 | 0:30:03 | |
Some into Britain, which became an island as Doggerland disappeared. | 0:30:03 | 0:30:08 | |
The ice sheets that wiped out Doggerland are long gone. | 0:30:15 | 0:30:19 | |
10,000 years have passed since the Big Freeze gripped this shore. | 0:30:19 | 0:30:24 | |
But it's left an enduring legacy on this eroding coast. | 0:30:26 | 0:30:30 | |
It's the last Ice Age that can take credit | 0:30:31 | 0:30:33 | |
for the crumbling eastern shoreline. | 0:30:33 | 0:30:36 | |
In Happisburgh, the advancing ice sheet | 0:30:39 | 0:30:42 | |
pushed up the soft clay that now lines this shore. | 0:30:42 | 0:30:46 | |
These fragile cliffs are vulnerable to the pounding waves. | 0:30:46 | 0:30:49 | |
They're no match for severe storms and dilapidated defences. | 0:30:53 | 0:30:57 | |
This is Britain's fastest-shrinking shore. | 0:31:01 | 0:31:04 | |
An unwished-for honour that puts Happisburgh into our guide. | 0:31:07 | 0:31:10 | |
27 homes have been lost to the sea in the past three decades. | 0:31:13 | 0:31:17 | |
Over two months in 2003, 13 metres just disappeared. | 0:31:18 | 0:31:24 | |
A challenge for coastal campaigner, Malcolm Kirby. | 0:31:26 | 0:31:29 | |
Malcolm, this cliff is a pretty stark demonstration | 0:31:31 | 0:31:33 | |
-of the power of the sea, isn't it? -Oh, absolutely. | 0:31:33 | 0:31:36 | |
The sea, no-one can argue with the sea. It will do what it wants to do. | 0:31:36 | 0:31:41 | |
Bad news for the residents of Happisburgh. | 0:31:44 | 0:31:48 | |
A 1940s law meant if homes vanished, | 0:31:48 | 0:31:51 | |
people simply had to swallow the loss. | 0:31:51 | 0:31:54 | |
So basically, you've got people who, for a long time, | 0:31:54 | 0:31:57 | |
-were living quite far away from the sea. -Absolutely. | 0:31:57 | 0:32:00 | |
And it's moving so fast that they're going to lose their homes, | 0:32:00 | 0:32:04 | |
-but they can't get help from the establishment? -Yep. | 0:32:04 | 0:32:07 | |
-They can't insure. -No. | 0:32:07 | 0:32:09 | |
And when the worst happens, if and when it does, | 0:32:09 | 0:32:12 | |
they can't get compensation either? | 0:32:12 | 0:32:14 | |
Absolutely right. | 0:32:14 | 0:32:15 | |
The community couldn't make a stand against the waves, | 0:32:17 | 0:32:20 | |
so, led by Malcolm, | 0:32:20 | 0:32:21 | |
they settled for a strategic retreat step by step inland. | 0:32:21 | 0:32:27 | |
And we were able, for the first time in British maritime history, | 0:32:28 | 0:32:31 | |
or coastal maritime history, to buy nine properties | 0:32:31 | 0:32:35 | |
-and release those people to get on with their lives. -Right. | 0:32:35 | 0:32:38 | |
-So, they've been able to sell up and move elsewhere? -Absolutely. | 0:32:38 | 0:32:42 | |
In simple terms, as they drop off the front, | 0:32:42 | 0:32:46 | |
build them at the back, carry on doing that, | 0:32:46 | 0:32:49 | |
pop back in 200 years' time, you still have Happisburgh. | 0:32:49 | 0:32:53 | |
The sea still gnaws at the cliffs around Happisburgh, | 0:32:56 | 0:32:59 | |
but government funding has thrown the locals a lifeline | 0:32:59 | 0:33:02 | |
to build new homes and new lives away from the threat of the waves. | 0:33:02 | 0:33:07 | |
-What's the atmosphere like in Happisburgh now? -It's brilliant. | 0:33:11 | 0:33:15 | |
There's a real... There's a kind of a charge in the atmosphere. | 0:33:15 | 0:33:20 | |
-Optimism? -Yes, absolutely. | 0:33:20 | 0:33:22 | |
And the whole community is more at one with itself | 0:33:22 | 0:33:25 | |
and feels better about itself | 0:33:25 | 0:33:27 | |
and is poised for a much, much better future. | 0:33:27 | 0:33:30 | |
This is the Coast Great Guide to East Anglia. | 0:33:42 | 0:33:45 | |
For the past ten years, our team of experts have hunted | 0:33:48 | 0:33:51 | |
these shores for secret stories and hidden gems. | 0:33:51 | 0:33:54 | |
But what are the can't-afford-to-miss highlights? | 0:33:57 | 0:34:01 | |
This is our flying visit to East Anglia. | 0:34:01 | 0:34:04 | |
Any East Anglian adventure starts here, | 0:34:14 | 0:34:17 | |
with the tidal mudflats of The Wash scrubbed clean by the tides | 0:34:17 | 0:34:22 | |
and teeming with wildlife. | 0:34:22 | 0:34:24 | |
Also home to these mysterious concrete doughnuts. | 0:34:26 | 0:34:29 | |
These 1970s sci-fi structures were designed to capture freshwater, | 0:34:32 | 0:34:37 | |
creating reservoirs to ease drought in Britain. | 0:34:37 | 0:34:40 | |
Now abandoned, they provide the perfect protected habitat | 0:34:42 | 0:34:45 | |
for over 3,000 pairs of breeding sea birds. | 0:34:45 | 0:34:49 | |
Hunstanton, with distinctive red and white chalk cliffs. | 0:34:53 | 0:34:56 | |
And a two-mile beach perfect for kites. But not just any old kites. | 0:34:59 | 0:35:04 | |
To a lot of onlookers, it's a weird and wonderful thing they're seeing. | 0:35:07 | 0:35:11 | |
Is it a kite? Is it a paraglide? Is it a parachute? | 0:35:13 | 0:35:15 | |
And then you end up getting into all sorts of funny conversations | 0:35:15 | 0:35:19 | |
with little old ladies and men on the beach who just sit and watch for hours on end. | 0:35:19 | 0:35:22 | |
Travelling down the coast to Sheringham, | 0:35:27 | 0:35:29 | |
you'll find a real rarity in Norfolk, a hill! | 0:35:29 | 0:35:34 | |
Measuring a mighty 207 feet above sea-level. | 0:35:35 | 0:35:39 | |
Head south and seek out seaside treats. | 0:35:41 | 0:35:46 | |
Cromer, famous for crabs and a pier voted Britain's best. | 0:35:46 | 0:35:52 | |
-TANNOY: -OK, folks, you've got one minute now | 0:35:52 | 0:35:56 | |
to get your crabs down to the table. | 0:35:56 | 0:35:59 | |
The winners of our Net Class are Hannah and Olivia with 102 crabs. | 0:36:00 | 0:36:07 | |
APPLAUSE | 0:36:07 | 0:36:09 | |
Past bustling harbours and bright beach huts to reach a border. | 0:36:11 | 0:36:16 | |
Benacre Ness, where north meets south. | 0:36:18 | 0:36:21 | |
The start of the Suffolk Heritage Coast. | 0:36:21 | 0:36:24 | |
And, like its Norfolk neighbour, it's eroding fast. | 0:36:24 | 0:36:27 | |
Covehithe, inhabited since Roman times, | 0:36:29 | 0:36:33 | |
was almost three miles inland when first built. | 0:36:33 | 0:36:37 | |
It's now less than half a mile from the sea. | 0:36:37 | 0:36:39 | |
Further on, the weirdest village in Britain. | 0:36:44 | 0:36:47 | |
Thorpeness, a 1930s vision of English eccentricity. | 0:36:47 | 0:36:53 | |
Further down, picture-perfect gives way to industrial superhub. | 0:36:56 | 0:37:02 | |
Felixstowe, still the UK's largest container port. | 0:37:02 | 0:37:06 | |
And still growing, with a £300-million extension. | 0:37:10 | 0:37:14 | |
Our whistle-stop tour ends in the Essex town of Harwich, | 0:37:19 | 0:37:22 | |
the largest harbour on the River Stour. | 0:37:22 | 0:37:26 | |
And one of Britain's busiest ferry ports. | 0:37:26 | 0:37:28 | |
But if you only do the unmissable, | 0:37:32 | 0:37:33 | |
you might just miss some hidden gems. | 0:37:33 | 0:37:37 | |
Coast can complete the bigger picture. | 0:37:37 | 0:37:40 | |
This is our Great Guide to East Anglia. | 0:37:44 | 0:37:47 | |
I'm making my way to Orford Ness in Suffolk, | 0:37:50 | 0:37:53 | |
but my next port of call is the port of Great Yarmouth. | 0:37:53 | 0:37:57 | |
Where the broads meet the sea. | 0:38:00 | 0:38:03 | |
Mentioned in the Domesday Book, this port has a long history. | 0:38:03 | 0:38:07 | |
And, more recently, a dark history. | 0:38:07 | 0:38:11 | |
A First World War threat from the skies. | 0:38:13 | 0:38:16 | |
In 1915, Great Yarmouth was the first town in Britain | 0:38:19 | 0:38:23 | |
to be bombed from the air. | 0:38:23 | 0:38:24 | |
Tessa Dunlop investigated that fateful night. | 0:38:28 | 0:38:33 | |
A brilliant flash appeared in the sky. | 0:38:33 | 0:38:36 | |
A searchlight from a flying machine illuminated the streets, | 0:38:36 | 0:38:41 | |
followed by a string of bomb blasts. | 0:38:41 | 0:38:43 | |
A Zeppelin air raid. | 0:38:44 | 0:38:47 | |
The first on British shores. | 0:38:47 | 0:38:49 | |
With that attack on Great Yarmouth, | 0:38:49 | 0:38:52 | |
the Germans unleashed three years of terror. | 0:38:52 | 0:38:55 | |
Aerial warfare was invented as the invaders outsmarted | 0:38:55 | 0:38:59 | |
Britain's defenders. | 0:38:59 | 0:39:02 | |
Suddenly, the nation's streets had become the front line. | 0:39:02 | 0:39:06 | |
Bombs rained down with fatal consequences. | 0:39:06 | 0:39:10 | |
Martha Taylor, a 72-year-old spinster, was killed here. | 0:39:10 | 0:39:14 | |
She died instantly. | 0:39:14 | 0:39:16 | |
Martha and fellow casualty, Samuel Smith, | 0:39:16 | 0:39:19 | |
were the first Britons to die in an air raid. | 0:39:19 | 0:39:22 | |
But it's not for the Zeppelins that Great Yarmouth is in our guide. | 0:39:32 | 0:39:37 | |
Here, it's all about the herring. | 0:39:37 | 0:39:40 | |
The herring industry has a history | 0:39:40 | 0:39:43 | |
stretching back to the Norman conquest. | 0:39:43 | 0:39:45 | |
At its 20th-century peak, | 0:39:47 | 0:39:49 | |
this harbour would have been flooded with fishing vessels. | 0:39:49 | 0:39:53 | |
In just four record-breaking months in 1913, | 0:39:53 | 0:39:57 | |
380,000 tonnes of herring | 0:39:57 | 0:40:00 | |
were landed at Great Yarmouth and Lowestoft. | 0:40:00 | 0:40:03 | |
Steamers had replaced sailboats. | 0:40:04 | 0:40:06 | |
Fleets of boats from all around Scotland's coast | 0:40:06 | 0:40:10 | |
chased the silver darlings down south. | 0:40:10 | 0:40:13 | |
Great Yarmouth witnessed the rise and fall of an industry. | 0:40:13 | 0:40:16 | |
It's nine years since I first came here on the herring trail. | 0:40:20 | 0:40:24 | |
There were so many boats in Yarmouth that they couldn't lay flat | 0:40:24 | 0:40:27 | |
to the cane, so they had to put their noses to the cane. | 0:40:27 | 0:40:30 | |
And Yarmouth boats were more or less company-owned, but the Scotchmen, | 0:40:30 | 0:40:33 | |
they were family boats, so their boats were precious to the crew. | 0:40:33 | 0:40:37 | |
And if you damaged them, sort of trying to push yourself in... | 0:40:37 | 0:40:41 | |
Would there be a frank exchange of views? | 0:40:41 | 0:40:43 | |
That pub used to be like John Wayne, you know. | 0:40:43 | 0:40:46 | |
They used to have swinging doors there | 0:40:46 | 0:40:48 | |
and they used to be flying out of the doors. | 0:40:48 | 0:40:50 | |
Scotswomen got a warmer reception. | 0:40:52 | 0:40:55 | |
For a century, a seasonal army of 10,000 herring lasses | 0:40:55 | 0:41:00 | |
descended on the coastal communities here | 0:41:00 | 0:41:03 | |
to gut, pickle and pack the herring. | 0:41:03 | 0:41:06 | |
Paid per cran, or 28st of fish packed in a barrel, | 0:41:06 | 0:41:10 | |
it was claimed they could gut 60 herring a minute. | 0:41:10 | 0:41:15 | |
This is where the lorry would have come along, or a horse and cart, | 0:41:15 | 0:41:19 | |
with the fish on it, straight from the fish wharf to here. | 0:41:19 | 0:41:23 | |
Tipped in and the girls would be gutting and packing them away | 0:41:23 | 0:41:27 | |
in barrels all ready for pickling. | 0:41:27 | 0:41:30 | |
# But ye rise at five with the sleep still in your eye | 0:41:30 | 0:41:34 | |
# You're awake to find the gutting yards along the Yarmouth quay...# | 0:41:34 | 0:41:38 | |
The girls were dressed up in the oilies. They were tough old girls. | 0:41:38 | 0:41:42 | |
But you used to see them on Sundays going to church | 0:41:42 | 0:41:44 | |
and they'd be dressed in their Sunday clothes | 0:41:44 | 0:41:46 | |
and they'd be different people again. | 0:41:46 | 0:41:48 | |
# And you greet like a wean when you put them in the bree | 0:41:48 | 0:41:50 | |
# And you wish you were a thousand miles away from Yarmouth quay. # | 0:41:50 | 0:41:53 | |
But one precious relic of the herring industry is still afloat. | 0:41:57 | 0:42:01 | |
She's called the Lydia Eva and she's an absolute beauty. | 0:42:03 | 0:42:06 | |
The last steam drifter in the world. | 0:42:06 | 0:42:09 | |
And a definite must-see on our Great Guide. | 0:42:09 | 0:42:11 | |
In one outing, this boat could snare a quarter-of-a-million herring. | 0:42:14 | 0:42:19 | |
Double the catch of your average steam drifter. | 0:42:19 | 0:42:22 | |
To find out more about this unique boat, I'm meeting Morris Jackman. | 0:42:25 | 0:42:29 | |
So tell me about the Lydia Eva. | 0:42:31 | 0:42:33 | |
She was built as a drifter trawler in 1930. | 0:42:33 | 0:42:37 | |
She was designed to catch herring. | 0:42:37 | 0:42:40 | |
I know that she's the last steam drifter. | 0:42:40 | 0:42:41 | |
-The last steam drifter left. -In the world? -Yes. -How come? | 0:42:41 | 0:42:45 | |
How did she survive? | 0:42:45 | 0:42:46 | |
She was bought by something called the Maritime Trust. | 0:42:46 | 0:42:50 | |
How much has it cost to get her back to looking like she was | 0:42:52 | 0:42:55 | |
-supposed to be? -Um...cost the thick end of a million pounds. -Oh, wow! | 0:42:55 | 0:42:59 | |
-And can I see the wheelhouse? -Yeah, surely, if you come this way, sir. | 0:42:59 | 0:43:03 | |
Equipped with wireless and electric light, | 0:43:05 | 0:43:08 | |
the Lydia Eva was a state-of-the-art ship for her time. | 0:43:08 | 0:43:12 | |
-There's almost a reassuring absence of modern technology. -Oh, yes. | 0:43:12 | 0:43:17 | |
-Well, the hi-tech centre is behind you. -Right. | 0:43:17 | 0:43:20 | |
Basically, all it is is just a barometer and a clock. That's it. | 0:43:20 | 0:43:25 | |
-So much for sat nav! -Yeah. | 0:43:25 | 0:43:27 | |
Where else could you come and work on something that's unique | 0:43:27 | 0:43:31 | |
in every sense, really? | 0:43:31 | 0:43:33 | |
There'll never be another one anything like it, so... | 0:43:33 | 0:43:37 | |
It's a big lump of Yarmouth history that's got to be preserved. | 0:43:37 | 0:43:41 | |
This is a low-lying coastline. Ideal for boats. | 0:43:49 | 0:43:52 | |
Working craft have long plied their trade, and still are. | 0:43:59 | 0:44:03 | |
From fenland barges to historic ships. | 0:44:03 | 0:44:07 | |
But there's one particular workhorse of this coast | 0:44:09 | 0:44:12 | |
that's sailing into our Great Guide. | 0:44:12 | 0:44:15 | |
The traditional fishing smack. | 0:44:17 | 0:44:20 | |
This is Excelsior. | 0:44:26 | 0:44:29 | |
The only authentically-restored Lowestoft smack in the world | 0:44:31 | 0:44:35 | |
that can still trawl under sail. | 0:44:35 | 0:44:37 | |
She dates to 1921. A working piece of history. | 0:44:39 | 0:44:43 | |
As I sail to Orford Ness, our guide searched out a smack in Essex. | 0:44:47 | 0:44:52 | |
Mark Horton uncovered a boat | 0:44:52 | 0:44:54 | |
somewhat battered and bruised, left to languish in the mud. | 0:44:54 | 0:44:59 | |
This is the remains of the Xanthe, | 0:45:03 | 0:45:04 | |
an Essex fishing smack around 100 years old. | 0:45:04 | 0:45:08 | |
Look, you can see the rims perfectly preserved | 0:45:16 | 0:45:20 | |
under all this seaweed. | 0:45:20 | 0:45:22 | |
This must be the stem. | 0:45:22 | 0:45:23 | |
You can see it's all... | 0:45:23 | 0:45:25 | |
Take the seaweed off, there she is! | 0:45:25 | 0:45:28 | |
Smacks were titans of the fishing trade, | 0:45:36 | 0:45:39 | |
used for dredging and trawling. | 0:45:39 | 0:45:41 | |
At their peak, there were 500 working from this stretch of coast. | 0:45:45 | 0:45:50 | |
Excelsior, 100 tonnes of oak and hemp, | 0:45:52 | 0:45:56 | |
designed to withstand the wildest weather. | 0:45:56 | 0:45:59 | |
Boats like this have plied these waters since time immemorial. | 0:46:00 | 0:46:05 | |
Carrying warriors, carrying treasure and sometimes, | 0:46:05 | 0:46:10 | |
still shrouded in mystery centuries after their passing. | 0:46:10 | 0:46:14 | |
One of the most enigmatic ships in the entire world | 0:46:17 | 0:46:20 | |
made this coast its final resting place. | 0:46:20 | 0:46:24 | |
A personal favourite of mine. | 0:46:24 | 0:46:26 | |
Six years ago, I visited Sutton Hoo. | 0:46:31 | 0:46:35 | |
A royal Anglo-Saxon burial ground of awe-inspiring proportions. | 0:46:35 | 0:46:40 | |
Around 1,300 years old, | 0:46:41 | 0:46:44 | |
it's one of the greatest archaeological finds of all-time. | 0:46:44 | 0:46:48 | |
This astonishing discovery simply had to go into our Great Guide. | 0:46:51 | 0:46:56 | |
Inside this mound was buried a huge boat and a great treasure. | 0:46:58 | 0:47:04 | |
The posts either end mark the position of the stem and then the bow of the boat. | 0:47:04 | 0:47:09 | |
Now, this roped-off area | 0:47:09 | 0:47:11 | |
marks the position of the burial chamber itself, | 0:47:11 | 0:47:14 | |
deep below where I'm standing. | 0:47:14 | 0:47:16 | |
Now, the king, the body of the king was placed into the hull of the boat | 0:47:16 | 0:47:20 | |
and then he was surrounded with his treasures. | 0:47:20 | 0:47:23 | |
The beauty and age of the finds was immediately apparent, | 0:47:23 | 0:47:26 | |
but what they tell us about the culture | 0:47:26 | 0:47:28 | |
of the mysterious Anglo-Saxons makes these artefacts priceless. | 0:47:28 | 0:47:33 | |
Most precious of all of the treasures | 0:47:33 | 0:47:35 | |
to come out of the king's grave was a helmet. | 0:47:35 | 0:47:38 | |
This is a brilliant replica of it | 0:47:38 | 0:47:40 | |
and it's extremely heavy. It's made of silver and gold. | 0:47:40 | 0:47:44 | |
Every inch of it symbolises power and conquest. | 0:47:44 | 0:47:48 | |
But obviously, the most stunning element of the whole piece | 0:47:48 | 0:47:52 | |
is the gold ornamentation of the face. | 0:47:52 | 0:47:55 | |
This is Britain's Tutankhamen's mask. | 0:47:55 | 0:47:59 | |
The ancestors of the people who buried their king in this mound | 0:48:01 | 0:48:04 | |
around 1,300 years ago had come across the sea from foreign shores. | 0:48:04 | 0:48:09 | |
They called their new home England, Land of the Angles. | 0:48:09 | 0:48:13 | |
This is Coast's Great Guide to East Anglia. | 0:48:26 | 0:48:30 | |
I've left Norfolk behind, | 0:48:35 | 0:48:37 | |
crossed into Suffolk and reached my final destination. | 0:48:37 | 0:48:42 | |
Orford Ness, an extraordinary spit full of extraordinary stories. | 0:48:43 | 0:48:49 | |
This spit of shingle, bleak, isolated and 10-miles long, | 0:48:51 | 0:48:56 | |
is home to 280 species of birds and a rare floral treasure, the sea pea. | 0:48:56 | 0:49:02 | |
But it's not in our Great Guide for its wild beauty, | 0:49:07 | 0:49:10 | |
it's in for its mysterious past. | 0:49:10 | 0:49:14 | |
A sight so top secret, not even the locals knew what went on. | 0:49:14 | 0:49:19 | |
A covert experiment right here led to a great military invention. | 0:49:19 | 0:49:25 | |
Alice tracked down the story. | 0:49:29 | 0:49:32 | |
On 12th February 1935, scientist Robert Watson-Watt | 0:49:34 | 0:49:38 | |
sent this memo to the Air Ministry. | 0:49:38 | 0:49:40 | |
It's been called the birth certificate of radar. | 0:49:40 | 0:49:43 | |
"I enclose herewith a memorandum | 0:49:43 | 0:49:46 | |
"on the Detection of Aircraft by Radio Methods. | 0:49:46 | 0:49:49 | |
"It turns out so favourably that I am still nervous as to whether | 0:49:49 | 0:49:52 | |
"we've not got a power of ten wrong, | 0:49:52 | 0:49:54 | |
"but I thought it desirable to send you the memorandum immediately | 0:49:54 | 0:49:57 | |
"rather than to wait for close rechecking." | 0:49:57 | 0:50:00 | |
It was this memo that started the race for radar. | 0:50:00 | 0:50:05 | |
Watson-Watt could barely believe his calculations. | 0:50:08 | 0:50:12 | |
In theory, by measuring radio waves bouncing off a plane, | 0:50:12 | 0:50:17 | |
they might be able to detect enemy bombers over 100 miles away | 0:50:17 | 0:50:22 | |
day and night and in any weather. | 0:50:22 | 0:50:24 | |
Watson-Watt tested his theory on this very spit of land. | 0:50:30 | 0:50:34 | |
His astonishing invention helped us win the Battle of Britain. | 0:50:36 | 0:50:40 | |
This is a special place. A sliver of land between the sea and the sky. | 0:50:43 | 0:50:48 | |
And to add to the dreamlike quality, the strangeness, | 0:50:48 | 0:50:52 | |
it's where we as a nation have kept certain things out of sight. | 0:50:52 | 0:50:57 | |
Secret things, forgotten things. | 0:50:57 | 0:50:59 | |
The Ness, testing ground for military innovations. | 0:51:02 | 0:51:05 | |
Parachutes, aerial photography | 0:51:05 | 0:51:09 | |
and something more sinister and secret. | 0:51:09 | 0:51:12 | |
Nick sniffed for the truth behind the rumours for our Great Guide. | 0:51:15 | 0:51:19 | |
These massive concrete structures are a relic of the time | 0:51:28 | 0:51:30 | |
when Orford Ness was used to develop a far more sinister military device, | 0:51:30 | 0:51:34 | |
Britain's atomic bomb. | 0:51:34 | 0:51:35 | |
These places are even more bizarre on the inside than they are on the outside. | 0:51:49 | 0:51:53 | |
Test laboratories like these were built to withstand | 0:51:53 | 0:51:56 | |
accidental explosions. | 0:51:56 | 0:51:59 | |
The walls are three-metres thick | 0:51:59 | 0:52:01 | |
and the roofs are designed to absorb the energy | 0:52:01 | 0:52:04 | |
and contain the debris of any blasts. | 0:52:04 | 0:52:07 | |
No-one was aware that the bombs being dropped on Orford were | 0:52:09 | 0:52:11 | |
the casings and mechanisms of atom bombs. | 0:52:11 | 0:52:14 | |
By the 1970s, Orford Ness had entered the Cold War. | 0:52:26 | 0:52:30 | |
On my last visit, I secured special access. | 0:52:34 | 0:52:38 | |
-MEDIA BROADCAST: -The only official entrance | 0:52:38 | 0:52:40 | |
is via an RAF ferry from the tiny village of Orford. | 0:52:40 | 0:52:43 | |
And when you get there, the men in charge aren't giving much away. | 0:52:43 | 0:52:47 | |
This is a joint Royal Air Force and United States Air Force | 0:52:47 | 0:52:51 | |
research programme into the problems of long-range HF communications. | 0:52:51 | 0:52:56 | |
-Has it anything to do with early warning defences systems? -It could. | 0:52:56 | 0:53:01 | |
And, in fact, it did. | 0:53:02 | 0:53:05 | |
The masts on the 700-acre site are as high as 180 feet. | 0:53:10 | 0:53:13 | |
The RAF were happy for them to be filmed. | 0:53:13 | 0:53:16 | |
The control building was something else, though. | 0:53:16 | 0:53:19 | |
Everything about it is secret. | 0:53:19 | 0:53:21 | |
Oh, good grief, what's in there? | 0:53:26 | 0:53:27 | |
There would have been operators sitting at terminals with displays | 0:53:27 | 0:53:30 | |
showing them possible positions and sightings of | 0:53:30 | 0:53:33 | |
signals back from the radar. | 0:53:33 | 0:53:34 | |
It's the sort of place James Bond gets brought, isn't it, | 0:53:34 | 0:53:37 | |
-when he's been caught? -That's right. | 0:53:37 | 0:53:38 | |
But on this journey, I'm bypassing Orford's military secrets. | 0:53:52 | 0:53:56 | |
I'm heading to the front line of a battle that's still raging. | 0:53:58 | 0:54:01 | |
This is a coast where the land is constantly at war with the sea, | 0:54:03 | 0:54:06 | |
and it's about to claim a much-loved victim. | 0:54:06 | 0:54:10 | |
This majestic lighthouse has stood proud for more than 200 years. | 0:54:12 | 0:54:16 | |
Since 1792, it's been the fisherman's friend. | 0:54:18 | 0:54:21 | |
Now it's in need of a saviour. | 0:54:24 | 0:54:27 | |
Perched here, on this pebbled kingdom, | 0:54:28 | 0:54:30 | |
it's perilously close to the sea. | 0:54:30 | 0:54:32 | |
In the past four years, that distance has halved. | 0:54:35 | 0:54:39 | |
Ironic that a beacon warning ships of danger is now in danger itself. | 0:54:39 | 0:54:44 | |
# The shingle is shifting Shifting, shifting | 0:54:44 | 0:54:48 | |
# The shingle is shifting Always shifting | 0:54:48 | 0:54:52 | |
# The shingle is shifting Always shifting | 0:54:52 | 0:54:55 | |
# Moving down the coast...# | 0:54:55 | 0:55:00 | |
For local, Liz Ferretti, it's the end of an era. | 0:55:00 | 0:55:04 | |
# ..off Orford Ness no-one could see...# | 0:55:04 | 0:55:07 | |
We've been used to the light coming into our houses at night for years. | 0:55:09 | 0:55:13 | |
People have grown up with the light. | 0:55:13 | 0:55:15 | |
And it feels as though they've lost a friend. | 0:55:15 | 0:55:17 | |
And I think people will miss it. | 0:55:17 | 0:55:19 | |
We decided we wanted to mark its passing as a community. | 0:55:19 | 0:55:24 | |
And it might seem a bit strange in a way because it's just a building, | 0:55:24 | 0:55:27 | |
but actually, because it's such a symbol of hope | 0:55:27 | 0:55:31 | |
and all that a lighthouse brings with it, | 0:55:31 | 0:55:33 | |
we've done an exhibition to bring together | 0:55:33 | 0:55:36 | |
the history of the lighthouse, | 0:55:36 | 0:55:37 | |
we had a concert. We've had a really good celebration of its service. | 0:55:37 | 0:55:42 | |
# Moving down the coast. # | 0:55:42 | 0:55:49 | |
This is the last summer the lighthouse will be open to the public. | 0:55:51 | 0:55:54 | |
But the good folk of Orford Ness | 0:55:54 | 0:55:56 | |
are still carrying a torch for the local landmark. | 0:55:56 | 0:55:59 | |
-Hi. -How are you? -Very good to meet you. -You, too. Looking good today. | 0:55:59 | 0:56:05 | |
Nick Gold is at the forefront of the campaign. | 0:56:05 | 0:56:09 | |
So, how long have you been connected to the lighthouse in this way? | 0:56:09 | 0:56:13 | |
Well, I acquired it three years ago, | 0:56:13 | 0:56:16 | |
but I was the son of a local parson | 0:56:16 | 0:56:19 | |
and I've been coming over here since a teenager. | 0:56:19 | 0:56:22 | |
And I have a place in Orford and looking up at it, | 0:56:22 | 0:56:25 | |
over at the horizon day after day, | 0:56:25 | 0:56:27 | |
it's a pretty magnificent creature. | 0:56:27 | 0:56:30 | |
What does it mean to you and what does it mean to this place? | 0:56:30 | 0:56:35 | |
Well, two things, really. | 0:56:35 | 0:56:37 | |
One, I love eccentric buildings and this couldn't get more eccentric. | 0:56:37 | 0:56:41 | |
But to the community, it means much more. | 0:56:41 | 0:56:44 | |
It's their Taj Mahal. | 0:56:44 | 0:56:47 | |
Why was it switched off? I mean, why do you turn out a lighthouse? | 0:56:47 | 0:56:50 | |
Well, you've only got to see how close the sea is. | 0:56:50 | 0:56:54 | |
When it was originally built, | 0:56:54 | 0:56:55 | |
the sea was a kilometre or more further out. | 0:56:55 | 0:56:58 | |
What have you done to try and, you know, hold back the tide? | 0:56:58 | 0:57:02 | |
Well, you'll see what we've done. | 0:57:02 | 0:57:04 | |
We've put in these bags, which are filled with shingle. | 0:57:04 | 0:57:07 | |
And they've been fantastic in making it now promontory. | 0:57:07 | 0:57:10 | |
But if you look at the natural line of the beach, | 0:57:10 | 0:57:12 | |
the lighthouse would have gone last year, last winter... | 0:57:12 | 0:57:15 | |
-Really? -..if we hadn't have done this. | 0:57:15 | 0:57:17 | |
Can't you move it? Can't you just take it apart | 0:57:17 | 0:57:20 | |
and give it an extra mile of ground? | 0:57:20 | 0:57:22 | |
Well, that's what we are going to try and do, | 0:57:22 | 0:57:25 | |
but it's 100-foot high, it's made out of 400,000 bricks, | 0:57:25 | 0:57:28 | |
which, if we tried to shift it, it would fall apart. | 0:57:28 | 0:57:31 | |
But what we're trying to do is save all the main artefacts from it. | 0:57:31 | 0:57:35 | |
The top in particular, | 0:57:35 | 0:57:36 | |
which absolutely can't be repeated, it would cost a fortune to do so, | 0:57:36 | 0:57:40 | |
if we can get that off and then further inland | 0:57:40 | 0:57:44 | |
and then we could replicate the lower half | 0:57:44 | 0:57:46 | |
and then it can be appreciated on the horizon for another 100 years. | 0:57:46 | 0:57:52 | |
This is a coast of contradictions. | 0:58:00 | 0:58:04 | |
It once joined us to Europe, now it's edging away, beaten by the sea. | 0:58:04 | 0:58:09 | |
A wildlife paradise. | 0:58:12 | 0:58:13 | |
Shores where our ancestors once walked. | 0:58:15 | 0:58:19 | |
A beauty. | 0:58:19 | 0:58:21 | |
Come quickly, before this stretch of coast vanishes forever. | 0:58:21 | 0:58:27 | |
Our Great Guide has revealed shores where people work | 0:58:28 | 0:58:31 | |
with and against the sea, adapting, conquering, overcoming. | 0:58:31 | 0:58:36 | |
Along this ever-changing stretch, | 0:58:36 | 0:58:38 | |
you're guaranteed a different story every time. | 0:58:38 | 0:58:40 |