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Today, I am on a journey through the heart of East Anglia. | 0:00:21 | 0:00:24 | |
Below me these vast swathes of fertile land have seen a huge amount | 0:00:24 | 0:00:28 | |
of change over the centuries. | 0:00:28 | 0:00:30 | |
From the green roots of agriculture, to the sport of kings. | 0:00:30 | 0:00:34 | |
My journey begins high in the sky above Tibenham airfield. | 0:00:34 | 0:00:39 | |
I'll travel along an ancient Roman road before ascending | 0:00:39 | 0:00:42 | |
into the trees of Thetford Forest. | 0:00:42 | 0:00:44 | |
I'll stop at Lynford, visit the strange landscape of Grime's Graves | 0:00:44 | 0:00:48 | |
before racing on to my final destination, | 0:00:48 | 0:00:50 | |
the famous turf at Newmarket. | 0:00:50 | 0:00:52 | |
Along the way, I'll be looking back at the very best | 0:00:52 | 0:00:54 | |
of the BBC's rural programmes from this part of the country. | 0:00:54 | 0:00:58 | |
This is Country Tracks. | 0:00:58 | 0:01:01 | |
I can't explain just how magical it is | 0:01:08 | 0:01:11 | |
to be soaring thousands of feet above the patchwork of fields below. | 0:01:11 | 0:01:15 | |
It really is the most awesome way to see this county. | 0:01:17 | 0:01:22 | |
Known as the bread basket of England, East Anglia grows a quarter of the country's wheat, | 0:01:23 | 0:01:28 | |
a third of its potatoes and over half its sugar beet crop. | 0:01:28 | 0:01:32 | |
Little wonder that it has the largest agricultural workforce in the country. | 0:01:32 | 0:01:37 | |
Now that's Thetford Forest just below me. | 0:01:37 | 0:01:40 | |
A little later in the programme, I'll be exploring the canopy a little closer to the ground. | 0:01:40 | 0:01:46 | |
Straddling the counties of Suffolk and Norfolk, | 0:01:48 | 0:01:51 | |
Thetford Forest is the largest lowland pine forest in Britain. | 0:01:51 | 0:01:55 | |
Below me is a working landscape. | 0:01:57 | 0:01:59 | |
It's provided an income for British people for hundreds, if not thousands, of years. | 0:01:59 | 0:02:04 | |
But in recent times, less and less Brits have been inclined | 0:02:04 | 0:02:09 | |
to follow the seasonal work as Tom Heap found out back in 2004. | 0:02:09 | 0:02:14 | |
I've been pressed into service on this asparagus grading line. | 0:02:16 | 0:02:19 | |
I'm trying to get the right thickness into the right crate, | 0:02:19 | 0:02:23 | |
so thinner ones in there, thicker ones in that one there. | 0:02:23 | 0:02:26 | |
Everybody in this room is from overseas, mostly Bulgaria and Poland, and this is just | 0:02:26 | 0:02:31 | |
one production line on one farm, of one kind of vegetable. | 0:02:31 | 0:02:35 | |
What's happening here in the summer is repeated across Britain. | 0:02:35 | 0:02:39 | |
But with 1.5 million people unemployed within this country, | 0:02:39 | 0:02:42 | |
why aren't hardly any of them doing this work? | 0:02:42 | 0:02:45 | |
Roger Burrows finds workers for this packing plant in Norfolk. | 0:02:45 | 0:02:49 | |
Ten years ago, the whole workforce was British. Today, that figure has radically changed. | 0:02:49 | 0:02:54 | |
Two-thirds of the men and women on the factory floor are foreign, just one third British. | 0:02:54 | 0:03:00 | |
It's clean work, it's not horrendously cold, | 0:03:00 | 0:03:03 | |
is not horrendously wet, it's not horrendously dirty. | 0:03:03 | 0:03:06 | |
The pay is good. But for some reason the traditional British worker | 0:03:06 | 0:03:10 | |
is more interested in moving into the city and other types of work. | 0:03:10 | 0:03:14 | |
How important is it that we continue this flow, that you continue the supply of foreign workers? | 0:03:14 | 0:03:19 | |
It's vital to this type of industry. There's no question about that. | 0:03:19 | 0:03:22 | |
The production line wouldn't keep rolling | 0:03:22 | 0:03:25 | |
without the influx of foreign workers as we have at the moment. | 0:03:25 | 0:03:28 | |
Without talking to all Britain's unemployed, it's hard to be sure why seasonal jobs are so unappealing. | 0:03:28 | 0:03:34 | |
Such unpredictable employment doesn't sit easily with the bureaucracy and box-ticking of the benefits system. | 0:03:34 | 0:03:40 | |
Because it's short-term work, | 0:03:40 | 0:03:42 | |
you may have difficulties when the job finishes. | 0:03:42 | 0:03:45 | |
Then you've got to reclaim all your benefits again, | 0:03:45 | 0:03:47 | |
which means filling in the forms, | 0:03:47 | 0:03:49 | |
and quite often there's a long wait before you get the benefit through. | 0:03:49 | 0:03:52 | |
Particularly housing benefit can be a real problem where you end up... | 0:03:52 | 0:03:56 | |
We've had people who've almost lost their home because of delay | 0:03:56 | 0:03:59 | |
paying housing benefit after they've done some temporary work. | 0:03:59 | 0:04:03 | |
This asparagus farm employs nearly 30 students from Eastern Europe. | 0:04:04 | 0:04:08 | |
The farmer gives them at least the minimum farming wage of £4.85 an hour. | 0:04:08 | 0:04:13 | |
I'm in this to earn a living out of it. | 0:04:13 | 0:04:15 | |
Therefore, it's not cheap labour. We have minimum standards, | 0:04:15 | 0:04:19 | |
or minimum wages that we have to adhere to. | 0:04:19 | 0:04:21 | |
Just like any other vegetable that we bring into this country, | 0:04:21 | 0:04:25 | |
it's a world market. They're bringing it in from nine countries, | 0:04:25 | 0:04:28 | |
just during our English season. | 0:04:28 | 0:04:30 | |
It's coming from South America, Peru, Chile, also from Spain, | 0:04:30 | 0:04:34 | |
where their labour costs are considerably lower than our own. | 0:04:34 | 0:04:37 | |
Labour's a big input into the production of this crop? | 0:04:37 | 0:04:40 | |
Probably 75-80% of the cost of production of asparagus. | 0:04:40 | 0:04:43 | |
Therefore, it has a big influence on what we do. | 0:04:43 | 0:04:46 | |
Farms like this need a lot of work but only at a very few weeks of the year, the high season. | 0:04:46 | 0:04:51 | |
So you bring in homes, but you make them temporary, there's no point building permanent structures. | 0:04:51 | 0:04:56 | |
These container homes come off the back of a truck, and they contain dormitories. | 0:04:56 | 0:05:02 | |
There's toilet and washing facilities | 0:05:02 | 0:05:04 | |
and in other ones, television, lounges and things like that. | 0:05:04 | 0:05:08 | |
The students pay £25 a week for accommodation. | 0:05:08 | 0:05:11 | |
They earn ten times more than they would for the same work back home. | 0:05:11 | 0:05:15 | |
-How many of you live in here? -Four girls. -Four girls live here. | 0:05:15 | 0:05:19 | |
How do you find working generally here? OK? | 0:05:19 | 0:05:23 | |
It's not so hard. It's hard when you're on the field, | 0:05:23 | 0:05:26 | |
but we rest in the pack house, we listen usually music. | 0:05:26 | 0:05:30 | |
-All the time we are enjoying. -You are from university in Bulgaria? | 0:05:30 | 0:05:34 | |
Yes, I am studying at university, macro economics. | 0:05:34 | 0:05:38 | |
-Macro economics? -Yes. -Golly! | 0:05:38 | 0:05:40 | |
What do you hope to do when you've earned the money from this job? | 0:05:40 | 0:05:44 | |
I will continue my education. I need this money for my education. | 0:05:44 | 0:05:49 | |
Legal migrant workers on schemes such as Daisy's are lucky. | 0:05:49 | 0:05:52 | |
When 20 Chinese cockle pickers drowned in Morecambe Bay in February, | 0:05:52 | 0:05:56 | |
it highlighted the plight of illegal migrant workers. | 0:05:56 | 0:05:59 | |
But even those here legally can be exploited. | 0:05:59 | 0:06:02 | |
Lukie Gooda is a Portuguese liaison officer. | 0:06:02 | 0:06:05 | |
Every name here is a person with a problem. | 0:06:05 | 0:06:07 | |
Most stem from ignorance and fear. | 0:06:07 | 0:06:10 | |
It started with the transport provided for them. | 0:06:10 | 0:06:13 | |
Then the amount of work. Most of these people work 12-hour shifts. | 0:06:13 | 0:06:18 | |
The health problems, due to health and safety conditions that are not met by the employers. | 0:06:18 | 0:06:24 | |
They have to work under conditions that people in this country would not accept. | 0:06:24 | 0:06:28 | |
Most of them when they come over here already have debts back home, you know, | 0:06:28 | 0:06:32 | |
that they need to send money to deal with. | 0:06:32 | 0:06:35 | |
The moment they are here and they don't speak the language, | 0:06:35 | 0:06:38 | |
the employer, whatever the employer says, goes. They trapped. | 0:06:38 | 0:06:42 | |
They really trapped. That provokes all kind of exploitation, really. | 0:06:42 | 0:06:47 | |
For the public, the word illegal has become attached to the word migrant labour. | 0:06:47 | 0:06:51 | |
-What do you think about that? -It's very sad because the majority of it is perfectly above board. | 0:06:51 | 0:06:56 | |
It's very legal. They all have work permits. | 0:06:56 | 0:06:59 | |
They're all working to the minimum wage requirements. | 0:06:59 | 0:07:02 | |
It's sad to see the industry run down by, you know, the few. | 0:07:02 | 0:07:08 | |
As shoppers, we demand fresh produce at the lowest price. | 0:07:08 | 0:07:13 | |
Because such a large percentage of the cost of producing fruit and veg | 0:07:13 | 0:07:17 | |
is made up by labour, there's no real escaping from the fact that workforce will have to get a pretty low wage. | 0:07:17 | 0:07:24 | |
Too low it would seem to attract British workers to dig carrots or cut asparagus. | 0:07:24 | 0:07:30 | |
So foreign migrant labour is going to be part of the horticultural scene for years to come. | 0:07:30 | 0:07:35 | |
The Government is backing a change in the law so the companies which | 0:07:35 | 0:07:39 | |
provide migrant labour, gang masters, will have to be registered. | 0:07:39 | 0:07:43 | |
But it will need enforcement muscle and political will to be sure illegal working is stamped out. | 0:07:43 | 0:07:48 | |
The good news is that since that report was made, the Government has set up | 0:07:55 | 0:07:59 | |
the Gangmasters Licensing Authority, making it a criminal offence to supply labour without a licence. | 0:07:59 | 0:08:05 | |
It remains to be seen if the changing global economy | 0:08:05 | 0:08:08 | |
will bring British workers back to the fields. | 0:08:08 | 0:08:10 | |
That was brilliant. | 0:08:21 | 0:08:24 | |
-OK? -Thank you very much. | 0:08:24 | 0:08:25 | |
-I loved that. -You're welcome. | 0:08:25 | 0:08:27 | |
Wow! I'm almost lost for words, that was incredible. | 0:08:29 | 0:08:33 | |
What a fantastic way to see the landscape below, and a perfect way to begin my journey. | 0:08:33 | 0:08:38 | |
With my feet firmly back on the ground, | 0:08:38 | 0:08:41 | |
I've headed 17 miles north-east to Knettishall | 0:08:41 | 0:08:44 | |
where I'm joining the ancient Roman road known as the Peddar's Way. | 0:08:44 | 0:08:48 | |
Peddar's Way was built by the Romans around 61 AD | 0:08:54 | 0:08:58 | |
to provide a route across East Anglia for policing purposes. | 0:08:58 | 0:09:02 | |
Typically, it was built in a very straight line using local materials | 0:09:02 | 0:09:06 | |
to provide a link between the Roman garrison town in Colchester | 0:09:06 | 0:09:10 | |
and the heartland of Queen Boudicca's tribe, the Iceni. | 0:09:10 | 0:09:13 | |
As you walk the Peddar's Way, it's tempting to conjure images | 0:09:15 | 0:09:19 | |
of all the others who've trodden the same ground - Stone Age hunters, | 0:09:19 | 0:09:23 | |
Roman soldiers, Saxon settlers, or medieval pilgrims. | 0:09:23 | 0:09:27 | |
Walking in your time, you really do feel part of history. | 0:09:27 | 0:09:31 | |
Inspired by the Australian Aboriginal belief | 0:09:37 | 0:09:40 | |
that each ancient trail is part of a vast, epic musical score, | 0:09:40 | 0:09:45 | |
the verses of which tell the tale of how that landscape and its landmarks came into being, | 0:09:45 | 0:09:50 | |
storyteller Hugh Lupton collaborated with a group of local artists to create a Norfolk song line. | 0:09:50 | 0:09:56 | |
Taking inspiration from land, they used story, poetry, image and | 0:09:56 | 0:10:01 | |
song to evoke the landscape history and geology of the Peddar's Way. | 0:10:01 | 0:10:06 | |
# The winding welter of tracks Pulls towards | 0:10:06 | 0:10:12 | |
# As a bow stri-i-ing | 0:10:12 | 0:10:15 | |
# Straight as a rod of iron... # | 0:10:15 | 0:10:18 | |
It's incredible to think the Romans would have used this route. | 0:10:25 | 0:10:28 | |
To listen to this music is incredibly evocative. | 0:10:30 | 0:10:33 | |
# ..The sole of a boot to the taken land | 0:10:33 | 0:10:36 | |
# The sole of a boot to the taken land... # | 0:10:39 | 0:10:42 | |
In the words of one of the artists, "All the past that has led to your moment in time | 0:10:49 | 0:10:54 | |
"is held like a great secret in the landscape that surrounds you." | 0:10:54 | 0:10:58 | |
As I saw from the air, the land in this area has been put to many different uses over the centuries. | 0:11:01 | 0:11:06 | |
Crops have been grown here but there's another type of farming that rather less is known about. | 0:11:06 | 0:11:11 | |
Adam Henson came to find out how rabbits were harvested for their fur and for their meat. | 0:11:11 | 0:11:17 | |
Rabbits were brought into the country by the Romans, | 0:11:19 | 0:11:22 | |
but it was the Normans who first introduced the idea of farming them. | 0:11:22 | 0:11:26 | |
By the 16th century, bunnies were big business - | 0:11:26 | 0:11:29 | |
both the fur and meat was in demand, and even worth fighting for. | 0:11:29 | 0:11:33 | |
This is quite a structure, isn't it, like a mini fortress? | 0:11:35 | 0:11:38 | |
It is, yes. It's like a miniature castle keep, really. | 0:11:38 | 0:11:41 | |
The reason for it being here, and built like this, | 0:11:41 | 0:11:44 | |
was it was the home of a rabbit warrener | 0:11:44 | 0:11:47 | |
from about the 1340s onwards, we think here. | 0:11:47 | 0:11:50 | |
Where would the rabbits have been kept? | 0:11:50 | 0:11:52 | |
The rabbits were roaming free all over the warren, | 0:11:52 | 0:11:56 | |
and they were guarded, nurtured and trapped by the warrener. | 0:11:56 | 0:11:59 | |
The warrener was one of the highest paid of all the manorial officials | 0:11:59 | 0:12:03 | |
in the Middle Ages, and he needed to be able to regulate the number | 0:12:03 | 0:12:07 | |
of bucks to does, to look at the economies of the market, | 0:12:07 | 0:12:11 | |
when was the best time to sell the rabbits. | 0:12:11 | 0:12:13 | |
He even needed to do things, certainly when the warrens were first established in Breckland, | 0:12:13 | 0:12:18 | |
like digging burrows for the rabbits to shelter in. | 0:12:18 | 0:12:21 | |
Because rabbits come from the Mediterranean, they're native there, | 0:12:21 | 0:12:25 | |
they don't need shelter in such a better climate, really. | 0:12:25 | 0:12:29 | |
Better management meant rabbit numbers increased. By the...1840s, | 0:12:29 | 0:12:35 | |
we are talking about an annual cull on this warren alone of 28,000 rabbits. | 0:12:35 | 0:12:40 | |
It's because they were so valuable they had to build these fortresses? | 0:12:40 | 0:12:44 | |
Yes. Because of a rise in demand for the rabbits, poaching was really big business. | 0:12:44 | 0:12:49 | |
We know, for instance, of armed gangs attacking the warrens, | 0:12:49 | 0:12:53 | |
killing their lurcher dogs, which the warreners used to help them track the rabbits. | 0:12:53 | 0:12:58 | |
So, defence was a matter of great importance to them, really. | 0:12:58 | 0:13:02 | |
For another 500 years, rabbits played a pivotal role in local history. | 0:13:02 | 0:13:07 | |
Their meat was part of the staple diet, | 0:13:07 | 0:13:09 | |
and rabbit fur was also at the height of fashion. | 0:13:09 | 0:13:12 | |
By the 20th century, three fur factories opened up in the area. | 0:13:12 | 0:13:16 | |
One of the workers, 86-year-old Harold Glaister, remembers a time when rabbits | 0:13:16 | 0:13:20 | |
were an important source of income for those living near the forest. | 0:13:20 | 0:13:24 | |
There were hundreds of rabbits about everywhere you went. | 0:13:24 | 0:13:30 | |
On the road you'd see them, on the warrens at the side of the road... | 0:13:30 | 0:13:34 | |
Even the milkman came around with two or three rabbits on his cart | 0:13:34 | 0:13:39 | |
and says, "Do you want to buy a rabbit?" | 0:13:39 | 0:13:41 | |
What was your job in the fur factory? | 0:13:41 | 0:13:44 | |
Well, I was a machinist, you could say. | 0:13:44 | 0:13:48 | |
There were others with me, there were two or three departments there. | 0:13:48 | 0:13:52 | |
When the rabbit skins arrived, they were what they call wet ones. | 0:13:52 | 0:13:58 | |
When they were dry, they then used to go into the openers. | 0:13:58 | 0:14:03 | |
They handled them then and cut all the waste bits off | 0:14:03 | 0:14:07 | |
and opened the skin right out. | 0:14:07 | 0:14:09 | |
Then they went to their cardners who cleaned the skin up, | 0:14:09 | 0:14:14 | |
and then the cutting shop to take the fur off the skin. | 0:14:14 | 0:14:18 | |
So do you enjoy a rabbit now? | 0:14:21 | 0:14:24 | |
I wouldn't like one now, that's funny, isn't it? | 0:14:24 | 0:14:27 | |
By the 1970s, all factories had been closed down as rabbits had almost disappeared from the forest. | 0:14:30 | 0:14:36 | |
The rabbits we'd once wanted were now taking over the countryside and we wanted them out. | 0:14:36 | 0:14:41 | |
Myxomatosis was deliberately introduced and spread through Thetford's rabbit population, | 0:14:41 | 0:14:46 | |
killing 99% of them in just two years. | 0:14:46 | 0:14:48 | |
The disease was far more effective at killing rabbits | 0:14:48 | 0:14:52 | |
than anyone had expected, and with a loss of the rabbit population came the loss of a whole industry. | 0:14:52 | 0:14:57 | |
Today the disease has been controlled and the rabbit population has bounced right back. | 0:14:57 | 0:15:02 | |
So much so, they're an official pest, causing vast amounts of damage to young trees and other crops. | 0:15:02 | 0:15:08 | |
Controlling rabbit numbers is a constant struggle for Trevor Banham and his team of rangers. | 0:15:08 | 0:15:14 | |
How many rabbits are you having to get rid of in a year? | 0:15:14 | 0:15:17 | |
Currently around 10,000 a year, in the forest | 0:15:17 | 0:15:20 | |
which is nothing compared to the old days when the forest | 0:15:20 | 0:15:23 | |
was being established in the '20s when 100,000 plus a year would be killed. | 0:15:23 | 0:15:27 | |
Where do the rabbits go once you've caught them? | 0:15:27 | 0:15:29 | |
All these rabbits here will go off to the game dealer and they go into the food chain. | 0:15:29 | 0:15:34 | |
The rangers themselves may feed their dogs or ferrets on them. | 0:15:34 | 0:15:38 | |
How do the guys work this, then? | 0:15:38 | 0:15:39 | |
What you've got is Dudley and Paul here, they're working the ferret | 0:15:39 | 0:15:43 | |
to hopefully bolt the rabbits out so they can get shot. | 0:15:43 | 0:15:47 | |
They have just put the ferret in there. | 0:15:47 | 0:15:49 | |
Now you just wait for the rabbit to bolt? | 0:15:49 | 0:15:51 | |
Hopefully, yes. The ferret's got a collar around his neck. | 0:15:51 | 0:15:55 | |
This collar has a transmitter in it and Dudley or Paul will have the receiver | 0:15:55 | 0:15:59 | |
in his pocket and they'll have to draw that out and find out where the ferret is laying up underground. | 0:15:59 | 0:16:04 | |
Some people would think it was cruel to kill rabbits. | 0:16:06 | 0:16:09 | |
In some areas, we need rabbits. They can be a useful tool. | 0:16:09 | 0:16:12 | |
For somewhere like heathlands, we need them grazed, in conjunction with sheep, we get that happening. | 0:16:12 | 0:16:18 | |
But what else can we do? Rabbits are rabbits, and as we know they breed like rabbits! | 0:16:18 | 0:16:22 | |
We have to control numbers. | 0:16:22 | 0:16:24 | |
It's all part of the management of the forest, the habitat, the environment. | 0:16:24 | 0:16:29 | |
It's all part of a bigger picture. | 0:16:29 | 0:16:31 | |
Lucky for the rabbits, an unproductive day for the ferret and wardens, | 0:16:31 | 0:16:35 | |
and proof that controlling their numbers seems to be working. | 0:16:35 | 0:16:38 | |
Thetford's rabbits may have fallen from grace over the last few years, | 0:16:38 | 0:16:41 | |
but with careful management it's hoped that their future here is a more harmonious one. | 0:16:41 | 0:16:47 | |
I've left Peddar's Way behind me and followed Adam deep into the shady heart of Thetford Forest. | 0:16:52 | 0:16:59 | |
It may seem hard to believe, but this magnificent forest was actually | 0:17:00 | 0:17:04 | |
created after World War One to provide a strategic reserve | 0:17:04 | 0:17:08 | |
of timber as most of the oaks and slow-growing trees in this country had been lost to the war effort. | 0:17:08 | 0:17:14 | |
Its creation destroyed much of the typical Breckland environment of gorse and sandy ridges. | 0:17:16 | 0:17:22 | |
But, of course, that environment was itself man-made, since the area | 0:17:22 | 0:17:26 | |
had been stripped by activities like flint mining and rabbit grazing. | 0:17:26 | 0:17:30 | |
Today, the forest feels and looks completely established. | 0:17:30 | 0:17:34 | |
There's something incredibly peaceful and quiet about walking in the forest enveloped in the trees. | 0:17:35 | 0:17:42 | |
But that tranquillity is about to be shattered | 0:17:42 | 0:17:44 | |
because I'm taking to the canopy and a high-wire, I'm going ape. | 0:17:44 | 0:17:49 | |
The origins of Go Ape lie in France. | 0:18:01 | 0:18:04 | |
Back in 2001, Triss and Becks Mayhew were on holiday in the Auvergne. | 0:18:04 | 0:18:08 | |
They came across a French family swinging through the trees. | 0:18:08 | 0:18:12 | |
From the looks on their faces, it was clear both the kids | 0:18:12 | 0:18:15 | |
and their parents were having the time of their lives. | 0:18:15 | 0:18:18 | |
Eight years later, they've built one of the fastest growing companies in the country. | 0:18:18 | 0:18:22 | |
Right, I'm harnessed up, let's find out what this is all about. | 0:18:25 | 0:18:29 | |
-Simon. -Nice to meet you. -I'm Ben. | 0:18:29 | 0:18:31 | |
-How are you? -Very well. | 0:18:31 | 0:18:32 | |
-What's going to happen today, what's Go Ape about? -We're about to have a couple of hours of fun. | 0:18:32 | 0:18:36 | |
It's effectively an assault course | 0:18:36 | 0:18:38 | |
which is up to about 40 feet up in the air. | 0:18:38 | 0:18:40 | |
What I love is already the forest is reverberating to the sound of laughter. That's a good sign. | 0:18:40 | 0:18:45 | |
What's the first plan of action? | 0:18:45 | 0:18:47 | |
The first step, we've checked you're in the equipment safely and now we have to run through the safety brief. | 0:18:47 | 0:18:52 | |
Attached to the front of your harness there are two yellow and blue safety lines. | 0:18:52 | 0:18:57 | |
Around about belly-button height we have a metal ring, | 0:18:57 | 0:18:59 | |
-and you also have a pulley attached to your harness. -Yep. | 0:18:59 | 0:19:03 | |
Around every tree on the course, there is a red safety halo | 0:19:03 | 0:19:06 | |
into which you must clip your carabiniers one at a time. | 0:19:06 | 0:19:09 | |
When I clip them in, I clip one in one direction and the second one | 0:19:09 | 0:19:12 | |
in the opposite direction, making sure they're both closed. Release the pulley from the harness, | 0:19:12 | 0:19:17 | |
pop it over the top of the cable, from the halo around the tree, | 0:19:17 | 0:19:20 | |
place that straight through both the holes in the bottom of the pulley, long safety on. | 0:19:20 | 0:19:24 | |
Clip that onto the cable directly behind the pulley, | 0:19:24 | 0:19:27 | |
it always goes behind it, and notice how the carabiniers are opposite. | 0:19:27 | 0:19:30 | |
So, Simon, what would you hope the visitors here get out of an experience like this? | 0:19:36 | 0:19:40 | |
It's really just to get them back out in the countryside and really, | 0:19:40 | 0:19:44 | |
as our company ethos says, to live life a bit more adventurously. | 0:19:44 | 0:19:48 | |
Does it have a negative impact on the environment? | 0:19:48 | 0:19:50 | |
The local bird population seems to be fluctuating well, and as they're a top end indicator | 0:19:50 | 0:19:55 | |
of what's happening here, they seem to be showing us | 0:19:55 | 0:19:57 | |
that what we're doing here is, if anything, having a beneficial effect. | 0:19:57 | 0:20:01 | |
Fantastic. This is where we're going to start. Am I all set, then? | 0:20:01 | 0:20:06 | |
We've completed your training, Ben. Now it's up to you. | 0:20:06 | 0:20:09 | |
-Go have some fun. -I can't wait! | 0:20:09 | 0:20:10 | |
Let's see if I can remember everything. This clips onto here. | 0:20:10 | 0:20:14 | |
-Ta-da. -Perfect. -OK. | 0:20:16 | 0:20:18 | |
Right. Wish me luck! | 0:20:19 | 0:20:22 | |
Really excited about this. | 0:20:22 | 0:20:24 | |
Right, now this is called the Tarzan Swing. | 0:20:25 | 0:20:28 | |
To be honest, it looks quite scary. | 0:20:28 | 0:20:31 | |
Anyway, here we go. We're all on. | 0:20:31 | 0:20:34 | |
Woo-hoo-hoo-hoo-hoo! | 0:20:37 | 0:20:39 | |
Oh, I missed it! | 0:20:41 | 0:20:43 | |
Ha, ha, ha! Woo-hoo! | 0:20:54 | 0:20:58 | |
I LOVE this! | 0:20:59 | 0:21:02 | |
Woo! You don't have to take the high wire to enjoy the Thetford forest. | 0:21:05 | 0:21:11 | |
THEY CHEER | 0:21:11 | 0:21:13 | |
Using the forest as a playground brings many pleasures, not all of them planned. | 0:21:13 | 0:21:18 | |
Under cover of night, things are even less predictable. | 0:21:18 | 0:21:22 | |
I'm really excited | 0:21:26 | 0:21:28 | |
because I've been invited to the equinox star party. | 0:21:28 | 0:21:30 | |
I'm nearly there. | 0:21:30 | 0:21:32 | |
Ta-da! | 0:21:37 | 0:21:38 | |
Put that light out! > | 0:21:38 | 0:21:40 | |
I should have realised, not those sort of stars. | 0:21:40 | 0:21:43 | |
Forget glamour and celebrities, think tents and anoraks. | 0:21:43 | 0:21:46 | |
This is the only convention for British amateur astronomers. | 0:21:46 | 0:21:50 | |
200 people are camping here in Thetford Forest in Norfolk to look at stars, and planets, and galaxies. | 0:21:50 | 0:21:56 | |
It's a field where size and technology matter. | 0:21:56 | 0:21:59 | |
This is one that I've had for a couple of years now. | 0:21:59 | 0:22:02 | |
So what can you see through that, then? Everything? | 0:22:02 | 0:22:05 | |
Oh, yes. This is what you would call a computer-controlled telescope. | 0:22:05 | 0:22:10 | |
What you would do is... | 0:22:10 | 0:22:12 | |
..you'd punch in the coordinates of an object that you want to look at | 0:22:13 | 0:22:17 | |
and the telescope's computer will automatically slew the telescope to the object. | 0:22:17 | 0:22:21 | |
Which may take some of the skill out of it, | 0:22:21 | 0:22:24 | |
but does mean that we can see views once reserved for scientists, like the sun. | 0:22:24 | 0:22:28 | |
You need special filters to see the sun through a telescope - without them, it would blind you. | 0:22:28 | 0:22:33 | |
Here at the sky party, there are plenty of experts to help the uninitiated. | 0:22:33 | 0:22:37 | |
Konrad, what can I expect to see at this time of year? | 0:22:37 | 0:22:41 | |
Now that we're approaching autumn, | 0:22:41 | 0:22:43 | |
you'll find that Orion would be rising. | 0:22:43 | 0:22:46 | |
Not too far from the constellation Orion | 0:22:46 | 0:22:48 | |
is the constellation of Taurus. | 0:22:48 | 0:22:50 | |
And in Taurus the Bull, you'll find a nebula called the Crab Nebula, | 0:22:50 | 0:22:55 | |
which is the result of a supernova explosion about 900 years ago. | 0:22:55 | 0:22:59 | |
Now, since then, it's been discovered that the centre of the supernova explosion | 0:22:59 | 0:23:05 | |
is a rotating, hyper-dense object called the neutron star, | 0:23:05 | 0:23:09 | |
a model of which I'm presently holding in my hand. | 0:23:09 | 0:23:12 | |
And it goes extremely fast. | 0:23:12 | 0:23:14 | |
This particular model isn't actually the Crab Nebula pulsar, | 0:23:14 | 0:23:17 | |
but it does go around like this and if you happened to be standing | 0:23:17 | 0:23:22 | |
so that the torch sweeps in your direction, | 0:23:22 | 0:23:24 | |
you will see the lights and see flashes once every 30 seconds. | 0:23:24 | 0:23:30 | |
Right, that's clear, then. | 0:23:30 | 0:23:33 | |
At least there's a chance of seeing a pulsar, | 0:23:33 | 0:23:35 | |
whereas astronomers have to leave the country | 0:23:35 | 0:23:38 | |
to get photographs as stunning as this. | 0:23:38 | 0:23:40 | |
The skies in Britain are awful. | 0:23:40 | 0:23:42 | |
We suffer from something called light pollution. | 0:23:42 | 0:23:45 | |
This is stray lights blocking out the beauties of the night sky. | 0:23:45 | 0:23:48 | |
We go abroad to do away with that problem. | 0:23:48 | 0:23:51 | |
We go to a protected site in the Canary Islands, on top of a mountain | 0:23:51 | 0:23:55 | |
where the sky is arguably the best in the world. | 0:23:55 | 0:23:57 | |
You take these fantastic pictures. We're standing in the middle of nowhere, | 0:23:57 | 0:24:01 | |
surely there's no light pollution here? | 0:24:01 | 0:24:03 | |
There's light pollution in virtually every site in the UK. | 0:24:03 | 0:24:06 | |
No matter how far you travel in the UK, you'll find some form of light pollution, | 0:24:06 | 0:24:10 | |
and it's getting worse all the time. It's a growing problem. | 0:24:10 | 0:24:14 | |
Caused by us. So this event is open to the public to give astronomers the chance to explain | 0:24:14 | 0:24:20 | |
and, of course, to show off their equipment in the hope that more of us | 0:24:20 | 0:24:23 | |
will be inspired to spend sleepless nights gazing into the sky. | 0:24:23 | 0:24:28 | |
I'm enjoying just seeing all the telescopes | 0:24:28 | 0:24:30 | |
and being able to use them, because I hope that they're going to | 0:24:30 | 0:24:34 | |
let me come round this evening and use them. | 0:24:34 | 0:24:36 | |
You need to see the stars at night to appreciate | 0:24:36 | 0:24:39 | |
what it really is, and how far away they are. | 0:24:39 | 0:24:41 | |
It's amazing, it blows your mind. Phenomenal, really. | 0:24:41 | 0:24:45 | |
It really is, yeah. | 0:24:45 | 0:24:47 | |
And that's before the bar opened. | 0:24:47 | 0:24:49 | |
As for the astronomers... | 0:24:49 | 0:24:51 | |
I always come here and go home full of ideas, | 0:24:51 | 0:24:53 | |
so plenty of ideas to build a new telescope for next year. | 0:24:53 | 0:24:56 | |
We came along really to meet other astronomers, | 0:24:56 | 0:24:59 | |
to see the equipment and generally just to meet other people, really. | 0:24:59 | 0:25:04 | |
-And drink? -And drink, yes! We had a few! | 0:25:04 | 0:25:07 | |
As darkness falls, the stargazers prepare for a long night. | 0:25:08 | 0:25:12 | |
Warm food and thermal undies at the ready. All we need is a clear sky. | 0:25:12 | 0:25:18 | |
It's night, and it's cold, and there are a lot of telescopes set up, | 0:25:18 | 0:25:22 | |
but everybody's gone to the bar. | 0:25:22 | 0:25:24 | |
That's because it's really cloudy and you can't see a thing. | 0:25:24 | 0:25:27 | |
About two or three years ago, I discovered a new minor planet, an asteroid, | 0:25:29 | 0:25:34 | |
a lump of rock going round between Mars and Jupiter. | 0:25:34 | 0:25:38 | |
So I went out one night and found it. | 0:25:38 | 0:25:40 | |
It's a bit of real estate, it's only 30 miles across, | 0:25:40 | 0:25:43 | |
but there's a bit of real estate that's mine. | 0:25:43 | 0:25:45 | |
Take you a long time to visit it, | 0:25:45 | 0:25:46 | |
-wouldn't it? -Yeah, take a fair amount of time to do that! | 0:25:46 | 0:25:49 | |
How long would it take to get there? | 0:25:49 | 0:25:51 | |
It's something like about 270 million miles away. | 0:25:51 | 0:25:55 | |
So have any of you seen a UFO? | 0:25:55 | 0:25:56 | |
There was one occasion when it was about 4am, | 0:25:56 | 0:25:59 | |
I was probably a bit tired | 0:25:59 | 0:26:00 | |
and I saw a little green dot appear and disappear. | 0:26:00 | 0:26:03 | |
I was really confused for several days | 0:26:03 | 0:26:06 | |
as to what that could have been. It was a meteorite. | 0:26:06 | 0:26:08 | |
One night I was out in the garden and I could see all these things | 0:26:08 | 0:26:13 | |
moving round in the sky. I thought, "What the hell are they?" | 0:26:13 | 0:26:17 | |
What it was, it was a flock of pigeons | 0:26:17 | 0:26:20 | |
that the lights from the high street where shining up | 0:26:20 | 0:26:23 | |
and catching underneath their wings as they were going round. | 0:26:23 | 0:26:28 | |
I was looking up, "What the hell is that?" | 0:26:28 | 0:26:33 | |
The sky cleared, the bar cleared, the stars came out. | 0:26:39 | 0:26:42 | |
As did the men. This is a bit of a boys' night out. | 0:26:44 | 0:26:48 | |
Maybe women simply appreciate the view without the gizmos. | 0:26:48 | 0:26:52 | |
Low-tech... | 0:26:54 | 0:26:56 | |
Hi-tech... | 0:26:56 | 0:26:58 | |
even computer imaging, it's all here. | 0:26:58 | 0:27:01 | |
This is one advantage, the poor visual observers can't see Saturn at all, | 0:27:01 | 0:27:05 | |
and yet look how clear it is on a computer screen. | 0:27:05 | 0:27:08 | |
But in a way, though, because this is computerised, | 0:27:08 | 0:27:11 | |
it doesn't seem real. Whereas if you look up and can see something, then it... | 0:27:11 | 0:27:15 | |
-Do you see what I mean? Or am I being a purist? -You are being a purist! | 0:27:15 | 0:27:19 | |
THEY LAUGH | 0:27:19 | 0:27:21 | |
You need to be elsewhere and amongst others! | 0:27:21 | 0:27:23 | |
THEY LAUGH | 0:27:23 | 0:27:24 | |
After a starry night comes dawn, and the rain. | 0:27:34 | 0:27:38 | |
Close to Thetford Forest is Lynford arboretum, and I'm starting the day here listening to birdsong. | 0:27:45 | 0:27:52 | |
It seems that rain really is a big part of this area. | 0:27:57 | 0:28:01 | |
I've been to rainforests before, but never in the UK. | 0:28:01 | 0:28:05 | |
Now, a feature of spring and summer is the dawn chorus, | 0:28:05 | 0:28:09 | |
something that very few of us get to experience intentionally. | 0:28:09 | 0:28:14 | |
But I set the alarm early, it's 4.30am and I'm off to listen | 0:28:14 | 0:28:18 | |
to one of these musical wonders of the natural world. | 0:28:18 | 0:28:21 | |
I'm armed with a special parabolic microphone | 0:28:27 | 0:28:30 | |
that can pick out individual birdsong over great distances. | 0:28:30 | 0:28:35 | |
Luckily, I'm also armed with a forest ecologist who can explain exactly what I'm hearing. | 0:28:35 | 0:28:40 | |
First of all, what is the dawn chorus? Why are the birds so active at this early time in the morning? | 0:28:40 | 0:28:45 | |
Birds are up and they're wanting | 0:28:45 | 0:28:47 | |
to basically drive a stake into the ground and say, "This is mine, | 0:28:47 | 0:28:51 | |
"I'm here, this is my territory, keep out" | 0:28:51 | 0:28:53 | |
to all of the other birds of the same species. | 0:28:53 | 0:28:56 | |
So is it a case of the noisiest bird wins, or the most musical? | 0:28:56 | 0:29:00 | |
It's a combination of both. Studies have shown | 0:29:00 | 0:29:05 | |
that it's birds with both the brightest and loudest song, | 0:29:05 | 0:29:11 | |
but also, other species, it's the ones with the most clever song, | 0:29:11 | 0:29:15 | |
the most complex and involved and intricate song. | 0:29:15 | 0:29:18 | |
I can hear, somewhere along here, it sounds like it's in that tree. | 0:29:27 | 0:29:32 | |
Yeah, the sedge warbler, he's definitely chirping away quite loudly in this willow just here. | 0:29:32 | 0:29:38 | |
In this low bit of scrub on the edge of the meadow. | 0:29:38 | 0:29:41 | |
He's got a very complex series of calls, different phrases, | 0:29:41 | 0:29:46 | |
from those scratchy noises right through | 0:29:46 | 0:29:50 | |
to trilling and fluty warbling sort of sounds. | 0:29:50 | 0:29:56 | |
-Is it true that birds can have regional accents? -Yes, yes, they do. | 0:29:56 | 0:30:00 | |
They gradually become more complicated, the sounds, | 0:30:00 | 0:30:04 | |
and regionally become different, more varied. | 0:30:04 | 0:30:07 | |
Some experts can tell which part of the country they're in | 0:30:07 | 0:30:10 | |
by just listening to the range of sounds that certain species make. | 0:30:10 | 0:30:14 | |
We've got something in this tree over here. Can you tell what that is? | 0:30:20 | 0:30:25 | |
Yes, he's a male chaffinch, probably our most common finch, | 0:30:25 | 0:30:30 | |
he'll turn up in anybody's garden or in the park. | 0:30:30 | 0:30:35 | |
He gives a very short trill and then a series of descending little sounds. | 0:30:35 | 0:30:41 | |
It's a very compact and quite a short call, it's not complex. | 0:30:41 | 0:30:45 | |
That's, I think, him at the top there. You can't really distinguish the colours in this light. | 0:30:45 | 0:30:50 | |
No, but if you saw him on a nice sunny day, | 0:30:50 | 0:30:54 | |
you'd see he has a nice, warm, peachy breast and a nice blue cap and a green rump. | 0:30:54 | 0:31:02 | |
Quite a handsome bird. | 0:31:02 | 0:31:03 | |
Well, we are in England after all. | 0:31:12 | 0:31:14 | |
I'm soaked through, but I've had a magical morning. | 0:31:14 | 0:31:18 | |
While I dry off from this very British weather, | 0:31:18 | 0:31:21 | |
it's intriguing to think that one of Thetford's most famous residents | 0:31:21 | 0:31:25 | |
would have been used to a very different climate. | 0:31:25 | 0:31:28 | |
Duleep Singh was the last Maharajah of the Punjab. | 0:31:28 | 0:31:32 | |
This fine statue of him stands by the river in Thetford, but how did he get here? | 0:31:38 | 0:31:44 | |
He became Maharajah at the age of five, | 0:31:44 | 0:31:47 | |
but the defeat of the Sikh Army by the British during the 1840s meant that he lost his kingdom. | 0:31:47 | 0:31:54 | |
The Maharajah was offered a deal by the British - | 0:31:54 | 0:31:57 | |
"Give up everything in the Punjab, live in exile in England, | 0:31:57 | 0:32:00 | |
"and we'll give you a hefty pension. | 0:32:00 | 0:32:03 | |
"Reject that, and you can live in poverty in the Punjab under British rule." | 0:32:03 | 0:32:08 | |
He didn't have much of a choice, did he? | 0:32:08 | 0:32:10 | |
He handed everything over, including the famous Koh-I-Noor diamond. | 0:32:10 | 0:32:14 | |
This isn't the real one, | 0:32:14 | 0:32:16 | |
this is a replica in the Ancient House Museum in Thetford, | 0:32:16 | 0:32:19 | |
which was set up by one of his sons. | 0:32:19 | 0:32:21 | |
The real diamond is part of the Crown Jewels. | 0:32:21 | 0:32:24 | |
Duleep Singh was the first Sikh to live in England. | 0:32:25 | 0:32:29 | |
He brought an estate at Elveden near Thetford and became a favourite of Queen Victoria. | 0:32:29 | 0:32:34 | |
He converted to Christianity and enjoyed the privileged life of an English country gent. | 0:32:34 | 0:32:40 | |
There's no doubt that he took to East Anglia, he took to Thetford. | 0:32:40 | 0:32:43 | |
After all, his roots lay in the countryside. | 0:32:43 | 0:32:47 | |
The Punjab, which was his kingdom, | 0:32:47 | 0:32:49 | |
is an agrarian community. | 0:32:49 | 0:32:50 | |
He hosted many royal shooting parties here, | 0:32:50 | 0:32:53 | |
he still holds a record for the greatest number of grouse shot in one day. | 0:32:53 | 0:32:58 | |
It seems that he fitted in very well into a rigid Victorian society. | 0:32:58 | 0:33:03 | |
He was affectionately known as the Black Prince, and although he was a bit of an enigma, | 0:33:03 | 0:33:08 | |
the fact that he was Christian, | 0:33:08 | 0:33:10 | |
the fact he was a philanthropist, a benefactor, meant that he had a very good reputation. | 0:33:10 | 0:33:15 | |
Was he ever allowed back to the Punjab? | 0:33:15 | 0:33:17 | |
He was never allowed to go back to his own kingdom, Punjab. | 0:33:17 | 0:33:20 | |
So he did try to go back? | 0:33:20 | 0:33:22 | |
He tried, and towards the end of his life, | 0:33:22 | 0:33:24 | |
we see him leading agitations against the government to say, | 0:33:24 | 0:33:28 | |
"Look, can I be restored to my kingdom? | 0:33:28 | 0:33:31 | |
"Can the promises made to me as part of the treaty be kept?" | 0:33:31 | 0:33:35 | |
Unfortunately, they were all broken. | 0:33:35 | 0:33:37 | |
His allowance was reduced, he was deprived of all of his assets. | 0:33:37 | 0:33:41 | |
But he remains a very potent figure for the Sikhs. | 0:33:41 | 0:33:45 | |
He was our last ruler, so whilst he doesn't have any spiritual significance, | 0:33:45 | 0:33:50 | |
as a cultural and historical figure he's unmatched. | 0:33:50 | 0:33:53 | |
At the end of his life, | 0:33:55 | 0:33:57 | |
Duleep Singh was living in Paris, his health broken, virtually penniless. | 0:33:57 | 0:34:02 | |
He died in 1893 at the age of 55 and his body was brought back to England | 0:34:02 | 0:34:08 | |
to be buried here in the churchyard at Elveden. | 0:34:08 | 0:34:12 | |
The final resting place of the last Maharajah of the Punjab. | 0:34:12 | 0:34:16 | |
I'm on a journey in the heart of East Anglia. | 0:34:22 | 0:34:24 | |
I began in Tibenham and travelled to Knettishall. | 0:34:24 | 0:34:28 | |
I then went into the canopy of the Thetford forest. | 0:34:28 | 0:34:31 | |
Now I've travelled to a place called Grime's Graves. | 0:34:31 | 0:34:35 | |
This grassy, lunar landscape is actually evidence of an ancient industrial site, | 0:34:38 | 0:34:44 | |
consisting of over 400 shafts, pits, quarries and spoil dumps. | 0:34:44 | 0:34:49 | |
Set in the distinctive Beckland Heath landscape, Grime's Graves | 0:34:49 | 0:34:52 | |
is the only Neolithic flint mine open to visitors in Britain. | 0:34:52 | 0:34:56 | |
The area was once known as Grimm's Graves, or The Devil's Holes. | 0:34:58 | 0:35:03 | |
It wasn't until one was excavated in 1870 that they discovered | 0:35:03 | 0:35:07 | |
they dated back more than 5,000 years, to late Neolithic times. | 0:35:07 | 0:35:13 | |
What the prehistoric miners were looking for was the fine-quality, jet-black flint floor stone, | 0:35:17 | 0:35:23 | |
which occurs some nine metres below surface level. | 0:35:23 | 0:35:26 | |
Digging with red deer antler picks, they sank shafts | 0:35:26 | 0:35:30 | |
from which radiated gallery tunnels, following the seams. | 0:35:30 | 0:35:34 | |
John Lord, a master flintknapper, is going to show me how this prized stone was worked. | 0:35:34 | 0:35:39 | |
So, there are different types of flint, obviously? | 0:35:43 | 0:35:46 | |
It differs in where it is in the chalk strata. | 0:35:46 | 0:35:50 | |
You get the upper flints, | 0:35:50 | 0:35:51 | |
they're usually rather small, irregular nodules | 0:35:51 | 0:35:55 | |
and not much use for a great deal. | 0:35:55 | 0:35:57 | |
A bit further down, you get larger, very regular-shaped nodules and then, lower than that, | 0:35:57 | 0:36:03 | |
you get lenticular boulders, sometimes metres across, as you find here in parts of Grime's Graves. | 0:36:03 | 0:36:10 | |
So, how would they have then started working a piece of flint like this? | 0:36:10 | 0:36:15 | |
They pick an area that's got either a natural fracture or a concavity, | 0:36:15 | 0:36:22 | |
and they'd start working it into a rough out, depending on what they were making. | 0:36:22 | 0:36:28 | |
If you want me to show you this, do you want to pop a pair of these on? | 0:36:28 | 0:36:32 | |
Eye protection. I'm sure they didn't have these, | 0:36:32 | 0:36:35 | |
but I'm sure they had this weather, | 0:36:35 | 0:36:37 | |
and they would have been out whatever. | 0:36:37 | 0:36:39 | |
-Wow. Oh, look at that! -Beautiful stuff. | 0:36:41 | 0:36:43 | |
It's amazing how easily it shatters. | 0:36:43 | 0:36:46 | |
Does that mean that it's not very strong? | 0:36:46 | 0:36:49 | |
It's incredibly strong. | 0:36:49 | 0:36:51 | |
The surface of the flint is harder than steel. | 0:36:51 | 0:36:55 | |
Any cutting edge that you produce will last a lot longer than steel. | 0:36:55 | 0:36:59 | |
And in late Neolithic and Early Bronze Age times, what would they have made out of flint? | 0:36:59 | 0:37:05 | |
What would they have used it for? | 0:37:05 | 0:37:07 | |
Axes, knives, scrapers, really general tools. | 0:37:07 | 0:37:11 | |
Can I have a go at breaking it? | 0:37:11 | 0:37:14 | |
-Whack it with the round edge, about there. -About there. | 0:37:14 | 0:37:20 | |
Not much good in wetting the spot, because it's already wet! | 0:37:20 | 0:37:23 | |
-So, quite hard? -Positive. | 0:37:23 | 0:37:26 | |
Good shot. | 0:37:26 | 0:37:28 | |
Yeah? That's amazing. It shatters like glass. | 0:37:28 | 0:37:32 | |
If you warmed it up, it's got the components, it would turn to glass. | 0:37:32 | 0:37:36 | |
So, how did you learn how to do this? | 0:37:36 | 0:37:39 | |
I'm still learning, really. | 0:37:40 | 0:37:42 | |
I've been doing it for 35 years, but I think I started really learning this when I worked here. | 0:37:42 | 0:37:49 | |
There were so many people interested in the site, | 0:37:49 | 0:37:53 | |
and exactly what went on. I was answering questions, or trying to answer questions. | 0:37:53 | 0:37:59 | |
I thought, I'd better find out how it's done before I start telling anybody. | 0:37:59 | 0:38:04 | |
Can you see that taper now? | 0:38:04 | 0:38:06 | |
-Yes, exactly. -Just gradual. | 0:38:06 | 0:38:09 | |
It's going to go into a haft, and the wedge shape will hold it there. | 0:38:09 | 0:38:13 | |
So, the wooden handle effectively? | 0:38:13 | 0:38:16 | |
-So, we've now got the workings of a Neolithic axe? -Yeah. | 0:38:16 | 0:38:20 | |
Do you think you could fell some trees with that? | 0:38:20 | 0:38:23 | |
This will penetrate and cut timber down. If you can haft it comfortably, certainly. | 0:38:23 | 0:38:28 | |
That was absolutely fascinating, thank you very much. | 0:38:28 | 0:38:31 | |
And in the rain! | 0:38:31 | 0:38:32 | |
THEY LAUGH | 0:38:32 | 0:38:34 | |
I've left Grime's Graves behind, and I'm heading further south, | 0:38:42 | 0:38:46 | |
to the town of Newmarket, and its world-famous racetrack. | 0:38:46 | 0:38:50 | |
This is the home of one of Britain's top racehorse trainers, | 0:39:04 | 0:39:08 | |
and I've been given exclusive access to follow the day in the life of a thoroughbred. | 0:39:08 | 0:39:12 | |
And what's more, today is no ordinary day - it's race day. | 0:39:12 | 0:39:16 | |
-Good morning. -Hello. -You must be Linda. -Yes. | 0:39:22 | 0:39:25 | |
Hi, Linda, I'm Ben. Nice to meet you. Who's this very handsome boy? | 0:39:25 | 0:39:28 | |
-This is Marosh. -He's beautiful. | 0:39:28 | 0:39:32 | |
He is, very. He's very nice. | 0:39:32 | 0:39:33 | |
So, early in the morning, this is his big race day. Do you know what time he's actually racing? | 0:39:33 | 0:39:38 | |
He's running at 5.45. | 0:39:38 | 0:39:39 | |
So, he's got the whole day ahead of him. | 0:39:39 | 0:39:41 | |
So, what's the first thing this morning? | 0:39:41 | 0:39:43 | |
He's going on to the walker in a moment, | 0:39:43 | 0:39:46 | |
and he's going to have an exercise on there for half an hour. | 0:39:46 | 0:39:49 | |
So, he has a groom now, before he goes on. | 0:39:49 | 0:39:52 | |
And then, after that, he'll spend the day relaxing before this afternoon. | 0:39:52 | 0:39:56 | |
-So, how old is Marosh? -He's two. | 0:39:56 | 0:39:58 | |
And is that the age of most racehorses? | 0:39:58 | 0:40:00 | |
Yes, they begin their career at two | 0:40:00 | 0:40:03 | |
and they can go on for a good few years. | 0:40:03 | 0:40:05 | |
Is your heart in your mouth when you watch them racing? Do you get nervous? | 0:40:05 | 0:40:09 | |
It is, because you're really rooting for them, and obviously you do so much work with them every day, | 0:40:09 | 0:40:14 | |
and it's so good to see them do well. | 0:40:14 | 0:40:17 | |
It's really good to watch them progress. | 0:40:17 | 0:40:19 | |
-Does he know where we're going now? -Yeah. -Do they enjoy it? | 0:40:25 | 0:40:28 | |
-Yeah, he loves his exercise. -Really? | 0:40:28 | 0:40:31 | |
He's anxious to get going, isn't he? | 0:40:32 | 0:40:35 | |
He loves it on there. | 0:40:35 | 0:40:36 | |
So, the idea of this, this is just a fast walking pace? | 0:40:36 | 0:40:42 | |
They'll get a nice brisk walk on here. | 0:40:42 | 0:40:44 | |
-He looks quite frisky. -He is quite frisky. | 0:40:44 | 0:40:47 | |
Obviously, he's a colt so he can be quite playful, | 0:40:47 | 0:40:50 | |
quite boisterous, but that's all part of who he is and that's obviously a good thing in a racehorse. | 0:40:50 | 0:40:57 | |
Marosh's race-day is set to a strict schedule. | 0:40:58 | 0:41:01 | |
Following his morning exercise on the walker, he's put back into his freshly mucked-out stable. | 0:41:01 | 0:41:07 | |
At lunch, he has a special mix feed, fresh water then, in the afternoon, a good rest. | 0:41:07 | 0:41:12 | |
Finally, he's groomed, tacked up, and given some finishing touches | 0:41:12 | 0:41:16 | |
to make sure he's looking his best before he's put into the trailer for the short drive to Newmarket races. | 0:41:16 | 0:41:23 | |
There we have it, Marosh is safely in the horsebox. | 0:41:27 | 0:41:30 | |
He's been groomed, he's had a nice relaxing day, and now, the really hard stuff begins. | 0:41:30 | 0:41:35 | |
We're off to the 5.45 at Newmarket. | 0:41:35 | 0:41:38 | |
Race-day is the measure of all the hard work and preparation a stable puts in. | 0:41:40 | 0:41:45 | |
All these horses are bred to be winners, | 0:41:45 | 0:41:47 | |
and the showcase for British thoroughbred breeding is the National Stud. | 0:41:47 | 0:41:52 | |
It's reckoned one in four people living in Newmarket is involved in the racing business. | 0:41:59 | 0:42:04 | |
Just outside the town is the National Stud, dedicated to breeding thoroughbreds. | 0:42:04 | 0:42:09 | |
And perhaps its most famous stallion was the great Derby winner Mill Reef. | 0:42:09 | 0:42:14 | |
As part of its educational brief, the stud is open to the public. | 0:42:14 | 0:42:19 | |
So, was the National Stud actually set up to breed racehorses? | 0:42:19 | 0:42:24 | |
Not originally, no. | 0:42:24 | 0:42:25 | |
It was originally set up in 1916, | 0:42:25 | 0:42:28 | |
when a chap called Colonel Hall Walker, | 0:42:28 | 0:42:30 | |
who later became Lord Wavertree, | 0:42:30 | 0:42:33 | |
gifted his horses to the government, | 0:42:33 | 0:42:36 | |
with the idea of breeding and producing horses for the army. | 0:42:36 | 0:42:40 | |
Obviously, that need became less and less as time passed by and we've evolved into what we are now. | 0:42:40 | 0:42:47 | |
Horse racing is an elitist sport, you've got to be pretty wealthy to get really involved in it, | 0:42:47 | 0:42:52 | |
so is the National Stud trying to do anything to make it more accessible? | 0:42:52 | 0:42:56 | |
Yes, that's the whole raison d'etre actually, of the National Stud, | 0:42:56 | 0:43:00 | |
is about raising awareness and educating people. | 0:43:00 | 0:43:03 | |
One of the means of doing that is our owner breeders' clubs. | 0:43:03 | 0:43:06 | |
The most recent one is the Blakeney Club, | 0:43:06 | 0:43:09 | |
which is open to anybody to join for £1,500 and it's a five-year club. | 0:43:09 | 0:43:16 | |
They own their own mares, the mares have foals, | 0:43:16 | 0:43:20 | |
one of the foals per year may be retained | 0:43:20 | 0:43:22 | |
to go into training as a two-year-old, and the others are sold. | 0:43:22 | 0:43:26 | |
So they have the experience of being involved with the purchase of mares, | 0:43:26 | 0:43:30 | |
the covering and mating plans of mares, the racing of the two-year-old, | 0:43:30 | 0:43:34 | |
and then the selling of all the bloodstock at the end of the five years. | 0:43:34 | 0:43:38 | |
The National Stud also runs government-funded diploma courses, | 0:43:38 | 0:43:42 | |
which are free to young people from all backgrounds | 0:43:42 | 0:43:45 | |
who are wanting to take up a career in the racing industry. | 0:43:45 | 0:43:50 | |
What kind of things are you learning? | 0:43:50 | 0:43:52 | |
We're learning about the care of the mare and foal, | 0:43:52 | 0:43:56 | |
how to look after sick foals, or ill foals. | 0:43:56 | 0:43:59 | |
And the problems we have getting mares and foals sometimes. | 0:43:59 | 0:44:04 | |
Would you have been able to do this course if you had to pay for it? | 0:44:04 | 0:44:09 | |
It would have been quite difficult, | 0:44:09 | 0:44:11 | |
cos it would have cost quite a bit, with accommodation and food. | 0:44:11 | 0:44:15 | |
So what's your ambition, | 0:44:15 | 0:44:16 | |
once you've got the Diploma? And you're going to get it, aren't you? | 0:44:16 | 0:44:20 | |
I'm going to get it! I'm hoping to go travelling across the world | 0:44:20 | 0:44:24 | |
and experience how studs are run in Australia and New Zealand. | 0:44:24 | 0:44:29 | |
The stud has a line-up of six top-class stallions, | 0:44:30 | 0:44:33 | |
and owners of mares pay competitive rates to have them mated, | 0:44:33 | 0:44:36 | |
hoping for winners like this. | 0:44:36 | 0:44:39 | |
Because gestation lasts for 340 days, owners have a long wait before they see the results. | 0:44:39 | 0:44:45 | |
Right now, it's foaling time. This little filly was born six weeks ago. | 0:44:45 | 0:44:49 | |
She was one of the first. Since then, there have been another 40, and there could be 50 more to come. | 0:44:49 | 0:44:54 | |
Can you tell at this early age, this one is just a few weeks old, whether it's got potential? | 0:45:03 | 0:45:08 | |
You can always tell if you've a nice foal when they're born | 0:45:08 | 0:45:14 | |
and then you hope... | 0:45:14 | 0:45:15 | |
you hope everybody else, when they go to the sales, | 0:45:15 | 0:45:18 | |
will see they have potential. | 0:45:18 | 0:45:20 | |
Over the years of working with these animals, you do get to instantly recognise if it's a nice foal. | 0:45:20 | 0:45:27 | |
Would you put your money on this one or not? | 0:45:27 | 0:45:29 | |
This foal here is by a first-season sire called Starcraft. | 0:45:29 | 0:45:35 | |
He was an exceptional racehorse. Hopefully, this has every chance | 0:45:35 | 0:45:39 | |
and will be, hopefully, as good as his dad one day. | 0:45:39 | 0:45:43 | |
Do you ever have a bet on a foal that you've seen delivered here? | 0:45:43 | 0:45:48 | |
Every mare I've foaled, I've followed their offspring | 0:45:48 | 0:45:51 | |
and I always like to keep track of which trainer they go to, | 0:45:51 | 0:45:54 | |
their names and like to watch them on the racecourse. | 0:45:54 | 0:45:57 | |
If there's one or two I always was very fond of, I normally support them when they go to the races. | 0:45:57 | 0:46:04 | |
You make a profit from it then? | 0:46:04 | 0:46:06 | |
No, no! The biggest tip is not to back them. | 0:46:06 | 0:46:10 | |
And, who knows, maybe in a few years' time, this young colt could be a star of the turf. | 0:46:20 | 0:46:27 | |
Today, I'm hoping the star of the turf will be Marosh. | 0:46:30 | 0:46:34 | |
We're arriving at the famous Newmarket racecourse for his big race. The 5.45. | 0:46:34 | 0:46:41 | |
Marosh's trainer is already here. | 0:46:41 | 0:46:44 | |
First of all, what makes a good racehorse? | 0:46:44 | 0:46:46 | |
Pedigree, conformation... size of the engine. | 0:46:46 | 0:46:50 | |
Here he comes, in fact, with Linda. | 0:46:50 | 0:46:52 | |
Looking a bit frisky today. | 0:46:52 | 0:46:54 | |
Yes, he's a bit friskier than he was this morning. | 0:46:54 | 0:46:57 | |
This morning, he wasn't subdued at all, | 0:46:57 | 0:46:59 | |
but he was very quiet and very relaxed, | 0:46:59 | 0:47:01 | |
but he's definitely a little bit more on his toes, | 0:47:01 | 0:47:04 | |
which is a good sign. | 0:47:04 | 0:47:05 | |
-You're happy with that? -Definitely. | 0:47:05 | 0:47:07 | |
What do you think his chances are today? | 0:47:07 | 0:47:09 | |
I'd say he's got a very good chance. If we were second, I'd be delighted. | 0:47:09 | 0:47:13 | |
Third, I'd be a smidgen disappointed, | 0:47:13 | 0:47:15 | |
fourth, very disappointed, fifth, I'll be home before he gets home. | 0:47:15 | 0:47:19 | |
-This is the saddle? -This is the saddle. | 0:47:24 | 0:47:27 | |
Not much of it. It's teeny. That's just extraordinary, isn't it? | 0:47:27 | 0:47:32 | |
Yes, that's a fair-sized saddle, actually, compared to what some of them use. | 0:47:32 | 0:47:36 | |
It's very important, the weight of the jockey, the saddle and the horse, is that right? | 0:47:36 | 0:47:40 | |
It adds up to the weight on the race card, which is nine stone three, I think. Yes, this is a weight cloth. | 0:47:40 | 0:47:47 | |
A chamois to stop the saddle from slipping and a number cloth. | 0:47:47 | 0:47:53 | |
With the saddle fitted, the remainder of the nine stone three is our jockey for the day. | 0:47:59 | 0:48:04 | |
You're confident today? | 0:48:04 | 0:48:06 | |
-Yes, very much so. -Is there much rivalry between you jockeys? | 0:48:06 | 0:48:09 | |
Um... Yeah, we're all mates, but at the end of the day, | 0:48:09 | 0:48:13 | |
when we come out here, it's about winning. | 0:48:13 | 0:48:17 | |
No inches asked and no inches given. | 0:48:17 | 0:48:20 | |
It's just part and parcel of the job. It's the way it goes. | 0:48:20 | 0:48:26 | |
-I'm going to put some money on you. Please win. -I'll do my best. | 0:48:26 | 0:48:31 | |
I don't think any of the newcomers are going to lead. I doubt that. | 0:48:31 | 0:48:35 | |
If Johnson wants to go on, just sit right on its quarters all the way. | 0:48:35 | 0:48:39 | |
Yeah, I'm going to quarter-up to him pretty much from the word go. | 0:48:39 | 0:48:42 | |
Beautiful. I don't mind if you lead all the way. | 0:48:42 | 0:48:45 | |
You know he's as straight as a die. He knows his job. Good, OK. | 0:48:45 | 0:48:48 | |
Good luck. | 0:48:48 | 0:48:50 | |
The time's come to part with some of my hard-earned cash on the lovely Marosh. | 0:48:51 | 0:48:57 | |
Hello. Can I please put £5 on Marosh? | 0:48:57 | 0:49:01 | |
£5 on Number 2. | 0:49:02 | 0:49:03 | |
Yes, please. So that's 9 to 2? | 0:49:03 | 0:49:06 | |
Four-and-a-half to one. If it wins, I'll pay you 5-1. | 0:49:06 | 0:49:09 | |
Yes, will you? Can I shake on that, a gentleman's agreement? | 0:49:09 | 0:49:12 | |
5-1 on Marosh. | 0:49:12 | 0:49:14 | |
I began my Norfolk journey high in the sky above Tibenham Airfield. | 0:49:20 | 0:49:23 | |
I travelled along the Peddar's Way before going ape up in the trees of Thetford Forest. | 0:49:23 | 0:49:29 | |
I then went to Lynford and on to the Neolithic site of Grime's Graves | 0:49:29 | 0:49:33 | |
before arriving at my final destination, Newmarket. | 0:49:33 | 0:49:37 | |
Newmarket is known as the historic home of horseracing. | 0:49:42 | 0:49:45 | |
It has two racecourses and 50 miles of gallop turf. | 0:49:45 | 0:49:49 | |
Typically, there are over 2,500 racehorses training in this area. | 0:49:49 | 0:49:54 | |
But for me, it's all about one horse. | 0:49:54 | 0:49:56 | |
We've followed Marosh throughout the day and he's about to compete in his big race, | 0:49:56 | 0:50:01 | |
the 5.45. | 0:50:01 | 0:50:03 | |
Right, I have put my bet on. | 0:50:05 | 0:50:07 | |
-How much have you put on? -£5. | 0:50:07 | 0:50:09 | |
-Each way or on the nose? -I don't know. | 0:50:09 | 0:50:11 | |
I got the worst odds, I got 9-2, but then he promised me 5-1. But I assume I just put it on winning. | 0:50:11 | 0:50:18 | |
Apparently, I take home about £27 if I win. | 0:50:18 | 0:50:21 | |
That would buy you fish and chips and a nice bottle of wine. | 0:50:21 | 0:50:24 | |
-You must be Tom. -I am, indeed. | 0:50:24 | 0:50:26 | |
You're one of the owners of Marosh? | 0:50:26 | 0:50:28 | |
I am, yes. | 0:50:28 | 0:50:29 | |
You look very... Everyone is relaxed. I think I'm the only one that has got nerves today. | 0:50:29 | 0:50:33 | |
We're probably more used to it than you, in fairness. | 0:50:33 | 0:50:36 | |
I was nervous when he ran in France because it's a long way to go | 0:50:36 | 0:50:39 | |
if he had underperformed. Here, it's only just down the road. | 0:50:39 | 0:50:43 | |
He's run before. We're hopeful, but there's a horse that's really quite well fancied in the race. | 0:50:43 | 0:50:49 | |
Perhaps if we were that horse, I'd be more nervous because we'd be expected to win. | 0:50:49 | 0:50:54 | |
You're the underdogs and therefore the pressure isn't on you? | 0:50:54 | 0:50:57 | |
We're still second in the betting, so fingers crossed we can come second. | 0:50:57 | 0:51:01 | |
What would it mean to you if Marosh did win? | 0:51:01 | 0:51:04 | |
It would be very nice, to be honest. | 0:51:04 | 0:51:07 | |
With the youngsters, it's always, I think, an extra little buzz | 0:51:07 | 0:51:12 | |
that you've actually bought when they're a yearling, | 0:51:12 | 0:51:15 | |
that you've found something that's quite nice and you watch them grow up | 0:51:15 | 0:51:19 | |
at the stables, whereas perhaps with an older horse, | 0:51:19 | 0:51:21 | |
a lot of what they do on the racetrack has already been there before. | 0:51:21 | 0:51:25 | |
It's not unexpected. | 0:51:25 | 0:51:27 | |
Perhaps an element of surprise and added buzz with a young one. | 0:51:27 | 0:51:30 | |
We're off. Here we go. | 0:51:30 | 0:51:32 | |
Wearing orange and blue and the number two is our horse, Marosh. | 0:51:32 | 0:51:37 | |
-ANNOUNCER: -Social Grace on the right through the first furlong. | 0:51:40 | 0:51:44 | |
The favourite's leading and we're third. | 0:51:44 | 0:51:47 | |
-We're closing up now. -Come on! | 0:51:50 | 0:51:52 | |
Furlong and a half complete, it's The Hermitage, Joe Fanning controlling the pace here. | 0:51:52 | 0:51:58 | |
Marosh, Shane Kelly in the blue and orange striding on. | 0:51:58 | 0:52:02 | |
Social Grace pushed along... | 0:52:02 | 0:52:05 | |
The finish line is just here. | 0:52:06 | 0:52:09 | |
-Where is he? -He's just up there. | 0:52:09 | 0:52:11 | |
Come on! Here they come! | 0:52:11 | 0:52:13 | |
Social Grace begins to run on from Audacity Of Hope, Marosh and Rosedale. | 0:52:13 | 0:52:20 | |
The Hermitage has quickened a couple of lengths clear. | 0:52:20 | 0:52:24 | |
Social Grace is back in third. The Hermitage is extending. | 0:52:24 | 0:52:29 | |
Roaring away. Joe Fanning steals a peek. No dangers for The Hermitage... | 0:52:29 | 0:52:33 | |
Ohhhh! Fourth place for Marosh. | 0:52:36 | 0:52:39 | |
-He finished. -He did. | 0:52:39 | 0:52:41 | |
And we can blame you for cursing him. | 0:52:41 | 0:52:43 | |
Are you disappointed by that? | 0:52:43 | 0:52:46 | |
Yes, there may possibly be an explanation, | 0:52:46 | 0:52:49 | |
the ground may not have been right for him, it might have been a false pace, we don't know. | 0:52:49 | 0:52:54 | |
-I think we should see what the jockey says. -Absolutely. | 0:52:54 | 0:52:57 | |
That's a bit disappointing. | 0:52:57 | 0:53:00 | |
So, I think everyone's a bit disappointed, really. | 0:53:12 | 0:53:17 | |
Fourth, but we'll go and find out how the jockey found it. | 0:53:17 | 0:53:21 | |
The conditions are pretty quick. | 0:53:21 | 0:53:23 | |
It was all happening a bit too fast for him. | 0:53:23 | 0:53:27 | |
Because of the downhill into the dip, | 0:53:27 | 0:53:29 | |
he didn't handle that well because he wasn't travelling that well. | 0:53:29 | 0:53:33 | |
The conditions were just against him. | 0:53:33 | 0:53:35 | |
He's a horse for the future, I'd say, more so than actually now. | 0:53:35 | 0:53:39 | |
Do think so? So there is a bright light? | 0:53:39 | 0:53:42 | |
Absolutely. The ground was just a little bit too lively for him. | 0:53:42 | 0:53:47 | |
-Yes. -OK. -Thanks. -Thank you very much. | 0:53:47 | 0:53:49 | |
And thank you guys for letting me follow you throughout the day. | 0:53:49 | 0:53:52 | |
-Sorry it wasn't as happy an ending as we hoped, but, hey, he lives to run another day. -Exactly. | 0:53:52 | 0:53:58 | |
-Fantastic. -Thanks very much. -Thank you. | 0:53:58 | 0:54:00 | |
He's having a deserved bath. | 0:54:00 | 0:54:02 | |
Well, I began this journey soaring thousands of feet above the East Anglia countryside | 0:54:09 | 0:54:14 | |
and I've ended it with my feet firmly on the ground here at the famous racecourse in Newmarket. | 0:54:14 | 0:54:19 | |
Sadly, Marosh was not a winner and it looks like my million will have to wait for another day. | 0:54:19 | 0:54:24 | |
Subtitles by Red Bee Media Ltd | 0:54:30 | 0:54:33 |