Browse content similar to Cumbria Lakes. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I'm on a journey through the Lake District from here in Windermere | 0:00:20 | 0:00:23 | |
to the upper slopes of the Old Man of Coniston. | 0:00:23 | 0:00:25 | |
My travels will take me from Bowness on the eastern shore | 0:00:28 | 0:00:31 | |
to Ambleside and on to Rydal. | 0:00:31 | 0:00:34 | |
Then I'll cross the water at Coniston | 0:00:34 | 0:00:37 | |
before taking on one of the Lake District's highest mountains. | 0:00:37 | 0:00:41 | |
Along the way, I'll look back at the best of the BBC's rural programmes from the area. | 0:00:41 | 0:00:46 | |
This is Country Tracks. | 0:00:46 | 0:00:48 | |
I'm starting my journey by crossing Windermere from Bowness to Far Sawrey. | 0:00:50 | 0:00:55 | |
The lakes have attracted visitors since Victorian times | 0:00:55 | 0:00:58 | |
and its stunning scenery has inspired some of our greatest artists and poets. | 0:00:58 | 0:01:02 | |
Wordsworth wandered "lonely as a cloud" | 0:01:02 | 0:01:05 | |
and many of Beatrix Potter's tales are set in Lakeland. | 0:01:05 | 0:01:08 | |
And surely 15 million tourists every year can't be wrong. | 0:01:08 | 0:01:13 | |
Just come to the Lakes for the day. | 0:01:13 | 0:01:15 | |
Just for the walks, just to get away, really, from the town. | 0:01:15 | 0:01:19 | |
People just like visiting here, the scenery, the atmosphere. Really good. | 0:01:19 | 0:01:24 | |
Somewhere for the kids to come. Somewhere for them to chill out and enjoy themselves. | 0:01:24 | 0:01:29 | |
And it's cheap. | 0:01:29 | 0:01:30 | |
I haven't been to the Lake District for years and I can't wait to explore | 0:01:31 | 0:01:35 | |
this beautiful part of the country. | 0:01:35 | 0:01:38 | |
But it's always been a working area. | 0:01:38 | 0:01:40 | |
Before the pleasure boats arrived, Windermere was an important industrial artery, | 0:01:40 | 0:01:45 | |
as John Craven discovered back in 2005. | 0:01:45 | 0:01:47 | |
Windermere is the biggest, and some say the best, stretch of water | 0:01:49 | 0:01:53 | |
in the Lake District. | 0:01:53 | 0:01:55 | |
But officially it's not a lake. | 0:01:55 | 0:01:57 | |
The only one with the word "lake" in its title | 0:01:57 | 0:02:00 | |
is Lake Bassenthwaite. | 0:02:00 | 0:02:02 | |
The entire surface of Windermere, or Lake Windermere, whatever you want to call it, | 0:02:02 | 0:02:06 | |
is a public highway. For centuries it's been used by working boats, | 0:02:06 | 0:02:10 | |
pleasure craft and ferry boats. | 0:02:10 | 0:02:12 | |
I went for a rainy ride on a ferry boat more than a hundred years old | 0:02:12 | 0:02:17 | |
to hear about Windermere's history from Andy Lowe. | 0:02:17 | 0:02:20 | |
No fighting for seats today, Andy! | 0:02:20 | 0:02:23 | |
If only you'd come two days ago - | 0:02:23 | 0:02:24 | |
blue sky, sunshine, lots of tourists - | 0:02:24 | 0:02:27 | |
a totally different view! | 0:02:27 | 0:02:28 | |
-Oh, dear. Well... The lake has always been used for transportation. -It has. | 0:02:28 | 0:02:32 | |
At Ambleside, not far from here, was a Roman fort | 0:02:32 | 0:02:35 | |
and I'm sure the Romans used it for trading. | 0:02:35 | 0:02:38 | |
In medieval times, all sorts of heavy products used the lake, | 0:02:38 | 0:02:41 | |
just as a means of movement from one place to another. | 0:02:41 | 0:02:44 | |
So the lake wasn't looked upon for aesthetic, beautiful reasons, | 0:02:44 | 0:02:47 | |
it was a purely functional way of carrying products. | 0:02:47 | 0:02:50 | |
When did all that change? | 0:02:50 | 0:02:52 | |
It changed in the 18th century, when people were appreciating landscape quality | 0:02:52 | 0:02:56 | |
and people could afford to come and build houses in the Lake District. | 0:02:56 | 0:03:00 | |
It's perhaps worth saying about the people who settled here in the 19th century, | 0:03:00 | 0:03:04 | |
the wealthy industrialists from Liverpool, Manchester and Bolton brought their architects | 0:03:04 | 0:03:09 | |
and there was real jockeying for who's got the most important house. | 0:03:09 | 0:03:13 | |
Someone came with a Swiss chalet style and some tried to outdo them with an Italian villa | 0:03:13 | 0:03:18 | |
and then somebody came with a Tudoresque mansion. | 0:03:18 | 0:03:21 | |
When did it become a mass tourist area? | 0:03:21 | 0:03:24 | |
The key date in this whole area is 1847. | 0:03:24 | 0:03:27 | |
A railway was promoted to Windermere, although it was intended to go further. | 0:03:27 | 0:03:31 | |
But a certain William Wordsworth | 0:03:31 | 0:03:33 | |
made sure that it stopped at Windermere. | 0:03:33 | 0:03:36 | |
He didn't want the day-trippers coming in their droves to Ambleside and Grasmere. | 0:03:36 | 0:03:40 | |
The railway brought in visitors - day-trippers, staying visitors, | 0:03:40 | 0:03:44 | |
and, perhaps the most important thing is, it was a lifeline | 0:03:44 | 0:03:47 | |
to Manchester and Lancashire. | 0:03:47 | 0:03:49 | |
Without a doubt, the Lake District, particularly the Windermere area, | 0:03:49 | 0:03:53 | |
became Manchester-by-the-Lake. | 0:03:53 | 0:03:55 | |
And at the same time as the railways, came the paddle steamers, | 0:03:55 | 0:03:59 | |
linking together the towns and villages around the lake. | 0:03:59 | 0:04:02 | |
There were two rival companies. There was the Windermere Steam Yacht Company, | 0:04:04 | 0:04:08 | |
who launched The Lady Of The Lake, | 0:04:08 | 0:04:10 | |
and that would come on at a rather sedate pace, | 0:04:10 | 0:04:12 | |
and a rival company, the Windermere Iron Steamboat Company, | 0:04:12 | 0:04:15 | |
thought they'd get one up on them. | 0:04:15 | 0:04:17 | |
They named their boat Dragonfly, which was much faster. It would have a brass band, | 0:04:17 | 0:04:22 | |
and as it passed by, it would play the tune The Girl I Left Behind Me! | 0:04:22 | 0:04:27 | |
# ..the girl I left behind! # | 0:04:29 | 0:04:33 | |
There are lots of islands on the lake. | 0:04:33 | 0:04:36 | |
Most are fairly small. The largest one is called Belle Isle, 37 acres. | 0:04:36 | 0:04:40 | |
That's behind us here? | 0:04:40 | 0:04:41 | |
Very significant position, right in the centre of Lake Windermere. | 0:04:41 | 0:04:45 | |
That's an extraordinary-looking house. | 0:04:45 | 0:04:47 | |
It was build in the 1770s. | 0:04:47 | 0:04:49 | |
This is an iconic building in the whole of the country, | 0:04:49 | 0:04:52 | |
one of the first cylindrical buildings | 0:04:52 | 0:04:54 | |
to be built for romantic, aesthetic reasons. | 0:04:54 | 0:04:58 | |
Is it still lived in? | 0:04:58 | 0:04:59 | |
It is. It's privately owned. Soon after the building was completed, | 0:04:59 | 0:05:03 | |
it was bought by the Curwen family from Workington | 0:05:03 | 0:05:06 | |
and this was given to their daughter, who was married to John Christian, | 0:05:06 | 0:05:10 | |
who was a descendant of Fletcher Christian, of the mutiny on the Bounty. | 0:05:10 | 0:05:14 | |
This island was named after Isabella and became known as Belle Isle. | 0:05:14 | 0:05:18 | |
And that name has stuck ever since. | 0:05:18 | 0:05:21 | |
A short distance from Belle Isle is the narrowest stretch of water | 0:05:22 | 0:05:25 | |
on Windermere, and it's here that the vehicle ferry does a round trip | 0:05:25 | 0:05:30 | |
every twenty minutes. | 0:05:30 | 0:05:31 | |
It can carry a maximum of 18 cars | 0:05:31 | 0:05:34 | |
and a hundred foot passengers, and in summer there's often long queues | 0:05:34 | 0:05:37 | |
because it saves a ten-mile journey. | 0:05:37 | 0:05:40 | |
There's been a ferry in this spot for 500 years | 0:05:40 | 0:05:43 | |
and there's a ghostly story from the days when ferrymen used to row across. | 0:05:43 | 0:05:50 | |
Local legend has it in many years gone by, | 0:05:50 | 0:05:52 | |
a ghostly voice can be heard from the other side of the lake on the Hawkshead side, | 0:05:52 | 0:05:57 | |
known as the Crier of Claife. | 0:05:57 | 0:06:00 | |
This ghostly voice cries out across the lake, | 0:06:00 | 0:06:02 | |
beckoning the ferrymen to go over. | 0:06:02 | 0:06:05 | |
One ferryman went across, rowed over, | 0:06:05 | 0:06:07 | |
was so shocked and literally dumbfounded when he came back, | 0:06:07 | 0:06:11 | |
he was speechless, couldn't tell anybody about what he saw | 0:06:11 | 0:06:14 | |
and he died the next day. | 0:06:14 | 0:06:15 | |
Who knows what is still lurking over there, even today? | 0:06:15 | 0:06:19 | |
Having crossed Windermere, I'm now cycling along the western edge of the lake. | 0:06:26 | 0:06:30 | |
So Windermere's always been vital to support the economic life of the area. | 0:06:35 | 0:06:39 | |
But it also supports a wide variety of wild and aquatic life | 0:06:39 | 0:06:43 | |
some of which can be pretty elusive. | 0:06:43 | 0:06:47 | |
The lake has traditionally been important for fishing | 0:06:47 | 0:06:50 | |
and the waters are rich in brown trout, pike, perch, roach and eels. | 0:06:50 | 0:06:54 | |
But if you're a local angler like Alex Parton, the real prize is a pike. | 0:06:54 | 0:06:58 | |
Rumour has it there are some pretty big ones in Windermere. | 0:06:58 | 0:07:02 | |
-Hiya. -Hiya. | 0:07:02 | 0:07:03 | |
-Can I have a go? -Course you can. | 0:07:03 | 0:07:05 | |
I've never fished before in my life. | 0:07:05 | 0:07:07 | |
Basically, this is a lure for catching pike. | 0:07:07 | 0:07:11 | |
And what we're aiming to do is throw it out into the lake, | 0:07:11 | 0:07:14 | |
wind it back nice and slowly and with a bit of luck, | 0:07:14 | 0:07:18 | |
the pike will come and take it. | 0:07:18 | 0:07:20 | |
Just take that out of there. | 0:07:20 | 0:07:22 | |
As you do that, you swing the rod behind you. | 0:07:22 | 0:07:24 | |
Is this where I get somebody's eye out? | 0:07:24 | 0:07:26 | |
-As you flick forward... -Just give it a... | 0:07:26 | 0:07:29 | |
-Let go of what? -Push this finger upwards as you let go. | 0:07:29 | 0:07:32 | |
Is this going to be embarrassing? | 0:07:32 | 0:07:34 | |
It's very high in the sky. Not very far out! | 0:07:34 | 0:07:37 | |
Not a bad effort. | 0:07:37 | 0:07:39 | |
What attracts you to it? What's the appeal? | 0:07:39 | 0:07:41 | |
Well, obviously the surroundings, | 0:07:41 | 0:07:43 | |
it doesn't take long to look around | 0:07:43 | 0:07:46 | |
and realise we live in a beautiful part of the world | 0:07:46 | 0:07:49 | |
and the advantage of it. | 0:07:49 | 0:07:50 | |
Why is it pike that you fish for? | 0:07:50 | 0:07:53 | |
It's just a natural progression. I started when I was really small, | 0:07:53 | 0:07:56 | |
fishing for all sorts of species of fish. | 0:07:56 | 0:07:59 | |
My uncle was particularly interested in pike, | 0:07:59 | 0:08:01 | |
so he started bringing me pike fishing | 0:08:01 | 0:08:03 | |
and then I've fallen in love with it from there | 0:08:03 | 0:08:06 | |
and it's a natural progression, the largest fish in the Lake District... | 0:08:06 | 0:08:09 | |
They get to impressive sizes... | 0:08:09 | 0:08:11 | |
Oh, yes. Certainly, 30 pound and above, | 0:08:11 | 0:08:15 | |
which is maybe 140, 150 centimetre fish, | 0:08:15 | 0:08:18 | |
which is a fair old fish. | 0:08:18 | 0:08:21 | |
It's one of the richer lakes in the Lake District, which obviously means | 0:08:21 | 0:08:25 | |
there are a lot of small coarse fish and other fish | 0:08:25 | 0:08:27 | |
for the pike to feed on. | 0:08:27 | 0:08:30 | |
So obviously this encourages growth from a young age, | 0:08:30 | 0:08:33 | |
so the pike grow faster for longer, | 0:08:33 | 0:08:36 | |
so therefore, when they become older, | 0:08:36 | 0:08:39 | |
at the higher end the fish are likely to be bigger. | 0:08:39 | 0:08:42 | |
So if this lake is so ideal for big pike, | 0:08:42 | 0:08:45 | |
there must be some truth in the rumour about the monster... | 0:08:45 | 0:08:50 | |
-The monster! -Twelve-footer. | 0:08:50 | 0:08:51 | |
Well, I haven't personally seen it, | 0:08:51 | 0:08:54 | |
but I've heard a few reports that there's a...a big fish in the lake somewhere, | 0:08:54 | 0:09:00 | |
whether it's a pike or not... | 0:09:00 | 0:09:01 | |
-As big as a boat. -Well...! | 0:09:01 | 0:09:03 | |
-It'll eat your children. -We'll see! | 0:09:03 | 0:09:05 | |
Lake monster or not, there are forces at work on the lake | 0:09:06 | 0:09:09 | |
which could change its delicate ecological balance. | 0:09:09 | 0:09:12 | |
Patrick Arnold is an angler with a keen eye for conservation on Windermere. | 0:09:12 | 0:09:17 | |
How healthy is Lake Windermere? | 0:09:17 | 0:09:20 | |
It looks idyllic. | 0:09:20 | 0:09:23 | |
But that is not, unfortunately, the case. | 0:09:23 | 0:09:26 | |
There are serious water problems. | 0:09:26 | 0:09:29 | |
Specifically, what are they? | 0:09:29 | 0:09:31 | |
It is to do with enrichment of the water. You have got phosphates, | 0:09:31 | 0:09:34 | |
nitrates, coming into the water. | 0:09:34 | 0:09:36 | |
-From agriculture? -Diffused run-off from agriculture. | 0:09:36 | 0:09:39 | |
And then you've got the huge growth in population and housing in the area, | 0:09:39 | 0:09:45 | |
putting pressure on the sewerage system | 0:09:45 | 0:09:47 | |
and so you have got run-off on that as well. | 0:09:47 | 0:09:50 | |
What does that do? | 0:09:50 | 0:09:51 | |
Your water is no longer as clear and as well oxygenated. | 0:09:51 | 0:09:55 | |
It has got more sediment in the water | 0:09:55 | 0:09:57 | |
and you combine that with the increase in temperature | 0:09:57 | 0:10:00 | |
that has taken place more recently. | 0:10:00 | 0:10:02 | |
It may only be one degree Centigrade, | 0:10:02 | 0:10:06 | |
that doesn't sound a lot. | 0:10:06 | 0:10:07 | |
But it is very, very significant on the ecology of the lake. | 0:10:07 | 0:10:12 | |
That increase is down to a depth of 40 to 50 feet and beyond, | 0:10:12 | 0:10:16 | |
so it's significant in terms of the ecology of the lake. | 0:10:16 | 0:10:19 | |
So how healthy is the ecology in the catchment of the lake? | 0:10:19 | 0:10:23 | |
-Otters are more prevalent now. -That's good. | 0:10:23 | 0:10:26 | |
Which is great. | 0:10:26 | 0:10:28 | |
We've got plenty of the wild roe and red deer. | 0:10:28 | 0:10:32 | |
So the future's bright then? | 0:10:32 | 0:10:33 | |
Yes, the wildlife around the lake and in the catchment is very healthy. | 0:10:33 | 0:10:37 | |
Now what we've got to try and do something about | 0:10:37 | 0:10:40 | |
is the future of the lake itself. | 0:10:40 | 0:10:42 | |
Since a speed ban was imposed on Windermere in 2005, | 0:10:45 | 0:10:48 | |
things on the surface are pretty tranquil. | 0:10:48 | 0:10:52 | |
But it hasn't always been this way. | 0:10:52 | 0:10:53 | |
Windermere has a long association with speed | 0:10:53 | 0:10:57 | |
and the lake became a mecca for water-skiers, as Ben Fogle discovered in 2006. | 0:10:57 | 0:11:03 | |
Things really took off after the First World War, | 0:11:12 | 0:11:15 | |
when people started using the lake in search of an adrenaline buzz. | 0:11:15 | 0:11:18 | |
It then became the stage for numerous | 0:11:18 | 0:11:21 | |
world record-breaking attempts. | 0:11:21 | 0:11:23 | |
It wasn't just about boats. | 0:11:28 | 0:11:30 | |
During the Second World War, | 0:11:30 | 0:11:32 | |
Windermere was home to a secret factory producing the RAF's famous Sunderland seaplane. | 0:11:32 | 0:11:37 | |
Quite simply, Windermere became synonymous with speed. | 0:11:37 | 0:11:44 | |
The Boat Museum here at Windermere is a testimony to that history. | 0:11:51 | 0:11:54 | |
David Matthews showed me around. | 0:11:54 | 0:11:56 | |
-Tell me about this. -This is Canfly. | 0:11:56 | 0:12:00 | |
She's very special cos she's the first Windermere speedboat | 0:12:00 | 0:12:05 | |
and she's called Canfly | 0:12:05 | 0:12:08 | |
cos she can fly. | 0:12:08 | 0:12:10 | |
The engine was used in an airship | 0:12:10 | 0:12:12 | |
that did patrols over the North Sea in the First World War. | 0:12:12 | 0:12:15 | |
Like many other speedboats, | 0:12:15 | 0:12:18 | |
because they'd developed big, powerful compact engines | 0:12:18 | 0:12:21 | |
during the First World War, | 0:12:21 | 0:12:22 | |
these were brought in and put into boats | 0:12:22 | 0:12:26 | |
which gave the impetus to speedboat racing on Windermere. | 0:12:26 | 0:12:30 | |
What's her speed? | 0:12:30 | 0:12:31 | |
Probably she would do no more than 35, 40 miles an hour. | 0:12:31 | 0:12:35 | |
They did very long races, about six-hour races, | 0:12:35 | 0:12:38 | |
right round the lake, | 0:12:38 | 0:12:39 | |
which must have been an awesome sight. | 0:12:39 | 0:12:41 | |
What happened after the Canfly? | 0:12:41 | 0:12:44 | |
They developed various forms of hydroplane, with powerful engines | 0:12:44 | 0:12:48 | |
and that gave it the introduction to speedboat racing | 0:12:48 | 0:12:52 | |
in a much more organised manner and, indeed, world record attempts as well. | 0:12:52 | 0:12:56 | |
Does White Lady II come after Canfly? | 0:12:56 | 0:13:00 | |
Yes, she's about ten years after Canfly. | 0:13:00 | 0:13:02 | |
She's very important because she's the early prototype of a stepped hydroplane. | 0:13:02 | 0:13:07 | |
The hydroplane is where they're lifted off the water? | 0:13:07 | 0:13:10 | |
She's skimming on the water. | 0:13:10 | 0:13:12 | |
-What sort of speed? -50 or 60 miles an hour. | 0:13:12 | 0:13:15 | |
-It's almost double... -A significant speed. Yes. | 0:13:15 | 0:13:18 | |
As engines got more powerful, so did Windermere's addiction to speed. | 0:13:18 | 0:13:22 | |
In 1956, Norman Buckley set a new world speed record | 0:13:22 | 0:13:25 | |
reaching 79 miles per hour in his boat Miss Windermere III. | 0:13:25 | 0:13:30 | |
So what do we have here? | 0:13:30 | 0:13:31 | |
This is Miss Windermere IV. | 0:13:31 | 0:13:33 | |
These were record attempt boats really. | 0:13:33 | 0:13:35 | |
They achieved speeds well over 100 miles an hour. | 0:13:35 | 0:13:38 | |
They've got fantastic exhaust pipes coming out. | 0:13:38 | 0:13:40 | |
These were Jaguar engines and things and every year more development | 0:13:40 | 0:13:44 | |
would take place to get more speed out of them. | 0:13:44 | 0:13:46 | |
Boating was an expensive hobby. | 0:13:51 | 0:13:53 | |
It wasn't until after the Second World War | 0:13:53 | 0:13:55 | |
that this began to change. | 0:13:55 | 0:13:57 | |
Enter The Albatross, | 0:13:57 | 0:13:59 | |
lighter than anything the lake had ever seen. | 0:13:59 | 0:14:02 | |
Tell me about the development of The Albatross. | 0:14:02 | 0:14:06 | |
If you go back to the 20s and 30s, | 0:14:06 | 0:14:09 | |
it was a very specialised and upper-class, only people with significant money could do it. | 0:14:09 | 0:14:15 | |
Boats weren't production lined or anything. | 0:14:15 | 0:14:19 | |
After the Second World War, with the knowledge of building Spitfires of riveted aluminium, | 0:14:19 | 0:14:24 | |
they started building these and started a production line. | 0:14:24 | 0:14:27 | |
What strikes me is that it's so small. | 0:14:27 | 0:14:29 | |
Doing 30 miles an hour in this on the water must feel very fast. | 0:14:29 | 0:14:33 | |
Very enjoyable! | 0:14:33 | 0:14:36 | |
It's... And they're very exciting and very manoeuvrable. | 0:14:36 | 0:14:42 | |
They don't have a gearbox. If you turn the engine on, it goes. | 0:14:42 | 0:14:46 | |
So there was nothing for it but to have a go. | 0:14:46 | 0:14:49 | |
Observing the new 10mph speed limit, of course. | 0:14:49 | 0:14:52 | |
And what a privilege it was | 0:14:52 | 0:14:54 | |
to be a tiny part of Windermere's boating tradition. | 0:14:54 | 0:14:57 | |
And it's not every day you get to see the lake in such glorious weather. | 0:14:57 | 0:15:01 | |
But Windermere's speed demons weren't just happy on the lake. | 0:15:11 | 0:15:15 | |
They were constantly looking for new thrills. | 0:15:15 | 0:15:18 | |
It was from the lake that some of the world's first seaplanes took flight. | 0:15:18 | 0:15:22 | |
Some of the earliest seaplanes were gliders towed along at high speed | 0:15:22 | 0:15:27 | |
until they could get airborne. | 0:15:27 | 0:15:29 | |
In the Second World War, the RAF built a factory | 0:15:30 | 0:15:33 | |
on the banks of the lake to make Sunderlands, | 0:15:33 | 0:15:35 | |
the Air Force's antisubmarine planes. | 0:15:35 | 0:15:38 | |
The seaplanes would hurtle along Windermere at 90 miles per hour | 0:15:42 | 0:15:46 | |
before finally taking to the air. | 0:15:46 | 0:15:48 | |
There are only two left in the world but it's claimed that one remains | 0:15:48 | 0:15:52 | |
at the bottom of the lake. | 0:15:52 | 0:15:53 | |
Tim, tell me about your family's search for the missing Sunderland. | 0:15:53 | 0:15:57 | |
Years ago, me and my father spent two weeks out on the lake | 0:15:57 | 0:16:00 | |
with all the latest technology, | 0:16:00 | 0:16:02 | |
painstakingly searching and unfortunately we didn't find it. | 0:16:02 | 0:16:05 | |
-Does the myth pervade? -Well, it does. | 0:16:05 | 0:16:08 | |
There are still people who still say they were there, they saw it happen, | 0:16:08 | 0:16:11 | |
but we're pretty sure it's not. | 0:16:11 | 0:16:13 | |
-It's your very own Loch Ness mystery. -That's it. | 0:16:13 | 0:16:16 | |
As boats got faster and lighter, | 0:16:16 | 0:16:19 | |
a new craze came to Windermere - water-skiing. | 0:16:19 | 0:16:23 | |
How long have people been water-skiing here? | 0:16:23 | 0:16:25 | |
We believe that Windermere is where it started. Back in 1922 | 0:16:25 | 0:16:29 | |
people were skiing behind steamboats | 0:16:29 | 0:16:31 | |
back in the early 1920s, before the Americans. | 0:16:31 | 0:16:34 | |
-So is water-skiing an integral part of the lake? -Very much so. | 0:16:34 | 0:16:38 | |
Last year there was a ban introduced, a 10mph speed limit | 0:16:38 | 0:16:41 | |
which has put an end to competitive water-skiing. | 0:16:41 | 0:16:44 | |
It's still open to skiing, but below 10mph. | 0:16:44 | 0:16:48 | |
That sounds strange, but a lot of beginners do ski at that speed. | 0:16:48 | 0:16:51 | |
So I'll be your guinea pig for this year? | 0:16:51 | 0:16:53 | |
That's right, Ben, that's why we've got you kitted up. | 0:16:53 | 0:16:56 | |
The face says it all. | 0:16:59 | 0:17:01 | |
Wow, was I glad to lift myself out of the water. | 0:17:01 | 0:17:03 | |
Don't be deceived by the sun, it was freezing! | 0:17:03 | 0:17:07 | |
But what a fantastic setting! | 0:17:07 | 0:17:09 | |
Then time to brace myself for that icy water all over again. | 0:17:09 | 0:17:16 | |
I'm heading north now to Ambleside in the heart of Lakeland. | 0:17:27 | 0:17:31 | |
Ambleside had an industrial past, producing charcoal, | 0:17:31 | 0:17:34 | |
bobbins for the textile industry | 0:17:34 | 0:17:35 | |
and machine tools used for quarrying the local slate and stone. | 0:17:35 | 0:17:39 | |
The distinctive blue-green slate is world renowned. | 0:17:39 | 0:17:43 | |
In fact, it's rumoured that billionaire Bill Gates | 0:17:43 | 0:17:47 | |
spent £1.5 million just to line his swimming pool. | 0:17:47 | 0:17:51 | |
With the decline of traditional industries, | 0:17:51 | 0:17:53 | |
Ambleside has had to adapt. | 0:17:53 | 0:17:55 | |
These days, it's biggest business is tourism, | 0:17:55 | 0:17:58 | |
which has touched every part of village life. | 0:17:58 | 0:18:01 | |
With over 15 million tourists visiting the Lake District every year, | 0:18:01 | 0:18:06 | |
I'm interested to hear what it's been like for local people who have lived through all the changes. | 0:18:06 | 0:18:11 | |
In the face of tourism, the locals may argue | 0:18:11 | 0:18:14 | |
that the basic necessities in Ambleside have suffered. | 0:18:14 | 0:18:18 | |
So how does life today compare to the past? | 0:18:18 | 0:18:21 | |
There were very few cars at all. | 0:18:21 | 0:18:23 | |
Groceries and a lot of things came by cart. | 0:18:23 | 0:18:26 | |
Everybody shopped in the village | 0:18:26 | 0:18:27 | |
because all the shops were in the village. | 0:18:27 | 0:18:30 | |
We had everything you could want, actually. | 0:18:30 | 0:18:32 | |
Now that isn't so. | 0:18:32 | 0:18:34 | |
You can't get...knickers! | 0:18:34 | 0:18:35 | |
You can't get your knickers here! | 0:18:35 | 0:18:37 | |
Where do you go for your knickers, Joan? | 0:18:37 | 0:18:40 | |
You've got to go to Kendal, | 0:18:40 | 0:18:41 | |
or I suppose people buy these days online or by catalogue. | 0:18:41 | 0:18:44 | |
But, no, there are no - what I would call useful shops - | 0:18:44 | 0:18:47 | |
so it's changed in that way quite a lot. | 0:18:47 | 0:18:50 | |
Has tourism been a bad thing for Ambleside? | 0:18:50 | 0:18:53 | |
-It's our only industry, anyhow. -It is. | 0:18:53 | 0:18:55 | |
We are 100% dependent on it. | 0:18:55 | 0:18:57 | |
We are very lucky. We have a twelve-month season now. | 0:18:57 | 0:18:59 | |
All the restaurants, cafes, hotels, | 0:18:59 | 0:19:04 | |
they were all closed in wintertime, whereas now, | 0:19:04 | 0:19:07 | |
they're open all year round. | 0:19:07 | 0:19:10 | |
What's your opinion about houses that have been bought as second homes? | 0:19:10 | 0:19:14 | |
-That is a problem. -Yes. | 0:19:14 | 0:19:16 | |
A lot of them are empty all winter, they don't come in winter - | 0:19:16 | 0:19:19 | |
or they don't come all the time anyway. | 0:19:19 | 0:19:21 | |
And they were houses that could have been used for family houses. Not now. So it's a waste. | 0:19:21 | 0:19:26 | |
Whilst tourists are the lifeblood of the Lake District's economy, | 0:19:26 | 0:19:31 | |
there is a price to pay. | 0:19:31 | 0:19:33 | |
Property sales to second-home buyers can make it hard for local people to get on the property ladder. | 0:19:33 | 0:19:39 | |
Lucy Nicholson runs a busy bistro in Ambleside, | 0:19:39 | 0:19:41 | |
but she's aware of the challenges young people face. | 0:19:41 | 0:19:44 | |
So 20 years ago when you started, | 0:19:44 | 0:19:47 | |
were there many cappuccino and carrot cake venues here? | 0:19:47 | 0:19:51 | |
Not at all! Cappuccinos were definitely the prevail of the Italians. | 0:19:51 | 0:19:54 | |
I see you employ lots of young people here. | 0:19:54 | 0:19:57 | |
Do you think that contributes to them staying in the area | 0:19:57 | 0:20:01 | |
and keeping talent and being able to have jobs and houses? | 0:20:01 | 0:20:04 | |
Yes, I do, and I think this particular area, I think the Lake District in general | 0:20:04 | 0:20:09 | |
has a mass of really, really solid businesses | 0:20:09 | 0:20:13 | |
that are well known, well respected, | 0:20:13 | 0:20:17 | |
and it is our duty as, I suppose, custodians for the future, | 0:20:17 | 0:20:21 | |
that we make sure that we do actually give people | 0:20:21 | 0:20:25 | |
the privilege, to empower them, | 0:20:25 | 0:20:27 | |
to actually work within the area that they were brought up and lived in. | 0:20:27 | 0:20:32 | |
Tourism is an essential part of her business. | 0:20:32 | 0:20:36 | |
But the pressure on local house prices | 0:20:36 | 0:20:38 | |
has had an impact on Lucy's own family. | 0:20:38 | 0:20:41 | |
I've got four daughters, | 0:20:41 | 0:20:42 | |
one of them works with me here in the business and lives in the village, | 0:20:42 | 0:20:46 | |
although she doesn't own a house. She'd very much like to. Unfortunately, for people living | 0:20:46 | 0:20:51 | |
and working here, it is unlikely, with the current climate, that they can get on the market. | 0:20:51 | 0:20:57 | |
Leaving Ambleside and its people behind, | 0:20:57 | 0:20:59 | |
I'm on the move again, northbound to the village of Rydal. | 0:20:59 | 0:21:03 | |
Rydal was the home of Lakeland poet William Wordsworth. | 0:21:06 | 0:21:09 | |
It's become a place of pilgrimage and a popular location for those second-home buyers. | 0:21:09 | 0:21:14 | |
Of course, I'm a tourist here as well. I've got my collected poems of Wordsworth, very nice, | 0:21:17 | 0:21:22 | |
and because it's getting dark, I'm going to need my very own second home. | 0:21:22 | 0:21:26 | |
But the place where I'm staying tonight is a second home with a difference. | 0:21:26 | 0:21:31 | |
OK, it's only my home for the night, | 0:21:31 | 0:21:34 | |
but I'm staying in a Mongolian yurt, | 0:21:34 | 0:21:36 | |
on a campsite you can visit all year round, with minimum impact | 0:21:36 | 0:21:40 | |
on the environment. A yurt is a type of shelter, | 0:21:40 | 0:21:43 | |
lived in for thousands of years by tribes from Iran to Mongolia. | 0:21:43 | 0:21:47 | |
And now here, in William Wordsworth's back garden at Rydal Mount. | 0:21:47 | 0:21:51 | |
This is my first time in a yurt, | 0:21:51 | 0:21:54 | |
and I'm not quite sure what to expect. | 0:21:54 | 0:21:56 | |
Wow! | 0:21:57 | 0:21:58 | |
Look how big it is! | 0:21:58 | 0:22:00 | |
My goodness, modern camping, but not quite as luxurious as this. | 0:22:00 | 0:22:05 | |
Stove, | 0:22:05 | 0:22:07 | |
double bed, | 0:22:07 | 0:22:08 | |
single bed... | 0:22:08 | 0:22:10 | |
Wow, this is incredible. | 0:22:10 | 0:22:13 | |
This is a far cry from the tent pegs and musty canvas of childhood camping, this kind of camping, | 0:22:16 | 0:22:22 | |
I could well become accustomed to. | 0:22:22 | 0:22:25 | |
And these are the kind of noisy neighbours I don't mind | 0:22:29 | 0:22:32 | |
once in a while. | 0:22:32 | 0:22:34 | |
I had a pretty good night's sleep in my yurt last night. It was full of dreams, | 0:22:47 | 0:22:53 | |
but I think I was sleeping really lightly, as I don't normally camp on my own, | 0:22:53 | 0:22:57 | |
so you tend to be really aware of every single sound. | 0:22:57 | 0:22:59 | |
And last night, it got very windy with the trees roaring, then the yurt made a few odd squeaks. | 0:22:59 | 0:23:05 | |
It wouldn't shake, it was very sturdy. And it was very dark in there, which was lovely. | 0:23:05 | 0:23:10 | |
And the fire was going, so it was really warm, which was such a unique camping experience. | 0:23:10 | 0:23:16 | |
And then waking up to birdsong, which is such a treat, always. | 0:23:16 | 0:23:19 | |
So, yeah, thoroughly recommended. | 0:23:19 | 0:23:22 | |
A quick wash and brush-up and I'm hitching a lift from Rydal, | 0:23:25 | 0:23:28 | |
through the Grizedale Forest, to another famous Lakeland landmark, | 0:23:28 | 0:23:31 | |
Coniston Water. | 0:23:31 | 0:23:33 | |
We're in the Grizedale Forest now, as were Countryfile, back in 1990, | 0:23:45 | 0:23:50 | |
when the Arts Society had just won a highly prestigious award. | 0:23:50 | 0:23:54 | |
For more than 500 years, Grizedale has been managed by man. | 0:23:54 | 0:23:58 | |
Generations of foresters have left their mark on these 10,000 acres. | 0:23:58 | 0:24:03 | |
This century, the biggest impact has been the massive plantations of conifers. | 0:24:03 | 0:24:07 | |
With all the tourist pressures these days on the Lake District, | 0:24:10 | 0:24:13 | |
Grizedale is still a perfect place to get away from it all. | 0:24:13 | 0:24:17 | |
Nestling in a fold in the hills, in the converted outbuildings of a long-vanished manor house, | 0:24:17 | 0:24:22 | |
is the Theatre-in-the-Forest. It's run by the Grizedale Society, | 0:24:22 | 0:24:27 | |
a charity devoted to bringing the Arts to a rural audience. | 0:24:27 | 0:24:30 | |
While we were there, a rehearsal was going on for a piano recital. | 0:24:37 | 0:24:41 | |
This stage sees all manner of entertainment, from lectures to full-scale drama, | 0:24:41 | 0:24:46 | |
many of them with a rural theme. | 0:24:46 | 0:24:48 | |
And it makes money, attracting audiences from all over the country. | 0:24:48 | 0:24:51 | |
Bill Grant, Grizedale's former Chief Forester, | 0:24:51 | 0:24:55 | |
started the Arts Centre 21 years ago. He's built up a thriving complex, | 0:24:55 | 0:25:00 | |
which includes an art gallery that's become a showplace for forest-linked exhibits. | 0:25:00 | 0:25:05 | |
Even the children's adventure playground was designed by a sculptor. | 0:25:05 | 0:25:11 | |
It's all part of the intention to show art in action, amid the trees. | 0:25:11 | 0:25:15 | |
The arts have a place in the rural environment. | 0:25:15 | 0:25:18 | |
It's not just the prerogative of towns and cities, | 0:25:18 | 0:25:22 | |
but it can play a major role in a place like Grizedale, | 0:25:22 | 0:25:28 | |
where it's overlying a working situation. Grizedale is a large, commercial, working forest, | 0:25:28 | 0:25:33 | |
production forest, with a lot of people working in it, and the Arts fit like a glove. | 0:25:33 | 0:25:38 | |
This harmony is exemplified by a sculpture in local wood of an organ. It's one of more than 60 pieces | 0:25:38 | 0:25:45 | |
-of modern sculpture that blend into the forest. -There's nowhere in Grizedale | 0:25:45 | 0:25:49 | |
where you see two sculptures at the same time. This is different to a sculpture park, where it's usually | 0:25:49 | 0:25:56 | |
a fairly confined area, and there's sculptures all over the place, | 0:25:56 | 0:26:00 | |
all within vision. But here, each one is specific to its site. | 0:26:00 | 0:26:04 | |
They find the site, and then they conceive something which fits in with the landscape, | 0:26:04 | 0:26:09 | |
-that fits with that particular site. -Some are hard to spot at first, | 0:26:09 | 0:26:13 | |
like these wild boars, made from materials found in the surrounding woodland. | 0:26:13 | 0:26:18 | |
These sculptures have been paid for with revenue from the theatre, | 0:26:18 | 0:26:22 | |
and they're sited well away from the working areas of Grizedale. | 0:26:22 | 0:26:25 | |
The idea is to help visitors appreciate not only the skill of the artist, | 0:26:25 | 0:26:30 | |
but the beauty of the forest. | 0:26:30 | 0:26:33 | |
Nine years after that Countryfile visit, The Grizedale Society | 0:26:33 | 0:26:39 | |
decided to leave its sculptures with The Forestry Commission, | 0:26:39 | 0:26:42 | |
close down the theatre | 0:26:42 | 0:26:43 | |
and concentrate on visual arts. | 0:26:43 | 0:26:45 | |
I'm meeting Deputy Director Alistair Hudson at the Society's new premises, | 0:26:45 | 0:26:49 | |
on the edge of the forest, | 0:26:49 | 0:26:51 | |
to find out what passes for contemporary Lakeland art today. | 0:26:51 | 0:26:55 | |
-So why have you moved here? -Well, I think, by the 1990s, | 0:26:55 | 0:26:59 | |
these sculptures in the forest had lost currency within the art world | 0:26:59 | 0:27:04 | |
and movements in art and we really wanted to bring that back up to date. | 0:27:04 | 0:27:09 | |
One of the problems is that the environment of the forest is a very particular environment | 0:27:09 | 0:27:14 | |
and people's ideas of it have changed since then as well | 0:27:14 | 0:27:17 | |
and everything is more connected with the global situation. | 0:27:17 | 0:27:20 | |
Hence we moved here to Lawson Park Farm, | 0:27:20 | 0:27:23 | |
which is an iconic Lake District hill farm, | 0:27:23 | 0:27:27 | |
with a long history to it. So, for an arts organisation, | 0:27:27 | 0:27:30 | |
it's a perfect vehicle to try out all the ideas | 0:27:30 | 0:27:33 | |
that we're looking to attempt in this new location. | 0:27:33 | 0:27:36 | |
Lawson Park is a historic Lakeland hill farm, once owned by Victorian art critic John Ruskin. | 0:27:36 | 0:27:42 | |
It's being refurbished to become the headquarters of the Society | 0:27:42 | 0:27:46 | |
and accommodation for artists. | 0:27:46 | 0:27:49 | |
So, Alistair, what do artists actually do here? | 0:27:49 | 0:27:52 | |
Well, um... it's quite similar in a way, | 0:27:52 | 0:27:55 | |
in that the artists used to go and work in the forest, | 0:27:55 | 0:27:58 | |
alongside the foresters, in that working environment. | 0:27:58 | 0:28:01 | |
What they do now, in this expanded version of Grizedale, | 0:28:01 | 0:28:04 | |
is they come here and they work on this farm | 0:28:04 | 0:28:07 | |
and they work in local communities | 0:28:07 | 0:28:09 | |
and work in communities in rural situations abroad as well. | 0:28:09 | 0:28:13 | |
The organisation is now a network of projects, | 0:28:13 | 0:28:16 | |
both locally and internationally, | 0:28:16 | 0:28:18 | |
into which the artists are placed. | 0:28:18 | 0:28:21 | |
The Grizedale Society's mission is to make artists and art | 0:28:21 | 0:28:25 | |
more useful within the local community. | 0:28:25 | 0:28:27 | |
This is a project by the Urbania Art Collective. | 0:28:27 | 0:28:31 | |
Interesting. | 0:28:32 | 0:28:34 | |
How accessible is this art to local people? | 0:28:34 | 0:28:39 | |
Um...it's very accessible. In fact, we are part of the community. | 0:28:39 | 0:28:43 | |
This farm is looked at as being within the parish of Coniston. | 0:28:43 | 0:28:47 | |
We've done a number of projects with the village, | 0:28:47 | 0:28:49 | |
including reviving a water festival, events in the village hall, | 0:28:49 | 0:28:53 | |
and inviting people to come here and take part in this project | 0:28:53 | 0:28:57 | |
and this farm and bring their ideas, | 0:28:57 | 0:29:00 | |
to rethink how a farm might work. | 0:29:00 | 0:29:02 | |
It seems Grizedale is one rural arts scene which has left its 20th century ideas back among the trees. | 0:29:02 | 0:29:09 | |
Whether art stays in the wood or not, | 0:29:09 | 0:29:11 | |
as long as there are trees here there will be wildlife, | 0:29:11 | 0:29:14 | |
as John Craven discovered all those years ago | 0:29:14 | 0:29:18 | |
but he had to be very (very quiet). | 0:29:18 | 0:29:20 | |
Dawn in the forest and life is stirring in an area specially reserved for its wildlife. | 0:29:20 | 0:29:26 | |
Together with the chief ranger, John Cubby, | 0:29:26 | 0:29:29 | |
I'm waiting in one of the hides, hoping to catch sight of red deer. | 0:29:29 | 0:29:33 | |
Some mornings they stay hidden but today we're lucky. | 0:29:33 | 0:29:37 | |
Because deer damage commercial woodland as they feed, they are allocated areas of their own. | 0:29:37 | 0:29:42 | |
-(WHISPERS) -It's an important herd of reds which we have at Grizedale. | 0:29:42 | 0:29:46 | |
As far as we know, they're the only indigenous herd of woodland red deer in England. | 0:29:46 | 0:29:53 | |
Never had any introduced park blood. | 0:29:53 | 0:29:56 | |
And they really are superb animals. | 0:29:56 | 0:29:58 | |
How many are there? | 0:29:58 | 0:30:00 | |
Well, there's in excess of 100 at the moment | 0:30:00 | 0:30:04 | |
but the population varies a bit, | 0:30:04 | 0:30:07 | |
depending on the age and stage of the forest. | 0:30:07 | 0:30:10 | |
The combination of deer fencing, | 0:30:12 | 0:30:15 | |
timber extraction, | 0:30:15 | 0:30:17 | |
ever-increasing numbers of the public... | 0:30:17 | 0:30:20 | |
means it's becoming a bit more difficult to see them all the time. | 0:30:20 | 0:30:24 | |
So it's very important that we have these quiet areas, | 0:30:24 | 0:30:28 | |
scattered throughout the forest, | 0:30:28 | 0:30:31 | |
where we don't encourage the public to go, so the deer can have a bit of peace and seclusion. | 0:30:31 | 0:30:36 | |
One or two of the deer management areas | 0:30:36 | 0:30:39 | |
we do have covered by observation nights. | 0:30:39 | 0:30:42 | |
That's where members of the public can come and... | 0:30:42 | 0:30:47 | |
try to see wildlife in its natural surroundings. | 0:30:47 | 0:30:52 | |
Looking in our direction now. Do you think he's spotted us? | 0:30:52 | 0:30:55 | |
They're off. | 0:30:56 | 0:30:57 | |
The older hind just got suspicious for one reason or another. | 0:30:57 | 0:31:01 | |
It may just be a puff of wind got back to them. | 0:31:01 | 0:31:05 | |
They will all follow her example and get out of it pretty quickly. | 0:31:05 | 0:31:10 | |
So it's the old hind, not the stag, who gave the warning, really? | 0:31:10 | 0:31:15 | |
Nine times out of ten, it's the old matriarch who takes them away. | 0:31:15 | 0:31:19 | |
Off they go. | 0:31:19 | 0:31:20 | |
My journey so far has taken me across Windermere, | 0:31:24 | 0:31:27 | |
then due north to Ambleside and on to a hint of Mongolia in Rydal, | 0:31:27 | 0:31:31 | |
before snaking my way south through the Grizedale Forest. | 0:31:31 | 0:31:35 | |
I'm heading for the Old Man of Coniston, | 0:31:35 | 0:31:38 | |
but first of all, I've got to cross Coniston Water - | 0:31:38 | 0:31:41 | |
the Lake District's third biggest lake. | 0:31:41 | 0:31:45 | |
I'm meeting Johan, who's going to take me across in his Canadian canoe. | 0:31:52 | 0:31:57 | |
Hello, here you go. | 0:31:57 | 0:31:59 | |
-Is that for me? -Try that for size. | 0:31:59 | 0:32:01 | |
-Good guess! -It is. -Is that mine? -Grab a paddle, yes, that's for you. | 0:32:01 | 0:32:06 | |
-Pop that there. If you could sit in the front, that would be helpful. -I'll sit on the back here. | 0:32:06 | 0:32:12 | |
-Walk right down to the front. -Yes. -Mind the flasks. | 0:32:12 | 0:32:16 | |
-We might stop for a brew later. -Good, like the sound of that. | 0:32:16 | 0:32:20 | |
Fantastic. Great. | 0:32:20 | 0:32:22 | |
Light as a feather, eh? | 0:32:22 | 0:32:24 | |
OK. | 0:32:26 | 0:32:28 | |
What's special about the Canadian canoe? | 0:32:39 | 0:32:41 | |
They can be used to transport quite heavy loads, | 0:32:41 | 0:32:44 | |
like a lorry for the lake. | 0:32:44 | 0:32:46 | |
They're versatile and easy to paddle when laden, | 0:32:46 | 0:32:50 | |
as well as being able to cross large expanses of water | 0:32:50 | 0:32:53 | |
and you can even sail them. | 0:32:53 | 0:32:55 | |
So they're the most versatile boat, really. | 0:32:55 | 0:32:58 | |
Well, Johan, I've got to head up to the top of the old Man of Coniston. | 0:33:05 | 0:33:09 | |
-Wow, do you know how high it is? -ELLIE LAUGHS | 0:33:09 | 0:33:12 | |
-Go on, tell me. -It's 803 metres, which is pretty high. | 0:33:12 | 0:33:16 | |
-There's a bit of snow as well. -I'm weary just thinking about it! -It's quite a cold one. -My word! | 0:33:16 | 0:33:22 | |
There's an inversion. | 0:33:22 | 0:33:23 | |
You can see the clouds below the summit at times, which is beautiful. | 0:33:23 | 0:33:27 | |
It's a stunning place to be on a day like today - barely a breath of air. | 0:33:27 | 0:33:31 | |
-I hope so. -Hardly any wind. | 0:33:31 | 0:33:34 | |
-It's pristinely clear and calm. -It is. | 0:33:34 | 0:33:37 | |
We've already seen how this incredible landscape has inspired writers and artists over the years. | 0:33:47 | 0:33:52 | |
While I could wax lyrical about Jemima Puddleduck and Beatrix Potter, | 0:33:52 | 0:33:57 | |
Ben Fogle is more of a Swallows And Amazons man. | 0:33:57 | 0:34:00 | |
He came to Coniston in 2003 to spark his childhood imagination. | 0:34:00 | 0:34:04 | |
Swallows And Amazons - the classic British children's novel, | 0:34:09 | 0:34:14 | |
made into a film and set in the Lake District - my favourite as a child. | 0:34:14 | 0:34:19 | |
It combined all the ideals of lakes, islands and, of course, sailing. | 0:34:19 | 0:34:25 | |
Over here, we've got an exact replica of the Swallow | 0:34:25 | 0:34:29 | |
but this one is the real Amazon used by the children. | 0:34:29 | 0:34:32 | |
These boats are clinker-built - | 0:34:32 | 0:34:34 | |
-the planks overlap -with rivets along the side - | 0:34:34 | 0:34:37 | |
-a design first used by Vikings. -This boat dates from 1920. | 0:34:37 | 0:34:42 | |
One reason it was used is it's so stable for small children... | 0:34:42 | 0:34:45 | |
and big ones! | 0:34:45 | 0:34:47 | |
Over there is the boathouse where all the adventures began. | 0:34:47 | 0:34:52 | |
This is Bank Ground Farm on the northern shores of Coniston Water. | 0:34:52 | 0:34:57 | |
It's in Arthur Ransome's book, and in the film, as the Swallow's fictional holiday home. | 0:34:57 | 0:35:02 | |
The farmhouse bed and breakfast is still here | 0:35:02 | 0:35:05 | |
and so is the landlady who let the cast and crew in 30 years ago - | 0:35:05 | 0:35:09 | |
not that she knew what she was letting herself in for. | 0:35:09 | 0:35:12 | |
They said, "We'll have a shot there, one there, then talk about money." | 0:35:12 | 0:35:17 | |
To me, with seven kids, I thought this was great | 0:35:17 | 0:35:21 | |
and they offered me £75, | 0:35:21 | 0:35:23 | |
which 30 years ago was a lot of money. | 0:35:23 | 0:35:26 | |
-And so I didn't know what was going to happen. -So what happened? | 0:35:26 | 0:35:30 | |
Well, they came... | 0:35:30 | 0:35:33 | |
And there were double-decker buses, | 0:35:33 | 0:35:35 | |
-they took the whole house over, -redecorated it, | 0:35:35 | 0:35:40 | |
took every room over, shifted beds from here, beds from there, | 0:35:40 | 0:35:44 | |
sideboards from here, sideboards from there. | 0:35:44 | 0:35:46 | |
In the end, they were about three quarters of the way through it, | 0:35:46 | 0:35:51 | |
when somebody said to me, "Stop them." | 0:35:51 | 0:35:55 | |
So I closed the gate at the top with a chain | 0:35:55 | 0:35:58 | |
-and told them what I wanted, and... -Which was what? | 0:35:58 | 0:36:03 | |
Are we allowed to know? | 0:36:03 | 0:36:05 | |
Um... £1,000. | 0:36:05 | 0:36:08 | |
-Which was a lot. -A lot of money from £75, weren't it? | 0:36:08 | 0:36:13 | |
A lot of money, yeah. | 0:36:13 | 0:36:16 | |
'And pay up, they did. | 0:36:17 | 0:36:19 | |
'Swallows And Amazons is unashamedly a children's film. | 0:36:19 | 0:36:22 | |
'Adults play only a very small part. | 0:36:22 | 0:36:25 | |
'But, for this film, | 0:36:25 | 0:36:26 | |
'there was something more than just good acting skills needed.' | 0:36:26 | 0:36:31 | |
The most important thing was that they survived the sailing. | 0:36:31 | 0:36:36 | |
Of course they were going to be in boats without life jackets. | 0:36:36 | 0:36:42 | |
And, at times, in slightly treacherous conditions. | 0:36:42 | 0:36:47 | |
The wind changes so quickly on this lake | 0:36:47 | 0:36:50 | |
that they have to know what they can do. | 0:36:50 | 0:36:53 | |
And their ages varied between 8.5 and 13. | 0:36:53 | 0:37:00 | |
So, how did you fit all the children and a whole crew in one of the small boats? | 0:37:00 | 0:37:04 | |
Well, that worried us a bit before we started filming. | 0:37:04 | 0:37:07 | |
So we designed a pontoon. | 0:37:07 | 0:37:09 | |
And it was shaped rather like this. | 0:37:09 | 0:37:12 | |
Like a cross. | 0:37:13 | 0:37:14 | |
About 20 feet long. | 0:37:14 | 0:37:18 | |
And the boat fitted in like that. | 0:37:18 | 0:37:22 | |
It was tied there and tied there. And the boom would come out. | 0:37:22 | 0:37:26 | |
And then we could put a camera track round there, | 0:37:26 | 0:37:29 | |
we could put sand standing there. | 0:37:29 | 0:37:32 | |
We could have lights there if we needed them. | 0:37:32 | 0:37:35 | |
Then, when we needed to do another part of the boat, | 0:37:35 | 0:37:38 | |
we moved the boat round to there, | 0:37:38 | 0:37:40 | |
and then we moved the track round to there, | 0:37:40 | 0:37:43 | |
and so on, according to where the wind was. | 0:37:43 | 0:37:45 | |
And this way, we could have complete sound coverage, | 0:37:45 | 0:37:49 | |
get all the pictures we'd want and not get in the way of the children. | 0:37:49 | 0:37:54 | |
Another of the film's locations that's right here | 0:37:54 | 0:37:57 | |
is this small wooded island just waiting to be explored. | 0:37:57 | 0:38:00 | |
Peel Island at the south end of Coniston, | 0:38:00 | 0:38:02 | |
used as Wildcat Island in the stories, | 0:38:02 | 0:38:05 | |
it's the very same island that the children discover in the film. | 0:38:05 | 0:38:08 | |
This is the secret harbour on Peel Island... | 0:38:08 | 0:38:12 | |
Although, today, it's not quite so secret! | 0:38:12 | 0:38:14 | |
This is where the Amazons made secret markings so that they could navigate | 0:38:14 | 0:38:18 | |
their way through the treacherous rocks. | 0:38:18 | 0:38:20 | |
'Typical, beaten by some modern-day Amazons!' | 0:38:20 | 0:38:24 | |
Hello, Amazons. Have you been for a swim already? | 0:38:24 | 0:38:26 | |
-ALL: -Yes! | 0:38:26 | 0:38:28 | |
It's a bit cold! | 0:38:28 | 0:38:30 | |
Lovely, though! | 0:38:30 | 0:38:32 | |
Too cold for me, anyway. I'm off to explore. | 0:38:32 | 0:38:36 | |
Peel Island and much of the shore around the lake is owned by the National Trust. | 0:38:36 | 0:38:40 | |
It can be explored by anyone, | 0:38:40 | 0:38:42 | |
although you will need a boat to get here. | 0:38:42 | 0:38:44 | |
Filming was great fun for everyone. | 0:38:45 | 0:38:47 | |
Because the actors were so young, they couldn't work long hours, | 0:38:47 | 0:38:50 | |
so the crew would finish early and enjoy their surroundings. | 0:38:50 | 0:38:53 | |
The two young actresses, Suzanna Hamilton, who played Susan, | 0:38:53 | 0:38:57 | |
and Sophie Neville, who played Titty, were inseparable. | 0:38:57 | 0:39:01 | |
You haven't seen each other for quite some time now? | 0:39:01 | 0:39:03 | |
Not for a very long time. | 0:39:03 | 0:39:05 | |
-Probably about 30 years, I think something like that. -Yeah. | 0:39:05 | 0:39:09 | |
Since the premiere! | 0:39:09 | 0:39:10 | |
The Arthur Ransome books were so popular with children and still are, | 0:39:10 | 0:39:14 | |
being able to play out all of those things! | 0:39:14 | 0:39:16 | |
What was it like at that time? Having all these adults around filming it? | 0:39:16 | 0:39:20 | |
-It was fun. -It was really fun. I think we were really privileged. | 0:39:20 | 0:39:24 | |
And we knew it, I think, to an extent. | 0:39:24 | 0:39:26 | |
I think we did, we inhabited our parts | 0:39:26 | 0:39:30 | |
without any of that sort of, erm... Method. | 0:39:30 | 0:39:34 | |
What did you think of Claude as a director? | 0:39:34 | 0:39:36 | |
-We loved him. -We loved him. And he gave us danger money... | 0:39:36 | 0:39:40 | |
He gave us danger money, he gave us overtime. | 0:39:40 | 0:39:42 | |
The swimming scenes, Claude had to pay us big time for that. | 0:39:42 | 0:39:46 | |
-We got £2... -I only got £1! And I went in more than you! | 0:39:46 | 0:39:50 | |
And you went in twice! | 0:39:50 | 0:39:51 | |
Was that quite difficult, to get in that cold water? | 0:39:51 | 0:39:54 | |
-It was melt water. -We don't mind that, that's fine! | 0:39:54 | 0:39:56 | |
She was brilliant - I minded! | 0:39:56 | 0:39:58 | |
But when you came out, you were all wrapped in a blanket. | 0:39:58 | 0:40:02 | |
It was cold, the lakes are cold, yeah. | 0:40:02 | 0:40:06 | |
Shall we have a dip now? | 0:40:06 | 0:40:07 | |
No! | 0:40:09 | 0:40:10 | |
In the film, the children's exploits were usually at the expense | 0:40:11 | 0:40:15 | |
of actor, Ronald Fraser, who played the Amazons' Uncle Jim, | 0:40:15 | 0:40:19 | |
better known as retired pirate, Captain Flint. | 0:40:19 | 0:40:21 | |
He lived on a houseboat, which comes under friendly attack at the end. | 0:40:21 | 0:40:25 | |
And he comes to the same sticky end as most pirates... | 0:40:25 | 0:40:29 | |
And this is Uncle Jim's houseboat, | 0:40:31 | 0:40:34 | |
which was never really a houseboat at all. | 0:40:34 | 0:40:36 | |
In fact, it was never even on Coniston Water, | 0:40:36 | 0:40:38 | |
it was shot here on Derwentwater. | 0:40:38 | 0:40:41 | |
It was carefully modified by filmmakers | 0:40:41 | 0:40:44 | |
and then returned to its former glory as a passenger launch. | 0:40:44 | 0:40:47 | |
And it's still used today - the Lady Derwentwater. | 0:40:47 | 0:40:51 | |
Swallows And Amazons has become part of the history of the Lake District | 0:40:51 | 0:40:55 | |
around Windermere and Coniston. | 0:40:55 | 0:40:57 | |
When Arthur Ransome wrote the book, he was trying to recreate | 0:40:57 | 0:41:00 | |
an idealised version of his own childhood. | 0:41:00 | 0:41:03 | |
He succeeded in inspiring generations of other childhoods, | 0:41:03 | 0:41:07 | |
including my own. | 0:41:07 | 0:41:08 | |
And I think that's exactly why the film is still enjoyed | 0:41:08 | 0:41:12 | |
by children and adults alike even today. | 0:41:12 | 0:41:14 | |
Because there's a part of all of us | 0:41:14 | 0:41:16 | |
that wishes we could go back to those innocent and perfect times. | 0:41:16 | 0:41:20 | |
From the glassy stillness of Coniston Water, | 0:41:35 | 0:41:37 | |
I'm now off to tackle more rugged terrain. | 0:41:37 | 0:41:40 | |
I'm coming to the end of my Lakeland journey and I've saved | 0:41:42 | 0:41:45 | |
the best till last - getting up the Old Man of Coniston, | 0:41:45 | 0:41:48 | |
which is just 800 metres as the crow flies and 800 metres up... | 0:41:48 | 0:41:53 | |
'The Old Man of Coniston | 0:41:53 | 0:41:55 | |
'is a fantastic landmark in this part of the Lake District | 0:41:55 | 0:41:58 | |
'and marks the highest point in the Furness Fells. | 0:41:58 | 0:42:01 | |
'And I'm here to meet some fell runners | 0:42:01 | 0:42:03 | |
'who have been inspired by a local hero.' | 0:42:03 | 0:42:05 | |
This is Eskdale in Cumberland and this is the Upper Esk. | 0:42:05 | 0:42:08 | |
Magnificent, tough, brutal countryside, | 0:42:08 | 0:42:11 | |
the training ground of Joss Naylor, the king of the fell runners. | 0:42:11 | 0:42:15 | |
Joss Naylor is a sheep farmer turned fell runner | 0:42:16 | 0:42:19 | |
from Wasdale in north-west Lakeland. | 0:42:19 | 0:42:21 | |
Following success in his youth as a cross-country runner, | 0:42:21 | 0:42:25 | |
later he turned his hand to the epic sport of fell running. | 0:42:25 | 0:42:28 | |
Fast-forward 20-odd years to the age of 50, | 0:42:28 | 0:42:30 | |
and his feats included running seven Wainwright Walks in seven days. | 0:42:30 | 0:42:35 | |
Then at the sprightly age of 70, | 0:42:35 | 0:42:37 | |
Joss ran 70 Lakeland fell tops in under 21 hours. | 0:42:37 | 0:42:42 | |
he was awarded an MBE for his services to sport and charity | 0:42:42 | 0:42:46 | |
and he's been noted as one of Britain's top 100 sports personalities. | 0:42:46 | 0:42:50 | |
I'm meeting one of Joss's disciples and running partners, Barry Johnson. | 0:42:53 | 0:42:58 | |
Tell me about one of your happiest memories up here. | 0:42:58 | 0:43:01 | |
Um, I think one in particular, we ran all day. | 0:43:01 | 0:43:06 | |
-We ran for about 16 hours. -Wow! | 0:43:06 | 0:43:09 | |
I promise you, the craic, or as they say up here, the talk, | 0:43:09 | 0:43:13 | |
was just constant, because Joss is just a lover of the environment. | 0:43:13 | 0:43:19 | |
He's so involved in it. He's Cumbrian out and out | 0:43:19 | 0:43:23 | |
and he knows every little track you go on, every sheep trod, | 0:43:23 | 0:43:27 | |
every little lake that you go past. A real treat to be with. | 0:43:27 | 0:43:31 | |
Well, Joss couldn't be with us today. | 0:43:48 | 0:43:50 | |
He's sunning himself on a Spanish beach. | 0:43:50 | 0:43:52 | |
But three years ago, he made this video diary for Countryfile. | 0:43:52 | 0:43:56 | |
My name is Joss Naylor and my sport is fell running. | 0:43:56 | 0:44:00 | |
I live at a place called Grey Nail in the Lake District | 0:44:00 | 0:44:03 | |
and today I'm gonna go up Seatallan, | 0:44:03 | 0:44:05 | |
which is one of the mountains behind my house, | 0:44:05 | 0:44:08 | |
for the 100th time this summer. | 0:44:08 | 0:44:11 | |
This year in particular, it was my 70th birthday. | 0:44:17 | 0:44:20 | |
I thought, well, I'll do 70 Seatallan's for a start. | 0:44:20 | 0:44:23 | |
I started about the 7th or 8th of April | 0:44:23 | 0:44:28 | |
and I got my 70 in on the first day of June, which was good. | 0:44:28 | 0:44:32 | |
Fell running in this area is mostly longer distance stuff, that I do. | 0:44:36 | 0:44:42 | |
It's maybe 15 to 25 miles long | 0:44:42 | 0:44:44 | |
and takes about seven and a half hours to run it. | 0:44:44 | 0:44:49 | |
The young men would maybe do it in about five, | 0:44:49 | 0:44:52 | |
so I'm still managing to get round, which is what I aim to do. | 0:44:52 | 0:44:56 | |
This is the Millennium Seat I built. It's been built about six years now. | 0:44:56 | 0:45:01 | |
I decided to build it cos we had a Millennium Bridge down there | 0:45:01 | 0:45:05 | |
which was built by William Dixon in 1900 | 0:45:05 | 0:45:08 | |
and this little seat here was built in the year 2000. | 0:45:08 | 0:45:12 | |
Obviously I don't use this seat when I'm out running, | 0:45:12 | 0:45:15 | |
but when I walk the dogs during the winter and times like that, | 0:45:15 | 0:45:19 | |
I sit down for five or ten minutes just to take the views in. | 0:45:19 | 0:45:24 | |
It was in 1960 there was a mountain trial up there | 0:45:31 | 0:45:35 | |
and the organisers wanted to know if I'd like to have a go. | 0:45:35 | 0:45:38 | |
And I did. That was the first one. I had no running shoes or anything. | 0:45:38 | 0:45:42 | |
I just ran in my work boots | 0:45:42 | 0:45:44 | |
and took my knife and cut the legs out of my trousers | 0:45:44 | 0:45:47 | |
and away I went. | 0:45:47 | 0:45:49 | |
It keeps you fit. I know I've ran now all these years | 0:45:49 | 0:45:52 | |
and I've taken no harm. | 0:45:52 | 0:45:53 | |
I think when I started running I was about nine stone | 0:45:53 | 0:45:56 | |
and today I'll probably still be nine stone. | 0:45:56 | 0:45:59 | |
I had a medical the other day | 0:45:59 | 0:46:00 | |
and the doctor said I was half a stone too light. | 0:46:00 | 0:46:03 | |
I'm not gonna do anything about it, | 0:46:03 | 0:46:05 | |
I'm not gonna have an extra plate of porridge or anything. | 0:46:05 | 0:46:08 | |
I'm just gonna continue as I am today. | 0:46:08 | 0:46:10 | |
If I can go up the fells, I'll continue going up them. | 0:46:10 | 0:46:13 | |
I get a lot of pleasure out of it. | 0:46:13 | 0:46:15 | |
Today it's gonna be magic cos we're going up for the 100th time | 0:46:18 | 0:46:22 | |
and you might say, oh, that's silly going up there 100 times. | 0:46:22 | 0:46:25 | |
But anybody who says it, just let them go and do it 100 times. | 0:46:25 | 0:46:29 | |
And I hope if they do, | 0:46:29 | 0:46:30 | |
they get the pleasure out of going up there that I've had. | 0:46:30 | 0:46:34 | |
I promised my wife I won't do any more of these multi-distance things, | 0:46:34 | 0:46:39 | |
you know, running for 24 hours and she's much happier about it. | 0:46:39 | 0:46:44 | |
She thinks maybe I'm getting rather old for doing them | 0:46:44 | 0:46:47 | |
and she said she terminating my licence for doing them! | 0:46:47 | 0:46:51 | |
I better just behave myself. | 0:46:51 | 0:46:53 | |
Well, that's just great. | 0:46:58 | 0:46:59 | |
That's 100 times I've been up Seatallan this summer | 0:46:59 | 0:47:04 | |
in all sorts of weather. | 0:47:04 | 0:47:06 | |
There was one morning I came up on here and it was just blowing us off. | 0:47:06 | 0:47:11 | |
I had to lay down on the ground three or four times | 0:47:11 | 0:47:13 | |
and hang on to the grass. It was blowing the dogs away. | 0:47:13 | 0:47:17 | |
They were lying down behind us. | 0:47:17 | 0:47:19 | |
The only bit I've got to do now is the wall | 0:47:20 | 0:47:22 | |
and that's the jog back home. | 0:47:22 | 0:47:25 | |
In 1990, Joss set up the Joss Naylor challenge | 0:47:32 | 0:47:35 | |
to provide a fell running target for people over 50. | 0:47:35 | 0:47:38 | |
But his celebrity transcends age barriers. | 0:47:38 | 0:47:41 | |
He's also been an inspiration for Ben Abdelnoor, | 0:47:41 | 0:47:44 | |
who's the men's team captain of the Ambleside Fell Runners. | 0:47:44 | 0:47:48 | |
So, Ben, why fell running in the first place? | 0:47:48 | 0:47:51 | |
Um, it's something I've really wanted to get into. | 0:47:51 | 0:47:54 | |
I've always come on holiday to the Lake District | 0:47:54 | 0:47:57 | |
and come walking with my family and I enjoy road running. | 0:47:57 | 0:48:00 | |
It just seemed a natural progression. | 0:48:00 | 0:48:02 | |
To get out in the hills running and just enjoying being out. | 0:48:02 | 0:48:05 | |
-Making it harder up in the hills? -Yeah, yeah. | 0:48:05 | 0:48:08 | |
So you had quite a serious accident, is that right? | 0:48:08 | 0:48:11 | |
Yeah, about four years ago I had a paragliding accident | 0:48:11 | 0:48:14 | |
which left me with a broken back. It took a while to recover. | 0:48:14 | 0:48:18 | |
That's serious. How long did it take to recover? | 0:48:18 | 0:48:21 | |
It was a year before I was even able to start running again. | 0:48:21 | 0:48:25 | |
Yeah, it was fairly serious. So, to get a call from Joss, which I did, | 0:48:25 | 0:48:29 | |
was a real inspiration to me. | 0:48:29 | 0:48:31 | |
What was it like getting the call from him? | 0:48:31 | 0:48:33 | |
It was a bit strange, actually. I got back in and my dad said, | 0:48:33 | 0:48:36 | |
some old bloke was on the phone, I didn't quite catch his name. | 0:48:36 | 0:48:40 | |
It sounded like Ross or something. I explained afterwards to him, I said, | 0:48:40 | 0:48:44 | |
it's the equivalent of getting a call off, I guess, David Beckham, | 0:48:44 | 0:48:47 | |
so he was my hero who I quite looked up to. | 0:48:47 | 0:48:50 | |
So to get a call from him was pretty amazing, yeah. | 0:48:50 | 0:48:53 | |
Running over this terrain is a real test of endurance | 0:48:53 | 0:48:57 | |
and certainly not for the faint-hearted. | 0:48:57 | 0:49:00 | |
I've only covered a very small part of the fell | 0:49:00 | 0:49:03 | |
and I'm already exhausted. | 0:49:03 | 0:49:06 | |
'My trip today has taken me up fell and down stream, | 0:49:13 | 0:49:17 | |
'from the shores of Windermere | 0:49:17 | 0:49:19 | |
through the tourist buzz of Ambleside, | 0:49:19 | 0:49:21 | |
'to the serenity of canoeing across Coniston Water. | 0:49:21 | 0:49:24 | |
'Now I'm nearing the upper reaches | 0:49:24 | 0:49:27 | |
'of the Old Man of Coniston and I'm trying my hand, and feet, | 0:49:27 | 0:49:30 | |
'at a brand-new way of walking, an all-over body workout | 0:49:30 | 0:49:33 | |
'that burns nearly twice as many calories | 0:49:33 | 0:49:36 | |
'as a typical stroll.' | 0:49:36 | 0:49:38 | |
So, fell running was plenty of good fun, | 0:49:38 | 0:49:41 | |
but I think I'm going to enjoy this pace much, much more. | 0:49:41 | 0:49:44 | |
Martin, what is this that I'm attempting - very badly - to do here? | 0:49:44 | 0:49:47 | |
-This is Nordic walking. -OK. | 0:49:47 | 0:49:49 | |
It's like trekking with poles. | 0:49:49 | 0:49:52 | |
It's an exercise technique and we're using the poles to help propel us forward. | 0:49:52 | 0:49:57 | |
-Yeah. -It means we're working our upper body, | 0:49:57 | 0:49:59 | |
which means we're using more muscles, | 0:49:59 | 0:50:02 | |
because we're using more muscles, we'll burn more calories than ordinary walking. | 0:50:02 | 0:50:06 | |
Because the poles help us along, | 0:50:06 | 0:50:07 | |
most people find it easier than ordinary walking. | 0:50:07 | 0:50:10 | |
You burn anything up to | 0:50:10 | 0:50:12 | |
46% more calories than ordinary walking, | 0:50:12 | 0:50:15 | |
but it feels easier. It takes some of the load away from the knees, | 0:50:15 | 0:50:18 | |
some of the load away from the hips. | 0:50:18 | 0:50:21 | |
It's very good for your back, and just nice to be out, really. | 0:50:21 | 0:50:24 | |
So it's cardio and it's working muscles that you wouldn't normally work on a walk? | 0:50:24 | 0:50:28 | |
Absolutely. You're working your arms, your back, your chest, | 0:50:28 | 0:50:32 | |
-and you feel it quite quickly. -Yeah. | 0:50:32 | 0:50:34 | |
So what's the technique here? | 0:50:34 | 0:50:36 | |
The idea is that the poles are angled back behind us. | 0:50:36 | 0:50:40 | |
They're propelling us forward. | 0:50:40 | 0:50:41 | |
We're swinging from the shoulder, so it's normal movement, | 0:50:41 | 0:50:44 | |
normal walking movement patterns, | 0:50:44 | 0:50:47 | |
and that means it's a very safe exercise for almost everybody to do. | 0:50:47 | 0:50:52 | |
It's always tempting to do leg with leg, isn't it, | 0:50:52 | 0:50:55 | |
but it's the opposite you need to do? | 0:50:55 | 0:50:56 | |
Yeah. It's why people need to... | 0:50:56 | 0:50:58 | |
Even having a single session, learning how to do it, | 0:50:58 | 0:51:01 | |
-makes a world of difference to what you get from it. -Yeah. | 0:51:01 | 0:51:04 | |
-It makes it much more effective. -So who's doing this Nordic walking? | 0:51:04 | 0:51:08 | |
Well, lots of people all over the country. | 0:51:08 | 0:51:10 | |
Nordic Walking UK has trained over 650 instructors, | 0:51:10 | 0:51:14 | |
and that includes areas like Manchester, London, the Malverns - | 0:51:14 | 0:51:18 | |
rural areas as well as urban areas. | 0:51:18 | 0:51:21 | |
Poole Borough Council run classes on the beach on a Monday evening | 0:51:21 | 0:51:24 | |
and people wear head torches and the classes are full even in the evenings. | 0:51:24 | 0:51:28 | |
-People can feel self-conscious. -Yeah! | 0:51:28 | 0:51:32 | |
We recognise that and we get jokes like, "Where are your skis?" and "Where's the snow?" | 0:51:32 | 0:51:36 | |
But less and less as people see it more. It means that people want to do it with somebody else. | 0:51:36 | 0:51:40 | |
You don't feel so self-conscious when you've got a friend. | 0:51:40 | 0:51:43 | |
If you've got a friend, you're much more likely to go out and do it, and enjoy it socially as well. | 0:51:43 | 0:51:48 | |
Fantastic. I think the fact it makes you so much fitter, THAT much more fitter, is amazing. | 0:51:48 | 0:51:53 | |
It's a really easy exercise to learn and a really easy exercise to do. | 0:51:53 | 0:51:57 | |
Do it with somebody else. You're getting out in beautiful surroundings. | 0:51:57 | 0:52:00 | |
-It's a winner all round. -Let's keep going. | 0:52:00 | 0:52:03 | |
Well, I've come to the end of my journey through the Lake District | 0:52:16 | 0:52:19 | |
and what a beautiful spot to finish up on. | 0:52:19 | 0:52:22 | |
Join us next time on Country Tracks. | 0:52:22 | 0:52:24 | |
Subtitles by Red Bee Media Ltd | 0:52:37 | 0:52:39 |