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Today, I'm on a journey through Surrey, | 0:00:30 | 0:00:34 | |
that most English of counties, | 0:00:34 | 0:00:35 | |
beginning here on the racetrack at Epsom Downs | 0:00:35 | 0:00:38 | |
and ending at one of its hidden gems, the Watts Gallery in Compton. | 0:00:38 | 0:00:42 | |
My journey starts just 17 miles from the centre of London | 0:00:48 | 0:00:52 | |
and home of arguably the greatest flat horse race in the world, | 0:00:52 | 0:00:55 | |
the Derby. | 0:00:55 | 0:00:57 | |
Then it's onto Wisley, | 0:00:59 | 0:01:01 | |
flagship garden of the Royal Horticultural Society | 0:01:01 | 0:01:04 | |
and where forensic detective work | 0:01:04 | 0:01:07 | |
is helping to protect Britain's best loved plants and trees. | 0:01:07 | 0:01:10 | |
-It's really small. -It is, yeah. | 0:01:10 | 0:01:13 | |
It's remarkable in a sense | 0:01:13 | 0:01:15 | |
that such a small and insignificant looking pest | 0:01:15 | 0:01:17 | |
can do so much damage to a very substantial tree. | 0:01:17 | 0:01:20 | |
I then travelled to one of Surrey's most sought-after addresses - | 0:01:20 | 0:01:24 | |
Whiteley Village. | 0:01:24 | 0:01:26 | |
It shares a postcode with millionaires but you have to be | 0:01:26 | 0:01:28 | |
a cash-strapped pensioner to live there. | 0:01:28 | 0:01:30 | |
Even if I won the pools, I don't think I'd want to move out. | 0:01:30 | 0:01:35 | |
My journey ends at Compton and a national treasure, Watts Gallery. | 0:01:35 | 0:01:40 | |
It was built more than a century ago to bring art to all, | 0:01:40 | 0:01:43 | |
but a leaky roof and crumbling walls spells disaster | 0:01:43 | 0:01:47 | |
unless they could win a pot of money from the BBC's restoration programme | 0:01:47 | 0:01:51 | |
but did they win? | 0:01:51 | 0:01:53 | |
I will be finding out what happens to the gallery, the cash | 0:01:53 | 0:01:56 | |
and the paintings. | 0:01:56 | 0:01:58 | |
Along the way, I'll be looking back at the best | 0:01:58 | 0:02:01 | |
of the BBC's rural programmes from this part of the world. | 0:02:01 | 0:02:05 | |
This is Country Tracks. | 0:02:05 | 0:02:07 | |
The Epsom Downs are spread across 600 acres of green, open countryside, | 0:02:10 | 0:02:16 | |
right on the doorstep of London. | 0:02:16 | 0:02:18 | |
It's just as popular with dog walkers as horse riders. | 0:02:18 | 0:02:22 | |
On a day like today, the City couldn't feel further away. | 0:02:23 | 0:02:27 | |
Every June, the Epsom Downs here are packed with spectators, | 0:02:27 | 0:02:31 | |
many of them enjoying a flutter. | 0:02:31 | 0:02:34 | |
The Derby and the Oaks, | 0:02:40 | 0:02:42 | |
both held annually at Epsom are more than just sporting events. | 0:02:42 | 0:02:45 | |
They're proud traditions. | 0:02:45 | 0:02:47 | |
Generations of racing fans have packed into the grandstand | 0:02:48 | 0:02:52 | |
and crowded the Downs, cheering their horses to victory. | 0:02:52 | 0:02:57 | |
It's a carnival atmosphere | 0:02:57 | 0:02:58 | |
and Derby Day prides itself on being down-to-earth and open to all. | 0:02:58 | 0:03:03 | |
So much so, it was nicknamed the Londoners' Day Out. | 0:03:03 | 0:03:07 | |
Today, it attracts the largest crowd | 0:03:16 | 0:03:19 | |
for a one-day sporting event in the UK. | 0:03:19 | 0:03:22 | |
The first race was held in 1780 between Lord Derby | 0:03:22 | 0:03:27 | |
and Sir Charles Bunbury. | 0:03:27 | 0:03:29 | |
Legend has it that they tossed a coin to decide what to call the race. | 0:03:29 | 0:03:33 | |
Lord Derby won and the name stuck. | 0:03:33 | 0:03:36 | |
Flat racing is designed for young horses. | 0:03:36 | 0:03:39 | |
They're fragile creatures bred solely for speed. | 0:03:39 | 0:03:43 | |
Many are trained here at Epsom Downs. | 0:03:43 | 0:03:46 | |
By 6am, the stables are a hive of activity - | 0:03:52 | 0:03:55 | |
feeding, watering, grooming and of course, | 0:03:55 | 0:03:59 | |
gearing up for a hard training session. | 0:03:59 | 0:04:02 | |
The horses here at Clear Height Stables on Epsom Downs | 0:04:04 | 0:04:07 | |
are exercised every morning | 0:04:07 | 0:04:08 | |
to improve their fitness and test their potential. | 0:04:08 | 0:04:12 | |
Trainer Simon Dow is on the lookout for trophy winners. | 0:04:12 | 0:04:15 | |
He gives the riders a leg-up and the horses a final once-over | 0:04:15 | 0:04:19 | |
before heading out to the training gallops. | 0:04:19 | 0:04:22 | |
They're athletes. | 0:04:25 | 0:04:26 | |
It's just the same as any footballer or a runner or swimmer | 0:04:26 | 0:04:30 | |
doing their morning workout, so as long as the horses are fit, | 0:04:30 | 0:04:35 | |
that's these guys' job to make sure | 0:04:35 | 0:04:36 | |
they're as fit as they can possibly be | 0:04:36 | 0:04:38 | |
when they get to the track. | 0:04:38 | 0:04:40 | |
I want to win top races. I want to have as many wins as I possibly can. | 0:04:42 | 0:04:46 | |
Realistically, my moral obligation is to develop the horse's potential | 0:04:46 | 0:04:51 | |
who are in my care for their clients. | 0:04:51 | 0:04:53 | |
We're all looking for champions | 0:04:53 | 0:04:55 | |
and you have to kiss a lot of frogs | 0:04:55 | 0:04:57 | |
to find the princes in this business. | 0:04:57 | 0:04:59 | |
Obviously, it's like anything. | 0:04:59 | 0:05:02 | |
If you find a good athlete, it's an animal that's got speed, | 0:05:02 | 0:05:06 | |
presence, courage and energy. | 0:05:06 | 0:05:08 | |
For the stable lads and lasses, riding the horse is is as much | 0:05:11 | 0:05:14 | |
a part of the job as grooming or mucking out. | 0:05:14 | 0:05:18 | |
Today, Gemma Paddock is riding one of the most promising horses, | 0:05:18 | 0:05:22 | |
Sotto Voce, a three-year-old filly. | 0:05:22 | 0:05:25 | |
Simon has big plans and high hopes for her | 0:05:25 | 0:05:29 | |
and it's down to Gemma to unleash that potential on the track. | 0:05:29 | 0:05:33 | |
Training over and it's back to the stables. | 0:05:55 | 0:05:58 | |
It was a great gallop and certainly thrilling to watch. | 0:06:01 | 0:06:04 | |
Both Simon and Gemma seem pleased with Sotto Voce's performance, | 0:06:06 | 0:06:09 | |
but has she got the makings of a champion? | 0:06:09 | 0:06:13 | |
She was amazing this morning. | 0:06:15 | 0:06:16 | |
She went very nicely. We're very pleased with her. | 0:06:16 | 0:06:19 | |
She's hopefully going to run at Epsom in a couple of weeks' time | 0:06:19 | 0:06:22 | |
and she's certainly going in the right direction. | 0:06:22 | 0:06:25 | |
It's nursery school stuff still at the moment, | 0:06:25 | 0:06:28 | |
but she's the equivalent of a 16 or 17-year-old young lady, | 0:06:28 | 0:06:32 | |
so she's got the whole of the rest of her life in front of her. | 0:06:32 | 0:06:34 | |
Indeed. It's early days then but are you able to say | 0:06:34 | 0:06:37 | |
whether you think she might have the makings of a winner of a major race? | 0:06:37 | 0:06:42 | |
I don't know about a major race but she's definitely going to win | 0:06:42 | 0:06:45 | |
and the thing is, they're like young athletes at this stage. | 0:06:45 | 0:06:48 | |
You just keep going through the training regime | 0:06:48 | 0:06:50 | |
and progressing them up through the ranks. | 0:06:50 | 0:06:52 | |
-She's been second a couple of times, hasn't she? -She has. | 0:06:52 | 0:06:54 | |
Gemma has been riding her for about four or five months | 0:06:54 | 0:06:56 | |
and she's certainly noticed her getting stronger all the time. | 0:06:56 | 0:07:01 | |
-So what's Sotto Voce's temperament like? -She's a very sweet filly. | 0:07:01 | 0:07:05 | |
She's very suspicious, as you can see in her stable. | 0:07:05 | 0:07:11 | |
It's taken me a long time to build the bond with her. | 0:07:11 | 0:07:16 | |
She trusts me now. | 0:07:18 | 0:07:19 | |
So how do you build up the trust you have developed here | 0:07:19 | 0:07:23 | |
with Sotto Voce, with a racehorse, when they can be quite skittish? | 0:07:23 | 0:07:26 | |
I think it's important you've got to spend the time with the horses. | 0:07:26 | 0:07:31 | |
They just get to know you. | 0:07:31 | 0:07:33 | |
Who knows what the future has in store for Sotto Voce? | 0:07:33 | 0:07:37 | |
One thing's for sure, as a filly, she will never be a Derby winner. | 0:07:37 | 0:07:40 | |
Only males get to run in that race. | 0:07:40 | 0:07:43 | |
But she could make an appearance on Ladies' Day. Keep an eye out for her. | 0:07:43 | 0:07:47 | |
Surrey has enduring links with wealth and aristocracy. | 0:07:47 | 0:07:52 | |
Even an all-inclusive race like the Derby has its roots in nobility. | 0:07:52 | 0:07:56 | |
But unlike horse racing, historic homes and landed estates | 0:07:56 | 0:07:59 | |
all over Britain are struggling to make ends meet. | 0:07:59 | 0:08:02 | |
Many are in dire need of restoration. | 0:08:02 | 0:08:05 | |
John Craven explored a Surrey success story. | 0:08:05 | 0:08:08 | |
This garden the size of a small farm | 0:08:11 | 0:08:14 | |
was designed in the 18th century by Charles Hamilton. | 0:08:14 | 0:08:16 | |
It's Painshill Park in Surrey. | 0:08:16 | 0:08:19 | |
Charles Hamilton never made the park his home. | 0:08:19 | 0:08:22 | |
He lived some distance away. | 0:08:22 | 0:08:24 | |
But he did build this as a ruin - | 0:08:24 | 0:08:27 | |
a romantic image of a ruined abbey. | 0:08:27 | 0:08:30 | |
It became even more of a ruin than he could have ever imagined. | 0:08:30 | 0:08:34 | |
In fact, for various reasons, his once immaculate park | 0:08:34 | 0:08:38 | |
was more or less abandoned until about 35 years ago, | 0:08:38 | 0:08:41 | |
when it was rediscovered by a local resident almost by chance. | 0:08:41 | 0:08:46 | |
I took a walk down here and approached this spot | 0:08:47 | 0:08:51 | |
through the woods and all of a sudden, | 0:08:51 | 0:08:54 | |
you come upon the view just behind me, | 0:08:54 | 0:08:57 | |
and I was absolutely staggered by what I saw. | 0:08:57 | 0:08:59 | |
I needed no further convincing that | 0:08:59 | 0:09:02 | |
one of the greatest landscape parks in the world was right here. | 0:09:02 | 0:09:06 | |
Even in its overgrown state, | 0:09:06 | 0:09:07 | |
Norman Kitz knew he'd stumbled on something special. | 0:09:07 | 0:09:11 | |
It has survived almost untouched more than two centuries, | 0:09:11 | 0:09:17 | |
so the layout as you see it today, | 0:09:17 | 0:09:20 | |
is very much as it was in the 18th century. | 0:09:20 | 0:09:22 | |
I would like to see it preserved as part of Britain's national heritage. | 0:09:22 | 0:09:27 | |
That's what happened. | 0:09:27 | 0:09:29 | |
A charitable trust was formed | 0:09:29 | 0:09:31 | |
and £12 million raised to awake Painshill Park | 0:09:31 | 0:09:33 | |
from its long slumber. | 0:09:33 | 0:09:35 | |
And this is how it looks now. An amazing transformation. | 0:09:35 | 0:09:40 | |
If Hamilton could be around now, | 0:09:40 | 0:09:42 | |
I'm sure he'd be very pleased indeed. | 0:09:42 | 0:09:44 | |
Now, what do you make of this? | 0:09:44 | 0:09:47 | |
It's limestone in all kinds of shapes and sizes. | 0:09:47 | 0:09:52 | |
Weird ones, but in fact, it's natural. | 0:09:52 | 0:09:54 | |
It comes from the Cotswolds | 0:09:54 | 0:09:56 | |
and Hamilton brought it here to create his very own grotto. | 0:09:56 | 0:10:00 | |
All this limestone is placed on top of a brick construction. | 0:10:00 | 0:10:05 | |
Just wait until you see what's inside. | 0:10:05 | 0:10:07 | |
Thousands upon thousands of man-made stalactites. Crystals, really. | 0:10:17 | 0:10:23 | |
Most of them have been here since the grotto was first built | 0:10:23 | 0:10:26 | |
250 years ago. | 0:10:26 | 0:10:28 | |
Just further up the cave, there was disaster. | 0:10:28 | 0:10:31 | |
What happened was around about 50 years ago | 0:10:33 | 0:10:36 | |
when this grotto was still all but forgotten, | 0:10:36 | 0:10:39 | |
a huge section of the roof collapsed | 0:10:39 | 0:10:41 | |
and everything underneath was destroyed. | 0:10:41 | 0:10:44 | |
Now, what looks like a big reconstruction job is underway. | 0:10:44 | 0:10:48 | |
Is that so, Warwick? | 0:10:48 | 0:10:50 | |
This was completely open to the sky originally. | 0:10:50 | 0:10:53 | |
The new roof had to be designed to fit in with the existing walls. | 0:10:53 | 0:10:59 | |
-This is green oak here? -It is indeed. | 0:10:59 | 0:11:03 | |
I'm told it came from Windsor | 0:11:03 | 0:11:06 | |
where they'd used a lot of it for the repairs after the fire. | 0:11:06 | 0:11:11 | |
Every single piece is different, | 0:11:11 | 0:11:13 | |
it's tailor-made and quite complicated. | 0:11:13 | 0:11:17 | |
And now the mammoth task is just starting | 0:11:18 | 0:11:20 | |
of coating the whole frame with limewater and then sticking on | 0:11:20 | 0:11:24 | |
hundreds of thousands of crystals to recreate the stalactites. | 0:11:24 | 0:11:28 | |
-This is going to take a lifetime to do, isn't it? -Unfortunately, yes. | 0:11:30 | 0:11:35 | |
We haven't yet devised a machine to do it. | 0:11:35 | 0:11:40 | |
And how long do you reckon it will be before this whole cave | 0:11:40 | 0:11:43 | |
has been restored? | 0:11:43 | 0:11:45 | |
It could be five or ten years, quite easily. | 0:11:46 | 0:11:49 | |
When it's finished, it should look quite spectacular, should'nt it? | 0:11:49 | 0:11:53 | |
Indeed. It is one of the finest grottoes we know of. | 0:11:53 | 0:11:57 | |
John Craven exploring the restored beauty of Painshill Park. | 0:12:00 | 0:12:04 | |
The good news is the grotto has recently been rewarded | 0:12:04 | 0:12:08 | |
a Heritage Lottery grant of £750,000. | 0:12:08 | 0:12:11 | |
The work is due for completion in 2013. | 0:12:11 | 0:12:13 | |
I've moved on from Epsom Downs racecourse to Wisley, | 0:12:16 | 0:12:19 | |
home of another very English passion. | 0:12:19 | 0:12:21 | |
Wisley was gifted to the Royal Horticultural Society in 1903, | 0:12:23 | 0:12:27 | |
and has become its flagship garden. | 0:12:27 | 0:12:30 | |
If you're not much of a gardener, as I'm not, | 0:12:34 | 0:12:36 | |
it's easy to take for granted our more common and familiar flowers. | 0:12:36 | 0:12:40 | |
After all, a daffodil's a daffodil, isn't it? | 0:12:40 | 0:12:44 | |
In fact, there are so many different types of daffodil | 0:12:54 | 0:12:57 | |
you need an international registrar to keep track of them all. | 0:12:57 | 0:13:00 | |
That job belongs to Sharon McDonald. | 0:13:00 | 0:13:03 | |
So, Sharon, how many different types of daffodils are there? | 0:13:12 | 0:13:16 | |
What we have here is | 0:13:16 | 0:13:17 | |
the international daffodil register and classified list. | 0:13:17 | 0:13:22 | |
In this book alone, we have between 26,000 and 27,000 unique daffodils. | 0:13:22 | 0:13:28 | |
Daffodil cultivars. | 0:13:28 | 0:13:30 | |
There was a big daffodil conference in 1884 | 0:13:30 | 0:13:34 | |
and the RHS asked Peter Barr, who was a nursery man of the time, | 0:13:34 | 0:13:39 | |
to produce this list. | 0:13:39 | 0:13:41 | |
So, this is essentially the first daffodil register. | 0:13:42 | 0:13:46 | |
You can see we go from page 32 to page 48, | 0:13:46 | 0:13:52 | |
-so it's a good list. -That's plenty of daffodils! | 0:13:52 | 0:13:55 | |
There's some wonderful pictures in here. | 0:13:55 | 0:13:58 | |
-Amazing illustrations. -Obviously, now, we have this. | 0:13:58 | 0:14:02 | |
I'm staggered by how many there are. But that's not species, is it? | 0:14:03 | 0:14:07 | |
Not species. | 0:14:07 | 0:14:09 | |
What this is is cultivars, so it's selections from species | 0:14:09 | 0:14:12 | |
and then eventually, these have evolved | 0:14:12 | 0:14:15 | |
so that we can see the daffodils we're looking at here | 0:14:15 | 0:14:18 | |
are very different to the species daffodils, | 0:14:18 | 0:14:22 | |
most of which are quite small. | 0:14:22 | 0:14:24 | |
Mostly yellow and orange, the odd white. | 0:14:24 | 0:14:27 | |
Obviously, the range of colours has come out in the cultivars. | 0:14:27 | 0:14:30 | |
It begs the question, why record all these different daffodils? | 0:14:30 | 0:14:33 | |
This reason we do it is because there are so many | 0:14:33 | 0:14:37 | |
and if we didn't do it, it would be anarchy, basically. | 0:14:37 | 0:14:40 | |
You'd just have three or four different daffodils | 0:14:40 | 0:14:45 | |
all with the same name, possibly all looking very similar. | 0:14:45 | 0:14:48 | |
If you went to a garden centre | 0:14:48 | 0:14:50 | |
and wanted something called Silver Standard, for example, | 0:14:50 | 0:14:53 | |
how would you know that the one you wanted was the one you were buying? | 0:14:53 | 0:14:56 | |
That's why we do it, so that people are absolutely sure | 0:14:56 | 0:15:01 | |
that what they're buying or what they're growing in their garden | 0:15:01 | 0:15:05 | |
is what it says it is. | 0:15:05 | 0:15:07 | |
I'm going to be incredibly vain now | 0:15:07 | 0:15:09 | |
and see if there's one named after me. | 0:15:09 | 0:15:11 | |
-Okay, there could be. -You never know. | 0:15:11 | 0:15:14 | |
-Does everybody do this? -Yes, oh, yes. | 0:15:14 | 0:15:16 | |
We're all terribly vain. | 0:15:16 | 0:15:18 | |
Eleanor. That'll do. I'll take one of those. | 0:15:19 | 0:15:23 | |
I think there's an Ellie something or other. Let's have a look. | 0:15:23 | 0:15:27 | |
Here we go! | 0:15:27 | 0:15:29 | |
Ellie Ney. Well, well, well. | 0:15:29 | 0:15:32 | |
But no Ellie, so it's still possible. | 0:15:32 | 0:15:34 | |
If you could find somebody who's got a daffodil without a name. | 0:15:34 | 0:15:38 | |
And a lot of time to go and create one for me. | 0:15:38 | 0:15:42 | |
They take a long time to come to flower from seed. | 0:15:42 | 0:15:45 | |
Well, if anybody's interested, I should be very grateful. | 0:15:45 | 0:15:48 | |
Thank you very much. Little Ellie Harrison daffodil. Wonderful. | 0:15:48 | 0:15:51 | |
Although there are thousands of different names for daffodils, | 0:15:58 | 0:16:01 | |
they all come under one species name - Narcissus, | 0:16:01 | 0:16:03 | |
which comes from Greek mythology. | 0:16:03 | 0:16:06 | |
Narcissus was a handsome young man who rejected the love | 0:16:06 | 0:16:09 | |
of a nymph called Echo. | 0:16:09 | 0:16:11 | |
The gods decided to punish him by condemning him | 0:16:11 | 0:16:14 | |
to fall in love only with his own reflection. | 0:16:14 | 0:16:17 | |
He was forced to gaze at himself in a clear pond | 0:16:17 | 0:16:20 | |
and pine for a love he could never have. | 0:16:20 | 0:16:22 | |
Eventually, he disappeared and in his place grew a lovely flower | 0:16:22 | 0:16:27 | |
with its head bent looking down into the water. | 0:16:27 | 0:16:30 | |
Wisley it isn't the only centre of excellence around here. | 0:16:41 | 0:16:44 | |
Matt Baker got a look behind the scenes | 0:16:44 | 0:16:47 | |
at one of Britain's most illustrious military academies. | 0:16:47 | 0:16:51 | |
Sandhurst is the home of the Royal Military Academy. | 0:16:51 | 0:16:54 | |
There's been a military college here for over 200 years, | 0:16:54 | 0:16:58 | |
and the list of ex-cadets is a real who's who, | 0:16:58 | 0:17:01 | |
from the explorer Chris Bonington to Winston Churchill. | 0:17:01 | 0:17:04 | |
Even Princes William and Harry trained here, | 0:17:04 | 0:17:07 | |
so we're talking the real top brass. | 0:17:07 | 0:17:10 | |
700 cadets come through the gates each year to be trained as officers | 0:17:14 | 0:17:18 | |
in the British Army. | 0:17:18 | 0:17:20 | |
And before they leave, every single one of them | 0:17:23 | 0:17:26 | |
will get to know this landscape really, really well, | 0:17:26 | 0:17:29 | |
because this is their training ground. | 0:17:29 | 0:17:32 | |
I'll be seeing more of that training in a little while, but first, | 0:17:39 | 0:17:42 | |
I'm off to find out about life as a trainee officer here. | 0:17:42 | 0:17:45 | |
So, Tim, how do you actually get to Sandhurst? | 0:17:46 | 0:17:49 | |
Do new recruits turn up here | 0:17:49 | 0:17:51 | |
or do you have to have done training first? | 0:17:51 | 0:17:54 | |
They will have gone through a selection process | 0:17:54 | 0:17:56 | |
at the Officer Selection Board down at Westbury, | 0:17:56 | 0:17:58 | |
where we're really looking at them to see what potential they have got. | 0:17:58 | 0:18:02 | |
They go to the selection process any time between the ages of 17 and 28. | 0:18:02 | 0:18:06 | |
How long do they stay here then? | 0:18:06 | 0:18:08 | |
They're here for a year, most of them. | 0:18:08 | 0:18:10 | |
Our core business is what is called | 0:18:10 | 0:18:12 | |
the regular Army Commissioning Course - | 0:18:12 | 0:18:14 | |
that's those cadets who are wanting to join the regular Army. | 0:18:14 | 0:18:17 | |
They come to us for a year in which they work bloody hard - | 0:18:17 | 0:18:21 | |
oops, shouldn't say "bloody"! They work extremely hard. | 0:18:21 | 0:18:25 | |
We're trying to really judge whether they've got the potential | 0:18:25 | 0:18:30 | |
to have that fantastic honour of leading our soldiers on operations. | 0:18:30 | 0:18:34 | |
Ultimately, we need to have the confidence | 0:18:34 | 0:18:37 | |
that they've got the ability to make the right decision | 0:18:37 | 0:18:40 | |
on a really difficult day. | 0:18:40 | 0:18:42 | |
It is quite a place, isn't it? | 0:18:42 | 0:18:45 | |
Standing here now and looking back at these buildings, | 0:18:45 | 0:18:47 | |
there's some atmosphere. | 0:18:47 | 0:18:50 | |
It's a spectacular environment. | 0:18:50 | 0:18:52 | |
I mean, 600 acres inside the wire here. | 0:18:52 | 0:18:55 | |
In the middle, as we are, fairly suburban, built up Camberley Surrey. | 0:18:55 | 0:18:59 | |
It's a wonderful site and we've been here for 200 years, | 0:18:59 | 0:19:01 | |
pretty much doing this. | 0:19:01 | 0:19:03 | |
Life at Sandhurst revolves around | 0:19:06 | 0:19:09 | |
the spectacular Old College, built in 1812. | 0:19:09 | 0:19:12 | |
Over 700 officer cadets, male and female, | 0:19:12 | 0:19:15 | |
all live on site during their year-long course. | 0:19:15 | 0:19:17 | |
As well as being their home, | 0:19:17 | 0:19:19 | |
it's also where they learn leadership skills | 0:19:19 | 0:19:22 | |
and tactics in the classroom. | 0:19:22 | 0:19:24 | |
But it's out here on the 1,400 acres of heathland | 0:19:24 | 0:19:27 | |
that surrounds the Academy | 0:19:27 | 0:19:29 | |
that Officer cadets are put through their practical paces. | 0:19:29 | 0:19:33 | |
-Is it what you expected it to be? -Yeah. | 0:19:40 | 0:19:42 | |
There's a lot of sleep deprivation, that's the main thing, I think. | 0:19:42 | 0:19:47 | |
It's been OK, I think. Not too bad. | 0:19:47 | 0:19:51 | |
It's a pretty harsh environment out there. | 0:19:51 | 0:19:53 | |
Can you put into words what it feels like out there training? | 0:19:53 | 0:19:56 | |
We went on an exercise last week | 0:19:56 | 0:19:59 | |
and I think the most we got was about four hours' sleep all week. | 0:19:59 | 0:20:03 | |
That was quite amazing, people staring off into the distance | 0:20:03 | 0:20:07 | |
-thinking they could see things and definitely couldn't. -Incredible. | 0:20:07 | 0:20:10 | |
Obviously, you all met six months ago, you go through your training. | 0:20:13 | 0:20:16 | |
When you leave, do you still all stay together | 0:20:16 | 0:20:19 | |
and do you get posted out to different parts? | 0:20:19 | 0:20:22 | |
You disperse across the army into all your different regiments | 0:20:22 | 0:20:25 | |
and units whether it's infantry, Air Corps. Anything like that. | 0:20:25 | 0:20:28 | |
Obviously, most of us are going to remain friends. | 0:20:28 | 0:20:31 | |
Speaking to people who've been commissioned before, | 0:20:31 | 0:20:34 | |
they stay in touch and meet once a year. | 0:20:34 | 0:20:36 | |
It's probably hard not to if you are going through all of this. | 0:20:36 | 0:20:40 | |
As well as training, | 0:20:44 | 0:20:45 | |
this landscape is also the venue for serious competition. | 0:20:45 | 0:20:49 | |
A gruelling endurance race that's part of the annual contest | 0:20:49 | 0:20:53 | |
to find the best platoon. | 0:20:53 | 0:20:56 | |
Every cadet will have done this in his time at Sandhurst. | 0:20:56 | 0:20:59 | |
It's over six miles, | 0:20:59 | 0:21:01 | |
over the common, uphill, down dale, across country. | 0:21:01 | 0:21:04 | |
Those who are yet to come will always be told | 0:21:04 | 0:21:06 | |
this is the worst possible thing that can never happen to you. | 0:21:06 | 0:21:09 | |
It will take them about an hour, probably, | 0:21:09 | 0:21:12 | |
with a really good hard sweat. | 0:21:12 | 0:21:14 | |
The race starts at dawn. | 0:21:15 | 0:21:17 | |
First, the three platoons face a straight run | 0:21:17 | 0:21:19 | |
from the base on to the heathland. | 0:21:19 | 0:21:22 | |
The platoons are now 1.3 miles into the course | 0:21:28 | 0:21:31 | |
and they're carrying these stretchers now for just over a mile. | 0:21:31 | 0:21:35 | |
We'd better stand out the way because they don't stop. | 0:21:35 | 0:21:37 | |
The makeshift stretcher actually weighs 60 kilos | 0:21:41 | 0:21:43 | |
and each platoon has to stay together for over a mile | 0:21:43 | 0:21:46 | |
and deposit it at the top of the hill. | 0:21:46 | 0:21:50 | |
Then there's a recovery period. | 0:21:53 | 0:21:55 | |
A one mile march which has to be covered in 13 minutes. | 0:21:55 | 0:21:58 | |
Keep it tight. We're on camera. | 0:21:59 | 0:22:02 | |
The next load is an 11 ft long log. | 0:22:04 | 0:22:08 | |
You just hear all the guys screaming | 0:22:15 | 0:22:17 | |
with those that are carrying the log. | 0:22:17 | 0:22:19 | |
Because they've got a rope around it, | 0:22:19 | 0:22:20 | |
they have to keep in front of it. | 0:22:20 | 0:22:22 | |
It's the most important thing, just to keep the momentum going. | 0:22:22 | 0:22:26 | |
It's a crisp and cold autumn morning and for the cadets, | 0:22:26 | 0:22:30 | |
it's also going to get wet. | 0:22:30 | 0:22:32 | |
Safely through the bog and up the hill, it's back down to base | 0:22:41 | 0:22:44 | |
and in front of Sandhurst's New College, | 0:22:44 | 0:22:48 | |
the final team make it home, cheered on by the other platoons. | 0:22:48 | 0:22:51 | |
-That was impressive! How was it? -It was really good. | 0:22:54 | 0:22:57 | |
-How do you feel now? -Tired. -I bet you do. | 0:22:57 | 0:23:00 | |
-Longer strides for you, mate! -What was the hardest bit? | 0:23:00 | 0:23:04 | |
-Probably the logs. -You set off at an incredible pace. | 0:23:04 | 0:23:09 | |
You must think, we've got a long way to go, how do you pace yourself? | 0:23:09 | 0:23:13 | |
That's the problem really. | 0:23:13 | 0:23:14 | |
Bravado sets in | 0:23:14 | 0:23:16 | |
and the camera's here as well so we had to dig in more. | 0:23:16 | 0:23:18 | |
Keep smiling, grit your teeth, but it was incredible. | 0:23:18 | 0:23:21 | |
Pulling them bits-and-pieces through the bog. | 0:23:21 | 0:23:24 | |
Not fancy jumping on a log and giving us a hand? | 0:23:24 | 0:23:28 | |
-I was cheering you on. -We felt it. -Listen, huge congratulations. | 0:23:28 | 0:23:33 | |
I must admit, I'm also wondering why Matt didn't get stuck in. | 0:23:33 | 0:23:36 | |
Anyway, I'm at Wisley Gardens in Surrey | 0:23:36 | 0:23:39 | |
where the Royal Horticultural Society is fighting a frontline battle | 0:23:39 | 0:23:43 | |
to save the nation's trees and flowers. | 0:23:43 | 0:23:46 | |
Imagine a CSI for plants. | 0:23:49 | 0:23:52 | |
Dead or dying specimens are sent in to the scientists here at Wisley | 0:23:52 | 0:23:56 | |
and their job is to put together the clues | 0:23:56 | 0:23:59 | |
and try and figure out what is wrong. | 0:23:59 | 0:24:01 | |
There are two categories of offender - disease and pests. | 0:24:12 | 0:24:15 | |
Mostly it's an open and shut case | 0:24:15 | 0:24:17 | |
but sometimes the team are faced with a real mystery. | 0:24:17 | 0:24:21 | |
Dr Roger Williams is head of science. | 0:24:21 | 0:24:24 | |
-Hi, Roger. -Hi there, welcome to the plant pathology lab. | 0:24:24 | 0:24:27 | |
Thank you very much. | 0:24:27 | 0:24:28 | |
Can you talk me through the process of what you do here | 0:24:28 | 0:24:31 | |
-and how you identify what's wrong with the plant? -Certainly. | 0:24:31 | 0:24:33 | |
For every year we get about 60,000 advisory inquiries from RHS members. | 0:24:33 | 0:24:40 | |
Of those, about 6,000 come into this lab and this is fairly typical. | 0:24:40 | 0:24:45 | |
This is a box plant | 0:24:45 | 0:24:48 | |
and it's not very well. | 0:24:48 | 0:24:50 | |
On one side of it, all the leaves have fallen off - | 0:24:50 | 0:24:52 | |
that's a giveaway, is it? | 0:24:52 | 0:24:54 | |
That is a giveaway because we know about this disease now | 0:24:54 | 0:24:57 | |
but from the 6,000 inquiries that come through every year, | 0:24:57 | 0:25:00 | |
there are usually two or three new diseases to the UK. | 0:25:00 | 0:25:05 | |
Sometimes, we've got some heads-up on what they are | 0:25:05 | 0:25:08 | |
from other organisations but on some occasions, | 0:25:08 | 0:25:10 | |
we're the first people to identify them. | 0:25:10 | 0:25:13 | |
This little fellow here, box blight, | 0:25:13 | 0:25:15 | |
this particular disease is an example | 0:25:15 | 0:25:17 | |
where we were the first to correctly identify it in the UK. | 0:25:17 | 0:25:19 | |
So the box were coming in and there was clearly something wrong with them | 0:25:19 | 0:25:22 | |
and you had to identify what it was and you managed to do that? | 0:25:22 | 0:25:26 | |
We did. These sorts of diseases are caused by fungi | 0:25:26 | 0:25:32 | |
and they're microscopic. | 0:25:32 | 0:25:33 | |
What we'll start off doing is taking a piece of diseased material | 0:25:33 | 0:25:37 | |
and examining it down a microscope. | 0:25:37 | 0:25:40 | |
Sometimes you can tell just from the shape of the spores | 0:25:40 | 0:25:43 | |
or the mycelium - the fluffy growth of the fungus - what the disease is. | 0:25:43 | 0:25:46 | |
Obviously, if it's something new you haven't seen before, you can't. | 0:25:46 | 0:25:51 | |
What we sometimes have to do is basically extract the DNA. | 0:25:51 | 0:25:54 | |
Just to step you through the processes there. | 0:25:54 | 0:25:57 | |
We scrape a bit off a diseased leaf | 0:25:58 | 0:26:01 | |
and plate it out on to this jelly-like growing medium. | 0:26:01 | 0:26:04 | |
You can see here that whole surface | 0:26:04 | 0:26:06 | |
is now fluffy from the mycelial growth. | 0:26:06 | 0:26:09 | |
You have to let it grow out | 0:26:09 | 0:26:10 | |
-and then there will be loads of it to identify. -That's right. | 0:26:10 | 0:26:13 | |
We then scrape off some of that mycelium | 0:26:13 | 0:26:16 | |
and move to a very high-tech piece of equipment - | 0:26:16 | 0:26:19 | |
the pestle and mortar. | 0:26:19 | 0:26:21 | |
Basically, we grind that up with liquid nitrogen | 0:26:21 | 0:26:24 | |
and then we purify the DNA using these special kits. | 0:26:24 | 0:26:28 | |
When we've done that, we can sequence it | 0:26:28 | 0:26:30 | |
rather like the sequencing of the human genome. | 0:26:30 | 0:26:33 | |
From the specific sequence, | 0:26:33 | 0:26:35 | |
we can then begin to identify what fungus it is. | 0:26:35 | 0:26:37 | |
It sounds incredibly labour-intensive | 0:26:37 | 0:26:40 | |
and you have thousands of inquiries every year. | 0:26:40 | 0:26:42 | |
Are you able to answer all of them? | 0:26:42 | 0:26:45 | |
We do answer all of them. | 0:26:45 | 0:26:46 | |
Fortunately, a lot of them are very common diseases | 0:26:46 | 0:26:49 | |
we get frequently and we can identify very quickly. | 0:26:49 | 0:26:52 | |
Sometimes, like this, it requires a lot of work, DNA extraction, | 0:26:52 | 0:26:56 | |
incubating the fungus and so on. | 0:26:56 | 0:26:58 | |
In that case, we often have to get back to the RHS member | 0:26:58 | 0:27:01 | |
who sent the sample in and say we're working on it | 0:27:01 | 0:27:04 | |
but it will take six weeks, we will get back to you as soon as we can. | 0:27:04 | 0:27:08 | |
The RHS members have their very own panel of experts at their disposal? | 0:27:08 | 0:27:11 | |
-They absolutely do. -It's a great resource, isn't it? | 0:27:11 | 0:27:14 | |
It's fantastic but it's also really useful for us | 0:27:14 | 0:27:18 | |
because these members around the country, effectively, | 0:27:18 | 0:27:21 | |
are sampling material from their gardens very frequently, | 0:27:21 | 0:27:25 | |
sending that in. | 0:27:25 | 0:27:26 | |
We get to be the first to hear of these new pests and diseases. | 0:27:26 | 0:27:29 | |
We are, if you like, on the front line of garden plant health defence. | 0:27:29 | 0:27:33 | |
Up in entomology, | 0:27:33 | 0:27:35 | |
insect experts have exposed a threat to one of Britain's favourite trees. | 0:27:35 | 0:27:39 | |
So the horse chestnut's had a bit of trouble in recent years, hasn't it? | 0:27:43 | 0:27:47 | |
It has. | 0:27:47 | 0:27:49 | |
In 2002, an RHS member sent in a horse chestnut leaf sample | 0:27:49 | 0:27:54 | |
to us saying, what this? | 0:27:54 | 0:27:56 | |
This particular pest had been spreading across Europe | 0:27:57 | 0:28:00 | |
for some time so we were on the lookout for it. | 0:28:00 | 0:28:03 | |
We got a sample in that looked rather like this | 0:28:03 | 0:28:06 | |
and our entomologists had a look at it under the microscope | 0:28:06 | 0:28:10 | |
and fairly quickly figured out it was horse chestnut leaf miner. | 0:28:10 | 0:28:14 | |
-Cameraria Ohridella. -Wow. | 0:28:14 | 0:28:17 | |
So what's a leaf miner look like? | 0:28:17 | 0:28:20 | |
Well, we've got some specimens in here. | 0:28:20 | 0:28:24 | |
This is horse chestnut leaf mining moth. | 0:28:24 | 0:28:27 | |
Here's an adult with its wings open | 0:28:27 | 0:28:30 | |
and here's an adult with its wings closed. | 0:28:30 | 0:28:33 | |
That's really small! | 0:28:33 | 0:28:35 | |
It's remarkable in a sense | 0:28:35 | 0:28:36 | |
that such a small and insignificant looking pest | 0:28:36 | 0:28:40 | |
can do so much damage to a very substantial tree, but it can. | 0:28:40 | 0:28:44 | |
Absolutely. I saw this around last year. | 0:28:44 | 0:28:46 | |
I didn't realise it had been around as long as it has been, | 0:28:46 | 0:28:49 | |
it's been quite some years. | 0:28:49 | 0:28:51 | |
It has been spreading through the UK, | 0:28:51 | 0:28:54 | |
but typically the symptoms you see are | 0:28:54 | 0:28:56 | |
this kind of autumnal colour appearing in late June or July, | 0:28:56 | 0:29:00 | |
several months before you'd expect it. | 0:29:00 | 0:29:02 | |
During the course of the summer, in many cases, | 0:29:02 | 0:29:05 | |
the whole tree by the end of August will be looking like that. | 0:29:05 | 0:29:09 | |
How does the leaf miner do so much damage to the tree? | 0:29:09 | 0:29:13 | |
If you look at these blotches here, normally this would be green | 0:29:13 | 0:29:16 | |
when this sample came in but if you look at these blotches here, | 0:29:16 | 0:29:19 | |
this is where the larvae have eaten out the inside of the leaf. | 0:29:19 | 0:29:22 | |
So will it kill the tree? | 0:29:22 | 0:29:24 | |
We don't think it will kill the tree but clearly, | 0:29:24 | 0:29:26 | |
if you have most of the leaves damaged in that way | 0:29:26 | 0:29:29 | |
early in the season, it's going to be able to photosynthesise less. | 0:29:29 | 0:29:34 | |
It's going to be weakened. | 0:29:34 | 0:29:36 | |
We would expect it to produce smaller and fewer conkers. | 0:29:36 | 0:29:39 | |
Probably make the tree more susceptible | 0:29:39 | 0:29:43 | |
to other fungal diseases. | 0:29:43 | 0:29:45 | |
It could weaken the tree. | 0:29:45 | 0:29:47 | |
I think people are quite sentimental about horse chestnuts. | 0:29:47 | 0:29:50 | |
We love out conkers after all. | 0:29:50 | 0:29:52 | |
-Is there any cure, anything that can be done about it? -Not really. | 0:29:52 | 0:29:55 | |
If you have an isolated tree in your garden, | 0:29:55 | 0:29:57 | |
you could gather the leaves together and if you burn them, that will help | 0:29:57 | 0:30:00 | |
to destroy the larvae and you will have less adults the following year. | 0:30:00 | 0:30:03 | |
But in most situations, that's going to be entirely impractical, | 0:30:03 | 0:30:06 | |
-so I'm afraid it's not very good. -Oh dear. | 0:30:06 | 0:30:09 | |
Other pests on the most wanted list included the berberis sawfly. | 0:30:11 | 0:30:15 | |
First confirmed sighting was in 2002 | 0:30:15 | 0:30:17 | |
and it spread across England like a plague of locusts. | 0:30:17 | 0:30:21 | |
It will strip a berberis shrub and devour the leaves. | 0:30:21 | 0:30:24 | |
Look out for the larvae - | 0:30:24 | 0:30:27 | |
they're creamy-white with black spots, instantly recognisable. | 0:30:27 | 0:30:31 | |
The lily beetle - it's been on the loose in Britain | 0:30:31 | 0:30:34 | |
since the 1930s and spreading ever since. | 0:30:34 | 0:30:37 | |
It's a bright red bare-faced offender, | 0:30:37 | 0:30:39 | |
both the adults and larvae will feed on the foliage. | 0:30:39 | 0:30:42 | |
As for the quickest way of dealing with these menaces, | 0:30:42 | 0:30:45 | |
pick them off and discard them. | 0:30:45 | 0:30:47 | |
Surrey has another non-native visitor to its gardens. | 0:30:54 | 0:30:57 | |
Parakeets have colonised many a bird feeder across the county, | 0:30:57 | 0:31:02 | |
but unlike the pests in the labs at Wisley, | 0:31:02 | 0:31:05 | |
these colourful birds are being welcomed by some gardeners. | 0:31:05 | 0:31:08 | |
If you'd expect a typical London bird to be a pigeon | 0:31:08 | 0:31:12 | |
or perhaps a raven, then think again. | 0:31:12 | 0:31:15 | |
Parakeets are alive and well in suburbia, | 0:31:15 | 0:31:19 | |
but you don't have to take my word for it. | 0:31:19 | 0:31:22 | |
They've been coming to my garden in western London | 0:31:25 | 0:31:27 | |
for over 25 years, certainly. | 0:31:27 | 0:31:31 | |
Originally, it was just one here and maybe you'd see it | 0:31:31 | 0:31:35 | |
and not see another one for three weeks or so. | 0:31:35 | 0:31:38 | |
So there were moments of excitement. | 0:31:38 | 0:31:40 | |
I rejoice in the parakeets. They are glamorous Oriental strangers. | 0:31:42 | 0:31:47 | |
In the wild, ring-necked parakeets are found in the Himalayas, | 0:31:50 | 0:31:53 | |
much of India and parts of Africa. | 0:31:53 | 0:31:56 | |
But they've been breeding in the UK since the '60s. | 0:31:58 | 0:32:01 | |
In those days, you just saw one maybe once every few weeks. | 0:32:04 | 0:32:07 | |
Each time it appeared, it was an excitement. | 0:32:07 | 0:32:10 | |
Over the past few years, they've suddenly increased hugely in numbers | 0:32:10 | 0:32:13 | |
and now I get regular parties of a dozen or so coming in. | 0:32:13 | 0:32:18 | |
So how did they get here? There are a number of interesting theories. | 0:32:18 | 0:32:23 | |
This is that they escaped from the set of The African Queen, | 0:32:27 | 0:32:30 | |
filmed at Shepperton Studios in 1951. | 0:32:30 | 0:32:33 | |
Whilst at his girlfriend's flat in 1968, | 0:32:38 | 0:32:41 | |
Jimi is believed to have released a breeding pair | 0:32:41 | 0:32:43 | |
of ring-necked parakeets as a gesture to world freedom. | 0:32:43 | 0:32:47 | |
Parakeets are very noisy birds. | 0:32:57 | 0:33:02 | |
So much so, that some owners were believed | 0:33:03 | 0:33:05 | |
to have left cage doors open in the hope of a quieter domestic life. | 0:33:05 | 0:33:09 | |
Parakeets are gregarious and social birds | 0:33:13 | 0:33:15 | |
and escapees would naturally flock together. | 0:33:15 | 0:33:19 | |
So, they're here, thriving in the south-east | 0:33:21 | 0:33:24 | |
where they've been delighting some Londoners for over 30 years. | 0:33:24 | 0:33:28 | |
How I attracted them into the garden | 0:33:30 | 0:33:32 | |
is because I've got the peanut feeders up there. | 0:33:32 | 0:33:34 | |
They love them. I've got about two peanut feeders. | 0:33:34 | 0:33:39 | |
They know where to come and I see them zooming over | 0:33:40 | 0:33:44 | |
and they go straight for the peanut feeder. | 0:33:44 | 0:33:46 | |
I think they get to know where they are. | 0:33:46 | 0:33:49 | |
The total number of parakeets is hotly debated. | 0:33:49 | 0:33:52 | |
Nora's got her own opinion. | 0:33:52 | 0:33:54 | |
This paper says 6,000 and another paper says 3,000 over at Esher. | 0:33:54 | 0:33:58 | |
How can you count 3,000 in a tree? I'd have a job to count 20. | 0:33:58 | 0:34:03 | |
So that's wrong for a start. | 0:34:03 | 0:34:05 | |
If there are so many thousands of them as they say, you don't see. | 0:34:05 | 0:34:10 | |
The only time I see them is when they come on my peanut feeder | 0:34:10 | 0:34:14 | |
and they're only there for a few minutes and off they go, | 0:34:14 | 0:34:17 | |
so I really can't see what the problem is. | 0:34:17 | 0:34:20 | |
Nora might be surprised to learn that | 0:34:20 | 0:34:23 | |
there are over 30,000 wild parakeets in the UK. | 0:34:23 | 0:34:26 | |
The RSPB estimate the number will rise to 50,000 by 2010 - | 0:34:28 | 0:34:31 | |
that's an awful lot of peanuts, Nora. | 0:34:31 | 0:34:34 | |
Known locally as posh pigeons, | 0:34:34 | 0:34:36 | |
they are now among the 20 most commonly seen bird species in London. | 0:34:36 | 0:34:41 | |
You can just step out here with a camera, look up at the tree | 0:34:42 | 0:34:45 | |
and one or two and sometimes dozens of them squawking away. | 0:34:45 | 0:34:49 | |
You see the heads popping out looking at you quizzically. | 0:34:49 | 0:34:53 | |
They are very entertaining and such great subjects. | 0:34:53 | 0:34:56 | |
They're extremely rumbustious characters. | 0:35:01 | 0:35:04 | |
They come swarming into the tree here, they decimate the tree, | 0:35:04 | 0:35:07 | |
take all the cherries. | 0:35:07 | 0:35:09 | |
I don't think I've ever had a cherry from this cherry tree. | 0:35:10 | 0:35:15 | |
They do so well in this country because of the thousands of gardens. | 0:35:15 | 0:35:19 | |
But they don't just survive on peanuts and cherries. | 0:35:19 | 0:35:23 | |
In India, they are a serious agricultural pest | 0:35:23 | 0:35:26 | |
which is bad news if you happen to be a British fruit grower. | 0:35:26 | 0:35:30 | |
They're very accurate timers of when grapes are ready for picking. | 0:35:31 | 0:35:35 | |
Probably more than I am. | 0:35:35 | 0:35:37 | |
They'll be here as soon as the grapes are ready to pick. | 0:35:37 | 0:35:40 | |
Then it's a struggle between waiting for ripeness, | 0:35:40 | 0:35:43 | |
waiting for the weather | 0:35:43 | 0:35:45 | |
and waiting for the parakeets to fill themselves up. | 0:35:45 | 0:35:49 | |
If Mark's lucky, they might leave enough to make some wine to sell. | 0:35:49 | 0:35:54 | |
We can get up to 10,000 bottles in a very good year - | 0:35:54 | 0:35:57 | |
the average being a potential 5,000 bottles. | 0:35:57 | 0:36:00 | |
What we usually get is about 3,000 bottles | 0:36:00 | 0:36:02 | |
because the parakeets have taken the other two. | 0:36:02 | 0:36:05 | |
That's really a serious financial blow to us. | 0:36:05 | 0:36:08 | |
2,000 bottles of wine at £10 each. You do the maths. | 0:36:08 | 0:36:13 | |
I can do that - that's £20,000. Blimey! | 0:36:13 | 0:36:18 | |
We've had as many as 200, 300 in the place. | 0:36:18 | 0:36:21 | |
Most years there will be 50 to 100. | 0:36:21 | 0:36:24 | |
Either way, it's far too many for us. | 0:36:24 | 0:36:27 | |
Mark is not the only one to be concerned. | 0:36:27 | 0:36:29 | |
Whitehall officials have ordered a study | 0:36:29 | 0:36:32 | |
to determine what effects the parakeets are having | 0:36:32 | 0:36:35 | |
and whether the numbers are large enough to warrant a cull. | 0:36:35 | 0:36:38 | |
A cull could be allowed for three different reasons. | 0:36:40 | 0:36:45 | |
Conservation, protecting crops, or health and safety. | 0:36:45 | 0:36:49 | |
That prospect is getting some people into a bit of a flap. | 0:36:49 | 0:36:53 | |
What made me write a letter to the paper was | 0:36:53 | 0:36:56 | |
I saw another letter from another person who wanted them culled. | 0:36:56 | 0:37:01 | |
She thinks they're a nuisance and doing a lot of damage. | 0:37:01 | 0:37:04 | |
I don't think they're any problem at all. | 0:37:04 | 0:37:08 | |
Pigeons are messy things, much worse than parakeets. | 0:37:08 | 0:37:12 | |
Then you get dog's mess all up the road here. | 0:37:12 | 0:37:15 | |
That's more of a public health hazard. | 0:37:15 | 0:37:18 | |
We've had foxes up here last year and their cubs. | 0:37:18 | 0:37:21 | |
The mess they made all up that path here, it was disgusting. | 0:37:21 | 0:37:26 | |
As for safety, they don't come down and try and take a bite of you. | 0:37:26 | 0:37:30 | |
They're timid creatures. If you take a stick near them, they fly off. | 0:37:30 | 0:37:34 | |
I really can't see what the problem is. | 0:37:34 | 0:37:37 | |
I just feel they make this country much more colourful | 0:37:40 | 0:37:46 | |
and I think they bring brightness to the country, quite honestly. | 0:37:46 | 0:37:49 | |
Especially on a dull day. | 0:37:49 | 0:37:51 | |
And if you really want to see parakeets at their colourful best, | 0:37:56 | 0:37:59 | |
the biggest roost is at Esher Rugby Club | 0:37:59 | 0:38:03 | |
and they are so proud of them that they named their junior team, | 0:38:03 | 0:38:06 | |
the Parakeets. | 0:38:06 | 0:38:09 | |
3,000 parakeets returning to roost | 0:38:09 | 0:38:11 | |
after spending the day feeding on London's bird tables. | 0:38:11 | 0:38:14 | |
Everything about this place suits them - | 0:38:14 | 0:38:16 | |
the mild climate, easy pickings and lack of predators. | 0:38:16 | 0:38:21 | |
I'm on a journey through Surrey, parakeet country. | 0:38:24 | 0:38:27 | |
Its close proximity to London makes it | 0:38:27 | 0:38:30 | |
one of the most expensive places to live in Britain. | 0:38:30 | 0:38:32 | |
I've moved on from the RHS gardens at Wisley heading north | 0:38:32 | 0:38:36 | |
and into a very desirable area. | 0:38:36 | 0:38:39 | |
The Borough of Elmbridge where I am now | 0:38:47 | 0:38:50 | |
is the most expensive area in Surrey and just to give you an example, | 0:38:50 | 0:38:53 | |
in 2009, the average house price was more than £520,000. | 0:38:53 | 0:39:00 | |
I'm told that we are a stone's throw away from A-list addresses - | 0:39:00 | 0:39:04 | |
footballers, rock stars and the like. | 0:39:04 | 0:39:08 | |
Hmm, the people round here don't really look like footballers though. | 0:39:09 | 0:39:14 | |
Or rock stars. | 0:39:14 | 0:39:16 | |
The fact is I'm in Whiteley Village which is full of ordinary people | 0:39:16 | 0:39:20 | |
but it's not an ordinary village. | 0:39:20 | 0:39:22 | |
In 1907, a wealthy entrepreneur called William Whiteley, | 0:39:22 | 0:39:26 | |
famed for inventing the modern department store, | 0:39:26 | 0:39:30 | |
was shot dead by a man claiming to be his illegitimate son. | 0:39:30 | 0:39:33 | |
Whiteley left a million pounds in his will, | 0:39:33 | 0:39:36 | |
not to his son, but for the creation of a village | 0:39:36 | 0:39:38 | |
to provide homes for the elderly and needy. | 0:39:38 | 0:39:42 | |
I'm getting a to with Ian Lansley, the estate manager. | 0:39:42 | 0:39:44 | |
It's so neat and tidy it feels a bit like a movie set. | 0:39:44 | 0:39:48 | |
How on earth do you get to live here? | 0:39:48 | 0:39:51 | |
The residents, once they apply, they've got to hit certain criteria. | 0:39:51 | 0:39:56 | |
British citizen, good character and obviously, needy. | 0:39:56 | 0:40:01 | |
The real lid on that is | 0:40:03 | 0:40:05 | |
have you got access to housing benefit? | 0:40:05 | 0:40:08 | |
There's mention of being of the right character - | 0:40:08 | 0:40:11 | |
how is that decided? | 0:40:11 | 0:40:14 | |
100 years ago, being of good character would obviously | 0:40:14 | 0:40:18 | |
have different meanings from that of today. | 0:40:18 | 0:40:21 | |
Back then, what would it have meant? | 0:40:21 | 0:40:24 | |
Probably no history of theft or any trouble with the law. | 0:40:24 | 0:40:29 | |
These days, all the decisions for the applications | 0:40:29 | 0:40:33 | |
are made by the trustees on the board | 0:40:33 | 0:40:35 | |
before any offers have been made. | 0:40:35 | 0:40:37 | |
If I was on the board it would be just no riff-raff. | 0:40:37 | 0:40:39 | |
No troublemakers allowed. | 0:40:39 | 0:40:42 | |
-Morning. -Hello. | 0:40:45 | 0:40:46 | |
We're heading slightly out of the village now. | 0:40:49 | 0:40:51 | |
How big are the grounds? | 0:40:51 | 0:40:54 | |
The original grounds purchased over from Burhill estates were 225. | 0:40:54 | 0:40:58 | |
We sold off about 20 acres in order to fund | 0:40:58 | 0:41:02 | |
the renovations within the village. | 0:41:02 | 0:41:05 | |
There's 200 acres just outside London surrounded by celebrities. | 0:41:05 | 0:41:09 | |
How much is it worth? | 0:41:09 | 0:41:11 | |
No one could really tell. | 0:41:11 | 0:41:13 | |
Where it is, in the middle of the stockbroker belt here, | 0:41:13 | 0:41:16 | |
not even Roman Abramovic could afford this one. | 0:41:16 | 0:41:19 | |
That's quite a price tag. | 0:41:19 | 0:41:21 | |
Who are the celebs that live round here? | 0:41:27 | 0:41:30 | |
We've got Cliff Richard, Mick Hucknall, Bobby Davro. | 0:41:30 | 0:41:33 | |
There's a fair smattering around the area. | 0:41:33 | 0:41:35 | |
But to get a real handle on life in Whiteley Village, | 0:41:38 | 0:41:41 | |
I need to meet some residents. | 0:41:41 | 0:41:43 | |
What's the community spirit like here? | 0:41:53 | 0:41:56 | |
I feel I'm very fortunate to live in this place. | 0:41:57 | 0:42:01 | |
It's very happy, you are well looked after | 0:42:01 | 0:42:04 | |
but nobody is poking their nose in all the time. | 0:42:04 | 0:42:09 | |
They're caring people. | 0:42:09 | 0:42:12 | |
I feel I'm very fortunate to live here and I'm very, very happy. | 0:42:12 | 0:42:17 | |
Even if I won the pools, I don't think I'd want to move out. | 0:42:17 | 0:42:20 | |
Arthur, what facilities are there in the village? | 0:42:21 | 0:42:25 | |
We've got the village hall, the bowling green, putting green, | 0:42:25 | 0:42:29 | |
golf course. | 0:42:29 | 0:42:31 | |
There's all sorts of things. We put events on in the hall, dances. | 0:42:31 | 0:42:35 | |
There's darts in here on a Wednesday. | 0:42:35 | 0:42:37 | |
Your diary's packed, isn't it? | 0:42:37 | 0:42:39 | |
There's always something going on. | 0:42:39 | 0:42:42 | |
This is quite an unusual environment to live in. | 0:42:42 | 0:42:44 | |
How important is it to you and how important is it that it keeps going? | 0:42:44 | 0:42:48 | |
It's very important to me. | 0:42:48 | 0:42:50 | |
I believe this is the only, to my knowledge, | 0:42:50 | 0:42:53 | |
the only village of this kind in the country | 0:42:53 | 0:42:57 | |
because it's a charitable trust. | 0:42:57 | 0:43:02 | |
It's so important to feel that you're secure. | 0:43:02 | 0:43:06 | |
You can walk out of your front or back door | 0:43:06 | 0:43:09 | |
any time of day or night and you're safe. | 0:43:09 | 0:43:13 | |
When I see some of the pictures of elderly people frightened | 0:43:13 | 0:43:18 | |
to go out of their houses or flats at night, I think how lucky I am. | 0:43:18 | 0:43:24 | |
Listening to Betty and Arthur makes me realise | 0:43:25 | 0:43:28 | |
what a unique place this is. | 0:43:28 | 0:43:30 | |
William Whiteley's million pounds has gone a very long way indeed. | 0:43:30 | 0:43:35 | |
It's easy to forget we're only a stone's throw from London, | 0:43:35 | 0:43:37 | |
just another notch on the commuter belt. | 0:43:37 | 0:43:40 | |
Surrey has managed to hold on to its rural charm | 0:43:40 | 0:43:43 | |
but, as Julia Bradbury discovered, you sometimes have to search for it. | 0:43:43 | 0:43:47 | |
The this is the Surrey market town of Dorking. | 0:43:50 | 0:43:53 | |
It doesn't look much like an agricultural heartland now | 0:43:53 | 0:43:56 | |
but once it was famous for its livestock. | 0:43:56 | 0:43:59 | |
I'm on the hunt for an elusive fowl. | 0:43:59 | 0:44:02 | |
This is a Dorking cockerel, a breed named after the town | 0:44:02 | 0:44:05 | |
and back in the day, the Dorking was bred by the thousand. | 0:44:05 | 0:44:08 | |
Unusually, the Dorking has five toes. | 0:44:08 | 0:44:12 | |
In Victorian times it was hugely popular for its meat. | 0:44:12 | 0:44:16 | |
But today, this is the only one I found around here. | 0:44:16 | 0:44:19 | |
-Do you know what this is? -Dorking? -Yes! -Dorking cockerel. | 0:44:20 | 0:44:25 | |
-Do you know where I can get one? -Afraid not. | 0:44:25 | 0:44:28 | |
Do you know where I can get one these days? | 0:44:28 | 0:44:32 | |
-Tell you what, if I rang my daughter up, she'd know. -At the gift shop. | 0:44:32 | 0:44:36 | |
Do you know where I can find one, that's the question. | 0:44:36 | 0:44:40 | |
I'm not having much luck. | 0:44:42 | 0:44:44 | |
If I'm going to find out what these Dorkings are all about, | 0:44:44 | 0:44:47 | |
I'm going to need some help. | 0:44:47 | 0:44:49 | |
Now, the Dorking is a very handsome bird, Pedro. | 0:44:49 | 0:44:52 | |
What other qualities does it have? | 0:44:52 | 0:44:54 | |
Apart from the five toes, they're very short but long. | 0:44:54 | 0:44:58 | |
-Ideal table birds. -They're very plump, aren't they? | 0:44:58 | 0:45:02 | |
Because they are short on the leg, they tend to fill out a bit more. | 0:45:02 | 0:45:05 | |
-Why did it fall out of favour? -They're not economical. | 0:45:05 | 0:45:08 | |
They're very slow-growing and it takes ages for them to mature. | 0:45:08 | 0:45:11 | |
Egg capacity is very poor. | 0:45:11 | 0:45:13 | |
What about the name and the association with this area, | 0:45:13 | 0:45:16 | |
where's that come from? | 0:45:16 | 0:45:17 | |
It's thought that the Romans brought over a five-toed fowl | 0:45:17 | 0:45:21 | |
around about 47 AD, and then in Victorian times, | 0:45:21 | 0:45:24 | |
the breeders around the area - Sussex, Kent and Horsham - | 0:45:24 | 0:45:29 | |
crossed different breeds to produce what we know now as the Dorking. | 0:45:29 | 0:45:34 | |
-47 AD? -That's right. -That is an old bird. -A very old bird. | 0:45:34 | 0:45:38 | |
But I still haven't found one. | 0:45:41 | 0:45:43 | |
I'm going to have to widen my search. | 0:45:43 | 0:45:46 | |
Today, the Dorking is a rare breed | 0:45:46 | 0:45:47 | |
and the only place you are likely to find one | 0:45:47 | 0:45:50 | |
is with a specialist breeder or collector, | 0:45:50 | 0:45:53 | |
otherwise known as chicken fanciers. | 0:45:53 | 0:45:56 | |
Poultry fancying has a long tradition. | 0:45:57 | 0:46:00 | |
Competitions to breed the best looking birds | 0:46:00 | 0:46:02 | |
have been held for decades. | 0:46:02 | 0:46:04 | |
With scant prize-money on offer, it's always been a labour of love. | 0:46:04 | 0:46:09 | |
I'm on my way to meet a modern-day enthusiast. | 0:46:09 | 0:46:12 | |
I've located a breeder that specialises in Dorkings | 0:46:12 | 0:46:15 | |
so hopefully I can get a closer look at these beasties. | 0:46:15 | 0:46:19 | |
-Hi, Lana. Hello. -Hello, Julia. | 0:46:24 | 0:46:26 | |
I must say, I was expecting that to be a chicken. | 0:46:26 | 0:46:28 | |
-I am also mad on greyhounds. -Oh, I see. | 0:46:28 | 0:46:31 | |
-So here we have a live Dorking. -Yes, these are my birds. | 0:46:37 | 0:46:41 | |
And they are lovely. | 0:46:41 | 0:46:44 | |
Davie is a feisty young cockerel with wonderful silver white plumage | 0:46:44 | 0:46:47 | |
and Hannah is a dark Dorking female. | 0:46:47 | 0:46:50 | |
This is Hannah then. Come on, my darling. | 0:46:50 | 0:46:54 | |
Now, the best way to hold her so that she's relaxed. | 0:46:54 | 0:46:57 | |
She's quite a heavy lump, | 0:46:57 | 0:47:00 | |
you have to have two fingers between her legs - | 0:47:00 | 0:47:03 | |
-see her five toes - and let her breastbone sit on your arm. -I see. | 0:47:03 | 0:47:08 | |
Then she'll be completely relaxed and happy to be in your arms. | 0:47:08 | 0:47:13 | |
-Let's have a go - two fingers under there. -Between her legs. | 0:47:13 | 0:47:17 | |
Support her weight - that's lovely. Then she'll be quite happy. | 0:47:17 | 0:47:21 | |
How did you get into it, Lana? | 0:47:21 | 0:47:24 | |
When I first moved here, I thought I've got into chickens, | 0:47:24 | 0:47:26 | |
I might as well keep a local breed. | 0:47:26 | 0:47:29 | |
I realised after doing some research on them they are quite rare | 0:47:29 | 0:47:32 | |
and I felt it would be a good thing for me to conserve them. | 0:47:32 | 0:47:35 | |
I became one of the Dorking conservers. | 0:47:35 | 0:47:38 | |
-That's your passion now, Keeping them alive. -It's my passion. | 0:47:38 | 0:47:41 | |
Hannah and I are bonding. | 0:47:41 | 0:47:43 | |
All chicken fanciers need to know how to prepare a bird for show. | 0:47:43 | 0:47:47 | |
Thousands will flock to the national poultry show in a few weeks. | 0:47:47 | 0:47:52 | |
I'm whisking Hannah off for a bit of a hen party | 0:47:52 | 0:47:55 | |
where I'm going to learn the tricks of the trade. | 0:47:55 | 0:47:58 | |
-Hello, Pedro. -Hi, Julia. | 0:47:59 | 0:48:02 | |
I come prepared with bird. This is Hannah. | 0:48:02 | 0:48:06 | |
I want you to show me how I should get Hannah ready and sparkling. | 0:48:06 | 0:48:10 | |
-It all starts with a healthy scrub. -Gently start covering her feathers. | 0:48:10 | 0:48:17 | |
You don't want to scare her off. | 0:48:17 | 0:48:19 | |
We're going to put a little bit of shampoo, just rub it in deep. | 0:48:20 | 0:48:24 | |
Well, this is right up there with things I've never done before again. | 0:48:24 | 0:48:29 | |
Washing a chicken. This, though, is just the beginning. | 0:48:29 | 0:48:33 | |
I thought it took me a while to doll up | 0:48:35 | 0:48:37 | |
but this chick's on another level. | 0:48:37 | 0:48:39 | |
I couldn't bear it if someone was doing this to me. | 0:48:44 | 0:48:48 | |
Not so comfortable. Calm down, dear! | 0:48:50 | 0:48:54 | |
Hannah's scrubbing up nicely but she better watch out. | 0:48:56 | 0:48:59 | |
There are other ladies in town. | 0:48:59 | 0:49:01 | |
What are they? They're very cute. | 0:49:01 | 0:49:04 | |
We've got some Plymouth Rocks which are the brown ones | 0:49:04 | 0:49:06 | |
and then we've got some Frizzles. | 0:49:06 | 0:49:09 | |
I've had to take the big girl out | 0:49:09 | 0:49:11 | |
because the little black one was having a go. | 0:49:11 | 0:49:14 | |
There's a lot of feathers over here at the moment. They're looking for a pecking order. | 0:49:14 | 0:49:18 | |
As for Hannah, it's on to the final touches. Look, she's loving that. | 0:49:20 | 0:49:25 | |
You just rub it round her feet and legs. | 0:49:26 | 0:49:29 | |
Yes. | 0:49:32 | 0:49:33 | |
But is she good enough to show? | 0:49:34 | 0:49:37 | |
Rodney Wood is an experienced judge | 0:49:37 | 0:49:39 | |
and he's dropped by to give our girl the once over. | 0:49:39 | 0:49:42 | |
The finer points of what we're going to be looking for | 0:49:42 | 0:49:47 | |
is the markings, the colour of her and, particularly, | 0:49:47 | 0:49:52 | |
whether she's got the five toes. | 0:49:52 | 0:49:55 | |
She definitely has. I'm no expert but I can tell you that. | 0:49:55 | 0:49:59 | |
And she's got white legs and all Dorkings have white legs. | 0:49:59 | 0:50:01 | |
This part of the hackle should be a little more straw | 0:50:01 | 0:50:05 | |
so that's just lacking a little bit. | 0:50:05 | 0:50:08 | |
The base colour with the white running down the centre | 0:50:08 | 0:50:12 | |
of each feather is spot on. | 0:50:12 | 0:50:14 | |
-She's not a bad Dorking. -So I shouldn't be embarrassed? | 0:50:17 | 0:50:21 | |
-Hannah has done Lana and me proud. -Absolutely. | 0:50:21 | 0:50:25 | |
I wouldn't be ashamed to show that in any show. | 0:50:25 | 0:50:28 | |
I always knew she was a top flight bird. | 0:50:28 | 0:50:31 | |
Julia Bradbury on the trail of the elusive Dorking fowl. | 0:50:32 | 0:50:37 | |
Meanwhile, I've arrived at Compton. | 0:50:37 | 0:50:39 | |
This is Watts Chapel in the village of Compton. | 0:50:44 | 0:50:47 | |
It's an amazing and lasting reminder of an artist who lived here | 0:50:47 | 0:50:50 | |
100 years ago and who empowered a whole community. | 0:50:50 | 0:50:55 | |
I'll be discovering more right after | 0:50:55 | 0:50:57 | |
the Country Tracks weather for the week ahead. | 0:50:57 | 0:50:59 | |
. | 0:52:50 | 0:52:57 | |
I'm on a journey through Surrey, from the racecourse of Epsom Downs | 0:53:08 | 0:53:12 | |
to the stunning gardens at Wisley | 0:53:12 | 0:53:15 | |
and, after stopping off at Whiteley Village, | 0:53:15 | 0:53:17 | |
I've travelled the final leg to Compton. | 0:53:17 | 0:53:20 | |
The Surrey Hills became the home of the Victorian painter | 0:53:22 | 0:53:26 | |
and sculptor George Frederic Watts and his wife Mary | 0:53:26 | 0:53:30 | |
when they moved here from London in 1891 until his death in 1904. | 0:53:30 | 0:53:35 | |
Watts was, and still is, a giant of the art world. | 0:53:37 | 0:53:42 | |
His work can be seen at the Tate Britain | 0:53:42 | 0:53:44 | |
and the National Gallery in London. | 0:53:44 | 0:53:47 | |
Yet his gallery in Compton, which opened the same year he died | 0:53:47 | 0:53:50 | |
to house some of his most precious work, | 0:53:50 | 0:53:52 | |
teetered on the edge of collapse. | 0:53:52 | 0:53:55 | |
In 2006, Watts Gallery, dilapidated and impoverished, | 0:53:55 | 0:54:00 | |
appeared on the BBC's restoration programme | 0:54:00 | 0:54:02 | |
to appeal for a much-needed lifeline. | 0:54:02 | 0:54:05 | |
When you look at the damp | 0:54:08 | 0:54:09 | |
immediately above these magnificent paintings, | 0:54:09 | 0:54:13 | |
it would take very little | 0:54:13 | 0:54:15 | |
to just get a cascade of water running across. | 0:54:15 | 0:54:18 | |
This is really putting these paintings at risk, isn't it? | 0:54:18 | 0:54:21 | |
Wherever you look in this building, you see damage from damp | 0:54:21 | 0:54:25 | |
and poor construction. | 0:54:25 | 0:54:26 | |
A whole load of plaster ceiling just fallen down there. | 0:54:26 | 0:54:30 | |
Coming through now into the back corridor behind the main gallery... | 0:54:30 | 0:54:34 | |
God, look at this! This is quite serious here. | 0:54:34 | 0:54:37 | |
An enormous hole, a great lump of plaster fallen off. | 0:54:37 | 0:54:42 | |
Look at the rot in that joist. Terrible! | 0:54:42 | 0:54:44 | |
Unfortunately, it didn't win the prize money | 0:54:44 | 0:54:48 | |
and the fundraisers were forced to look elsewhere for rescue. | 0:54:48 | 0:54:51 | |
And they got lucky. | 0:54:51 | 0:54:53 | |
Generous donations, as well as money from the Heritage Lottery Fund, | 0:54:53 | 0:54:57 | |
helped bring this Arts and Crafts building back from the brink. | 0:54:57 | 0:55:00 | |
£10 million later and the paintings are coming home, to the delight | 0:55:03 | 0:55:08 | |
of the gallery's curator Mark Bills and the director Perdita Hunt. | 0:55:08 | 0:55:11 | |
Can you remember the moment when you found out that the money | 0:55:13 | 0:55:16 | |
didn't get given to the gallery from the programme? | 0:55:16 | 0:55:19 | |
Oh, it was gutting! | 0:55:19 | 0:55:21 | |
But 83,000 people can't be wrong, who voted for us | 0:55:22 | 0:55:25 | |
both in the first round and the second round. | 0:55:25 | 0:55:28 | |
What they saw was that Watts was an extraordinary artist | 0:55:28 | 0:55:32 | |
of the 19th century, he painted right across sculpture, | 0:55:32 | 0:55:37 | |
paintings, drawings. | 0:55:37 | 0:55:40 | |
He founded a unique gallery - | 0:55:40 | 0:55:41 | |
this is unique in being the only purpose-built art gallery | 0:55:41 | 0:55:44 | |
for a single professional artist, | 0:55:44 | 0:55:46 | |
and it was a gallery that they could see was letting the rain in | 0:55:46 | 0:55:50 | |
and was falling apart. | 0:55:50 | 0:55:52 | |
And what's so amazing is, from that moment of despair for us, | 0:55:52 | 0:55:57 | |
losing BBC Restoration Village, we built up, | 0:55:57 | 0:56:00 | |
with support from donors and the Heritage Lottery Fund, | 0:56:00 | 0:56:03 | |
enough support, we built a team to rescue this gallery. | 0:56:03 | 0:56:08 | |
So, Mark, why is it so important to keep the work here in Compton? | 0:56:08 | 0:56:12 | |
It's really important, | 0:56:12 | 0:56:14 | |
because this building was absolutely created just for these works. | 0:56:14 | 0:56:18 | |
Watts was phenomenally famous in his own lifetime, | 0:56:18 | 0:56:20 | |
he had a room permanently displaying his work at the Tate Gallery | 0:56:20 | 0:56:24 | |
and then, not far away at the National Portrait Gallery, | 0:56:24 | 0:56:27 | |
a huge room of his portraits, but he also felt | 0:56:27 | 0:56:30 | |
he needed a gallery that was in the country | 0:56:30 | 0:56:33 | |
and he had a home here in Compton, | 0:56:33 | 0:56:36 | |
and so he wanted to show that personal collection of his own | 0:56:36 | 0:56:39 | |
which had his masterpieces and show the real diversity | 0:56:39 | 0:56:43 | |
of his work and so that's why he created it here in Compton. | 0:56:43 | 0:56:47 | |
But it's not just about the inside of the gallery, | 0:56:47 | 0:56:49 | |
but actually the surrounding, the fact that it's in the village. | 0:56:49 | 0:56:52 | |
It's a national gallery in the heart of a village, | 0:56:52 | 0:56:55 | |
it's a very rare, unique thing. | 0:56:55 | 0:56:57 | |
Having travelled through this beautiful county | 0:57:07 | 0:57:09 | |
on the edge of our capital, it's not hard to understand why Surrey | 0:57:09 | 0:57:13 | |
has always been in high demand. | 0:57:13 | 0:57:15 | |
Watts himself moved here to escape the terrible London fogs in winter. | 0:57:15 | 0:57:19 | |
A million people a year visit the spectacular gardens at Wisley, | 0:57:19 | 0:57:24 | |
but I can't begin to imagine how many have cheered on the horses | 0:57:24 | 0:57:28 | |
at Epsom Downs over the years. | 0:57:28 | 0:57:31 | |
And yet, for all that hustle and bustle, | 0:57:31 | 0:57:33 | |
Surrey remains England's green and pleasant land. | 0:57:33 | 0:57:37 | |
Subtitles by Red Bee Media Ltd | 0:57:43 | 0:57:46 | |
E-mail [email protected] | 0:57:46 | 0:57:49 |