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Springtime, when the days lengthen | 0:00:05 | 0:00:08 | |
and signs of change are everywhere. | 0:00:08 | 0:00:10 | |
LAMBS BLEAT | 0:00:10 | 0:00:12 | |
There's not a corner of the British Isles | 0:00:13 | 0:00:15 | |
that doesn't warm to the arrival of spring. | 0:00:15 | 0:00:18 | |
It's our most extraordinary season for one big reason - | 0:00:18 | 0:00:21 | |
it's a time of astonishing growth and regeneration. | 0:00:21 | 0:00:25 | |
From pond life to birdlife, | 0:00:25 | 0:00:28 | |
from the scent of fresh blossom | 0:00:28 | 0:00:30 | |
to our smallest mammals reawakening after months of hibernation. | 0:00:30 | 0:00:33 | |
We'll be bringing you the most remarkable stories | 0:00:36 | 0:00:39 | |
of this wonderful time of year. | 0:00:39 | 0:00:41 | |
Tales of survival, endurance and occasional indulgence. | 0:00:41 | 0:00:46 | |
Join us for this special week of programmes | 0:00:47 | 0:00:50 | |
as we celebrate the secrets of spring | 0:00:50 | 0:00:52 | |
here on Countryfile Diaries. | 0:00:52 | 0:00:54 | |
Spring - it's a season that provides the essential ingredients | 0:01:08 | 0:01:12 | |
of water, warmth and light that combine to ignite all of our senses. | 0:01:12 | 0:01:17 | |
LAMB BLEATS | 0:01:17 | 0:01:19 | |
More than 900 years ago, the New Forest here in Hampshire | 0:01:19 | 0:01:22 | |
was the favourite hunting ground of William the Conqueror. | 0:01:22 | 0:01:26 | |
Now it's the perfect place to hunt down the sights, | 0:01:26 | 0:01:29 | |
sounds and scents of spring. | 0:01:29 | 0:01:31 | |
But one of our most fragrant and emblematic symbols of spring is under attack. | 0:01:33 | 0:01:38 | |
Jules finds out why our native bluebells | 0:01:40 | 0:01:43 | |
could be extinct by the end of the century. | 0:01:43 | 0:01:45 | |
On the Yorkshire coast, Margherita meets a man on a mission | 0:01:47 | 0:01:50 | |
to make wildlife sites accessible for all. | 0:01:50 | 0:01:54 | |
Look at this, you can look for miles! | 0:01:54 | 0:01:56 | |
And we'll be catching up with Paul | 0:01:57 | 0:01:59 | |
as he breathes new life into his Wiltshire smallholding. | 0:01:59 | 0:02:02 | |
Today he is getting to grips with how to grow his own heritage apples | 0:02:02 | 0:02:06 | |
with a little expert help. | 0:02:06 | 0:02:08 | |
How big will it be? | 0:02:08 | 0:02:09 | |
-These ones will be full-size fruit trees. -That's great. | 0:02:09 | 0:02:12 | |
For most of us, the coming of spring | 0:02:16 | 0:02:18 | |
means that our senses are bombarded with all kind of new fragrances, | 0:02:18 | 0:02:23 | |
the fantastic smells of blossom. | 0:02:23 | 0:02:26 | |
In fact, it's said that you can actually develop a nose for spring. | 0:02:26 | 0:02:30 | |
But can that be possibly true, Keeley? | 0:02:30 | 0:02:32 | |
Well, do you know what, John? | 0:02:32 | 0:02:33 | |
There might be a bit more to it than just an old wives' tale. | 0:02:33 | 0:02:36 | |
We recognise the smell of spring, like you say, | 0:02:36 | 0:02:38 | |
with the beautiful smell of blossom, | 0:02:38 | 0:02:40 | |
but what if there was something else that we can't see, but we can still smell? | 0:02:40 | 0:02:45 | |
-But...where would that come from, then? -Down here, John. | 0:02:45 | 0:02:47 | |
Beneath our feet...in the soil. | 0:02:47 | 0:02:51 | |
As the weather heats up, plants release oils into the soil | 0:02:51 | 0:02:55 | |
and bacteria's released in there, too. | 0:02:55 | 0:02:57 | |
And this has a smell to it - and we call that petrichor. | 0:02:57 | 0:03:00 | |
I'm pretty sure there'll be some keen gardeners out there that know what I'm talking about. | 0:03:00 | 0:03:04 | |
-That very earthy smell. -Absolutely. | 0:03:04 | 0:03:05 | |
But how does it get, then, from the earth into the air? | 0:03:05 | 0:03:08 | |
Well, it is down to a very simple concept | 0:03:08 | 0:03:11 | |
that water droplets can carry aromas with them. | 0:03:11 | 0:03:13 | |
Let me show you. | 0:03:13 | 0:03:15 | |
Take a look at this video. | 0:03:15 | 0:03:16 | |
Now recent studies show that when a raindrop hits the ground | 0:03:16 | 0:03:19 | |
it creates tiny microscopic bubbles, | 0:03:19 | 0:03:22 | |
and it's the force of that raindrop hitting the ground | 0:03:22 | 0:03:25 | |
that forces the water and the droplets to come back out into the environment. | 0:03:25 | 0:03:29 | |
They are a little bit like bubbles in a glass of champagne, | 0:03:29 | 0:03:32 | |
only much, much smaller. | 0:03:32 | 0:03:33 | |
It's these tiny little bubbles that carry the smell with them. | 0:03:33 | 0:03:36 | |
So when heavy showers hit the soil, | 0:03:36 | 0:03:38 | |
-that releases this very special smell of spring. -Exactly. | 0:03:38 | 0:03:42 | |
And the perfect conditions for it would be a long spell of dry weather. | 0:03:42 | 0:03:45 | |
And, do you know what? Some scientists actually think | 0:03:46 | 0:03:49 | |
that we might appreciate that smell | 0:03:49 | 0:03:50 | |
because our ancestors needed rain for survival. | 0:03:50 | 0:03:53 | |
Of course, those smells become more abundant in spring | 0:03:53 | 0:03:55 | |
when temperatures rise and those good old April showers. | 0:03:55 | 0:03:59 | |
So now we know more clearly | 0:03:59 | 0:04:01 | |
just why we have these wonderful fragrances in springtime. | 0:04:01 | 0:04:03 | |
But is it possible to put those smells into a bottle? | 0:04:03 | 0:04:07 | |
I went to the West Coast of Scotland to find out. | 0:04:07 | 0:04:10 | |
I'm meeting renowned biochemist George Dodd, | 0:04:24 | 0:04:27 | |
a world authority on the science of sense, | 0:04:27 | 0:04:30 | |
whose nickname is Dr Smell. | 0:04:30 | 0:04:32 | |
-Good morning. -How are you, George? -Fancy meeting on a beach like this! | 0:04:35 | 0:04:38 | |
-Welcome to the Highlands. -Thank you very much. | 0:04:38 | 0:04:41 | |
What's it like to be known as Dr Smell... | 0:04:41 | 0:04:44 | |
-Well... -..in the nicest possible way? | 0:04:44 | 0:04:46 | |
You just get used to it. | 0:04:46 | 0:04:47 | |
In truth, I was born downwind of Guinness' brewery in Dublin. | 0:04:47 | 0:04:51 | |
I always say it's the wonderful, tangy aroma | 0:04:51 | 0:04:54 | |
that stimulated my sense of smell. | 0:04:54 | 0:04:56 | |
And what a perfect place here to smell the ocean. | 0:04:56 | 0:04:58 | |
In the spring, the ocean warms up very quickly here. | 0:04:58 | 0:05:02 | |
The algae, the green seaweed, begins to bloom | 0:05:02 | 0:05:05 | |
and that emits a very tell-tale aroma of spring, | 0:05:05 | 0:05:08 | |
particularly for birds. | 0:05:08 | 0:05:10 | |
Literally, you have the cleanest air in the world. | 0:05:10 | 0:05:12 | |
You know, it's coming across 3,000 miles of Atlantic Ocean from America | 0:05:12 | 0:05:16 | |
and it's filtered and clean. | 0:05:16 | 0:05:18 | |
You can't beat it, John. | 0:05:18 | 0:05:20 | |
You know, we were designed to smell the world, | 0:05:20 | 0:05:22 | |
but sadly very few of us do. | 0:05:22 | 0:05:24 | |
Do you think it's possible, then, to smell the different seasons? | 0:05:24 | 0:05:29 | |
Oh, absolutely. | 0:05:29 | 0:05:30 | |
There's a sensory smelly triad here | 0:05:30 | 0:05:33 | |
of green smells and herby smells | 0:05:33 | 0:05:36 | |
and woody smells. | 0:05:36 | 0:05:37 | |
Those blended together give you that inimitable freshness of spring here. | 0:05:37 | 0:05:42 | |
Let's go find some woody smell, shall we? | 0:05:42 | 0:05:44 | |
There a nice wood up here and the green, look! | 0:05:44 | 0:05:47 | |
'George is also a master perfumer | 0:05:49 | 0:05:51 | |
'and his triad of smells has inspired him | 0:05:51 | 0:05:54 | |
'to create a scent that captures spring in the Highlands. | 0:05:54 | 0:05:58 | |
'First up, it's the green smells.' | 0:05:58 | 0:06:00 | |
Pluck a little bit and have a sniff. | 0:06:00 | 0:06:02 | |
Hold it up to your nose. | 0:06:02 | 0:06:04 | |
That's one of the most important biological molecules for humans. | 0:06:04 | 0:06:08 | |
That's the smell of spring as the earth warms up, | 0:06:08 | 0:06:11 | |
to tell us the vitality of life is coming back | 0:06:11 | 0:06:14 | |
along with the green... You get the green note on top of the earth. | 0:06:14 | 0:06:17 | |
-Now that's a much softer smell, isn't it? -Much softer. -Yep. | 0:06:17 | 0:06:20 | |
A magical molecule called geosmin - | 0:06:20 | 0:06:23 | |
"geo" from earth, the Greek for earth, | 0:06:23 | 0:06:25 | |
and "osmic" is the Greek word for smell. | 0:06:25 | 0:06:27 | |
Natural green smells are happy. | 0:06:27 | 0:06:29 | |
We're biologically engineered to respond, | 0:06:29 | 0:06:32 | |
to feel good feeling. | 0:06:32 | 0:06:34 | |
I must say I feel quite happy now. | 0:06:34 | 0:06:36 | |
Where shall we go next? | 0:06:36 | 0:06:38 | |
'Next it's the smell of Highland wood, | 0:06:40 | 0:06:42 | |
'although I discovered that this time my nose isn't as finely tuned as George's...' | 0:06:42 | 0:06:47 | |
-So what am I supposed to be smelling? -That's... | 0:06:49 | 0:06:51 | |
It's a very faint, but very deep woody smell. | 0:06:51 | 0:06:54 | |
-No, nothing at all there, George, I'm afraid... -Yeah. -..for me. | 0:06:56 | 0:06:59 | |
-We'll have to give you some smell-training lessons. -Yes! | 0:06:59 | 0:07:03 | |
'Overlooking Loch Ewe lies the last component | 0:07:05 | 0:07:08 | |
'in George's trio of spring smells.' | 0:07:08 | 0:07:10 | |
This is unique, this is highland myrtle, | 0:07:13 | 0:07:15 | |
these are miniature myrtle. | 0:07:15 | 0:07:17 | |
These are only found, these plants... | 0:07:17 | 0:07:19 | |
Only found in the highlands where they grow wild. | 0:07:19 | 0:07:22 | |
Oh, goodness me, smell that, smell that! | 0:07:22 | 0:07:25 | |
I mean, it leaps out at you. | 0:07:25 | 0:07:27 | |
-It's a lovely green resin-y smell. -Oh, it does, doesn't it! Fantastic smell. | 0:07:27 | 0:07:31 | |
But, you know, George, the frustration, I think, | 0:07:31 | 0:07:34 | |
is that people at home can't smell all the aromas that we're smelling. | 0:07:34 | 0:07:38 | |
Ah, give them two, three years - we're working on it. | 0:07:38 | 0:07:41 | |
In my research group, at the University of Warwick, | 0:07:41 | 0:07:43 | |
we are putting the age-old dream of smelly television into practice. | 0:07:43 | 0:07:46 | |
Really? So that could really happen, could it? | 0:07:46 | 0:07:49 | |
Smelly telly is around the corner? | 0:07:49 | 0:07:52 | |
'Down by the loch, it's time to put to the test | 0:07:52 | 0:07:55 | |
'whether those three distinctive smells of spring | 0:07:55 | 0:07:58 | |
'can be bottled... | 0:07:58 | 0:08:00 | |
'Adrian Hollister was one of George's biochemistry students in the 1970s.' | 0:08:00 | 0:08:04 | |
Hello, Adrian. | 0:08:05 | 0:08:07 | |
-Ah, John. -How are you? Good to see you. -Good morning. | 0:08:07 | 0:08:10 | |
'He now owns and runs the perfume business that George set up. | 0:08:10 | 0:08:14 | |
'And I spot some unexpected additions to that basic triad of smells...' | 0:08:15 | 0:08:20 | |
Amongst your bottles here are things that I would never associate | 0:08:20 | 0:08:24 | |
with spring in the Highlands, like pineapple and coconut. | 0:08:24 | 0:08:27 | |
Well, pineapple, we have pineapple broom, grows not very far from here. | 0:08:27 | 0:08:32 | |
We have gorse and if you walk through a thick gorse bush | 0:08:32 | 0:08:36 | |
you will smell coconut. | 0:08:36 | 0:08:38 | |
So what else has got to go in now, then? | 0:08:38 | 0:08:40 | |
We've got Atlantic Clean Air. | 0:08:40 | 0:08:43 | |
I've never seen that before! | 0:08:43 | 0:08:44 | |
Yeah, I can smell a sea breeze. | 0:08:46 | 0:08:48 | |
'But will the finished blend | 0:08:50 | 0:08:51 | |
remind me of my sensory walkabout with George?' | 0:08:51 | 0:08:55 | |
So this is the final product. | 0:08:55 | 0:08:57 | |
This is the final product... | 0:08:57 | 0:08:59 | |
Springtime in the Highlands... | 0:08:59 | 0:09:01 | |
-Springtime in the Highlands. -..in a jar. | 0:09:01 | 0:09:03 | |
Yes, yes, I'll buy that. | 0:09:05 | 0:09:06 | |
I'll buy that as the Highlands in a bottle. | 0:09:06 | 0:09:09 | |
-Here's is a bottle I bottled earlier for you, John. -Oh! | 0:09:09 | 0:09:11 | |
Thank you. | 0:09:11 | 0:09:13 | |
Now here's an interesting fact. | 0:09:24 | 0:09:25 | |
79% of Britons say they'd like to spend more time | 0:09:25 | 0:09:29 | |
visiting the countryside. | 0:09:29 | 0:09:30 | |
So what's holding them back? | 0:09:30 | 0:09:32 | |
Well, in some cases, | 0:09:32 | 0:09:34 | |
it could simply be that the places that they want to go to | 0:09:34 | 0:09:37 | |
just aren't accessible. | 0:09:37 | 0:09:39 | |
But one man is on a crusade to change all that. | 0:09:39 | 0:09:42 | |
Margherita reports. | 0:09:42 | 0:09:43 | |
Last spring more than a quarter of us | 0:09:46 | 0:09:49 | |
headed to the countryside to take in the clean air, | 0:09:49 | 0:09:52 | |
tackle hills and mountains or witness some wildlife wonders. | 0:09:52 | 0:09:55 | |
But for an estimated 6.5 million people in the UK | 0:09:57 | 0:10:01 | |
with restricted mobility, | 0:10:01 | 0:10:02 | |
not all of these experiences are within easy reach. | 0:10:02 | 0:10:05 | |
Gates, hurdles, rough terrain, | 0:10:06 | 0:10:10 | |
all make it difficult for people with a disability to access nature. | 0:10:10 | 0:10:14 | |
Two years ago the RSPB decided to create a disabled sea view | 0:10:15 | 0:10:20 | |
at Bempton Cliffs Bird Reserve on the East Coast of Yorkshire. | 0:10:20 | 0:10:24 | |
It was kick-started by RSPB area manager Roy Taylor. | 0:10:26 | 0:10:30 | |
Roy, what are your biggest concerns for accessibility? | 0:10:33 | 0:10:36 | |
Look at this place. | 0:10:36 | 0:10:37 | |
This is one of the largest seabird colonies in the UK. | 0:10:37 | 0:10:42 | |
Wildlife can add so much to a disabled person's life. | 0:10:42 | 0:10:45 | |
If you can't get to it, | 0:10:45 | 0:10:47 | |
how can your life be enriched by being outside in this place? | 0:10:47 | 0:10:50 | |
How can you connect with wildlife? | 0:10:50 | 0:10:51 | |
At various places I take my wheelchair, | 0:10:51 | 0:10:53 | |
you're holding on for dear life. | 0:10:53 | 0:10:55 | |
The adventure is staying in your wheelchair, | 0:10:55 | 0:10:58 | |
it's not absorbing all these natural sights and sounds around you. | 0:10:58 | 0:11:01 | |
So, actually, to be able to come along and just be so relaxed | 0:11:01 | 0:11:05 | |
and feel safe. | 0:11:05 | 0:11:06 | |
Roy has always been an active outdoors man. | 0:11:07 | 0:11:10 | |
But three years ago he was diagnosed with motor neurone disease | 0:11:10 | 0:11:14 | |
which left him in a wheelchair. | 0:11:14 | 0:11:16 | |
Driven by his own love of nature, | 0:11:17 | 0:11:20 | |
he set out on a countryside revolution. | 0:11:20 | 0:11:22 | |
His plan? | 0:11:22 | 0:11:24 | |
To get rid of anything preventing access to the outdoors for everyone. | 0:11:24 | 0:11:28 | |
To do that, he went on an epic journey, | 0:11:28 | 0:11:31 | |
raising funds and awareness. | 0:11:31 | 0:11:34 | |
Well, it was fun. | 0:11:34 | 0:11:35 | |
We went from coast to coast. | 0:11:35 | 0:11:37 | |
We started off in Southport | 0:11:37 | 0:11:39 | |
and we did 215 miles in ten days. | 0:11:39 | 0:11:42 | |
We had to lift the wheelchair over a few things. | 0:11:42 | 0:11:44 | |
We had to take a few diversions. | 0:11:44 | 0:11:46 | |
So it's all been good fun. | 0:11:46 | 0:11:48 | |
'Now Roy's hard work is beginning to pay off - | 0:11:48 | 0:11:51 | |
'Bempton Cliffs is the first of many nature reserves to be transformed, | 0:11:51 | 0:11:56 | |
'and the rewards are instantaneous.' | 0:11:56 | 0:11:59 | |
It's taken two years to get to this point. | 0:11:59 | 0:12:02 | |
Wow, look at it, it's amazing, isn't it? | 0:12:02 | 0:12:04 | |
You're perched on top of 250,000 seabirds, | 0:12:04 | 0:12:08 | |
one of the best wildlife spectacles anywhere in the world. | 0:12:08 | 0:12:12 | |
And you can get right on top of it, look right down to it | 0:12:12 | 0:12:15 | |
and it's a walk in the park to do it. | 0:12:15 | 0:12:17 | |
You can't get better than that, can you? | 0:12:17 | 0:12:20 | |
'Roy's discovered that simple changes make a big difference - | 0:12:20 | 0:12:24 | |
'lowering handrails, repairing muddy footpaths | 0:12:24 | 0:12:27 | |
'and providing mobility scooters | 0:12:27 | 0:12:29 | |
'all help to make inaccessible places become welcoming | 0:12:29 | 0:12:33 | |
'for everyone to enjoy.' | 0:12:33 | 0:12:35 | |
When I first came to Bempton Cliffs a couple of years ago, | 0:12:36 | 0:12:39 | |
your wheelchair view was a plank of wood, when everyone else could see above it. | 0:12:39 | 0:12:43 | |
Look at this, you can look for miles! | 0:12:43 | 0:12:46 | |
Roy, what should I be looking out for today? | 0:12:46 | 0:12:48 | |
Well, most people that come here want to see puffins. | 0:12:48 | 0:12:51 | |
And puffins are incredibly cute. | 0:12:51 | 0:12:53 | |
But for me, the stars of the show are these big guys, | 0:12:53 | 0:12:56 | |
these gannets. | 0:12:56 | 0:12:57 | |
These beautiful creamy yellow heads, | 0:12:57 | 0:13:01 | |
these long effortless wings with the black tips. | 0:13:01 | 0:13:05 | |
They look like they could just cruise effortlessly for miles. | 0:13:05 | 0:13:09 | |
-And look at this long line of them on the cliff here. -Yeah, got it. | 0:13:09 | 0:13:11 | |
12,500 nesting pairs crammed onto these cliffs. | 0:13:13 | 0:13:17 | |
How does it feel to take in that view | 0:13:18 | 0:13:21 | |
at the end of two years at work? | 0:13:21 | 0:13:23 | |
It makes you feel better. | 0:13:23 | 0:13:25 | |
Look at this gannet. You can almost see its eye as it's going past you. | 0:13:25 | 0:13:29 | |
That's how close you are to these birds. | 0:13:29 | 0:13:31 | |
And how do you feel knowing that | 0:13:31 | 0:13:34 | |
this is hopefully the way forward across the UK? | 0:13:34 | 0:13:37 | |
Well, I guess my biggest hope is... I get so much pleasure from this, | 0:13:37 | 0:13:41 | |
I find it inconceivable that other people wouldn't enjoy it. | 0:13:41 | 0:13:44 | |
Thousands and thousands of people who might be sitting at home thinking, | 0:13:44 | 0:13:47 | |
"I can't get out to see places like this," | 0:13:47 | 0:13:50 | |
can take a look at this and say, "Yes," and come and see it | 0:13:50 | 0:13:53 | |
because they'll be blown away. | 0:13:53 | 0:13:55 | |
There is still room for improvement across the UK | 0:13:59 | 0:14:02 | |
to make off-the-beaten-track routes accessible for all. | 0:14:02 | 0:14:05 | |
But sites like these really are showing us the way | 0:14:05 | 0:14:08 | |
and heading in the right direction. | 0:14:08 | 0:14:10 | |
And, after all, in spring, when nature's woken up | 0:14:10 | 0:14:12 | |
and come out to play | 0:14:12 | 0:14:14 | |
it really is time to get out there and enjoy the fun. | 0:14:14 | 0:14:17 | |
GANNETS CRY | 0:14:17 | 0:14:18 | |
Many of us can't get enough of the sights and sounds of springtime. | 0:14:20 | 0:14:24 | |
But doctors now recognise there's a growing number of people | 0:14:24 | 0:14:27 | |
for whom this season can be all too much. | 0:14:27 | 0:14:30 | |
Keeley's searching out a truly multisensory experience... | 0:14:30 | 0:14:33 | |
The smell of the fresh rain, | 0:14:35 | 0:14:37 | |
the sound of the birdsong, | 0:14:37 | 0:14:39 | |
the sight of blooming flowers | 0:14:39 | 0:14:41 | |
and the taste of that first stem of asparagus. | 0:14:41 | 0:14:44 | |
For most of us it brings joy to our senses, | 0:14:45 | 0:14:48 | |
but for some it can all be just too intense. | 0:14:48 | 0:14:51 | |
In fact, 4% of Brits have a trait known as synaesthesia. | 0:14:52 | 0:14:56 | |
It is a neurological phenomenon | 0:14:56 | 0:14:58 | |
where a sensation in one of the senses, such as hearing, | 0:14:58 | 0:15:01 | |
triggers a sensation in another, such as taste. | 0:15:01 | 0:15:04 | |
Some celebrities have reported having this secondary sense | 0:15:06 | 0:15:09 | |
from the artist David Hockney to Happy man Pharrell Williams | 0:15:09 | 0:15:12 | |
and singer Lady Gaga. | 0:15:12 | 0:15:15 | |
It sounds extraordinary, but around one in 20 of us have this kind of super sense - | 0:15:15 | 0:15:20 | |
an amazing ability that some don't even realise. | 0:15:20 | 0:15:23 | |
Meet James Wannerton. He's had synaesthesia all his life. | 0:15:23 | 0:15:28 | |
He doesn't just see spring, he tastes it. | 0:15:28 | 0:15:32 | |
The season spring has got a beautiful taste | 0:15:32 | 0:15:35 | |
of a thin piece of bread with margarine on it. | 0:15:35 | 0:15:38 | |
The dawn chorus is exactly like eating melted green wine gums. | 0:15:38 | 0:15:43 | |
'For James, this multisensory affair in spring | 0:15:44 | 0:15:47 | |
'can be a lot to take in.' | 0:15:47 | 0:15:49 | |
-Hello there, James. -Hello. | 0:15:49 | 0:15:51 | |
So, tell me, what is synaesthesia? | 0:15:51 | 0:15:54 | |
Synaesthesia is probably best described | 0:15:54 | 0:15:57 | |
as being a mixing or blending of the senses. | 0:15:57 | 0:15:59 | |
You may touch something and you might taste something at the same time, as well. | 0:15:59 | 0:16:03 | |
Or a synaesthete may see a colour and hear a sound. | 0:16:03 | 0:16:08 | |
Are there lots of different types? | 0:16:08 | 0:16:09 | |
Yes, there's quite a few. | 0:16:09 | 0:16:11 | |
There's probably around 60+ types of synaesthesia | 0:16:11 | 0:16:15 | |
that have been documented and checked and researched so far. | 0:16:15 | 0:16:19 | |
Mine is simply a case of hearing a sound | 0:16:19 | 0:16:23 | |
and it gets instantly translated into a taste. | 0:16:23 | 0:16:25 | |
It's not just an association, it's a real mouth feeling... | 0:16:25 | 0:16:28 | |
It's as if I am actually eating something. | 0:16:28 | 0:16:29 | |
It's another dimension. | 0:16:29 | 0:16:31 | |
So spring is a time where there's lots of changes, | 0:16:31 | 0:16:34 | |
we're seeing lots of new things, | 0:16:34 | 0:16:35 | |
we're smelling lots of new things. | 0:16:35 | 0:16:37 | |
What is spring like for you? | 0:16:37 | 0:16:39 | |
Spring's a...tremendously stimulating time for me. | 0:16:39 | 0:16:43 | |
It's one of the joyous things about synaesthesia, | 0:16:43 | 0:16:46 | |
because being out in spring gives me... | 0:16:46 | 0:16:50 | |
Well, it intensifies everything. | 0:16:50 | 0:16:52 | |
It sort of brings it all closer to me. | 0:16:52 | 0:16:54 | |
The whole thing is absolutely amazing. | 0:16:54 | 0:16:57 | |
'But it's not all as exciting as it might sound. | 0:16:57 | 0:17:00 | |
'Sometimes beautiful things can give an unpleasant flavour...' | 0:17:00 | 0:17:03 | |
These daffodils, | 0:17:03 | 0:17:04 | |
they actually cause quite a big conflict with me synaesthetically | 0:17:04 | 0:17:07 | |
because of the colour of the plant | 0:17:07 | 0:17:09 | |
and then because of the name of the plant. | 0:17:09 | 0:17:11 | |
The actual sound of the name "daffodil" | 0:17:11 | 0:17:14 | |
gives me a taste of corned beef. | 0:17:14 | 0:17:16 | |
So when I look at a daffodil, | 0:17:16 | 0:17:18 | |
I'm getting a taste of corned beef | 0:17:18 | 0:17:21 | |
and I am also getting this horrible tangy... | 0:17:21 | 0:17:24 | |
wine gum kind of taste over the top of it. | 0:17:24 | 0:17:28 | |
Um...and it's not nice. | 0:17:28 | 0:17:30 | |
You must be sick to the back teeth of it! | 0:17:30 | 0:17:32 | |
They are everywhere at the moment! | 0:17:32 | 0:17:34 | |
It's an assault on the senses. | 0:17:34 | 0:17:37 | |
'As president of the thousand-strong UK Synaesthesia Association, | 0:17:37 | 0:17:40 | |
'James is far from being alone. | 0:17:40 | 0:17:43 | |
'But scientists reckon around 2.5 million people in Britain | 0:17:43 | 0:17:47 | |
'have some form of synaesthesia. | 0:17:47 | 0:17:50 | |
'After 20 years of research, this neurological trait which blends the senses | 0:17:50 | 0:17:54 | |
'is now recognised in more of us than ever before. | 0:17:54 | 0:17:58 | |
'Researchers at Sussex University are now examining the effects of the condition | 0:17:58 | 0:18:02 | |
'and new ways to diagnose it.' | 0:18:02 | 0:18:05 | |
I've walked around Bolton Abbey lots of times before, | 0:18:05 | 0:18:08 | |
but I've never really thought about it in terms of senses, | 0:18:08 | 0:18:11 | |
so I wonder if James might be able to give me a taste | 0:18:11 | 0:18:13 | |
of what it would be like for him. | 0:18:13 | 0:18:15 | |
So, James, there are lots of things going on here at the moment. | 0:18:15 | 0:18:18 | |
I can hear the water behind us, I can hear the birds singing. | 0:18:18 | 0:18:21 | |
There are some sheep over there and every now and again they let off a baa. | 0:18:21 | 0:18:25 | |
There's lots going on here. | 0:18:25 | 0:18:27 | |
How are you experiencing this? | 0:18:27 | 0:18:28 | |
Well, I'm experiencing it much the same as you are. | 0:18:28 | 0:18:31 | |
I can hear the sounds, I can smell the smells of spring. | 0:18:31 | 0:18:35 | |
But also I get a very strong taste, as well. | 0:18:35 | 0:18:39 | |
Taste association. | 0:18:39 | 0:18:41 | |
That river is tremendous. | 0:18:41 | 0:18:42 | |
It's a cross between lemonade and cream soda. | 0:18:42 | 0:18:45 | |
It's just fizzy and... | 0:18:45 | 0:18:47 | |
Tree bark, it tastes like flaky chocolate. | 0:18:47 | 0:18:50 | |
So it's something to do with, you know, the... | 0:18:50 | 0:18:52 | |
Yeah, I can see that, the texture, the texture... | 0:18:52 | 0:18:54 | |
I can hear sheep. | 0:18:54 | 0:18:56 | |
That's giving me a taste that I can only describe | 0:18:56 | 0:18:59 | |
as being like, um, you know, cottage pie - | 0:18:59 | 0:19:01 | |
-minced beef with potato on top. -Oh, cruel! | 0:19:01 | 0:19:04 | |
Oh, yes. I'd never picked that up! | 0:19:04 | 0:19:07 | |
Oh, we can't have that, that's terrible! | 0:19:07 | 0:19:09 | |
KEELEY LAUGHS | 0:19:09 | 0:19:10 | |
This is the first time I've been here | 0:19:10 | 0:19:13 | |
and it's - I have to admit, it's a fantastic place, | 0:19:13 | 0:19:15 | |
it's very, very, very sensory. | 0:19:15 | 0:19:17 | |
That building over there, the Priory, which, by the way, | 0:19:18 | 0:19:21 | |
tastes of apples and bits of almond, | 0:19:21 | 0:19:24 | |
that's what the actual place tastes like. | 0:19:24 | 0:19:27 | |
Arches, funnily enough - and rather apt in this case - | 0:19:27 | 0:19:30 | |
-give me a taste of Yorkshire Pudding. -That's a really odd association. | 0:19:30 | 0:19:33 | |
-It is, isn't it? -Yeah. | 0:19:33 | 0:19:35 | |
Is there anything specifically around here that you're finding unpleasant? | 0:19:35 | 0:19:38 | |
Well, there is, yeah, cos I heard a dog barking earlier. | 0:19:38 | 0:19:41 | |
That gave me a very strong taste of that stuff you get | 0:19:41 | 0:19:43 | |
-at the bottom of electric kettles. -Like limescale? -Yes, oh, yeah... | 0:19:43 | 0:19:47 | |
-Right at the back of the throat. -Would you be without it? | 0:19:47 | 0:19:49 | |
-Would you rather not have it? -No, it's... | 0:19:49 | 0:19:52 | |
I mean...it's a fundamental part of who I am. | 0:19:52 | 0:19:54 | |
It the way I think, it's the way I act, | 0:19:54 | 0:19:57 | |
everything is based around taste. So, no, definitely not. | 0:19:57 | 0:20:00 | |
'It's opened my eyes to a whole new dimension of spring's beauty, | 0:20:01 | 0:20:05 | |
'sights and sounds sensed in an entirely different way...' | 0:20:05 | 0:20:08 | |
BEE BUZZES | 0:20:08 | 0:20:10 | |
'Hm, I wonder what summer tastes like.' | 0:20:10 | 0:20:13 | |
One springtime scent that's in danger of becoming a distant memory - | 0:20:15 | 0:20:19 | |
possibly in the space of a single generation - | 0:20:19 | 0:20:22 | |
comes from our native bluebell. | 0:20:22 | 0:20:24 | |
Jules is about to investigate... | 0:20:24 | 0:20:26 | |
It's is a classic sign of spring. | 0:20:29 | 0:20:32 | |
British woodlands awash with a sea of bluebells. | 0:20:32 | 0:20:36 | |
But all is not well. | 0:20:36 | 0:20:38 | |
Our native bluebell is in trouble, | 0:20:38 | 0:20:40 | |
and it's all down to a Spanish invader. | 0:20:40 | 0:20:42 | |
Well, it's thought that in a good year, | 0:20:45 | 0:20:48 | |
some 42 acres of the New Forest can be covered by bluebells. | 0:20:48 | 0:20:52 | |
And it's a popular springtime spectacle | 0:20:52 | 0:20:55 | |
for both visitors and tourists alike. | 0:20:55 | 0:20:58 | |
But it's now thought that our beautiful native species is being overtaken | 0:20:58 | 0:21:04 | |
thanks to the good old Victorians, | 0:21:04 | 0:21:06 | |
who introduced a rival into their gardens. | 0:21:06 | 0:21:08 | |
The Spanish bluebell. | 0:21:11 | 0:21:13 | |
It's believed that around one in six British broadleaf woodlands | 0:21:13 | 0:21:16 | |
now have a mixed or hybrid native and Spanish bluebell population. | 0:21:16 | 0:21:21 | |
Sarah Stebbing from the Woodland Trust | 0:21:23 | 0:21:25 | |
fears for the future of our native bluebell. | 0:21:25 | 0:21:29 | |
How have they managed to take over in such a prevalent way today? | 0:21:29 | 0:21:33 | |
They've been introduced to people's gardens over a long period of time now. | 0:21:33 | 0:21:37 | |
When people, if they are taking them out of their gardens, | 0:21:37 | 0:21:39 | |
by not disposing of them properly, | 0:21:39 | 0:21:42 | |
the Spanish variety will hybridise with our native bluebell. | 0:21:42 | 0:21:46 | |
'But what I want to know is | 0:21:46 | 0:21:47 | |
'how on earth can you tell the difference between the two varieties?' | 0:21:47 | 0:21:52 | |
-This, I gather, is the Spanish imposter. -Indeed it is. | 0:21:52 | 0:21:55 | |
There's quite a few differences in their characteristics. | 0:21:55 | 0:21:58 | |
The first thing is the Spanish bluebell is a much paler blue, | 0:21:58 | 0:22:01 | |
whereas our native bluebell, | 0:22:01 | 0:22:03 | |
if we look at one here, is much darker, richer - almost violet blue. | 0:22:03 | 0:22:06 | |
-They're much daintier, aren't they, the native species? -They are. | 0:22:06 | 0:22:09 | |
The Spanish ones have a much more upright, stiffer appearance | 0:22:09 | 0:22:13 | |
and our native bluebells have this very distinctive slender stem | 0:22:13 | 0:22:17 | |
and a much more drooping, nodding look to them. | 0:22:17 | 0:22:20 | |
Another difference is the colour of the pollen. | 0:22:20 | 0:22:23 | |
The Spanish bluebell has a greeny-blue colour to it, | 0:22:23 | 0:22:27 | |
whereas our native bluebell has a creamy-white-colour pollen. | 0:22:27 | 0:22:30 | |
The shape of the flowers is also different. | 0:22:30 | 0:22:33 | |
It is a much more open bell shape, almost a cone shape, | 0:22:33 | 0:22:36 | |
on the Spanish species. | 0:22:36 | 0:22:38 | |
It's a much more delicate bell shape on our native bluebell. | 0:22:38 | 0:22:42 | |
The petals curl back almost completely on themselves. | 0:22:42 | 0:22:45 | |
For me, one of the great joys of spring is walking through a wood like this one | 0:22:45 | 0:22:49 | |
and enjoying that lovely scent that comes off of bluebells. | 0:22:49 | 0:22:52 | |
-Can the same be said for the Spanish? -No, unfortunately not. | 0:22:52 | 0:22:55 | |
The Spanish bluebell doesn't really have much of a scent at all. | 0:22:55 | 0:22:59 | |
-It is a bit dull, actually, isn't it? -Yeah. | 0:22:59 | 0:23:01 | |
Impressive as it looks, it is a bit boring in terms of its scent. | 0:23:01 | 0:23:03 | |
Indeed, the native bluebell has a lovely, sweet scent | 0:23:03 | 0:23:06 | |
and when it is making a carpet, such as it is through this woodland, | 0:23:06 | 0:23:09 | |
it's an unmistakable sign of spring. | 0:23:09 | 0:23:12 | |
This bluebell is special. | 0:23:12 | 0:23:15 | |
'Nearly half of all those found around the world | 0:23:15 | 0:23:18 | |
'are here in the UK.' | 0:23:18 | 0:23:20 | |
What advice would you give to anybody who wants to ensure | 0:23:21 | 0:23:24 | |
that the British native species survives | 0:23:24 | 0:23:27 | |
and outplays the Spanish imposter? | 0:23:27 | 0:23:29 | |
Well, the first thing to do is have a look at the bluebells that you have in your garden | 0:23:29 | 0:23:33 | |
and work out which of the varieties that you've got. | 0:23:33 | 0:23:36 | |
If you do remove them from the garden, | 0:23:36 | 0:23:38 | |
making sure you dispose of that material responsibly. | 0:23:38 | 0:23:41 | |
And if you wish to plant some native bluebells, | 0:23:41 | 0:23:44 | |
is going to a reputable supplier | 0:23:44 | 0:23:45 | |
who will be able to supply you with the British bluebell. | 0:23:45 | 0:23:48 | |
So we can all do our bit to ensure that scenes like this one | 0:23:48 | 0:23:51 | |
that surrounds us today | 0:23:51 | 0:23:52 | |
will be around for many more springtimes to come. | 0:23:52 | 0:23:55 | |
Yes, protecting ancient woodlands | 0:23:55 | 0:23:56 | |
and the areas that we find our bluebells | 0:23:56 | 0:23:58 | |
is certainly something we can all do. | 0:23:58 | 0:24:01 | |
Spring is an ideal time for planting, | 0:24:03 | 0:24:06 | |
but it's reckoned that 90% of our traditional orchards in England and Wales | 0:24:06 | 0:24:11 | |
have been lost since the 1950s. | 0:24:11 | 0:24:14 | |
Now Paul Martin, who's a sort of fledgling smallholder, | 0:24:14 | 0:24:17 | |
has decided to do his bit by planting his own heritage orchard. | 0:24:17 | 0:24:22 | |
But, first of all, he has to find the right fruit trees. | 0:24:22 | 0:24:25 | |
After years of hard graft, my once derelict smallholding | 0:24:27 | 0:24:30 | |
is slowly taking shape. | 0:24:30 | 0:24:32 | |
This spring, I'm learning how to turn the land | 0:24:32 | 0:24:35 | |
into a home for wildlife | 0:24:35 | 0:24:37 | |
and for producing food for the family. | 0:24:37 | 0:24:39 | |
We've now got Wiltshire Horn sheep settling into their home | 0:24:42 | 0:24:45 | |
out in the field. | 0:24:45 | 0:24:47 | |
Time for me to turn my attention to growing food to feed the family. | 0:24:47 | 0:24:50 | |
The next spring project is all about Grow Your Own | 0:24:52 | 0:24:55 | |
and, in this case, it's Britain's favourite fruit - apples. | 0:24:55 | 0:24:58 | |
When we first moved here, I was chuffed to bits to discover | 0:25:02 | 0:25:05 | |
that this is a lovely old apple tree and it produces wonderful cookers, | 0:25:05 | 0:25:08 | |
and towards the end of the summer, | 0:25:08 | 0:25:10 | |
we get a great harvest from this one. | 0:25:10 | 0:25:12 | |
So we decided to make our chicken enclosure around this, | 0:25:12 | 0:25:15 | |
cos obviously they can eat the windfalls. | 0:25:15 | 0:25:17 | |
This grand old apple tree has whet my appetite for Wiltshire apples. | 0:25:19 | 0:25:22 | |
And now that we have heritage sheep on the land, | 0:25:22 | 0:25:25 | |
what we really need is a heritage orchard... | 0:25:25 | 0:25:28 | |
Fortunately I know a man who can help me out - | 0:25:31 | 0:25:33 | |
a local fruit farmer, Chris Good, | 0:25:33 | 0:25:35 | |
who can show me what apple trees I can grow in my new orchard. | 0:25:35 | 0:25:38 | |
Traditional orchards cover 24,000 hectares of Britain | 0:25:41 | 0:25:45 | |
and are incredibly important for British wildlife. | 0:25:45 | 0:25:48 | |
Yet, despite that fact, | 0:25:48 | 0:25:50 | |
we've still lost 90% of this amazing habitat in the last century. | 0:25:50 | 0:25:54 | |
Early spring is the perfect time to plant saplings before the buds begin to bloom. | 0:25:56 | 0:26:01 | |
And if anyone can help me choose a variety, Chris can. | 0:26:01 | 0:26:05 | |
Chris, you've got a fantastic orchard, | 0:26:06 | 0:26:08 | |
I guess there's around, what, 80-odd trees here? | 0:26:08 | 0:26:10 | |
-We've got 65 different varieties here. -Gosh! | 0:26:10 | 0:26:13 | |
You must be a connoisseur! | 0:26:13 | 0:26:15 | |
Well, not to start with. | 0:26:15 | 0:26:17 | |
We picked out names that meant something to us. | 0:26:17 | 0:26:19 | |
Either we'd lived there or we knew people or the name itself. | 0:26:19 | 0:26:22 | |
They're all old heritage varieties. | 0:26:22 | 0:26:24 | |
So you're never short of apples, are you? | 0:26:24 | 0:26:26 | |
No. Sometimes we feel we're disappearing underneath them! | 0:26:26 | 0:26:29 | |
-I want you to help me out with a good heritage local variety. -Right. | 0:26:30 | 0:26:33 | |
Well, there are three or four that are growing well - | 0:26:33 | 0:26:36 | |
one in particular, Mary Barnett, | 0:26:36 | 0:26:38 | |
planted by Mary Jane Barnett on her wedding day in 1920 in Steeple Ashton. | 0:26:38 | 0:26:43 | |
We've also got down there Roundway Magnum Bonum. | 0:26:43 | 0:26:45 | |
I know Roundway, that was where the great cavalry charge was, wasn't it? | 0:26:45 | 0:26:49 | |
-There you go. -Cromwellian times, yeah. I can see that from my house. | 0:26:49 | 0:26:52 | |
That was grown by a Mr Joy, the gardener in Roundway Park - | 0:26:52 | 0:26:55 | |
obviously a grand house there at one time. | 0:26:55 | 0:26:57 | |
I mean, that's a brilliant starting point, | 0:26:57 | 0:27:00 | |
that's history that I can then relate to everyone that comes around | 0:27:00 | 0:27:02 | |
-and pass on the knowledge, hopefully. -Good. | 0:27:02 | 0:27:05 | |
'What's great is that most of these varieties | 0:27:06 | 0:27:09 | |
'also come from the same era as our house in the 1800s. | 0:27:09 | 0:27:13 | |
'But before I make my final choices, the real test is in the taste.' | 0:27:13 | 0:27:17 | |
Oh, I like this. Look at all these bottles. | 0:27:19 | 0:27:21 | |
'I'm taking home bottles from half a dozen Wiltshire varieties, | 0:27:21 | 0:27:24 | |
'as well as a few forgotten national favourites...' | 0:27:24 | 0:27:28 | |
We've got Mary Barnett that we were talking about. | 0:27:28 | 0:27:31 | |
I think until my orchard gets going you've got a regular customer. | 0:27:31 | 0:27:34 | |
Excellent. We'd be more than happy to see you. | 0:27:34 | 0:27:38 | |
'I think I've got a pretty good idea which trees I want - | 0:27:38 | 0:27:41 | |
'some forgotten classics and some rare local heroes. | 0:27:41 | 0:27:44 | |
'It's time to see what the real experts think. | 0:27:45 | 0:27:48 | |
'I hope they like my choices.' | 0:27:48 | 0:27:50 | |
-Hi, guys. -Hi, Daddy. | 0:27:50 | 0:27:52 | |
Apple juice has arrived. | 0:27:52 | 0:27:54 | |
-Cheers! -Ready, Meredith? | 0:27:57 | 0:27:59 | |
-That's really nice. -Oh, it tastes earthy! | 0:27:59 | 0:28:02 | |
-Oh, it does, doesn't it? -That's nice. | 0:28:02 | 0:28:05 | |
That's got a nice bitter taste to it. | 0:28:05 | 0:28:07 | |
I like the Steeple Ashton one, but I think Burn's Seedling, | 0:28:07 | 0:28:11 | |
this last one we had. | 0:28:11 | 0:28:12 | |
-Is that your favourite? -No, the first one. | 0:28:12 | 0:28:16 | |
The first one? Steeple Ashton. | 0:28:16 | 0:28:17 | |
'But there's a problem. | 0:28:17 | 0:28:19 | |
'The rarest local varieties that I've selected - | 0:28:19 | 0:28:21 | |
'Roundway Magnum and Dredge's Fame - | 0:28:21 | 0:28:23 | |
'aren't available fully-grown anywhere in the country... | 0:28:23 | 0:28:28 | |
'so I'll need to grow my own | 0:28:28 | 0:28:30 | |
'by grafting the roots from a standard root stock variety | 0:28:30 | 0:28:33 | |
'with cuttings or scions from each of our heritage trees.' | 0:28:33 | 0:28:38 | |
Shall we give it a go? | 0:28:38 | 0:28:39 | |
'And here to show me how is Orchard Project Officer | 0:28:39 | 0:28:42 | |
'Megan Gimber from People's Trust For Endangered Species.' | 0:28:42 | 0:28:45 | |
Megan, I'm really excited because I've never seen this done before. | 0:28:45 | 0:28:48 | |
It's actually a lot easier than you'd think it would be. | 0:28:48 | 0:28:51 | |
It's essentially just cutting up some root stocks, | 0:28:51 | 0:28:53 | |
cutting up the scion wood and sticking them together, creating a whole new tree. | 0:28:53 | 0:28:57 | |
-So the root stocks you pick up from any good garden centre? -Yes. | 0:28:57 | 0:29:00 | |
You choose your root stocks depending on what size tree you want eventually. | 0:29:00 | 0:29:03 | |
So looking at those root stocks, how big will it be? | 0:29:03 | 0:29:06 | |
-These ones will be full-size fruit trees... -Oh, brilliant! | 0:29:06 | 0:29:08 | |
..because these ones are nice and big, they live the longest | 0:29:08 | 0:29:11 | |
-and they're the best for wildlife. -That's great. | 0:29:11 | 0:29:13 | |
Right, OK, so, how does it work? | 0:29:13 | 0:29:15 | |
What we want to do is we want to do a sloping cut in this. | 0:29:15 | 0:29:18 | |
So that's the layer that's going to fuse the root stock with the scion material. | 0:29:18 | 0:29:22 | |
Right, that's the layer between the white bit and the green bit. | 0:29:22 | 0:29:25 | |
It is, it's just below the bark. | 0:29:25 | 0:29:26 | |
Yep, that looks all right. | 0:29:29 | 0:29:31 | |
-Now we want to do the same on a piece of scion wood. -Right. | 0:29:31 | 0:29:35 | |
Now we need to do the tongue cuts | 0:29:35 | 0:29:36 | |
and this basically locks the scion and the root stock in contact, | 0:29:36 | 0:29:40 | |
cutting a little cut in here. | 0:29:40 | 0:29:42 | |
-So rock the knife rather than pushing it down. -Wow! | 0:29:42 | 0:29:45 | |
-This is why you need a sharp knife. -Yes. | 0:29:45 | 0:29:47 | |
You're so cool when you did that. | 0:29:47 | 0:29:49 | |
It's kind of like... I can't believe that. | 0:29:49 | 0:29:51 | |
-And then they lock into each other. -The tongues should lock into each other... | 0:29:51 | 0:29:55 | |
Perfect, that looks perfect. | 0:29:55 | 0:29:57 | |
-It's amazing how they hold together under tension, isn't it? -Yeah. | 0:29:57 | 0:30:00 | |
So what we want to do now is wrap them up to hold them together, | 0:30:00 | 0:30:04 | |
chop the scion woods down to one or two or three beds, | 0:30:04 | 0:30:07 | |
label them and pot them. | 0:30:07 | 0:30:08 | |
Fantastic. | 0:30:12 | 0:30:13 | |
And with any luck, this will produce a nice big tree | 0:30:13 | 0:30:16 | |
that you can plant out next year. | 0:30:16 | 0:30:18 | |
'I won't get to plant these in my new orchard just yet - | 0:30:18 | 0:30:23 | |
'they need to be potted and protected until the following year. | 0:30:23 | 0:30:27 | |
'But with regular watering to allow the roots to spread, | 0:30:27 | 0:30:30 | |
'these will be a real treat for next spring. | 0:30:30 | 0:30:32 | |
'To kick-start my orchard this year, | 0:30:34 | 0:30:36 | |
'I have managed to find a two-year-old pre-grafted Victorian classic - | 0:30:36 | 0:30:40 | |
'the Sturmer Pippin. | 0:30:40 | 0:30:41 | |
'And for £20 per tree, | 0:30:41 | 0:30:43 | |
'these are ready to plant today.' | 0:30:43 | 0:30:45 | |
Well, that's the Sturmer Pippin safely in. | 0:30:46 | 0:30:48 | |
Obviously keen to get fruit from it in a few years' time, | 0:30:48 | 0:30:51 | |
but also keen to encourage more wildlife. | 0:30:51 | 0:30:53 | |
Well, orchards are fantastic for wildlife. | 0:30:53 | 0:30:56 | |
They're what you call mosaic habitats, | 0:30:56 | 0:30:58 | |
which means they've got elements of woodlands, | 0:30:58 | 0:31:01 | |
elements of pastureland, wildflower meadow... | 0:31:01 | 0:31:04 | |
All these habitats are great for biodiversity, | 0:31:04 | 0:31:06 | |
-but, actually, altogether in an orchard, it's better than the sum of its parts. -Really? | 0:31:06 | 0:31:10 | |
It's a fantastic habitat for animals, yeah. | 0:31:10 | 0:31:13 | |
I know it doesn't look like much right now, | 0:31:17 | 0:31:20 | |
but this time next spring, | 0:31:20 | 0:31:22 | |
the three Victorian favourites will be joined | 0:31:22 | 0:31:24 | |
by five of the very best from Wiltshire, | 0:31:24 | 0:31:27 | |
and then you could say I've got the makings of a good old-fashioned English orchard | 0:31:27 | 0:31:31 | |
with some real local history. | 0:31:31 | 0:31:33 | |
That's a great start. | 0:31:33 | 0:31:34 | |
But now Paul is going to have to wait patiently to see his apples. | 0:31:36 | 0:31:41 | |
If it's seasonal produce you are after, | 0:31:41 | 0:31:43 | |
there's one spring vegetable you can pick right now. | 0:31:43 | 0:31:46 | |
You've only got an eight-week window. | 0:31:46 | 0:31:48 | |
Adam is on the Merseyside Coast searching for the spring secrets of asparagus... | 0:31:48 | 0:31:53 | |
Gardeners amongst you will know that the key to growing good asparagus | 0:31:55 | 0:31:58 | |
is free-draining sandy soil. | 0:31:58 | 0:32:01 | |
And up here in Formby, they've been cultivating asparagus for 200 years. | 0:32:01 | 0:32:05 | |
And you certainly don't get much sandier than this. | 0:32:05 | 0:32:07 | |
It's incredible to think that just 80 years ago | 0:32:10 | 0:32:13 | |
this sand dune system was home to a thriving asparagus industry. | 0:32:13 | 0:32:18 | |
But now there is just one farmer left. | 0:32:18 | 0:32:20 | |
David Brooks is the fourth generation of his family to grow asparagus here. | 0:32:22 | 0:32:26 | |
-Good morning, Adam. -Good to see you. | 0:32:28 | 0:32:29 | |
I cannot believe this soil, or lack of it - it's just sand, isn't it? | 0:32:29 | 0:32:33 | |
-Sand, yes. -And would this have been sand dunes at one time? | 0:32:33 | 0:32:36 | |
It would have been, yeah. | 0:32:36 | 0:32:37 | |
Farmers in the 1930s, asparagus growers have flattened this ground here | 0:32:37 | 0:32:41 | |
and made it into asparagus field. | 0:32:41 | 0:32:43 | |
-How do you stop the wind blowing it all away? -Um... | 0:32:43 | 0:32:47 | |
We struggle at times, and sometimes it does blow away, | 0:32:47 | 0:32:49 | |
but we feed it with plenty of organic matter. | 0:32:49 | 0:32:52 | |
And you really want the sand to be warm, do you, then? | 0:32:52 | 0:32:55 | |
Yes, if the sand's warm like when you're on holiday on the beach, | 0:32:55 | 0:32:59 | |
then, definitely, we can cut every day, then. | 0:32:59 | 0:33:02 | |
And where do you send it all, then? | 0:33:02 | 0:33:04 | |
We're well-known in the local area for it, | 0:33:04 | 0:33:07 | |
so your local Formby people come to the farm shop for it. | 0:33:07 | 0:33:10 | |
We'll have that one. | 0:33:10 | 0:33:11 | |
ENGINE STARTS | 0:33:14 | 0:33:15 | |
Asparagus growing here in Formby was at its height in the 1930s, | 0:33:15 | 0:33:20 | |
but loss of land and changing tastes put paid to the industry. | 0:33:20 | 0:33:23 | |
These days, demand for asparagus is booming. | 0:33:24 | 0:33:27 | |
Production is moving from the small-scale cash crop sold at the farm gate | 0:33:27 | 0:33:32 | |
to a huge commercial activity. | 0:33:32 | 0:33:34 | |
Down in the Wye Valley in Herefordshire, | 0:33:37 | 0:33:40 | |
Chris Chinn is growing 1,000 acres of the stuff, | 0:33:40 | 0:33:43 | |
producing around a fifth of all British spears bought in our supermarkets. | 0:33:43 | 0:33:46 | |
So just take me through the process. | 0:33:47 | 0:33:49 | |
How are they deciding which ones to cut and which not to? | 0:33:49 | 0:33:52 | |
So these guys basically... Asparagus grows so quick, | 0:33:52 | 0:33:55 | |
it will grow a spear in a day in nice conditions. | 0:33:55 | 0:33:58 | |
-So it grows almost...while you're looking at it. -Yeah, almost. | 0:33:58 | 0:34:01 | |
If you leave a stick in the ground next to it | 0:34:01 | 0:34:03 | |
and go back a few hours later, it will grow a few centimetres an hour, | 0:34:03 | 0:34:06 | |
so you will have seen the growth. | 0:34:06 | 0:34:08 | |
Incredible, isn't it? | 0:34:08 | 0:34:10 | |
Anything that's shorter, we'll leave, | 0:34:10 | 0:34:11 | |
and by tomorrow when we walk back through this field, | 0:34:11 | 0:34:14 | |
it will have grown a spear. | 0:34:14 | 0:34:16 | |
So this is asparagus season, but you're trying to extend that. | 0:34:16 | 0:34:20 | |
Yes, we have been asked by our customers to extend the season | 0:34:20 | 0:34:25 | |
because the public are buying asparagus all year round. | 0:34:25 | 0:34:27 | |
So, yes, what we are going to do is go and have a look and see how we are achieving it. | 0:34:27 | 0:34:31 | |
OK, let's go and see. | 0:34:31 | 0:34:32 | |
So this chap here is just putting the poly cloches back over. | 0:34:34 | 0:34:38 | |
What this allows us to do is to start earlier in the year. | 0:34:38 | 0:34:43 | |
So traditional dates are 23rd April from an open field. | 0:34:43 | 0:34:47 | |
With these little mini cloches here, we can start somewhere nearer the beginning of April, | 0:34:47 | 0:34:51 | |
-so an extra few weeks of production. -And is that important? | 0:34:51 | 0:34:54 | |
Yes, it's really important because everyone's waiting and waiting | 0:34:54 | 0:34:57 | |
all the way through the cold winter for the first green veg of the year. | 0:34:57 | 0:35:00 | |
By doing this sort of system, | 0:35:00 | 0:35:02 | |
we can deliver it that few weeks earlier | 0:35:02 | 0:35:05 | |
and start to replace the imports that are being flown in from abroad. | 0:35:05 | 0:35:09 | |
Just pop your hand underneath. | 0:35:09 | 0:35:11 | |
And already...this has only just gone on, | 0:35:11 | 0:35:14 | |
the sun's come out and it's hot. | 0:35:14 | 0:35:16 | |
It's 30 degrees underneath there. | 0:35:16 | 0:35:18 | |
'So that's how he produces asparagus earlier in the year. | 0:35:19 | 0:35:22 | |
'But Chris can also harvest it later, as well. | 0:35:23 | 0:35:25 | |
'Traditionally you never pick asparagus after Midsummer's Day. | 0:35:30 | 0:35:33 | |
'That's because the plant needs time in the summer months | 0:35:33 | 0:35:37 | |
'to carry on growing into a fully-formed fern. | 0:35:37 | 0:35:40 | |
'This has to happen so that the plant can photosynthesise the sun's energy, | 0:35:41 | 0:35:46 | |
'feeding the roots which will then throw up more spears the next year. | 0:35:46 | 0:35:49 | |
'But Chris has now found a way of harvesting asparagus | 0:35:52 | 0:35:55 | |
well into the autumn | 0:35:55 | 0:35:57 | |
'and it's all about getting energy into those roots earlier in the year.' | 0:35:57 | 0:36:01 | |
It's this that is storing the energy. | 0:36:03 | 0:36:06 | |
This is the real crop that we're growing, | 0:36:06 | 0:36:08 | |
and the spears that are coming up through are the asparagus spears that you know and love. | 0:36:08 | 0:36:13 | |
This time of year, this is what we're expecting, | 0:36:13 | 0:36:16 | |
-but here you've got ferns. -So what's happening here? | 0:36:16 | 0:36:19 | |
These spears started to grow in the springtime, | 0:36:19 | 0:36:21 | |
when it got warm enough, and instead of cutting them off | 0:36:21 | 0:36:24 | |
at the point where they looked like an asparagus spear, we've let them grow. | 0:36:24 | 0:36:28 | |
And they've started to branch out and they're in fern. | 0:36:28 | 0:36:31 | |
So we're now getting the sun's energy into the root system | 0:36:31 | 0:36:34 | |
at this time of year | 0:36:34 | 0:36:35 | |
and then at the end of August we'll chop that down | 0:36:35 | 0:36:38 | |
and in September and October we'll get a harvest from them. | 0:36:38 | 0:36:42 | |
-There's quite a science behind it, isn't there? -Yes, there really is. | 0:36:42 | 0:36:45 | |
I've actually got something else that's new to the UK | 0:36:45 | 0:36:47 | |
-that I want to show you now. -OK. | 0:36:47 | 0:36:49 | |
It's all go here, isn't it? | 0:36:49 | 0:36:52 | |
Beneath these sheets is something being grown commercially in the UK | 0:36:53 | 0:36:57 | |
for the very first time. | 0:36:57 | 0:36:58 | |
So here we are, that's some white asparagus. | 0:37:00 | 0:37:03 | |
If you pull this cover over, | 0:37:03 | 0:37:05 | |
these little babies are asparagus, | 0:37:05 | 0:37:07 | |
exactly the same as the green, | 0:37:07 | 0:37:09 | |
but buried in a heap of earth | 0:37:09 | 0:37:11 | |
and with a little plastic cap on the top like plastic to stop it photosynthesizing, | 0:37:11 | 0:37:15 | |
so it still stays white. | 0:37:15 | 0:37:16 | |
To harvest this, when you see the spear, you dig down a little bit, | 0:37:16 | 0:37:20 | |
get this long asparagus white knife in... | 0:37:20 | 0:37:23 | |
and just pop it off and there's your spear. | 0:37:23 | 0:37:26 | |
-Goodness me, it's quite an art, isn't it! Shall I try it? -Yes, absolutely. | 0:37:26 | 0:37:29 | |
-Is this quite exciting and new, then? -Yeah, this is really new. | 0:37:29 | 0:37:32 | |
It's very popular in Holland and Germany, | 0:37:32 | 0:37:34 | |
but here this is the first white asparagus. | 0:37:34 | 0:37:36 | |
Does that look about right? | 0:37:36 | 0:37:38 | |
-Yes, looks like it. There we go. -Look at that, like an expert! -A little bit short, but...! | 0:37:38 | 0:37:42 | |
-THEY LAUGH -You've got a bit more to practise on now. -Thank you. | 0:37:42 | 0:37:45 | |
We're celebrating spring in the New Forest in Hampshire. | 0:37:50 | 0:37:53 | |
More than 200 square miles of wild open heath, woodland and coast. | 0:37:53 | 0:37:58 | |
For centuries, people and animals have lived side-by-side here - | 0:37:59 | 0:38:03 | |
historic rights allow thousands of animals | 0:38:03 | 0:38:06 | |
to roam and graze freely in the forest. | 0:38:06 | 0:38:09 | |
They help shape the landscape. | 0:38:09 | 0:38:11 | |
One of the oldest residents, the New Forest Pony, | 0:38:13 | 0:38:16 | |
is on a rare-breed watchlist, | 0:38:16 | 0:38:18 | |
but every care is being taken to make sure this breed lives on. | 0:38:18 | 0:38:23 | |
Jules now joins the locals for an important date | 0:38:23 | 0:38:26 | |
in theirs and the ponies' spring diary... | 0:38:26 | 0:38:30 | |
Good boy. | 0:38:32 | 0:38:34 | |
Well, after the long dark days of winter, | 0:38:34 | 0:38:36 | |
spring is the perfect time to gather together all of the stallions for an annual inspection. | 0:38:36 | 0:38:42 | |
It's also a chance for their owners to have a good catch up. | 0:38:42 | 0:38:45 | |
'All the ponies in the New Forest are owned by locals known as commoners. | 0:38:46 | 0:38:51 | |
'They have an ancient right to graze animals on the open common. | 0:38:51 | 0:38:54 | |
'These pony inspections are crucial for male ponies. | 0:38:56 | 0:38:59 | |
'Only those who make the grade will be released back into the forest | 0:38:59 | 0:39:03 | |
'to breed and add to the bloodline. | 0:39:03 | 0:39:05 | |
'Jonathan Gerrelli is one of five agisters, or forest wardens, | 0:39:09 | 0:39:12 | |
'responsible for the welfare of the ponies out on the heath - | 0:39:12 | 0:39:16 | |
'some of which belong to him.' | 0:39:16 | 0:39:17 | |
-But it is like the OK Chorale, isn't it? -It very much is. | 0:39:19 | 0:39:23 | |
What are you looking for? | 0:39:23 | 0:39:25 | |
They have to be purebred registered New Forest stallions, | 0:39:25 | 0:39:28 | |
they have to come and pass this extensive vetting and judging procedure | 0:39:28 | 0:39:32 | |
to make sure they're the right type, | 0:39:32 | 0:39:34 | |
so we know the foals we're producing out here | 0:39:34 | 0:39:37 | |
will be hardy - good strong hardy foals, that will thrive in the forest. | 0:39:37 | 0:39:40 | |
I've got a young stallion here today and he will come up for selection. | 0:39:40 | 0:39:43 | |
Hopefully he'll get picked to be turned out. | 0:39:43 | 0:39:45 | |
Well, I can't wait to see how the day unfolds. Cheers, see you later. | 0:39:45 | 0:39:48 | |
'As the inspections get underway, | 0:39:53 | 0:39:55 | |
'commoner and chairman of the New Forest Livestock Society | 0:39:55 | 0:39:58 | |
Lucinda Lang will be my guide.' | 0:39:58 | 0:40:00 | |
So this is Michael. Michael's one of our handlers for the Livestock Society. | 0:40:03 | 0:40:06 | |
Hello, Michael, nice to see you. | 0:40:06 | 0:40:08 | |
Are you hoping this is going to go through the inspection successfully? | 0:40:08 | 0:40:11 | |
-Yes, he's come here today, he's in good order, looks well. -COLT WHINNIES LOUDLY | 0:40:11 | 0:40:15 | |
We'll have to see if the judges like him. | 0:40:15 | 0:40:17 | |
Well, Michael, we wish you the best of luck today. | 0:40:17 | 0:40:19 | |
What's the name of your noisy colt? | 0:40:19 | 0:40:21 | |
He is called Mike the Knight! | 0:40:21 | 0:40:23 | |
-Mike the Knight? -That is correct. -THEY LAUGH | 0:40:23 | 0:40:25 | |
'The young males up for selection have to be scrutinised. | 0:40:28 | 0:40:31 | |
'Any signs of being too tame and they'll be out of the running.' | 0:40:31 | 0:40:35 | |
-He's got a lovely shape through his neck, hasn't he? -Yes. | 0:40:35 | 0:40:39 | |
Once they're happy that they've seen everything, | 0:40:39 | 0:40:42 | |
they'll ask Mike to walk around the ring. | 0:40:42 | 0:40:45 | |
It's a good opportunity to see them moving freely. | 0:40:45 | 0:40:49 | |
You get to see the stride and actually see their true frame. | 0:40:49 | 0:40:54 | |
'Just 15 of these ponies will run with 5,000 mares in the forest. | 0:40:55 | 0:40:59 | |
'Exhausting as the ratio may sound, | 0:41:05 | 0:41:07 | |
'these stallions have a serious job to do, | 0:41:07 | 0:41:10 | |
'ensuring future generations of the breed thrive.' | 0:41:10 | 0:41:12 | |
Some years ago we used to have 100 stallions out on the forest | 0:41:15 | 0:41:19 | |
and typically they would be out there all year round. | 0:41:19 | 0:41:22 | |
But gradually, you know, we were having more and more foals, | 0:41:22 | 0:41:27 | |
more and more unwanted ponies. | 0:41:27 | 0:41:29 | |
The forest actually decided to put something in place | 0:41:29 | 0:41:34 | |
to reduce the number of stallions, which then means less foals. | 0:41:34 | 0:41:39 | |
That's actually helped to improve our herd. | 0:41:39 | 0:41:42 | |
It's really interesting, this idea that the stallions are hand-picked. | 0:41:42 | 0:41:45 | |
So many people will look around here and think, | 0:41:45 | 0:41:47 | |
"Oh, the ponies are left to their own devices." | 0:41:47 | 0:41:50 | |
-And I suppose for many years they were. -They were. | 0:41:50 | 0:41:52 | |
But actually the careful management now of these bloodlines | 0:41:52 | 0:41:55 | |
really are ensuring that they remain a viable, | 0:41:55 | 0:41:59 | |
-yet popular sustainable rare breed. -Yes, yes. | 0:41:59 | 0:42:03 | |
'The first results are in.' | 0:42:03 | 0:42:05 | |
So, Michael, how did it go with Mike the Knight? | 0:42:05 | 0:42:07 | |
-He looked beautiful in the ring. -Yes, he did look good. | 0:42:07 | 0:42:10 | |
-Unfortunately, he was referred today. -Was he? | 0:42:10 | 0:42:12 | |
Yes, so that means that he didn't get a straight fail, | 0:42:12 | 0:42:14 | |
but he gets the opportunity to come back in September and have another stab at it. | 0:42:14 | 0:42:18 | |
Gosh, those standards are high, aren't they? | 0:42:18 | 0:42:20 | |
They are high. Unfortunately. | 0:42:20 | 0:42:22 | |
That's why we have these, so, um, what can I say? | 0:42:22 | 0:42:25 | |
'Next it is Lucinda's turn. | 0:42:27 | 0:42:30 | |
'Her family have been New Forest commoners for generations. | 0:42:30 | 0:42:33 | |
PONY WHINNIES | 0:42:34 | 0:42:35 | |
'Her father Brian has seen a lot of changes in his time.' | 0:42:35 | 0:42:39 | |
We've got... The welfare people come here twice a year | 0:42:39 | 0:42:44 | |
and go around the forest and look at our animals. | 0:42:44 | 0:42:47 | |
I think now, over the years, | 0:42:47 | 0:42:49 | |
yes, things have improved greatly, really. | 0:42:49 | 0:42:51 | |
'Unfortunately, Lucinda's pony hasn't made it through, either. | 0:42:51 | 0:42:56 | |
'But Jonathan has had better luck. | 0:42:56 | 0:42:58 | |
'His yearling has been accepted amongst the ranks of the elite.' | 0:42:58 | 0:43:01 | |
Well, Jonathan, that's it for you for this year. | 0:43:03 | 0:43:07 | |
Another inspection over. | 0:43:07 | 0:43:09 | |
-How has it gone, do you think, over all? -Very well, yes. | 0:43:09 | 0:43:11 | |
I'm pleased at how it's all gone. | 0:43:11 | 0:43:14 | |
A good number of colts forward and very pleased with the quality, as well. | 0:43:14 | 0:43:18 | |
'It's fascinating to see the community effort | 0:43:20 | 0:43:23 | |
'that goes into safeguarding the New Forest Pony. | 0:43:23 | 0:43:27 | |
'And to think that these horses hold the future of their breed in their hands... | 0:43:27 | 0:43:31 | |
'Or should it be hooves?' | 0:43:31 | 0:43:33 | |
PONY WHINNIES | 0:43:33 | 0:43:35 | |
And that's it for today. | 0:43:39 | 0:43:41 | |
We'll be back again at the same time tomorrow, | 0:43:41 | 0:43:43 | |
when we'll be meeting a tiny beetle that can make or break a harvest... | 0:43:43 | 0:43:46 | |
I have to look at these fields every day | 0:43:46 | 0:43:49 | |
because if you let these things get out of control, | 0:43:49 | 0:43:51 | |
they will take the whole crop out in a couple of days. | 0:43:51 | 0:43:54 | |
And Margherita discovers why this is not just the season for spring chickens - | 0:43:54 | 0:43:58 | |
it's also for turkeys. SHE LAUGHS | 0:43:58 | 0:44:00 | |
Hope you can join us then. Bye for now. | 0:44:02 | 0:44:05 |