Browse content similar to A Window on Summer. Check below for episodes and series from the same categories and more!
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Springtime, when the days lengthen, | 0:00:05 | 0:00:08 | |
and signs of change are everywhere. | 0:00:08 | 0:00:10 | |
LAMBS BLEAT | 0:00:10 | 0:00:12 | |
There's not a corner of the British Isles | 0:00:12 | 0:00:14 | |
that doesn't warm to the arrival of spring. | 0:00:14 | 0:00:17 | |
It's our most extraordinary season for one big reason. | 0:00:17 | 0:00:21 | |
It's a time of astonishing growth and regeneration. | 0:00:21 | 0:00:25 | |
From pond life to bird life, | 0:00:25 | 0:00:27 | |
from the scent of fresh blossom, | 0:00:27 | 0:00:29 | |
to our smallest mammals reawakening after months of hibernation. | 0:00:29 | 0:00:34 | |
We'll be bringing you the most remarkable stories | 0:00:36 | 0:00:39 | |
of this wonderful time of year. | 0:00:39 | 0:00:41 | |
Tales of survival, endurance and occasional indulgence. | 0:00:41 | 0:00:46 | |
Join us for this special week of programmes, | 0:00:46 | 0:00:49 | |
as we celebrate the secrets of spring, here on Countryfile Diaries. | 0:00:49 | 0:00:55 | |
We've been here all week in the New Forest in Hampshire. | 0:01:06 | 0:01:10 | |
It's one of 14 National Parks in England, Scotland and Wales. | 0:01:10 | 0:01:14 | |
And, every year, it attracts 13 million visits from people | 0:01:14 | 0:01:19 | |
who want to experience its outstanding beauty and diversity. | 0:01:19 | 0:01:23 | |
Where better place for us to witness the wonders of spring? | 0:01:23 | 0:01:27 | |
From the carpet of bluebells in this ancient woodland, | 0:01:31 | 0:01:34 | |
to the 6,000 animals roaming the heathland with their new arrivals. | 0:01:34 | 0:01:38 | |
But as summer approaches, | 0:01:38 | 0:01:40 | |
the symphony of spring is reaching its crescendo. | 0:01:40 | 0:01:45 | |
The team will be filing their final report, | 0:01:46 | 0:01:48 | |
as spring sweeps across the British Isles. | 0:01:48 | 0:01:51 | |
Nearly seven million sea birds breed here in the UK every year. | 0:01:54 | 0:01:58 | |
But how do they know whose egg is whose? Margherita is on the case. | 0:01:58 | 0:02:03 | |
Each one is unique to the female. | 0:02:03 | 0:02:05 | |
So, it's a fingerprint on the egg that they recognise? | 0:02:05 | 0:02:08 | |
That's a perfect description, yeah. | 0:02:08 | 0:02:10 | |
James has an unusual spring gift for an artist. | 0:02:10 | 0:02:13 | |
I've got this pigment here of pure extract from the bluebell. | 0:02:16 | 0:02:20 | |
It's quite a good purple! | 0:02:20 | 0:02:23 | |
And Paul discovers some unexpected residents | 0:02:23 | 0:02:26 | |
on his Wiltshire smallholding. | 0:02:26 | 0:02:28 | |
Listen to him! This is it! | 0:02:28 | 0:02:30 | |
-He's gone right up to the camera! -Yeah. -That is brilliant. | 0:02:30 | 0:02:33 | |
But first, if you're unlucky enough to see spring | 0:02:35 | 0:02:39 | |
as the start of the sneezing season, you're not alone. | 0:02:39 | 0:02:42 | |
Around 18 million of us in the UK suffer from some kind of hay fever. | 0:02:42 | 0:02:47 | |
And Keeley's been finding out why hay fever is increasingly | 0:02:47 | 0:02:51 | |
getting up the nation's nose, | 0:02:51 | 0:02:53 | |
and what's being done to try and ease people's suffering. | 0:02:53 | 0:02:57 | |
It's estimated that a staggering one in four people in the UK | 0:02:59 | 0:03:03 | |
suffer from hay fever - sniffs, sneezes and itchy eyes. | 0:03:03 | 0:03:07 | |
It can be months of misery. | 0:03:07 | 0:03:09 | |
While many of us think of it as a summer problem, | 0:03:09 | 0:03:12 | |
the allergy season's actually a lot longer than you think. | 0:03:12 | 0:03:15 | |
Hay fever kicks off in spring. | 0:03:15 | 0:03:17 | |
These seasonal sniffles are caused by tree pollen, | 0:03:18 | 0:03:21 | |
rather than grass pollen which comes out in summer. | 0:03:21 | 0:03:24 | |
When spring arrives, the tree pollen is released into the air | 0:03:24 | 0:03:27 | |
and it's these airborne pollen grains | 0:03:27 | 0:03:29 | |
that get caught in our nose and eyes. | 0:03:29 | 0:03:32 | |
That's bad news for hay fever sufferers like Ruth Holroyd. | 0:03:32 | 0:03:35 | |
Although she loves this time of year in her garden, it comes at a price. | 0:03:35 | 0:03:41 | |
Would you say it has a big effect on your life? | 0:03:41 | 0:03:43 | |
Mm, yeah, it does. My eyes just drip all the time and stream, | 0:03:43 | 0:03:47 | |
and you can't see sometimes. It starts to blur my vision. | 0:03:47 | 0:03:51 | |
Where things touch my skin, I'll get a rash | 0:03:51 | 0:03:53 | |
and start itching it, you can't help it, can you? | 0:03:53 | 0:03:56 | |
I have to go in, strip off, shower, | 0:03:56 | 0:03:58 | |
and get all the pollen off me, off my hair. | 0:03:58 | 0:04:01 | |
You can't live a life and stay indoors, | 0:04:01 | 0:04:04 | |
and stay away from hay fever. You have to go out and live your life. | 0:04:04 | 0:04:09 | |
Ruth's not alone. | 0:04:09 | 0:04:10 | |
The charity Allergy UK says the number of sufferers | 0:04:10 | 0:04:13 | |
has doubled in the last 30 years. | 0:04:13 | 0:04:15 | |
But what I want to know is why? | 0:04:15 | 0:04:17 | |
It's a question that's at the forefront of many scientific minds. | 0:04:18 | 0:04:23 | |
One theory is with the expansion of green spaces in urban areas, | 0:04:23 | 0:04:27 | |
there's a push for plants that are pollen-producing problems. | 0:04:27 | 0:04:30 | |
Here, in Worcester, they've pledged to make the city greener. | 0:04:30 | 0:04:33 | |
Over the last few months, they've planted 2,000 new trees | 0:04:33 | 0:04:36 | |
in urban spaces just like this. | 0:04:36 | 0:04:38 | |
That's great news for the city and for green spaces, | 0:04:38 | 0:04:41 | |
but bad news if you suffer from allergies. | 0:04:41 | 0:04:44 | |
That's because many of these new trees | 0:04:44 | 0:04:46 | |
are preparing to pollinate in spring | 0:04:46 | 0:04:48 | |
and this is one of the main culprits, the silver birch. | 0:04:48 | 0:04:52 | |
Councils love the beautiful birch tree. | 0:04:52 | 0:04:55 | |
They're quick-growing, compact and easy to maintain | 0:04:55 | 0:04:58 | |
with bark that's conveniently resilient to traffic pollution. | 0:04:58 | 0:05:01 | |
They also don't drop fruit on the ground, | 0:05:01 | 0:05:03 | |
causing slip and trip hazards. | 0:05:03 | 0:05:05 | |
The only problem is, birch is one of the most potent pollens. | 0:05:05 | 0:05:08 | |
Affecting around four million of us, it's second only to grass. | 0:05:08 | 0:05:13 | |
Beverley Adams-Groom is from | 0:05:13 | 0:05:15 | |
the National Pollen Unit at Worcester University. | 0:05:15 | 0:05:17 | |
She's studying how the birch catkins release pollen | 0:05:17 | 0:05:20 | |
in relation to the weather. | 0:05:20 | 0:05:21 | |
-Hello, there, Bev! -Hi. | 0:05:21 | 0:05:23 | |
Why is it that birch trees are such a problem? | 0:05:23 | 0:05:26 | |
A mature tree will produce millions of pollen grains. | 0:05:26 | 0:05:30 | |
These millions of tiny, light pollen grains can become | 0:05:30 | 0:05:33 | |
readily airborne, easily dispersed, get up people's noses very easily. | 0:05:33 | 0:05:37 | |
Not all trees are allergenic, | 0:05:37 | 0:05:39 | |
but birch pollen is the worst in the United Kingdom. | 0:05:39 | 0:05:41 | |
They don't seem to be producing very much today. | 0:05:41 | 0:05:44 | |
-It's probably too cold for them? -It's too cold today. | 0:05:44 | 0:05:46 | |
I've put these in a warm environment where they will release pollen. | 0:05:46 | 0:05:50 | |
So, these yellow bits here, they're the pollen, | 0:05:50 | 0:05:52 | |
-that's what people are allergic to? -That's right, yes. | 0:05:52 | 0:05:55 | |
So, you can see just one catkin produces | 0:05:55 | 0:05:58 | |
millions of these microscopic pollen grains. | 0:05:58 | 0:06:02 | |
If you think about how many catkins are on a tree like this | 0:06:02 | 0:06:05 | |
and they're all producing this pollen, you can just see | 0:06:05 | 0:06:07 | |
why people are allergic to it, | 0:06:07 | 0:06:09 | |
-what a problem it can be. -Yes. Absolutely. | 0:06:09 | 0:06:12 | |
And why is it such a problem in urban areas? | 0:06:12 | 0:06:14 | |
If you've got a lot of high buildings, | 0:06:14 | 0:06:16 | |
they can trap the pollen within, | 0:06:16 | 0:06:19 | |
rather than becoming absorbed into the soil, or getting away. | 0:06:19 | 0:06:23 | |
Beverley is hoping her research will help predict | 0:06:23 | 0:06:26 | |
exactly when the birch catkin pollen is at its peak. | 0:06:26 | 0:06:29 | |
Eventually, we want to produce | 0:06:29 | 0:06:30 | |
really good quality pollen forecast models, | 0:06:30 | 0:06:33 | |
so we can learn much more about the severity of the season. | 0:06:33 | 0:06:37 | |
At the moment, the models are fairly basic. | 0:06:37 | 0:06:40 | |
When I give the weather forecast and I'm giving the pollen count, | 0:06:40 | 0:06:43 | |
I tend to give it when it's really high, | 0:06:43 | 0:06:45 | |
but I wouldn't mention the exact kind of pollen. | 0:06:45 | 0:06:48 | |
That would be really useful, I think, for people? | 0:06:48 | 0:06:50 | |
Very useful, yes, very useful indeed. | 0:06:50 | 0:06:52 | |
For many people, hay fever is the worst thing about spring. | 0:06:52 | 0:06:55 | |
But for some businesses, it can mean big bucks. | 0:06:55 | 0:06:58 | |
Whatever the cause, most people end up in the medicine aisle | 0:06:58 | 0:07:02 | |
at the local supermarket or chemist. | 0:07:02 | 0:07:03 | |
The hay fever remedy market is worth an astounding £117 million. | 0:07:03 | 0:07:09 | |
For most, these tablets, balms and sprays are the only weapon | 0:07:09 | 0:07:13 | |
in the battle against seasonal sneezes. Or are they? | 0:07:13 | 0:07:17 | |
Perhaps there's another more natural way | 0:07:18 | 0:07:20 | |
we can ease the springtime suffering at home. | 0:07:20 | 0:07:23 | |
Sheena Hume is a specialist allergy nurse, | 0:07:23 | 0:07:26 | |
with more than 20 years' experience. | 0:07:26 | 0:07:28 | |
She thinks she might be able to help Ruth with her pollen predicament. | 0:07:28 | 0:07:32 | |
Why have you chosen this variety? | 0:07:42 | 0:07:44 | |
I've chosen these because they're all considered to be low in pollen. | 0:07:44 | 0:07:49 | |
You've got lots of flowers in here, a bit of a surprise, isn't it? | 0:07:49 | 0:07:52 | |
This one, can you see it has trumpet-shaped flowers? | 0:07:52 | 0:07:55 | |
So, the bees have actually got to go looking for the pollen. | 0:07:55 | 0:07:58 | |
It's not in the air, like it would be with birch pollen. | 0:07:58 | 0:08:01 | |
Does that mean the pollen is less likely to affect me | 0:08:01 | 0:08:04 | |
and it's more hard to get out? | 0:08:04 | 0:08:05 | |
There's still pollen in there. The pollen is considered to be | 0:08:05 | 0:08:08 | |
more sticky and heavy, so it's less likely to become airborne. | 0:08:08 | 0:08:12 | |
Anything that attracts bees is also good for pollen sufferers. | 0:08:12 | 0:08:15 | |
So, I'd just have a little strap line that is, | 0:08:15 | 0:08:17 | |
"Bees without the wheeze and sneeze!" | 0:08:17 | 0:08:20 | |
The bright colours and flowers attract the insects, | 0:08:20 | 0:08:22 | |
and that's good because it means the pollen isn't going up Ruth's nose, | 0:08:22 | 0:08:26 | |
-the insects are taking it instead? -Absolutely. | 0:08:26 | 0:08:28 | |
One of Sheena's other top tips is to mow your lawn regularly | 0:08:33 | 0:08:36 | |
to keep it short. | 0:08:36 | 0:08:38 | |
Despite producing pollen in summer, it can be beneficial. | 0:08:38 | 0:08:41 | |
The pollen that lands on the grass will be absorbed as nature intended. | 0:08:42 | 0:08:47 | |
Whereas, if you've got lots of hard landscaping, | 0:08:47 | 0:08:51 | |
it just stays around and blows around. | 0:08:51 | 0:08:53 | |
I am quite excited about planting some different things and maybe | 0:08:56 | 0:09:00 | |
not having so many allergic reactions when I'm doing it. | 0:09:00 | 0:09:04 | |
Take some time to enjoy your garden as well. | 0:09:04 | 0:09:06 | |
So, how has the new pollen-free garden | 0:09:13 | 0:09:16 | |
affected Ruth compared to her usual spring suffering? | 0:09:16 | 0:09:20 | |
I wrote a poem, weirdly, which is called In March It Starts. | 0:09:20 | 0:09:24 | |
"The sniffs and smarts, my eyes are streaming, | 0:09:24 | 0:09:26 | |
"and I'm dreaming of winter and Arctic winds." | 0:09:26 | 0:09:29 | |
And I can't remember any more of the poem, but I need to rewrite it now! | 0:09:29 | 0:09:32 | |
Having spoken to Sheena | 0:09:32 | 0:09:35 | |
and realising that there are so many things I can do | 0:09:35 | 0:09:39 | |
that don't involve staying indoors and missing out on everything. | 0:09:39 | 0:09:42 | |
So, yeah, it's not all doom and gloom, and pollen and sneezing. | 0:09:42 | 0:09:47 | |
So, yeah. | 0:09:47 | 0:09:49 | |
By making a few simple changes in our own gardens, hopefully, | 0:09:49 | 0:09:53 | |
we can all manage the misery a little bit better | 0:09:53 | 0:09:56 | |
when the hay fever blues arrive. | 0:09:56 | 0:09:58 | |
Now, spring triggers a mammoth migration to our shores. | 0:10:01 | 0:10:05 | |
Almost seven million sea birds breed in the UK each year. | 0:10:05 | 0:10:09 | |
Margherita is in East Yorkshire to find out | 0:10:09 | 0:10:13 | |
why the coastline there is such a draw for them. | 0:10:13 | 0:10:16 | |
The white chalk cliffs of Flamborough Head | 0:10:21 | 0:10:23 | |
are a visual treat as far as the eye can see. | 0:10:23 | 0:10:27 | |
What makes this dramatic coastline extra special are the birds. | 0:10:27 | 0:10:31 | |
BIRDS CRY | 0:10:31 | 0:10:33 | |
No surprises, then, that this place, Bempton Cliffs Reserve, | 0:10:34 | 0:10:37 | |
has been nicknamed Sea Bird City. And you can see why. | 0:10:37 | 0:10:41 | |
It's the UK largest mainland sea bird colony and, every year, | 0:10:41 | 0:10:44 | |
in the spring, a quarter of a million birds come here to breed. | 0:10:44 | 0:10:49 | |
Species from guillemots to gannets, razorbills to puffins. | 0:10:49 | 0:10:53 | |
In fact, nearly all of Britain's cliff-nesting sea birds come here. | 0:10:55 | 0:11:00 | |
I'm meeting reserve manager Keith Clarkson... | 0:11:00 | 0:11:03 | |
Lovely to see you, Margherita. | 0:11:03 | 0:11:04 | |
..to see how numbers are faring now the birds have returned in spring. | 0:11:04 | 0:11:08 | |
Keith, this is just magnificent, | 0:11:10 | 0:11:12 | |
seeing all these sea birds in one place. | 0:11:12 | 0:11:14 | |
Are the numbers up this spring? | 0:11:14 | 0:11:15 | |
The numbers seem to be going up on many of the birds nesting here. | 0:11:15 | 0:11:19 | |
We've got huge numbers of kittiwakes | 0:11:19 | 0:11:21 | |
and the noise behind us is just, "Kittiwake, kittiwake, kittiwake!" | 0:11:21 | 0:11:24 | |
They're filling the air with the sound of their name, kittiwake. | 0:11:24 | 0:11:28 | |
KITTIWAKES CRY | 0:11:28 | 0:11:29 | |
We've got small numbers of guillemots and razorbills, | 0:11:31 | 0:11:33 | |
and we've got tucked in nooks and crannies | 0:11:33 | 0:11:35 | |
a few fulmars, and the herring gulls right on the top of the cliffs. | 0:11:35 | 0:11:39 | |
So, why do so many come back to this section of coastline? | 0:11:39 | 0:11:42 | |
These 300-foot cliffs have all these horizontal layers | 0:11:42 | 0:11:45 | |
and it creates perfect little nesting ledges for these birds | 0:11:45 | 0:11:48 | |
which are totally inaccessible to all the mammals | 0:11:48 | 0:11:51 | |
that would otherwise eat them - weasels, stoats, foxes, rats. | 0:11:51 | 0:11:55 | |
It makes the perfect sea bird city. | 0:11:55 | 0:11:57 | |
So, a nice property in a safe area to raise the family in! | 0:11:57 | 0:12:00 | |
That's it! Desirable residences. | 0:12:00 | 0:12:04 | |
But unless there's good quality food nearby, it would be hopeless. | 0:12:04 | 0:12:08 | |
What these sea birds are looking for is sand eels, sprats and small fish. | 0:12:08 | 0:12:13 | |
Fortunately, the North Sea has a larder full | 0:12:13 | 0:12:16 | |
for these birds to feast on. | 0:12:16 | 0:12:18 | |
Whilst ever that situation remains, | 0:12:18 | 0:12:21 | |
we can expect this colony to prosper. | 0:12:21 | 0:12:23 | |
With all they need on their doorstep, | 0:12:26 | 0:12:28 | |
the chalk cliffs are definitely hot property | 0:12:28 | 0:12:31 | |
when it comes to our returning sea birds. | 0:12:31 | 0:12:34 | |
But it's not just our feathered friends | 0:12:34 | 0:12:36 | |
who have an important job to do this spring. | 0:12:36 | 0:12:39 | |
Now they're back and nesting, it's the perfect time | 0:12:40 | 0:12:43 | |
for Keith and his team to undertake a spring census. | 0:12:43 | 0:12:47 | |
Today, it's all about the guillemots and the razorbills. | 0:12:47 | 0:12:51 | |
They're expecting to see 40,000 pairs of guillemots | 0:12:51 | 0:12:54 | |
on this spring survey. | 0:12:54 | 0:12:56 | |
To count them all seems impossible, but they do, | 0:12:56 | 0:12:59 | |
with the aid of photographs taken of the nest sites last year. | 0:12:59 | 0:13:03 | |
Keith can track who's moved in and who's moved out | 0:13:03 | 0:13:06 | |
of their cliffside abode. | 0:13:06 | 0:13:08 | |
Each year, we can come back and we can see | 0:13:08 | 0:13:10 | |
whether that bird on that nest territory is still there. | 0:13:10 | 0:13:14 | |
And the birds come back to exactly the same spot? | 0:13:14 | 0:13:16 | |
So, this is the same resident that's there now? | 0:13:16 | 0:13:18 | |
It's almost certainly the same bird, | 0:13:18 | 0:13:20 | |
because it's in exactly the same spot where it was last year | 0:13:20 | 0:13:23 | |
and the year before. | 0:13:23 | 0:13:25 | |
And we can follow them through | 0:13:25 | 0:13:26 | |
to the point where they lay their first egg, | 0:13:26 | 0:13:28 | |
and then the chick hatches and, at 18 days, 20 days after that, | 0:13:28 | 0:13:32 | |
the chick jumps and leaves the cliffs. | 0:13:32 | 0:13:35 | |
So, these razorbills seem to have quite a bit of space on the cliff. | 0:13:35 | 0:13:38 | |
And here, we've got... It looks a bit busier here. | 0:13:38 | 0:13:41 | |
-These are the guillemots? -That's it, Margherita. | 0:13:41 | 0:13:43 | |
These are guillemots and they're all cramped together. | 0:13:43 | 0:13:46 | |
-There can be 100 guillemots all on one ledge. -All laying one egg each? | 0:13:46 | 0:13:49 | |
All laying one egg. | 0:13:49 | 0:13:51 | |
There's no nest, they just lay directly onto the ledge. | 0:13:51 | 0:13:54 | |
It's quite incredible. | 0:13:54 | 0:13:56 | |
How do they know, when they've gone out to feed and come back, | 0:13:56 | 0:13:59 | |
-that that's their egg? -Just by chance, I have a replica gannet egg! | 0:13:59 | 0:14:03 | |
It's a completely white egg. | 0:14:03 | 0:14:06 | |
-A guillemot egg, this is a typical guillemot egg. -Oh, wow. | 0:14:06 | 0:14:10 | |
-This, again, a replica. -My goodness! | 0:14:10 | 0:14:12 | |
But every guillemot egg is unique. | 0:14:12 | 0:14:15 | |
So, some are blue, some are white, some are brownish. | 0:14:15 | 0:14:19 | |
They've got these wonderful speckles and lines on them | 0:14:19 | 0:14:21 | |
and each one is unique to the female. | 0:14:21 | 0:14:23 | |
So, it's like a fingerprint on the egg that they recognise? | 0:14:23 | 0:14:26 | |
That's a perfect description, yeah. | 0:14:26 | 0:14:28 | |
And it means they absolutely can identify their own egg | 0:14:28 | 0:14:31 | |
amongst all the others, | 0:14:31 | 0:14:33 | |
and guard that egg and start incubating it again. | 0:14:33 | 0:14:35 | |
For every new spring chick that hatches in a nest | 0:14:42 | 0:14:44 | |
or out on one of these ledges, it's a real testament | 0:14:44 | 0:14:48 | |
to the importance of Bempton Cliffs as a safe haven for our sea birds. | 0:14:48 | 0:14:52 | |
Now, in the earlier part of the last century, | 0:15:02 | 0:15:04 | |
almost a million working horses were used regularly on farms. | 0:15:04 | 0:15:09 | |
Today, they're a much rarer sight. | 0:15:09 | 0:15:11 | |
But if you go to Dartmoor in spring, you might be lucky enough | 0:15:11 | 0:15:14 | |
to see horses being used in a very traditional way. | 0:15:14 | 0:15:17 | |
Here's Jules. | 0:15:18 | 0:15:20 | |
Well, today is the day of the annual cattle drive. | 0:15:25 | 0:15:28 | |
It's a really important moment in the farming diary. | 0:15:28 | 0:15:32 | |
Cattle that have spent the winter in sheds are now going to get moved | 0:15:32 | 0:15:35 | |
to their spring grazing, some 800 feet up on the top of the Dartmoor. | 0:15:35 | 0:15:40 | |
But to go where they're going, well, I'm going to have to swap | 0:15:40 | 0:15:43 | |
my trusty 4x4 for something a little more sure-footed. | 0:15:43 | 0:15:47 | |
Devon beef farmer Phil Heard is one of only a small number of farmers | 0:15:52 | 0:15:56 | |
in Britain keeping the tradition of cattle driving by horseback alive. | 0:15:56 | 0:16:00 | |
In late spring, Phil moves his herd of beef cattle | 0:16:02 | 0:16:05 | |
onto the high hills of Dartmoor. | 0:16:05 | 0:16:07 | |
Here they'll spend the summer months grazing across some | 0:16:07 | 0:16:10 | |
300 miles of the moor, making good use of poorer moorland grass. | 0:16:10 | 0:16:15 | |
Today, I'm joining him to move the first batch of cattle. | 0:16:15 | 0:16:19 | |
-Morning, Jules. -How are you? Good to see you. | 0:16:21 | 0:16:23 | |
Good to see you, so... Hello. | 0:16:23 | 0:16:25 | |
We're hard at work getting ready for a big day in your year? | 0:16:25 | 0:16:29 | |
Yeah, this is what we've been waiting for all winter. | 0:16:29 | 0:16:32 | |
Spring growth, the cows are getting out doing what they do best, | 0:16:32 | 0:16:35 | |
which is grazing on Dartmoor. | 0:16:35 | 0:16:36 | |
Now, how many are we going to move out today? | 0:16:36 | 0:16:39 | |
-Today we've got just under 50. -Yeah. | 0:16:39 | 0:16:41 | |
It's mainly Angus crosses. | 0:16:41 | 0:16:43 | |
They've been cooped up indoors for six, seven months. | 0:16:43 | 0:16:46 | |
I'm sure they will be very happy to get outside. | 0:16:46 | 0:16:49 | |
Now, I'm an experienced rider, | 0:16:49 | 0:16:51 | |
but I've never ridden cowboy-style in a deep saddle like this one. | 0:16:51 | 0:16:55 | |
-No lasso, then? -No, no. | 0:16:55 | 0:16:57 | |
THEY CHUCKLE | 0:16:57 | 0:16:59 | |
There is a limit to the Western theme? | 0:16:59 | 0:17:01 | |
There is, so far. I'm working on it. | 0:17:01 | 0:17:03 | |
Any top tips then on riding Western? | 0:17:03 | 0:17:05 | |
-There's only one rule. -Yeah. | 0:17:05 | 0:17:06 | |
-Don't fall off. -Fine. | 0:17:06 | 0:17:08 | |
Oh! Gosh. | 0:17:09 | 0:17:11 | |
It does feel quite comfortable. Good boy. | 0:17:11 | 0:17:15 | |
With my instructions to stay at the rear, it appears the cattle | 0:17:15 | 0:17:18 | |
need no encouragement to leave the barn and head for the hills. | 0:17:18 | 0:17:22 | |
You must be delighted to cut down on the feed bill by getting them | 0:17:22 | 0:17:25 | |
-up on the moor. -It's been a long time coming. | 0:17:25 | 0:17:28 | |
But it's not just a free meal the cows have up on Dartmoor. | 0:17:28 | 0:17:32 | |
The variety of grasses adds flavour to their meat | 0:17:32 | 0:17:34 | |
and helps shape the Dartmoor landscape. | 0:17:34 | 0:17:37 | |
These cattle are quiet and hardy, | 0:17:39 | 0:17:41 | |
well-suited for the tough conditions and the rough grazing. | 0:17:41 | 0:17:44 | |
What is it they say about Dartmoor, Phil? Four seasons in a day? | 0:17:46 | 0:17:49 | |
-It certainly is. -Sunshine and now some sleet. | 0:17:49 | 0:17:53 | |
That's why I love living here. | 0:17:55 | 0:17:57 | |
Look at that view. | 0:17:57 | 0:17:59 | |
That is stunning. | 0:17:59 | 0:18:01 | |
What is it about Dartmoor, do you think, | 0:18:01 | 0:18:03 | |
that makes it do so well through the year, | 0:18:03 | 0:18:05 | |
because it doesn't look like particularly rich grazing? | 0:18:05 | 0:18:08 | |
You can't bring any animal and put it up here, it's not particularly rich grazing. | 0:18:08 | 0:18:12 | |
They need to be sort of born here and raised here | 0:18:12 | 0:18:15 | |
so they get immune to any of the ticks, | 0:18:15 | 0:18:17 | |
or any other parasites that might be in this type of grass. | 0:18:17 | 0:18:21 | |
For centuries, thousands of cattle have walked this ancient drovers' way, | 0:18:26 | 0:18:30 | |
once a main route, running through Devon and Cornwall. | 0:18:30 | 0:18:33 | |
So, this is it, Phil, the entrance to the moor proper. | 0:18:35 | 0:18:38 | |
This is the gate onto the common. | 0:18:38 | 0:18:41 | |
The grazing season starts on the 1st of May | 0:18:41 | 0:18:45 | |
and Phil's herd are the first to hit the common. | 0:18:45 | 0:18:48 | |
So, bringing them out of the farmyard is one thing, Phil, | 0:18:49 | 0:18:52 | |
but how do you go about rounding them | 0:18:52 | 0:18:54 | |
up with thousands of acres to choose from at the end of the summer? | 0:18:54 | 0:18:58 | |
Yeah, we go on the horses again. | 0:18:58 | 0:19:00 | |
We know where they're going to be. They usually stay in the same area. | 0:19:00 | 0:19:03 | |
Come the end of the summer, they're usually keen to come down again. | 0:19:03 | 0:19:06 | |
The grazing's deteriorated. | 0:19:06 | 0:19:07 | |
Such a prehistoric landscape this is, isn't it? | 0:19:07 | 0:19:10 | |
It hasn't changed for thousands of years, has it? | 0:19:10 | 0:19:12 | |
We're nearing the end of our six-mile journey. | 0:19:15 | 0:19:17 | |
We've just the rise up over the pass to go before we say | 0:19:17 | 0:19:21 | |
-goodbye to the cattle. -Come back a bit, Mandi, back out a bit. | 0:19:21 | 0:19:25 | |
If you come over between me and Mandi again, Jules. | 0:19:25 | 0:19:28 | |
You know, Phil, when you get up here, you could be in the Midwest, couldn't you? | 0:19:32 | 0:19:35 | |
You certainly could, yeah. | 0:19:35 | 0:19:36 | |
You could be in Alberta, you could be in Montana. | 0:19:36 | 0:19:38 | |
-You could be anywhere. -What a special place. | 0:19:38 | 0:19:41 | |
And, at the top of the pass, it's time to leave the cattle... | 0:19:42 | 0:19:46 | |
home on the range. | 0:19:46 | 0:19:48 | |
We'll come up and check them tomorrow | 0:19:48 | 0:19:50 | |
-and the next few days, just to make sure they settle down. -Yeah. | 0:19:50 | 0:19:52 | |
I mean, it's particularly fresh today. | 0:19:52 | 0:19:54 | |
-Are they going to get a bit of a shock? -Yeah. | 0:19:54 | 0:19:56 | |
Coming out of the shed to the cold uplands. | 0:19:56 | 0:19:59 | |
Yeah, they've been in a lovely, cosy, warm shed all winter. | 0:19:59 | 0:20:01 | |
Now they've come up onto subarctic Dartmoor. | 0:20:01 | 0:20:04 | |
It's the cattle that keep Dartmoor looking like it does. | 0:20:04 | 0:20:07 | |
I think a job well done. | 0:20:07 | 0:20:09 | |
-That deserves a trip to the saloon, doesn't it? -I think it does. | 0:20:09 | 0:20:11 | |
-Are you buying? -Yeah. Come on, cowboy. | 0:20:11 | 0:20:13 | |
Come on, boys. Come on, dogs. | 0:20:13 | 0:20:16 | |
PHIL WHISTLES | 0:20:16 | 0:20:17 | |
-KEELEY: -The New Forest National Park is one of the best | 0:20:25 | 0:20:28 | |
places for witnessing wildlife in Britain. | 0:20:28 | 0:20:31 | |
It's home to nearly 100 different species of bird and nearly | 0:20:31 | 0:20:34 | |
half of them are ground-nesting, so I'd better watch out where I tread. | 0:20:34 | 0:20:39 | |
Spring is the start of their breeding season, | 0:20:39 | 0:20:42 | |
but being on the ground puts them in danger. | 0:20:42 | 0:20:45 | |
I'm joining Andy Page from the Forestry Commission. | 0:20:45 | 0:20:48 | |
It's his job to monitor ground-nesting birds. | 0:20:48 | 0:20:50 | |
-Hi, there, Andy. -Hello. -Hello, how are you doing? -Pleased to meet you. | 0:20:50 | 0:20:53 | |
What are you looking for at the moment? | 0:20:53 | 0:20:55 | |
Well, this particular part of the forest is very | 0:20:55 | 0:20:57 | |
good for a really special bird for the New Forest, the woodlark. | 0:20:57 | 0:21:01 | |
It likes these very heavily grazed parts, so this is a perfect area. | 0:21:01 | 0:21:05 | |
These are much more typical places for the woodlark to be nesting. | 0:21:05 | 0:21:09 | |
You don't need a lot of cover. | 0:21:09 | 0:21:11 | |
He wants to show me one of their nests. | 0:21:11 | 0:21:14 | |
There's a little bit of cover, but not too much. | 0:21:14 | 0:21:16 | |
That's too much in there. | 0:21:16 | 0:21:18 | |
But these woodlarks are well camouflaged. | 0:21:18 | 0:21:21 | |
-This is a typical spot, here. -OK. -Another one there. | 0:21:21 | 0:21:23 | |
There are two or three places here. | 0:21:23 | 0:21:25 | |
This is a really nice spot, | 0:21:25 | 0:21:26 | |
but it will always be in this sparser vegetation. | 0:21:26 | 0:21:29 | |
-So it could be in something as simple as this? -Yeah, have a look. | 0:21:32 | 0:21:34 | |
Is it there? | 0:21:34 | 0:21:36 | |
I'd like to say no, but I've not got a trained eye. You tell me. | 0:21:37 | 0:21:40 | |
I'll have a look. | 0:21:40 | 0:21:42 | |
Oh! | 0:21:45 | 0:21:46 | |
Oh, yes. | 0:21:46 | 0:21:47 | |
Oh, gosh. What am I looking at here, then? | 0:21:49 | 0:21:51 | |
You're looking at three woodlark | 0:21:51 | 0:21:53 | |
chicks, probably about ten days old. | 0:21:53 | 0:21:55 | |
-I could easily have tripped over that. -You could. | 0:21:55 | 0:21:58 | |
-They're just out to the elements, aren't they? Exposed? -Yeah. | 0:21:58 | 0:22:02 | |
They're going to be very vulnerable in a space like that. | 0:22:05 | 0:22:08 | |
Yes, but it's just the way this species has adapted to | 0:22:08 | 0:22:10 | |
utilise this particular environment. | 0:22:10 | 0:22:12 | |
But why, why would they want to be so exposed? | 0:22:12 | 0:22:15 | |
Actually, they use their cryptic colouring of the plumage to | 0:22:16 | 0:22:19 | |
give them that protection. | 0:22:19 | 0:22:21 | |
So, the female will sit very, very tight. | 0:22:21 | 0:22:23 | |
We could be stood here within a few feet of the female on the nest | 0:22:23 | 0:22:26 | |
and she wouldn't come off. | 0:22:26 | 0:22:28 | |
-She would be very well camouflaged. -Very well camouflaged, yes. | 0:22:28 | 0:22:30 | |
I'm going to be really careful about... | 0:22:30 | 0:22:32 | |
Very paranoid about where I'm standing. | 0:22:32 | 0:22:34 | |
That's not a bad way to look at this. | 0:22:34 | 0:22:37 | |
If you keep on the really short and well-worn tracks, you're fine. | 0:22:37 | 0:22:40 | |
If you stray off into the vegetation, | 0:22:40 | 0:22:42 | |
-even the bracken areas, you could easily tread on them. -Yes. | 0:22:42 | 0:22:44 | |
And your dogs, with their much more, their sense of smell | 0:22:44 | 0:22:48 | |
so heightened that they can detect these birds even though they've got a much reduced, | 0:22:48 | 0:22:52 | |
giving off a much reduced scent because they're incubating eggs. | 0:22:52 | 0:22:55 | |
-That's why you want people to keep them on a lead. -It is, yes. | 0:22:55 | 0:22:58 | |
JOHN CRAVEN: Later, Jules will be finding out how dog walkers | 0:22:58 | 0:23:01 | |
can limit the effect they have on ground-nesting birds | 0:23:01 | 0:23:04 | |
when he puts his own dog through its paces. | 0:23:04 | 0:23:08 | |
A woodland carpet of bluebells, | 0:23:10 | 0:23:12 | |
a swathe of colour that signifies that spring is truly here. | 0:23:12 | 0:23:16 | |
But James reveals there's more to bluebells | 0:23:16 | 0:23:19 | |
than just their pretty looks. | 0:23:19 | 0:23:21 | |
There is one plant that's perhaps captured our hearts more | 0:23:23 | 0:23:26 | |
than any other. | 0:23:26 | 0:23:28 | |
The native bluebell, one of Britain's favourite wild flowers, | 0:23:28 | 0:23:31 | |
but there is more to this plant than meets the eye. | 0:23:31 | 0:23:34 | |
I've come to meet a scientist on a mission to unlock the secrets | 0:23:36 | 0:23:39 | |
of the bluebell. | 0:23:39 | 0:23:42 | |
Hello. | 0:23:42 | 0:23:44 | |
-Hello. -Vera? -James. | 0:23:44 | 0:23:46 | |
-That's it, good stuff. Good to meet you. -And you. | 0:23:46 | 0:23:49 | |
Originally from Germany, Dr Vera Thoss is | 0:23:49 | 0:23:52 | |
a chemist at Bangor University. | 0:23:52 | 0:23:53 | |
She specialises in the study of plants on a molecular level. | 0:23:53 | 0:23:57 | |
To aid her research, | 0:23:57 | 0:23:59 | |
she is licensed to manage a wild colony of bluebells. | 0:23:59 | 0:24:02 | |
She is, in fact, the only person in Wales with such a licence | 0:24:02 | 0:24:05 | |
and one of only a handful in the entire UK. | 0:24:05 | 0:24:09 | |
Look at this. | 0:24:09 | 0:24:10 | |
It's like some kind of blue landslide. | 0:24:10 | 0:24:13 | |
Yes, painting the mountains blue. | 0:24:13 | 0:24:15 | |
Amazing. But when you look at this as a geeky chemist, | 0:24:15 | 0:24:18 | |
you're not looking at this in terms of it being beautiful, | 0:24:18 | 0:24:21 | |
you're more interested in the amazing chemicals that go on inside? | 0:24:21 | 0:24:24 | |
About half of all medicines that we use today | 0:24:24 | 0:24:27 | |
come originally from plant source, or from a biological source, | 0:24:27 | 0:24:31 | |
so bluebells are mostly described as poisonous, | 0:24:31 | 0:24:34 | |
but there is potential future medicines in there, | 0:24:34 | 0:24:36 | |
because bluebells, we know there are amino sugars in there and | 0:24:36 | 0:24:40 | |
those amino sugars are potential anti-cancer drugs, anti-TB drugs. | 0:24:40 | 0:24:46 | |
We still have to try to tease them apart | 0:24:46 | 0:24:48 | |
and see what are the individual ones, what are their structure, | 0:24:48 | 0:24:52 | |
what could they possibly do. | 0:24:52 | 0:24:53 | |
We're still just scratching the surface | 0:24:53 | 0:24:56 | |
when it comes to the medicinal potential of the plant world, but | 0:24:56 | 0:24:58 | |
with around 300,000 plant species on Earth, that's a lot of testing. | 0:24:58 | 0:25:03 | |
Medicine aside, Vera reckons there maybe even more uses for bluebells. | 0:25:03 | 0:25:08 | |
The first thing we have to do is look at the different components | 0:25:08 | 0:25:12 | |
which are in the plant - | 0:25:12 | 0:25:14 | |
the oils, the carbohydrates, the scent, the pigment - | 0:25:14 | 0:25:17 | |
what are they | 0:25:17 | 0:25:19 | |
and how we can get them out. | 0:25:19 | 0:25:21 | |
If you want, we can maybe get the pigment out of these flowers. | 0:25:21 | 0:25:25 | |
It's not illegal to pick bluebells for your own use, | 0:25:25 | 0:25:28 | |
but you would be breaking the law if you took the bulbs. | 0:25:28 | 0:25:30 | |
And always get the landowner's permission before you pick | 0:25:30 | 0:25:33 | |
any wild flower. | 0:25:33 | 0:25:34 | |
So, how much do we need? | 0:25:36 | 0:25:37 | |
Oh, how much have you got? | 0:25:37 | 0:25:40 | |
-It'll take me ages to fill one of these. -That will do, we can use those. | 0:25:40 | 0:25:44 | |
-OK, OK. -Just to illustrate the principle. | 0:25:44 | 0:25:47 | |
Having collected a few handfuls, the next step is to add some solvent. | 0:25:48 | 0:25:52 | |
In this case, methanol. | 0:25:52 | 0:25:53 | |
What we should begin to see after a few minutes is that the | 0:25:57 | 0:25:59 | |
bluebells will begin to go pale. | 0:25:59 | 0:26:01 | |
What we do is we leave it for a day, take it back to the lab, | 0:26:04 | 0:26:08 | |
take off the flowers and distil off the solvent. | 0:26:08 | 0:26:12 | |
What we are left with then is something which looks like that. | 0:26:12 | 0:26:14 | |
So much darker than the flowers themselves. | 0:26:14 | 0:26:17 | |
So much darker than I ever imagined. | 0:26:17 | 0:26:19 | |
Vera is hoping to reveal just how versatile bluebells can be, but | 0:26:22 | 0:26:25 | |
I've got a little experiment of my own that I'm keen | 0:26:25 | 0:26:28 | |
to put to the test. | 0:26:28 | 0:26:29 | |
Just across the Menai Straits lies Anglesey, | 0:26:32 | 0:26:35 | |
home of an artist known for capturing some of the most | 0:26:35 | 0:26:38 | |
picturesque scenes of North Wales, Janet Bell. | 0:26:38 | 0:26:41 | |
I'm hoping that she'll be able to use this pigment in her | 0:26:41 | 0:26:44 | |
latest creation, the Bluebell Wood. | 0:26:44 | 0:26:47 | |
-Janet. What a great place to be creative in. -Isn't it, just? | 0:26:48 | 0:26:52 | |
I'm painting bluebells at the moment. | 0:26:52 | 0:26:54 | |
My painting is more about colour and form, rather than the detail | 0:26:54 | 0:26:58 | |
of the flowers, but I adore flowers so this is a great place to be. | 0:26:58 | 0:27:03 | |
I've got a little surprise for you. | 0:27:03 | 0:27:05 | |
I've got this pigment here which, believe it or not, is a pure | 0:27:05 | 0:27:10 | |
-extract from the bluebells you're taking images of right now. -Wow! | 0:27:10 | 0:27:14 | |
How amazing. | 0:27:14 | 0:27:15 | |
-And I'm wondering - I'm no artist... -Yeah. | 0:27:15 | 0:27:17 | |
..whether you can actually paint with this. | 0:27:17 | 0:27:19 | |
-I'm led to believe you can. -Wow! | 0:27:19 | 0:27:21 | |
It really is quite strong purple, isn't it? | 0:27:21 | 0:27:24 | |
If I add some white paint to it, let's see what happens. | 0:27:25 | 0:27:28 | |
It's quite a good purple. That's real bluebells. | 0:27:31 | 0:27:35 | |
-You're painting bluebells, using bluebells. -Using bluebells. | 0:27:35 | 0:27:38 | |
The other interesting thing about this pigment is | 0:27:40 | 0:27:43 | |
it doesn't have a fixative in it, so we don't know exactly | 0:27:43 | 0:27:47 | |
-how long it'll keep its colour for. -OK. | 0:27:47 | 0:27:50 | |
The bluebells are here for three weeks, | 0:27:50 | 0:27:52 | |
-the painting might just be here for three weeks. -Yeah, yeah. | 0:27:52 | 0:27:55 | |
It looks great as it is! We'll see what happens! | 0:27:55 | 0:27:58 | |
This may have been just a bit of fun, but there's no denying that | 0:27:59 | 0:28:02 | |
Janet has really captured the beauty of these bluebells. | 0:28:02 | 0:28:05 | |
It never ceases to amaze me about how even the most familiar plants | 0:28:07 | 0:28:12 | |
can still harbour this enormous range of unknown properties. | 0:28:12 | 0:28:16 | |
Maybe one day we'll unlock the secrets behind this fantastic | 0:28:16 | 0:28:20 | |
little flower. | 0:28:20 | 0:28:21 | |
All this week we've been following Paul Martin | 0:28:23 | 0:28:25 | |
on his Wiltshire smallholding and he's been giving us | 0:28:25 | 0:28:28 | |
an insight into living the country life. | 0:28:28 | 0:28:31 | |
Today, it's the culmination of Paul's springtime to-do list. | 0:28:31 | 0:28:36 | |
My ambitious plan is to turn our country abode | 0:28:41 | 0:28:45 | |
into a self-sufficient smallholding. | 0:28:45 | 0:28:48 | |
We're transforming this place into a wildlife haven that will | 0:28:48 | 0:28:51 | |
fill our larders and put produce on our plates. | 0:28:51 | 0:28:55 | |
Over the course of this spring, | 0:28:59 | 0:29:00 | |
to investigate exactly what wildlife visits our land, | 0:29:00 | 0:29:04 | |
we've peppered the gardens, | 0:29:04 | 0:29:06 | |
the paddocks and even the pond with camera traps. | 0:29:06 | 0:29:09 | |
Time to see what they captured. | 0:29:10 | 0:29:12 | |
-Are you ready for this, Dylan? -Yes. | 0:29:17 | 0:29:19 | |
This is pond cam, here we go. | 0:29:19 | 0:29:22 | |
I've not seen any of this, either. | 0:29:22 | 0:29:24 | |
-Look, there. -Oh, my goodness! Wow. | 0:29:25 | 0:29:28 | |
I'm so chuffed. | 0:29:28 | 0:29:30 | |
That is incredible. | 0:29:30 | 0:29:32 | |
-Look at the newt, look at the newt. -We're so lucky. | 0:29:34 | 0:29:37 | |
Yeah, this is our dirty, mucky pond. | 0:29:37 | 0:29:40 | |
Look, look, look. | 0:29:40 | 0:29:42 | |
-There's another one. -Wow! | 0:29:42 | 0:29:44 | |
It's swimming up to see his friend. | 0:29:44 | 0:29:46 | |
-It's coming up. -Isn't that brilliant. | 0:29:46 | 0:29:50 | |
-Yeah. -You know the very far field... -Yeah. | 0:29:50 | 0:29:53 | |
There's an animal track that's been quite beaten down | 0:29:53 | 0:29:58 | |
and I've a feeling that could be where the badgers are coming in. | 0:29:58 | 0:30:01 | |
-Shall we have a look? -Yeah. | 0:30:01 | 0:30:03 | |
-It's a deer! -Oh! -It's a deer. | 0:30:07 | 0:30:09 | |
-It's gone right up to the camera. -Yeah. -Wow! It's sniffing it. | 0:30:09 | 0:30:13 | |
-How adorable. -That is brilliant. | 0:30:13 | 0:30:15 | |
This spring, we've been planting seeds that will transform | 0:30:22 | 0:30:25 | |
our land later in the year, looking forward from spring to summer. | 0:30:25 | 0:30:30 | |
So, what have we learnt? | 0:30:30 | 0:30:31 | |
In early spring, I joined a band of smallholders looking to | 0:30:32 | 0:30:36 | |
play their part in bringing new life to the countryside. | 0:30:36 | 0:30:40 | |
I've not seen that before. | 0:30:41 | 0:30:42 | |
That really does sum up spring, doesn't it? | 0:30:42 | 0:30:44 | |
They're both all right and that was so exciting. | 0:30:44 | 0:30:47 | |
SHEEP BLEAT | 0:30:47 | 0:30:48 | |
Do you see them in there? They look a lot bigger than what I remember! | 0:30:52 | 0:30:57 | |
There they go. | 0:31:01 | 0:31:03 | |
-They look very, very settled. -They're grazing away. -Yeah. | 0:31:05 | 0:31:08 | |
Mowing the lawn. | 0:31:08 | 0:31:10 | |
And, I have to say, the grass does look better than ever. | 0:31:10 | 0:31:14 | |
Each of our one-year-old Wiltshire Horns can eat up | 0:31:14 | 0:31:18 | |
to 2kg of grass and weeds per day. | 0:31:18 | 0:31:22 | |
With the sheep settling into life out in the fields, | 0:31:22 | 0:31:25 | |
I had a go at grafting my own heritage apple trees. | 0:31:25 | 0:31:29 | |
Fantastic. | 0:31:29 | 0:31:31 | |
With any luck, this will produce a nice big tree that you can plant out next year. | 0:31:31 | 0:31:35 | |
And planted the beginnings of my own traditional orchard. | 0:31:35 | 0:31:39 | |
With the saplings planted and the blossoms about to bloom, | 0:31:42 | 0:31:46 | |
Charlotte and I turned our attention to pollination. | 0:31:46 | 0:31:49 | |
-There's the Queen. -She's a lot bigger, isn't she? | 0:31:49 | 0:31:53 | |
We installed our own beehive, | 0:31:53 | 0:31:55 | |
complete with its own living willow wall. | 0:31:55 | 0:31:59 | |
It's too early in the year to see the willow in all its glory, | 0:31:59 | 0:32:03 | |
but hopefully later on in the summer, that will be a | 0:32:03 | 0:32:06 | |
barrier full of leaves and shoots. | 0:32:06 | 0:32:08 | |
I'm chuffed to bits with that, it looks fantastic. | 0:32:08 | 0:32:10 | |
It's a lovely, creative addition to this area of woodland. | 0:32:10 | 0:32:13 | |
As the weather warms and the flowers start to fill the landscape, | 0:32:21 | 0:32:24 | |
and with the local bug life waking up to spring, | 0:32:24 | 0:32:27 | |
it was time to give the pond a makeover. | 0:32:27 | 0:32:29 | |
And it turned out to have a few surprises of its own. | 0:32:31 | 0:32:35 | |
-Oh, look what I found. -Oh, wow, look at that. We found a newt. | 0:32:35 | 0:32:39 | |
Do you know, I'm so surprised there is so much wildlife. | 0:32:39 | 0:32:42 | |
With the overgrown trees stripped away, | 0:32:44 | 0:32:47 | |
sunlight now beams down onto our old pond. | 0:32:47 | 0:32:50 | |
I've even found a use for the prolific pond weed. | 0:32:54 | 0:32:57 | |
Now...this stuff makes brilliant compost. | 0:33:01 | 0:33:04 | |
It rots down really quickly. | 0:33:04 | 0:33:07 | |
It stops your compost heap from drying out. | 0:33:07 | 0:33:09 | |
Of course, it's full of nutrients for young seedlings. | 0:33:09 | 0:33:13 | |
So, all in all, we're tired but happy. | 0:33:13 | 0:33:17 | |
It's been brilliant fun giving our smallholding a makeover this spring. | 0:33:17 | 0:33:21 | |
I'm really excited about the variety of natural habitats | 0:33:21 | 0:33:24 | |
we now have dotted all over. | 0:33:24 | 0:33:27 | |
And we haven't even scratched the surface yet of what's possible here. | 0:33:27 | 0:33:32 | |
Who knows what the summer will bring. | 0:33:32 | 0:33:34 | |
Earlier, Keeley saw how ground-nesting birds | 0:33:47 | 0:33:50 | |
are vulnerable in springtime. | 0:33:50 | 0:33:52 | |
They face peril from pet dogs running wild off the lead. | 0:33:52 | 0:33:57 | |
Here's Jules. | 0:33:57 | 0:33:58 | |
Now, it's thought there are | 0:33:58 | 0:33:59 | |
a staggering nine million dogs in Britain. | 0:33:59 | 0:34:02 | |
One in four homes, it's thought, have a canine companion | 0:34:02 | 0:34:05 | |
and, of course, when spring comes and the weather turns, | 0:34:05 | 0:34:08 | |
most of us just want to let them off the lead. | 0:34:08 | 0:34:10 | |
Go on, then. | 0:34:10 | 0:34:11 | |
And have some fun. | 0:34:11 | 0:34:12 | |
Dog walkers would be horrified at the damage they could be causing | 0:34:14 | 0:34:17 | |
by allowing their dogs to run uncontrolled off the lead. | 0:34:17 | 0:34:21 | |
Last year, National Park ranger Dawn Rayment set up Temptation Alley, | 0:34:22 | 0:34:27 | |
a course that tests dog owners' ability to recall their pets. | 0:34:27 | 0:34:32 | |
Yes! | 0:34:32 | 0:34:33 | |
Teddy! Good boy! Here! | 0:34:33 | 0:34:35 | |
This is my Labrador Teddy | 0:34:35 | 0:34:38 | |
and for a young dog like him, | 0:34:38 | 0:34:39 | |
well, the New Forest is full of distractions. | 0:34:39 | 0:34:42 | |
So, this is the day | 0:34:42 | 0:34:44 | |
when I thought I'd put him to the test on Dawn's course. | 0:34:44 | 0:34:47 | |
Good boy. Come on, then. | 0:34:47 | 0:34:48 | |
Now, tell us about ground-nesting birds here in the New Forest | 0:34:52 | 0:34:55 | |
and what your scheme is trying to achieve. | 0:34:55 | 0:34:58 | |
People coming to the forest might not be aware | 0:34:58 | 0:35:00 | |
that we're one of the most important sites in Europe | 0:35:00 | 0:35:03 | |
for ground-nesting birds. | 0:35:03 | 0:35:05 | |
Dogs, they've got 10,000 times better sense of smell than we do. | 0:35:05 | 0:35:09 | |
They're disturbing birds and then they're flying of the nest, | 0:35:09 | 0:35:11 | |
they're wasting energy | 0:35:11 | 0:35:13 | |
and, sadly, they'll sometimes abandon the nest altogether. | 0:35:13 | 0:35:16 | |
Now, in terms of the numbers of visitors you get to the New Forest, | 0:35:16 | 0:35:19 | |
how much of a problem is it for your ground-nesting bird population? | 0:35:19 | 0:35:22 | |
Literally, on a day-to-day basis, | 0:35:22 | 0:35:24 | |
we're talking about 35,000 visits a day | 0:35:24 | 0:35:27 | |
and, of that, 28,000 of those are probably dog walks, | 0:35:27 | 0:35:30 | |
so that's a huge potential to have an impact onto those birds. | 0:35:30 | 0:35:35 | |
So, how is the course that you've set up behind me | 0:35:35 | 0:35:38 | |
going to help Teddy? | 0:35:38 | 0:35:39 | |
We've penned an area off and, basically, we've got distractions | 0:35:39 | 0:35:42 | |
and what we want you to do is stand at one end, | 0:35:42 | 0:35:44 | |
I'll stand the other with Teddy | 0:35:44 | 0:35:46 | |
and then you call him and, fingers crossed, he comes back to you. | 0:35:46 | 0:35:50 | |
Come on, Teddy. | 0:35:50 | 0:35:51 | |
Now, Teddy is distracted at the best of times, | 0:35:54 | 0:35:56 | |
so this course will definitely be challenging. | 0:35:56 | 0:35:59 | |
-So, if you go to the far end... -Right. | 0:36:02 | 0:36:04 | |
Now, what we need you to do | 0:36:04 | 0:36:06 | |
is become the most exciting thing in here | 0:36:06 | 0:36:09 | |
and, when you are ready, I'll let him go. | 0:36:09 | 0:36:11 | |
Teddy has to ignore a range of enticing sights and smells | 0:36:12 | 0:36:16 | |
from tennis balls to cuddly toys and tasty treats. | 0:36:16 | 0:36:20 | |
Right, then. Teddy! Come on, then. Good boy. Good boy. Teddy! | 0:36:21 | 0:36:24 | |
'And he's off.' | 0:36:24 | 0:36:27 | |
-Tennis ball! -Teddy! Come on! | 0:36:27 | 0:36:30 | |
-And a pheasant! -Oh, no! | 0:36:30 | 0:36:33 | |
Well, a good effort from Teddy but those toys were just too tempting. | 0:36:33 | 0:36:37 | |
What a performer! Teddy. | 0:36:37 | 0:36:39 | |
What's he got? | 0:36:39 | 0:36:41 | |
There won't be a single treat left. | 0:36:41 | 0:36:43 | |
There you are. Your very first ribbon. | 0:36:45 | 0:36:47 | |
And it just goes to prove that we can all do our bit | 0:36:47 | 0:36:49 | |
to help many of our native species | 0:36:49 | 0:36:51 | |
at this really important time of year. | 0:36:51 | 0:36:54 | |
Teaching our dogs is one thing, | 0:36:54 | 0:36:55 | |
but clearly, teaching their owners how to train them is another. | 0:36:55 | 0:37:00 | |
I suspect that both Teddy and I | 0:37:00 | 0:37:02 | |
have still got an awful lot of work to do. Come on. | 0:37:02 | 0:37:05 | |
As the daffodils fade, | 0:37:11 | 0:37:13 | |
it's time to look ahead to the change of the season. | 0:37:13 | 0:37:16 | |
Ellie travelled to Cornwall to witness the start of summer | 0:37:16 | 0:37:20 | |
in style, along with about 30,000 other people. | 0:37:20 | 0:37:23 | |
Spring. | 0:37:29 | 0:37:30 | |
Traditionally a time for communities to come together | 0:37:30 | 0:37:32 | |
and celebrate the changing season, | 0:37:32 | 0:37:34 | |
with many a city, town or village having its own custom or ritual. | 0:37:34 | 0:37:39 | |
The oldest one of all is said to be here in Padstow | 0:37:41 | 0:37:44 | |
down on the Cornish coast. | 0:37:44 | 0:37:46 | |
On May Day, the narrow streets are ablaze with colour, | 0:37:48 | 0:37:52 | |
decorated with boughs of fresh spring greenery | 0:37:52 | 0:37:55 | |
through which dancing black stallions, known as Obby Oss, | 0:37:55 | 0:37:58 | |
will parade. | 0:37:58 | 0:37:59 | |
And, right now, I'm waiting for the Old Oss to frolic out of its stable, | 0:38:00 | 0:38:05 | |
otherwise known as the pub. | 0:38:05 | 0:38:07 | |
Now at large, the two prancing Obby Oss | 0:38:12 | 0:38:15 | |
will be carried by passionate locals | 0:38:15 | 0:38:17 | |
who dance, sing and drink their way through these old streets. | 0:38:17 | 0:38:22 | |
It is bizarrely emotional. | 0:38:22 | 0:38:25 | |
There's something about the collective singing | 0:38:25 | 0:38:27 | |
and the collective dancing. | 0:38:27 | 0:38:29 | |
It actually kind of makes me a bit choked. | 0:38:29 | 0:38:31 | |
So, what's it all about? | 0:38:31 | 0:38:33 | |
If anyone knows the origins of this festival, it's Doc Rowe, | 0:38:33 | 0:38:37 | |
who has spent a lifetime collecting material | 0:38:37 | 0:38:39 | |
relating to British folklore. | 0:38:39 | 0:38:41 | |
So, Doc, is this about fertility or the ringing of summer, | 0:38:41 | 0:38:45 | |
or warding off French sailors from the 14th century? | 0:38:45 | 0:38:48 | |
What's it all about? | 0:38:48 | 0:38:49 | |
Everyone wants these things to go back to pagan times, you know, | 0:38:49 | 0:38:52 | |
that's what we desperately want, but it's Padstow celebrating themselves. | 0:38:52 | 0:38:56 | |
It's like a pacemaker, you know? | 0:38:56 | 0:38:58 | |
So it's the heart of the community | 0:38:58 | 0:39:00 | |
and on May Day, they charge it up again for the rest the year. | 0:39:00 | 0:39:04 | |
So, where did the two different Osses come from? | 0:39:04 | 0:39:07 | |
The Old Oss, the red one, and then the blue ribbon one? That was later? | 0:39:07 | 0:39:10 | |
It's said that, at the turn of the last century, some of the people | 0:39:10 | 0:39:14 | |
in Padstow thought they were getting rather inebriated on the day | 0:39:14 | 0:39:18 | |
and so they brought in the blue ribbon, | 0:39:18 | 0:39:20 | |
which was a sign of temperance, | 0:39:20 | 0:39:21 | |
so it was actually a temperance Oss | 0:39:21 | 0:39:23 | |
and, again, the story goes that, within a year or so, | 0:39:23 | 0:39:26 | |
they were as intemperate as the others. | 0:39:26 | 0:39:29 | |
SHOUTING | 0:39:29 | 0:39:32 | |
The origins of this festival may have been lost in the mists of time, | 0:39:32 | 0:39:36 | |
but its customs live on, | 0:39:36 | 0:39:38 | |
woven into the fabric of the community | 0:39:38 | 0:39:40 | |
by principal families reprising the same roles | 0:39:40 | 0:39:42 | |
they've had for generations. | 0:39:42 | 0:39:44 | |
Old Mac, he's 84 now and his dancing days are over, | 0:39:44 | 0:39:48 | |
and he's handing the club over to his little grandson Willy. | 0:39:48 | 0:39:51 | |
Now, believe you me, little Willy is a grand dancer. | 0:39:51 | 0:39:54 | |
More than 60 years ago, the talk of the town was William McOwen, | 0:39:55 | 0:39:59 | |
the artful teaser and terror of the Oss. | 0:39:59 | 0:40:02 | |
A generation later, Willy's all grown-up | 0:40:02 | 0:40:05 | |
and no longer teases the swirling beast, | 0:40:05 | 0:40:08 | |
but his son Jamie has taken on the family mantle. | 0:40:08 | 0:40:11 | |
What was that first experience like doing it? | 0:40:11 | 0:40:14 | |
Well, it's tremendous, isn't it? | 0:40:14 | 0:40:16 | |
When you come out with the club, you're in charge of that Oss. | 0:40:16 | 0:40:19 | |
We've been brought up with it since we was little kiddies, | 0:40:19 | 0:40:21 | |
because your mum's brought you down here, you heard the drums, | 0:40:21 | 0:40:24 | |
and, once you hear them drums, it's in your head the rest of your life. | 0:40:24 | 0:40:27 | |
You've either got it then or you ain't. | 0:40:27 | 0:40:30 | |
And, Jamie, why tease the Oss? What's that all about? | 0:40:30 | 0:40:32 | |
It's for the Oss to follow because if he just comes out, | 0:40:32 | 0:40:34 | |
he's just dancing blind. | 0:40:34 | 0:40:35 | |
Like my dad said, you're brought up with it from such a young age. | 0:40:35 | 0:40:38 | |
You think of all your family going back and you always hope | 0:40:38 | 0:40:41 | |
that you can do them proud and, you know, do it well. | 0:40:41 | 0:40:43 | |
And this is purely for people from Padstow, isn't it? | 0:40:43 | 0:40:45 | |
You can't join what you guys are doing | 0:40:45 | 0:40:47 | |
if you're a girl from Gloucestershire, can you? | 0:40:47 | 0:40:49 | |
-Unless you married into a family down here. -Oh, really? | 0:40:49 | 0:40:52 | |
So the only way I could get in on this | 0:40:52 | 0:40:53 | |
is if I was to marry someone from Padstow, is that right? | 0:40:53 | 0:40:56 | |
-Yeah. -Pretty much. -Well, that can be arranged. -Can it? -Yeah. | 0:40:56 | 0:40:59 | |
-I might get lucky today! -You might be, I think. | 0:40:59 | 0:41:02 | |
On their winding route through Padstow, | 0:41:02 | 0:41:05 | |
both Osses visit the nearby stately home Prideaux Place. | 0:41:05 | 0:41:08 | |
Traditionally, the Old Oss stays outside, | 0:41:08 | 0:41:11 | |
but the blue ribbon Oss is welcomed inside. | 0:41:11 | 0:41:15 | |
Well, I haven't managed to track down a groom, | 0:41:15 | 0:41:17 | |
but I have been given a special invitation | 0:41:17 | 0:41:19 | |
from the lord of the manor Peter Prideaux Brune, | 0:41:19 | 0:41:22 | |
who's allowed me special access | 0:41:22 | 0:41:24 | |
to see what goes on in Padstow behind closed doors. | 0:41:24 | 0:41:27 | |
So, Peter, I understand it's a bit of a coup | 0:41:30 | 0:41:32 | |
that I'm allowed in here today when I'm not from Cornwall. | 0:41:32 | 0:41:35 | |
Well, it is but I love Countryfile, so you're very welcome. | 0:41:35 | 0:41:39 | |
Well, that's very kind of you. So, when the blue ribbon Oss come in, | 0:41:39 | 0:41:42 | |
-they will all be local people, will they? -Oh, yes. Absolutely. | 0:41:42 | 0:41:46 | |
You have to be a sixth generation Padstowan. | 0:41:46 | 0:41:49 | |
There are occasionally the odd fistfights | 0:41:49 | 0:41:50 | |
about who gets in and who doesn't. | 0:41:50 | 0:41:52 | |
Do you have any allegiances? | 0:41:52 | 0:41:54 | |
I mean, the blue ribbon Oss team get to come in here, | 0:41:54 | 0:41:57 | |
whereas, the Old Oss are outside. | 0:41:57 | 0:41:59 | |
No! No allegiance at all. | 0:41:59 | 0:42:02 | |
I'm not allowed to. | 0:42:02 | 0:42:03 | |
In fact, we had the Red Oss up here this morning | 0:42:03 | 0:42:07 | |
and I wore my red tie. | 0:42:07 | 0:42:09 | |
So the ties are appropriate! | 0:42:09 | 0:42:11 | |
And then, when they go, I have to change quickly | 0:42:11 | 0:42:14 | |
and put my blue tie on. | 0:42:14 | 0:42:16 | |
So it's just tradition, then, that the blue ribbon Oss come inside? | 0:42:16 | 0:42:18 | |
I don't know why. I've always said to the Red Oss that they can come in | 0:42:18 | 0:42:21 | |
and they're very welcome, but they say, "No, we like to dance outside | 0:42:21 | 0:42:24 | |
"and the Blue Oss dances inside." Tradition. | 0:42:24 | 0:42:27 | |
And do you know? It still sends a prickle down the back of my neck. | 0:42:27 | 0:42:32 | |
Amazing! It's gone from an empty space to an instant party! | 0:42:38 | 0:42:43 | |
And they love to party! | 0:42:43 | 0:42:45 | |
And, being caught up in the party atmosphere, | 0:42:45 | 0:42:47 | |
it looks like the unexpected has happened. | 0:42:47 | 0:42:50 | |
-Do you want a go with the club? -Me? Really? Can I? | 0:42:50 | 0:42:53 | |
I've been invited to tease the Oss. | 0:42:53 | 0:42:55 | |
Come on, Ellie! | 0:42:55 | 0:42:56 | |
I'm allowed to have a go! | 0:42:56 | 0:42:58 | |
Am I allowed to go? | 0:42:58 | 0:43:00 | |
Sorry! | 0:43:08 | 0:43:09 | |
This is amazing. | 0:43:13 | 0:43:15 | |
Thank you so much! | 0:43:18 | 0:43:19 | |
I can't believe I got to have a go. | 0:43:22 | 0:43:23 | |
What a privilege! | 0:43:23 | 0:43:25 | |
With this crisp night drawing in, | 0:43:28 | 0:43:31 | |
it's time to bid farewell to the Osses | 0:43:31 | 0:43:33 | |
and our glorious spring until next year. | 0:43:33 | 0:43:36 | |
SINGING | 0:43:36 | 0:43:38 | |
And that's it, I'm afraid, from the Countryfile Spring Diaries | 0:43:52 | 0:43:55 | |
here in the New Forest in Hampshire, | 0:43:55 | 0:43:57 | |
and what a wonderful place it's been, hasn't it, | 0:43:57 | 0:43:59 | |
to explore the magic of springtime. | 0:43:59 | 0:44:01 | |
Well, the next stop, of course, is the summer, | 0:44:01 | 0:44:03 | |
but what kind of weather can we expect, Keeley? | 0:44:03 | 0:44:05 | |
Well, globally, some forecasters are saying it could be the warmest year | 0:44:05 | 0:44:08 | |
on record, but before you get too excited, I don't think we'll be | 0:44:08 | 0:44:11 | |
in our deck chairs all summer long. | 0:44:11 | 0:44:12 | |
-So, as always, we'll just have to wait and see. -We will, I'm afraid. | 0:44:12 | 0:44:15 | |
-But, for now, goodbye. -Bye-bye. -Cheerio. | 0:44:15 | 0:44:18 |