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Across the UK, days are warmer, | 0:00:02 | 0:00:04 | |
brighter and longer. | 0:00:05 | 0:00:09 | |
In the countryside, the air is filled with birdsong, | 0:00:09 | 0:00:12 | |
and the scent of flowers. | 0:00:12 | 0:00:14 | |
Spring has sprung. | 0:00:14 | 0:00:16 | |
It's the time of year when nature wakes up. | 0:00:18 | 0:00:21 | |
And there are new beginnings everywhere you look. | 0:00:23 | 0:00:26 | |
It's a time to plant and sow. | 0:00:27 | 0:00:31 | |
And to get out and enjoy everything | 0:00:34 | 0:00:36 | |
our wonderful countryside has to offer. | 0:00:36 | 0:00:39 | |
All week, while travelling the length and breadth of the UK... | 0:00:41 | 0:00:45 | |
For every one degree temperature rise | 0:00:45 | 0:00:48 | |
flowering advances by five days. | 0:00:48 | 0:00:50 | |
..bringing the very best seasonal stories that matter to you. | 0:00:52 | 0:00:56 | |
Is it time for me and my family to stop feeding ducks? | 0:00:56 | 0:01:00 | |
Bread is not good for birds. | 0:01:00 | 0:01:01 | |
It's junk food for them. | 0:01:01 | 0:01:02 | |
A very warm welcome to the most joyous of seasons. | 0:01:04 | 0:01:07 | |
This is Countryfile Spring Diaries. | 0:01:07 | 0:01:11 | |
Coming up on today's programme: | 0:01:17 | 0:01:18 | |
Keeley will be discovering the incredible benefits | 0:01:18 | 0:01:22 | |
these birds can bring to our old folk. | 0:01:22 | 0:01:24 | |
It gets us out of the house. | 0:01:24 | 0:01:26 | |
Now I virtually know all the residents by name. | 0:01:26 | 0:01:30 | |
It's just changed my life completely. | 0:01:30 | 0:01:33 | |
Paul will be sharing his experience as he reflects on the highs and lows | 0:01:33 | 0:01:37 | |
of a year trying to live the good life. | 0:01:37 | 0:01:40 | |
There is a nest in there. | 0:01:40 | 0:01:42 | |
We have an owl in residence. How exciting. | 0:01:42 | 0:01:45 | |
And I'll be taking a look at the sort of house we could all | 0:01:45 | 0:01:49 | |
be living in in the future. | 0:01:49 | 0:01:51 | |
All this week I've been based here in Devon celebrating the delightful | 0:01:54 | 0:01:59 | |
transformation that springtime brings | 0:01:59 | 0:02:01 | |
to our countryside and our coastline. | 0:02:01 | 0:02:04 | |
We've seen its ancient woodland burst into flower... | 0:02:06 | 0:02:09 | |
..its rolling hills filled with lively lambs... | 0:02:12 | 0:02:15 | |
..and everywhere take on that special hue of green | 0:02:17 | 0:02:20 | |
that you only get in spring. | 0:02:20 | 0:02:23 | |
Now, eggs and chicks are, of course, a key symbol of the season. | 0:02:23 | 0:02:27 | |
But right now some hens are doing more than just laying. | 0:02:27 | 0:02:31 | |
They're helping to tackle loneliness. | 0:02:31 | 0:02:34 | |
Up in the north-east, Keeley is meeting the hens who are having | 0:02:34 | 0:02:37 | |
a miraculous impact | 0:02:37 | 0:02:38 | |
on reducing social isolation amongst our elderly. | 0:02:38 | 0:02:42 | |
Why did the chicken cross the road? | 0:02:46 | 0:02:48 | |
To make our OAPs more chirpy, of course! | 0:02:48 | 0:02:51 | |
I've come to Gateshead to visit HenPower, | 0:02:55 | 0:02:58 | |
a project that's using chickens to boost the health and happiness | 0:02:58 | 0:03:01 | |
of older folk in residential care. | 0:03:01 | 0:03:05 | |
Hello there, gents. How are you doing? | 0:03:05 | 0:03:07 | |
The chickens in this coop have no end of carers. | 0:03:07 | 0:03:10 | |
It's an inspiring scheme which is run by Joss Forester Melville. | 0:03:11 | 0:03:16 | |
Initially we kind of set out about trying to target hard-to-reach | 0:03:16 | 0:03:19 | |
older men. So, historically, older men will stay at home | 0:03:19 | 0:03:22 | |
and won't get engaged in social activity | 0:03:22 | 0:03:24 | |
and it was about finding a meaningful way of bringing men | 0:03:24 | 0:03:26 | |
out into the environment and into communities and getting them to work | 0:03:26 | 0:03:30 | |
with each other. | 0:03:30 | 0:03:31 | |
A lot of the time when you're older I think you kind of | 0:03:31 | 0:03:33 | |
have a lot of responsibility taken away from you. | 0:03:33 | 0:03:35 | |
So this kind of project is really a springboard | 0:03:35 | 0:03:38 | |
to a new style of life for older people, | 0:03:38 | 0:03:40 | |
so, working together collectively, | 0:03:40 | 0:03:42 | |
having a shared responsibility and letting the hens out in the morning | 0:03:42 | 0:03:45 | |
and having arguments about who has fed them and who hasn't fed them. | 0:03:45 | 0:03:48 | |
There's lots and lots of benefits. | 0:03:48 | 0:03:49 | |
So much so that other homes are picking up on it. | 0:03:51 | 0:03:53 | |
We get approached by care settings who want hens with a hen house, | 0:03:54 | 0:03:59 | |
some fencing and literally give them the skills and knowledge | 0:03:59 | 0:04:02 | |
to become hen keepers in later life. | 0:04:02 | 0:04:04 | |
-Has it been a success? -It's been an amazing success. | 0:04:04 | 0:04:07 | |
It has really revolutionised their lives. | 0:04:07 | 0:04:09 | |
People who were isolated, lonely, didn't socialise and didn't mix | 0:04:09 | 0:04:13 | |
before are now coming out. | 0:04:13 | 0:04:14 | |
They've got opinions, they've got feisty about chickens, you know? | 0:04:14 | 0:04:17 | |
And you can just genuinely see in all of the older people that we work | 0:04:17 | 0:04:21 | |
with that it's really, really been a massive benefit to them. | 0:04:21 | 0:04:24 | |
Alan Richards is one of the hen men at Wood Green. | 0:04:24 | 0:04:27 | |
He's lived here for the past 12 years. | 0:04:27 | 0:04:30 | |
He and his pal, Owen, take care of the chickens. | 0:04:30 | 0:04:33 | |
They have been dubbed the "hensioners". | 0:04:33 | 0:04:36 | |
So are you down here every day then, Alan? | 0:04:36 | 0:04:37 | |
Virtually every day, yes, | 0:04:37 | 0:04:39 | |
mostly of a night-time putting them to bed and making sure they're | 0:04:39 | 0:04:43 | |
reasonably clean and there's water for them for the next morning. | 0:04:43 | 0:04:47 | |
Tell me how this has changed your life. | 0:04:47 | 0:04:50 | |
It gets us out of the house. | 0:04:50 | 0:04:52 | |
Us folk are a lot closer together, especially the men. | 0:04:52 | 0:04:56 | |
A lot of residents just said good morning and that was it, but now, | 0:04:56 | 0:05:01 | |
I know virtually all the residents by name | 0:05:01 | 0:05:04 | |
and some of them are now personal friends. | 0:05:04 | 0:05:08 | |
Before Alan got involved with the hens, | 0:05:08 | 0:05:10 | |
he spent most of his time alone watching telly. | 0:05:10 | 0:05:13 | |
The hens have given him the perfect excuse to get out of | 0:05:13 | 0:05:16 | |
the house and get socialising. | 0:05:16 | 0:05:18 | |
I've made friends with people from four-year-old to 94, | 0:05:19 | 0:05:23 | |
just through the hens. | 0:05:23 | 0:05:25 | |
And the best thing of the lot, | 0:05:25 | 0:05:27 | |
one of the residents has got two granddaughters, | 0:05:27 | 0:05:31 | |
I've got none of the family left, and them two lasses call me Grandad. | 0:05:31 | 0:05:37 | |
That's as good as winning the Lottery, to my way of thinking. | 0:05:37 | 0:05:41 | |
It's just changed my life completely. | 0:05:41 | 0:05:44 | |
87-year-old Owen Turnbull is up at the crack of dawn | 0:05:47 | 0:05:50 | |
to care for the chickens. | 0:05:50 | 0:05:52 | |
I get up at 6.30am at this time of the year, | 0:05:53 | 0:05:55 | |
go and let the bantams out. | 0:05:55 | 0:05:57 | |
I really enjoy it. | 0:05:57 | 0:05:59 | |
Owen lives with his wife who has dementia. | 0:05:59 | 0:06:02 | |
They have been together for 62 years. | 0:06:02 | 0:06:04 | |
The hens, all named after the female residents at Wood Green, | 0:06:06 | 0:06:09 | |
give him a break from the responsibilities of home. | 0:06:09 | 0:06:12 | |
This is Belle coming out. | 0:06:12 | 0:06:14 | |
-This is Belle. -This is the one that's named after your wife? | 0:06:14 | 0:06:17 | |
-Yes. -She's beautiful. | 0:06:17 | 0:06:18 | |
They've all got different names. | 0:06:18 | 0:06:20 | |
Pam. She is the last one in of a night-time, Sandra. | 0:06:20 | 0:06:24 | |
And what's Sandra like? | 0:06:24 | 0:06:25 | |
Sandra's lovely. She does all the organisation for the charities. | 0:06:25 | 0:06:29 | |
But what's the chicken like? | 0:06:29 | 0:06:32 | |
THEY LAUGH | 0:06:32 | 0:06:33 | |
She is all right. She is lovely to handle. | 0:06:33 | 0:06:34 | |
There's a Millie somewhere, isn't there? My nan is Millie. | 0:06:34 | 0:06:37 | |
What's Millie like? | 0:06:37 | 0:06:38 | |
-She is making the noise. -That's Millie making the noise? | 0:06:38 | 0:06:42 | |
Oh, that doesn't surprise me. | 0:06:42 | 0:06:44 | |
-Is your nana noisy then? -Yeah! | 0:06:44 | 0:06:46 | |
The hens provide Owen with an outlet that's just for him. | 0:06:49 | 0:06:52 | |
How important are the chickens to you? | 0:06:52 | 0:06:54 | |
Oh, they're very important at the present moment, the way Belle is. | 0:06:54 | 0:06:57 | |
You can sit and watch them all day. | 0:06:57 | 0:06:59 | |
I don't know what I'd do without them. | 0:06:59 | 0:07:01 | |
But it's not just the men that have embraced the project. | 0:07:03 | 0:07:06 | |
Ladies like Doreen Realton and Pat Cain have also benefited. | 0:07:06 | 0:07:10 | |
I didn't know anybody here, not a soul. | 0:07:12 | 0:07:15 | |
I came from a different district to live here. | 0:07:15 | 0:07:18 | |
I was asked to come up and see what's happening | 0:07:18 | 0:07:21 | |
and see all the hens, and people were so nice and friendly. | 0:07:21 | 0:07:24 | |
Because people come to see the hens and then you meet people, you know. | 0:07:24 | 0:07:28 | |
Pat and Doreen now regularly take the chickens on HenPower roadshows. | 0:07:28 | 0:07:32 | |
We've had some fun. We've been to Edinburgh, to Belfast, Wales, | 0:07:33 | 0:07:38 | |
-everywhere and everybody. -Helsinki. -Helsinki. -All over. | 0:07:38 | 0:07:42 | |
But they often share their love of hens closer to home | 0:07:42 | 0:07:46 | |
either at other retirement homes or in local schools. | 0:07:46 | 0:07:50 | |
It's lovely going to the schools because they like to talk to you, | 0:07:50 | 0:07:54 | |
the children, and they want to know all about chickens | 0:07:54 | 0:07:58 | |
and whether they lay eggs. It's lovely to go to them | 0:07:58 | 0:08:01 | |
and see how they react to the hens. We take the hens with us. | 0:08:01 | 0:08:05 | |
But today the schoolchildren are paying THEM a visit. | 0:08:05 | 0:08:09 | |
It's a wonderful way to bring older folks and youngsters together. | 0:08:09 | 0:08:13 | |
I really like spending time with the hensioners | 0:08:13 | 0:08:15 | |
because they're really nice and they help you sometimes. | 0:08:15 | 0:08:18 | |
Have they taught you things about the chicks? | 0:08:18 | 0:08:20 | |
Yes, tell us facts about them. | 0:08:20 | 0:08:23 | |
This is such a brilliant idea. | 0:08:23 | 0:08:25 | |
I'm loving it. Are you guys loving it? | 0:08:25 | 0:08:27 | |
CHILDREN: Yes! | 0:08:27 | 0:08:28 | |
Very hengaging! | 0:08:28 | 0:08:29 | |
Sorry(!) | 0:08:29 | 0:08:30 | |
The charity that organises all this feathery fun | 0:08:31 | 0:08:34 | |
is actually an arts charity. | 0:08:34 | 0:08:37 | |
All of these chicken capers are an elaborate way to get the elderly | 0:08:37 | 0:08:41 | |
to engage in creative pursuits. | 0:08:41 | 0:08:43 | |
A bit like art therapy with hens. | 0:08:43 | 0:08:47 | |
Today, the schoolchildren and the Wood Green residents | 0:08:47 | 0:08:50 | |
are making tiles with a local artist. | 0:08:50 | 0:08:52 | |
There's a hive of activity going on here. What is going on? | 0:08:52 | 0:08:54 | |
So HenPower isn't just about keeping chickens, | 0:08:54 | 0:08:57 | |
though the chickens are a catalyst for the creative work. | 0:08:57 | 0:09:00 | |
We like to bring people together, | 0:09:00 | 0:09:02 | |
whether that's children and older people, | 0:09:02 | 0:09:03 | |
whether that's older people and more older people to do something | 0:09:03 | 0:09:06 | |
meaningful so it's about not just staying at home | 0:09:06 | 0:09:08 | |
and looking at your four walls, it's about using your own creativity. | 0:09:08 | 0:09:13 | |
The hens activate, stimulate and inspire the elderly to get arty. | 0:09:13 | 0:09:17 | |
From its humble beginnings, | 0:09:18 | 0:09:20 | |
this idea is now being used in more than 50 care settings | 0:09:20 | 0:09:24 | |
across the country, and has even spread overseas to Holland | 0:09:24 | 0:09:28 | |
and as far afield as Australia. | 0:09:28 | 0:09:30 | |
At a time in life when most people are starting to slow down, | 0:09:30 | 0:09:34 | |
this lot are caring for chickens, | 0:09:34 | 0:09:36 | |
forming new friendships and making masterpieces | 0:09:36 | 0:09:38 | |
and they're creating a wonderful community to live in. | 0:09:38 | 0:09:41 | |
It's amazing what a few hens can do. | 0:09:41 | 0:09:43 | |
Who would have thought that the simple hen could be so uplifting? | 0:09:47 | 0:09:50 | |
So much of our well-being depends on what's around us, and nothing lifts | 0:09:51 | 0:09:56 | |
the spirits quite like being out in the sunshine, | 0:09:56 | 0:10:00 | |
surrounded by the sight and smells of our wild flowers. | 0:10:00 | 0:10:04 | |
Nature's ability to heal has been recognised for centuries, | 0:10:06 | 0:10:09 | |
but do the benefits go beyond simply filling our lungs with fresh air | 0:10:09 | 0:10:14 | |
and putting a spring in our step? | 0:10:14 | 0:10:16 | |
Margherita is on the hunt for the healing power of flowers. | 0:10:17 | 0:10:22 | |
Who doesn't love flowers? They're a... | 0:10:22 | 0:10:26 | |
Oh, thank you! | 0:10:26 | 0:10:27 | |
..they're a beautiful thing to see, and to be given, | 0:10:27 | 0:10:29 | |
and they not only look great at this time of year when our natural flora | 0:10:29 | 0:10:33 | |
is bursting into life, they may actually be good for our health, | 0:10:33 | 0:10:36 | |
but can they really do us good? | 0:10:36 | 0:10:38 | |
Deep in the Herefordshire countryside there's a man | 0:10:42 | 0:10:44 | |
who believes in the restorative properties of British flowers. | 0:10:44 | 0:10:48 | |
Herbalist Julian Barnard has been creating natural flower remedies | 0:10:49 | 0:10:53 | |
for nearly 30 years. | 0:10:53 | 0:10:56 | |
I'm so interested to find out. Why are flowers so good for our health? | 0:10:56 | 0:11:01 | |
Well, in short order it's the healing power of nature. | 0:11:01 | 0:11:03 | |
Dr Bach, who discovered the flower remedies in the UK in the 1930s, | 0:11:03 | 0:11:08 | |
said that our health was related to our emotional and mental state | 0:11:08 | 0:11:12 | |
so he found a variety of different plants which express, | 0:11:12 | 0:11:16 | |
through the way they grow, a quality | 0:11:16 | 0:11:18 | |
that's equivalent to an emotional state. | 0:11:18 | 0:11:20 | |
So the flower links to an emotion? | 0:11:20 | 0:11:23 | |
Absolutely. | 0:11:23 | 0:11:25 | |
Edward Bach was a qualified doctor | 0:11:25 | 0:11:26 | |
who had grown dissatisfied with orthodox medicine. | 0:11:26 | 0:11:30 | |
Giving up his lucrative Harley Street practice, | 0:11:30 | 0:11:32 | |
he tested each plant personally and identified 38 flowers | 0:11:32 | 0:11:37 | |
which he believed could be used to treat different emotional issues. | 0:11:37 | 0:11:42 | |
One of which is the flower of the conker tree, | 0:11:42 | 0:11:44 | |
otherwise known as white chestnut. | 0:11:44 | 0:11:47 | |
This, Dr Bach says, is for when we have obsessive-compulsive thoughts | 0:11:47 | 0:11:51 | |
that go round and round our head, | 0:11:51 | 0:11:54 | |
the complexity of ideas which we cannot just drop and let go of them. | 0:11:54 | 0:11:58 | |
So when we've got a lot going on in our minds, we're juggling, I don't know, | 0:11:58 | 0:12:02 | |
kids, mortgage, work problems, | 0:12:02 | 0:12:04 | |
this is connected to the complexity of the plants? | 0:12:04 | 0:12:07 | |
Absolutely and so, if you see the individual structure of the flower, | 0:12:07 | 0:12:14 | |
it's actually shapeless, it's almost amorphous, | 0:12:14 | 0:12:17 | |
and that's to do with, if you like, dispelling the structured geometry | 0:12:17 | 0:12:22 | |
of thinking that takes hold of our minds. | 0:12:22 | 0:12:25 | |
-What else is in the garden? I'd love to see more. -Well, let's go. | 0:12:25 | 0:12:27 | |
Another tree with healing properties is the walnut. | 0:12:29 | 0:12:33 | |
Well, this is a remedy when you need protection. | 0:12:33 | 0:12:36 | |
It could be if you go through a divorce or you change your job | 0:12:36 | 0:12:39 | |
and you're in a new situation | 0:12:39 | 0:12:40 | |
and you don't quite know who you are any more. | 0:12:40 | 0:12:43 | |
So it helps you come back to yourself. | 0:12:43 | 0:12:45 | |
And the way it does it, if you touch the leaves, | 0:12:45 | 0:12:47 | |
give them a good squeeze - they won't mind - and smell them. | 0:12:47 | 0:12:50 | |
Oh, it's quite pungent. | 0:12:51 | 0:12:53 | |
Oh, yes. And that protects it because the insects and the animals | 0:12:53 | 0:12:58 | |
stay away from this tree. | 0:12:58 | 0:13:00 | |
They won't come near it because of that smell. | 0:13:00 | 0:13:02 | |
So nature is giving us a chance to protect ourselves, | 0:13:02 | 0:13:05 | |
-perhaps, emotionally. -Absolutely. | 0:13:05 | 0:13:07 | |
And allow to us to get back on track to where we need to be. | 0:13:07 | 0:13:09 | |
Perfect. | 0:13:09 | 0:13:11 | |
Time for Julian to analyse which plants I might benefit from, | 0:13:11 | 0:13:16 | |
using pictures of the 38 flower remedies. | 0:13:16 | 0:13:20 | |
OK, well I'm drawn to that pink. | 0:13:20 | 0:13:21 | |
That's very vibrant. There's something about that that I like. | 0:13:21 | 0:13:24 | |
Well, that's a very interesting flower. | 0:13:24 | 0:13:26 | |
That's red chestnut. | 0:13:26 | 0:13:27 | |
This is a remedy for people who have a tendency | 0:13:27 | 0:13:30 | |
to project fear and anticipate misfortune for other people. | 0:13:30 | 0:13:33 | |
I'm a worrier. What can I do? | 0:13:33 | 0:13:35 | |
Why not? That's exactly right. | 0:13:36 | 0:13:38 | |
What about this one? This one seems interesting. | 0:13:38 | 0:13:40 | |
That's good. That's beautiful. | 0:13:40 | 0:13:42 | |
That's an olive tree from the Mediterranean | 0:13:42 | 0:13:45 | |
and Dr Bach says this is a remedy for absolute total exhaustion. | 0:13:45 | 0:13:50 | |
With that one, you're dead, absolutely flat, the battery is out. | 0:13:50 | 0:13:53 | |
What woman isn't tired these days? | 0:13:53 | 0:13:55 | |
So that would help give me some spring? | 0:13:57 | 0:13:59 | |
Yes, it's about rejuvenation. | 0:13:59 | 0:14:01 | |
I need to book a holiday. | 0:14:01 | 0:14:02 | |
Definite, yes. That's what that remedy is for. | 0:14:02 | 0:14:05 | |
This all sounds great in theory, but do these remedies actually work? | 0:14:06 | 0:14:11 | |
I'm off to meet dairy farmer Steve Fletcher, | 0:14:11 | 0:14:14 | |
a previously sceptical local who not only used it on his RSI, | 0:14:14 | 0:14:19 | |
but also on his animals. | 0:14:19 | 0:14:21 | |
So Steve tell me, how did you start using flower remedies? | 0:14:22 | 0:14:25 | |
Well, I had a problem with my wrist and I had terrible pins and needles | 0:14:25 | 0:14:28 | |
in both hands and very bad swelling on the right wrist. | 0:14:28 | 0:14:31 | |
About five years ago a friend of mine said | 0:14:31 | 0:14:33 | |
that I should try the cream and just see what happens, and so I did. | 0:14:33 | 0:14:36 | |
I was a bit sceptical, but I tried it and after about a fortnight | 0:14:36 | 0:14:39 | |
the pins and needles almost stopped and after two months | 0:14:39 | 0:14:42 | |
the swelling in my wrists completely went. | 0:14:42 | 0:14:44 | |
Steve was so impressed with the results | 0:14:44 | 0:14:47 | |
he decided to give it a go on the cows | 0:14:47 | 0:14:49 | |
and their cracked and injured teats. | 0:14:49 | 0:14:51 | |
Because the cream is so healing it allows the milk to still flow out of | 0:14:51 | 0:14:55 | |
the udder and that's the most important thing | 0:14:55 | 0:14:57 | |
because then, that udder is allowed to be, to return to normal | 0:14:57 | 0:15:01 | |
and not have any infection. | 0:15:01 | 0:15:03 | |
-So from a sceptic, you have become a bit of a convert? -I have, yes. | 0:15:03 | 0:15:08 | |
Correct. | 0:15:08 | 0:15:09 | |
But is there scientific basis to all this flower power? | 0:15:09 | 0:15:14 | |
Andrew Tresidder is a GP in Somerset who uses natural remedies | 0:15:14 | 0:15:18 | |
alongside his orthodox treatments. | 0:15:18 | 0:15:20 | |
I work with them because they've helped me greatly | 0:15:20 | 0:15:23 | |
over a number of years | 0:15:23 | 0:15:24 | |
and also family, friends and patients as well. | 0:15:24 | 0:15:27 | |
We learn at medical school about our hardware bodies, | 0:15:27 | 0:15:29 | |
but we don't learn very much about our software beings. | 0:15:29 | 0:15:32 | |
Now, our soul, our software being, is fed by nature, | 0:15:32 | 0:15:35 | |
it's fed by art, it's fed by music | 0:15:35 | 0:15:37 | |
and all these aspects can help us retune when we go out of balance. | 0:15:37 | 0:15:40 | |
To some of us, flower remedies are a new thing, | 0:15:40 | 0:15:42 | |
but prescribing plants has been around for quite a while. | 0:15:42 | 0:15:45 | |
The Egyptians used the healing powers of flowers. | 0:15:45 | 0:15:48 | |
The aboriginals do still, I understand, | 0:15:48 | 0:15:51 | |
and if I was a GP in 1945, 75% of my prescriptions | 0:15:51 | 0:15:54 | |
would actually be herbal prescriptions from plants. | 0:15:54 | 0:15:58 | |
Well, if even medical professionals think there's something in it, | 0:15:58 | 0:16:01 | |
I'm prepared, tentatively, to give it a go. | 0:16:01 | 0:16:04 | |
So how do you get from beautiful blooms to usable flower remedies? | 0:16:04 | 0:16:09 | |
Herbalists like Julian know exactly what's safe to pick | 0:16:09 | 0:16:13 | |
and have two different ways of preparing them. | 0:16:13 | 0:16:15 | |
One is the boiling method, where we've gathered the flowers before | 0:16:15 | 0:16:19 | |
and we pour some water in from spring water | 0:16:19 | 0:16:22 | |
and we put it on to boil for 30 minutes. | 0:16:22 | 0:16:25 | |
And this is the sun method. | 0:16:26 | 0:16:28 | |
So if you like to finish that, | 0:16:28 | 0:16:29 | |
just pick off the flowers and put the last ones | 0:16:29 | 0:16:32 | |
on the surface of the water. | 0:16:32 | 0:16:34 | |
The sun method requires a perfectly clear day | 0:16:34 | 0:16:37 | |
and not a cloud in the sky. | 0:16:37 | 0:16:39 | |
The flowers are left to float in spring water for up to three hours. | 0:16:39 | 0:16:43 | |
Both preparations are then filtered and then a few drops of brandy added | 0:16:44 | 0:16:47 | |
to act as a preservative. | 0:16:47 | 0:16:50 | |
So all the goodness of the flowers is what you're getting down | 0:16:50 | 0:16:52 | |
-into a pure essence. -Absolutely. | 0:16:52 | 0:16:54 | |
Absolutely, and that, hopefully, has got a message | 0:16:54 | 0:16:57 | |
which is helpful to the individual person. | 0:16:57 | 0:17:00 | |
So this is the dosage bottle that I prepared for you | 0:17:03 | 0:17:06 | |
with the choice of your remedies. | 0:17:06 | 0:17:08 | |
That's an olive and red chestnut and we recommend | 0:17:08 | 0:17:11 | |
you take four drops four times a day. | 0:17:11 | 0:17:13 | |
So this little bit of nature should put a spring into my spring? | 0:17:13 | 0:17:16 | |
-Absolutely, a spring into your step. -Thank you so much. That's great. | 0:17:16 | 0:17:19 | |
-It's been a pleasure. It's been great to see you. -Thank you. | 0:17:19 | 0:17:22 | |
Well, I reckon it's worth a try. | 0:17:25 | 0:17:27 | |
And, I mean, who can argue with the power of nature? | 0:17:27 | 0:17:30 | |
Well, that's one way of capturing spring. | 0:17:36 | 0:17:38 | |
Better still, experience it for yourself. | 0:17:40 | 0:17:42 | |
This is a great time of year to get out of the countryside | 0:17:42 | 0:17:45 | |
and go for a really good walk. | 0:17:45 | 0:17:48 | |
So here are some of our top Countryfile tips | 0:17:48 | 0:17:50 | |
of places to go walking this season. | 0:17:50 | 0:17:53 | |
We're a nation of ramblers with | 0:17:57 | 0:17:59 | |
literally thousands of walks | 0:17:59 | 0:18:01 | |
all across the UK. | 0:18:01 | 0:18:03 | |
Some are long-distance, others no more than a stroll in the park. | 0:18:03 | 0:18:08 | |
If you're in England, | 0:18:08 | 0:18:09 | |
anywhere between Derbyshire and the Scottish Borders | 0:18:09 | 0:18:11 | |
why not head out to the wild and windswept moors on the Pennine Way? | 0:18:11 | 0:18:16 | |
For years this area has been a Mecca for hikers | 0:18:16 | 0:18:19 | |
who travel here from far and wide | 0:18:19 | 0:18:22 | |
to take on one of the most challenging walks in the world. | 0:18:22 | 0:18:26 | |
Or further south, how about soaking up the endless patchwork views | 0:18:26 | 0:18:30 | |
along the South Downs Way? | 0:18:30 | 0:18:33 | |
100 miles from Eastbourne to Winchester. | 0:18:33 | 0:18:37 | |
It's very popular with cyclists, with horse riders | 0:18:37 | 0:18:40 | |
and people who want to go on a very long walk. | 0:18:40 | 0:18:42 | |
Over to the West, Northern Ireland offers one of my favourites, | 0:18:44 | 0:18:48 | |
the Causeway Coast, a designated Area of Outstanding Natural Beauty. | 0:18:48 | 0:18:52 | |
A two-day hike along the Causeway Coast path | 0:18:54 | 0:18:56 | |
taking in the Unesco-protected Giant's Causeway, | 0:18:56 | 0:19:00 | |
huge basalt, volcanic pillars that stretch from clifftop | 0:19:00 | 0:19:03 | |
down to the sea. | 0:19:03 | 0:19:04 | |
As islanders, we're drawn to our coast and in Wales, | 0:19:06 | 0:19:10 | |
there's over 870 miles of stunning coastal path to choose from. | 0:19:10 | 0:19:14 | |
Walking is a wonder drug. The Victorians were right. | 0:19:16 | 0:19:19 | |
The smell of the sea air in walking can reduce all types of illnesses. | 0:19:19 | 0:19:23 | |
And even if you're stuck in the city, | 0:19:24 | 0:19:26 | |
there are places to get out to. | 0:19:26 | 0:19:28 | |
In Edinburgh, you'll find a fabulous hill walk | 0:19:28 | 0:19:31 | |
right in the heart of the city. | 0:19:31 | 0:19:34 | |
I'm up on Arthur's Seat, the highest point in Edinburgh, | 0:19:34 | 0:19:38 | |
and, let me tell you, the views from up here are incredible. | 0:19:38 | 0:19:42 | |
As for me, well I'm happy to be walking on the spectacular wild side | 0:19:47 | 0:19:52 | |
here in North Devon, where recently they have been restoring | 0:19:52 | 0:19:55 | |
some much-loved long-distance paths. | 0:19:55 | 0:19:58 | |
Here in the stunning setting of Lynmouth is where four major walks | 0:20:01 | 0:20:05 | |
converge, including England's longest waymarked footpath, | 0:20:05 | 0:20:10 | |
the 630-mile South West Coastal Path. | 0:20:10 | 0:20:14 | |
I'm here to meet Dan Barnet, the man in charge of looking after | 0:20:14 | 0:20:18 | |
these trails in Exmoor National Park. | 0:20:18 | 0:20:21 | |
Greetings to you. What a glorious day for a walk. | 0:20:21 | 0:20:24 | |
Absolutely. You really brought the weather with you. | 0:20:24 | 0:20:26 | |
And you need a head for heights, certainly in this bit. | 0:20:26 | 0:20:28 | |
You do. You do. And it's what makes it quite a challenging path to look | 0:20:28 | 0:20:32 | |
after at times, as well. | 0:20:32 | 0:20:33 | |
You get a lot of cliff falls and things like that, | 0:20:33 | 0:20:35 | |
the path falling away. In the case of the South West Coast Path, | 0:20:35 | 0:20:38 | |
there's actually millions of people who use it every year. | 0:20:38 | 0:20:40 | |
So it does create a bit of damage and wear and tear. | 0:20:40 | 0:20:42 | |
So there is plenty of work to be done to look after them. | 0:20:42 | 0:20:45 | |
And you try to make sure that they stay as natural as possible. | 0:20:45 | 0:20:48 | |
Absolutely, yes. It's important that we maintain the character | 0:20:48 | 0:20:52 | |
of the path, so we try and use local materials and natural materials | 0:20:52 | 0:20:55 | |
at all times, and really using techniques | 0:20:55 | 0:20:57 | |
that have been used for hundreds and thousands of years. | 0:20:57 | 0:21:00 | |
And as well as the south-western coastal path there are some other | 0:21:00 | 0:21:03 | |
really good long-distance trails across Exmoor, aren't there? | 0:21:03 | 0:21:06 | |
There are, there absolutely are. | 0:21:06 | 0:21:07 | |
We've got the Two Moors Way, which starts over on Dartmoor | 0:21:07 | 0:21:10 | |
and comes down here. We've also got the Coleridge Way | 0:21:10 | 0:21:13 | |
which starts in the Quantock Hills at Nether Stowey | 0:21:13 | 0:21:16 | |
and we've also got the Tarka Trail as well. | 0:21:16 | 0:21:18 | |
Tarka The Otter, Henry Williamson's famous story. | 0:21:18 | 0:21:22 | |
I didn't realise there were other romantic poets | 0:21:22 | 0:21:25 | |
interested in this place. | 0:21:25 | 0:21:26 | |
What exactly then is the connection between romantic poets, | 0:21:26 | 0:21:29 | |
like Samuel Coleridge, and this place? | 0:21:29 | 0:21:32 | |
Samuel Coleridge himself lived not too far away on the Quantock Hills | 0:21:32 | 0:21:36 | |
and he used to enjoy walking on the Quantock Hills, | 0:21:36 | 0:21:39 | |
Exmoor National Park, and out as far as here, | 0:21:39 | 0:21:41 | |
as far as Valley of the Rocks. | 0:21:41 | 0:21:43 | |
-Did he write about it? -There is quite a bit of connection | 0:21:43 | 0:21:45 | |
between some of his most famous works and this area, | 0:21:45 | 0:21:47 | |
you know, Kubla Khan, and The Rime Of The Ancient Mariner, | 0:21:47 | 0:21:50 | |
and in both those poems you can sort of understand the landscapes | 0:21:50 | 0:21:54 | |
that he's describing | 0:21:54 | 0:21:55 | |
have a lot of connections with Exmoor and this area. | 0:21:55 | 0:21:59 | |
200 years on and this area continues to be a great source of inspiration. | 0:22:01 | 0:22:07 | |
It's even triggered agricultural mechanic Richard Graham | 0:22:09 | 0:22:13 | |
to develop a new skill in sculpting. | 0:22:13 | 0:22:15 | |
-Hello, Richard. -Hi. | 0:22:18 | 0:22:19 | |
What a great workshop you've got here. | 0:22:19 | 0:22:21 | |
What a lovely spot to have it in. | 0:22:21 | 0:22:23 | |
-It's amazing, isn't it? -Now, what got you into sculpture? | 0:22:23 | 0:22:27 | |
Welding was my first passion, really. | 0:22:27 | 0:22:30 | |
Farm machinery, tractors, all that kind of work | 0:22:30 | 0:22:32 | |
and then here, looking out the window, | 0:22:32 | 0:22:35 | |
the trees, and I just thought I'd start making a tree one day. | 0:22:35 | 0:22:38 | |
His first wire tree certainly started something. | 0:22:38 | 0:22:41 | |
Now Richard spends more time on his sculptures | 0:22:41 | 0:22:44 | |
than he does on fixing broken farm machinery. | 0:22:44 | 0:22:47 | |
That would be good for what hanging rings on, or...? | 0:22:47 | 0:22:50 | |
Yes, car keys, jewellery, rings. | 0:22:50 | 0:22:53 | |
What about this one here? This is quite something. | 0:22:53 | 0:22:56 | |
Yes. This is a bit of an experiment I've got going on. | 0:22:56 | 0:22:58 | |
This is all moss which I'm training to grow on the branches. | 0:22:58 | 0:23:02 | |
Oh, right. | 0:23:02 | 0:23:03 | |
So anybody who buys this, they'll have to keep on watering it! | 0:23:03 | 0:23:06 | |
There is a certain level of upkeep. | 0:23:06 | 0:23:08 | |
So, tell me about this big new commission of yours. | 0:23:08 | 0:23:11 | |
The wire man sculpture that I have been making | 0:23:12 | 0:23:15 | |
to mark the Coleridge Way, the Two Moors Way, | 0:23:15 | 0:23:17 | |
the South West Coast Path, and Tarka Trail. | 0:23:17 | 0:23:20 | |
These are the rough, preliminary sketches I did for myself. | 0:23:20 | 0:23:22 | |
Is he more like that one or that one? | 0:23:22 | 0:23:24 | |
-More like this one. -Has he got a walking stick? | 0:23:24 | 0:23:26 | |
He has got a thumb stick? Yes, | 0:23:26 | 0:23:28 | |
and the other hand is held out so people can shake his hand | 0:23:28 | 0:23:31 | |
as a congratulation on finishing the walks, or starting. | 0:23:31 | 0:23:34 | |
To ensure the walking man can withstand the elements, | 0:23:34 | 0:23:37 | |
Richard has used stainless steel. | 0:23:37 | 0:23:39 | |
The 8ft statue has taken him 12 months to complete. | 0:23:39 | 0:23:44 | |
And have you ever had any commission like this before, | 0:23:44 | 0:23:47 | |
where thousands and thousands of people are going to come | 0:23:47 | 0:23:50 | |
-and have a look at it? -No, I haven't. | 0:23:50 | 0:23:52 | |
This is the first public sculpture that I've got being unveiled. | 0:23:52 | 0:23:56 | |
So, it's, yeah, nerve-wracking and exciting and, yeah, | 0:23:56 | 0:24:00 | |
everything all at once. | 0:24:00 | 0:24:01 | |
And Richard's statue is going to be revealed to the public later today | 0:24:01 | 0:24:05 | |
in Lynmouth. | 0:24:05 | 0:24:07 | |
And I've been given the honour of unveiling it. | 0:24:07 | 0:24:09 | |
But now, just a short hop south of here on the slopes of Dartmoor | 0:24:12 | 0:24:16 | |
is Buckfastleigh, the centre of Devon's wool trade. | 0:24:16 | 0:24:19 | |
The monks of the abbey here have kept sheep for the past 800 years | 0:24:19 | 0:24:24 | |
and today the same age-old process is used to turn muddy sheepskin | 0:24:24 | 0:24:29 | |
into the softest fleeces, as Anita finds out. | 0:24:29 | 0:24:32 | |
In medieval times, there were 700 weavers in Buckfastleigh. | 0:24:33 | 0:24:37 | |
It was the one-stop shop for all things wool and sheepskin in Devon, | 0:24:37 | 0:24:40 | |
and guess what? It still is. | 0:24:40 | 0:24:43 | |
In the town is Britain's last remaining large sheepskin tannery. | 0:24:43 | 0:24:47 | |
It handles fleeces from local flocks, | 0:24:47 | 0:24:50 | |
like these grey-faced Dartmoors. | 0:24:50 | 0:24:52 | |
Come on. That's it. | 0:24:53 | 0:24:55 | |
They are fantastic looking. | 0:24:55 | 0:24:57 | |
This historic rare breed flock is owned by Paula | 0:24:58 | 0:25:02 | |
and her son, Lewis Steer. | 0:25:02 | 0:25:04 | |
They're in full fleece at the moment. | 0:25:04 | 0:25:05 | |
Right. | 0:25:05 | 0:25:06 | |
They're due for a haircut, then? | 0:25:06 | 0:25:08 | |
Yes, the next three or four weeks we'll probably get the shears out | 0:25:08 | 0:25:11 | |
and we'll shear them all. | 0:25:11 | 0:25:12 | |
The Dartmoors don't just provide wool. | 0:25:12 | 0:25:15 | |
The meat we get back is a nice, succulent, slow-grown meat. | 0:25:15 | 0:25:18 | |
We have the meat back and then we also have the by-product. | 0:25:18 | 0:25:20 | |
-The sheepskin. -Which is the sheepskin. | 0:25:20 | 0:25:23 | |
As well as the grey faced Dartmoors, Paula and Lewis | 0:25:23 | 0:25:26 | |
keep other rare breeds for their spectacular fleeces, too. | 0:25:26 | 0:25:30 | |
This is the white-faced Dartmoor, and then here | 0:25:30 | 0:25:32 | |
we have the Devon and Cornwall long wool. | 0:25:32 | 0:25:34 | |
It's so tactile and so soft. | 0:25:34 | 0:25:36 | |
There's obviously a marked difference. | 0:25:36 | 0:25:38 | |
Very tight little curls. | 0:25:38 | 0:25:40 | |
-Yes. -This is a lot shaggier and longer. | 0:25:40 | 0:25:42 | |
More like a clotted cream curl, I'd say. | 0:25:42 | 0:25:44 | |
That would make a great wig. | 0:25:44 | 0:25:46 | |
THEY LAUGH | 0:25:46 | 0:25:48 | |
It takes time and skill to turn a muddy, knotted sheepskin | 0:25:48 | 0:25:52 | |
into a lovely, soft fleece. | 0:25:52 | 0:25:55 | |
This is the Devonia sheepskin tannery, run by Geoff Woods. | 0:25:57 | 0:26:01 | |
So tell me what the process is. | 0:26:02 | 0:26:04 | |
I mean, actually, this one of the cleaner sheepskins we'll get. | 0:26:04 | 0:26:07 | |
But, yeah, We will put it through a series of processes. | 0:26:07 | 0:26:10 | |
It will clean it up. | 0:26:10 | 0:26:12 | |
We'll obviously convert the raw skin into leather. | 0:26:12 | 0:26:15 | |
We'll tan it and, hopefully, it'll end up | 0:26:15 | 0:26:17 | |
as a very attractive sheepskin rug at the end of the day. | 0:26:17 | 0:26:20 | |
Very nice. One that I'll be leaving with? | 0:26:20 | 0:26:22 | |
Unfortunately not. It'll take at least three to four weeks | 0:26:22 | 0:26:24 | |
-to go through the process. -Why does it take so long, Jeff? | 0:26:24 | 0:26:27 | |
Obviously, a fleece or a sheepskin has two parts to it. | 0:26:28 | 0:26:31 | |
It has the wool, and it has the skin itself. | 0:26:31 | 0:26:34 | |
So we have to treat the two different parts separately | 0:26:34 | 0:26:37 | |
and that's why it's a very complicated and quite long process. | 0:26:37 | 0:26:41 | |
So the sheepskin will go in here and the warm water and a liquid soap | 0:26:52 | 0:26:56 | |
will hopefully get all the dirt and salt out of the sheepskins. | 0:26:56 | 0:26:59 | |
Oh, it is warm, isn't it? | 0:26:59 | 0:27:01 | |
It's a nice, big lovely bath for the sheepskin to go in. | 0:27:01 | 0:27:04 | |
You know what? It could do with a wash because it absolutely reeks. | 0:27:05 | 0:27:08 | |
-Yes, it does. -In she goes. | 0:27:08 | 0:27:10 | |
Once the wool's washed, | 0:27:15 | 0:27:17 | |
the skin of the fleece needs treating just like any other hide. | 0:27:17 | 0:27:20 | |
This is looking at the leather. | 0:27:21 | 0:27:23 | |
-We're turning it from its raw state, so the raw sheepskin... -Yes. | 0:27:23 | 0:27:28 | |
-..and we're turning it into leather. -Let's see how that happens. | 0:27:28 | 0:27:31 | |
What do you put into the river water? | 0:27:31 | 0:27:33 | |
We add some salt. That's the first stage of the process. | 0:27:33 | 0:27:36 | |
It's sort of a pickling process. | 0:27:36 | 0:27:37 | |
Yeah, pretty much. Just like a pickled egg. | 0:27:37 | 0:27:39 | |
The skins take five days to cure in this chemical and salt bath. | 0:27:41 | 0:27:45 | |
Cleverly, it doesn't damage the wool. | 0:27:45 | 0:27:48 | |
It really does feel as though we've stepped back in time. | 0:27:48 | 0:27:51 | |
There's something really satisfying about doing something that feels | 0:27:51 | 0:27:54 | |
really ancient. There's nothing modern. | 0:27:54 | 0:27:56 | |
There is nothing newfangled. | 0:27:56 | 0:27:57 | |
This is how it's been done for 200 years. | 0:27:57 | 0:27:59 | |
Last stop on the ground floor is this massive drier, | 0:28:01 | 0:28:06 | |
handling dozens of fleeces at a time. | 0:28:06 | 0:28:08 | |
Right. | 0:28:08 | 0:28:10 | |
And in it goes. | 0:28:10 | 0:28:11 | |
The top floors of the factory are where the washed, | 0:28:13 | 0:28:16 | |
tanned and dried sheepskins receive their final TLC. | 0:28:16 | 0:28:19 | |
This machine is called an ironing machine, but it acts like a comb. | 0:28:21 | 0:28:24 | |
It's a hair straightener. | 0:28:34 | 0:28:36 | |
That's what it's doing. That is so soft and lovely. | 0:28:36 | 0:28:41 | |
Look at the difference. | 0:28:41 | 0:28:42 | |
That's incredible. | 0:28:42 | 0:28:43 | |
So here, it's matted and a bit knotted, | 0:28:43 | 0:28:46 | |
and that is soft and smooth. | 0:28:46 | 0:28:48 | |
How wonderful to experience this age-old process still being done | 0:28:52 | 0:28:56 | |
in a way it's always been done, | 0:28:56 | 0:28:57 | |
and I suppose this is where I should give you a thoughtful conclusion | 0:28:57 | 0:29:00 | |
about sheepskins. Well, actually all I want to do is... | 0:29:00 | 0:29:04 | |
SHE GIGGLES | 0:29:04 | 0:29:06 | |
It's so soft and lovely! | 0:29:06 | 0:29:07 | |
Well, it's good to see such an old tradition still thriving | 0:29:09 | 0:29:12 | |
and know that nothing goes to waste. | 0:29:12 | 0:29:14 | |
Now, for many of us there's a special place | 0:29:17 | 0:29:20 | |
that we'd love to call home, | 0:29:20 | 0:29:22 | |
but for millions of Brits, the idea of that affordable, | 0:29:22 | 0:29:26 | |
dream home is likely to remain out of reach. | 0:29:26 | 0:29:28 | |
But in Pembrokeshire there's a unique project | 0:29:28 | 0:29:31 | |
which could have a solution. Jules now investigates. | 0:29:31 | 0:29:35 | |
Back in the 1950s, | 0:29:37 | 0:29:39 | |
the Government set out to build 300,000 new homes a year | 0:29:39 | 0:29:43 | |
to meet post-war demand. | 0:29:43 | 0:29:45 | |
Six decades on, | 0:29:45 | 0:29:47 | |
though there are 15 million more of us living in the UK, | 0:29:47 | 0:29:50 | |
we're building less than half that number of houses each year. | 0:29:50 | 0:29:54 | |
That's left 1.4 million people stuck on housing waiting lists | 0:29:54 | 0:29:59 | |
and millions more with no hope of owning their own home. | 0:29:59 | 0:30:02 | |
But a small team here in Wales have been pioneering a project that they | 0:30:03 | 0:30:07 | |
hope will help change the way we think about housing forever. | 0:30:07 | 0:30:11 | |
Last summer Countryfile visited the Ty Solar Housing project | 0:30:13 | 0:30:17 | |
in the village of Glanrhyd in Pembrokeshire. | 0:30:17 | 0:30:20 | |
At that point the developers were mid-way through a project | 0:30:20 | 0:30:23 | |
to build six solar houses. | 0:30:23 | 0:30:25 | |
Nine months on and the homes are almost finished | 0:30:28 | 0:30:31 | |
and the first tenants are moving in. | 0:30:31 | 0:30:33 | |
I want to see for myself what makes this project so unique. | 0:30:33 | 0:30:37 | |
DOORBELL RINGS LOUDLY | 0:30:37 | 0:30:39 | |
Oh, well, the doorbell works! | 0:30:39 | 0:30:40 | |
The development is the brainchild of Glen Peters. | 0:30:41 | 0:30:44 | |
So, Glen what gave you the idea? Because it's not a small one, is it? | 0:30:45 | 0:30:49 | |
Well, I read this energy report about energy poverty, actually, | 0:30:49 | 0:30:54 | |
in housing and discovered that 40% of people in social housing | 0:30:54 | 0:30:57 | |
were having to make a choice between food on the table and energy, | 0:30:57 | 0:31:01 | |
and I thought, this is crazy. | 0:31:01 | 0:31:03 | |
So how did you go about coming up with the solution? | 0:31:03 | 0:31:05 | |
Well, we were producing tonnes of energy on our solar farm | 0:31:05 | 0:31:08 | |
and we thought, well, surely it shouldn't be difficult | 0:31:08 | 0:31:11 | |
to produce lots of energy, and two guys came to talk to me, | 0:31:11 | 0:31:15 | |
an architect and a carpenter, and we got together, almost like a creative | 0:31:15 | 0:31:20 | |
hot house, and said let's create a prototype. | 0:31:20 | 0:31:22 | |
The houses are largely heated by something called passive solar. | 0:31:24 | 0:31:29 | |
It means that the big south-facing windows trap the heat of the sun, | 0:31:29 | 0:31:32 | |
a bit like a greenhouse. | 0:31:32 | 0:31:34 | |
Most of the rest of the energy comes from solar panels on the roof and | 0:31:34 | 0:31:38 | |
properties are insulated with 11 inch-thick walls. | 0:31:38 | 0:31:42 | |
They're made in a factory just a few minutes away. | 0:31:42 | 0:31:45 | |
This is a cross-section of one of the walls. | 0:31:49 | 0:31:52 | |
I tell you what, it's really solid, isn't it? | 0:31:52 | 0:31:54 | |
It is all locally sourced, within 25 miles of here. | 0:31:54 | 0:31:58 | |
So here we have larch. That's come from the Gwaun Valley. | 0:31:58 | 0:32:03 | |
This larch was being burned in power station to make energy | 0:32:03 | 0:32:07 | |
-for inefficient houses. -Yes. | 0:32:07 | 0:32:09 | |
Now we're use that larch to make highly efficient houses. | 0:32:09 | 0:32:13 | |
And this is your insulation. What is that made of? | 0:32:13 | 0:32:15 | |
It's probably the newspapers that you've been reading all of 2016. | 0:32:15 | 0:32:19 | |
This is recycled newsprint. | 0:32:19 | 0:32:21 | |
We looked at sheep's wool. | 0:32:21 | 0:32:22 | |
We looked at glass insulation, and this is the best thing | 0:32:22 | 0:32:25 | |
we could actually come up with. What actually happens, | 0:32:25 | 0:32:27 | |
you've got this solid mass of paper there, which actually provides | 0:32:27 | 0:32:30 | |
something called thermal mass, | 0:32:30 | 0:32:32 | |
so as the house warms up, it actually retains heat. | 0:32:32 | 0:32:35 | |
This has been actually treated with caustic soda | 0:32:35 | 0:32:37 | |
so it's completely fire-retardant. | 0:32:37 | 0:32:39 | |
We're trying to show that there is an alternative way | 0:32:39 | 0:32:41 | |
rather than bricks and mortar. | 0:32:41 | 0:32:43 | |
These efficient homes use just 12% of the energy | 0:32:43 | 0:32:47 | |
of a conventional house, and most of it is generated within the property. | 0:32:47 | 0:32:51 | |
So to get a picture of day-to-day life in an ecohouse | 0:32:51 | 0:32:54 | |
I'm meeting one of the new residents, Tessa Hope. | 0:32:54 | 0:32:57 | |
The idea of living more or less bill-free has got to be attractive, | 0:33:00 | 0:33:05 | |
-surely? -Yeah, it's great. | 0:33:05 | 0:33:07 | |
We haven't had a bill, as yet. | 0:33:07 | 0:33:09 | |
There aren't any times that we can't turn on the appliances | 0:33:09 | 0:33:12 | |
apart from the night and for me, personally, | 0:33:12 | 0:33:14 | |
I really like the fact that we've got the solar panels | 0:33:14 | 0:33:16 | |
and we're connected to the elements. | 0:33:16 | 0:33:18 | |
We know if there's a run of cloudy days then we can tell, | 0:33:18 | 0:33:22 | |
because the temperature in our water dips, so we're very happy | 0:33:22 | 0:33:25 | |
when it's sunny and we can have hot showers all week! | 0:33:25 | 0:33:28 | |
But it doesn't stop you having hot showers, | 0:33:28 | 0:33:30 | |
you just have to pay with them with a little bit of a top-up? | 0:33:30 | 0:33:33 | |
Yes, and that bit extra doesn't seem to be very much. | 0:33:33 | 0:33:36 | |
Last month we turned on the hot water twice | 0:33:36 | 0:33:39 | |
and I have been assured by the builder that that costs us | 0:33:39 | 0:33:42 | |
a grand total of 45 pence. | 0:33:42 | 0:33:43 | |
-45p? -Yes. So, not breaking the bank. | 0:33:43 | 0:33:46 | |
You're not breaking the bank! | 0:33:46 | 0:33:48 | |
And if you weren't renting, would you buy this? | 0:33:48 | 0:33:51 | |
Potentially. | 0:33:51 | 0:33:52 | |
I mean, I'd like to see what it's going to be like | 0:33:52 | 0:33:54 | |
when it turns into a bit more a community, so we'll see. | 0:33:54 | 0:33:57 | |
There is no getting away from the fact that we have a real crisis | 0:33:58 | 0:34:02 | |
when it comes to genuinely affordable rural housing. | 0:34:02 | 0:34:06 | |
Can wooden homes powered by solar panels cure it? | 0:34:06 | 0:34:09 | |
Well, probably not. | 0:34:09 | 0:34:11 | |
But it would be nice to think that they are, at least, | 0:34:11 | 0:34:13 | |
part of the solution. | 0:34:13 | 0:34:14 | |
80% of people in the UK live in urban areas, | 0:34:20 | 0:34:23 | |
so it's no surprise that, for many, there is a long-held dream | 0:34:23 | 0:34:28 | |
to escape to the country and live off the land. | 0:34:28 | 0:34:31 | |
On their small holding in Wiltshire, | 0:34:31 | 0:34:33 | |
Paul and his family have done just that. | 0:34:33 | 0:34:36 | |
But one year on, is it living up to the fantasy? | 0:34:36 | 0:34:39 | |
It was spring time last year that we embarked on our self-sufficiency | 0:34:46 | 0:34:51 | |
adventure. But I can't believe how far we've come | 0:34:51 | 0:34:54 | |
in such a short space of time. | 0:34:54 | 0:34:56 | |
The big question is, has it all been worth it? | 0:34:56 | 0:34:59 | |
One of the best things about working on the land is how much we have been | 0:35:01 | 0:35:04 | |
able to do together as a family. | 0:35:04 | 0:35:06 | |
Look at those beauties, Meredith. | 0:35:07 | 0:35:10 | |
Well, look, that's another strawberry plant. | 0:35:10 | 0:35:12 | |
That's our first quail egg, Dilley. | 0:35:14 | 0:35:17 | |
In 20 years' time, you can look back and say we planted those out with | 0:35:17 | 0:35:21 | |
daddy. Our honey, when we do get some, should taste like this. | 0:35:21 | 0:35:25 | |
Go on, then, let's try it. | 0:35:25 | 0:35:27 | |
-Drink it. -Drink it! | 0:35:27 | 0:35:30 | |
It's been hard graft at times | 0:35:30 | 0:35:32 | |
and we've certainly learnt by our mistakes. | 0:35:32 | 0:35:35 | |
Our biggest mistake was building the quail pen too low, and too small. | 0:35:35 | 0:35:40 | |
So I built a new one and it's made life a lot easier. | 0:35:43 | 0:35:47 | |
It's much quicker to muck out and we don't end up with backache | 0:35:47 | 0:35:50 | |
from having to stoop every time we collect the eggs. | 0:35:50 | 0:35:54 | |
The birds are much happier, too, and happier birds should mean more eggs! | 0:35:54 | 0:35:58 | |
As you can see, the eggs are really small and they tend to camouflage | 0:36:00 | 0:36:03 | |
themselves with the sawdust floor, so you've got to be careful | 0:36:03 | 0:36:06 | |
what you're treading on, but we've now realised | 0:36:06 | 0:36:09 | |
we don't produce enough eggs, so if we double up the amount of birds | 0:36:09 | 0:36:12 | |
we've got because we have a spare room here, | 0:36:12 | 0:36:14 | |
another aviary, look, all free, ready for some residents. | 0:36:14 | 0:36:17 | |
If we get some more quails in there and double up our production, | 0:36:17 | 0:36:21 | |
then we can supply a farm shop as well as the local deli in Devizes. | 0:36:21 | 0:36:24 | |
Then we become more self-sufficient and these guys | 0:36:24 | 0:36:28 | |
definitely pay for themselves. | 0:36:28 | 0:36:30 | |
One of the things that attracted us to this area is this beautiful | 0:36:33 | 0:36:36 | |
woodland with its mature trees and, with the help of the Woodland Trust, | 0:36:36 | 0:36:41 | |
I've learnt how to care for them, | 0:36:41 | 0:36:42 | |
but also how to nurture brand-new seeds and saplings. | 0:36:42 | 0:36:45 | |
So we've planted out 100 trees here, extending the existing woodland, | 0:36:48 | 0:36:53 | |
echoing what's going on out there with beech trees, | 0:36:53 | 0:36:55 | |
oak trees and adding a splash of colour, the odd cherry blossom. | 0:36:55 | 0:36:59 | |
It's important for the next generation. | 0:36:59 | 0:37:02 | |
My son helped me plant all of these and, of course, | 0:37:02 | 0:37:04 | |
it's just brilliant for the planet and while we were at it, | 0:37:04 | 0:37:08 | |
we planted up 1,000 hedgerow trees making stock fencing | 0:37:08 | 0:37:12 | |
for a wildlife corridor so while life can actually access | 0:37:12 | 0:37:15 | |
the woodland and get all the way down | 0:37:15 | 0:37:18 | |
to the willow trees on the canal. | 0:37:18 | 0:37:19 | |
There's one creature I'm hoping has already taken up residence | 0:37:21 | 0:37:24 | |
in my woods. | 0:37:24 | 0:37:26 | |
Last autumn, under expert guidance, | 0:37:26 | 0:37:28 | |
I turned my hand to making a home for some of our feathered friends. | 0:37:28 | 0:37:33 | |
Look at that! | 0:37:33 | 0:37:34 | |
Perfect. That's great. So you've got a nice, clear hole for the owls | 0:37:36 | 0:37:39 | |
to get in and a nice little ledge as well, | 0:37:39 | 0:37:41 | |
so when the owlets are learning to fly | 0:37:41 | 0:37:42 | |
they can come out and have a look and practise flying. | 0:37:42 | 0:37:45 | |
This is the first time that I've come to inspect it. | 0:37:47 | 0:37:50 | |
I'm not feeling that optimistic | 0:37:50 | 0:37:52 | |
because we were told it might take two years | 0:37:52 | 0:37:54 | |
before we get our first owl resident, but you have to check. | 0:37:54 | 0:37:58 | |
So, it could be exciting, you never know. | 0:37:58 | 0:38:00 | |
Fingers crossed. | 0:38:00 | 0:38:02 | |
The moment of truth! | 0:38:07 | 0:38:10 | |
There's a nest. | 0:38:10 | 0:38:11 | |
There is a nest in there. | 0:38:14 | 0:38:16 | |
I can't believe it. We have an owl in residence. | 0:38:16 | 0:38:19 | |
I don't know what sort of owl, | 0:38:19 | 0:38:21 | |
but it's full of twigs and feathers and bits of moss. | 0:38:21 | 0:38:24 | |
How exciting. Right, let's leave it alone. | 0:38:24 | 0:38:27 | |
For me, one of the best moments of last year | 0:38:32 | 0:38:34 | |
has to be the arrival of our Wiltshire longhorn sheep | 0:38:34 | 0:38:37 | |
from local breeder, Adrian Andrews. | 0:38:37 | 0:38:40 | |
In they go. Oh, look at this, Dil. | 0:38:41 | 0:38:44 | |
-That wasn't too bad, was it? -No. | 0:38:44 | 0:38:48 | |
I have been feeling rather nervous for the last few weeks | 0:38:48 | 0:38:50 | |
and now they're here, I feel totally relaxed. | 0:38:50 | 0:38:52 | |
Well, they look very, very settled. | 0:38:52 | 0:38:55 | |
That's brilliant, isn't it? | 0:38:55 | 0:38:56 | |
I absolutely loved watching them settle in and since then | 0:38:56 | 0:39:00 | |
they have been the perfect means of keeping the grass down. | 0:39:00 | 0:39:03 | |
So much so, we decided to have more and last autumn, | 0:39:03 | 0:39:07 | |
we enlisted the services of one of Adrian's rams, with great success. | 0:39:07 | 0:39:11 | |
You've probably noticed they're missing. | 0:39:13 | 0:39:15 | |
This is the field they normally graze in. | 0:39:15 | 0:39:17 | |
Well, they are in safe hands. | 0:39:17 | 0:39:19 | |
They're back with Adrian, who is looking after them | 0:39:19 | 0:39:21 | |
during the lambing season, and I cannot wait to get them back! | 0:39:21 | 0:39:27 | |
I mean, look how long the grass is! | 0:39:27 | 0:39:29 | |
Last August our colony of bees got so big | 0:39:31 | 0:39:34 | |
the queen bee took off, taking thousands of worker bees with her. | 0:39:34 | 0:39:39 | |
But she did leave eggs in some queen cells | 0:39:39 | 0:39:42 | |
so with the help of Liz, our bee mentor, | 0:39:42 | 0:39:45 | |
we've managed to select a new queen and rebuild the colony. | 0:39:45 | 0:39:49 | |
-Hi, Liz. -Paul. Hi, Charlotte. | 0:39:49 | 0:39:51 | |
-Hi again, are you all right? -Yes. | 0:39:51 | 0:39:53 | |
Thanks for helping us out on our weekly inspection. | 0:39:53 | 0:39:55 | |
Yes, let's go and see what ladies are up to. | 0:39:55 | 0:39:57 | |
Today Liz is back. | 0:39:57 | 0:39:59 | |
She's here to inspect the hive for crowding | 0:39:59 | 0:40:01 | |
and give it an overall spring health check. | 0:40:01 | 0:40:04 | |
We're going to take the roof off very, very gently. | 0:40:04 | 0:40:07 | |
Let's have a look what's happening. | 0:40:07 | 0:40:08 | |
Last week, you just had the wax foundation in, | 0:40:08 | 0:40:12 | |
the bees hadn't done anything to it and if we just have a little look, | 0:40:12 | 0:40:16 | |
can you see the nectar in there? | 0:40:16 | 0:40:18 | |
-Yes. -Wow. -Yes, I can. | 0:40:18 | 0:40:19 | |
So that's the honey, but it's not ready to have yet | 0:40:19 | 0:40:21 | |
because it has not been capped over with wax. | 0:40:21 | 0:40:24 | |
But Liz has spotted a problem. | 0:40:24 | 0:40:26 | |
What's that that you can see there? | 0:40:26 | 0:40:28 | |
Oh gosh, we've got a little bit of Varroa, which is a mite. | 0:40:28 | 0:40:31 | |
The Varroa is quite an unpleasant thing. | 0:40:31 | 0:40:34 | |
That's the first time I have ever seen that. | 0:40:34 | 0:40:36 | |
The Varroa mite is a tiny parasite that sucks blood from the adults and | 0:40:36 | 0:40:40 | |
the developing brood, bringing disease. | 0:40:40 | 0:40:43 | |
It has been responsible for the collapse of honeybee colonies | 0:40:43 | 0:40:46 | |
across the UK. | 0:40:46 | 0:40:47 | |
We are going to be thinking about how we can treat the Varroa | 0:40:47 | 0:40:52 | |
and get the Varroa out of your hive. | 0:40:52 | 0:40:55 | |
I can see eggs on that frame. | 0:40:55 | 0:40:57 | |
-Would you...? -Yeah, there. | 0:40:57 | 0:40:58 | |
Have you got them? Fantastic. | 0:40:58 | 0:41:00 | |
They are so tiny, aren't they? | 0:41:00 | 0:41:01 | |
So if we see eggs we know that the queen has been on there | 0:41:01 | 0:41:04 | |
in the last few days. | 0:41:04 | 0:41:06 | |
They're not the happiest ladies today. | 0:41:06 | 0:41:08 | |
I'm getting a bit uncomfortable. | 0:41:08 | 0:41:09 | |
Well, that got a bit much for me. | 0:41:15 | 0:41:18 | |
I know you're going back in a moment to inspect further, but so far, | 0:41:18 | 0:41:22 | |
-so good? -Yes, the colony is building up really well. | 0:41:22 | 0:41:25 | |
There is honey on the hive. | 0:41:25 | 0:41:26 | |
You said we could get honey later on this spring, which is incredible. | 0:41:26 | 0:41:30 | |
-We didn't think that, did we? -That's so good. | 0:41:30 | 0:41:32 | |
-We'll be extracting. -I wonder what it's going to taste like? | 0:41:32 | 0:41:35 | |
Hopefully a florally scent because of the lime trees, maybe. | 0:41:35 | 0:41:38 | |
It should be the best honey you've ever tasted | 0:41:38 | 0:41:40 | |
because it will be your own, and your first. | 0:41:40 | 0:41:43 | |
It's worthwhile. | 0:41:43 | 0:41:44 | |
I'm really proud of what we've achieved this year as a family. | 0:41:52 | 0:41:56 | |
We've taken on a lot and we've thoroughly enjoyed it. | 0:41:56 | 0:41:59 | |
We've learnt new things as well, but we've also made mistakes, | 0:41:59 | 0:42:03 | |
but I think we're now well on the way to being more self-sufficient. | 0:42:03 | 0:42:08 | |
Well, we have had a lovely week here in North Devon | 0:42:16 | 0:42:19 | |
and now for the big moment | 0:42:19 | 0:42:21 | |
when we unveil the statue of the walker. | 0:42:21 | 0:42:24 | |
Richard, come on in. | 0:42:24 | 0:42:26 | |
Right, you will be shaking that hand in a moment! | 0:42:26 | 0:42:29 | |
So, I'll ask the mayor, if you don't mind, to pull the strings. | 0:42:29 | 0:42:34 | |
I'll pull this one, shall I? | 0:42:34 | 0:42:36 | |
And hopefully, all being well, the walker will now be unveiled. | 0:42:36 | 0:42:40 | |
CHEERING AND APPLAUSE | 0:42:40 | 0:42:42 | |
What do we think of it? | 0:42:47 | 0:42:48 | |
CHEERING | 0:42:48 | 0:42:49 | |
It's fantastic, isn't it? | 0:42:49 | 0:42:50 | |
And after you, mayor. | 0:42:52 | 0:42:53 | |
And that brings us to the end of our Countryfile Spring Diaries, | 0:42:59 | 0:43:02 | |
but please join us again in three months' time | 0:43:02 | 0:43:05 | |
when we celebrate summer. Until then, goodbye. | 0:43:05 | 0:43:08 |