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Hidden in the heart of Borneo is a lost world of jungles, | 0:00:05 | 0:00:09 | |
mountains and ravines. | 0:00:09 | 0:00:12 | |
This rainforest is home to thousands of endangered animals, | 0:00:12 | 0:00:16 | |
but it's disappearing fast. | 0:00:16 | 0:00:19 | |
For the past four weeks, some of the world's most experienced scientists, | 0:00:19 | 0:00:24 | |
mountaineers and filmmakers have been charting this great unknown wilderness. | 0:00:24 | 0:00:30 | |
In the first phase, the expedition explored the virgin forests | 0:00:35 | 0:00:40 | |
of Imbak Canyon and discovered some extraordinary animals. | 0:00:40 | 0:00:44 | |
-Stunning! -Oh, what's that on the wall? Oh, look at that! | 0:00:44 | 0:00:47 | |
Now it's splitting into two teams | 0:00:50 | 0:00:53 | |
to venture even further into the mountains. | 0:00:53 | 0:00:57 | |
To find your way through this impenetrable jungle, it helps to take to the air. | 0:01:11 | 0:01:16 | |
Climber Steve Backshall is on an aerial recce for his next mission. | 0:01:24 | 0:01:29 | |
I tell you what - getting anywhere through this scenery is going to take forever! It looks brutal. | 0:01:32 | 0:01:38 | |
Really sharp limestone pinnacles through almost impenetrable jungle. | 0:01:38 | 0:01:43 | |
Steve's plan is to lead a team to an unexplored part of the Mulu mountains. | 0:01:43 | 0:01:49 | |
What's that? | 0:01:49 | 0:01:51 | |
Can you just head a little bit east? | 0:01:53 | 0:01:56 | |
It looks like there's a massive sink hole. | 0:01:56 | 0:02:01 | |
It's an underground cave where the roof collapses and just forms a vertical hole straight down. | 0:02:01 | 0:02:07 | |
It's exactly what we've been looking for - | 0:02:07 | 0:02:09 | |
a whole environment totally shut off from the rest of the world, we've got to get in there! | 0:02:09 | 0:02:14 | |
Steve's goal - to explore the forest in the depths of this giant sinkhole. | 0:02:15 | 0:02:19 | |
Expedition Borneo's second team is heading south, | 0:02:27 | 0:02:31 | |
led by environmental scientist Dr Tara Shine. | 0:02:31 | 0:02:35 | |
So maybe you can show me where we're going to go? | 0:02:35 | 0:02:38 | |
She's heading to an area, not yet protected, | 0:02:38 | 0:02:41 | |
-but apparently rich in wildlife. -Here is Bungalun. | 0:02:41 | 0:02:45 | |
Her ultimate destination - an extraordinary cave | 0:02:45 | 0:02:49 | |
in the Marang mountains, home to an ancient culture. | 0:02:49 | 0:02:54 | |
To reach her goal, Tara will travel for three days up the Bungalun river. | 0:02:57 | 0:03:01 | |
A chance to assess the state of the forest in this area. | 0:03:01 | 0:03:05 | |
-Yeah. -Fish eagle. -Yeah. | 0:03:05 | 0:03:08 | |
There's proboscis monkeys just in here behind the big tree trunk. | 0:03:10 | 0:03:14 | |
Oh, they're amazing jumpers! | 0:03:19 | 0:03:21 | |
They can jump clear across rivers if they want to. | 0:03:21 | 0:03:24 | |
Oh, it's launched! Wow! SHE LAUGHS | 0:03:26 | 0:03:29 | |
All seems well, but as Tara rounds a bend in the river, everything changes. | 0:03:33 | 0:03:39 | |
Much of the forest has been destroyed. | 0:03:39 | 0:03:42 | |
These whitened tree trunks are the scorched remains | 0:03:42 | 0:03:46 | |
of the biggest forest fires the world has ever seen. | 0:03:46 | 0:03:49 | |
This is amazing up here, all these skeleton trees. | 0:03:49 | 0:03:53 | |
This forest would have been burnt out in the last big fires of '97 | 0:03:53 | 0:03:57 | |
and then at the lower level they're kind of... The bushes have started to grow back. | 0:03:57 | 0:04:02 | |
Over the last two decades fires have ravaged this region. | 0:04:02 | 0:04:07 | |
As the flames died down, gangs moved in to plunder the remaining trees. | 0:04:07 | 0:04:12 | |
It's a free for all. | 0:04:12 | 0:04:15 | |
These are the illegal loggers that operate in the area, they stick mainly to the rivers. | 0:04:15 | 0:04:20 | |
So they go into the forest, cut down timber illegally | 0:04:20 | 0:04:23 | |
and then they float it down the river behind these boats. | 0:04:23 | 0:04:27 | |
It's a bit like a camel caravan - they just tie all the boats together | 0:04:27 | 0:04:31 | |
and then link them together with all of the wood that they've collected. | 0:04:31 | 0:04:35 | |
This is ironwood, one of the most valuable and most tough woods | 0:04:39 | 0:04:43 | |
that grows in Borneo, and here they've actually milled the wood into planks. | 0:04:43 | 0:04:47 | |
As the timber is floated downstream to the markets of the world, | 0:04:50 | 0:04:55 | |
the river itself is thick and brown with the soil washed out from the jungle. | 0:04:55 | 0:04:59 | |
All over Borneo, the remaining forest is under threat. | 0:05:06 | 0:05:09 | |
But now at the 11th hour there's a plan to save it. | 0:05:11 | 0:05:16 | |
The ambitious goal is to join together a patchwork of reserves | 0:05:16 | 0:05:20 | |
to create one giant protected forest, | 0:05:20 | 0:05:23 | |
the Heart of Borneo. | 0:05:23 | 0:05:25 | |
This sinkhole is in Mulu - one of the protected areas. | 0:05:28 | 0:05:33 | |
It's here that Steve Backshall and climbing camerawoman Justine Evans are headed. | 0:05:36 | 0:05:41 | |
They'll journey through a wilderness of mountains and caves. | 0:05:44 | 0:05:48 | |
The team make camp at the foot of the mountain. | 0:05:57 | 0:06:01 | |
While climbing specialist Tim Fogg prepares the equipment, | 0:06:02 | 0:06:07 | |
Justine and Steve will spend a day exploring nearby caves for wildlife. | 0:06:07 | 0:06:12 | |
I'm not into furry, cuddly stuff, I'm more into the kind of things that most people hate. | 0:06:12 | 0:06:17 | |
If it's slimy, or has loads of legs, I'm happy! | 0:06:17 | 0:06:20 | |
And I think there's lots of that sort of stuff around, so for me this place is paradise. | 0:06:20 | 0:06:24 | |
Steve heads off in search of his favourite animals - snakes. | 0:06:26 | 0:06:31 | |
Justine has a personal goal, to film one of Borneo's greatest wildlife spectacles. | 0:06:31 | 0:06:37 | |
She's heading for one of the biggest caves in the world. | 0:06:37 | 0:06:41 | |
Wow! It's huge! | 0:06:41 | 0:06:44 | |
Absolutely huge! | 0:06:44 | 0:06:46 | |
That is so much bigger than I thought it was going to be. | 0:06:47 | 0:06:51 | |
This whole mountain is like a Swiss cheese, it's just full of holes. | 0:06:51 | 0:06:55 | |
And these passages just lead into... | 0:06:55 | 0:06:57 | |
Well, no-one really knows where they lead, but they all connect up | 0:06:57 | 0:07:00 | |
in this incredible labyrinth that goes throughout the mountain. | 0:07:00 | 0:07:05 | |
This cave is 100 metres high and two kilometres long. | 0:07:05 | 0:07:12 | |
Wow, there's an absolutely amazing view! | 0:07:12 | 0:07:15 | |
And it's also home to over three million bats. | 0:07:15 | 0:07:19 | |
At dusk, Justine's hoping to capture their mass exodus on film. | 0:07:19 | 0:07:24 | |
But they'll only fly if the weather's right. | 0:07:24 | 0:07:29 | |
We've actually got some blue sky as well, this is a real treat. | 0:07:29 | 0:07:32 | |
We'd better get this camera set up quite quickly and then... | 0:07:32 | 0:07:36 | |
And then we'll film the bats, hopefully, as they come out. | 0:07:36 | 0:07:39 | |
Steve's exploring a nearby cave with Mutan - his tribe have lived in this forest for generations. | 0:07:46 | 0:07:52 | |
He's looking for snakes. | 0:07:55 | 0:07:57 | |
Oh, wow! Oh, crumbs, I wasn't expecting that! | 0:07:59 | 0:08:04 | |
So these are very obviously ironwood coffins, traditional coffins. | 0:08:13 | 0:08:17 | |
These pots were for water, for cooking and for food. | 0:08:17 | 0:08:22 | |
I presume it's like an offering, either to the spirits or to the ancestors themselves. | 0:08:22 | 0:08:27 | |
The reason everything's broken is because animals have smelt the remains of the dead people | 0:08:27 | 0:08:33 | |
and they've come up here and smashed into the vases to feed on the remains. | 0:08:33 | 0:08:38 | |
Amongst the pottery lie the disturbing remnants of Mutan's ancestors. | 0:08:38 | 0:08:42 | |
SPEAKS LOCAL LANGUAGE | 0:08:45 | 0:08:49 | |
OK, so all this stuff was here before his father and his grandfather | 0:08:49 | 0:08:53 | |
so it's been here for you know a couple of generations. | 0:08:53 | 0:08:55 | |
So we're talk... | 0:08:55 | 0:08:56 | |
THEY CONVERSE IN LOCAL LANGUAGE | 0:08:56 | 0:08:59 | |
..So certainly over a hundred years. It's all been here. | 0:08:59 | 0:09:02 | |
These remains are one of the few signs | 0:09:03 | 0:09:06 | |
that tribal people have for centuries lived and died in these forests. | 0:09:06 | 0:09:11 | |
500 kilometres away, the effect of modern humans is all too apparent. | 0:09:18 | 0:09:23 | |
Look at the size of these big logs here, waiting to be taken away with those strings on them. | 0:09:26 | 0:09:32 | |
On the river bank, shantytowns have built up around the illegal logging trade. | 0:09:33 | 0:09:38 | |
This is one of those frontier towns, that's just all about logging. | 0:09:44 | 0:09:48 | |
So it sprung up after the big fires that hit Kalimantan in 1997 | 0:09:48 | 0:09:53 | |
and really completely destroyed this area, | 0:09:53 | 0:09:55 | |
which meant then that illegal loggers could move in | 0:09:55 | 0:09:58 | |
and more easily pick their way through what was left of the forest, | 0:09:58 | 0:10:01 | |
take out big trees to sell illegally downstream, so it's a bit of a Wild West town. | 0:10:01 | 0:10:06 | |
CHICKEN CLUCKS | 0:10:06 | 0:10:10 | |
There are a still a few people that knew this place when it was pristine rainforest. | 0:10:10 | 0:10:16 | |
Semen and Busa have lived in this valley all their lives. | 0:10:16 | 0:10:20 | |
When I was coming in here I noticed that, | 0:10:23 | 0:10:26 | |
compared to the other forests I've seen in Borneo, | 0:10:26 | 0:10:28 | |
there aren't very many big trees here, was it always like that? | 0:10:28 | 0:10:31 | |
INTERPRETER: | 0:10:31 | 0:10:34 | |
Here do you still find many sambar deer and barking deer and wild boar? | 0:10:36 | 0:10:41 | |
So could tell me what kind of animals I could expect to see in this area? | 0:10:47 | 0:10:51 | |
There's one particular animal that used to be common in this forest. | 0:10:57 | 0:11:00 | |
When Semen was younger, animals were plentiful | 0:11:07 | 0:11:10 | |
and he made his living from the forest as a hunter-gatherer. | 0:11:10 | 0:11:13 | |
But living close to nature had its dangers. | 0:11:13 | 0:11:16 | |
So crocodiles have eaten his mother | 0:11:26 | 0:11:28 | |
and they also attacked his brother and his brother subsequently died. | 0:11:28 | 0:11:32 | |
If you did find a crocodile what's the best weapon to use? | 0:11:32 | 0:11:35 | |
TARA: Could I see his blowpipe? | 0:11:37 | 0:11:40 | |
Felt like a very strange thing to say to a man - can I see your blowpipe?! | 0:11:42 | 0:11:46 | |
Woooah! | 0:11:52 | 0:11:53 | |
-What noise do I have to make again? -Puff! | 0:11:57 | 0:12:00 | |
All right. Can I have a go? Watch out, the whole village! | 0:12:00 | 0:12:05 | |
Did I get it further than he got it? Oh, I got further than you! | 0:12:09 | 0:12:13 | |
Ah, he's... | 0:12:15 | 0:12:16 | |
Well, even if he's being reluctant with the praise, she says I did a good shot. | 0:12:17 | 0:12:21 | |
Back in Mulu, Steve ventures deeper into his cave in search of snakes. | 0:12:26 | 0:12:33 | |
It's a world of strange creatures adapted to life in complete darkness. | 0:12:33 | 0:12:37 | |
This is the biggest spider I've seen on this trip. | 0:12:44 | 0:12:47 | |
It's a huntsman | 0:12:47 | 0:12:50 | |
and, a lot of spider venoms | 0:12:50 | 0:12:52 | |
have what are known as necrotising enzymes in them. | 0:12:52 | 0:12:56 | |
Which means they literally liquefy or rot living flesh | 0:12:56 | 0:13:01 | |
and nobody wants a bite like that. | 0:13:01 | 0:13:03 | |
So I think I'll leave him well alone. | 0:13:03 | 0:13:05 | |
Steve pushes even further into the bowels of the Earth in pursuit of snakes. | 0:13:08 | 0:13:13 | |
You get loads of different kinds of snakes coming into caves, | 0:13:16 | 0:13:20 | |
and the reason for that is bats. | 0:13:20 | 0:13:23 | |
I think bats are just a fantastic prey for snakes. | 0:13:23 | 0:13:27 | |
Bingo! | 0:13:37 | 0:13:38 | |
There's our first snake, look at that! | 0:13:38 | 0:13:43 | |
This is a cave racer snake. | 0:13:43 | 0:13:46 | |
The way that you most often see snakes catching bats in caves | 0:13:46 | 0:13:50 | |
is they'll coil themselves in an alcove | 0:13:50 | 0:13:53 | |
and will quickly straighten and snatch the bat from the sky. | 0:13:53 | 0:13:57 | |
Oh, and here's another one, and the one that's up here, | 0:13:57 | 0:14:01 | |
is at the absolute perfect height. It's right on the flight path. | 0:14:01 | 0:14:06 | |
You see the tongue flicking in and out tasting the air, | 0:14:06 | 0:14:09 | |
and the way that he's sitting he is in the perfect position for hunting. | 0:14:09 | 0:14:14 | |
This one is looking for a meal. | 0:14:14 | 0:14:15 | |
And do you know, he is poised, so today could be the day. | 0:14:15 | 0:14:19 | |
Justine's still waiting patiently to film her bats | 0:14:27 | 0:14:32 | |
in a cave that reeks of their guano. | 0:14:32 | 0:14:34 | |
But there's no sign of them. | 0:14:34 | 0:14:36 | |
Apparently there are three million bats in here. And I've seen one. | 0:14:39 | 0:14:43 | |
Wow, we've got some luck, they're starting to come out! | 0:15:02 | 0:15:05 | |
I was just packing up, and then we heard... | 0:15:10 | 0:15:14 | |
the vocalisation of them in the cave. | 0:15:14 | 0:15:17 | |
And now they've started pouring out, | 0:15:17 | 0:15:20 | |
they're right at the top of the entrance here. | 0:15:20 | 0:15:23 | |
That's great, it's good to see them. | 0:15:23 | 0:15:26 | |
In just one night, these bats can travel 40 kilometres | 0:15:27 | 0:15:31 | |
and eat ten tonnes of insects. | 0:15:31 | 0:15:34 | |
There's a ball of them just headed off. | 0:15:37 | 0:15:40 | |
A splinter group, just gone off down there! | 0:15:41 | 0:15:44 | |
Three million bats! | 0:15:51 | 0:15:53 | |
Unbelievable! | 0:15:54 | 0:15:57 | |
This number of bats is a clear sign of the health of this protected forest. | 0:16:01 | 0:16:06 | |
The next morning, the other team continues towards the Marang mountains. | 0:16:13 | 0:16:18 | |
The further Tara goes, the stranger this place becomes. | 0:16:18 | 0:16:23 | |
After so much deforestation, | 0:16:29 | 0:16:32 | |
it's encouraging to see there's still wildlife. | 0:16:32 | 0:16:35 | |
See here? | 0:16:35 | 0:16:38 | |
It's a huge big monitor lizard, that's two-and-a-half metres long, huge big guy, big powerful jaws. | 0:16:38 | 0:16:43 | |
Oh, it's gonna take off - they're real skittish. | 0:16:48 | 0:16:51 | |
They're entering a forbidding landscape riddled with caves. | 0:16:54 | 0:16:57 | |
Even here there are signs of people. | 0:16:57 | 0:17:01 | |
It's not timber that's brought them here. | 0:17:02 | 0:17:05 | |
They're searching for an even more valuable treasure that lies deep within these mountains. | 0:17:05 | 0:17:12 | |
This cave is defended like a fortress. | 0:17:12 | 0:17:15 | |
This is what they're protecting - swiftlet nests. | 0:17:19 | 0:17:24 | |
For centuries they've been collected to make birds' nest soup. | 0:17:24 | 0:17:27 | |
This nest is worth as much as £20. | 0:17:27 | 0:17:30 | |
Wow! Look at this - Fort Knox. | 0:17:32 | 0:17:35 | |
For this business to be successful, | 0:17:35 | 0:17:37 | |
there has to be a healthy population of swiftlets. | 0:17:37 | 0:17:40 | |
It's like living in a cathedral. | 0:17:47 | 0:17:49 | |
Slightly smelly cathedral though, cos the flooring is pure bat excrement. | 0:17:49 | 0:17:55 | |
These men guard the cave 24 hours a day. | 0:17:56 | 0:18:00 | |
Do they also collect the nests, | 0:18:00 | 0:18:01 | |
or are there other people to collect the nests? | 0:18:01 | 0:18:05 | |
No wonder he's all muscles! | 0:18:10 | 0:18:12 | |
Imis shows Tara the tools of his trade. | 0:18:12 | 0:18:16 | |
What's he getting? Oh, this is his climbing bamboo. | 0:18:16 | 0:18:20 | |
The job of a bird's nest collector is a dangerous one. | 0:18:20 | 0:18:23 | |
Broken limbs are all too common. | 0:18:25 | 0:18:28 | |
My God, what a technique! | 0:18:30 | 0:18:33 | |
It must be slippy over there, it's quite wet, isn't it? | 0:18:33 | 0:18:37 | |
Maybe he's got superglue feet. | 0:18:37 | 0:18:39 | |
The nests are in the highest part of the cave. | 0:18:40 | 0:18:43 | |
It's dangerous work, but good money - for some. | 0:18:43 | 0:18:48 | |
They get 13,000 US a year. | 0:18:48 | 0:18:52 | |
13,000 US dollars a year? That's a lot of money. | 0:18:52 | 0:18:55 | |
I mean these guys don't get to keep all that money, it's his boss who's getting the big profit. | 0:18:55 | 0:19:01 | |
Exactly. | 0:19:01 | 0:19:02 | |
It's big business. | 0:19:02 | 0:19:04 | |
Here there are no quotas, and the nests are over-collected. | 0:19:04 | 0:19:09 | |
This old man worked these caves years ago. | 0:19:09 | 0:19:13 | |
How much bird's nest was he collecting? | 0:19:13 | 0:19:16 | |
Be interesting just to see if it was more or less than is available now. | 0:19:16 | 0:19:20 | |
And now Imis is only getting half a kilo in the same period? | 0:19:24 | 0:19:28 | |
Since the old man's time, two thirds of the birds have gone. | 0:19:28 | 0:19:33 | |
At this rate, the birds and the livelihood could soon disappear. | 0:19:34 | 0:19:39 | |
Mountains and caves straddle the backbone of Borneo. | 0:19:43 | 0:19:48 | |
Some have been exploited, some lie totally unexplored. | 0:19:48 | 0:19:53 | |
No-one knows what's hidden at the bottom of this hole. | 0:19:55 | 0:19:58 | |
Justine and Steve have begun their gruelling ascent in the stifling heat. | 0:20:02 | 0:20:07 | |
The terrain is treacherous - steep and very slippery. | 0:20:11 | 0:20:16 | |
The rocks - razor sharp. | 0:20:20 | 0:20:23 | |
Don't be kicking any of that down on my head! | 0:20:26 | 0:20:29 | |
-But after a punishing climb, they make it to the edge. -Oh, my God! | 0:20:32 | 0:20:36 | |
That is a big hole! | 0:20:39 | 0:20:41 | |
That is a very, very long way down. | 0:20:44 | 0:20:47 | |
They stand on just a thin overhang of soil and roots. | 0:20:47 | 0:20:52 | |
It's a 160-metre drop below. | 0:20:52 | 0:20:56 | |
-Be careful, Justine, that edge there is very, very dicey, -There's nothing there, really. | 0:21:00 | 0:21:05 | |
No, this is all overhung as well, that just drops straight down beneath our feet. | 0:21:05 | 0:21:09 | |
It's too late to begin the descent, so they make camp on the edge of the hole. | 0:21:09 | 0:21:13 | |
Tomorrow, they will venture into the void. | 0:21:15 | 0:21:18 | |
Tara is nearing her goal in the Marang mountains. | 0:21:25 | 0:21:29 | |
Halfway up the cliff is this amazing cave - | 0:21:31 | 0:21:35 | |
home to an ancient culture. | 0:21:35 | 0:21:38 | |
It looks very steep. Such a dramatic bit of rock, isn't it? | 0:21:38 | 0:21:43 | |
This is Tara's ultimate destination. | 0:21:43 | 0:21:46 | |
I have no idea what's ahead of me. | 0:21:48 | 0:21:51 | |
Team member Luc-Henri Fage, an expert on these caves, | 0:21:54 | 0:21:58 | |
helps Tara negotiate the cliff face. | 0:21:58 | 0:22:01 | |
There's nothing to hold on to. | 0:22:01 | 0:22:04 | |
I'm holding to anything that... | 0:22:04 | 0:22:06 | |
-Right, so I'm going up here. -Yeah. OK? | 0:22:10 | 0:22:15 | |
Very good, very good! | 0:22:18 | 0:22:20 | |
Only recently discovered by this bird's nest collector, | 0:22:21 | 0:22:25 | |
this cave contains one of the most incredible examples | 0:22:25 | 0:22:29 | |
of prehistoric rock art in the world. | 0:22:29 | 0:22:32 | |
Oh, wow - look up here! | 0:22:32 | 0:22:34 | |
These hands were painted by forest people 10,000 years ago. | 0:22:45 | 0:22:50 | |
The paintings are extraordinary. | 0:22:54 | 0:22:57 | |
-You can see 200 hand prints. -There's 200 hand prints in here?! | 0:22:57 | 0:23:00 | |
On that...on that level. | 0:23:00 | 0:23:01 | |
Do you paint over your hand or, how do you do it? | 0:23:01 | 0:23:04 | |
They put their hand on the wall and they spray colour, | 0:23:04 | 0:23:09 | |
probably it was in the mouth. | 0:23:09 | 0:23:11 | |
Like this. | 0:23:11 | 0:23:12 | |
The meanings behind these pictures are as unknown as the artists that painted them. | 0:23:15 | 0:23:20 | |
But they're proof that people have lived in this forest for millennia. | 0:23:22 | 0:23:25 | |
And they left nothing behind but their art. | 0:23:25 | 0:23:28 | |
Isn't that incredible to think they've existed here so long? | 0:23:31 | 0:23:35 | |
Why? Why here? | 0:23:35 | 0:23:37 | |
Why they did that is still a mystery. | 0:23:37 | 0:23:40 | |
Tara and the team have made camp on the edge of the cave, | 0:23:44 | 0:23:47 | |
named Gua Tewet after the man that discovered it. | 0:23:47 | 0:23:50 | |
What's his impressions of these paintings? | 0:23:52 | 0:23:55 | |
What does he think they're all about? | 0:23:55 | 0:23:56 | |
INTERPRETER ASKS QUESTION | 0:23:56 | 0:23:59 | |
And what about the hands, then? | 0:24:10 | 0:24:11 | |
Yeah. | 0:24:17 | 0:24:19 | |
It's dawn in the Marang mountains. | 0:24:33 | 0:24:36 | |
Most of the team is sound asleep in the cave. | 0:24:36 | 0:24:39 | |
But Tara has woken to a forest under siege. | 0:24:39 | 0:24:43 | |
SOUND OF CHAINSAW | 0:24:44 | 0:24:46 | |
I woke up this morning in this beautiful cave, | 0:24:46 | 0:24:50 | |
to the distant sounds of chainsaws. | 0:24:50 | 0:24:52 | |
Now, gradually, the trees are starting to emerge from the mist. | 0:24:55 | 0:24:59 | |
BIRDS AND ANIMALS CALL | 0:24:59 | 0:25:02 | |
And the gibbons have started up over here somewhere, | 0:25:03 | 0:25:07 | |
there's a pair duetting over there - it's lovely to listen to. | 0:25:07 | 0:25:11 | |
To the right - forest. | 0:25:16 | 0:25:20 | |
To the left - deforestation. | 0:25:20 | 0:25:21 | |
This cave was once in deep jungle. | 0:25:23 | 0:25:26 | |
Now, it's on the frontline. | 0:25:26 | 0:25:29 | |
I was just thinking about... it doesn't seem right | 0:25:30 | 0:25:33 | |
to be listening to chainsaws and gibbons at the same time. | 0:25:33 | 0:25:38 | |
I mean, this is such a beautiful serene landscape | 0:25:38 | 0:25:41 | |
and the bird noises and the gibbon sounds and the macaques over here, | 0:25:41 | 0:25:45 | |
that all fits into what you would expect. | 0:25:45 | 0:25:47 | |
But the roaring chainsaw's a backdrop to all of that. | 0:25:47 | 0:25:51 | |
Makes you worried that this area could really be decimated. | 0:25:51 | 0:25:54 | |
Conservationists have proposed this area as a World Heritage Site. | 0:25:57 | 0:26:02 | |
But the danger is, it may be destroyed before it can be protected. | 0:26:02 | 0:26:07 | |
On the rim of the giant chasm, the tension is mounting. | 0:26:17 | 0:26:20 | |
The kit is checked | 0:26:22 | 0:26:25 | |
and checked again. | 0:26:25 | 0:26:27 | |
There's no room for error. | 0:26:27 | 0:26:29 | |
With the help of climbing specialist Tim Fogg, they prepare for their daring descent. | 0:26:31 | 0:26:37 | |
There's a 160 metres of rope hanging down there, and that's heavy. | 0:26:37 | 0:26:42 | |
That's going to make your descent slow. You have to lift and it can be hard work. | 0:26:42 | 0:26:46 | |
Below them lies a forest cut off from the rest of the world. | 0:26:46 | 0:26:50 | |
No-one knows what life exists there. | 0:26:50 | 0:26:53 | |
Steve pushes through the tangled vegetation... | 0:27:02 | 0:27:06 | |
and over the edge. | 0:27:06 | 0:27:08 | |
Only when he clears the overhang can he see the true scale of this collapsed cave. | 0:27:09 | 0:27:15 | |
The under hang here is just immense! | 0:27:19 | 0:27:22 | |
-OK, Justine! -God! | 0:27:30 | 0:27:32 | |
If you're feeling brave, give it a go! | 0:27:32 | 0:27:35 | |
Feeling VERY brave! | 0:27:35 | 0:27:36 | |
Oh, my God! | 0:27:42 | 0:27:43 | |
Steve, it's amazing! | 0:27:43 | 0:27:46 | |
Are you getting vertigo? Cos I am! | 0:27:46 | 0:27:48 | |
My heart is still right up in my throat though, I've gotta say. | 0:27:48 | 0:27:51 | |
-Have you ever been exposed like this on a rope before? -No. | 0:27:51 | 0:27:56 | |
I just want to hold on to something, you know? | 0:27:56 | 0:27:59 | |
But as they abseil into the chasm, | 0:28:03 | 0:28:05 | |
the weather suddenly takes a turn for the worse. | 0:28:05 | 0:28:08 | |
A tropical storm is blowing in. | 0:28:09 | 0:28:12 | |
Any minute now it will be directly over them. | 0:28:12 | 0:28:16 | |
Justine don't...don't come down here just yet. | 0:28:23 | 0:28:26 | |
Stay where you are for a second. | 0:28:26 | 0:28:28 | |
THUNDER CRASHES | 0:28:33 | 0:28:36 | |
They must decide - do they struggle back up the rain-soaked ropes? | 0:28:37 | 0:28:42 | |
Or continue down into the unknown? | 0:28:42 | 0:28:45 | |
This is terrifying! | 0:28:51 | 0:28:53 |