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I'm here, surrounded by one of nature's greatest wonders. | 0:00:04 | 0:00:09 | |
A living structure so enormous, it can be seen from space. | 0:00:09 | 0:00:14 | |
The Great Barrier Reef. | 0:00:18 | 0:00:19 | |
Home to one of the most extraordinary communities of animals on the planet. | 0:00:25 | 0:00:29 | |
'I've been fascinated by it for almost 60 years.' | 0:00:34 | 0:00:37 | |
Here, unknown species are still being found. | 0:00:45 | 0:00:49 | |
And scientists are making astonishing discoveries | 0:00:52 | 0:00:54 | |
about the creatures that we thought we knew. | 0:00:54 | 0:00:57 | |
'In this series, our research vessel, the Alucia, | 0:01:00 | 0:01:03 | |
'will allow us to explore the reef as never before.' | 0:01:03 | 0:01:06 | |
Using the latest technology, I'll visit its mysterious depths. | 0:01:10 | 0:01:14 | |
Nobody has ever dived as deep as this before on the Great Barrier Reef. | 0:01:16 | 0:01:21 | |
I'll learn of its surprising origins. | 0:01:23 | 0:01:25 | |
And discover how this wonderfully diverse community | 0:01:28 | 0:01:32 | |
has been created by some of the very smallest creatures on the reef. | 0:01:32 | 0:01:35 | |
But visited by some of the most impressive animals on the planet. | 0:01:38 | 0:01:43 | |
It's an ecosystem like no other. | 0:01:53 | 0:01:55 | |
Vital to our oceans. | 0:01:57 | 0:01:59 | |
And surprisingly, we are still uncovering its many secrets. | 0:02:04 | 0:02:08 | |
The Great Barrier Reef lies on Australia's north-east coast. | 0:02:34 | 0:02:37 | |
It's 1,400 miles long... | 0:02:41 | 0:02:43 | |
..and at its widest, 150 miles across. | 0:02:47 | 0:02:50 | |
It consists of almost 3,000 individual coral reefs... | 0:02:53 | 0:02:57 | |
..and 900 islands. | 0:03:00 | 0:03:02 | |
And for me, it's truly | 0:03:05 | 0:03:07 | |
one of the most extraordinary places on the planet. | 0:03:07 | 0:03:10 | |
People say to me, | 0:03:12 | 0:03:14 | |
"What was the most magical thing you ever saw in your life? | 0:03:14 | 0:03:17 | |
"What was the most magical moment in your career as a naturalist?" | 0:03:17 | 0:03:22 | |
And I always say, the first time I put on a mask | 0:03:22 | 0:03:27 | |
and went below the surface | 0:03:27 | 0:03:29 | |
and moved in three dimensions just with a flick of my fin | 0:03:29 | 0:03:33 | |
and suddenly saw all these amazingly multicoloured things | 0:03:33 | 0:03:38 | |
living in communities right there. | 0:03:38 | 0:03:41 | |
Just astounding things. | 0:03:42 | 0:03:44 | |
Unforgettable beauty. | 0:03:44 | 0:03:46 | |
I first came to the Barrier Reef nearly 60 years ago. | 0:03:54 | 0:03:57 | |
And I remember very clearly how amazed I was | 0:03:57 | 0:04:01 | |
to see such a complexity of life. | 0:04:01 | 0:04:04 | |
But today, we have ways of looking at the reef, | 0:04:04 | 0:04:08 | |
technical ways, which we never had before | 0:04:08 | 0:04:11 | |
and give us a completely new vision of this wonderful place, | 0:04:11 | 0:04:14 | |
which is surely one of the greatest treasures of the natural world. | 0:04:14 | 0:04:18 | |
'Now I've returned. | 0:04:25 | 0:04:27 | |
'And taking me on this journey is the Alucia, | 0:04:27 | 0:04:30 | |
'a 56-metre state-of-the-art research and exploration vessel. | 0:04:30 | 0:04:34 | |
'For this expedition, we've been granted unprecedented access | 0:04:39 | 0:04:43 | |
'to some of the most remote corners of the Great Barrier Reef.' | 0:04:43 | 0:04:46 | |
Onboard is a team of experts. | 0:04:54 | 0:04:57 | |
And at our disposal, all the latest technology. | 0:04:57 | 0:05:00 | |
Our mission is to reveal a hidden world | 0:05:03 | 0:05:06 | |
and to complete a series of dives | 0:05:06 | 0:05:08 | |
that have never before been attempted on the Great Barrier Reef. | 0:05:08 | 0:05:12 | |
But to do that, we have had to bring in a very special piece of equipment. | 0:05:15 | 0:05:20 | |
This is a Triton submarine. | 0:05:22 | 0:05:25 | |
The very latest in submersible technology. | 0:05:29 | 0:05:32 | |
And the first of its kind to be brought to these waters. | 0:05:34 | 0:05:37 | |
The submersible's captain, Buck Taylor, will lead the dive team. | 0:05:40 | 0:05:44 | |
With 2,000 dives under his belt, his expertise is unparalleled. | 0:05:44 | 0:05:49 | |
While our film crew rigs the submersible | 0:05:55 | 0:05:57 | |
with no fewer than eight cameras, | 0:05:57 | 0:05:59 | |
Buck gathers the rest of the team together | 0:05:59 | 0:06:01 | |
to brief us on the dives ahead. | 0:06:01 | 0:06:04 | |
-COMPUTER: -"Welcome to the MV Alucia submersible team..." | 0:06:04 | 0:06:07 | |
'The submersible offers spectacular filming opportunities, | 0:06:07 | 0:06:10 | |
'but it's not without its dangers.' | 0:06:10 | 0:06:13 | |
Coming from the rescue background, | 0:06:13 | 0:06:15 | |
I've been in a submersible up to my waist in water, | 0:06:15 | 0:06:18 | |
I've had a fire in a submersible. | 0:06:18 | 0:06:21 | |
-COMPUTER: -"No smoking, smoking materials..." | 0:06:21 | 0:06:24 | |
'As well as these hazards, Buck is also obliged to raise | 0:06:25 | 0:06:29 | |
'one of the more intimate limitations of submersible life.' | 0:06:29 | 0:06:32 | |
We do have facilities of a toilet onboard. | 0:06:32 | 0:06:35 | |
Obviously, because it's quite confined, it's not very discrete, | 0:06:35 | 0:06:38 | |
so we do have some towels out that we can hold up around you. | 0:06:38 | 0:06:42 | |
It's quite interesting trying to explain about going to the toilet | 0:06:42 | 0:06:46 | |
in a three-man submersible in a sort of sphere | 0:06:46 | 0:06:49 | |
that's less than two metres diameter. It's quite intimate. | 0:06:49 | 0:06:52 | |
He was six foot three... LAUGHTER | 0:06:52 | 0:06:55 | |
We've got cameras pointing from every direction. | 0:06:55 | 0:06:57 | |
-Good. -Thank you. | 0:06:57 | 0:06:59 | |
Thanks very much. I'm looking forward to it a lot. | 0:06:59 | 0:07:02 | |
The Alucia's first mission | 0:07:08 | 0:07:10 | |
is to take us to the Barrier's stunning ribbon reefs | 0:07:10 | 0:07:13 | |
in the north of its extensive range. | 0:07:13 | 0:07:15 | |
It's an area of outstanding natural beauty | 0:07:19 | 0:07:22 | |
and the perfect place to begin our explorations. | 0:07:22 | 0:07:25 | |
The story of the Great Barrier Reef | 0:07:29 | 0:07:32 | |
starts with its most important inhabitant, the coral itself. | 0:07:32 | 0:07:36 | |
Hidden inside these branching structures | 0:07:40 | 0:07:42 | |
are the thousands of tiny creatures that build these reefs. | 0:07:42 | 0:07:46 | |
And they have an enormous claim to fame. | 0:07:51 | 0:07:54 | |
Together, they've built the largest living structure on earth. | 0:07:55 | 0:07:58 | |
But these fascinating coral creatures are only active at night. | 0:08:04 | 0:08:08 | |
So to capture their behaviour, | 0:08:08 | 0:08:10 | |
we'll need to do something I've never done before. | 0:08:10 | 0:08:13 | |
Tonight, a team of specialist divers, scientists | 0:08:16 | 0:08:21 | |
and programme-makers, like myself, | 0:08:21 | 0:08:23 | |
have gathered together to have a closer look and a longer look | 0:08:23 | 0:08:27 | |
at the reef at night than perhaps has ever been possible. | 0:08:27 | 0:08:31 | |
When I came here 60 years ago, | 0:08:34 | 0:08:36 | |
the idea of a night dive was almost inconceivable. | 0:08:36 | 0:08:40 | |
It seemed to me, a beginner, to be far too dangerous. | 0:08:41 | 0:08:46 | |
But now, technology is going to help me. | 0:08:46 | 0:08:49 | |
'Once I'm in, it's over to Buck and the support team, | 0:08:54 | 0:08:57 | |
'who remain onboard the Alucia, | 0:08:57 | 0:08:59 | |
'to make sure everything goes smoothly.' | 0:08:59 | 0:09:02 | |
INDISTINCT RADIO | 0:09:02 | 0:09:04 | |
'They've spent months preparing for this moment.' | 0:09:06 | 0:09:10 | |
SIREN WAILS | 0:09:10 | 0:09:12 | |
'Our submersible, known to the crew as the Nadir, | 0:09:12 | 0:09:16 | |
'has, of course, made dives like this all over the world. | 0:09:16 | 0:09:19 | |
'She's descended to the deepest part of the oceans, | 0:09:19 | 0:09:24 | |
'but she's never visited the Barrier Reef. | 0:09:24 | 0:09:27 | |
'It's a first for all of us. | 0:09:27 | 0:09:28 | |
'But before we can go anywhere, we'll need to position the Nadir | 0:09:34 | 0:09:38 | |
'at a safe distance from the Alucia. | 0:09:38 | 0:09:41 | |
'It's a substantial operation, | 0:09:45 | 0:09:47 | |
'but finally, we're ready to get underway.' | 0:09:47 | 0:09:49 | |
S.O. Nadir, just approaching the buoy. Am I clear to vent? | 0:09:51 | 0:09:55 | |
-RADIO: -"Roger, Nadir. You are clear to vent, clear to vent. | 0:09:57 | 0:10:00 | |
"Have a good dive, guys." | 0:10:00 | 0:10:02 | |
'Sinking beneath the waves is a very surreal experience. | 0:10:10 | 0:10:13 | |
'Your first instinct is to hold your breath. | 0:10:16 | 0:10:19 | |
'At night, the reef is a ghostly world. | 0:10:28 | 0:10:32 | |
'Tiny shrimp-like creatures dance in the lights.' | 0:10:38 | 0:10:41 | |
Look at that! Wow! | 0:10:50 | 0:10:52 | |
'With little light, there is a lot less colour, | 0:10:53 | 0:10:57 | |
'but this is still a very magical place.' | 0:10:57 | 0:11:00 | |
Ah! There's something! My first fish! | 0:11:05 | 0:11:07 | |
'Our submersible will eventually take us to depths of 300 metres. | 0:11:08 | 0:11:13 | |
'Now, we're only 30 metres down, | 0:11:13 | 0:11:16 | |
'but that's exciting enough for a start.' | 0:11:16 | 0:11:18 | |
In these dark waters, Buck needs to be careful | 0:11:25 | 0:11:28 | |
as we move around the front of the reef. | 0:11:28 | 0:11:31 | |
Coral reefs are sometimes described as marine cities. | 0:11:37 | 0:11:41 | |
And the comparison is indeed a good one. | 0:11:41 | 0:11:43 | |
We're here to take a closer look at the reef's architecture. | 0:11:46 | 0:11:49 | |
Its coral buildings. | 0:11:49 | 0:11:51 | |
There are more than 450 different species of hard coral. | 0:11:56 | 0:12:00 | |
The plant-like structures we can see are actually made of limestone. | 0:12:02 | 0:12:06 | |
And living inside are thousands of highly industrious little animals | 0:12:06 | 0:12:09 | |
called coral polyps. | 0:12:09 | 0:12:11 | |
At night, the water around the reef | 0:12:17 | 0:12:19 | |
becomes filled with clouds of tiny microorganisms | 0:12:19 | 0:12:23 | |
called the zooplankton. | 0:12:23 | 0:12:25 | |
And that's what the corals eat. | 0:12:28 | 0:12:30 | |
The coral polyps themselves emerge from their stony skeleton | 0:12:35 | 0:12:39 | |
and start groping in the water with their tentacles. | 0:12:39 | 0:12:43 | |
To see just what they're doing, we need specialised cameras. | 0:12:46 | 0:12:50 | |
The coral polyps never leave the safety of their limestone homes, | 0:12:53 | 0:12:57 | |
even at night. | 0:12:57 | 0:12:59 | |
If something edible comes within reach, | 0:13:03 | 0:13:06 | |
the polyps fire the microscopic harpoons that line their tentacles. | 0:13:06 | 0:13:10 | |
The prey is stunned or killed and then pulled into the polyp's mouth. | 0:13:15 | 0:13:19 | |
When you can't leave your home, it pays to be accurate. | 0:13:21 | 0:13:24 | |
The coral's stinging armoury isn't used only for collecting food. | 0:13:26 | 0:13:30 | |
They also use it to fight. | 0:13:30 | 0:13:32 | |
Because, as has been discovered only comparatively recently, | 0:13:32 | 0:13:36 | |
corals, like many animals that live on land, | 0:13:36 | 0:13:39 | |
are extremely territorial. | 0:13:39 | 0:13:41 | |
But in order to see the battles, | 0:13:41 | 0:13:44 | |
you have to speed up time. | 0:13:44 | 0:13:46 | |
The polyps of each colony collaborate to defend their patch. | 0:13:52 | 0:13:56 | |
As in any big city, space is precious. | 0:13:59 | 0:14:02 | |
If a rival grows too close, there will be trouble. | 0:14:04 | 0:14:06 | |
These fights can last for hours. | 0:14:10 | 0:14:12 | |
The competition is fierce | 0:14:17 | 0:14:19 | |
as the coral colonies jostle with one another | 0:14:19 | 0:14:21 | |
for the best feeding sites. | 0:14:21 | 0:14:23 | |
When they're not locked in battle, the corals have work to do. | 0:14:30 | 0:14:34 | |
'They must extract calcium carbonate from the surrounding seawater | 0:14:36 | 0:14:39 | |
'and with it, build their homes.' | 0:14:39 | 0:14:42 | |
Each coral species has its own particular way of building. | 0:14:48 | 0:14:51 | |
And together, they eventually create the huge reefs | 0:14:51 | 0:14:55 | |
that provide homes for all kinds of other, much larger creatures. | 0:14:55 | 0:15:00 | |
At night, the reef seems like an extraterrestrial world. | 0:15:13 | 0:15:19 | |
But down here, we are the aliens. | 0:15:19 | 0:15:22 | |
And here comes a turtle! | 0:15:26 | 0:15:27 | |
Attracted by our lights. | 0:15:30 | 0:15:32 | |
Come on! | 0:15:32 | 0:15:34 | |
Coming straight to us. | 0:15:39 | 0:15:40 | |
Isn't that great! | 0:15:51 | 0:15:53 | |
'Coming face-to-face with a green turtle | 0:15:53 | 0:15:55 | |
'in this setting is a rare privilege, | 0:15:55 | 0:15:57 | |
'but its presence here, along with all the other reef residents, | 0:15:57 | 0:16:01 | |
'is only made possible thanks to the great coral builders.' | 0:16:01 | 0:16:05 | |
He doesn't look very upset, does he? | 0:16:05 | 0:16:07 | |
It happens all the time on this reef. | 0:16:11 | 0:16:13 | |
It's the perfect end to my first dive. | 0:16:23 | 0:16:27 | |
The time has come for us to make our way back up to the Alucia. | 0:16:30 | 0:16:35 | |
Welcome back, gentlemen. | 0:16:45 | 0:16:47 | |
Diving on a reef at night is a thrilling experience. | 0:16:52 | 0:16:56 | |
What I want to see next is how exactly these tiny coral creatures | 0:16:59 | 0:17:03 | |
have created such a vast and extensive habitat. | 0:17:03 | 0:17:06 | |
To answer that, we'll need to look at the reef | 0:17:10 | 0:17:12 | |
from another angle entirely. | 0:17:12 | 0:17:14 | |
At this height, you can begin to appreciate | 0:17:51 | 0:17:53 | |
the immense size of the Barrier Reef. | 0:17:53 | 0:17:56 | |
It's 2,300 kilometres long, 1,400 miles. | 0:17:56 | 0:18:01 | |
It's the largest living structure on the planet. | 0:18:01 | 0:18:05 | |
Reefs much like these develop in the shallow tropical waters | 0:18:08 | 0:18:12 | |
that surround many an island and continental coast. | 0:18:12 | 0:18:15 | |
But few can match the Great Barrier | 0:18:18 | 0:18:20 | |
in either size or complexity. | 0:18:20 | 0:18:22 | |
So, what is so special about the north-eastern coast of Australia? | 0:18:24 | 0:18:28 | |
A clue to the answer lies in the shape of the sea floor. | 0:18:31 | 0:18:35 | |
If we strip away the ocean, | 0:18:37 | 0:18:39 | |
we can reveal the reason why such extraordinary growth is possible. | 0:18:39 | 0:18:43 | |
The reef has grown on a very shallow continental shelf. | 0:18:45 | 0:18:49 | |
Beyond which, there is a sudden and very steep 2,000-metre drop-off. | 0:18:49 | 0:18:53 | |
It stands in waters with an average depth of just 35 metres. | 0:18:56 | 0:19:00 | |
That's just about as far as sunlight can penetrate with any strength. | 0:19:00 | 0:19:05 | |
Light is crucially important to reef-building corals | 0:19:08 | 0:19:12 | |
because they have developed a special partnership | 0:19:12 | 0:19:15 | |
with microscopic algae - | 0:19:15 | 0:19:17 | |
plants that actually grow within tissues. | 0:19:17 | 0:19:21 | |
The algae get a safe home | 0:19:24 | 0:19:27 | |
and, like all plants, when they photosynthesise, | 0:19:27 | 0:19:30 | |
they produce energy. | 0:19:30 | 0:19:31 | |
The coral polyps use this energy to construct their limestone home. | 0:19:35 | 0:19:40 | |
Together, they've built an underwater city | 0:19:45 | 0:19:48 | |
on a scale that is almost impossible to comprehend. | 0:19:48 | 0:19:52 | |
But amazingly, just 10,000 years ago, | 0:19:56 | 0:19:59 | |
there was no coral here at all. | 0:19:59 | 0:20:02 | |
The Great Barrier Reef as we know it today simply didn't exist. | 0:20:06 | 0:20:11 | |
How and when these coral communities began | 0:20:15 | 0:20:18 | |
is something scientists have only recently started to investigate. | 0:20:18 | 0:20:22 | |
Marine geologist, Dr Robin Beaman, | 0:20:24 | 0:20:26 | |
has been leading an ambitious project to scan the entire reef. | 0:20:26 | 0:20:31 | |
And his data has allowed us to map the sea floor. | 0:20:31 | 0:20:35 | |
David, this is a three-dimensional model of the Great Barrier Reef. | 0:20:36 | 0:20:40 | |
In deeper waters, we tend to use sonar, | 0:20:40 | 0:20:42 | |
in shallow waters, we tend to use underwater laser beams | 0:20:42 | 0:20:46 | |
to image the sea floor. | 0:20:46 | 0:20:48 | |
'By combining computer modelling and radiocarbon dating, | 0:20:51 | 0:20:55 | |
'his team have been able to reconstruct | 0:20:55 | 0:20:57 | |
'the key stages in the development of the Great Barrier. | 0:20:57 | 0:21:01 | |
'Their research has helped identify an event | 0:21:02 | 0:21:04 | |
'between 10,000 and 20,000 years ago | 0:21:04 | 0:21:07 | |
'which may explain how the Great Barrier Reef was formed. | 0:21:07 | 0:21:11 | |
'But surprisingly, scientists are not the only ones to tell this story.' | 0:21:14 | 0:21:19 | |
Australia's Aboriginal peoples arrived on this continent | 0:21:20 | 0:21:24 | |
around 50,000 years ago. | 0:21:24 | 0:21:26 | |
They have been telling the story of how the reef was formed | 0:21:30 | 0:21:34 | |
long before the world's scientists even knew it existed. | 0:21:34 | 0:21:37 | |
To hear that story, the Alucia is taking us to Northern Queensland | 0:21:39 | 0:21:43 | |
to meet a community with a very special connection | 0:21:43 | 0:21:46 | |
to this underwater world. | 0:21:46 | 0:21:48 | |
They are the Gimuy Walubara Yidinji people. | 0:21:57 | 0:22:01 | |
And they live just outside the city of Cairns. | 0:22:01 | 0:22:04 | |
This community has dwelt alongside the reef for thousands of years. | 0:22:11 | 0:22:15 | |
THEY SPEAK YIDINY | 0:22:17 | 0:22:19 | |
And many of their traditions hark back to those ancient times. | 0:22:21 | 0:22:25 | |
THEY SING IN YIDINY | 0:22:25 | 0:22:28 | |
And one of them tells how the reef came into existence. | 0:22:30 | 0:22:34 | |
It's a legend that has been passed down from generation to generation | 0:22:34 | 0:22:38 | |
in the form of a dance. | 0:22:38 | 0:22:40 | |
Tell me the story that's connected to this dance, sir. | 0:22:44 | 0:22:47 | |
It's part of our law story that's told to me by my dad, my father, | 0:22:47 | 0:22:52 | |
and was told to him by his father and his grandfather, as well. | 0:22:52 | 0:22:56 | |
The part of the dance that really interests me | 0:22:59 | 0:23:01 | |
is the story of Gunyah and the sacred fish. | 0:23:01 | 0:23:04 | |
The story starts with Gunyah going out to sea. | 0:23:07 | 0:23:10 | |
And he saw a glitter in the water, which he thought was a fish. | 0:23:10 | 0:23:14 | |
And when he speared it, | 0:23:14 | 0:23:17 | |
he actually speared our sacred fish, the stingray. | 0:23:17 | 0:23:22 | |
So the fish got angry and it started to rise up. | 0:23:22 | 0:23:25 | |
And with its wings, it made the sea rough | 0:23:25 | 0:23:30 | |
and it caused the sea to rise. | 0:23:30 | 0:23:32 | |
Take us back to the time when the first human beings arrived here. | 0:23:34 | 0:23:39 | |
What was it like then? | 0:23:39 | 0:23:40 | |
The coastline would have been very different. | 0:23:40 | 0:23:42 | |
So the coastline would have been right out here, | 0:23:42 | 0:23:45 | |
on the edge of the Great Barrier Reef. | 0:23:45 | 0:23:47 | |
The sea level was much lower | 0:23:47 | 0:23:49 | |
and they would have fished and hunted the coastline. | 0:23:49 | 0:23:52 | |
These were limestone hills | 0:23:52 | 0:23:53 | |
that would have been eucalypts, marshlands. | 0:23:53 | 0:23:55 | |
There would have been mangrove swamps. | 0:23:55 | 0:23:58 | |
But roughly 14,000 years ago, | 0:24:01 | 0:24:04 | |
the climate started to dramatically change. | 0:24:04 | 0:24:08 | |
It was the end of the Ice Age. | 0:24:08 | 0:24:10 | |
And all that water started to inundate the continental shelf | 0:24:10 | 0:24:13 | |
and start to flood this vast, flat landscape. | 0:24:13 | 0:24:18 | |
-And in one man's lifetime? -Absolutely. | 0:24:18 | 0:24:20 | |
So, people living here are going to have to retreat? | 0:24:20 | 0:24:24 | |
Absolutely. It would have been a dramatic time for them. | 0:24:24 | 0:24:27 | |
They would have been following the coastline | 0:24:27 | 0:24:29 | |
as it prograded further and further back | 0:24:29 | 0:24:31 | |
as the water was flooding the shelf. | 0:24:31 | 0:24:33 | |
The rate of change was so great that in these very flat areas here, | 0:24:33 | 0:24:37 | |
the coastline would have moved back by hundreds of metres every year. | 0:24:37 | 0:24:41 | |
-Every year? -Every year. | 0:24:41 | 0:24:43 | |
Gosh! That's formidable. | 0:24:44 | 0:24:47 | |
So our story is about the sea rising. | 0:25:02 | 0:25:05 | |
And there used to be a cliff further out. | 0:25:05 | 0:25:09 | |
And past the cliff is where the ocean used to be. | 0:25:09 | 0:25:12 | |
Now, that's really remarkable. | 0:25:12 | 0:25:13 | |
Because Western science is just beginning to make discoveries | 0:25:13 | 0:25:18 | |
that seem to suggest that the sea, | 0:25:18 | 0:25:21 | |
10,000, 20,000 years ago, was way, way out there, | 0:25:21 | 0:25:25 | |
which is exactly what your story says. | 0:25:25 | 0:25:27 | |
-Extraordinary. -Yes. | 0:25:27 | 0:25:29 | |
A folk memory of an event that happened all that time ago. | 0:25:29 | 0:25:33 | |
Yeah. And the only way we can keep it alive | 0:25:33 | 0:25:37 | |
-is through our song and our dance. -Yes. | 0:25:37 | 0:25:40 | |
Just to keep that going through our culture. | 0:25:40 | 0:25:43 | |
So the tradition lives. | 0:25:44 | 0:25:46 | |
-Yes. -It's wonderful. | 0:25:46 | 0:25:48 | |
'It is truly astounding to think that this story has survived | 0:25:52 | 0:25:56 | |
'for so many years and across so many generations. | 0:25:56 | 0:25:59 | |
'And that it coincides with what scientists are now discovering | 0:26:03 | 0:26:07 | |
'about the age of the Great Barrier.' | 0:26:07 | 0:26:09 | |
The polyps that built the reef arrived as spawn, | 0:26:13 | 0:26:16 | |
swept here by the ocean currents. | 0:26:16 | 0:26:19 | |
Corals are not new to the planet. | 0:26:21 | 0:26:23 | |
They've been around for at least 500 million years. | 0:26:23 | 0:26:27 | |
The new reefs provided homes for thousands of animals, | 0:26:34 | 0:26:38 | |
and very quickly, a whole new community began to establish itself. | 0:26:38 | 0:26:42 | |
Today, the Great Barrier Reef | 0:26:46 | 0:26:48 | |
has one of the most diverse communities of animals on the planet. | 0:26:48 | 0:26:51 | |
And it's the story of these remarkable reef residents | 0:26:56 | 0:27:00 | |
that I want to investigate next. | 0:27:00 | 0:27:02 | |
To do that, the Alucia is taking me north to a very special place. | 0:27:04 | 0:27:09 | |
Lizard Island. | 0:27:11 | 0:27:13 | |
It's one of the 600 continental islands | 0:27:21 | 0:27:23 | |
scattered across the Great Barrier Reef. | 0:27:23 | 0:27:25 | |
And its shallow lagoon is known for its exceptional biodiversity. | 0:27:30 | 0:27:35 | |
'With the Alucia anchored in deeper water, | 0:27:39 | 0:27:42 | |
'a more modest mode of transport will be needed to reach the shore. | 0:27:42 | 0:27:46 | |
'I first visited Lizard Island in 1957. | 0:27:49 | 0:27:52 | |
'Then, it was completely uninhabited. | 0:27:54 | 0:27:57 | |
'Little did I know how important this remote outpost would become | 0:28:00 | 0:28:03 | |
'in helping us to understand the coral reefs. | 0:28:03 | 0:28:06 | |
'But today, that's exactly what this remarkable place | 0:28:09 | 0:28:12 | |
'is world-renowned for.' | 0:28:12 | 0:28:14 | |
Here, for the past few decades, there has been a research station | 0:28:18 | 0:28:21 | |
where scientists can study continuously and in detail | 0:28:21 | 0:28:26 | |
the full complexity of the community of animals that makes up the reef. | 0:28:26 | 0:28:30 | |
Every year, Lizard Island hosts 100 different research projects. | 0:28:34 | 0:28:39 | |
Here, scientists are shedding new light | 0:28:42 | 0:28:44 | |
on the lives of the reefs' residents | 0:28:44 | 0:28:46 | |
and the way in which this complex community works. | 0:28:46 | 0:28:49 | |
Thanks to their research, we now know that coral reefs rival rainforests | 0:28:52 | 0:28:57 | |
in the vast numbers of species they support. | 0:28:57 | 0:29:00 | |
The first question is, where does all that diversity come from? | 0:29:03 | 0:29:06 | |
Lizard Island reefs owe their richness | 0:29:11 | 0:29:13 | |
to the special plants that, in places, fringe the shores. | 0:29:13 | 0:29:17 | |
They link land and sea | 0:29:19 | 0:29:21 | |
and they're vital to the coral reef community. | 0:29:21 | 0:29:24 | |
They're mangroves. | 0:29:25 | 0:29:27 | |
Taking shelter amongst the roots | 0:29:29 | 0:29:32 | |
are thousands of juvenile fish of all shapes and sizes. | 0:29:32 | 0:29:37 | |
Many of these little fish look harmless enough, | 0:29:37 | 0:29:40 | |
but when they grow up, they will become | 0:29:40 | 0:29:43 | |
some of the most ferocious predators on the reef. | 0:29:43 | 0:29:46 | |
Indeed, the existence of these mangrove nurseries | 0:29:46 | 0:29:49 | |
is one of the reasons why the fish populations of the reef | 0:29:49 | 0:29:53 | |
are among the most varied and richest in the world. | 0:29:53 | 0:29:56 | |
The mangroves are not only nurseries, they're playgrounds. | 0:30:00 | 0:30:04 | |
The aim of the game here is to survive the most vulnerable stage | 0:30:07 | 0:30:11 | |
of any animal's life, being a juvenile. | 0:30:11 | 0:30:14 | |
Baby turtles... | 0:30:19 | 0:30:21 | |
..rays and even sharks take refuge here. | 0:30:22 | 0:30:25 | |
These juvenile blacktips are just a few weeks old. | 0:30:30 | 0:30:34 | |
And only one sixth of the size they will be | 0:30:34 | 0:30:36 | |
when they make it out on to the reef as adults. | 0:30:36 | 0:30:40 | |
For the first year of their lives, | 0:30:42 | 0:30:43 | |
the mangroves play a vital role in keeping them safe. | 0:30:43 | 0:30:46 | |
As infants, they're vulnerable to predation from larger sharks. | 0:30:49 | 0:30:53 | |
But the tangle of mangrove roots keeps the big predators out | 0:30:55 | 0:30:59 | |
and stops them making meals of the youngsters. | 0:30:59 | 0:31:02 | |
When the young are ready, | 0:31:07 | 0:31:08 | |
they will eventually leave this sheltered world behind | 0:31:08 | 0:31:11 | |
and make their way to the reef beyond the mangrove roots. | 0:31:11 | 0:31:15 | |
The next challenge will be to find their place | 0:31:21 | 0:31:24 | |
in one of the most crowded ecosystems on the planet. | 0:31:24 | 0:31:27 | |
Getting on the property ladder here is no easy feat. | 0:31:35 | 0:31:39 | |
Which is why one of the reefs' most celebrated characters | 0:31:41 | 0:31:45 | |
has developed a very special relationship. | 0:31:45 | 0:31:47 | |
Clownfish deal with the problem of overcrowding | 0:31:51 | 0:31:55 | |
by sharing space with another creature, gigantic anemones. | 0:31:55 | 0:31:59 | |
They've formed a relationship in which both parties benefit. | 0:32:05 | 0:32:08 | |
Anemones have tentacles that are packed with stinging cells. | 0:32:11 | 0:32:15 | |
Most fish touching one get a very nasty sting, | 0:32:15 | 0:32:19 | |
but not the clownfish, | 0:32:19 | 0:32:21 | |
thanks to the protective layer of mucus that covers its body. | 0:32:21 | 0:32:25 | |
The clownfish keeps the anemone in good health | 0:32:29 | 0:32:31 | |
by removing unwanted parasites. | 0:32:31 | 0:32:33 | |
And in return, the anemone offers security. | 0:32:35 | 0:32:39 | |
Its stinging cells ward off the sort of creatures | 0:32:39 | 0:32:42 | |
which would otherwise threaten the clownfish. | 0:32:42 | 0:32:44 | |
When the time comes for a pair to breed, that protection will be vital. | 0:32:49 | 0:32:54 | |
A female may lay up to 1,000 eggs | 0:32:59 | 0:33:02 | |
on the rock beneath her anemone home. | 0:33:02 | 0:33:05 | |
As she delicately attaches them, | 0:33:09 | 0:33:11 | |
the male follows closely behind, fertilising the eggs as he goes. | 0:33:11 | 0:33:15 | |
A week will pass before the young are ready to emerge. | 0:33:20 | 0:33:23 | |
Hatching only happens at night, | 0:33:27 | 0:33:30 | |
so to record it, we have to use infrared cameras | 0:33:30 | 0:33:33 | |
in a specialised filming environment. | 0:33:33 | 0:33:35 | |
This is the very first time that this behaviour has been filmed. | 0:33:38 | 0:33:42 | |
With gentle encouragement from their father, | 0:33:44 | 0:33:47 | |
the young are helped on their way. | 0:33:47 | 0:33:49 | |
Once the little larvae are set free, they're on their own. | 0:33:57 | 0:34:01 | |
They'll spend the first few weeks of their life | 0:34:03 | 0:34:05 | |
developing in the open ocean. | 0:34:05 | 0:34:07 | |
But how will the young clownfish | 0:34:10 | 0:34:12 | |
find their way back to the coral reefs | 0:34:12 | 0:34:14 | |
after drifting many miles out to sea? | 0:34:14 | 0:34:17 | |
To understand that, we will have to tune into a sense | 0:34:25 | 0:34:28 | |
we don't normally associate with this colourful underwater world. | 0:34:28 | 0:34:32 | |
Sound. | 0:34:35 | 0:34:36 | |
Coral reefs are surprisingly noisy places. | 0:34:42 | 0:34:46 | |
Fish and invertebrates produce a whole range of clicks | 0:34:46 | 0:34:50 | |
and grunts and snaps. | 0:34:50 | 0:34:52 | |
The healthier the reef, the more varied and numerous its inhabitants | 0:34:52 | 0:34:57 | |
and the louder this chorus is. | 0:34:57 | 0:34:59 | |
We now know that fish, just like birds, | 0:35:02 | 0:35:05 | |
vocalise most at dawn and dusk. | 0:35:05 | 0:35:08 | |
Damselfish call to defend their territory. | 0:35:11 | 0:35:14 | |
GRUNTING | 0:35:14 | 0:35:17 | |
Seahorses click to attract a mate. | 0:35:18 | 0:35:21 | |
CLICKING | 0:35:21 | 0:35:23 | |
Others create a very different soundscape | 0:35:26 | 0:35:29 | |
simply by carrying out their daily duties. | 0:35:29 | 0:35:31 | |
SQUAWKING | 0:35:31 | 0:35:33 | |
Parrotfish crunching through the hard coral | 0:35:36 | 0:35:39 | |
are a constant on the reef. | 0:35:39 | 0:35:41 | |
Fish perceive sound in two different ways. | 0:35:44 | 0:35:47 | |
Many have internal ears, but underwater, | 0:35:47 | 0:35:50 | |
they can also feel sound as a vibration. | 0:35:50 | 0:35:53 | |
The noise is a key indication that the community is in good shape. | 0:35:56 | 0:36:02 | |
In fact, the louder the noise on a reef, | 0:36:02 | 0:36:04 | |
the more inviting it is to newcomers. | 0:36:04 | 0:36:07 | |
Newcomers like the young clownfish. | 0:36:07 | 0:36:11 | |
This little male is no bigger than a button, | 0:36:16 | 0:36:19 | |
but the time has come for him to find his place in the big city. | 0:36:19 | 0:36:23 | |
At this stage, his swimming abilities leave something to be desired. | 0:36:29 | 0:36:34 | |
But his hearing is so sensitive, he can tell over hundreds of metres | 0:36:39 | 0:36:42 | |
if a reef is suitable. | 0:36:42 | 0:36:44 | |
His journey can last days. | 0:36:47 | 0:36:49 | |
The final approach is usually made at night to avoid predators. | 0:36:51 | 0:36:54 | |
How fish hear and respond to sound of a healthy coral reef | 0:36:56 | 0:37:00 | |
is a major area of study here on Lizard Island. | 0:37:00 | 0:37:03 | |
And the scientists have a simple way of collecting these fish for study. | 0:37:03 | 0:37:07 | |
A light trap, like this one at Lizard Island, | 0:37:08 | 0:37:11 | |
is one way of assessing the way that the reef is working. | 0:37:11 | 0:37:15 | |
Like moths to a flame, the young are attracted by the light. | 0:37:17 | 0:37:22 | |
'By sampling the newest members of the community, | 0:37:24 | 0:37:26 | |
'scientists can figure out how far these juvenile fish | 0:37:26 | 0:37:29 | |
'are willing to travel for a good home.' | 0:37:29 | 0:37:32 | |
In the case of the clownfish, juveniles have been known to travel | 0:37:36 | 0:37:40 | |
250 miles before they find a reef. | 0:37:40 | 0:37:44 | |
Fortunately, for the majority, it's usually a much shorter journey. | 0:37:51 | 0:37:55 | |
While they rarely return to the particular anemone | 0:37:59 | 0:38:02 | |
beside which they hatched, | 0:38:02 | 0:38:03 | |
60% find a new home on the same reef. | 0:38:03 | 0:38:07 | |
For the clownfish and the anemone, cooperation is the key | 0:38:13 | 0:38:17 | |
to success in this extremely crowded environment. | 0:38:17 | 0:38:20 | |
Other residents, however, take a very different approach. | 0:38:27 | 0:38:31 | |
Rather than share their home, they fiercely defend their territories. | 0:38:33 | 0:38:38 | |
This is a mantis shrimp. | 0:38:41 | 0:38:43 | |
Spotting the competition is half the battle. | 0:38:46 | 0:38:49 | |
There are many different species of mantis shrimp | 0:38:51 | 0:38:54 | |
but they all have one thing in common, | 0:38:54 | 0:38:56 | |
superb vision. | 0:38:56 | 0:38:58 | |
The 400 million-year-old visual system of the mantis shrimp | 0:38:58 | 0:39:02 | |
is the most complex in the entire animal kingdom. | 0:39:02 | 0:39:07 | |
Its eyes are mounted on two stalks, giving it independent vision, | 0:39:07 | 0:39:12 | |
but whereas our eyes produce binocular vision, | 0:39:12 | 0:39:15 | |
each one of theirs produces three different images. | 0:39:15 | 0:39:19 | |
Not only that, whereas we have three photoreceptors in our eyes, | 0:39:20 | 0:39:25 | |
the mantis shrimp has up to 16, giving it access to | 0:39:25 | 0:39:30 | |
parts of the spectrum that we can't even see, let alone imagine. | 0:39:30 | 0:39:34 | |
And they can use their amazing vision to devastating effect. | 0:39:37 | 0:39:42 | |
While some are armed with spears, others carry clubs. | 0:39:47 | 0:39:50 | |
Many are champion boxers. | 0:39:57 | 0:39:59 | |
They can deliver a punch | 0:39:59 | 0:40:01 | |
that accelerates faster than a .22 calibre bullet. | 0:40:01 | 0:40:04 | |
These powerful blows are used to stun their prey | 0:40:10 | 0:40:12 | |
and defend their burrows. | 0:40:12 | 0:40:14 | |
Mantis shrimps are one of the more house-proud residents on the reef. | 0:40:19 | 0:40:24 | |
In fact, they're compulsive cleaners. | 0:40:25 | 0:40:27 | |
They keep their burrows meticulously neat. | 0:40:35 | 0:40:38 | |
With all that effort, it's hardly surprising that they're | 0:40:41 | 0:40:44 | |
fiercely territorial. | 0:40:44 | 0:40:45 | |
In fact, mantis shrimps have earned themselves | 0:40:48 | 0:40:50 | |
a reputation for being somewhat ill-tempered. | 0:40:50 | 0:40:53 | |
But scientists have discovered that there's another side | 0:40:55 | 0:40:58 | |
to these macho males. | 0:40:58 | 0:40:59 | |
This young hopeful is trying to catch the eye of a potential mate. | 0:41:01 | 0:41:05 | |
He starts by showing off his paddle-like antennae. | 0:41:06 | 0:41:09 | |
His technique may not be very impressive to us | 0:41:13 | 0:41:16 | |
but he is, in fact, sending the female secret signals. | 0:41:16 | 0:41:19 | |
And that is possible because mantis shrimps can see | 0:41:22 | 0:41:26 | |
and reflect a kind of light that absolutely no other | 0:41:26 | 0:41:29 | |
creature in the world that we know of can see... | 0:41:29 | 0:41:31 | |
..including us. | 0:41:33 | 0:41:34 | |
The male's display is a private invitation for this female to dance. | 0:41:36 | 0:41:41 | |
So far, so good. | 0:41:50 | 0:41:51 | |
She makes her way to the dance floor. | 0:41:51 | 0:41:54 | |
If the male can impress the female with his performance, | 0:42:01 | 0:42:05 | |
she will choose him to father her offspring. | 0:42:05 | 0:42:07 | |
It seems that this male has all the right moves. | 0:42:17 | 0:42:20 | |
The final phase of courtship, however, usually takes place | 0:42:25 | 0:42:28 | |
out of sight, within their burrows. | 0:42:28 | 0:42:32 | |
The mantis shrimp is arguably one of the reefs most colourful | 0:42:38 | 0:42:41 | |
characters and typifies the key to survival here. | 0:42:41 | 0:42:44 | |
Each resident species has had to carve out its own particular niche | 0:42:49 | 0:42:54 | |
and that is what has created this extraordinary diversity. | 0:42:54 | 0:42:58 | |
Here, life can evolve 50% faster than in other marine environments. | 0:43:00 | 0:43:05 | |
The tiny creatures that have built this remarkable ecosystem | 0:43:07 | 0:43:11 | |
have created a habitat so complex that it supports all kinds of life. | 0:43:11 | 0:43:17 | |
But none of the reef's residents would be here | 0:43:21 | 0:43:23 | |
without one truly extraordinary event. | 0:43:23 | 0:43:26 | |
It occurs just once a year | 0:43:28 | 0:43:30 | |
and is one of the greatest of all natural spectacles. | 0:43:30 | 0:43:33 | |
It wasn't until the 1980s that scientists discovered it, | 0:43:37 | 0:43:41 | |
here on the Great Barrier. | 0:43:41 | 0:43:43 | |
On a few nights of the year | 0:43:45 | 0:43:47 | |
when the conditions are just right, | 0:43:47 | 0:43:48 | |
all along the length of the reef, | 0:43:48 | 0:43:50 | |
corals of many different species suddenly erupt. | 0:43:50 | 0:43:55 | |
It's the great spawning event | 0:43:55 | 0:43:58 | |
and it's one of the wonders of the natural world. | 0:43:58 | 0:44:00 | |
It's the one time in the year | 0:44:02 | 0:44:04 | |
when the corals themselves don't just grow by branching, | 0:44:04 | 0:44:07 | |
but reproduce sexually, and it's vital for the survival of the reef. | 0:44:07 | 0:44:13 | |
In recent years, we've learned a great deal | 0:44:13 | 0:44:15 | |
about the many factors that influenced the moment of spawning. | 0:44:15 | 0:44:19 | |
But even though we know it occurs within days of the full moon in | 0:44:22 | 0:44:25 | |
October or November, the trigger that starts it all is still a mystery. | 0:44:25 | 0:44:29 | |
The light of the moon is, perhaps, the most influential, | 0:44:34 | 0:44:38 | |
but there are many other factors, | 0:44:38 | 0:44:40 | |
including the temperature of the water and the state of the tides. | 0:44:40 | 0:44:44 | |
And as the moment approaches, | 0:44:44 | 0:44:47 | |
all along the length of the reef, | 0:44:47 | 0:44:49 | |
there's a mounting sense of excitement. | 0:44:49 | 0:44:51 | |
Fish and other predators gather. | 0:44:55 | 0:44:58 | |
This will be an opportunity for a feast. | 0:44:58 | 0:45:01 | |
The timing has to be exact. | 0:45:09 | 0:45:11 | |
Each species of coral has its own particular triggers, | 0:45:13 | 0:45:16 | |
but they must synchronise their behaviour to ensure their success. | 0:45:16 | 0:45:20 | |
Just half an hour before the big event, | 0:45:22 | 0:45:25 | |
there is the first sign of the spawning to come. | 0:45:25 | 0:45:27 | |
Small bundles of sperm and eggs bulge from the polyps. | 0:45:31 | 0:45:35 | |
When the moment is right, there is a mass release. | 0:45:41 | 0:45:44 | |
For hundreds of miles all along the coast, the corals erupt. | 0:46:11 | 0:46:15 | |
Only with daybreak can you see the true scale of the event. | 0:46:38 | 0:46:43 | |
Great ribbons of coral spawn drift over the surface of the sea. | 0:46:48 | 0:46:52 | |
After the coral has spawned, | 0:47:00 | 0:47:02 | |
the billions of developing larvae are swept far and wide | 0:47:02 | 0:47:05 | |
by the tides and the currents. | 0:47:05 | 0:47:07 | |
The vast majority will be eaten by fish and other creatures, | 0:47:08 | 0:47:13 | |
but the few survivors must then find a place to settle, | 0:47:13 | 0:47:17 | |
either on a newly-vacated site on an existing reef | 0:47:17 | 0:47:21 | |
or perhaps to found a new one. | 0:47:21 | 0:47:23 | |
The newest coral recruits will continue | 0:47:31 | 0:47:33 | |
the work their ancestors began almost 10,000 years ago. | 0:47:33 | 0:47:36 | |
They are the essential organisms on which the whole reef depends. | 0:47:48 | 0:47:53 | |
The Great Barrier is what it is | 0:48:00 | 0:48:02 | |
because the tiny coral polyps never stop building. | 0:48:02 | 0:48:05 | |
And what they have created is one of the wonders of the natural world. | 0:48:08 | 0:48:12 | |
Next time, we'll cross the Great Barrier Reef | 0:48:21 | 0:48:24 | |
to meet its extraordinary visitors. | 0:48:24 | 0:48:26 | |
I will meet turtles | 0:48:34 | 0:48:35 | |
that may have travelled thousands of miles to get here | 0:48:35 | 0:48:39 | |
and the remarkable people | 0:48:39 | 0:48:40 | |
who are trying to save them from disaster. | 0:48:40 | 0:48:43 | |
I will come face-to-face with the great predators of the reef. | 0:48:48 | 0:48:53 | |
Wow. There's a huge shark. | 0:48:53 | 0:48:55 | |
They are so beautiful in the water. | 0:48:55 | 0:48:57 | |
And we'll meet a whale that seeks out human contact, | 0:49:02 | 0:49:05 | |
a behaviour that happens nowhere else on Earth. | 0:49:05 | 0:49:08 | |
Some come from the open ocean, | 0:49:10 | 0:49:12 | |
others from the land immediately inshore | 0:49:12 | 0:49:15 | |
and still others from the sky, | 0:49:15 | 0:49:18 | |
to complicate still further the intricate community | 0:49:18 | 0:49:22 | |
that is known as the Great Barrier Reef. | 0:49:22 | 0:49:26 | |
For this series, | 0:49:45 | 0:49:46 | |
the production team set themselves an ambitious challenge. | 0:49:46 | 0:49:50 | |
They wanted me to experience the Great Barrier Reef as never before. | 0:49:50 | 0:49:54 | |
To achieve that, we teamed up with a very special research vessel... | 0:49:58 | 0:50:02 | |
..the Alucia. | 0:50:04 | 0:50:06 | |
There aren't many boats like this in the world and | 0:50:06 | 0:50:08 | |
it's a kind of magic carpet for us. | 0:50:08 | 0:50:10 | |
It allows us to float around the reef | 0:50:10 | 0:50:13 | |
and for David to tell different parts of the story. | 0:50:13 | 0:50:15 | |
On board, all the latest technology, | 0:50:18 | 0:50:21 | |
helicopters, a laboratory | 0:50:21 | 0:50:23 | |
and advanced mapping systems. | 0:50:23 | 0:50:25 | |
At the helm of Alucia, | 0:50:30 | 0:50:31 | |
Captain Frank Alika. | 0:50:31 | 0:50:33 | |
The task of getting the ship into position | 0:50:35 | 0:50:37 | |
for the first big submarine launch rests on his shoulders. | 0:50:37 | 0:50:41 | |
Some parts are charted less well than others, | 0:50:43 | 0:50:45 | |
but this particular bit, there's quite a lot of bombies | 0:50:45 | 0:50:48 | |
and things out there that are likely to jump up and bite you | 0:50:48 | 0:50:50 | |
on the bottom, and that's really not what you want. | 0:50:50 | 0:50:53 | |
Fortunately, he's a lot more hands on | 0:50:56 | 0:50:58 | |
than the skipper was on my first visit in 1957. | 0:50:58 | 0:51:01 | |
But it was very primitive. | 0:51:06 | 0:51:08 | |
The camera was wound up by clockwork | 0:51:08 | 0:51:10 | |
and it was just me and the chap with a 16mm camera | 0:51:10 | 0:51:13 | |
and I did the recording. | 0:51:13 | 0:51:14 | |
It may have been a modest shoot but it was, in its way, ground-breaking. | 0:51:16 | 0:51:20 | |
We worked on locations on the reef | 0:51:22 | 0:51:24 | |
where film crews had never been before. | 0:51:24 | 0:51:26 | |
60 years later, I'm told we are poised to make history once again. | 0:51:29 | 0:51:33 | |
This time, to reach new areas of reef, | 0:51:36 | 0:51:38 | |
I'll have to rely on the Triton submersible. | 0:51:38 | 0:51:42 | |
And she's very flexible in terms of how shallow we can come, as well. | 0:51:42 | 0:51:46 | |
She'll work in 1,000 metres happily, | 0:51:46 | 0:51:48 | |
but we can also work in the splash zone, | 0:51:48 | 0:51:51 | |
so her actual trim system is very good. | 0:51:51 | 0:51:54 | |
Amazing visibility, as you'll see when you get in. | 0:51:54 | 0:51:57 | |
Yes, she's a little bit flash. | 0:51:57 | 0:51:59 | |
With just a few short hours before the first big dive, | 0:52:02 | 0:52:05 | |
the excitement and pressure is building on deck. | 0:52:05 | 0:52:08 | |
This will be the last opportunity for the crew | 0:52:12 | 0:52:14 | |
to check the camera gear | 0:52:14 | 0:52:16 | |
and make sure everything is perfectly in place. | 0:52:16 | 0:52:18 | |
It's been a busy morning already. | 0:52:21 | 0:52:22 | |
We've had soundmen, cameramen | 0:52:22 | 0:52:24 | |
trying to fit all their gear into the sub. | 0:52:24 | 0:52:26 | |
We're sort of running out of space for bodies. | 0:52:26 | 0:52:29 | |
There are lots of worries when you put your 88-year-old presenter | 0:52:31 | 0:52:34 | |
in something like this. | 0:52:34 | 0:52:36 | |
I mean, it's got a very small area at the top to get into. | 0:52:36 | 0:52:39 | |
There are all sorts of things that can go wrong. | 0:52:39 | 0:52:41 | |
We're always very cautious. | 0:52:41 | 0:52:42 | |
And even the most limber of sub operators | 0:52:46 | 0:52:47 | |
will struggle getting in the sub. | 0:52:47 | 0:52:49 | |
David's incredibly active and fit, | 0:52:49 | 0:52:51 | |
but he's 88 and so we were slightly worried | 0:52:51 | 0:52:53 | |
about how he might get into the sub. | 0:52:53 | 0:52:55 | |
Yeah, that's it, that's the one. | 0:52:57 | 0:52:59 | |
OK, so we're just going to... | 0:52:59 | 0:53:01 | |
See that landing, he'll guide you right in. | 0:53:01 | 0:53:04 | |
And then you can put your foot there, David. | 0:53:04 | 0:53:07 | |
Keep coming. Nearly there. That's it. OK. | 0:53:07 | 0:53:09 | |
You can rest against me if you want. | 0:53:11 | 0:53:12 | |
Nearly sat on the pilot! | 0:53:12 | 0:53:14 | |
-That's all right, I'm used to it. -That's what he's there for. | 0:53:14 | 0:53:17 | |
David, as usual, defied all our thoughts | 0:53:19 | 0:53:21 | |
and just went straight in without any trouble | 0:53:21 | 0:53:23 | |
as though he was a 25-year-old. | 0:53:23 | 0:53:25 | |
-Rest it on your lap. Is that OK? -Yep. | 0:53:25 | 0:53:28 | |
So, that's hatch secure and we are ready. | 0:53:33 | 0:53:37 | |
The sub weighs almost eight tonnes | 0:53:40 | 0:53:42 | |
and getting it into the water is a major operation. | 0:53:42 | 0:53:45 | |
There's something quite extraordinary about the Triton | 0:53:48 | 0:53:50 | |
being launched, standing here on deck. | 0:53:50 | 0:53:52 | |
Suddenly, the whole back deck area of the ship comes alive. | 0:53:52 | 0:53:56 | |
You've got people running around. | 0:53:56 | 0:53:57 | |
Everything's incredibly detailed and carefully planned, | 0:53:57 | 0:54:00 | |
but you're sort of caught in a whirlwind as ropes fly | 0:54:00 | 0:54:03 | |
and the submarine starts to move forwards. | 0:54:03 | 0:54:05 | |
You know, this is a very exciting moment. | 0:54:05 | 0:54:07 | |
You know, this is a big day, even in the world of David Attenborough. | 0:54:07 | 0:54:11 | |
As we disappear beneath the waves, | 0:54:17 | 0:54:19 | |
out on a support vessel, | 0:54:19 | 0:54:21 | |
underwater cameraman Steve Hudson prepares to film the sub | 0:54:21 | 0:54:25 | |
as it explores the reef. | 0:54:25 | 0:54:26 | |
So, Nick and I are going to jump in the water, | 0:54:29 | 0:54:32 | |
descend to a maximum depth of about 30 metres | 0:54:32 | 0:54:35 | |
and shoot exterior shots of the submarine | 0:54:35 | 0:54:37 | |
as it cruises over the reef. | 0:54:37 | 0:54:39 | |
It can be pretty tiring. | 0:54:41 | 0:54:42 | |
You have to swim in front of it, swim behind it, | 0:54:42 | 0:54:45 | |
swim beneath it, swim above it, | 0:54:45 | 0:54:47 | |
trying to get a multiple of shots. | 0:54:47 | 0:54:49 | |
But today, because of the strong currents, visibility is poor. | 0:54:51 | 0:54:54 | |
At first, Steve struggles to locate the sub through the cloudy water. | 0:54:59 | 0:55:03 | |
Finally, he makes visual contact. | 0:55:21 | 0:55:23 | |
Before we descend deeper and beyond his reach, | 0:55:30 | 0:55:32 | |
Steve must get his exterior shots of the sub. | 0:55:32 | 0:55:35 | |
Lead cameraman Paul Williams | 0:55:37 | 0:55:39 | |
captures the action from inside the vessel. | 0:55:39 | 0:55:41 | |
To get the best footage, | 0:55:43 | 0:55:45 | |
the divers need to coordinate with the sub team. | 0:55:45 | 0:55:47 | |
It's a task easier said than done. | 0:55:49 | 0:55:52 | |
We're literally in a bubble. | 0:55:52 | 0:55:53 | |
We can't talk to the divers outside. | 0:55:53 | 0:55:56 | |
We had this rather crude hand signal. | 0:55:56 | 0:55:58 | |
You know, it's like, | 0:55:58 | 0:55:59 | |
"Get out of shot," or, you know, | 0:55:59 | 0:56:02 | |
"Well, just move over that way a bit." | 0:56:02 | 0:56:04 | |
Can you see his hand signals, yeah? | 0:56:20 | 0:56:22 | |
He's saying, "Thank you." | 0:56:34 | 0:56:36 | |
Thank you and... | 0:56:36 | 0:56:37 | |
We're just going to do the descent now. | 0:56:37 | 0:56:39 | |
'As the vessel dives deeper, | 0:56:48 | 0:56:49 | |
'we're treated to some spectacular sights... | 0:56:49 | 0:56:53 | |
Oh, how beautiful. | 0:56:53 | 0:56:54 | |
'..which show why the reef is one of the most dazzling | 0:56:56 | 0:56:59 | |
'habitats on the planet.' | 0:56:59 | 0:57:00 | |
Oh, look at this lot. | 0:57:06 | 0:57:08 | |
It's jolly nice that someone of my age | 0:57:08 | 0:57:10 | |
can be taken down in fantastic comfort. | 0:57:10 | 0:57:13 | |
Grey reef shark there. | 0:57:13 | 0:57:15 | |
No problem about breathing. No problem about talking. | 0:57:15 | 0:57:18 | |
No problem about your movements. | 0:57:18 | 0:57:21 | |
There's another. | 0:57:21 | 0:57:22 | |
You're just sitting there | 0:57:24 | 0:57:26 | |
and looking at one of the most extraordinary places on Earth. | 0:57:26 | 0:57:29 | |
A privilege given to very few. | 0:57:29 | 0:57:31 |